tag:blogger.com,1999:blog-54645693239784137292024-03-13T18:51:40.314+01:00ConSentido PropioPoliédrica expresión de singulares sensibilidades forjando el ámbito de lo Bellol'imposteurhttp://www.blogger.com/profile/03488426646008489661noreply@blogger.comBlogger728125tag:blogger.com,1999:blog-5464569323978413729.post-51203444026662704072021-12-25T21:28:00.005+01:002021-12-25T21:29:44.781+01:00Felicitación de Navidad 2021<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiBoF1e4x_Tgn_34ckr9fKZpAIitcn9xoxleKz-aRNB2KkCjyEZZfbbJwcJ_rmt9YJiCTOjnKOYHZHgDNueEVBwB3f_uJpHGPAJuFIroZnqHzLoLjusiyK47Th_rMQq6BsdRQ0gdRMhcHUev5QsY443ppaDNmZq6c0mNSmgDtfwiBnQTcjaVPqoWMZV=s1240" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1240" data-original-width="875" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEiBoF1e4x_Tgn_34ckr9fKZpAIitcn9xoxleKz-aRNB2KkCjyEZZfbbJwcJ_rmt9YJiCTOjnKOYHZHgDNueEVBwB3f_uJpHGPAJuFIroZnqHzLoLjusiyK47Th_rMQq6BsdRQ0gdRMhcHUev5QsY443ppaDNmZq6c0mNSmgDtfwiBnQTcjaVPqoWMZV=w452-h640" width="452" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><p></p>Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-5464569323978413729.post-58596440449654164332021-06-09T11:03:00.004+02:002021-06-09T11:48:21.287+02:00La Nereida (ensoñación de una mañana de primavera)<p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-Myg7ew7hgf4/YMCLmiqKw-I/AAAAAAAAnY0/Q2hGIOfsMmYkSMWqussRilmIpLjOvYnIACLcBGAsYHQ/s1745/John%2BWilliam%2BWaterhouse_A%2Bmermaid.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1745" data-original-width="1200" height="640" src="https://1.bp.blogspot.com/-Myg7ew7hgf4/YMCLmiqKw-I/AAAAAAAAnY0/Q2hGIOfsMmYkSMWqussRilmIpLjOvYnIACLcBGAsYHQ/w440-h640/John%2BWilliam%2BWaterhouse_A%2Bmermaid.jpeg" width="440" /></a></div><div style="text-align: center;"><i style="font-style: italic;">A Mermaid </i><i> </i>John Williams Waterhouse</div><br /><p></p><p></p><p style="text-align: center;"><b><span style="font-size: x-large;">La Nereida</span></b></p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-YeUTWdNfWwk/YMCBeaHhMfI/AAAAAAAAnYs/peQ0HVJmT8MVPHxJ74Xd1BZAb7bNDjkOACLcBGAsYHQ/s1467/La%2BNereida_imagen_page-0001%2B%25283%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1467" data-original-width="321" src="https://1.bp.blogspot.com/-YeUTWdNfWwk/YMCBeaHhMfI/AAAAAAAAnYs/peQ0HVJmT8MVPHxJ74Xd1BZAb7bNDjkOACLcBGAsYHQ/s16000/La%2BNereida_imagen_page-0001%2B%25283%2529.jpg" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><b>-o-</b></div><br /><div class="separator" style="clear: both; text-align: center;"><i><span style="font-size: medium;">Música para escuchar: </span></i></div><p style="text-align: center;"><b><span style="font-size: large; font-style: italic;">yes</span><i><span style="font-size: large;">:</span> </i><span style="font-size: medium;">Tales from Topographic Oceans</span></b></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="303" src="https://www.youtube.com/embed/_rwNe2QXwrU" width="364" youtube-src-id="_rwNe2QXwrU"></iframe></div><div><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-GMMPpdY069g/YMB7vbV3omI/AAAAAAAAnYc/INSLksKy27QSrlXRIUaD2UohJzAiJOJvgCLcBGAsYHQ/s1389/Knut-Ekwall%2B-%2BThe%2BFisherman%2Band%2Bthe%2BSiren.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1389" data-original-width="1041" height="640" src="https://1.bp.blogspot.com/-GMMPpdY069g/YMB7vbV3omI/AAAAAAAAnYc/INSLksKy27QSrlXRIUaD2UohJzAiJOJvgCLcBGAsYHQ/w480-h640/Knut-Ekwall%2B-%2BThe%2BFisherman%2Band%2Bthe%2BSiren.jpg" width="480" /></a></div><div class="separator" style="clear: both; text-align: center;"><i style="text-align: left;">The Fisherman and the Siren </i><span style="text-align: left;">Knut Ekwall</span></div><p style="text-align: center;"><b><span style="font-size: large;">-o-o-o-</span></b></p>Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-5464569323978413729.post-82862442326752660622020-11-18T19:36:00.004+01:002020-11-18T19:36:55.876+01:00Las Cuatro Estaciones (II)... a Max Richter<p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-92AlC6H4myk/X7EJxBzlFuI/AAAAAAAAnSM/pi3gmLqy11gSaNBPihFzODZwjq3HvAzngCLcBGAsYHQ/s1102/cuatro%2Bestaciones_Vivaldi%252BRichter.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="782" data-original-width="1102" height="454" src="https://1.bp.blogspot.com/-92AlC6H4myk/X7EJxBzlFuI/AAAAAAAAnSM/pi3gmLqy11gSaNBPihFzODZwjq3HvAzngCLcBGAsYHQ/w640-h454/cuatro%2Bestaciones_Vivaldi%252BRichter.png" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><p align="CENTER" style="background: rgb(255, 255, 204); margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: georgia;"><b>Max
Richter</b></span></span></p></div> Nacido el 22 de marzo de 1966, en Hamelin, Alemania, Max Richter es un pianista, compositor y productor germano-británico de música contemporánea y minimalista. Formado musicalmente en la Real Academia de Música de la Universidad de Edimburgo, completada con estudios de composición con Luciano Berio, en Florencia, se ha convertido con el tiempo en un prolífico compositor y poliédrico artista: ha publicado siete álbumes en solitario, colaborado ampliamente en bandas sonoras cinematográficas y escrito música para teatro, ópera y ballet.<div> Muy temprano participó en la fundación de Piano Circus, una formación iconoclasta de música clásica a la que pertenecerían artistas como Arvo Pärt, Brian Eno o Philip Glass, entre otros.</div><div> En los noventa se acercaría a la música electrónica –hecho de importancia capìtal en su obra posterior–, culminando en 2002 en su primer álbum en solitario<i> "Memoryhouse"</i>, grabado con la Orquesta Filarmónica de la BBC. Al que le seguiría, en 2003, <i>"The Blue Notebooks"</i>, su segundo álbum, que contaría con la contribución de Tilda Swinton a la lectura de textos. En 2006 editaría <i>"Songs of Before"</i>, basado en textos de Haruki Murakami, leídos por Robert Wyatt. 2008 es el año en que compone <i>"24 Postcards in Full Colour"</i>, obra experimental que recrea veinticuatro tonos para teléfono. <i>"Infra"</i> es el trabajo que ve la luz en 2010, y se trata de una composición para el Royal Ballet de Londres, elaborado conjuntamente con el coreógrafo Wayne McGregor y el artista visual Julian Opie.</div><div style="text-align: center;"><p align="CENTER" style="background: rgb(255, 255, 204); margin-bottom: 0cm;"><span style="color: black;"><span style="font-family: georgia;"><i><b>"Recomposed
by Max Richter: Vivaldi - The Four Seasons"</b></i></span></span></p></div><div> Y, por fin, 2012 es el año de la obra que nos ocupa: <i>Las Cuatro Estaciones, de Vivaldi, recompuestas por Max Richter</i>. Composición que vio la luz el 31 de agosto, bajo el amparo de Universal Classics and Jazz (Alemania), una división de Universal Music Group y Deutsche Gramophon; posteriormente, en 2019, se realizó una segunda grabación/edición en Rubicon Classics. </div><div> En la edición de Deutsche Gramophon, los intérpretes fueron la Konzerthaus Kammerorchester Berlin, dirigida por André de Rider, con Daniel Hope como violin <i>solo</i>, que para la ocasión dispuso de un instrumento excepcional: el violín denominado Ex-Lipinski, construido por Giuseppe Guarneri del Gesú, en 1742 (prestado para la ocasión por la familia propietaria del mismo, que prefirió permanecer en el anonimato).</div><div> Para la edición de Rubicon Classics se contó con la Covent Garden Sinfonia (formalmente Orquesta de St. Paul), dirigida por Ben Palmer, y la intervención de Fenella Humpreys como solista, quien utilizaría otro instrumento exclusivo: un violín del círculo de Peter Guarneri, de Venecia, fabricado en 1727.</div><div><br /></div><div> Formalmente, se trata de una reinterpretación y recomposción completa de la celebérrima obra de Antonio Vivaldi, de la que, a decir del autor, conserva el 75% de su material original, como una urdimbre sobre la que el compositor germano-británico ha tramado el 25% restante, enfatizando en ella su singular visión posmoderna y minimalista.</div><div> El disco tuvo una buena recepción por parte de la crítica de música clásica, recibiendo elogios generalizados, por lo que esta <i>revisión </i>moderna de un clásico puede ser considerada una perspectiva verdaderamente innovadora, si respetuosa con el espíritu de la obra original, que huye de esas horribles versiones <i>trance</i> efectuadas en los últimos años con las obras de Mozart o Beethoven. </div><div> Esta loable apuesta de Richter ofrece, en cambio, una traducción posmoderna de una obra barroca que, milagrosamente, no la desvirtúa, sino que la ilumina con unas nuevas tonalidades, apenas entrevistas/esbozadas en la original, y que solo algunas formaciones audaces, en los últimos años, se habían aventurado a desarrollar, siempre, eso sí, dentro de los límites estrictamente barrocos (véase, en el post anterior, lo dicho sobre la versión de <i>Le quattro stagioni</i> de I Barrocchisti, para corroborarlo).</div><div style="text-align: center;"><p align="CENTER" style="background: rgb(255, 255, 204); margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: georgia;"><b>Estructura
de la obra</b></span></span>
</p></div><div> La <i>recomposición</i> <i>richteriana</i> de <i>Le quattro stagioni</i> comienza por un tema <i>"0"</i>, un <i>sampler </i>bucólico –a modo de prólogo ambiental–, que da paso a los <i>tracks </i>correspondientes a los tres movimientos que constituyen cada uno de los conciertos: <i>Primavera, Verano, Otoño e Invierno </i>(<i>tracks </i>1-13). Tras estos se incluyen cinco <i>"paisajes electrónicos"</i> (<i>tracks </i>14-18), finalizando la grabación cuatro <i>remixes</i> del propio Max Richter (<i>tracks</i> 19-22).</div><div><br /></div><div style="text-align: center;"><i style="font-family: georgia;"><b style="background-color: white;">Recomposed by Max Richter: Vivaldi - The Four Seasons</b></i></div><div><dl><dl><dl><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-ePlDVB-jCvA/X7VpbZ6LnPI/AAAAAAAAnTg/e46dGkpCfEMHMn8AtPdkkBSu0w3m9-iBACLcBGAsYHQ/s619/Estructura_TheFourSeasons_MaxRichter2.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="619" data-original-width="530" height="640" src="https://1.bp.blogspot.com/-ePlDVB-jCvA/X7VpbZ6LnPI/AAAAAAAAnTg/e46dGkpCfEMHMn8AtPdkkBSu0w3m9-iBACLcBGAsYHQ/w548-h640/Estructura_TheFourSeasons_MaxRichter2.png" width="548" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div></dl></dl></dl></div><div style="text-align: center;"><p align="CENTER" style="background: rgb(255, 255, 204); margin-bottom: 0cm;">
<b><span style="font-family: georgia;">Discografía</span></b></p></div><div><div style="text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/dJnxPgT83rw" width="320" youtube-src-id="dJnxPgT83rw"></iframe></div><div class="separator" style="clear: both; text-align: center;"><i><b style="background-color: white;"><span style="font-family: inherit;">Recomposed by Max Richter: Vivaldi - The Four Seasons</span></b></i></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><b>Konzerthaus Kammerorchester Berlin, André de Rider, Daniel Hope (violín <i>solo</i>)</b></span></div><div class="separator" style="clear: both; text-align: center;"><b style="background-color: white;"><span style="font-family: inherit;">Deutsche Grammophon</span></b></div><div class="separator" style="clear: both; text-align: center;"><b style="background-color: white;"><span style="font-family: inherit;"><br /></span></b></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white;"><b>~o~</b></span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white;"><b><br /></b></span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white;"><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/Ebm69gW9UlI" width="320" youtube-src-id="Ebm69gW9UlI"></iframe></div></span><i><b style="background-color: white;"><span style="font-family: inherit;">Recomposed by Max Richter: Vivaldi - The Four Seasons</span></b></i></div><div class="separator" style="clear: both; text-align: center;"><b style="background-color: white;"><span style="font-family: inherit;">(+ <i>Music from Infra</i>)</span></b></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white;"><b>LPR Ensemble, Tito Muñoz, Max Richter (piano)</b></span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white;"><b><br /></b></span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white;"><b>~o~</b></span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white;"><b><br /></b></span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white;"><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/ZobvtM7p9G8" width="320" youtube-src-id="ZobvtM7p9G8"></iframe></div></span><i><b style="background-color: white;"><span style="font-family: inherit;">Recomposed by Max Richter: Vivaldi - The Four Seasons</span></b></i></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white;"><b>Orchestre de l'Arte del Mondo, Daniel Hope (violín <i>solo</i>), </b></span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white;"><b>Max Richter (teclado electrónico)</b></span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white;"><b><br /></b></span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white;"><b>~o~</b></span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white;"><b><br /></b></span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white;"><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/XXxkiXi0T70" width="320" youtube-src-id="XXxkiXi0T70"></iframe></div></span><i><b style="background-color: white;"><span style="font-family: inherit;">Recomposed by Max Richter: Vivaldi - The Four Seasons</span></b></i></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white;"><b>Polish Chamber Orchestra, Sayaka Shoji (violín <i>solo</i>, directora)<br /><br />o~o~o</b></span></div></div>Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-5464569323978413729.post-9356161282969974042020-11-13T19:28:00.562+01:002021-03-08T11:55:59.999+01:00Las Cuatro Estaciones (I), de Antonio Vivaldi...<p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-f7kzJIXQfkA/X7EFzYnwKEI/AAAAAAAAnSE/p4ew5wUZtY0qK6QorMJ5WOhwzdS5TZUjACLcBGAsYHQ/s1102/cuatro%2Bestaciones%2BI_Vivaldi.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="782" data-original-width="1102" height="454" src="https://1.bp.blogspot.com/-f7kzJIXQfkA/X7EFzYnwKEI/AAAAAAAAnSE/p4ew5wUZtY0qK6QorMJ5WOhwzdS5TZUjACLcBGAsYHQ/w640-h454/cuatro%2Bestaciones%2BI_Vivaldi.png" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><b><span style="font-family: georgia;"><p style="text-align: center;"><b><span style="font-family: georgia;">Génesis y Características de la obra</span></b><span style="text-align: left;"> </span></p></span></b> En torno a 1721 Antonio Vivaldi compuso los cuatro conciertos para violín, orquesta de cuerdas y bajo continuo, que componen el <i>set</i> conocido como <i>Las Cuatro Estaciones</i>. Estos cuatro conciertos fueron publicados/editados por Michel-Charles Le Cène en 1725, en Amsterdam, e integrados en la Op 8, junto a otros ocho conciertos para violín, bajo el nombre de <i>Il cimento dell'armonia e dell'inventione</i> (<i>Concurso entre Armonía e Invención</i>). <p></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-gPCM9g-1xsM/X7LDxd2qbsI/AAAAAAAAnSk/DC1_3K9iu5oAOzC1CydksRS3Fn5e5Nx0QCLcBGAsYHQ/s1981/Cimento_dell%2527_Armonia_e_dell%2527_Inventione-v2-title_page.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1981" data-original-width="1500" height="320" src="https://1.bp.blogspot.com/-gPCM9g-1xsM/X7LDxd2qbsI/AAAAAAAAnSk/DC1_3K9iu5oAOzC1CydksRS3Fn5e5Nx0QCLcBGAsYHQ/w242-h320/Cimento_dell%2527_Armonia_e_dell%2527_Inventione-v2-title_page.jpg" width="242" /></a></div> Era habitual en la época agrupar los conciertos de 12 en 12 en cada <i>Opus</i> editado. Así ocurre, por ejemplo, con Vivaldi, en los casos de <i>L'estro armónico</i> (<i>La Inspiración Armónica</i>), Op 3 (cuatro conciertos para violín solista, y ocho en forma de <i>concerti grossi</i>), Doce Conciertos<i> </i>Op 7 (en forma de <i>concerti solisti</i>, diez de ellos para violín y dos para oboe, cuerdas y bajo continuo) o <i>La Cetra</i>,<i> </i>Op 9 (once conciertos para violín solista y uno para dos violines, cuerdas y b. c.). <p></p><p> Estas tres <i>opus</i> también ilustran la evolución de la forma compositiva, desde el <i>concerto grosso</i> (pieza multi instrumental orquestal) de las últimas décadas del siglo XVII y primeras del XVIII, hacia el <i>concerto solista</i> (en el que la composición pivota sobre un instrumento solista; dando lugar, así, a los <i>virtuosi</i>). Así, la <i>Op 3, L'estro armónico</i>, data de 1711; la <i>Op 7</i>, de 1716-17; la <i>Op 8</i>, <i>Il cimento dell'armonia e dell'inventione</i>, de 1721; y la <i>Op 9, La Cetra (La Lira)</i>, de 1727, son todas ellas conjunto de conciertos (12) para instrumento solista (frecuentemente violín, aunque también los hay para instrumentos de viento como flauta u oboe).</p><p> Estas piezas forman parte de la denominada "música programática" o descriptiva, que es aquella que tiene una intención narrativa; es decir, que tiene por objetivo evocar ideas, imágenes o diferentes situaciones reales en la mente del oyente. De hecho, <i>Las Cuatro Estaciones</i> tienen un soporte lírico en otros tantos sonetos dedicados a cada estación. Su autoría es discutida, aunque se suelen atribuir al mismo compositor. Lo que tampoco se sabe a ciencia cierta es si los sonetos glosaron la música <i>a posteriori</i> o precedieron a su composición, a modo de guía <i>clave</i> de los conceptos a desarrollar musicalmente. </p><p> En cuanto a la composición interna de las obras –en el caso de <i>Las Cuatro Estaciones–</i>, cada concierto consta de tres movimientos, de los que el primero y el último se corresponden con un tempo <i>Allegro </i>y/o<i> Presto</i>, mientras que el movimiento central suele ser <i>Adagio </i>o <i>Largo </i>(salvo en el <i>Verano</i>, en que combina el <i>Adagio</i> con el <i>Presto</i>). </p><p> Por su parte, los <i>sonetos</i> se atienen a esta triple disposición formal (tres movimientos), dando sustrato significativo a cada <i>tempo</i>, independientemente de su estructura estrófica (siendo, pues, unos sonetos canónicos en lo formal –dos cuartetos y dos tercetos–, pero no en la distribución textual significativa en relación a los diversos movimientos: las cuatro estrofas se dividen irregularmente entre los tres movimientos).</p><p style="text-align: center;">~o~o~</p><p style="text-align: center;"><span style="font-family: georgia;"><b><i>Le quattro stagioni (Las Cuatro Estaciones)</i></b></span></p><p style="text-align: center;"><b><span style="font-family: helvetica; font-size: x-small;">Antonio Vivaldi</span></b></p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/--3GWJKboHHE/X6rngW8uxeI/AAAAAAAAnO8/bh9MHi91xysfIMyihC-vn5cEk26veO9_QCLcBGAsYHQ/s1100/Primavera%2B1_Soneto0.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="779" data-original-width="1100" height="454" src="https://1.bp.blogspot.com/--3GWJKboHHE/X6rngW8uxeI/AAAAAAAAnO8/bh9MHi91xysfIMyihC-vn5cEk26veO9_QCLcBGAsYHQ/w640-h454/Primavera%2B1_Soneto0.jpg" width="640" /></a></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/f8oWZ57swyg" width="320" youtube-src-id="f8oWZ57swyg"></iframe></div><i>"La Primavera"</i>. La Serenissima, Adrian Chandler (director/violín)</div><div style="text-align: center;"><br /></div><div style="text-align: center;"><b>~ o ~</b></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-33LFBahqomQ/X6rnt0VbgoI/AAAAAAAAnPA/dAO-CC8yKkUmXtwGZ7Cwr7qXqfbxfnXHQCLcBGAsYHQ/s1100/Verano%2B3_soneto.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="780" data-original-width="1100" height="454" src="https://1.bp.blogspot.com/-33LFBahqomQ/X6rnt0VbgoI/AAAAAAAAnPA/dAO-CC8yKkUmXtwGZ7Cwr7qXqfbxfnXHQCLcBGAsYHQ/w640-h454/Verano%2B3_soneto.jpg" width="640" /></a></div><div style="text-align: center;"><b><br /></b></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/5ZSXUDfGSik" width="320" youtube-src-id="5ZSXUDfGSik"></iframe></div><div style="text-align: center;"><i>"El Verano"</i>. La Serenissima, Adrian Chandler (director/violín)</div><div style="text-align: center;"><b><br /></b></div><div style="text-align: center;"><b>~ o ~</b></div><div style="text-align: center;"><b><br /></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-6uCkrAfaCkk/X6rn0IeY0JI/AAAAAAAAnPM/IJR1Xxz_XQICu2q81ABZPVIH3b_u7DmJQCLcBGAsYHQ/s1100/Oto%25C3%25B1o%2B2_c_soneto.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="780" data-original-width="1100" height="454" src="https://1.bp.blogspot.com/-6uCkrAfaCkk/X6rn0IeY0JI/AAAAAAAAnPM/IJR1Xxz_XQICu2q81ABZPVIH3b_u7DmJQCLcBGAsYHQ/w640-h454/Oto%25C3%25B1o%2B2_c_soneto.jpg" width="640" /></a></div><div style="text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/Ws6x8ppET5U" width="320" youtube-src-id="Ws6x8ppET5U"></iframe></div><div style="text-align: center;"><i>"El Otoño"</i>. La Serenissima, Adrian Chandler (director/violín)</div><div style="text-align: center;"><br /></div><div style="text-align: center;"><b>~ o ~</b></div><div><div style="text-align: center;"><b><br /></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-N_LXqCgbNjs/X6rn6-VARtI/AAAAAAAAnPQ/Da3xu-8Y-yEzEr-b6Z5JftJo2_9cRzSUwCLcBGAsYHQ/s1100/Invierno%2B3_c_soneto.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="780" data-original-width="1100" height="454" src="https://1.bp.blogspot.com/-N_LXqCgbNjs/X6rn6-VARtI/AAAAAAAAnPQ/Da3xu-8Y-yEzEr-b6Z5JftJo2_9cRzSUwCLcBGAsYHQ/w640-h454/Invierno%2B3_c_soneto.jpg" width="640" /></a></div><p style="text-align: center;"><i></i></p><div class="separator" style="clear: both; text-align: center;"><i><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/Lo69bWrZS2Y" width="320" youtube-src-id="Lo69bWrZS2Y"></iframe></i></div><i><br /><div style="text-align: center;"><i>"El Invierno"</i>. La Serenissima, Adrian Chandler (director/violín)</div></i><p></p><div style="text-align: center;"><b>~ o ~ o ~ o ~</b></div><p style="text-align: center;"><b><u>DISCOGRAFÍA SELECTA</u></b></p><p style="text-align: left;"> Muchas son las grabaciones que sobre <i>Le quattro stagioni</i> se han llevado a cabo. El primer registro, a cargo del violinista Alfredo Campoli, procedente de acetatos grabados de una emisora de radio francesa, data de 1939. Pero la primera grabación discográfica como tal se realizó en 1942, interpretada por Bernardo Molinari en el sello CETRA, publicándose primero en Italia, y posteriormente, en 6 vinilos de 78 rpm, en EEUU. Esta primera versión, aunque reconocible, no cumple unos mínimos estándares de calidad. </p><p style="text-align: left;"> Habrá que esperar a <b>1948 </b>para que el violinista <b>Louis Kaufmann</b>, con la <b>Orquesta de Cuerdas del Concert Hall</b> neoyorquino, dirigida por <b>Henry Swoboda</b>, y asistidos por <b>Edith Weiss-Mann</b> al clavecín y <b>Edouard Niels-Berger</b> al órgano, grabasen la primera gran versión referencial. En tanto se estima su contribución y calidad que recibiría en 1950 Le Grand Prix du Disque francés, en 2002 fue elegida para formar parte del Salón de la Fama Grammy, y en 2003 fue seleccionada para el Registro Nacional de Grabaciones de la Biblioteca del Congreso de los EEUU. </p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-58AwUdlkm7A/X6-WyXm3vHI/AAAAAAAAnPs/Kthk0nAAqrkRBq-NAyrern9LCu7ZYSbQgCLcBGAsYHQ/s600/A.%2BVivaldi%2B-%2BLes%2BQuatre%2BSaisons%2B-%2BViolin%2BLouis%2BKaufman_1950.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="584" data-original-width="600" height="310" src="https://1.bp.blogspot.com/-58AwUdlkm7A/X6-WyXm3vHI/AAAAAAAAnPs/Kthk0nAAqrkRBq-NAyrern9LCu7ZYSbQgCLcBGAsYHQ/w320-h310/A.%2BVivaldi%2B-%2BLes%2BQuatre%2BSaisons%2B-%2BViolin%2BLouis%2BKaufman_1950.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><b><i>Le quattro stagioni</i>, Concert Hall, Louis Kaufmann, 1950</b>. Portada del disco.<span style="text-align: left;"> </span></div><p></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/IBP9K4U-2TY" width="320" youtube-src-id="IBP9K4U-2TY"></iframe></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">~o~</div><p style="text-align: left;"> Desde entonces se han realizado más de mil grabaciones de la obra, de las que se podrían destacar, sin pretender ser exhaustivos, un ramillete de ellas que, además de contar entre las versiones de referencia, darán una ajustada perspectiva de la interpretación que en diversas épocas y por diversos autores se ha llevado a cabo de esta celebérrima pieza barroca. </p><p style="text-align: left;"> Será un grupo ya señero de la música de cámara, <b>I Musici</b>, quien comenzará, tan pronto como 1955, a registrar sus primeras grabaciones de la que será una de sus obras favoritas. Hay tantos registros discográficos de <i>Le quattro stagioni</i> de esta selecta formación como directores/violinistas solistas la han dirigido a lo largo de los años. Desde <b>Félix Ayo</b> (1955 y <b>1959</b>) a <b>Mariana Sirbu</b> (<b>1995</b>), pasando por <b>Roberto Michelucci</b> (<b>1969</b>), <b>Pina Carmirelli</b> (<b>1982</b>) y <b>Federico Agostini</b> (<b>1990</b>); cinco versiones diferentes –que no agotan el total de las grabadas, pero que sirven como fiel panorámica– a lo largo de cuarenta años. Estas son:</p><p style="text-align: left;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-klH_PXwYiL8/X6-aSmnwV_I/AAAAAAAAnP0/UpbUiXqzBHMJO6B2YRGpBhupp892PHXKQCLcBGAsYHQ/s609/A.%2BVivaldi%2B-%2BLe%2Bquattro%2Bstagioni_I%2BMusici_Felix%2BAyo_1959.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="609" data-original-width="599" height="320" src="https://1.bp.blogspot.com/-klH_PXwYiL8/X6-aSmnwV_I/AAAAAAAAnP0/UpbUiXqzBHMJO6B2YRGpBhupp892PHXKQCLcBGAsYHQ/w315-h320/A.%2BVivaldi%2B-%2BLe%2Bquattro%2Bstagioni_I%2BMusici_Felix%2BAyo_1959.jpg" width="315" /></a></div><div class="separator" style="clear: both; text-align: center;"><b><i>Le quattro stagioni, </i>I Musici, Felix Ayo, 1959</b>. Portada del disco.<span style="text-align: left;"> </span></div><p></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/uuF7PDwvHY4" width="320" youtube-src-id="uuF7PDwvHY4"></iframe></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div style="text-align: center;">~o~</div><div style="text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-6DiECN3_T5I/X6-i-U1iXnI/AAAAAAAAnP8/jDkBZFBl79Y0LEJlaPYPtpuc1MHtliU1QCLcBGAsYHQ/s605/A.%2BVivaldi%2B-%2BLe%2Bquattro%2Bstagioni_I%2BMusici_Roberto%2BMichelucci_1969.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="605" data-original-width="599" height="320" src="https://1.bp.blogspot.com/-6DiECN3_T5I/X6-i-U1iXnI/AAAAAAAAnP8/jDkBZFBl79Y0LEJlaPYPtpuc1MHtliU1QCLcBGAsYHQ/w317-h320/A.%2BVivaldi%2B-%2BLe%2Bquattro%2Bstagioni_I%2BMusici_Roberto%2BMichelucci_1969.jpg" width="317" /></a></div><div class="separator" style="clear: both; text-align: center;"><b><i>Le quattro stagioni, </i>I Musici, Roberto Michelucci, 1969</b>. Portada del disco.</div><br /><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/k7X7cqJN4mc" width="320" youtube-src-id="k7X7cqJN4mc"></iframe></div><br /><div style="text-align: center;">~o~</div><div style="text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-k_2L2OzW6A4/X6-mI-oA6LI/AAAAAAAAnQE/T8gW22n-CgAo91VMGfIuUZtKEUvjtcGsgCLcBGAsYHQ/s600/A.%2BVivaldi%2B-%2BLe%2Bquattro%2Bstagioni_I%2BMusici_Pina%2BCamirelli_1982.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="600" height="320" src="https://1.bp.blogspot.com/-k_2L2OzW6A4/X6-mI-oA6LI/AAAAAAAAnQE/T8gW22n-CgAo91VMGfIuUZtKEUvjtcGsgCLcBGAsYHQ/w320-h320/A.%2BVivaldi%2B-%2BLe%2Bquattro%2Bstagioni_I%2BMusici_Pina%2BCamirelli_1982.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><b><i>Le quattro stagioni, </i>I Musici, Pina Carmirelli, 1982</b>. Portada del disco.</div><br /><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/2LIAIGrb1lQ" width="320" youtube-src-id="2LIAIGrb1lQ"></iframe></div><p style="text-align: center;">~o~</p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-Qhx7k284Kl8/X6-oHMx5rkI/AAAAAAAAnQM/OEBNpRJJR-glx08JBcUTQyyVmhM99KiAACLcBGAsYHQ/s600/A.%2BVivaldi%2B-%2BLe%2Bquattro%2Bstagioni_I%2BMusici_Federico%2BAgostini_1989.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="600" height="320" src="https://1.bp.blogspot.com/-Qhx7k284Kl8/X6-oHMx5rkI/AAAAAAAAnQM/OEBNpRJJR-glx08JBcUTQyyVmhM99KiAACLcBGAsYHQ/w320-h320/A.%2BVivaldi%2B-%2BLe%2Bquattro%2Bstagioni_I%2BMusici_Federico%2BAgostini_1989.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><b><i>Le quattro stagioni, </i>I Musici, Federico Agostini, 1990</b>. Portada del disco.</div><br /><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/KOPWwAaVRWw" width="320" youtube-src-id="KOPWwAaVRWw"></iframe></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">~o~</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-SsYSdh35dIk/X6-peRE38nI/AAAAAAAAnQU/w30onMsDYnYD700Z8Clkwwg7vE0x7sirACLcBGAsYHQ/s599/A.%2BVivaldi%2B-%2BLe%2Bquattro%2Bstagioni_I%2BMusici_Mariana%2BSirbu_1995.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="596" data-original-width="599" height="318" src="https://1.bp.blogspot.com/-SsYSdh35dIk/X6-peRE38nI/AAAAAAAAnQU/w30onMsDYnYD700Z8Clkwwg7vE0x7sirACLcBGAsYHQ/w320-h318/A.%2BVivaldi%2B-%2BLe%2Bquattro%2Bstagioni_I%2BMusici_Mariana%2BSirbu_1995.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><b><i>Le quattro stagioni, </i>I Musici, Mariana Sirbu, 1995</b>. Portada del disco.</div><br /><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/ganIFd0wao0" width="320" youtube-src-id="ganIFd0wao0"></iframe></div><br /><div class="separator" style="clear: both; text-align: center;">~o~</div><p style="text-align: left;"> A aquella primera grabación de I Musici, de 1955, le seguiría en orden cronológico otra excelente versión, la de <b>I Solisti di Zagreb</b>, bajo la batuta de <b>Antonio Janigro</b>, contando con <b>Jan Tomasov</b> como violín solista, grabada en <b>1957</b>.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-cAcDCIX0JLc/X6-sQe6f7sI/AAAAAAAAnQc/uhe_7Uvd9kUzWmSxBQZ-xZ1lDQw_rJ3_wCLcBGAsYHQ/s300/Vivaldi-The-Four-Seasons_I-Solisti-Di-Zagreb_Antonio-Janigro.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="300" height="320" src="https://1.bp.blogspot.com/-cAcDCIX0JLc/X6-sQe6f7sI/AAAAAAAAnQc/uhe_7Uvd9kUzWmSxBQZ-xZ1lDQw_rJ3_wCLcBGAsYHQ/w320-h320/Vivaldi-The-Four-Seasons_I-Solisti-Di-Zagreb_Antonio-Janigro.png" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><b><i>Le quattro stagioni, </i>I Solisti di Zagreb, Antonio Janigro/Jan tomasow</b>, 1957</div><br /><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/l_OXtRkxf7I" width="320" youtube-src-id="l_OXtRkxf7I"></iframe></div><p style="text-align: center;">~o~</p><p style="text-align: left;"> Tras esta última, llega la hora de los intérpretes británicos, y entre ellos hay tres versiones que destacan: la de <b>1969</b>, de <b>Neville Marriner </b>dirigiendo a la famosa <b>Academy of St. Martin in the Fields</b>, con <b>Alan Loveday</b> como violín solista; la de <b>Trevor Pinnock</b> (<b>1982</b>) , conduciendo al no menos célebre <b>The English Concert</b>, formación que dispone de instrumentos originales para sus interpretaciones, con <b>Simon Standage</b> al violín solista; y en <b>1989 </b>la de <b>Nigel Kennedy </b>con la <b>English Chamber Orchestra</b>,<b> </b>éxito de ventas en lo que a música clásica se refiere, con más de dos millones de copias. Estas versiones sajonas, sea como fuere, contribuyeron de manera determinante a la popularización definitiva de Las Cuatro Estaciones.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-tlo87TRM7Dk/X6-wqPJHVTI/AAAAAAAAnQk/7VNGNNXNqocyAz0-4gMkUwgRESB5jDougCLcBGAsYHQ/s600/A.%2BVivaldi%2B-%2BLe%2Bquattro%2Bstagioni_Academy%2Bof%2BSt%2BMartin%2Bin%2Bthe%2BFields%252C%2BNeville%2BMarriner%252C%2BLoveday_1969.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="600" height="320" src="https://1.bp.blogspot.com/-tlo87TRM7Dk/X6-wqPJHVTI/AAAAAAAAnQk/7VNGNNXNqocyAz0-4gMkUwgRESB5jDougCLcBGAsYHQ/s320/A.%2BVivaldi%2B-%2BLe%2Bquattro%2Bstagioni_Academy%2Bof%2BSt%2BMartin%2Bin%2Bthe%2BFields%252C%2BNeville%2BMarriner%252C%2BLoveday_1969.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><b><i>Le quattro stagioni, </i>Academy of St Martin in the Fields, Neville Marriner/Alan Loveday</b>, 1969</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/ByZx6oBd4yA" width="320" youtube-src-id="ByZx6oBd4yA"></iframe></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">~o~</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-gdsO5spCC-0/X6-yenZecFI/AAAAAAAAnQs/BSt3YJt9J8gcejUkkLPn9jeK-z8rO4wCQCLcBGAsYHQ/s599/A.%2BVivaldi%2B-%2BLe%2Bquattro%2Bstagioni_The%2BEnglish%2BConcert%252C%2BTrevor%2BPinnock%252C%252C%2BSimon%2BStandage_1982.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="596" data-original-width="599" src="https://1.bp.blogspot.com/-gdsO5spCC-0/X6-yenZecFI/AAAAAAAAnQs/BSt3YJt9J8gcejUkkLPn9jeK-z8rO4wCQCLcBGAsYHQ/s320/A.%2BVivaldi%2B-%2BLe%2Bquattro%2Bstagioni_The%2BEnglish%2BConcert%252C%2BTrevor%2BPinnock%252C%252C%2BSimon%2BStandage_1982.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><b><i>Le quattro stagioni</i>, The English Concert, Trevor Pinnock/Simon Standage</b>, 1982</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/EDj8axJ07iM" width="320" youtube-src-id="EDj8axJ07iM"></iframe></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">~o~</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-tTrtg0fjrQk/X6-zryWKAJI/AAAAAAAAnQ0/UBYxjqOCXZAppEHKltah2Tz-o9vMK-BlwCLcBGAsYHQ/s596/A.%2BVivaldi%2B-%2BLe%2Bquattro%2Bstagioni_English%2BChambert%2BOrchestra%252C%2BNigel%2BKennedy_1989.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="590" data-original-width="596" src="https://1.bp.blogspot.com/-tTrtg0fjrQk/X6-zryWKAJI/AAAAAAAAnQ0/UBYxjqOCXZAppEHKltah2Tz-o9vMK-BlwCLcBGAsYHQ/s320/A.%2BVivaldi%2B-%2BLe%2Bquattro%2Bstagioni_English%2BChambert%2BOrchestra%252C%2BNigel%2BKennedy_1989.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><b><i>Le quattro stagioni</i>, The English Chamber Orchestra, Nigel Kennedy</b>, 1989</div><br /><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/d2XM1EMzaWs" width="320" youtube-src-id="d2XM1EMzaWs"></iframe></div><br /><div class="separator" style="clear: both; text-align: center;">~o~</div><p style="text-align: left;"> Cabe destacar otra versión historicista (con instrumentos originales), la de <b>Sigiswald Kuijken</b>, con <b>La Petite Bande</b>, de <b>1980 (RCA/Seon).</b></p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-ks8X3A5LxwM/X6-1cM6ljhI/AAAAAAAAnQ8/f83zFmeAqvc3yhKX4g9ZqTwWnTYKpOpxQCLcBGAsYHQ/s599/A.%2BVivaldi%2B-%2BLa%2BPetite%2BBande%252C%2BSigiswald%2BKuijken_1980.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="590" data-original-width="599" src="https://1.bp.blogspot.com/-ks8X3A5LxwM/X6-1cM6ljhI/AAAAAAAAnQ8/f83zFmeAqvc3yhKX4g9ZqTwWnTYKpOpxQCLcBGAsYHQ/s320/A.%2BVivaldi%2B-%2BLa%2BPetite%2BBande%252C%2BSigiswald%2BKuijken_1980.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><b><i>Le quattro stagioni</i>, La Petite Bande, Sigiswald Kuijken</b>, 1980</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/XjrT8MOdC7I" width="320" youtube-src-id="XjrT8MOdC7I"></iframe></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">~o~</div><p style="text-align: left;"> Por la calidad de intérprete solista, conjunto orquestal y director la siguiente versión, a cargo de <b>Anne-Sophie Mutter</b>, con la <b>Wiener Philharmoniker </b>dirigida por <b>Herbert von Karajan</b>, grabada en <b>1984</b>, nos da cuenta de lo que es una versión formalmente academicista de la obra, donde no hay lugar a interpretaciones particulares de la partitura original, ni concesiones al sonido barroco.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-zI2oi-hShjs/X6-4EWHaG-I/AAAAAAAAnRE/2-p3wJnwGDkn1Kd9E1AaXCM3t83L-J3dQCLcBGAsYHQ/s600/A.%2BVivaldi%2B-%2BWiener%2BPhilharmoniker%252C%2BKarajan%252C%2BAnne-Sophie%2BMutter_1984.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="591" data-original-width="600" src="https://1.bp.blogspot.com/-zI2oi-hShjs/X6-4EWHaG-I/AAAAAAAAnRE/2-p3wJnwGDkn1Kd9E1AaXCM3t83L-J3dQCLcBGAsYHQ/s320/A.%2BVivaldi%2B-%2BWiener%2BPhilharmoniker%252C%2BKarajan%252C%2BAnne-Sophie%2BMutter_1984.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><b><i>Le quattro stagioni</i>, Wiener Philharmoniker, Hebert von Karajan/Anne-Sophie Mutter</b>, 1984</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/J2qO8WosfTg" width="320" youtube-src-id="J2qO8WosfTg"></iframe></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">~o~</div><p style="text-align: left;"> Otra excelente versión academicista es la grabada en <b>1981</b> por la <b>London Symphony Orchestra</b>, con <b>Claudio Abbado</b> a la batuta y <b>Gidon Kremer</b> al violín <i>solo</i>. Excelente por lo prístina, tanto en la impecable interpretación solista como en el siempre bien medido acompañamiento, donde las cuerdas se comportan en ocasiones como verdaderos vendavales –ya azotando sonorosos, ya amainando el ímpetu–, y en ocasiones como auténticas brisas tonales –ora matizando el discurso del violín solista, ora contrastando su melodía.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-sqkqSOPmTyE/X6_EtBlgCsI/AAAAAAAAnRM/zyBPv0-N_Pg4tt2YUm1edohusGwnoFmLwCLcBGAsYHQ/s600/A.%2BVivaldi%2B-%2BLondon%2BSymphony%252C%2BClaudio%2BAbbado%252C%2BGuidon%2BKremer_1981.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="594" data-original-width="600" src="https://1.bp.blogspot.com/-sqkqSOPmTyE/X6_EtBlgCsI/AAAAAAAAnRM/zyBPv0-N_Pg4tt2YUm1edohusGwnoFmLwCLcBGAsYHQ/s320/A.%2BVivaldi%2B-%2BLondon%2BSymphony%252C%2BClaudio%2BAbbado%252C%2BGuidon%2BKremer_1981.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><b><i>Le quattro stagioni</i>, London Symphony Orchestra, Claudio Abbado/Gidon Kremer</b>, 1981</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/XRuknan7sUY" width="320" youtube-src-id="XRuknan7sUY"></iframe></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">~o~</div><p style="text-align: left;"> Y para finalizar, una moderna perspectiva <i>italiana</i> de la pieza más famosa del compositor veneciano. Serán cinco formaciones musicales surgidas a finales del siglo XX, todas ellas dirigidas por violinistas <i>italianos</i>, casi siempre de corte <i>historicista</i> (disponiendo de instrumentos de la época o réplicas de los mismos), personales todos ellos, libres en su re-interpretación barroca, intentando siempre ofrecer y acercar una visión del barroco más genuino a nuestro tiempo. Las cuatro primeras son: el <b>Concerto Italiano</b>, de <b>Rinaldo Alessandrini (2006)</b>; <b>L'Arte dell'Arco</b>, a cargo de <b>Federico Guglielmo (2012)</b>; la<b> Europa Galante</b> de <b>Fabio Biondi</b>, de la que presentamos su versión en directo en el Festival de Nantes, de <b>2003</b>; el <b>Music Chapel Ensamble</b>, dirigido por <b>Giuliano Carmignola</b>, actuación en directo en el Music Chapel Festival (Queen Elisabeth), también de <b>2003</b>.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-k7G1hpgmRKc/X7Az7U4GTeI/AAAAAAAAnRU/AxjllTPsE7AdicqRVuxR8Z8nVot0DyA6wCLcBGAsYHQ/s399/A.%2BVivaldi%2B-%2BLe%2Bquattro%2Bstagioni_%2BConcerto%2BItaliano%252C%2BRinaldo%2BAlessandrini%252C%2B2006.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="393" data-original-width="399" src="https://1.bp.blogspot.com/-k7G1hpgmRKc/X7Az7U4GTeI/AAAAAAAAnRU/AxjllTPsE7AdicqRVuxR8Z8nVot0DyA6wCLcBGAsYHQ/s320/A.%2BVivaldi%2B-%2BLe%2Bquattro%2Bstagioni_%2BConcerto%2BItaliano%252C%2BRinaldo%2BAlessandrini%252C%2B2006.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><b><i>Le quattro stagioni</i>, Concerto Italiano, Rinaldo Alessandrini, 2003</b>.<b> </b>Portada del disco</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/Yg903HyGWFc" width="320" youtube-src-id="Yg903HyGWFc"></iframe></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">~o~</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-aH8EC9BE-48/X7A0xtI4DEI/AAAAAAAAnRc/ProkR7GsZKIgKuTJD_P12qtmTpOsU69hQCLcBGAsYHQ/s500/A.%2BVivaldi%2B-%2BLe%2Bquattro%2Bstagioni_L%2527Arte%2Bdell%2527Arco%252C%2BFederico%2BGuglielmo_2012.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="320" src="https://1.bp.blogspot.com/-aH8EC9BE-48/X7A0xtI4DEI/AAAAAAAAnRc/ProkR7GsZKIgKuTJD_P12qtmTpOsU69hQCLcBGAsYHQ/s320/A.%2BVivaldi%2B-%2BLe%2Bquattro%2Bstagioni_L%2527Arte%2Bdell%2527Arco%252C%2BFederico%2BGuglielmo_2012.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><b><i>Le quattro stagioni</i>, L'Arte dell'Arco, Federico Guglielmo, 2012</b>.<b> </b>Portada del disco</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/BjAaK4rA0bQ" width="320" youtube-src-id="BjAaK4rA0bQ"></iframe></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">~o~</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-xZo6_QsQpMc/X7A1ijLappI/AAAAAAAAnRk/gkRbhk8HUAodxdzYC-LH-ydmfvUvRo6dgCLcBGAsYHQ/s600/A.%2BVivaldi%2B-%2BLe%2Bquattro%2Bstagioni_%2BEuropa%2BGalante%252C%2BFabio%2BBiondi_1991_2000.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="595" data-original-width="600" src="https://1.bp.blogspot.com/-xZo6_QsQpMc/X7A1ijLappI/AAAAAAAAnRk/gkRbhk8HUAodxdzYC-LH-ydmfvUvRo6dgCLcBGAsYHQ/s320/A.%2BVivaldi%2B-%2BLe%2Bquattro%2Bstagioni_%2BEuropa%2BGalante%252C%2BFabio%2BBiondi_1991_2000.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><b><i>Le quattro stagioni</i>, Europa Galante, Fabio Biondi, 1991, 2000</b>.<b> </b>Portada del disco</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/SLP7c0o1Xq0" width="320" youtube-src-id="SLP7c0o1Xq0"></iframe></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">~o~</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/GVTk2HQbqqk" width="320" youtube-src-id="GVTk2HQbqqk"></iframe></div><div class="separator" style="clear: both; text-align: center;"><b><i>Le quattro stagioni</i>, Music Chapel Ensemble, Giuliano Carmignola, 2003</b></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><div class="separator" style="clear: both; text-align: center;"><b>~o~</b></div><p style="text-align: left;"> La quinta de estas versiones italianas más modernas es la de <b>I Barocchisti</b>, con <b>Diego Fasolis</b>, de <b>2003</b>, que aporta aspectos diferenciales con las otras cuatro interpretaciones reseñadas anteriormente. Así: variaciones, embellecimientos y <i>tempi</i> propios, muy pura e intensamente barrocos, que en ocasiones nos hacen creer que nos hallamos ante una obra diferente. Curiosa versión, por libérrima, desenfadada, plena de encantador desparpajo, osada y audaz; es, cuanto menos, interesante de escuchar, y nos acerca, poco a poco, por lo desinhibida, a la original re-composición que hará diez años más tarde Max Richter.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-A4haMYZY4Xs/X7A3UrqJtJI/AAAAAAAAnRs/3plGYbO1SyM4j-NZS-_0PN3DcNs1fcINACLcBGAsYHQ/s602/A.%2BVivaldi%2B-%2BLe%2Bquattro%2Bstagioni_I%2BBarocchisti%252C%2BDiego%2BFasolis_2003.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="602" data-original-width="599" height="320" src="https://1.bp.blogspot.com/-A4haMYZY4Xs/X7A3UrqJtJI/AAAAAAAAnRs/3plGYbO1SyM4j-NZS-_0PN3DcNs1fcINACLcBGAsYHQ/s320/A.%2BVivaldi%2B-%2BLe%2Bquattro%2Bstagioni_I%2BBarocchisti%252C%2BDiego%2BFasolis_2003.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><b><i>Le quattro stagioni</i>, I Barocchisti, Diego Fasolis/Duilio Galfetti, 2003</b>. Portada del disco</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/McLhM-kvw2I" width="320" youtube-src-id="McLhM-kvw2I"></iframe></div><br /><div class="separator" style="clear: both; text-align: center;">o~o~o</div></div><span><a name='more'></a></span>Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-5464569323978413729.post-49577817298202370872020-10-22T20:16:00.075+02:002020-11-19T19:33:12.011+01:00La Belleza danza: música encarnada<div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-RtUtIIvHJQY/X5HHSoQv4LI/AAAAAAAAnNQ/sH7ugsdQn1AHxkDDeSxVRF326e_ZLnmuACLcBGAsYHQ/s1200/The-Four-Seasons-by-Valentin-Baranovsky-%25C2%25AE-State-Academic-Mariinsky-Theatre-0.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="798" data-original-width="1200" height="426" src="https://1.bp.blogspot.com/-RtUtIIvHJQY/X5HHSoQv4LI/AAAAAAAAnNQ/sH7ugsdQn1AHxkDDeSxVRF326e_ZLnmuACLcBGAsYHQ/w640-h426/The-Four-Seasons-by-Valentin-Baranovsky-%25C2%25AE-State-Academic-Mariinsky-Theatre-0.jpg" width="640" /></a></div><br /><p style="text-align: left;">Las Cuatro Estaciones de Antonio Vivaldi –vueltas a lo moderno en una espléndida versión del compositor y pianista minimalista británico Max Richter– han servido de excusa para que Ilya Zhivoi, coreógrafo del Teatro Mariinsky, haya creado una maravilla de danzante música sustanciada en grácil y expresivo movimiento, recreando emociones al compás del significado estacional que ya Vivaldi insuflara en su composición original. </p><p style="text-align: left;">Ekaterina Kondaurova y Roman Belyakov se encargan, de forma sublime, de dar aleve cuerpo protagonista a un elenco de soberbios bailarines del celebérrimo cuerpo de baile <i>petersburgués. </i>Pura belleza danzante, evocadora de arcanos tiempos arcádicos, cuando gráciles ninfas y ágiles faunos encarnaban el más esbelto canon de belleza clásico que los helenos pudieran soñar desde sus apolíneas mentes. </p><p style="text-align: left;">Vivaldi-Richter-Zhivoi-Kondaurova/Belyakov-Mariinsky, son los lados de un poliedro artístico de inconmensurable belleza. Integral armonía fluyendo cual río de notas musicales encarnadas en espléndidos cuerpos expresivos. Torrente de emociones de un lirismo portentoso, donde las cadencias <i>vivaldianas</i> están interpretadas de modo orgánico con una fidelidad intachablemente evocadora e, incluso, seductora.</p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="404" src="https://www.youtube.com/embed/Z1cmx6YnmP0" width="484" youtube-src-id="Z1cmx6YnmP0"></iframe></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-2pTiTvIBNxI/X5MTFegtT2I/AAAAAAAAnNc/TyNiGRaqLoE3TESZDBdps8yv9IUQvthFQCLcBGAsYHQ/s1200/The-Four-Seasons-by-Valentin-Baranovsky-%25C2%25AE-State-Academic-Mariinsky-Theatre-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="630" data-original-width="1200" height="336" src="https://1.bp.blogspot.com/-2pTiTvIBNxI/X5MTFegtT2I/AAAAAAAAnNc/TyNiGRaqLoE3TESZDBdps8yv9IUQvthFQCLcBGAsYHQ/w640-h336/The-Four-Seasons-by-Valentin-Baranovsky-%25C2%25AE-State-Academic-Mariinsky-Theatre-1.jpg" width="640" /></a></div><br /><p style="text-align: center;">-o-</p>Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-5464569323978413729.post-23741056504872464592018-12-20T12:55:00.000+01:002019-01-28T10:55:23.898+01:00Romance de Navidad 2018<br />
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<span style="font-family: inherit;"><i><span style="color: #333333;">Recuerdo que cuando niño</span><br /><span style="color: #333333;">me parecía mi pueblo</span><br /><span style="color: #333333;">una blanca maravilla,</span><br /><span style="color: #333333;">un mundo mágico, inmenso...</span></i></span></div>
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<span style="color: #333333;"><span style="font-family: inherit;"><i>[...]</i></span></span></div>
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<span style="color: #333333;"><span style="font-family: inherit;"><i>¡Cuántas veces, entre lágrimas<br />con mis blancos días sueño,<br />y reconstruyo en mi mente<br />la visión de aquellos tiempos!</i></span></span></div>
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<span style="font-family: inherit; font-size: x-small;"><i><span style="color: #333333;">Remembranzas.</span></i><span style="color: #333333;"> Juan Ramón Jiménez</span></span></div>
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<span style="font-family: inherit;"><i>Mañanicas floridas</i></span></div>
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<span style="font-family: inherit;"><i>del frío invierno,</i></span></div>
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<span style="font-family: inherit;"><i>recordad a mi niño</i></span></div>
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<span style="font-family: inherit;"><i>que duerme al hielo.</i></span></div>
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<span style="font-family: inherit;"><i>«Mañanicas floridas...». </i>Lope de Vega</span></div>
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<span style="font-family: inherit;"><i>Réplica en miniatura, la memoria</i></span></div>
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<span style="font-family: inherit;"><i>es un trasunto mortal de lo eterno.</i></span></div>
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<span style="font-family: inherit;"><i>Vivir suspirando por lo ya pasado</i></span></div>
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<span style="font-family: inherit;"><i>impide respirar plenamente el presente</i></span></div>
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<span style="font-family: inherit;"><i>y limita las aspiraciones de futuro.</i></span></div>
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<span style="font-family: inherit;"><i>Acercarse a la memoria</i></span></div>
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<span style="font-family: inherit;"><i>como a una fuente de dicha,</i></span></div>
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<span style="font-family: inherit;"><i>no como a un pozo de nostalgia.</i></span></div>
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<span style="font-family: inherit;"><i>Pavesas.</i> El autor.</span></div>
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<span style="color: #dc2300;"><span style="font-family: "edwardian script itc" , serif;"><span style="font-size: 28pt;"><b>R</b></span></span></span><span style="font-family: "edwardian script itc" , serif;"><span style="font-size: 28pt;">o</span></span><span style="font-family: "edwardian script itc" , serif;"><span style="font-size: 26pt;">mance de </span></span><span style="color: #dc2300;"><span style="font-family: "edwardian script itc" , serif;"><span style="font-size: 28pt;"><b>N</b></span></span></span><span style="color: black;"><span style="font-family: "edwardian script itc" , serif;"><span style="font-size: 26pt;">avidad</span></span></span><br />
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<span style="color: #dc2300;"><span style="font-family: "edwardian script itc" , serif;"><span style="font-size: large;"><b>2018</b></span></span></span><br />
<span style="color: #dc2300;"><span style="font-family: "edwardian script itc" , serif;"><span style="font-size: large;"><i><b><br /></b></i></span></span></span>
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<b style="text-align: start;"><span style="font-family: "georgia" , "times new roman" , serif;"><i><br /></i></span></b>
<b style="text-align: start;"><span style="font-family: "georgia" , "times new roman" , serif;"><i>Remembranza</i></span></b><br />
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<b style="text-align: start;">1. <i>El escenario</i></b></div>
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<i style="text-align: start;"><span style="color: white;">.......</span><b>El ambiente (Contrapunto)</b></i></div>
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<span style="font-family: inherit;">Ya está aquí el severo invierno</span></div>
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<span style="font-family: inherit;">con su terno gris y blanco:</span></div>
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<span style="font-family: inherit;">densa niebla por las calles,</span></div>
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campos.</span></div>
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<span style="font-family: inherit;">Imposible ver el cielo</span></div>
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<span style="font-family: inherit;">y aun el suelo al dar los
pasos:</span></div>
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<span style="font-family: inherit;">lo que no lo encubre el
hielo,</span></div>
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manto.</span></div>
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<span style="font-family: inherit;">Sombras, las gentes, emergen</span></div>
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<span style="font-family: inherit;">y se hunden en el espacio</span></div>
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<span style="font-family: inherit;">sin referencias visibles</span></div>
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<span style="font-family: inherit;">de este contexto oceánico.</span></div>
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<span style="font-family: inherit;">Los sonidos, de la nada</span></div>
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<span style="font-family: inherit;">a la nada van, sonando:</span></div>
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<span style="font-family: inherit;">voces y ruidos mensajes</span></div>
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<span style="font-family: inherit;">de anónimos emisarios.</span></div>
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<span style="font-family: inherit;">Vacilantes, los olores,</span></div>
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<span style="font-family: inherit;">entre la niebla extraviados,</span></div>
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<span style="font-family: inherit;">buscan narices a tientas</span></div>
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<span style="font-family: inherit;">donde dar fin a su rastro.</span></div>
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<span style="font-family: inherit;">Los días cortos expiran</span></div>
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<span style="font-family: inherit;">en noches de aliento largo:</span></div>
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<span style="font-family: inherit;">la incertidumbre en
aquellos,</span></div>
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<span style="font-family: inherit;">en estas un cierto espanto.</span></div>
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<span style="font-family: inherit;">Todo es sombrío y difuso,</span></div>
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<span style="font-family: inherit;">tenebroso y enigmático,</span></div>
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<span style="font-family: inherit;">este inclemente diciembre</span></div>
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<span style="font-family: inherit;">con que se despide el año.</span></div>
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<span style="font-family: inherit;">Un ambiente fantasmal</span></div>
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<span style="font-family: inherit;">en el pueblo mesetario</span></div>
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<span style="font-family: inherit;">donde, puntual a la cita,</span></div>
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<span style="font-family: inherit;">se desarrolla el relato...</span></div>
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<i style="text-align: start;"><span style="color: white;">...</span><b>El ámbito (Mi pueblo)</b></i></div>
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<span style="font-family: inherit;">Villa que en otro tiempo</span></div>
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<span style="font-family: inherit;">fuese señora del llano,</span></div>
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<span style="font-family: inherit;">niñera de varios reyes</span></div>
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<span style="font-family: inherit;">y cuna de un infantado</span></div>
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—hay mortecina memoria</span></div>
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<span style="font-family: inherit;">de aquel esplendor de antaño</span></div>
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<span style="font-family: inherit;">en el soberbio castillo</span></div>
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<span style="font-family: inherit;">que corona un altozano—;</span></div>
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<span style="font-family: inherit;">caudal exiguo, recorre</span></div>
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<span style="font-family: inherit;">de sur a norte, reptando,</span></div>
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<span style="font-family: inherit;">un río venido a menos,</span></div>
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<span style="font-family: inherit;">hoy poco más que regato;</span></div>
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<span style="font-family: inherit;">gran plaza soportalada</span></div>
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—irregular cuadrilátero—:</span></div>
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<span style="font-family: inherit;">estepa rusa en invierno,</span></div>
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<span style="font-family: inherit;">desierto libio en verano;</span></div>
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<span style="font-family: inherit;">mentidero secular,</span></div>
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<span style="font-family: inherit;">punto de encuentro obligado</span></div>
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<span style="font-family: inherit;">en las fiestas y domingos</span></div>
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<span style="font-family: inherit;">y aun en los días de
diario;</span></div>
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<span style="font-family: inherit;">magna iglesia colegial</span></div>
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<span style="font-family: inherit;">levanta su mole a lo alto:</span></div>
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<span style="font-family: inherit;">sobria corona de hierro</span></div>
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<span style="font-family: inherit;">ciñe a despecho del rayo.</span></div>
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<span style="font-family: inherit;">cinco cenobios de monjas</span></div>
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—islas de un piélago
urbano—</span></div>
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<span style="font-family: inherit;">son de visita obligada</span></div>
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<span style="font-family: inherit;">las tardes del Jueves Santo;</span></div>
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<span style="font-family: inherit;">dos centros de religiosos,</span></div>
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<span style="font-family: inherit;">escuela de ferroviarios,</span></div>
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<span style="font-family: inherit;">instituto laboral
</span></div>
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<span style="font-family: inherit;">y tres colegios privados;</span></div>
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<span style="font-family: inherit;">dos cines de sesión doble</span></div>
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<span style="font-family: inherit;">con nombres del mundo clásico:</span></div>
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<span style="font-family: inherit;">uno al heleno remite,</span></div>
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<span style="font-family: inherit;">el otro lo hace al romano.</span></div>
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<span style="font-family: inherit;">altos hornos por industria,</span></div>
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<span style="font-family: inherit;">por comercio buen mercado</span></div>
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<span style="font-family: inherit;">y cien bares por servicio</span></div>
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<span style="font-family: inherit;">para el ocio y el descanso;</span></div>
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<span style="font-family: inherit;">nudo de ferrocarril</span></div>
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<span style="font-family: inherit;">y estación de primer rango:</span></div>
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<span style="font-family: inherit;">de trenes de mercancías</span></div>
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<span style="font-family: inherit;">y de viajeros de paso;</span></div>
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<span style="font-family: inherit;">un cuartel de artillería,</span></div>
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<span style="font-family: inherit;">doblemente centenario,</span></div>
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<span style="font-family: inherit;">insufla vida a la villa</span></div>
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<span style="font-family: inherit;">por vía de sus soldados;</span></div>
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<span style="font-family: inherit;">San Antolín, visigodo</span></div>
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<span style="font-family: inherit;">mártir por culpa de
Arriano,</span></div>
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<span style="font-family: inherit;">migró de Francia a la villa</span></div>
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<span style="font-family: inherit;">dándole su patronazgo;</span></div>
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<span style="font-family: inherit;">en campo de azur bezantes,</span></div>
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<span style="font-family: inherit;">en su timbre coronado,</span></div>
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<span style="font-family: inherit;">lema en bordura de plata:</span></div>
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<span style="font-family: inherit;">el escudo legendario.</span></div>
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<b style="text-align: -webkit-left;">2. <i>El protagonista</i></b></div>
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<b style="text-align: -webkit-left;"><i><br /></i></b></div>
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<a href="https://2.bp.blogspot.com/-4j5hhh4Lrww/XBeZ27TqLgI/AAAAAAAAmTc/uy9eovbFLH4tIQCsZ1aOx2AUNOdJm4wXwCLcBGAs/s1600/Rodrigo%2Bni%25C3%25B1o_cabeza_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="157" data-original-width="134" height="200" src="https://2.bp.blogspot.com/-4j5hhh4Lrww/XBeZ27TqLgI/AAAAAAAAmTc/uy9eovbFLH4tIQCsZ1aOx2AUNOdJm4wXwCLcBGAs/s200/Rodrigo%2Bni%25C3%25B1o_cabeza_.jpg" width="170" /></a></div>
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<b style="text-align: -webkit-left;"><i><br /></i></b></div>
<center>
<table border="0" cellpadding="4" cellspacing="0" style="page-break-before: auto; width: 408px;">
<colgroup><col width="400"></col>
</colgroup><tbody>
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<td valign="TOP" width="400"><div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">Tiene nuestro personaje:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">ojos verdes, piel morena,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">flequillo sobre la frente,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">de soplillo las orejas,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">cuerpo chico, manos grandes,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">un poco zambas las piernas</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">y los pies planos de andar</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">sobre sueños y entelequias.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">También tiene, semiocultas:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">turbada delicadeza,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">timidez sin cobardía,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">valentía con prudencia,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">sensibilidad sobrada,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">imaginación despierta,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">determinación dormida</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">y atención en duermevela.
</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">Su mente es jaula de
grillos,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">fantástica pajarera,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">fuente de contradicciones,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">palestra de controversias,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">proyector de mil historias,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">pantalla de mil leyendas,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">muñidora de sofismas</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">y cedazo de certezas.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">Niño vemos a Rodrigo</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">allá en los años sesenta:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">cuenta seis años cumplidos</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">con incierta suficiencia;</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">es su mundo el de los
cuentos</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">ilustrados con viñetas</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">y el de las muchas historias</span></div>
<div style="margin-left: 3.52cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">que sus textos ya le
cuentan.</span></div>
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<div style="text-align: center;">
<b style="text-align: start;">3. <i>El Belén</i></b></div>
<div style="text-align: center;">
<b style="text-align: start;"><i><br /></i></b></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-bMf4C55oO4w/XBeasoMfQ8I/AAAAAAAAmTo/xO5clju_0vgCbNhxGwWBOmbbFDak5QhZQCLcBGAs/s1600/portal-de-bel%25C3%25A9n%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1161" data-original-width="1600" height="290" src="https://3.bp.blogspot.com/-bMf4C55oO4w/XBeasoMfQ8I/AAAAAAAAmTo/xO5clju_0vgCbNhxGwWBOmbbFDak5QhZQCLcBGAs/s400/portal-de-bel%25C3%25A9n%2B1.jpg" width="400" /></a></div>
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<b style="text-align: start;"><i><br /></i></b></div>
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<table border="0" cellpadding="4" cellspacing="0" style="page-break-before: auto; width: 408px;">
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<td valign="TOP" width="400"><div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;"><b>I</b></span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">Es veintiuno de diciembre,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">último día de escuela:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">en el ambiente repican</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">campanillas navideñas.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">El adorno de las aulas</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">es la exclusiva tarea:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">las guirnaldas de colores,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">las bolas y las estrellas</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">de metálicos reflejos</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">el espacio escolar pueblan;</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">y en lugares preferentes,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">junto al paso de las
puertas,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">sobre mesas guarnecidas,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">los Portales de corteza</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">con el Misterio y el ángel,</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">el asno, el buey y el
cometa.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">Suena el timbre en el
colegio,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">las vacaciones comienzan,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">y ya salen los chavales</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">en turbamulta caterva:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">gritan, se empujan y agitan</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">desdeñosos las carteras;</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">huyen de la calidez</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">y en la gelidez se adentran,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">surgen de la claridad</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">para hundirse en las
tinieblas:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">apenas es media tarde</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">y parece noche entera;</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">las farolas iluminan</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">pobremente las aceras</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">con difuminada luz</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">que en la niebla amarillea.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">Pero el frío no entumece</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">la infantil efervescencia,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">ni los gélidos rigores</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">pueden con la escandalera:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">arden las mentes febriles</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">atizadas por las fiestas,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">pasto de eufóricas llamas</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">sus corazones se
incendian...</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">...Se dispersa el griterío,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">la algarabía se aleja,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">la condensada humedad</span></div>
<div style="margin-left: 3.47cm; margin-right: 0.32cm;">
<span style="font-family: inherit;">se traga las estridencias.</span></div>
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<br /></div>
<div class="separator" style="clear: both; text-align: center;">
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<center>
<table border="0" cellpadding="4" cellspacing="0" style="page-break-before: auto; width: 408px;">
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<td valign="TOP" width="400"><div style="margin-bottom: 0.1cm; margin-left: 3.49cm; margin-right: 0.24cm;">
<span style="font-family: inherit;"><b>II</b></span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">De la mano de su hermano,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">a casa —y a la carrera—,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">tras cruzar la inmensa plaza</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">y el puente del río, llega</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">un Rodrigo emocionado</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">porque sabe qué le espera:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">en el sobrio comedor</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">se hará un hueco a la
leyenda,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">a la rutina ordinaria</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">se le unirá la quimera,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">y, con ellas, fantasía</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.49cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">entrará en la convivencia.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">Es su hogar lo que se llama</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">una casa molinera,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">anteriormente hostería</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">y hoy nada más que
vivienda.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">Tiene una zona habitada</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">que comprende varias piezas</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">y un corral con gallinero,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">dos cuadras y una escalera</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">que conduce, a cielo raso,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">a otra zona ya desierta:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">un desván desocupado</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">y una galería abierta</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">que da acceso a cuatro
estancias</span></div>
<div style="margin-left: 3.49cm; margin-right: 0.24cm;">
<span style="font-family: inherit;">en desuso y decadencia.</span></div>
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<br /></div>
<div class="separator" style="clear: both; text-align: center;">
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<center>
<table border="0" cellpadding="4" cellspacing="0" style="page-break-before: auto; width: 408px;">
<colgroup><col width="400"></col>
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<td valign="TOP" width="400"><div style="margin-bottom: 0.1cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;"><b>III</b></span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Entra al comedor Rodrigo,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">mira detrás de la puerta...</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">y allí está, como otros
años,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">forrada de hule la mesa</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">donde, con fidelidad,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">se recreará la escena</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">del Nacimiento de Cristo</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">en la Belén de Judea.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Ya imagina el niño,
absorto,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">cómo el vacío se llena,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">cómo la nada se colma,</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">cómo el espacio se puebla:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">cómo el cielo azul se
extiende,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">brillando en él las
estrellas;</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">cómo se dispone el río,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">cómo la mullida hierba,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">cómo el negro roquedal</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">y sobre él la fortaleza,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">cómo el pardusco trazado</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">de las sinuosas veredas,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">cómo las dispares casas</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">de la variopinta aldea,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">y, en fin, cómo las figuras</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">y el Portal allí se
asientan.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">De la ensoñación Rodrigo</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">súbitamente despierta,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">su madre le está llamando</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">para tomar la merienda.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Mientras la toma, su mente</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">ya el momento saborea</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">en que, hacedor de su sueño,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">demiurgo de su quimera,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">junto a su padre y su
hermano</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">vaya a buscar las materias</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">precisas para crear</span></div>
<div style="margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">el mundo en que se recrea.</span></div>
</td>
</tr>
</tbody></table>
</center>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-8-3XfOgoJVQ/XBed7INzuEI/AAAAAAAAmUM/V-yY-lboORYA4vOrN0mSkoSGBbNaePnhQCLcBGAs/s1600/Bel%25C3%25A9n-Tradicional-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="534" data-original-width="950" height="223" src="https://3.bp.blogspot.com/-8-3XfOgoJVQ/XBed7INzuEI/AAAAAAAAmUM/V-yY-lboORYA4vOrN0mSkoSGBbNaePnhQCLcBGAs/s400/Bel%25C3%25A9n-Tradicional-1.jpg" width="400" /></a></div>
<div style="text-align: center;">
<br /></div>
<center>
<table border="0" cellpadding="4" cellspacing="0" style="page-break-before: auto; width: 408px;">
<colgroup><col width="400"></col>
</colgroup><tbody>
<tr>
<td valign="TOP" width="400"><div style="margin-bottom: 0.1cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;"><b>IV</b></span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">A la mañana siguiente</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">salen los tres por la
puerta,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">bañándolos fríamente</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">la bruma helada y espesa.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">La mirada alcanza a ver</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">un par de metros apenas,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">mas lo inclemente del tiempo</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">en su ánimo no hace mella.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Tras recorrer campo y
pueblo,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">de lo preciso se agencian</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">para montar el Belén</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">que a todos más les
deleita:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">un papel de estraza azul</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">de cielo dará apariencia,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">papel plata de colores</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">las estrellas que destellan;</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">el musgo aterciopelado</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">que cubre el suelo y las
peñas</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">de las zonas más umbrías,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">la verdinosa pradera;</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">la escoria de los fogones</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">que vomitan las calderas</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">de hambrientas locomotoras,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">la abrupta y negra roqueda;</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">tiras de argentado espejo,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">sobrantes de cristalera</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">con el diamante cortadas,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">la corriente que refleja;</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">de un taller de carpintero</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">el serrín que será tierra</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">
—remedo limpio y ligero—</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">de las onduladas sendas.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Como un tesoro guardado</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">en cofre de madreperla,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">envueltos en suaves pliegos</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">de fino papel de seda:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">varias casitas de corcho,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">un castillo con almenas,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">un puente curvo de un ojo,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">un pozo con su polea,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">el Portal con su pesebre</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">y las figuras diversas:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">dos soldados con sus lanzas</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">
—del castillo centinelas—,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">un pastor con su cachaba,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">otro con cordero a cuestas;</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">seis vacas y tres terneros,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">seis borregos, siete ovejas,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">dos cabras, tres
cabritillos,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">un perro de orejas tiesas,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">seis conejos, tres gazapos,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">un berraco con seis cerdas,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">cuatro cisnes, siete patos</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">y varias aves domésticas;</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">una yunta de dos bueyes</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">y un labriego que la lleva;</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">tres mujeres campesinas</span><br />
<span style="font-family: inherit;">en diferentes faenas:</span><br />
<span style="font-family: inherit;">una que acarrea leche,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">otra, pulcra, es
lavandera,</span><br />
<span style="font-family: inherit;">la tercera, como Cloto,</span><br />
<span style="font-family: inherit;">devana hilo en una rueca;</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">cada Rey Mago de Oriente</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">en camello, de una pieza,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">y tres pajes que conducen</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">las monturas de las riendas;</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">el buey y el asno, tendidos,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">que en el Pesebre se
albergan,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">María, José y el Niño</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">tumbado en mullida cesta,
</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">el Ángel Anunciador</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">que desde el pórtico cuelga</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">y la estrella de Belén</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">con su curvilínea estela.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;"><br />
</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Es veintidós por la tarde,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">y el Nacimiento ya muestra,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">como así estaba previsto,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">dispuestas todas sus piezas.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Sólo faltan luminarias</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">con que resaltar la escena</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">
—para este sacro teatro
</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">oportunas candilejas—.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Pronto un cable se dispone</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">con esmero y diligencia</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">hasta el juego de bombillas</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">que irisadas parpadean.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Ahora sí que la labor</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">finalmente está completa:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">con compás intermitente</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.44cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">el Belén late y destella.</span></div>
<div style="margin-left: 3.02cm; margin-right: 0.08cm;">
<br /></div>
</td>
</tr>
</tbody></table>
</center>
<div style="text-align: center;">
<b style="text-align: start;">4. <i>El Despertar de los sentidos</i></b></div>
<div style="text-align: center;">
<b style="text-align: start;"><i><br /></i></b></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-HXeWiEHnlgc/XBee6LqAwjI/AAAAAAAAmUY/gqatnrQTWd8EB5OvI_4AwrkcyNKw8De9wCLcBGAs/s1600/Rodrigo%2Bni%25C3%25B1o_Vicente%2Bagarrado%2B%25C3%25A1rbol.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="534" data-original-width="372" height="320" src="https://2.bp.blogspot.com/-HXeWiEHnlgc/XBee6LqAwjI/AAAAAAAAmUY/gqatnrQTWd8EB5OvI_4AwrkcyNKw8De9wCLcBGAs/s320/Rodrigo%2Bni%25C3%25B1o_Vicente%2Bagarrado%2B%25C3%25A1rbol.jpg" width="222" /></a></div>
<div style="text-align: center;">
<b style="text-align: start;"><i><br /></i></b></div>
<center>
<table border="0" cellpadding="4" cellspacing="0" style="page-break-before: auto; width: 408px;">
<colgroup><col width="400"></col>
</colgroup><tbody>
<tr>
<td valign="TOP" width="400"><div style="margin-bottom: 0.1cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;"><i><b>Sensaciones</b></i></span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Mira Rodrigo, encantado,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">de lejos la obra maestra,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">y después, dando unos
pasos,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">la examina más de cerca:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">al acercarse percibe</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">aroma a humus y a hierba,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">a humedad y sotobosque</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">con un toque de madera:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">son el musgo y el serrín</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">lo que su nariz detecta;</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">pero hay más, otros olores</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">a corcho y a goma vieja</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">
—sutiles pero presentes—</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">se suman a la paleta;</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">sigue aspirando y distingue</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">del cielo el olor a imprenta</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">y cierto aroma a quemado</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">que la escoria aún libera.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Después, cerrando los ojos,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">de modo alterno, olfatea</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">cada parte del Belén,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">hasta que en su mente,
impresa,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">la imagen de cada olor</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">como en un mapa se ordena.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Al disfrute de la vista</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">el del olfato se agrega;</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">la satisfacción es doble,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">inmensa la recompensa.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">A partir de ese momento</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">en su memoria sincrética</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">cada olor tendrá su
historia,</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">cada materia su esencia.</span></div>
<div style="break-before: auto; margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">En Rodrigo los sentidos</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">poco a poco se despiertan,
</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">tras la vista y el olfato,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">se estira el tacto y
bosteza:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">de repente las texturas</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">adquieren preeminencia.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Curioso todo lo toca,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">lo acaricia y aun lo besa,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">ligando la sensación</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">al alma de la materia:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">lo algodonoso del musgo,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">de la escoria su aspereza,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">lo pulido del espejo</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">o del corcho su adherencia.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Mano y labio tribunales</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">dictando jurisprudencia</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">sobre formas y texturas:</span></div>
<div style="margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">las sensaciones, sentencias.</span></div>
</td>
</tr>
</tbody></table>
</center>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-9zFOLDKwGbY/XBefmZ-ygMI/AAAAAAAAmUk/fCG98RGIzvohRucxnkQlkHREyJbZbMhKACLcBGAs/s1600/Bel%25C3%25A9n%2Bnapolitano%2BValladolid.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1027" data-original-width="1540" height="266" src="https://2.bp.blogspot.com/-9zFOLDKwGbY/XBefmZ-ygMI/AAAAAAAAmUk/fCG98RGIzvohRucxnkQlkHREyJbZbMhKACLcBGAs/s400/Bel%25C3%25A9n%2Bnapolitano%2BValladolid.JPG" width="400" /></a></div>
<div style="text-align: center;">
<br /></div>
<center>
<table border="0" cellpadding="4" cellspacing="0" style="page-break-before: auto; width: 408px;">
<colgroup><col width="400"></col>
</colgroup><tbody>
<tr>
<td valign="TOP" width="400"><div style="margin-bottom: 0.1cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;"><i><b>Villancicos y cantatas</b></i></span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Por el aire, persistentes,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">los villancicos resuenan:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">en las casas y en las calles</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">zambombas y panderetas;</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">tonadas con estribillo,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">populares cantinelas</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">que animan la Navidad</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">y aportan magia a las
fiestas...</span></div>
<div align="LEFT" style="margin-bottom: 0.2cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;"><strong><span style="color: #212529;">♫ </span></strong><span style="font-size: small;"><a href="https://youtu.be/TEv0sbEQb8A"><span style="color: blue;"><i>Arre
borriquito, arre burro arre</i></span></a><strong><span style="color: #212529;"><i><span style="font-weight: normal;">,<br />anda
más deprisa que llegamos tarde.<br />Arre borriquito vamos a
Belén,<br />que mañana es fiesta y al otro también. </span></i></span></strong><strong><span style="color: #212529;"><i><span style="font-weight: normal;">♫</span></i></span></strong></span></span></div>
<div style="break-before: auto; margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Rodrigo también descubre</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">en su oído sutilezas,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">afinidad por la música</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">y su rítmica cadencia...</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;"><strong><span style="color: #212529;">♫</span></strong><strong><span style="color: #212529;">
</span></strong><strong><a href="https://youtu.be/Qfamis7Rqxk"><span style="color: blue;"><i><span style="font-weight: normal;">Hacia
Belén va una burra, rin,rin</span></i></span></a></strong><strong><span style="color: #212529;"><i><span style="font-weight: normal;"><br />Yo
me remendaba, yo me remendé,<br />yo me eché un remiendo, yo me
lo quité.</span></i></span></strong></span></div>
<div align="LEFT" style="margin-bottom: 0.2cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;"><span style="color: #212529;"><i>Cargada
de chocolate...</i></span><strong><span style="color: #212529;"><i><span style="font-weight: normal;">♫</span></i></span></strong></span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Más le emocina el sonido</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">que el sentido de las
letras:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">goza más la melodía</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">que el texto con que se
expresa...</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;"><strong><span style="color: #212529;">♫ </span></strong><a href="https://youtu.be/KoG-yc91SuI"><span style="color: blue;"><i>A
Belén pastores, a Belén chiquillos</i></span></a></span></div>
<div align="LEFT" style="margin-bottom: 0.2cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<strong><span style="color: #212529;"><span style="font-family: inherit;"><i><span style="font-weight: normal;">que
ha nacido el rey de los angelitos. ♫</span></i></span></span></strong></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Son el ritmo y la armonía</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">los que arroban y embelesan,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">sobre el modo melodioso,</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">su alma sensitiva y
tierna...</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;"><strong><span style="color: #212529;">♫ </span></strong><strong><a href="https://youtu.be/HefqDlURayo"><span style="color: blue;"><i><span style="font-weight: normal;">Campana
sobre campana</span></i></span></a></strong><strong><span style="color: #212529;"><i><span style="font-weight: normal;">,<br />y
sobre campana una,<br />asómate a la ventana,<br />verás al Niño
en la cuna. </span></i></span></strong><strong><span style="color: #212529;"><i><span style="font-weight: normal;">♫</span></i></span></strong></span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Cancioncillas facilonas</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">que machaconas penetran</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">el corazón de las gentes,</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">sacando lo mejor de ellas...</span></div>
<div align="LEFT" style="margin-bottom: 0.3cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;"><strong><span style="color: #212529;">♫ </span></strong><strong><a href="https://youtu.be/hYGF_vyTl28"><span style="color: blue;"><i><span style="font-weight: normal;">Canta,
ríe, bebe que hoy es Nochebuena</span></i></span></a></strong><span style="color: #212529;"><i><br /></i></span><strong><span style="color: #212529;"><i><span style="font-weight: normal;">y
en estos momentos no hay que tener pena</span></i></span></strong><span style="color: #212529;"><i><br /></i></span><strong><span style="color: #212529;"><i><span style="font-weight: normal;">dale
a la zambomba, dale al almirez</span></i></span></strong><span style="color: #212529;"><i><br /></i></span><strong><span style="color: #212529;"><i><span style="font-weight: normal;">y
dile a tu suegra que lo pase bien</span></i></span></strong><strong><span style="color: #212529;"><i><span style="font-weight: normal;">.
</span></i></span></strong><strong><span style="color: #212529;"><i><span style="font-weight: normal;">♫</span></i></span></strong></span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Disfruta también la música</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">que algunos tildan de seria</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">(aunque no sabe el por qué,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">ya que a él tanto le
alegra).</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Oratorios y cantatas:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">solistas, coros y orquestas,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">jubilosas alabanzas,</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">esperanzas y promesas.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Mundo sonoro al que accede</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">por instintiva querencia:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">barrocas composiciones</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">son de ese mundo la puerta.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Andando el tiempo sabrá</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">que aquella excelsa belleza</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">con un tal Sebastian Bach,</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">sobre todo, estará en
deuda.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">[<a href="https://youtu.be/QIHFfuzKYPI"><i><span style="color: blue;">Despertad,
nos llama la voz</span></i></a></span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">J.S. Bach, Cantata BWV 140]</span></div>
<div style="margin-bottom: 0.3cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">...</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Vista, oído, olfato y tacto</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">de repente se revelan</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">como fuentes de un placer</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">que inundará su conciencia.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Sensaciones florecientes</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">
—¡en Navidad,
primavera!—:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">es el alma de Rodrigo</span></div>
<div style="margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">una sensorial floresta.</span></div>
<div style="margin-left: 3.49cm; margin-right: 0.16cm;">
<span style="font-family: inherit;"><br /></span></div>
<div style="margin-left: 3.49cm; margin-right: 0.16cm;">
<b style="font-family: inherit;">5. <i>De la cocina al comedor</i></b></div>
</td>
</tr>
</tbody></table>
</center>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-sZk7RPVUiFI/XBego96D5LI/AAAAAAAAmU0/N96AWM5aFDUj5wipB5-cOAqPCTcpajPDgCLcBGAs/s1600/1651%2BPosada-Belen%2Bnapolitano-MNE_cropp.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="260" data-original-width="387" height="267" src="https://3.bp.blogspot.com/-sZk7RPVUiFI/XBego96D5LI/AAAAAAAAmU0/N96AWM5aFDUj5wipB5-cOAqPCTcpajPDgCLcBGAs/s400/1651%2BPosada-Belen%2Bnapolitano-MNE_cropp.jpg" width="400" /></a></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<b style="font-family: inherit;"></b></div>
<center>
<table border="0" cellpadding="4" cellspacing="0" style="page-break-before: auto; width: 408px;">
<colgroup><col width="400"></col>
</colgroup><tbody>
<tr>
<td valign="TOP" width="400"><div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Llega el día veinticuatro:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">zafarrancho en la cocina.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Tras el toque de dïana</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">el trajín pronto se inicia:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">cena para Nochebuena;</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">para Navidad, comida;</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">la función de los fogones</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">será de sesión continua...</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">La económica se ceba</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">de madera con resina</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">y carbón de ovoide coque</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">o poliédrica antracita.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Se disponen las cazuelas,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">las sartenes y vasijas</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">donde cocinar las viandas</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">en la secuencia prevista.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Las carnes que irán al
horno</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">y a la cazuela, se aliñan:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">
—pollo del propio corral</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">y lechazo de Castilla—;</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">se preparan los pescados</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">y los moluscos se limpian</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">
—darán fondo sustancioso
</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">a la sopa consabida—;</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Ya los vapores ascienden</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">y al momento se disipan,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">ya los olores se expanden</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">dando de su ser noticias;</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Rodrigo todo lo observa,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">lo olisquea y analiza,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">sus sentidos son esponjas</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">que absorben cuanto
asimilan.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Al cabo llega la noche,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">la mesa grande se avía:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">se colocan los cubiertos,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">se dispone la vajilla.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Sobre el viejo aparador,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">señalando la vigilia,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">los dulces de Navidad</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">formados para revista:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">en un cestillo el cascajo</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">tostado en panadería;</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">en otro los polvorones,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">piñones y peladillas;</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">en una fuente el turrón,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">de dos variedades típicas</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">
—de Alicante y de Jijona—,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">con los higos se combinan;</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">mazapanes y almendrucos</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">cubiertos de oblea fina,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">en otra fuente, alternados,</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">la colación finiquitan.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Agua fresca en una jarra</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">y en botella fresca sidra</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">(que a Rodrigo cosquillea</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">la nariz inquisitiva)</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">serán, por toda bodega,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">simples y austeras bebidas,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">si no se cuenta, a los
postres,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">la especiada y dulce quina.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">(Faltan aún unos años</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">para que acuda a la cita</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">
—fachada azul la
etiqueta—,</span></div>
<div style="margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">ínclito, el Vega Sicilia).</span></div>
</td>
</tr>
</tbody></table>
</center>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-jO0IwhHzvjo/XBehh66PntI/AAAAAAAAmVA/MpEYai8cDvIFrdSpWnoOEoeRqpBW_cI_QCLcBGAs/s1600/Ep%25C3%25ADlogo%2BIlustraci%25C3%25B3n.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="365" data-original-width="1035" height="140" src="https://4.bp.blogspot.com/-jO0IwhHzvjo/XBehh66PntI/AAAAAAAAmVA/MpEYai8cDvIFrdSpWnoOEoeRqpBW_cI_QCLcBGAs/s400/Ep%25C3%25ADlogo%2BIlustraci%25C3%25B3n.png" width="400" /></a></div>
<div style="text-align: center;">
<br /></div>
<center>
<table border="0" cellpadding="4" cellspacing="0" style="page-break-before: auto; width: 408px;">
<colgroup><col width="400"></col>
</colgroup><tbody>
<tr>
<td valign="TOP" width="400"><div style="margin-bottom: 0.2cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;"><i><b>Epílogo</b></i></span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">El palpitar del Belén</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">
—latidos de luz polícroma—</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">y el sonar de villancicos</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">vuelven navideño el clima.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">En el comedor la noche</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">es menos oscura y fría:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">la magia de Nochebuena</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">da calidez e ilumina.</span></div>
<div style="margin-bottom: 0.2cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;"><span style="color: white;">..........................</span>Mientras...</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">En el pueblo el frío
arrecia,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">la espesa niebla porfía,</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">la escarcha todo lo cubre</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">con su nívea mantilla.</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">Un aterido silencio</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">vaga por calles vacías:</span></div>
<div style="margin-bottom: 0cm; margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">en su memoria de hielo</span></div>
<div style="margin-left: 3.47cm; margin-right: 0.16cm;">
<span style="font-family: inherit;">los sueños mudos tiritan.</span></div>
</td>
</tr>
</tbody></table>
</center>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-small;">Fin</span></div>
<div style="text-align: center;">
<br /></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-oQe9YoFBNJ4/XBeiSLW98_I/AAAAAAAAmVI/0-9g9TYUCMcoHFCdDMS5q2iT7VKt2oYUwCLcBGAs/s1600/Gerrit_van_Honthorst_-_Adoration_of_the_shepherds.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="1246" height="524" src="https://1.bp.blogspot.com/-oQe9YoFBNJ4/XBeiSLW98_I/AAAAAAAAmVI/0-9g9TYUCMcoHFCdDMS5q2iT7VKt2oYUwCLcBGAs/s640/Gerrit_van_Honthorst_-_Adoration_of_the_shepherds.jpg" width="640" /></a></div>
<div style="text-align: center;">
<br /></div>
<br />
<div align="CENTER" style="margin-bottom: 0.1cm;">
<span style="font-size: medium;"><i><b>¡¡¡</b></i></span><span style="color: red;"><span style="font-size: 20pt;"><i><b>F</b></i></span></span><span style="font-size: medium;"><i><b>eliz
</b></i></span><span style="color: red;"><span style="font-size: 20pt;"><i><b>N</b></i></span></span><span style="font-size: medium;"><i><b>avidad</b></i></span></div>
<div style="text-align: center;">
<div align="CENTER" style="margin-bottom: 0.1cm;">
<span style="font-size: medium;"><i><b>a
mujeres y hombres</b></i></span></div>
<div align="CENTER" style="margin-bottom: 0.1cm;">
<span style="color: black;"><span style="font-size: medium;"><i><b>de</b></i></span></span><span style="color: red;"><span style="font-size: 20pt;"><i><b>
B</b></i></span></span><span style="font-size: medium;"><i><b>uena </b></i></span><span style="color: red;"><span style="font-size: 20pt;"><i><b>V</b></i></span></span><span style="font-size: medium;"><i><b>oluntad!!!</b></i></span></div>
</div>
<br />Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-5464569323978413729.post-4142916038101185352017-12-21T09:00:00.000+01:002018-04-02T19:38:57.122+02:00Romance de Navidad 2017<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-iAHBu7Chg78/WjRem7PGUYI/AAAAAAAAmCw/qXYPupV4fHYOcsOy4_qpeexuvJjxzDlgACLcBGAs/s1600/Albrecht%2BD%25C3%259CRER%252C%2B1490%2B%2528The%2BSeven%2BSorrows%2Bof%2Bthe%2BVirgin_%2BThe%2BFlight%2Binto%2BEgypt%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1081" data-original-width="770" height="640" src="https://3.bp.blogspot.com/-iAHBu7Chg78/WjRem7PGUYI/AAAAAAAAmCw/qXYPupV4fHYOcsOy4_qpeexuvJjxzDlgACLcBGAs/s640/Albrecht%2BD%25C3%259CRER%252C%2B1490%2B%2528The%2BSeven%2BSorrows%2Bof%2Bthe%2BVirgin_%2BThe%2BFlight%2Binto%2BEgypt%2529.jpg" width="455" /></a></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<iframe allow="encrypted-media" allowfullscreen="" frameborder="0" gesture="media" height="315" src="https://www.youtube.com/embed/EWtSzUo2ibo" width="560"></iframe></div>
<br />
<center>
<table border="0" cellpadding="4" cellspacing="0" style="page-break-before: auto; width: 643px;">
<colgroup><col width="635"></col>
</colgroup><tbody>
<tr>
<td valign="TOP" width="635"><div align="RIGHT" style="margin-bottom: 0cm; margin-right: 3.49cm;">
<br /></div>
<div align="RIGHT" style="margin-bottom: 0.1cm; margin-right: 3.49cm;">
<div align="RIGHT" style="margin-bottom: 0cm; margin-left: 0.03cm; margin-right: 0.11cm;">
<span style="color: #252525;"><span style="font-family: "times new roman" , serif;"><span style="font-size: 10pt;"><i>Por
aquel entonces se publicó un edicto de César Augusto,</i></span></span></span></div>
<div align="RIGHT" style="margin-bottom: 0cm; margin-left: 0.03cm; margin-right: 0.11cm;">
<span style="color: #252525;"><span style="font-family: "times new roman" , serif;"><span style="font-size: 10pt;"><i>por
el que se ordenaba que se empadronase todo el mundo […]</i></span></span></span></div>
<div align="RIGHT" style="margin-bottom: 0cm; margin-left: 0.03cm; margin-right: 0.11cm;">
<span style="color: #252525;"><span style="font-family: "times new roman" , serif;"><span style="font-size: 10pt;"><i>Todos
fueron a empadronarse, cada cual a su ciudad.</i></span></span></span></div>
<div align="RIGHT" style="margin-bottom: 0cm; margin-left: 0.03cm; margin-right: 0.11cm;">
<span style="color: #252525;"><span style="font-family: "times new roman" , serif;"><span style="font-size: 10pt;"><i>También
José subió desde Galilea, de la ciudad de Nazaret,</i></span></span></span></div>
<div align="RIGHT" style="margin-bottom: 0cm; margin-left: 0.03cm; margin-right: 0.11cm;">
<span style="color: #252525;"><span style="font-family: "times new roman" , serif;"><span style="font-size: 10pt;"><i>a
Judea, a la ciudad llamada Belén, por ser él de la casa</i></span></span></span></div>
<div align="RIGHT" style="margin-bottom: 0cm; margin-left: 0.03cm; margin-right: 0.11cm;">
<span style="color: #252525;"><span style="font-family: "times new roman" , serif;"><span style="font-size: 10pt;"><i>y
familia de David, para empadronarse con María,</i></span></span></span></div>
<div align="RIGHT" style="margin-bottom: 0cm; margin-left: 0.03cm; margin-right: 0.11cm;">
<span style="color: #252525;"><span style="font-family: "times new roman" , serif;"><span style="font-size: 10pt;"><i>su
esposa, que estaba encinta.</i></span></span></span></div>
<div align="RIGHT" style="margin-bottom: 0cm; margin-left: 0.03cm; margin-right: 0.11cm;">
<span style="color: #252525;"><span style="font-family: "times new roman" , serif;"><span style="font-size: 10pt;"><i>Mientras
estaban allí, se le cumplieron los días del alumbramiento</i></span></span></span></div>
<div align="RIGHT" style="margin-bottom: 0cm; margin-left: 0.03cm; margin-right: 0.11cm;">
<span style="color: #252525;"><span style="font-family: "times new roman" , serif;"><span style="font-size: 10pt;"><i>y
dio a luz a su hijo primogénito. Lo envolvió en pañales</i></span></span></span></div>
<div align="RIGHT" style="margin-bottom: 0cm; margin-left: 0.03cm; margin-right: 0.11cm;">
<span style="color: #252525;"><span style="font-family: "times new roman" , serif;"><span style="font-size: 10pt;"><i>y
lo acostó en un pesebre, porque no tenían sitio en el albergue.</i></span></span></span></div>
<div align="RIGHT" style="break-before: auto; margin-bottom: 0cm; margin-left: 2cm; margin-right: 0.19cm;">
<span style="font-size: 10pt;">(Lucas 2:1-7)</span></div>
<div align="RIGHT" style="margin-bottom: 0cm; margin-left: 2cm; margin-right: 0.19cm;">
<br /></div>
<div align="RIGHT" style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 0.09cm; page-break-before: auto;">
<span style="font-size: 10pt;"><i>Cuando ellos se fueron, el
ángel del Señor se apareció en sueños</i></span></div>
<div align="RIGHT" style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 0.09cm;">
<span style="font-size: 10pt;"><i>a José y le dijo:
«Prepárate, toma contigo al niño y a su madre</i></span></div>
<div align="RIGHT" style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 0.09cm;">
<span style="font-size: 10pt;"><i>y huye a Egipto, y estate
allí hasta que yo te diga.</i></span></div>
<div align="RIGHT" style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 0.09cm;">
<span style="font-size: 10pt;"><i>Porque Herodes </i></span><i style="font-size: 10pt;">va a buscar al niño para
matarlo.» Él se preparó,</i></div>
<div align="RIGHT" style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 0.09cm;">
<span style="font-size: 10pt;"><i>tomó de noche al niño y a
su madre, y se retiró a Egipto.</i></span></div>
<div align="RIGHT" style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 0.09cm;">
<span style="font-size: 10pt;">(Mateo, 2:12-15)</span></div>
<div align="RIGHT" style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 0.09cm;">
<br /></div>
<div align="RIGHT" style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 0.09cm;">
<span style="font-size: 10pt;"><i>Muerto Herodes, el ángel del
Señor se apareció en sueños a José</i></span></div>
<div align="RIGHT" style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 0.09cm;">
<span style="font-size: 10pt;"><i>en Egipto y le dijo:
«Prepárate, toma contigo al niño y a su madre,</i></span></div>
<div align="RIGHT" style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 0.09cm;">
<span style="font-size: 10pt;"><i>y vete a la tierra de Israel,
pues ya han muerto los que querían</i></span></div>
<div align="RIGHT" style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 0.09cm;">
<span style="font-size: 10pt;"><i>atentar contra la vida del
niño. Él se preparó, tomó consigo al niño</i></span></div>
<div align="RIGHT" style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 0.09cm;">
<span style="font-size: 10pt;"><i>y su madre, y entró en
tierra de Israel</i></span></div>
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<span style="font-size: 10pt;">(Mateo, 2:19-21</span></div>
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<a href="https://1.bp.blogspot.com/-Sd4Z3Zok5Zw/WjYtKbaq0rI/AAAAAAAAmGQ/ivDRh4MUWxsvz4jxVp1o-CzQXDqtxYI1QCLcBGAs/s1600/Viaje%2Ba%2BEgipto_cinta%2Bx4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="168" data-original-width="1432" height="73" src="https://1.bp.blogspot.com/-Sd4Z3Zok5Zw/WjYtKbaq0rI/AAAAAAAAmGQ/ivDRh4MUWxsvz4jxVp1o-CzQXDqtxYI1QCLcBGAs/s640/Viaje%2Ba%2BEgipto_cinta%2Bx4.jpg" width="640" /></a></div>
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<span style="color: #dc2300;"><span style="font-family: "edwardian script itc" , serif;"><span style="font-size: 28pt;"><b>R</b></span></span></span><span style="font-family: "edwardian script itc" , serif;"><span style="font-size: 28pt;">o</span></span><span style="font-family: "edwardian script itc" , serif;"><span style="font-size: 26pt;">mance
de </span></span><span style="color: #dc2300;"><span style="font-family: "edwardian script itc" , serif;"><span style="font-size: 28pt;"><b>N</b></span></span></span><span style="color: black;"><span style="font-family: "edwardian script itc" , serif;"><span style="font-size: 26pt;">avidad</span></span></span></div>
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<span style="color: #dc2300;"><span style="font-family: "edwardian script itc" , serif;"><span style="font-size: large;"><i><b>2017</b></i></span></span></span></div>
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<br /></div>
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<span style="color: black;"><span style="font-family: "traditional arabic" , serif;"><span style="font-size: medium;"><i><b>Sonrisas</b></i></span></span></span></div>
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<br /></div>
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<span style="font-family: inherit;"><b>Presentación</b></span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Voy
a contar una historia</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">ya de sobra conocida,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">mas
lo haré desde mi propia</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">y singular perspectiva.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Al
fin y al cabo, si humilde,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">fui
también protagonista</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">de
los hechos que se narran</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">en historia tan mirífica.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Mi
nombre es lo de menos</span></div>
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<span style="font-family: inherit;">—casi
nadie me lo aplica—</span></div>
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<span style="font-family: inherit;">aunque
uno me pusieron</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">de
referencia alusiva</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">al
rasgo de nacimiento</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">que
más me caracteriza:</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">mueca
que estira mis belfos</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">ligeramente
hacia arriba</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">y
que produce el efecto</span></div>
<div align="LEFT" style="margin-bottom: 0.2cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">de
permanente sonrisa.</span></div>
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<span style="font-family: inherit;">Vine
al mundo en Nazaret,</span></div>
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<span style="font-family: inherit;">en
la antigua Palestina,</span></div>
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<span style="font-family: inherit;">en
el tiempo en que ésta era</span></div>
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<span style="font-family: inherit;">una
romana provincia.</span></div>
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<span style="font-family: inherit;">Vi
la luz en un establo</span></div>
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<span style="font-family: inherit;">de
una emigrada familia</span></div>
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<span style="font-family: inherit;">llegada
hasta Galilea</span></div>
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<span style="font-family: inherit;">de
la aledaña Fenicia.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Fueron
testigos del parto,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">por
orden de jerarquía:</span></div>
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<span style="font-family: inherit;">dos
bueyes de curvos cuernos,</span></div>
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<span style="font-family: inherit;">dos
viejas mulas tordillas,</span></div>
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<span style="font-family: inherit;">un
perro grande de guarda,</span></div>
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<span style="font-family: inherit;">cuatro
cabras saltarinas</span></div>
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<span style="font-family: inherit;">y
una lechuza que tiene</span></div>
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<span style="font-family: inherit;">allí
su albergue y guarida.</span></div>
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<span style="font-family: inherit;"><br />
</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Tras
trastabillar torpón,</span></div>
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<span style="font-family: inherit;">vacilante,
a la deriva,</span></div>
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<span style="font-family: inherit;">logré
anclar entre la paja</span></div>
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<span style="font-family: inherit;">mis
pezuñas indecisas.
</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Aún
me recuerdo tieso</span></div>
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<span style="font-family: inherit;">—las
miradas en mí fijas—</span></div>
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<span style="font-family: inherit;">contemplando
en derredor</span></div>
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<span style="font-family: inherit;">el
mundo que me acogía:</span></div>
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<span style="font-family: inherit;">allí
aperos de labranza,</span></div>
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<span style="font-family: inherit;">arcas,
cestas, esportillas,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">arneses
y correajes</span></div>
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<span style="font-family: inherit;">en
confusa sintonía;</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">una
gran puerta atrancada,</span></div>
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<span style="font-family: inherit;">con
herrajes guarnecida,</span></div>
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<span style="font-family: inherit;">y
un tragaluz en lo alto</span></div>
<div align="LEFT" style="margin-bottom: 0.2cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">cerrado
con celosía.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Crecí
sano y vigoroso:</span></div>
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<span style="font-family: inherit;">recias
patas, grupa erguida,</span></div>
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<span style="font-family: inherit;">abombada,
como suele,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">en
mi especie, la barriga;</span></div>
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<span style="font-family: inherit;">la
actitud, más que dispuesta,</span></div>
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<span style="font-family: inherit;">proclive
a la expectativa;</span></div>
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<span style="font-family: inherit;">el
carácter, complaciente,</span></div>
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<span style="font-family: inherit;">mas
no exento de energía;</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">obediente,
desmintiendo</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">la
fama que nos asignan</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">de
tercos antojadizos</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">las
lenguas más viperinas.</span></div>
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<span style="font-family: inherit;">"El
orgullo del establo",</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">mis
amos me repetían,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">mientras
rascaban mi frente</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">a
guisa retributiva.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;"><br />
</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Es
la capa que me adorna</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">de
tonalidad perlina,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">tintadas
crines y cola</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">de
alternas mechas cobrizas;</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">poseo
los ojos zarcos</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">la
piel como rosa lívida</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">y
calzo coturnos pardos</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">que
me cubren las canillas.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Mis
roznidos, melodiosos,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">causan
asombro y envidia,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">pues
más parecen romanzas</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">que
no rebuzneras síncopas.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Tengo,
en fin, lo que se dice,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">una
apariencia atractiva,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">buen
talante y aptitudes</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">para
brindar alegría.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;"><br />
</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-Ju48WjqRXpU/WjRbIWFQ6oI/AAAAAAAAmCk/rl--uBf-ipkjKzKl-TwOXgeQdsKZUrtdQCLcBGAs/s1600/MEDIEVAL%2BSCULPTOR%252C%2BFrench%2B%2528Saint-Andoche%252C%2BSaulieu%2529_rec.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="787" data-original-width="876" height="286" src="https://2.bp.blogspot.com/-Ju48WjqRXpU/WjRbIWFQ6oI/AAAAAAAAmCk/rl--uBf-ipkjKzKl-TwOXgeQdsKZUrtdQCLcBGAs/s320/MEDIEVAL%2BSCULPTOR%252C%2BFrench%2B%2528Saint-Andoche%252C%2BSaulieu%2529_rec.jpg" width="320" /></span></a></div>
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<span style="font-family: inherit;"><br /></span></div>
<div align="CENTER" style="margin-bottom: 0.1cm; page-break-before: auto;">
<span style="font-family: inherit;"><b>Encuentro</b></span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Un
día como otros tantos</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">que
alimentan la rutina,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">mi
dueño entró en el establo</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">con
gente desconocida:</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">un
hombre de edad madura</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">y
una hermosa jovencita</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">que
con su abultado vientre</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">pregonaba
estar encinta.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Ambos
me miraban mientras</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">mi
dueño les refería</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">las
virtudes reseñadas</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">unos
versos más arriba.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Se
acercaron a mi vera,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">me
colmaron de caricias</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">y
sellaron el acuerdo</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">con
sólo un gesto por firma.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;"><br />
</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Sería,
a tiempo completo:</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">ocasional
transportista,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">montura
discrecional</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">y
animosa compañía.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">En
dos días iniciamos</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">la
aventura recogida</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">en
ese libro de libros</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">que
lleva por nombre Biblia:</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">el
traslado hasta Belén,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">el
parto, la Epifanía,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">la
migración hacia Egipto</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">en
precipitada huida</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">por
escapar de Herodes</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">y
su despiadada ira,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">y
el regreso años después,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">sin
peligro, a Palestina.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;"><br /></span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 3.47cm;">
<span style="font-family: inherit;"><a href="https://2.bp.blogspot.com/-Ju48WjqRXpU/WjRbIWFQ6oI/AAAAAAAAmCk/rl--uBf-ipkjKzKl-TwOXgeQdsKZUrtdQCLcBGAs/s1600/MEDIEVAL%2BSCULPTOR%252C%2BFrench%2B%2528Saint-Andoche%252C%2BSaulieu%2529_rec.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="787" data-original-width="876" height="286" src="https://2.bp.blogspot.com/-Ju48WjqRXpU/WjRbIWFQ6oI/AAAAAAAAmCk/rl--uBf-ipkjKzKl-TwOXgeQdsKZUrtdQCLcBGAs/s320/MEDIEVAL%2BSCULPTOR%252C%2BFrench%2B%2528Saint-Andoche%252C%2BSaulieu%2529_rec.jpg" width="320" /></a>
</span></div>
<div align="CENTER" style="margin-bottom: 0.1cm; page-break-before: auto;">
<span style="font-family: inherit;"><b><br /></b></span></div>
<div align="CENTER" style="margin-bottom: 0.1cm; page-break-before: auto;">
<span style="font-family: inherit;"><b>Camino de Belén</b></span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Cuando
los rosados rayos</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">de
la aurora ya teñían</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">el
oscuro azul del cielo</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">y
las nubes denegridas,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">nos
echamos al camino</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">que
a Belén nos llevaría:</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">veinte
accidentadas leguas</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">cruzando
yermas colinas,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">poco
hospitalarios bosques</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">y
desoladoras cimas;</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">o
vadeando corrientes</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">de
pardo lodo embebidas,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">cañaverales
frondosos</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">y
anfractuosas pedrizas.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Cinco
días, en total,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">de
difícil travesía.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;"><br />
</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Cinco
días compartiendo</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">las
penurias y alegrías,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">el
cansancio y el solaz,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">que
todo viajar implica.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Cinco
días de dolores,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">cinco
días de sonrisas,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">cinco
de revelaciones,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">cinco
de extraños enigmas:</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">incorpóreas
presencias</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">haciéndonos
compañía</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">—un
aletear de alas</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">sentidas
pero no vistas—;</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">o
la presencia radiante</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">de
una estrella peregrina</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">—refulgente
centinela,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">de
nuestros sueños vigía.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;"><br />
</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Delante
de mí, José</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">lleva
un cayado con pica</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">que
marca sonoro el paso</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">y
de nuestro paso avisa.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">O
caminando salmodia,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">o
taciturno camina,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">aunque
también intercambia</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">impresiones
con María.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Se
interesa por su estado:</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">si
el trayecto la fatiga,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">si
los dolores informan</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">que
el parto ya se avecina.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Y
María le responde,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">sonriendo,
con evasivas</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">(yo
la siento contraerse</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">cuando
el dolor se encarniza).</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;"><br />
</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Sobre
mi lomo la llevo,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">más
que sentada encogida;</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">vencida
por el dolor,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">por
la ilusión sostenida.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Apenas
noto su peso</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">tal
su gravedad alígera,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">como
si en su vientre el éter</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">tirase
de ella hacia arriba.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Cuando
el terreno es abrupto</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">o
la vereda se empina,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">percibo
cómo su fuerza</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">de
toda carga me libra:</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm; page-break-before: auto;">
<span style="font-family: inherit;">de las alforjas de paño</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">llenas
de ropa y comida,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">de
la montura de esparto</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">que
porto a modo de silla.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 3.47cm;">
<span style="font-family: inherit;"><br />
</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 3.47cm;">
<a href="https://2.bp.blogspot.com/-Ju48WjqRXpU/WjRbIWFQ6oI/AAAAAAAAmCk/rl--uBf-ipkjKzKl-TwOXgeQdsKZUrtdQCLcBGAs/s1600/MEDIEVAL%2BSCULPTOR%252C%2BFrench%2B%2528Saint-Andoche%252C%2BSaulieu%2529_rec.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><span style="font-family: inherit;"><img border="0" data-original-height="787" data-original-width="876" height="286" src="https://2.bp.blogspot.com/-Ju48WjqRXpU/WjRbIWFQ6oI/AAAAAAAAmCk/rl--uBf-ipkjKzKl-TwOXgeQdsKZUrtdQCLcBGAs/s320/MEDIEVAL%2BSCULPTOR%252C%2BFrench%2B%2528Saint-Andoche%252C%2BSaulieu%2529_rec.jpg" width="320" /></span></a></div>
<div align="CENTER" style="margin-bottom: 0.1cm; page-break-before: auto;">
<span style="font-family: inherit;"><b><br /></b></span></div>
<div align="CENTER" style="margin-bottom: 0.1cm; page-break-before: auto;">
<b><span style="font-family: inherit;">El Nacimiento</span></b></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">A
la vista de Belén,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">venciéndose
el quinto día,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">la
frecuencia del dolor
</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">ya
del parto notifica.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">Busca
José, angustiado,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">en
la aldea hospedería,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">mas
no encuentra otro hospedaje</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">que
una austera boyeriza.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">En
ella nos alojamos,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">urgidos,
a toda prisa.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">De
paja José un jergón</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">elabora
con pericia,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">donde
María se tiende</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">a
alumbrar la nueva vida...</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">...Y
la alumbra entre sudores</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">que
su piel de estrellas nimban...</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;"><br />
</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">Allí
está el recién nacido</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">exhibiendo
una sonrisa,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">tal
y como yo hace años</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">al
nacer también haría.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">El
Niño, mientras sonríe,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">de
hito en hito nos mira,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">revelando
en su mirada</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">una
ternura infinita.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">Como
José es carpintero</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">hace
una cuna deprisa</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">con
cuatro maderas viejas</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">y
cuerdas nuevas de guita;</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">un
relleno de heno seco</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">y
una manta por encima</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">serán
cómodo colchón</span></div>
<div align="LEFT" style="margin-bottom: 0.2cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">para
la crïaturita.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;"><i>«Veinticuatro
de Diciembre:</i></span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;"><i>Noche
Buena, noche fría,</i></span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;"><i>noche
mágica inspirada</i></span></div>
<div align="LEFT" style="margin-bottom: 0.2cm; margin-left: 6.57cm;">
<span style="font-family: inherit;"><i>por
Natividad divina».</i></span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">Coro
de voces blancas</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">desde
lo alto glorifica,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">y
desde lo alto una estrella</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">toda
la escena ilumina:</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">recostados,
a los lados</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">de
la Sagrada Familia,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">el
buey con gesto impasible</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">y
yo con mueca festiva.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">María
y José al Niño,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">prosternados
de rodillas,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">adoran
embelesados,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">emocionados
admiran.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">Mientras
que el Niño, gozoso,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">palmotea
sus manitas</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">y
da patadas al aire,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">que
éste toma por caricias.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;"><br /></span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 3.47cm;">
<a href="https://2.bp.blogspot.com/-Ju48WjqRXpU/WjRbIWFQ6oI/AAAAAAAAmCk/rl--uBf-ipkjKzKl-TwOXgeQdsKZUrtdQCLcBGAs/s1600/MEDIEVAL%2BSCULPTOR%252C%2BFrench%2B%2528Saint-Andoche%252C%2BSaulieu%2529_rec.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><span style="font-family: inherit;"><img border="0" data-original-height="787" data-original-width="876" height="286" src="https://2.bp.blogspot.com/-Ju48WjqRXpU/WjRbIWFQ6oI/AAAAAAAAmCk/rl--uBf-ipkjKzKl-TwOXgeQdsKZUrtdQCLcBGAs/s320/MEDIEVAL%2BSCULPTOR%252C%2BFrench%2B%2528Saint-Andoche%252C%2BSaulieu%2529_rec.jpg" width="320" /></span></a></div>
<div align="CENTER" style="break-before: auto; margin-bottom: 0.1cm; margin-left: 0.03cm;">
<span style="font-family: inherit;"><b><br /></b></span></div>
<div align="CENTER" style="break-before: auto; margin-bottom: 0.1cm; margin-left: 0.03cm;">
<b><span style="font-family: inherit;">Epifanía</span></b></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.57cm;">
<span style="font-family: inherit;">Desde
el exterior nos llega</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">disonante
algarabía,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">producida
por pastores</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">que
vienen en comitiva.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">Unos
cantan, otros bailan</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">y
otros, fisgones, se arriman;</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">quieren
ver al niño Dios</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">que
citan las profecías,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">y
que un ángel ha anunciado,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">dando
oportuna noticia.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">Ante
el pesebre se agolpan,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">pías,
las gentes sencillas.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">Con
cara de asombro observan,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">con
curiosidad atisban:</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">María,
José y el Niño</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">sonrientes,
les cautivan.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;"><br />
</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">Al
embeleso le sigue</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">incontenible
alegría</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">que
estalla en bulla y jaleo,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">romanzas
y tonadillas.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">Con
las voces, los panderos,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">las
zambombas, las esquilas,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">los
caramillos de caña</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">y
los rabeles de tripa.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">Todo
un concierto espontáneo</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">de
una gente campesina</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">que
tiene más noble el alma</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">que
otra con más hidalguía.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">Ya
se atizan las fogatas,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">ya
se apresta la comida,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">ya
se prepara la cena</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">de
manjares bien provista:</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;"><br />
</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">dos
corderos recentales,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">cuatro
cebadas gallinas;</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">los
frutos que el huerto ofrece</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">y
los que el campo prodiga;</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">dulces
caseros de almendras,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">con
miel y clara batida;</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">pastelillos
de higos secos,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">borrachos
de dulce miga;</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">y
para pasarlo todo</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">buen
vino de viejas viñas</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">y
agua clara de la fuente</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">que
allí brota fresca y limpia.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">Un
auténtico banquete</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">que
en tradición devendría</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">(derivando
con los años</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">en
liturgia consumista).</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;"><br />
</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">Ya
preparadas las mesas,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">dispuesta
la cena opípara,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">nuevos
ruidos, en la calle,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">se
oyen de caballerías.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">Comitivas
son reales,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">de
coronas eruditas:</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">tres
Reyes Magos que estudian</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">el
cielo y sus maravillas.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">De
las monturas descienden</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">y
ante el Niño se arrodillan,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">ofreciendo
tres regalos</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">que
son tres alegorías:</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">oro
al Rey, incienso al Dios</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">y
al Hombre fragante mirra;</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">la
triple naturaleza</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">que
al recién nacido asignan.
</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;"><br />
</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">Hecho
lo cual se disponen</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">a
cenar en comandita</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">con
los pastores y pajes</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">en
alegre sintonía.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">Allí
los Reyes comparten</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">con
los pastores sus cuitas:</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">el
peso de su corona,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">la
gravedad de su insignia.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm; page-break-before: auto;">
<span style="font-family: inherit;">el desempeño del cargo</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">y
lo que ello significa</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">de
responsabilidad</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">y
de exigencia continua.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">Aunque
también les revelan</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">muchos
momentos de dicha</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">que
los súbditos del reino</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">a
menudo les prodigan.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;"><br />
</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm; page-break-before: auto;">
<span style="font-family: inherit;">
Y las monturas reales,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">tan
hermosas como altivas,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">de
oro y plata enjaezadas,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">con
ricas telas vestidas,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">compartirán
con nosotros,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">compañeros
de fatigas,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">trigo
duro, heno tierno</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">y
otras varias fruslerías</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">que
nos arroja al pesebre</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">la
alegre chiquillería</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">mientras
cenando rebulle,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">corretea,
juega y brinca.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">Así
pasamos la noche...</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">Y
así nos encuentra el día:</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">con
el cuerpo adormecido</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">y
el alma de gozo ahíta...</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 3.47cm;">
<span style="font-family: inherit;"><br />
</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 3.47cm;">
<a href="https://2.bp.blogspot.com/-Ju48WjqRXpU/WjRbIWFQ6oI/AAAAAAAAmCk/rl--uBf-ipkjKzKl-TwOXgeQdsKZUrtdQCLcBGAs/s1600/MEDIEVAL%2BSCULPTOR%252C%2BFrench%2B%2528Saint-Andoche%252C%2BSaulieu%2529_rec.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><span style="font-family: inherit;"><img border="0" data-original-height="787" data-original-width="876" height="286" src="https://2.bp.blogspot.com/-Ju48WjqRXpU/WjRbIWFQ6oI/AAAAAAAAmCk/rl--uBf-ipkjKzKl-TwOXgeQdsKZUrtdQCLcBGAs/s320/MEDIEVAL%2BSCULPTOR%252C%2BFrench%2B%2528Saint-Andoche%252C%2BSaulieu%2529_rec.jpg" width="320" /></span></a></div>
<div align="CENTER" style="margin-bottom: 0.1cm; margin-left: 0.03cm; page-break-before: auto;">
<span style="font-family: inherit;"><b><br /></b></span></div>
<div align="CENTER" style="margin-bottom: 0.1cm; margin-left: 0.03cm; page-break-before: auto;">
<b><span style="font-family: inherit;">Huida a Egipto</span></b></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">A
José en sueños un ángel</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">muy
oportuno le avisa
</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">que
debemos emprender</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">una
apresurada huida:</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">sanguinario, el rey Herodes</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">un
terrible edicto dicta,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">por
el que a los neonatos</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">se
les segará la vida.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">Así
pues nos preparamos</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">para
partir enseguida,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">no
sin antes recibir</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">de
los reyes la consigna</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">de
alejarnos de los pasos</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">que
los soldados vigilan,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">aconsejando
tomemos</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">las
sendas más escondidas.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;"><br />
</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm; page-break-before: auto;">
<span style="font-family: inherit;">Tras despedirnos de todos,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">iniciamos
la partida:</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">muchas
leguas por delante</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">hasta
la frontera egipcia,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">donde
esperamos hallar</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">descanso
a nuestras fatigas,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">a
nuestro temor amparo</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">y
premio a nuestra porfía.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">Sobre
mis lomos la carga</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">llevo
ahora dividida,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">y
a pesar de que son dos</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">sigo
llevando la misma:</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">un
solo ser escindido</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">en
dos almas ya distintas;</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">misterio
que la existencia</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">en
sus entrañas cobija.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;"><br />
</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm; page-break-before: auto;">
<span style="font-family: inherit;">Durante todo el trayecto,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">cogiéndome
de la brida,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">un
ángel custodio hace</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">las
veces de paje y guía.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">Va
José, pues, a la cola</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">cerrando
la comitiva:</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">con
un ojo se embelesa
</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">y
con el otro vigila.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">Muchos
serán los parajes</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">que
reciban la visita</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">de
nuestra entrañable, breve</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">e
insólita Compañía;</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">muchos
los días de marcha</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">sobre
la tierra amarilla,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">muchas
las noches durmiendo</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">bajo
la luna argentina.</span></div>
<div align="CENTER" style="margin-bottom: 0.2cm; page-break-before: auto;">
<span style="font-family: inherit;">...</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">Después
de habitar tres años</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">en
una egipciaca villa</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">que
al lado de la frontera,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">entre
palmeras, se ubica,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">una noche a José en sueños</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">llegó
alada la noticia</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">de
la muerte, al fin, de Herodes,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">tras
una larga agonía.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">Y,
con ella, la ocasión</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">tan
esperada y prevista</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">—como
también postergada—</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">de
volver a Palestina.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">El
viaje de vuelta fue</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">más
liviano que el de ida,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">pues
regresamos llevados</span></div>
<div align="LEFT" style="margin-bottom: 0.1cm; margin-left: 6.53cm;">
<span style="font-family: inherit;">en andas por la alegría.</span></div>
<div align="LEFT" style="margin-bottom: 0.1cm; margin-left: 3.47cm;">
<span style="font-family: inherit;"><br /><a href="https://2.bp.blogspot.com/-Ju48WjqRXpU/WjRbIWFQ6oI/AAAAAAAAmCk/rl--uBf-ipkjKzKl-TwOXgeQdsKZUrtdQCLcBGAs/s1600/MEDIEVAL%2BSCULPTOR%252C%2BFrench%2B%2528Saint-Andoche%252C%2BSaulieu%2529_rec.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="787" data-original-width="876" height="286" src="https://2.bp.blogspot.com/-Ju48WjqRXpU/WjRbIWFQ6oI/AAAAAAAAmCk/rl--uBf-ipkjKzKl-TwOXgeQdsKZUrtdQCLcBGAs/s320/MEDIEVAL%2BSCULPTOR%252C%2BFrench%2B%2528Saint-Andoche%252C%2BSaulieu%2529_rec.jpg" width="320" /></a>
</span></div>
<div align="CENTER" style="margin-bottom: 0.1cm;">
<span style="font-family: inherit;"><b><br /></b></span></div>
<div align="CENTER" style="margin-bottom: 0.1cm;">
<b><span style="font-family: inherit;">Epílogo</span></b></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Y
esta es la historia, contada</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">desde
mi asnal perspectiva.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Nadie
hallaréis más cercano</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">a
los tres protagonistas</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">que
el voluntarioso asno</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">que
este romance rubrica.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Perdonadme
la licencia,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">tan
necia como atrevida,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">de
dar pábulo a mi voz</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">y
a mi pluma la osadía</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">para
escribir estos versos</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">sin
la destreza precisa.</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">Espero,
al menos, dejaros</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">con
el alma divertida</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">y
en el rostro, dibujada,</span></div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 6.5cm;">
<span style="font-family: inherit;">una indulgente sonrisa.</span></div>
<div align="LEFT" style="margin-left: 6.5cm;">
<br /></div>
</td>
</tr>
</tbody></table>
</center>
<div style="text-align: center;">
<span style="font-size: x-small;">(Fin)</span></div>
<br />
<span style="color: white;">.....</span><b>NOTA</b>: ¿No habría de merecer una mínima atención por mi parte el pobre burro que cargara con María durante unos 120 km, entre Nazaret y Belén, más otros 600 km, de ida y vuelta a Egipto?<br />
<span style="color: white;">.....</span>Yo creo que es lo menos que debía hacer. Por supuesto, el mayor honor que le cabe al entrañable borrico es haber sido foco de tanta atención por parte de pintores, escultores e ilustradores de todas las épocas.<br />
<span style="color: white;">.....</span>Faltaba, no obstante, una dedicación <i>textual</i> expresa. Sé que mi contribución lírica no estará a la misma altura artística que la obra gráfica aquí expuesta, pero es mi humilde aportación. Simplemente, es mi manera de rendir homenaje a "Sonrisa", que tal es el nombre que, de modo libre y ficticio, le he adjudicado a este célebre borrico para montar la trama sobre la trama ya conocida.<br />
<span style="color: white;">.....</span>Las diversas licencias que me he tomado sobre los textos de las fuentes bíblicas originales —que siempre han sido referenciales, sobre todo los de los evangelios de Mateo y Lucas— pertenecen al ámbito exclusivo de la creación, que es lo más estimulante de todo este arduo y esforzado trabajo compositivo (sí, sí, aunque yo no sea un Góngora ni un Quevedo —por tomar dos de mis autores de cabecera— es muy probable que, por eso mismo, a mí no me cueste menos parir mis <i>hijos literarios </i>que lo que a estos les costara parir los suyos).<br />
<br />
<span style="color: white;">.....</span>Probablemente, poco haya aquí de semejanza con el lirismo prosaico de aquel, siempre modélico ejercicio lírico en prosa, <i>Platero</i> de mi admirado Juan Ramón Jiménez. Pero ¿saben?, estoy seguro de que si existiese un limbo desde el cual las almas de todos los seres —reales o ficticios— pudieran observar a los seres humanos que fueron sus compañeros, coetáneos o creadores, el privilegiado asno que tuvo el honor de llevar sobre sí semejante sagrada carga, y servir de transporte a tales benditos protagonistas durante tan extremada aventura, se sentiría agradecido por esta sencilla y nada pretenciosa dedicatoria.<br />
<span style="color: white;">.....</span>Y, ¿por qué no?, quizás, también muy probablemente, él habrá esbozado la misma sonrisa que yo deseaba en el <i>Epílogo</i> del <i>Romance </i>que fuera, cuanto menos, la impresión causada en todos aquellos que se hayan acercado a leer este <i>Romance de Navidad 2017</i>. Si así fuera... El círculo se habría completado.<br />
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<a href="https://2.bp.blogspot.com/-7_5n7rGRwqg/WjV4rqJli-I/AAAAAAAAmGA/uI-ewfWzlAoD8SUw-KSezWrVSJerJ2YngCLcBGAs/s1600/Viaje%2Ba%2BEgipto_cinta.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="669" data-original-width="1432" height="298" src="https://2.bp.blogspot.com/-7_5n7rGRwqg/WjV4rqJli-I/AAAAAAAAmGA/uI-ewfWzlAoD8SUw-KSezWrVSJerJ2YngCLcBGAs/s640/Viaje%2Ba%2BEgipto_cinta.jpg" width="640" /></a></div>
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<div style="text-align: center;">
<b><span style="color: #cc0000;"><span style="font-family: inherit; font-size: large;">GALERÍA</span></span></b></div>
</div>
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<span style="font-family: inherit;"><br /></span></div>
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<div style="text-align: center;">
<b><span style="color: blue;"><span style="font-family: inherit;">JOSÉ, MARÍA, EL NIÑO y EL BURRO en la ICONOGRAFÍA</span></span></b></div>
</div>
<div style="background-color: white; margin-bottom: 0cm; margin-left: 0.02cm;">
<div style="color: #333333; text-align: left;">
<span style="font-family: inherit;"><br /></span></div>
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<span style="font-family: inherit;"><span style="color: #333333;"> </span><span style="color: white;">.....</span><span style="color: #333333;"><span style="color: #333333;">En el Romance del año pasado, dedicado a la figura de José de Nazaret (el hombre), ya se incluyó una muy amplia selección de pinturas y obras de arte sobre el episodio de la Huida a Egipto, en la que aparecen invariablemente, en diferentes momentos, las figuras de María con el El Niño, José y el burro que les acompañó en aquel viaje/exilio. A aquel post remito para que puedan allí consultarse (enlace clickando </span><a href="http://consentidoscomunes.blogspot.com.es/2016/"><span style="color: #3d85c6;"><b>aquí</b></span></a><span style="color: #333333;">). En este post añadiré algunas más que allí no se encuentran, siempre considerando las obras eminentemente artísticas, no las diversas ilustraciones que también pueblan la red, más enfocadas a ilustrar el episodio religioso que a consagrarse al universo del Arte. </span></span></span></div>
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<span style="font-family: inherit;"><br /></span></div>
<div style="text-align: left;">
<span style="font-family: inherit;"><span style="color: white;">.....</span><span style="color: #333333;">Estando, como está, el Romance de este año dedicado al sencillo y vulgar asno que fuera soporte y apoyo a la Sagrada Familia en las peripecias vividas en torno al Nacimiento de Jesús, su posterior huida a Egipto y su regreso a Galilea después, la GALERÍA debe de estar, así mismo, a él dedicada. Es por ello que aquí también se adjuntan las (escasas) obras que ilustran el primer viaje de María, aún encinta, y José desde Nazaret a Belén para el empadronamiento —lo que sería causa, al fin y al cabo, de que Jesús naciera en la pequeña aldea de Judea aledaña a Jerusalén (apenas 12 Km separa una de otra), en vez del pueblo de residencia de la pareja, la galilea Nazaret.</span></span></div>
<div style="color: #333333; text-align: left;">
<span style="font-family: inherit;"><br /></span></div>
<div style="text-align: left;">
<span style="font-family: inherit;"><span style="color: white;">.....</span><span style="color: #333333;">De entre esta nueva selección hay que destacar, en la obra relativa a la <i>Huida a Egipto</i>, una cantidad apreciable de imágenes miniadas, pertenecientes a Libros de Horas, Misales y diferentes manuscritos de pintura iluminista, de exuberante colorido y delicada factura (unos algo más toscos y otros más esmerados).</span></span></div>
<div style="color: #333333; text-align: left;">
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<div style="color: #333333; font-family: georgia, serif; text-align: center;">
<b>EL VIAJE DE NAZARET A BELÉN</b></div>
<div style="color: #333333; font-family: Georgia, serif; font-size: 13px; text-align: center;">
<br /></div>
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<div class="separator" style="clear: both; color: black; font-family: "times new roman"; font-size: medium;">
<a href="https://4.bp.blogspot.com/-3p1358-24PM/WjVwn7gRhLI/AAAAAAAAmDk/og5hPVB8kfYPCwWkHaw_aGiCCD2i7guLgCLcBGAs/s1600/Meister%2Bder%2BKahriye-Cami-Kirche%2Bin%2BIstanbul%2B-%2BMosaic%2Bof%2Bthe%2BJourney%2Bto%2BBethlehem%2B%25281315-1320%2529%2BChurch%2Bof%2Bthe%2BHoly%2BSpirit.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="718" data-original-width="897" height="512" src="https://4.bp.blogspot.com/-3p1358-24PM/WjVwn7gRhLI/AAAAAAAAmDk/og5hPVB8kfYPCwWkHaw_aGiCCD2i7guLgCLcBGAs/s640/Meister%2Bder%2BKahriye-Cami-Kirche%2Bin%2BIstanbul%2B-%2BMosaic%2Bof%2Bthe%2BJourney%2Bto%2BBethlehem%2B%25281315-1320%2529%2BChurch%2Bof%2Bthe%2BHoly%2BSpirit.jpg" width="640" /></a></div>
<div style="text-align: center;">
<span style="font-family: inherit;">Meister der Kahriye-Cami-Kirche in Istanbul</span><br />
<span style="font-family: inherit;">Mosaic of the Journey to Bethlehem (1315-1320)</span><br />
<span style="font-family: inherit;">Church of the Holy Spirit</span></div>
<div style="color: black; text-align: center;">
<span style="font-family: inherit;">. </span></div>
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<a href="https://4.bp.blogspot.com/-xIyLhHSMfTE/WjVwoicZzpI/AAAAAAAAmD0/Oa77cPwjPFIqQiU893BLNUIQrAglXpHVgCLcBGAs/s1600/The_Journey_to_Bethlehem%252C_about_110-1120_AD%252C_South_Italian%252C_Amalfi%252C_ivory_-_Cleveland_Museum_of_Art.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="1600" data-original-width="1200" height="640" src="https://4.bp.blogspot.com/-xIyLhHSMfTE/WjVwoicZzpI/AAAAAAAAmD0/Oa77cPwjPFIqQiU893BLNUIQrAglXpHVgCLcBGAs/s640/The_Journey_to_Bethlehem%252C_about_110-1120_AD%252C_South_Italian%252C_Amalfi%252C_ivory_-_Cleveland_Museum_of_Art.JPG" width="480" /></span></a></div>
<div style="text-align: center;">
<span style="font-family: inherit;">The Journey to Bethlehem, about 110-1120 AD (marfil). Amalfi, South Italian</span><br />
<span style="font-family: inherit;">(Cleveland Museum of Art)</span></div>
<div style="color: black; text-align: center;">
<span style="font-family: inherit;">.</span></div>
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<a href="https://4.bp.blogspot.com/-TiI-n3wmNns/WjVwoKr626I/AAAAAAAAmDo/AtM1ihY5T6gfFmsQt8D6lGUCwBtHIyBzQCLcBGAs/s1600/MichaelRieserAmAbendVorChristiGeburt1869.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="668" data-original-width="684" height="624" src="https://4.bp.blogspot.com/-TiI-n3wmNns/WjVwoKr626I/AAAAAAAAmDo/AtM1ihY5T6gfFmsQt8D6lGUCwBtHIyBzQCLcBGAs/s640/MichaelRieserAmAbendVorChristiGeburt1869.jpg" width="640" /></span></a></div>
<div>
<span style="font-family: inherit;">Michael Rieser - Am Abend Vor Christi Geburt (1869)</span></div>
<div style="color: black; text-align: center;">
<span style="font-family: inherit;">. </span></div>
</div>
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<a href="https://3.bp.blogspot.com/-vxGxdvQ4AOI/WjVwnR10WWI/AAAAAAAAmDc/V86fu3R0OIMjfb5_9vfhzYmVeCRqctMQwCLcBGAs/s1600/Joseph%252Band%252BMary%252Bat%252Bthe%252Binn%252Bin%252BBethlehem%252C%2BTissot.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="1490" data-original-width="944" height="640" src="https://3.bp.blogspot.com/-vxGxdvQ4AOI/WjVwnR10WWI/AAAAAAAAmDc/V86fu3R0OIMjfb5_9vfhzYmVeCRqctMQwCLcBGAs/s640/Joseph%252Band%252BMary%252Bat%252Bthe%252Binn%252Bin%252BBethlehem%252C%2BTissot.jpg" width="404" /></span></a></div>
<div style="text-align: center;">
<span style="font-family: inherit;">James Jacques Joseph Tissot - St. Joseph Seeks Lodging in Bethlehem</span><br />
<span style="font-family: inherit;">Illustration for 'The Life of Christ', c.1886-94</span></div>
<div style="text-align: center;">
<span style="font-family: inherit;">.</span></div>
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<a href="https://1.bp.blogspot.com/-Z1m-NzUPhCk/WjVwoAR-zaI/AAAAAAAAmDs/dD_ssxnk5xA9aPcC0B1pwziBuE_kpjtsQCLcBGAs/s1600/St.%2BJoseph%2BSeeks%2BLodging%2Bin%2BBethlehem%252C%2Billustration%2Bfor%2B%2527The%2BLife%2Bof%2BChrist%2527%252C%2Bc.1886-94_James%2BJacques%2BJoseph%2BTissot.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="892" data-original-width="564" height="640" src="https://1.bp.blogspot.com/-Z1m-NzUPhCk/WjVwoAR-zaI/AAAAAAAAmDs/dD_ssxnk5xA9aPcC0B1pwziBuE_kpjtsQCLcBGAs/s640/St.%2BJoseph%2BSeeks%2BLodging%2Bin%2BBethlehem%252C%2Billustration%2Bfor%2B%2527The%2BLife%2Bof%2BChrist%2527%252C%2Bc.1886-94_James%2BJacques%2BJoseph%2BTissot.jpg" width="404" /></span></a></div>
<div style="text-align: center;">
<div style="text-align: center;">
<span style="font-family: inherit;">James Jacques Joseph Tissot - St. Joseph Seeks Lodging in Bethlehem</span><br />
<span style="font-family: inherit;">Illustration for 'The Life of Christ', c.1886-94 (Watercolor)</span></div>
</div>
<div style="text-align: center;">
<span style="font-family: inherit;">. </span></div>
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<a href="https://3.bp.blogspot.com/-XtA6IsiZKr0/WjVwnVod3PI/AAAAAAAAmDY/JxPx1KMFPFomDMOiS6ZhZ7-d68gs3F-SgCLcBGAs/s1600/Journey%2Bto%2BBethlehem%2B-%2BJoseph%2BCharles%2BBrickey.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="720" data-original-width="1280" height="360" src="https://3.bp.blogspot.com/-XtA6IsiZKr0/WjVwnVod3PI/AAAAAAAAmDY/JxPx1KMFPFomDMOiS6ZhZ7-d68gs3F-SgCLcBGAs/s640/Journey%2Bto%2BBethlehem%2B-%2BJoseph%2BCharles%2BBrickey.jpg" width="640" /></span></a></div>
<div style="text-align: center;">
<span style="font-family: inherit;">Joseph Charles Brickey - Journey to Bethlehem</span></div>
<div style="text-align: center;">
<span style="font-family: inherit;">.</span></div>
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<a href="https://1.bp.blogspot.com/-qY0LuTDd85M/WjVwopmOlII/AAAAAAAAmDw/o0rB51nA8_ALdDy-9E05O8kKz9IRtxqtwCLcBGAs/s1600/William%2BHole%2B-%2BJoseph_and_Mary_arrive_at_Bethlehem%252C%2B1906.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="1238" data-original-width="950" height="640" src="https://1.bp.blogspot.com/-qY0LuTDd85M/WjVwopmOlII/AAAAAAAAmDw/o0rB51nA8_ALdDy-9E05O8kKz9IRtxqtwCLcBGAs/s640/William%2BHole%2B-%2BJoseph_and_Mary_arrive_at_Bethlehem%252C%2B1906.jpg" width="490" /></span></a></div>
<div style="text-align: center;">
<span style="color: #333333; font-family: inherit;">William Hole - Joseph and Mary arrive at Bethlehem, 1906</span></div>
<div style="color: #333333; text-align: center;">
<span style="font-family: inherit;">.</span></div>
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<a href="https://1.bp.blogspot.com/-ZVWaVPb5J6Y/WjVwnqTZShI/AAAAAAAAmDg/VeTa0EbHN9kPTmPfay1Sm7FMYsSdK_z-QCLcBGAs/s1600/Margaret%2BTarrant%2B-%2BSt.%2BJoseph%2BSeeks%2BLodging%2Bin%2BBethlehem.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="1500" data-original-width="1500" height="640" src="https://1.bp.blogspot.com/-ZVWaVPb5J6Y/WjVwnqTZShI/AAAAAAAAmDg/VeTa0EbHN9kPTmPfay1Sm7FMYsSdK_z-QCLcBGAs/s640/Margaret%2BTarrant%2B-%2BSt.%2BJoseph%2BSeeks%2BLodging%2Bin%2BBethlehem.jpg" width="640" /></span></a></div>
<div style="text-align: center;">
Margaret Tarrant - St. Joseph Seeks Lodging in Bethlehem</div>
<div style="text-align: center;">
<span style="font-family: inherit;">.</span></div>
<div style="text-align: center;">
<span style="font-family: inherit;"><br /></span></div>
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<a href="https://1.bp.blogspot.com/-zbS8rRNNy4Y/WjV4hRnmjvI/AAAAAAAAmF8/oKTclibRuLUi3deX4kxk9-Z7VPF9tTBAgCLcBGAs/s1600/Viaje%2Ba%2BEgipto_cinta%2Bx2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="335" data-original-width="1432" height="148" src="https://1.bp.blogspot.com/-zbS8rRNNy4Y/WjV4hRnmjvI/AAAAAAAAmF8/oKTclibRuLUi3deX4kxk9-Z7VPF9tTBAgCLcBGAs/s640/Viaje%2Ba%2BEgipto_cinta%2Bx2.jpg" width="640" /></span></a></div>
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<div style="text-align: center;">
<b><span style="font-family: "georgia" , "times new roman" , serif;">EL VIAJE A EGIPTO</span></b></div>
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Book of Hours, Use of Paris, in Latin and French</div>
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Flight into Egypt- Book of Hours</div>
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Flight into Egypt - Book of Hours</div>
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Flight into Egypt - Book of Hours, France, Paris</div>
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Gospels of Georg Alexief - The Flight into Egypt</div>
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Heures de Nostre Dame selonc lusaige de Rome, Flight into Egypt</div>
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Illuminated Manuscripts - The Flight into Egypt</div>
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<a href="https://4.bp.blogspot.com/-39vk3UL5hnc/WjVxs6mCw_I/AAAAAAAAmEY/JwTP8XB5Y3AVNb91HxC_ZW2cDDMjJRuLQCLcBGAs/s1600/La%2BFuite%2Ben%2BEgypt_%2BHeures%2Bde%2BNotre-Dame%2Bde%2BPiti%25C3%25A9.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1248" height="640" src="https://4.bp.blogspot.com/-39vk3UL5hnc/WjVxs6mCw_I/AAAAAAAAmEY/JwTP8XB5Y3AVNb91HxC_ZW2cDDMjJRuLQCLcBGAs/s640/La%2BFuite%2Ben%2BEgypt_%2BHeures%2Bde%2BNotre-Dame%2Bde%2BPiti%25C3%25A9.jpg" width="532" /></a></div>
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La Fuite en Egypt - Heures de Notre-Dame de Pitié</div>
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Miniature of the Flight into Egypt from a French Book of Hours</div>
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The Visconti Book of Hours</div>
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Miniature of the Flight into Egypt, from a French Book of Hours</div>
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The Flight into Egypt (Holy Family and donkey), Illuminated manuscript. 1408-09,<br />
Metropolitan Museum of Art, New York</div>
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The Flight into Egypt. Now at the Edinburgh University Library, Scotland</div>
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<a href="https://3.bp.blogspot.com/-S9KzPgQ1-nY/WjVxvOjGeBI/AAAAAAAAmE0/yIoiy5zA-e4ktS8C-Btq9XLsnoAwq3JPQCLcBGAs/s1600/Vintage%2BBible%2BIlluminated%2BManuscript%2BPrints%2BFlight%2Bto%2BEgypt%2BJesus%252C%2BMary%252C%2BJoseph%252C%2BDonkey.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="878" data-original-width="570" height="640" src="https://3.bp.blogspot.com/-S9KzPgQ1-nY/WjVxvOjGeBI/AAAAAAAAmE0/yIoiy5zA-e4ktS8C-Btq9XLsnoAwq3JPQCLcBGAs/s640/Vintage%2BBible%2BIlluminated%2BManuscript%2BPrints%2BFlight%2Bto%2BEgypt%2BJesus%252C%2BMary%252C%2BJoseph%252C%2BDonkey.jpg" width="414" /></a></div>
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Flight into Egypt (Jesus, Mary, Joseph, Donkey)<br />
Vintage Bible Illuminated Manuscript Prints </div>
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<a href="https://4.bp.blogspot.com/-JofSNnfKoA4/WjVxu9p15WI/AAAAAAAAmEs/FanDXBJrS1w1S274uoAaPABYuvx5-vxhQCLcBGAs/s1600/Missale%2BSalisburgense%2BAround%2B1400%2BCE%2B-%2B1499%2BCE.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="708" data-original-width="674" height="640" src="https://4.bp.blogspot.com/-JofSNnfKoA4/WjVxu9p15WI/AAAAAAAAmEs/FanDXBJrS1w1S274uoAaPABYuvx5-vxhQCLcBGAs/s640/Missale%2BSalisburgense%2BAround%2B1400%2BCE%2B-%2B1499%2BCE.jpg" width="608" /></a></div>
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Missale Salisburgense Around 1400 CE - 1499 CE</div>
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Guido da Siena - Fuga in Egitto</div>
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Harry Siddons Mowbray - The Flight into Egypt</div>
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La huida a Egipto (El_Greco)</div>
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Titian - between 1485 and 1490-1576 . Te flight into Egypt</div>
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<a href="https://3.bp.blogspot.com/-o3bem2QMqJ8/WjV3xzio-PI/AAAAAAAAmFc/gDK0Mstx_JIeX2g0JCRncRLHK3lJAWc-QCLcBGAs/s1600/The%2BFlight%2BInto%2BEgypt%2Bby%2BJean-Leon%2BGerome.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="954" data-original-width="1600" height="380" src="https://3.bp.blogspot.com/-o3bem2QMqJ8/WjV3xzio-PI/AAAAAAAAmFc/gDK0Mstx_JIeX2g0JCRncRLHK3lJAWc-QCLcBGAs/s640/The%2BFlight%2BInto%2BEgypt%2Bby%2BJean-Leon%2BGerome.jpg" width="640" /></a></div>
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Jean-Leon Gerôme - The Flight Into Egypt</div>
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Jean-François Millet - The Flight into Egypt, c. 1864</div>
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<a href="https://4.bp.blogspot.com/-TGL8pRewGIE/WjV3ybGH6qI/AAAAAAAAmFk/lw3PALbZ6GkL_MfEfbtIZPxJDkMxcf8fwCLcBGAs/s1600/The_Flight_into_Egypt_%2528Fuite_en_%25C3%2589gypte%2529_-_Alexandre-Gabriel_Decamps.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="530" data-original-width="768" height="440" src="https://4.bp.blogspot.com/-TGL8pRewGIE/WjV3ybGH6qI/AAAAAAAAmFk/lw3PALbZ6GkL_MfEfbtIZPxJDkMxcf8fwCLcBGAs/s640/The_Flight_into_Egypt_%2528Fuite_en_%25C3%2589gypte%2529_-_Alexandre-Gabriel_Decamps.jpg" width="640" /></a></div>
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Alexandre-Gabriel_Decamps - The Flight into Egypt (Fuite_en_Égypte)</div>
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<a href="https://1.bp.blogspot.com/-J4yJx4ONyZw/WjV3ysEynyI/AAAAAAAAmFo/kaubHX6vIwsEdTfTQKmOvUvhr6eQn9QdwCLcBGAs/s1600/The_Flight_into_Egypt_by_George_Hitchcock.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="609" data-original-width="900" height="432" src="https://1.bp.blogspot.com/-J4yJx4ONyZw/WjV3ysEynyI/AAAAAAAAmFo/kaubHX6vIwsEdTfTQKmOvUvhr6eQn9QdwCLcBGAs/s640/The_Flight_into_Egypt_by_George_Hitchcock.jpg" width="640" /></a></div>
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George Hitchcock - The Flight into Egypt</div>
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George_Hitchcock - The Flight into Egypt<br />
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George_Hitchcock - The Flight into Egypt (detail)<br />
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James Tissot - La Huida a Egipto</div>
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Eugene Alexis Girardet - Flight into Egypt</div>
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Robert T Barrett - Flight into Egypt</div>
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Notre Dame de Paris - Massacre of the Innocents - Flight into Egypt<br />
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Pierre Monnot - Flight into Egypt</div>
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Llorenc Matamala i Pinol - The Flight into Egypt. Sagrada Familia</div>
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Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-5464569323978413729.post-71788965208439179712017-07-28T09:45:00.000+02:002017-07-28T09:45:00.245+02:00Dos calas en "Cuatro lecturas sobre Zhuangzi": 2. Otra lectura del Zhuangzi - GALERÍA: Seis maestros de la dinastía Qing temprana (2)<br />
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Las obras literarias de los sabios antiguos, su pensamiento, su experiencia singular,</div>
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perdida ya la frescura y literalidad de su palabra por interpretaciones interesadas,</div>
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son, frecuentemente, como maniquíes que cada cada cual viste a su manera,</div>
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o como profundos cimientos sobre los que levantar edificios acondicionados a la moda del momento,</div>
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o como florestas, más o menos indómitas, convertidas en acomodaticios jardines.</div>
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No sólo es traidor el traductor, lo es aún más el intérprete,</div>
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pues éste no hace sino adaptar la obra original a su esquema de pensamiento.</div>
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Líbrenos la vida de sesudos exégetas y concédanos más <i>voyeurs</i> desinteresados,</div>
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de mirada limpia, con ganas de dejarse sorprender por la exhibición de la obra desnuda,</div>
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tal y como su creador la dio al mundo.</div>
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<i>De las razones de la sinrazón</i>. Héctor Amado.</div>
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<b><span style="font-size: large;">Preámbulo</span></b></div>
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<span style="color: white;">.....</span>Las cuatro lecturas que sobre Zhuangzi expone Jean François Billeter en su encantadora y sustanciosa obrita tienen, a mi parecer, un objetivo primordial: ofrecer una visión del pensador chino alejada de la convencional tradición. Tras siglos de contumaz empeño por parte de la "oficialidad erudita china" por presentar a Zhuangzi como un canónico taoísta, cercano al más célebre Lao-Tsé (Laozí), este estudioso suizo pretende revisar, enmendar y actualizar el pensamiento original del tenido —según él , equivocadamente— como filósofo sistemático del Tao. Y, en efecto, Billeter se esfuerza (aunque no necesita esforzarse mucho, ante la claridad de su exposición) en presentarnos a un Zhuangzi no sometido al rigor de ninguna escolástica, ni a la rigidez de ninguna doctrina, sino, antes bien, a un hombre en extremo librepensador, capaz de cuestionar la tradición erudita de su tiempo, sea confuciana o taoísta. Y digo —dice él, Billeter— cuestionar, que no contradecir o polemizar, pues el estilo de Zhuangzi tiene una cierta analogía con el de Sócrates (como lo tiene, en otro sentido, más relacionado al contenido esencial de su pensamiento, con el de Spinoza).</div>
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<span style="color: white;">.....</span>Billeter en ese su afán de presentarnos a un "nuevo" Zhuangzi, en realidad lo que nos sugiere es que es esa su moderna interpretación la que nos rescata al Zhuangzi original, en más viejo, el más fidedigno, el no mediatizado por interés sistematizador alguno. Y así, de esta forma, lo que consigue es acercar aún más la figura del pensador chino a la del prototipo de <i>anarca</i>, que diría Ernst Jünger. Un anarquismo bien entendido, alejado de su faceta violenta y terrorista, aunque sí cuestionadora del sistema (y no anti-sistema), un anarquismo privado de su <i>ismo</i>, rescatado su significado más propio: sin gobierno <i>externo</i>, pues que todo los esfuerzos vitales están orientados al buen gobierno de sí mismo, o, mejor, encaminados a hallar en sí mismo las fuentes del gobierno que a todos gobierna (llámese <i>Dao</i>, llámese Dios, llámese Naturaleza).</div>
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<span style="color: white;">.....</span>Y utiliza Billeter una hermosa imagen para describir el pensamiento de Zhunagzi: es una polifonía de ideas, de intuiciones, de visiones, de reflexiones, cuyo resultado es una obra coral en la que late con múltiples voces —infinitas <i>en realidad— </i>el sonido de lo real, de lo real que incluye lo no-percibido por el ser humano, que incluye lo que está más allá de la consciencia del hombre —pero que lo determina—, pues que hallándose velado a su consciencia no deja de llegarle a ésta su latido polifónico, la belleza de su música perpetua. Es, nos dice el sinólogo suizo, lo más característico de Zhuangzi el darnos a conocer lo desconocido, pero no intentando definirlo —pues esquiva cualquier intento de definición—, no intentando describirlo —pues no siendo conocido vano sería intentar describir lo que se desconoce—, sino simplemente sugerirlo, disponer a la conciencia para <i>escuchar</i> el latido audible de su polifonía, quizás misteriosa e incognoscible pero también bella.</div>
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<span style="color: white;">.....</span>No es necesario entender a Bach para deleitarse con la perfecta estructura de su música. No es preciso fundamentar por qué Bach nos deleita, hasta puede que al intentar hacerlo, al intentar explicárnoslo, nos encontraríamos que el deleite desaparece en el absurdo intento de hallar su busilis, su clave. A Bach se le oye, no se le estudia ni se le explica. La magia de su portentosa perfección musical reside, sobre todo, en lo que no puede explicarse de ella, como diría Zhuangzi: que no es otra cosa que el latido —la vibración melódica— de la misma vida.</div>
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<span style="color: white;">.....</span>He empleado intencionadamente a Bach en la anterior comparación porque así lo hace el mismo Billeter para justificar la polifónica arquitectura del pensamiento de Zhuagnzi. Tómese como un homenaje a su propio discurso, por lo demás tan claro y ameno de seguir. </div>
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<span style="color: white;">.....</span>Los siguiente párrafos están entresacados de diferentes partes del librito <i>Cuatro lecturas sobre Zhuangzi </i>(Ed. Siruela, 2005, Madrid, para la versión española de la original <i>Leçons sur Tchouang-Tseu,</i> editada en 2002 en Allia, Paris), no guardando por tanto más que una relación temática: la de la propia perspectiva erudita del investigador sobre la figura y el pensamiento de Zhuangzi, la que es su "nueva" visión de la original, y por tanto vieja, obra de uno de los pensadores universales más sugerentes e interesantes. </div>
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<b><span style="font-size: large;">Otra lectura del Zhuangzi</span></b></div>
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<span style="color: white;">.....</span>«Se acostumbra a considerar a Zhuangzi como un «filósofo», es decir, como autor de un sistema. En China como aquí, cada vez que se le dedica un capítulo de una historia de la filosofía o una monografía, se empeñan en definir este sistema, en demostrar su arquitectura. Como tiene fama de taoísta, el Tao se convierte en la piedra angular del edificio. La presentación resultante no sólo es aburrida, sino falsa porque el método es falso. Uno se condena a leer mal el <i>Zhuangzi </i>cuando busca en él, bajo la vestimenta literaria, una doctrina susceptible de ser formulada en términos abstractos. También es un error leerlo de manera lineal, tomando las piezas de las que se compone como etapas de una demostración. Ciertamente, se discierne un orden en algunos capítulos, pero no se encuentra ningún orden en otros. De todos modos, conviene detenerse en cada fragmento y considerarlo por sí mismo. Luego hay que tomar el tiempo de compararlo con otros fragmentos con los que presenta una afinidad o entra en resonancia, donde quiera que estén en la obra. Practicada de este modo, la lectura se vuelve polifónica, y con ella la reflexión. He pensado a menudo en ello al practicar el <i>Zhuangzi</i>. En Bach, la complejidad no está en sus elementos, sino que resulta de su combinación. Bach no podría combinarlos como lo hace si no fueran simples, casi siempre, y sobre todo perfectamente dibujados, nítidos y acabados. El carácter acabado de los elementos y, de un modo más general, la discontinuidad son una condición necesaria de su polifonía siempre renovada. Debido a este carácter acabado, Bach nunca (o rara vez) resulta pomposo. Ni saca nada más allá de lo necesario. El énfasis es nulo, el interés constante. En una <i>suite</i> o una <i>toccata</i>, cuando un fragmento está acabado, pasa al siguiente, que no se le parece. Encuentro las mismas cualidades en el Zhuangzi. En Bach como en Zhuangzi, esta forma acabada y polifónica es la expresión de un pensamiento.[...]<br />
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<span style="color: white;">.....</span>»Me parece necesario revisar de un modo igualmente drástico otro tópico, el de la pertenencia de Zhuangzi al Taoísmo. Esta atribución induce al error al público occidental, que por lo general no sospecha que «taoísmo» no corresponde a una noción en chino, sino al menos a cuatro o cinco. Los chinos distinguen a los <i>daojia</i>, los «filósofos taoístas», una categoría que inventaron los bibliotecarios de principios del imperio, donde reunieron el <i>Zhuangzi</i> y el <i>Laozi</i>, a los cuales asociaron más tarde el <i>Huainanzi</i> y el <i>Liezi</i> principalmente; el <i>xianrhen zi dao</i>, un conjunto de creencias relativas a los inmortales, aparecidas a principios del imperio; el <i>Huang-Lao</i>, una filosofía política colocada (como su nombre indica) bajo el patronato de <i>Huangdi</i> —el Emperador Amarillo— y Laozi, que desempeñó un importante papel a principios de la dinastía Han; el <i>Lao-Zhuang</i>, un movimiento filosófico que se desarrolló a principioes de la Edad Media bajo el signo de un retorno a Laozi y Zhuangzi y del que Guo Xiang es un representante eminente [310 d.C., fue el primer comentarista y compilador de la obra tal y como la conocemos]; por último el <i>daojiao</i>, la religión taoísta, que aparece a finales de la dinastía Han. Zhuangzi no puede clasificarse de manera satisfactoria bajo ninguna de esas rúbricas. La religión taoísta no ha tomado de su obra más que aspectos muy limitados: nociones aisladas, como el «ayuno de la mente» <i>(xinzhai</i>) o la «práctica del olvido» <i>(zuowang)</i>, y algunos personajes de sus diálogos, que convierte en seres sobrenaturales. De su filosofía no ha conservado nada. Al verse catalogados en una misma categoría bibliográfica, Zhuangzi y Laozi fueron poco a poco considerados como representantes de una misma escuela filosófica, lo cual es absurdo porque semejante escuela no ha existido nunca y porque ambos defienden, acerca de cuestiones esenciales, concepciones diametralmente opuestas. El punto sobre el cual su incompatibilidad es más notable estriba en que, según el <i>Laozi</i>, la realidad tiene una fuente u origen, mientras que, para Zhuangzi, no la tiene. Esta diferencia es fundamental desde el punto de vista filosófico; también lo es en sus consecuencias políticas y religiosas. El <i>Laozi </i>influyó profundamente en las concepciones y los comportamientos políticos porque propone al príncipe que se coloque en el origen de las cosas, o que se convierta en el origen de las cosas, con objeto de controlarlas de manera natural y practicar un arte de la dominación insensible y muda. Más tarde proporcionó a la religión taoísta naciente los misterios que toda religión necesita. Zhuangzi, en cambio, nunca pudo ser explotado, ni política ni religiosamente. Recordaré, además, la hipótesis de A. C. Graham: ciertos diálogos entre Confucio y Laozi habrían dado a un autor anónimo la idea de fabricar el <i>Laozi</i>. Recordaré también mi hipótesis: Zhuangzi habría recibido una educación ritualista, o sea confuciana, y habría desarrollado a partir de ésta una importante dimensión de su pensamiento filosófico. No se gana nada clasificándolo entre los pensadores taoístas. Este tipo de <i>a priori</i> impide leerlo bien.[...]<br />
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<span style="color: white;">.....</span>»Podemos reunir todo esto diciendo que del <i>Zhuangzi </i>emerge un paradigmo, nuevo para nosotros, del sujeto y de la subjetividad. La representación del sujeto que ha dominado en nuestras tradiciones filosóficas y religiosas así como en nuestras concepciones psicológicas es la de una instancia autónoma y activa, pero cuya actividad puede convertirse en pasividad, de ahí la idea de las «pasiones». Se ha situado frente al mundo creado y se convierte, en la época moderna, en el sujeto frente al objeto. En la época contemporánea, la autonomía de esa instancia ha sido cuestionada, pero sin que por los demás cambie la concepción general. En Zhuangzi, tenemos una representación diferente. Lo que llamamos sujeto o subjetividad aparece como <i>un ir y venir entre el vacío y las cosas</i>. De ambos términos, el primero —el vacío o la confusión— es lo que se considera fundamental. Por este vacío es por lo que tenemos la capacidad, esencial, de cambiar, de renovarnos, de redefinir (cuando es necesario) nuestra relación con nosotros mismos, con los demás y con las cosas. Es lo que nos proporciona la facultad de dar significaciones, de <i>significar</i>. Como hemos visto, este paradigma permite a Zhuangzi describir nuestra experiencia de un modo coherente y exacto, incluso en sus momentos paradójicos.<br />
<span style="color: white;">.....</span>El análisis de los textos demostraría, creo, que cuando se trata de ese ir y venir entre el vacío y las cosas, lo que se describe es el funcionamiento de nuestra subjetividad. La dificultad procede de que esos mismos textos fueron más tarde interpretados en un sentido cosmológico. El ir y venir entre el vacío y las cosas fue tomado por una descripción del funcionamiento del mundo, en la cual el funcionamiento del sujeto pareció un caso particular, derivado y subordinado. El esbozo de ese cambio en perspectiva ya es perceptible en ciertas partes del <i>Zhuangzi</i>. Esta interpretación cosmológica o metafísica dominó después la lectura de todo el <i>Zhuangzi</i>.<br />
<span style="color: white;">.....</span>El paradigma de Zhuangzi adquiere una dimensión suplementaria cuando nos damos cuenta de que el lugar del vacío, o de la confusión, no es otro que el cuerpo —a condición de entender con ello, no el cuerpo objeto o a máquina de Descartes, sino, según mi propuesta, el conjunto de las facultades, de los recursos y de las fuerzas, conocidas y desconocidas, que tenemos a nuestra disposición o que nos determinan. Eso, Zhuangzi no lo dice, por lo menos no en estos términos, pero lo demuestra. De veinte maneras diferentes, y a menudo de un modo desconcertante, nos da a entender que dejando actuar el cuerpo, así concebido, es como podemos asegurar nuestra autonomía. Esta enseñanza es paradójica para nosotros, que estamos tan acostumbrados a buscar la autonomía en el dominio consciente de nuestros actos.<br />
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<span style="color: white;">.....</span>»Me pregunto si, sobre este tema (y sobre otros), el pensamiento de Zhunagzi no está destinado a encontrarse con una labor que se está llevando a cabo soterradamente en las profundidades de nuestra cultura. Nuestro paradigma del sujeto y de la subjetividad, del dualismo de la mente y el cuerpo, se tambalea, somos conscientes de ello, pero seguimos presos en él a falta de alternativa. Sólo algunas mentes visionarias han presentido, en ciertos momentos, lo que podría ser el nuevo paradigma. Pienso en los surrealistas, que a veces han sido proféticos. Algunas de sus intuiciones más fulgurantes los colocan muy cerca de las visiones del <i>Zhuangzi</i>. André Breton le es afín cuando habla del «vertiginoso e inapreciable "más acá" sobre cuya prolongación sin limite el sueño humano ha edificado todos los "más allá"». Al igual que Zhuangzi, Benjamin Péret «conserva la consciencia de su consciencia», según la fórmula de Pierre Naville. Max Ernst, el más auténticamente creador de los surrealistas con Luis Buñuel, ha unido a las láminas de <i>La femme 100 têtes</i>, uno de sus libros de collages, pies de ilustración que, puestos uno tras otro, forman uno de los poemas más bellos del siglo XX. «El Padre Eterno trata en vano de separar la luz de las tinieblas», dice el 137. Y he aquí la penúltima que recuerda tanto las paradojas de la consciencia según Zhuangzi: «pregunte a este simio: ¿Quién es la mujer 100 cabezas? A la manera de los Padres de la Iglesia, le responderá: Me basta con mirar la mujer 100 cabezas, y lo sé. Basta que me pregunte quién es la mujer 100 cabezas, y ya no lo sé». Sitúo este texto maravilloso en las inmediaciones del Emperador Amarillo y su perla oscura.<br />
<span style="color: white;">.....</span>Espero haber convencido al lector que, si nos tomamos el tiempo necesario para leer atentamente, apartando las interpretaciones convencionales y los tópicos, Zhuangzi se revela como un filósofo perspicaz, preciso y profundo al tiempo que un autor desconcertante, insondable, que no tiene precio.»<br />
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<b><span style="color: #cc0000; font-size: large;">GALERÍA 2</span></b></div>
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<b>Seis Maestros de la Dinastía Qing temprana</b></div>
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<b>(1644-1911 d.C.)</b></div>
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<span style="font-family: inherit;"><span style="background-color: white; color: white; text-align: justify;">.....</span><span style="background-color: white; color: #333333; text-align: justify;">Se denomina así a un grupo de grandes artistas que trabajaron en el siglo XVII e inicios del XVIII (dinastía Qing). También conocidos como "maestros ortodoxos", continuaron la tradición de la pintura académica siguiendo las prescripciones del artista-crítico </span></span><a href="http://www.comuseum.com/painting/masters/dong-qichang/" style="background-color: white; color: #6a94c6; font-family: inherit; margin: 0px; outline: none; padding: 0px; text-align: justify;">Dong Qichang (董其昌)</a><span style="font-family: inherit;">, de finales de la dinastía Ming.</span><br />
<span style="background-color: white; font-family: inherit; text-align: justify;"><span style="font-family: inherit;"><span style="color: white;">.....</span><span style="color: #333333;">Los Seis Maestros incluyen los paisajistas </span></span></span><a href="http://www.comuseum.com/painting/masters/wu-li/" style="background-color: white; color: #6a94c6; font-family: inherit; margin: 0px; outline: none; padding: 0px; text-align: justify;">Wu Li (吳歷)</a><span style="background-color: white; color: #333333; font-family: inherit; text-align: justify;"> y los Cuatro Wangs —</span><a href="http://www.comuseum.com/painting/masters/wang-shimin/" style="background-color: white; color: #6a94c6; font-family: inherit; margin: 0px; outline: none; padding: 0px; text-align: justify;">Wang Shimin (王時敏)</a><span style="background-color: white; color: #333333; font-family: inherit; text-align: justify;">, </span><a href="http://www.comuseum.com/painting/masters/wang-jian/" style="background-color: white; color: #6a94c6; font-family: inherit; margin: 0px; outline: none; padding: 0px; text-align: justify;">Wang Jian (王鑑)</a><span style="background-color: white; color: #333333; font-family: inherit; text-align: justify;">, </span><a href="http://www.comuseum.com/painting/masters/wang-hui/" style="background-color: white; color: #6a94c6; font-family: inherit; margin: 0px; outline: none; padding: 0px; text-align: justify;">Wang Hui (王翬)</a><span style="background-color: white; color: #333333; font-family: inherit; text-align: justify;"> y </span><a href="http://www.comuseum.com/painting/masters/wang-yuanqi/" style="background-color: white; color: #6a94c6; font-family: inherit; margin: 0px; outline: none; padding: 0px; text-align: justify;">Wang Yuanqi (王原祁)</a><span style="background-color: white; color: #333333; font-family: inherit; text-align: justify;">—, así como el pintor de flores </span><a href="http://www.comuseum.com/painting/masters/yun-shouping/" style="background-color: white; color: #6a94c6; font-family: inherit; margin: 0px; outline: none; padding: 0px; text-align: justify;">Yun Shouping (惲壽平)</a><span style="font-family: inherit;">. Los trabajos de Los Seis Maestros son generalmente conservadores, comedidos, sutiles y complejos en contraste con la vigorosa y vívida pintura de sus "individualistas" contemporáneos.</span><br />
<span style="background-color: white; color: white; font-family: inherit; text-align: justify;">.....</span><span style="background-color: white; color: #333333; font-family: inherit; text-align: justify;">Los Cuatro Wangs se centran en las técnicas de pinceladas y tinta tan admirados en las obras de los antiguos artistas. Raramente salieron al exterior a mirar la naturaleza. Por el contrario, crearon sus paisajes en el estudio. Aunque las pinturas más tardías de los Cuatro Wangs fueron más formalizadas. </span><br />
<span style="color: white; font-family: inherit; text-align: justify;">.....</span><span style="color: #333333; font-family: inherit; text-align: justify;">Como el trabajo de los otros Seis Maestros, los paisajes de Wu Li evolucionan desde los </span><a href="http://www.comuseum.com/painting/schools/four-masters-of-the-yuan-dynasty/" style="color: #3d85c6; font-family: inherit; text-align: justify;">Cuatro Maestros de la dinastía Yuan</a><span style="background-color: white; font-family: inherit; text-align: justify;">. Pero en lugar de imitar a sus predecesores él insiste en que "se debe captar la esencia del pasado". Comparado con los Cuatro Wangs, su pincel y tinta son más variados y expresivos de su personalidad.</span><br />
<span style="background-color: white; font-family: inherit; text-align: justify;"><span style="font-family: inherit;"><span style="color: white;">.....</span><span style="color: #333333;">La pintura de flores de Yun Shouping modifica el ornato de las pinturas de Corte de la dinastía Ming, y continúa el descarnado método imitado por Xu Chongsi </span></span></span><span style="background-color: white; color: #333333; font-family: inherit; text-align: justify;">徐崇嗣) de la dinastía Song del Norte. Su método de pintura gana pronto una gran popularidad y muchos artistas reconocen su influencia</span><br />
<span style="font-family: inherit;"><span style="background-color: white; color: #333333; text-align: justify;"><span style="font-family: inherit;"><br /></span></span><span style="font-family: inherit;"><span style="background-color: white; color: #333333; text-align: justify;">(Tomado de </span><a href="http://www.comuseum.com/"><span style="color: #3d85c6;">China Online Museum</span></a>. Traducción propia<span style="color: #333333;">)</span></span></span><br />
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<span style="color: white;">.....</span>En esta segunda GALERÍA 2, se expondrán las obras de Wang Hui, Wang Yuanqi y Yun Shouping. En el anterior post se incluyeron las obras de Wu Li y los dos primeros Wang (Wang Jian y Wang Shimin).<br />
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<span style="font-family: inherit;"><span style="background-color: white; color: #333333; text-align: justify;"> </span><span style="font-family: "georgia" , "times new roman" , serif;"><b>Wang Hui (王翬)</b></span></span></div>
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<b>(1632–1717)</b></div>
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<span style="font-family: inherit;"><span style="background-color: white; color: #333333; text-align: justify;"> Wang Hui (王翬, 1632–1717), de gentilicio Shigu (石谷) y pseudónimo Gengyan (耕煙), fue un pintor paisajista de la dinastía Qing temprana. El fue uno de los pintores que conformaron el grupo de los Cuatro Wangs, en el que también se incluyen </span><a href="http://www.comuseum.com/painting/masters/wang-shimin/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;" title="Wang Shimin">Wang Shimin (王時敏, 1592–1680)</a><span style="background-color: white; color: #333333; text-align: justify;">, </span><a href="http://www.comuseum.com/painting/masters/wang-jian/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;">Wang Jian (王鑑, 1598–1677)</a><span style="color: #333333;"> y </span><a href="http://www.comuseum.com/painting/masters/wang-yuanqi/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;">Wang Yuanqi (王原祁, 1642–1715)</a><span style="background-color: white; color: #333333; text-align: justify;">.</span></span></div>
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<span style="font-family: inherit;"><span style="background-color: white; color: #333333; text-align: justify;"> </span><a href="http://www.comuseum.com/painting/masters/wang-shimin/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;" title="Wang Shimin">Wang Shimin</a><span style="background-color: white; color: #333333; text-align: justify;"> y </span><a href="http://www.comuseum.com/painting/masters/wang-jian/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;">Wang Jian</a><span style="background-color: white; color: #333333; text-align: justify;">, que habían sido discípulos de </span><a href="http://www.comuseum.com/painting/masters/dong-qichang/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;" title="Dong Qichang">Dong Qichang (董其昌, 1555–1636)</a><span style="background-color: white; color: #333333; text-align: justify;">, fueron a su vez los profesores de Wang Hui. Wang Hui sfue adoptado por la familia de Wang Jian en 1651, he introducido en el círculo del importante pintor académico del día, Wang Shimin. De esta forma Wang Hui disfrutó de un amplio y profundo contacto tanto teórico como práctico de lo que Dong [Qichang] enseñó, y, de acuerdo a los elogios de ambos profesores suyos, fue pintor sobresaliente. Como consecuencia de la fama alcanzada por Wang Hui en la Corte de Beijing, en el periodo de 1691–98 fue comisionado para supervisar la producción de una serie de rollos de mano para conmemorar el viaje del Emperador Kangxi al Sur. Después de esto, sin embargo, retornó a la cultivada elegancia de la vida privada.</span></span></div>
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<span style="background-color: white; color: #333333; text-align: justify;"><span style="font-family: inherit;"> Wang Hui, del mismo modo que los otros Wangs, principalemente pintó paisajes. Aunque gran parte de su pintura es académica y vulgar, hay en sus mejores trabajos una intensidad en manejo del ritmo de las pinceladas y las texturas que consigue una densa y detallada unidad sin pérdida de la claridad y el significado de la composición.</span></span><br />
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Wang Hui - The Kangxi Emperor's Southern Inspection Tour,<br />
Scroll Three_Ji'nan to Mount Tai<br />
(2_2_2)<br />
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Wang Hui - The Colors of Mount Taihang 1<br />
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Wang Hui - The Colors of Mount Taihang 2<br />
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Wang Hui - The Colors of Mount Taihang 3<br />
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Wang Hui - The Colors of Mount Taihang 4<br />
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Wang Hui - The Colors of Mount Taihang 5<br />
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Wang Hui - Landscapes after old masters<br />
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Wang Hui - Peach blossom fishing boat</div>
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Wang Hui - Landscapes after old masters<br />
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Wang Hui - Landscapes after old masters<br />
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Wang Hui - Autumn landscape in the method of Fan Kuan<br />
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Wang Hui - Mountains after Rain<br />
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Wang Hui - Clearing after Rain over Streams and Mountains (left)<br />
Wang Hui - Snow Clearing_Landscape after Li Cheng<br />
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<span style="font-family: inherit;"><b>Wang Yuanqi (王原祁)</b></span></div>
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<span style="font-family: inherit;">(1642–1715)<span style="background-color: white; color: #333333; text-align: justify;"> </span></span></div>
<span style="font-family: inherit;"><br /></span><span style="font-family: inherit;"><span style="background-color: white; color: #333333; text-align: justify;"> Wang Yuanqi (王原祁, 1642–1715), de gentilicio Maojing (茂京) y apodo Lutai (麓臺), fue un nativo de Taicang (太倉), Jiangsu (江蘇). Él recibio su “</span><em style="background-color: white; color: #333333; margin: 0px; padding: 0px; text-align: justify;">jinshi</em><span style="background-color: white; color: #333333; text-align: justify;"> (進士, título académico)” grado civil de servicio en 1670, y se desempeñó en un número de puestos antes de llegar a ser and served in a number of posts before becoming Caballero Auxiliar del Ministerio de Impuestos. Apreciado como artista académico, llegó a ser un veedor de pintura personal del Emperador Kangxi (r. 1662–1722) y sirvió como uno de los editores de una compilación imperial de pintura y caligrafía. Nieto del famoso pintor </span><a href="http://www.comuseum.com/painting/masters/wang-shimin/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;" title="Wang Shimin">Wang Shimin (王時敏, 1592–1680)</a><span style="background-color: white; color: #333333; text-align: justify;">, Wang Yuanqi creció en un ambiente académico. desarrollando nuevas teorías e influenciando a las generaciones venideras. Es conocido como uno de los Cuatro Wangs de la dinastía Qing temprana, junto a su abuelo </span><a href="http://www.comuseum.com/painting/masters/wang-shimin/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;" title="Wang Shimin">Wang Shimin</a><span style="background-color: white; color: #333333; text-align: justify;">, </span><a href="http://www.comuseum.com/painting/masters/wang-jian/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;" title="Wang Jian">Wang Jian (王鑑, 1598–1677)</a><span style="color: #333333;"> y </span><a href="http://www.comuseum.com/painting/masters/wang-hui/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;" title="Wang Hui">Wang Hui (王翬, 1632–1717)</a><span style="background-color: white; color: #333333; text-align: justify;">.</span></span><br />
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<span style="font-family: inherit;"></span>Wang Yuanqi - Wangchuan Villa</div>
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<span style="font-family: inherit;">Wang Yuanqi - Wangchuan Villa 1</span></div>
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<span style="font-family: inherit;">Wang Yuanqi - Wangchuan Villa 2</span></div>
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<span style="font-family: inherit;">Wang Yuanqi - Wangchuan Villa 3</span></div>
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<span style="font-family: inherit;"><a href="https://2.bp.blogspot.com/-jC0hUiDJgvA/WWtC4shf1qI/AAAAAAAAl2k/sLFgRRRXBT4evBnuNLE_uXB3qp85MZ-dgCLcBGAs/s1600/Wang%2BYuanqi%2B-%2BWangchuan%2BVilla%2B4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="792" data-original-width="1600" height="316" src="https://2.bp.blogspot.com/-jC0hUiDJgvA/WWtC4shf1qI/AAAAAAAAl2k/sLFgRRRXBT4evBnuNLE_uXB3qp85MZ-dgCLcBGAs/s640/Wang%2BYuanqi%2B-%2BWangchuan%2BVilla%2B4.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;">Wang Yuanqi - Wangchuan Villa 4</span></div>
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<span style="font-family: inherit;">Wang Yuanqi - Wangchuan Villa 5</span></div>
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<span style="font-family: inherit;">Wang Yuanqi - Wangchuan Villa 6</span></div>
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<span style="font-family: inherit;"><a href="https://4.bp.blogspot.com/-OzjNKkU7o9Y/WWtC5lNUuyI/AAAAAAAAl2w/a_5zSgKDD8sZUs14RvPaaiXHoRCxwutvQCLcBGAs/s1600/Wang%2BYuanqi%2B-%2BWangchuan%2BVilla%2B7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="790" data-original-width="1600" height="316" src="https://4.bp.blogspot.com/-OzjNKkU7o9Y/WWtC5lNUuyI/AAAAAAAAl2w/a_5zSgKDD8sZUs14RvPaaiXHoRCxwutvQCLcBGAs/s640/Wang%2BYuanqi%2B-%2BWangchuan%2BVilla%2B7.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;">Wang Yuanqi - Wangchuan Villa 7</span></div>
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<span style="font-family: inherit;"><a href="https://3.bp.blogspot.com/-DIX78PqMFyg/WWtC6GPlydI/AAAAAAAAl24/zLhb1iLcFTkjTFAiWY8eDFnAKeGOKUcaQCLcBGAs/s1600/Wang%2BYuanqi%2B-%2BWangchuan%2BVilla%2B8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="792" data-original-width="1600" height="316" src="https://3.bp.blogspot.com/-DIX78PqMFyg/WWtC6GPlydI/AAAAAAAAl24/zLhb1iLcFTkjTFAiWY8eDFnAKeGOKUcaQCLcBGAs/s640/Wang%2BYuanqi%2B-%2BWangchuan%2BVilla%2B8.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;">Wang Yuanqi - Wangchuan Villa 8</span></div>
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<span style="font-family: inherit;"><a href="https://2.bp.blogspot.com/-WHy8GnOIDj4/WWtC6I9j4-I/AAAAAAAAl20/cU36DbwcC5wEYL9TJHuKXiZ2Ymz-u8TbQCLcBGAs/s1600/Wang%2BYuanqi%2B-%2BWangchuan%2BVilla%2B9.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="784" data-original-width="1600" height="312" src="https://2.bp.blogspot.com/-WHy8GnOIDj4/WWtC6I9j4-I/AAAAAAAAl20/cU36DbwcC5wEYL9TJHuKXiZ2Ymz-u8TbQCLcBGAs/s640/Wang%2BYuanqi%2B-%2BWangchuan%2BVilla%2B9.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;">Wang Yuanqi - Wangchuan Villa 9</span></div>
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<span style="font-family: inherit;"><a href="https://1.bp.blogspot.com/-DuqFSVyMAfQ/WXMlNngqaxI/AAAAAAAAl-E/vGL9PZnJihoYc4_whWvf_NckHs8LSalVACLcBGAs/s1600/Wang%2BHui%2B%252B%2BYun%2BShouping%2B%252B%2BWang%2BYuanqi_12%252C5x100.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="149" data-original-width="1440" height="66" src="https://1.bp.blogspot.com/-DuqFSVyMAfQ/WXMlNngqaxI/AAAAAAAAl-E/vGL9PZnJihoYc4_whWvf_NckHs8LSalVACLcBGAs/s640/Wang%2BHui%2B%252B%2BYun%2BShouping%2B%252B%2BWang%2BYuanqi_12%252C5x100.jpg" width="640" /></a></span><br />
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Wang_Yuanqi - Free_Spirits_Among_Streams_and_Mountains_View_B</div>
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Wang_Yuanqi - Free_Spirits_Among_Streams_and_Mountains_View_C</div>
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Wang_Yuanqi - Free_Spirits_Among_Streams_and_Mountains_View_D</div>
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Wang_Yuanqi - Free_Spirits_Among_Streams_and_Mountains_View_E</div>
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Wang_Yuanqi - Free_Spirits_Among_Streams_and_Mountains_View_F</div>
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Wang_Yuanqi - Free_Spirits_Among_Streams_and_Mountains_View_G</div>
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Wang_Yuanqi - Free_Spirits_Among_Streams_and_Mountains_View_H</div>
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Wang_Yuanqi - Free_Spirits_Among_Streams_and_Mountains_View_I</div>
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<span style="font-family: inherit;">Wang_Yuanqi - Free_Spirits_Among_Streams_and_Mountains_View_J</span></div>
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<a href="https://1.bp.blogspot.com/-DuqFSVyMAfQ/WXMlNngqaxI/AAAAAAAAl-E/vGL9PZnJihoYc4_whWvf_NckHs8LSalVACLcBGAs/s1600/Wang%2BHui%2B%252B%2BYun%2BShouping%2B%252B%2BWang%2BYuanqi_12%252C5x100.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="149" data-original-width="1440" height="66" src="https://1.bp.blogspot.com/-DuqFSVyMAfQ/WXMlNngqaxI/AAAAAAAAl-E/vGL9PZnJihoYc4_whWvf_NckHs8LSalVACLcBGAs/s640/Wang%2BHui%2B%252B%2BYun%2BShouping%2B%252B%2BWang%2BYuanqi_12%252C5x100.jpg" width="640" /></a><br />
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<span style="font-family: inherit;">Wang Yuanqi - The Fuchun Mountains</span></div>
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<span style="font-family: inherit;"><a href="https://1.bp.blogspot.com/-MsSIiQM8Nbo/WWtDTvHnnyI/AAAAAAAAl3E/RGt-ini8MQsPXKU1w-ntr-IpPRZxTG9nQCLcBGAs/s1600/Wang%2BYuanqi%2B-%2BThe%2BFuchun%2BMountains%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="474" data-original-width="1280" height="236" src="https://1.bp.blogspot.com/-MsSIiQM8Nbo/WWtDTvHnnyI/AAAAAAAAl3E/RGt-ini8MQsPXKU1w-ntr-IpPRZxTG9nQCLcBGAs/s640/Wang%2BYuanqi%2B-%2BThe%2BFuchun%2BMountains%2B1.jpg" width="640" /></a></span></div>
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Wang Yuanqi - The Fuchun Mountains 1</div>
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<span style="font-family: inherit;"><a href="https://1.bp.blogspot.com/-g_vDRznUyFE/WWtDULAI7iI/AAAAAAAAl3I/q444EHrFmbcjJCz7x29-7sEvo0eZdCNJgCLcBGAs/s1600/Wang%2BYuanqi%2B-%2BThe%2BFuchun%2BMountains%2B2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="493" data-original-width="1280" height="246" src="https://1.bp.blogspot.com/-g_vDRznUyFE/WWtDULAI7iI/AAAAAAAAl3I/q444EHrFmbcjJCz7x29-7sEvo0eZdCNJgCLcBGAs/s640/Wang%2BYuanqi%2B-%2BThe%2BFuchun%2BMountains%2B2.jpg" width="640" /></a></span></div>
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Wang Yuanqi - The Fuchun Mountains 2</div>
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Wang Yuanqi - Fishing in River Country at Blossom Time 1</div>
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<span style="font-family: inherit;"><a href="https://1.bp.blogspot.com/-kcjqJ-MciZg/WWtDicQ7cwI/AAAAAAAAl3M/blL5FTIhFD4b35MfbMVjIT4DY7HR5EpwQCLcBGAs/s1600/Wang%2BYuanqi%2B-%2BFishing%2Bin%2BRiver%2BCountry%2Bat%2BBlossom%2BTime%2B2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="855" data-original-width="1600" height="342" src="https://1.bp.blogspot.com/-kcjqJ-MciZg/WWtDicQ7cwI/AAAAAAAAl3M/blL5FTIhFD4b35MfbMVjIT4DY7HR5EpwQCLcBGAs/s640/Wang%2BYuanqi%2B-%2BFishing%2Bin%2BRiver%2BCountry%2Bat%2BBlossom%2BTime%2B2.jpg" width="640" /></a></span></div>
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Wang Yuanqi - Fishing in River Country at Blossom Time 2</div>
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<span style="font-family: inherit;"><a href="https://3.bp.blogspot.com/-HzBYPV9VWbw/WWtDiaSpxVI/AAAAAAAAl3Q/Mirt1ADXRPUcNa-gX7sT1X1sDiMQdKSCwCLcBGAs/s1600/Wang%2BYuanqi%2B-%2BFishing%2Bin%2BRiver%2BCountry%2Bat%2BBlossom%2BTime%2B3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="856" data-original-width="1600" height="342" src="https://3.bp.blogspot.com/-HzBYPV9VWbw/WWtDiaSpxVI/AAAAAAAAl3Q/Mirt1ADXRPUcNa-gX7sT1X1sDiMQdKSCwCLcBGAs/s640/Wang%2BYuanqi%2B-%2BFishing%2Bin%2BRiver%2BCountry%2Bat%2BBlossom%2BTime%2B3.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;">Wang Yuanqi - Fishing in River Country at Blossom Time 3</span></div>
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<span style="font-family: inherit;"><a href="https://1.bp.blogspot.com/-DuqFSVyMAfQ/WXMlNngqaxI/AAAAAAAAl-E/vGL9PZnJihoYc4_whWvf_NckHs8LSalVACLcBGAs/s1600/Wang%2BHui%2B%252B%2BYun%2BShouping%2B%252B%2BWang%2BYuanqi_12%252C5x100.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="149" data-original-width="1440" height="66" src="https://1.bp.blogspot.com/-DuqFSVyMAfQ/WXMlNngqaxI/AAAAAAAAl-E/vGL9PZnJihoYc4_whWvf_NckHs8LSalVACLcBGAs/s640/Wang%2BHui%2B%252B%2BYun%2BShouping%2B%252B%2BWang%2BYuanqi_12%252C5x100.jpg" width="640" /></a></span><br />
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<span style="font-family: inherit;"><a href="https://1.bp.blogspot.com/-94b7t1QjvYQ/WWtEF4IkNNI/AAAAAAAAl38/ArjgGVb90Qon21Qz3gtWxRu-zIg91IUmACLcBGAs/s1600/Wang%2BYuanqi%2B-%2Bautumn-mountains.jpg"><img src="https://1.bp.blogspot.com/-94b7t1QjvYQ/WWtEF4IkNNI/AAAAAAAAl38/ArjgGVb90Qon21Qz3gtWxRu-zIg91IUmACLcBGAs/s640/Wang%2BYuanqi%2B-%2Bautumn-mountains.jpg" style="text-align: left;" /></a></span></div>
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Wang Yuanqi - Autumn ountains</div>
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<span style="font-family: inherit;"><a href="https://3.bp.blogspot.com/-5v7pn3V0HRE/WWtEHKV2goI/AAAAAAAAl4I/kAqQgnaV1HArl5AID6Ruj-GxXnmGg4P2QCLcBGAs/s1600/Wang%2BYuanqi%2B-%2Bmountain-dwelling-on-a-summer-day.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1556" data-original-width="800" height="640" src="https://3.bp.blogspot.com/-5v7pn3V0HRE/WWtEHKV2goI/AAAAAAAAl4I/kAqQgnaV1HArl5AID6Ruj-GxXnmGg4P2QCLcBGAs/s640/Wang%2BYuanqi%2B-%2Bmountain-dwelling-on-a-summer-day.jpg" width="328" /></a></span><a href="https://4.bp.blogspot.com/-RiIW69vkCIs/WWtEHvsLl_I/AAAAAAAAl4M/anIw5bgCaw4g2cdqjyCooXUy0fN6CwFGQCLcBGAs/s1600/Wang%2BYuanqi%2B-%2Bearly-spring-in-the-mountains.jpg"><img src="https://4.bp.blogspot.com/-RiIW69vkCIs/WWtEHvsLl_I/AAAAAAAAl4M/anIw5bgCaw4g2cdqjyCooXUy0fN6CwFGQCLcBGAs/s640/Wang%2BYuanqi%2B-%2Bearly-spring-in-the-mountains.jpg" style="text-align: left;" /></a></div>
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<span style="font-family: inherit;">Wang Yuanqi - Mountain dwelling on a summer day (left)</span></div>
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<span style="font-family: inherit;">Wang Yuanqi - Early </span>spring in the mountains (right)</div>
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<span style="font-family: inherit;"><a href="https://2.bp.blogspot.com/-OVUyXt6H3As/WWtEFyc3lRI/AAAAAAAAl4E/7X2V25WdH2Y7lzB4tsUJBN4m9BqqqkFCgCLcBGAs/s1600/Wang%2BYuanqi%2B-%2BLandscape%2Bfor%2BZhanting.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="790" height="640" src="https://2.bp.blogspot.com/-OVUyXt6H3As/WWtEFyc3lRI/AAAAAAAAl4E/7X2V25WdH2Y7lzB4tsUJBN4m9BqqqkFCgCLcBGAs/s640/Wang%2BYuanqi%2B-%2BLandscape%2Bfor%2BZhanting.jpg" width="316" /></a></span><a href="https://1.bp.blogspot.com/-tuIJ-X_9jQE/WWtGn_mdCBI/AAAAAAAAl4g/bzUoiu-4H20dH9-3R3Hu8dOAGjkK9402QCLcBGAs/s1600/Wang%2BYuanqi%2B-%2BLandscape%2Bafter%2BWu%2BZhen.jpg"><img height="640" src="https://1.bp.blogspot.com/-tuIJ-X_9jQE/WWtGn_mdCBI/AAAAAAAAl4g/bzUoiu-4H20dH9-3R3Hu8dOAGjkK9402QCLcBGAs/s640/Wang%2BYuanqi%2B-%2BLandscape%2Bafter%2BWu%2BZhen.jpg" width="304" /></a></div>
Wang Yuanqi - Landscape for Zhanting (left)<br />
Wang Yuanqi - Landscape after Wu Zhen (right)<br />
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<a href="https://4.bp.blogspot.com/-ttBbhLNxeN4/WXMkcK2cCuI/AAAAAAAAl94/yvrAKjeiERgVpL7D3UDolUxuXZ6XAsj7ACLcBGAs/s1600/Wang%2BHui%2B%252B%2BYun%2BShouping%2B%252B%2BWang%2BYuanqi_25x100.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="299" data-original-width="1439" height="132" src="https://4.bp.blogspot.com/-ttBbhLNxeN4/WXMkcK2cCuI/AAAAAAAAl94/yvrAKjeiERgVpL7D3UDolUxuXZ6XAsj7ACLcBGAs/s640/Wang%2BHui%2B%252B%2BYun%2BShouping%2B%252B%2BWang%2BYuanqi_25x100.jpg" width="640" /></a></div>
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<span style="font-family: inherit;"><b>Yun Shouping (惲壽平)</b></span></div>
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<span style="font-family: inherit;">(1633–1690)</span></div>
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<span style="font-family: inherit;"><span style="background-color: white; color: #333333; text-align: justify;"> Yun Shouping (惲壽平, 1633–1690), de apodo Nantian (南田), fue un gran artista chino de la dinastía Qing tardía (1644–1911). Junto con Los Cutaro Wangs y </span><a href="http://www.comuseum.com/painting/masters/wu-li/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;" title="Wu Li">Wu Li (吳歷, 1632–1718)</a><span style="background-color: white; color: #333333; text-align: justify;">, y figura como integrante de Los Seis Maestros del periodo Qing temprano. Él y estos otros artistas continuaron la tradición ortodoxa de la pintura, siguiendo las grandes codificaciones del pintor teórico del arte </span><a href="http://www.comuseum.com/painting/masters/dong-qichang/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;" title="Dong Qichang">Dong Qichang (董其昌, 1555–1636)</a><span style="background-color: white; color: #333333; text-align: justify;">.</span></span></div>
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<span style="font-family: inherit;"><span style="background-color: white; color: #333333; text-align: justify;"> Yun Shouping tuvo una vida llena de aventuras en sus comienzos. Tras el colapso de la dinastía Ming, Yun fue llevado consigo de viaje por su padre, un partidario Ming. Cuando se separó de él fue adoptado por una familia bien considerada por el gobierno Manchú, y, finalmente, rescatado con cautela por su padre en un monasterio Budista. Yun Shouping rehusó servir a los extranjeros Manchúes y en su lugar se dedicó a aprender el arte d la poesía, la caligrafía y la pintura. Fue contemporáneo y amigo cercano del rico y famoso </span><a href="http://www.comuseum.com/painting/masters/wang-hui/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;" title="Wang Hui">Wang Hui (王翬, 1632–1717)</a><span style="background-color: white; color: #333333; text-align: justify;">, y Yun, que le admiraba mucho, viéndose capaz de igualarlo y no deseando hacerle la competencia, se centró a su vez en la pintura floral. </span></span></div>
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<span style="font-family: inherit;"><span style="background-color: white; color: #333333; text-align: justify;"> Yun Shouping es generalmente asociado con las pinturas de flores, usualmente en una "desvaída" manera que enfatiza los lavados en lugar de las lineas. Yun usually in a “boneless” (沒骨, </span><em style="background-color: white; color: #333333; margin: 0px; padding: 0px; text-align: justify;">mogu</em><span style="background-color: white; color: #333333; text-align: justify;">) manner that emphasizes washes instead of lines. Yun se ganó el respeto de sus contemporáneos y las generaciones posteriores como un fidedigno representante de la escuela de “</span><a href="http://www.comuseum.com/painting/schools/literati-painting/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;">literati painting</a><span style="background-color: white; color: #333333; text-align: justify;">” (文人畫, </span><em style="background-color: white; color: #333333; margin: 0px; padding: 0px; text-align: justify;">wenrenhua</em><span style="background-color: white; color: #333333; text-align: justify;">).</span></span></div>
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<span style="font-family: inherit;"><br /></span><span style="font-family: inherit;"><b>Landscapes (Paisajes)</b></span><br />
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<a href="https://3.bp.blogspot.com/-vibprBX_oOU/WW5cDS_1MJI/AAAAAAAAl40/f-xw5ihddk8XVH0FIskVaiYxUkGLq9DGQCLcBGAs/s1600/yun-shouping_warm-spring-among-lakes-and-mountains.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="150" data-original-width="1600" height="60" src="https://3.bp.blogspot.com/-vibprBX_oOU/WW5cDS_1MJI/AAAAAAAAl40/f-xw5ihddk8XVH0FIskVaiYxUkGLq9DGQCLcBGAs/s640/yun-shouping_warm-spring-among-lakes-and-mountains.jpg" width="640" /></a></div>
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Yun Shouping - Warm spring among lakes and mountains</div>
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<a href="https://4.bp.blogspot.com/-VDsWVWRq5mE/WW5cDIVU6fI/AAAAAAAAl4w/5yjLm-LMrJAwabt0x-hoMzenYJGf7cqZgCLcBGAs/s1600/yun-shouping_warm-spring-among-lakes-and-mountains_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="304" data-original-width="1600" height="120" src="https://4.bp.blogspot.com/-VDsWVWRq5mE/WW5cDIVU6fI/AAAAAAAAl4w/5yjLm-LMrJAwabt0x-hoMzenYJGf7cqZgCLcBGAs/s640/yun-shouping_warm-spring-among-lakes-and-mountains_1.jpg" width="640" /></a></div>
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Yun Shouping - Warm spring among lakes and mountains_1 </div>
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Yun Shouping - Warm spring among lakes and mountains_1_1</div>
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Yun Shouping - Warm spring among lakes and mountains_1_2 </div>
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Yun Shouping - Warm spring among lakes and mountains_2</div>
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<a href="https://3.bp.blogspot.com/-wXrknEk2Lv8/WW5cEmFdykI/AAAAAAAAl48/ba4T9O3-xN0fokY02sp52rZNnNYCP9KiwCLcBGAs/s1600/yun-shouping_warm-spring-among-lakes-and-mountains_2_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="1349" height="236" src="https://3.bp.blogspot.com/-wXrknEk2Lv8/WW5cEmFdykI/AAAAAAAAl48/ba4T9O3-xN0fokY02sp52rZNnNYCP9KiwCLcBGAs/s640/yun-shouping_warm-spring-among-lakes-and-mountains_2_1.jpg" width="640" /></a></div>
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Yun Shouping - Warm spring among lakes and mountains_2_1 </div>
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<a href="https://3.bp.blogspot.com/-VIxmmu4Dv_o/WW5cFJOjOXI/AAAAAAAAl5E/6NNnTxXvxQETdaJNCA22tbSlRgHeu5MkACLcBGAs/s1600/yun-shouping_warm-spring-among-lakes-and-mountains_2_2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="1348" height="236" src="https://3.bp.blogspot.com/-VIxmmu4Dv_o/WW5cFJOjOXI/AAAAAAAAl5E/6NNnTxXvxQETdaJNCA22tbSlRgHeu5MkACLcBGAs/s640/yun-shouping_warm-spring-among-lakes-and-mountains_2_2.jpg" width="640" /></a></div>
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<span style="font-family: inherit;">Yun Shouping - Warm spring among lakes and mountains_2_2</span></div>
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Yun Shouping - Sunset along the floral embankment</div>
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Yun Shouping - Sunset along the floral embankment_1</div>
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<a href="https://2.bp.blogspot.com/-ruBmfyjEy0k/WW5cUjCNmFI/AAAAAAAAl5U/f4sr44ErLlArjDWkXBNFHfrP_k-LVSWMACLcBGAs/s1600/Yun%2BShouping%2B-%2BSunset%2Balong%2Bthe%2Bfloral%2Bembankment_2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="550" data-original-width="1251" height="280" src="https://2.bp.blogspot.com/-ruBmfyjEy0k/WW5cUjCNmFI/AAAAAAAAl5U/f4sr44ErLlArjDWkXBNFHfrP_k-LVSWMACLcBGAs/s640/Yun%2BShouping%2B-%2BSunset%2Balong%2Bthe%2Bfloral%2Bembankment_2.jpg" width="640" /></a></div>
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<span style="font-family: inherit;">Yun Shouping - Sunset along the floral embankment_2</span></div>
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<span style="font-family: inherit;"><a href="https://1.bp.blogspot.com/-DuqFSVyMAfQ/WXMlNngqaxI/AAAAAAAAl-E/vGL9PZnJihoYc4_whWvf_NckHs8LSalVACLcBGAs/s1600/Wang%2BHui%2B%252B%2BYun%2BShouping%2B%252B%2BWang%2BYuanqi_12%252C5x100.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="149" data-original-width="1440" height="66" src="https://1.bp.blogspot.com/-DuqFSVyMAfQ/WXMlNngqaxI/AAAAAAAAl-E/vGL9PZnJihoYc4_whWvf_NckHs8LSalVACLcBGAs/s640/Wang%2BHui%2B%252B%2BYun%2BShouping%2B%252B%2BWang%2BYuanqi_12%252C5x100.jpg" width="640" /></a></span><br />
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<span style="font-family: inherit;">Yun Shouping - Landscapes in the Manner of Song and Yuan Masters</span></div>
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<a href="https://4.bp.blogspot.com/-B2BTbtMyaCk/WW5dTxxSfhI/AAAAAAAAl5g/iirQ5FMw0O4jGbMFisE6sEDnhOTEaUHkgCLcBGAs/s1600/Yun%2BShouping%2B-%2BLANDSCAPES%2BIMITATING%2BOLD%2BMASTERS.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="897" height="640" src="https://4.bp.blogspot.com/-B2BTbtMyaCk/WW5dTxxSfhI/AAAAAAAAl5g/iirQ5FMw0O4jGbMFisE6sEDnhOTEaUHkgCLcBGAs/s640/Yun%2BShouping%2B-%2BLANDSCAPES%2BIMITATING%2BOLD%2BMASTERS.jpg" width="358" /></a></div>
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<span style="font-family: inherit;">Yun Shouping - Landscapes Imitating Old Masters</span></div>
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<span style="font-family: inherit;"><a href="https://4.bp.blogspot.com/-PUdOcBJG9oc/WW5dRi2htvI/AAAAAAAAl5c/RJl4jguctXotI7nZcmMyud_Hl9v9mPS2QCLcBGAs/s1600/Yun%2BShouping%2B-%2Blandscapes.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="854" height="640" src="https://4.bp.blogspot.com/-PUdOcBJG9oc/WW5dRi2htvI/AAAAAAAAl5c/RJl4jguctXotI7nZcmMyud_Hl9v9mPS2QCLcBGAs/s640/Yun%2BShouping%2B-%2Blandscapes.jpg" width="340" /></a></span></div>
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<span style="font-family: inherit;">un Shouping - Landscapes Imitating Old Masters (2)</span></div>
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<span style="font-family: inherit;">.</span></div>
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<a href="https://1.bp.blogspot.com/-DuqFSVyMAfQ/WXMlNngqaxI/AAAAAAAAl-E/vGL9PZnJihoYc4_whWvf_NckHs8LSalVACLcBGAs/s1600/Wang%2BHui%2B%252B%2BYun%2BShouping%2B%252B%2BWang%2BYuanqi_12%252C5x100.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="149" data-original-width="1440" height="66" src="https://1.bp.blogspot.com/-DuqFSVyMAfQ/WXMlNngqaxI/AAAAAAAAl-E/vGL9PZnJihoYc4_whWvf_NckHs8LSalVACLcBGAs/s640/Wang%2BHui%2B%252B%2BYun%2BShouping%2B%252B%2BWang%2BYuanqi_12%252C5x100.jpg" width="640" /></a></div>
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<b>Flowers and Birds (Flores y Aves)</b></div>
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<br /></div>
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<a href="https://1.bp.blogspot.com/-gUBPxBd6SbE/WW5cUNnlWII/AAAAAAAAl5I/C9wwD7Bq6rMnMexgtOYMn9sZYZ4NFOxsgCLcBGAs/s1600/Yun%2BShouping%2B-%2BA%2BHand%2BScroll%2Bpainting%2Bof%2Bflowersl.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="635" data-original-width="1600" height="252" src="https://1.bp.blogspot.com/-gUBPxBd6SbE/WW5cUNnlWII/AAAAAAAAl5I/C9wwD7Bq6rMnMexgtOYMn9sZYZ4NFOxsgCLcBGAs/s640/Yun%2BShouping%2B-%2BA%2BHand%2BScroll%2Bpainting%2Bof%2Bflowersl.jpg" width="640" /></a></div>
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Yun Shouping - A Hand Scroll painting of flowersl</div>
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<span style="font-family: inherit;">.</span><a href="https://2.bp.blogspot.com/-qgC9JQTb1us/WW5dlBrCqXI/AAAAAAAAl5s/jjjFfpNMGYQ8viQFfa_HU9_7Qt7Z4BzDwCLcBGAs/s1600/Yun%2BShouping%2B-%2Bflowers%2Band%2Bbirds%2B2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1308" data-original-width="600" height="640" src="https://2.bp.blogspot.com/-qgC9JQTb1us/WW5dlBrCqXI/AAAAAAAAl5s/jjjFfpNMGYQ8viQFfa_HU9_7Qt7Z4BzDwCLcBGAs/s640/Yun%2BShouping%2B-%2Bflowers%2Band%2Bbirds%2B2.jpg" width="292" /></a></div>
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Yun Shouping - Flowers and birds</div>
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<a href="https://1.bp.blogspot.com/-BvGt5K5hfLw/WW5fEY6dxPI/AAAAAAAAl6U/F2k4rHxPRBUftrJM49t4NF8rx1t3pUioQCLcBGAs/s1600/Yun%2BShouping%2B-%2Bchrysanthemum.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="744" data-original-width="1600" height="296" src="https://1.bp.blogspot.com/-BvGt5K5hfLw/WW5fEY6dxPI/AAAAAAAAl6U/F2k4rHxPRBUftrJM49t4NF8rx1t3pUioQCLcBGAs/s640/Yun%2BShouping%2B-%2Bchrysanthemum.jpg" width="640" /></a></div>
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Yun Shouping - Chrysanthemum</div>
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<span style="font-family: inherit;">Yun Shouping - Spring bre</span></div>
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<a href="https://4.bp.blogspot.com/-nNczHnBp9Ew/WW5fU66fLwI/AAAAAAAAl6k/uQEn5kea-QEMJkMm1ermtQdQoOBOfmaKACLcBGAs/s1600/yun-shouping_peonie.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="766" data-original-width="1000" height="490" src="https://4.bp.blogspot.com/-nNczHnBp9Ew/WW5fU66fLwI/AAAAAAAAl6k/uQEn5kea-QEMJkMm1ermtQdQoOBOfmaKACLcBGAs/s640/yun-shouping_peonie.jpg" width="640" /></a></div>
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Yun Shouping - Peonie</div>
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Yun Shouping - Peonies </div>
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<span style="font-family: inherit;"> Yun Shouping - Peonie</span></div>
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<span style="font-family: inherit;">.</span></div>
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Yun Shou Ping - Lotus Flower</div>
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Yun Shouping - flowers and birds</div>
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<a href="https://3.bp.blogspot.com/-tjHOlsMI1eI/WW5fS1hmiMI/AAAAAAAAl6c/C-CxZpBg_J05X87wC6vSjazLJ6_w4JRUACLcBGAs/s1600/Yun%2BShouping%2B-%2BLeaf%2BD%2Bfrom%2BFlowers%252C%2BBamboo%252C%2BFruits%2Band%2BVegetables%252C.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="473" data-original-width="640" height="472" src="https://3.bp.blogspot.com/-tjHOlsMI1eI/WW5fS1hmiMI/AAAAAAAAl6c/C-CxZpBg_J05X87wC6vSjazLJ6_w4JRUACLcBGAs/s640/Yun%2BShouping%2B-%2BLeaf%2BD%2Bfrom%2BFlowers%252C%2BBamboo%252C%2BFruits%2Band%2BVegetables%252C.jpg" width="640" /></a></div>
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Yun Shouping - Leaf D from Flowers, Bamboo, Fruits and Vegetables,</div>
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Yyun Shouping - Flowers_Sweet osmanthus</div>
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Yun Shouping (After) - One Hundred Flowers (detail)</div>
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Yun Shouping - chrysanthemums and rock (left)</div>
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Yun Shouping - Flowers and birds </div>
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Yun Shouping - Threes (left and right)</div>
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Yun Shouping - Flowers and birds </div>
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Yun Shouping - Flowers and birds </div>
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Yun Shouping - Peonies (Attr.) left</div>
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Yun Shouping - Plum blossoms</div>
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Yun Shou Ping - The Three Friends of Winter (left)</div>
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Yun Shouping (恽寿平) , 恽寿平 花卉 1682年作</div>
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Yun Shouping (恽寿平) , 满堂春色 (left)</div>
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Yun Shouping - Autumn Flowers, 1677 (right)</div>
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Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-5464569323978413729.post-46001713106569076822017-07-20T10:00:00.000+02:002017-07-27T13:21:46.205+02:00Dos calas en "Cuatro lecturas sobre Zhuangzi": 1. Estética musical en Zhuangzi - GALERÍA: Seis maestros de la dinastía Qing temprana (1)<br />
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El silencio es imposible para quien vive inmerso en un griterío <i>interior.</i></div>
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Así le sea cortada la lengua, amordazada la boca, secuestradas las manos,</div>
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arrancados los ojos... que encontrará la manera de expresar lo que en él clama tumultuosamente.</div>
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¿Acaso no es el <i>Tao</i> expresión de lo inexpresable?</div>
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¿Con cuánta mayor razón una de sus ínfimas partes no se dejará <i>oír</i>, si este es su deseo?</div>
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La voluntad es suficiente para salvar cualquier obstáculo, sea sobrevenido o circunstancial.</div>
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La necesidad es un torrente imparable que se abre paso a través de los barrancos de la vida</div>
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hasta llegar al mar, su meta, su destino, para allí disolverse en el oleaje donde confluyen todos los deseos.</div>
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<b><span style="font-family: inherit; font-size: medium;">Estética musical en Zhuangzi</span></b></div>
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<span style="font-family: inherit;"><span style="color: white;">.....</span>Hace dos años, el 11 de julio de 2015, ya dedicamos un espacio a este sabio/filósofo chino enmarcado en la corriente taoísta, aunque bien diferenciado por su nula sistematización de doctrina alguna. En aquella ocasión dos posts sirvieron para glosar parte de un librito que, conteniendo el corpus de cuatro conferencias dictadas por su autor Jean François Billeter, albergaba citas textuales contenidas en ese otro corpus <i>ortodoxo</i> que recoge los pensamientos del sabio chino en un volumen denominado con su nombre: <i>El</i> <i>Zhuangzi </i>(aquí el enlace a esos dos posts: <i><a href="http://consentidoscomunes.blogspot.com.es/search?q=jean+fran%C3%A7ois+billeter"><span style="color: #3d85c6;">Acerca de Zhuangzi (I)</span></a></i> y <i><a href="http://consentidoscomunes.blogspot.com.es/2015/07/acerca-de-zhuangzi-ii-galeria-pintores.html"><span style="color: #3d85c6;">Acerca de Zhuangzi (II)</span></a></i>). Allí decíamos, en la introducción, que el sinólogo suizo había llevado a cabo una rigurosa y revisionista traducción de los textos originales chinos que conforman el compendio de su filosofía, tomando distancias con la tradicional imagen que sobre la figura y la obra de Zhuangzi se ha venido transmitiendo <i>oficialmente</i>. Billeter nos descubre un sabio que no se ciñe a escuela alguna, que sigue su propia vía y que la expresa de una forma nada escolástica. Se podría decir que Zhuangzi ni tuvo maestros ni tendría alumnos. Verso suelto del nutrido y heterogéneo grupo de filósofos chinos, su voz tiene aún más autoridad que la de Lao-Tse (personaje del que aún se duda su existencia; no así la del libro que se le atribuye: el <i>Tao Te Ching</i>) y hasta el mismo Confuccio ha de rendirse a su sabiduría —protagonista de alguna de sus fábulas, ejerciendo de contrapunto racional al saber intuitivo e inmanente que propugna Zhuangzi en toda su obra.</span><br />
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<span style="font-family: inherit;"><span style="color: white;">.....</span>Zhuangzi vivió a caballo de los siglos IV y III a.C., en el periodo denominado de los <i>Reinos Combatientes</i>, en el momento cumbre de la denominada <i>Cien Escuelas de pensamiento</i>, que a lo largo de cinco siglos (VIII a III a.C.) alumbró lo más granado del pensamiento chino, época denominada por ello como la Edad de Oro de la filosofía china. </span></div>
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<span style="font-family: inherit;"><span style="color: white;">.....</span>Tan libre es en su pensamiento que en él se suele ver el germen del anarquismo bien entendido: aquel que propugna y persigue el buen gobierno de uno mismo en armonía con el del vecino, sin más coerción que la de la propia conciencia, ni más dueño que la misma naturaleza, a la que todos nos debemos. </span></div>
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<span style="font-family: inherit;"><span style="color: white;">.....</span>En esta ocasión, y siguiendo la lectura de ese inestimable librito (<i>Cuatro lecturas sobre Zhuangzi.</i> Ed. Siruela S.A., 2005. Traducción de la original <i>Leçons sur Tchouang-Tseu</i>, Ed. Allia, Paris, 2002) voy a exponer una cita algo más larga que las referidas en la anterior ocasión. En ella se muestra una refinada y profunda estética musical. Con su estilo preciso y precioso, Zhuangzi nos expresa la esencia de la música y su papel de puente entre la realidad material y la intelectual, vía sensación y emociones. Para el propio Billeter el diálogo que aquí da forma a la enseñanza «es uno de los textos más bellos de estética que conozco».</span><br />
<span style="font-family: inherit;"><span style="color: white;">.....</span>La cita tiene la forma habitual de diálogo entre el aprendiz (quien quiere alcanzar la sabiduría, quien interroga y/o cuestiona) y el sabio (un dios, un <i>perfecto</i>, una figura arquetípica, a menudo Confuccio o Laozi, etc.). En este caso dicho diálogo se produce entre Beimen Cheng y el Emperador Amarillo (Huangdi, una de las figuras míticas más importantes del panteón mitológico chino. Es uno de los Cinco Emperadores que, junto a los Tres Augustos, gobernaron en China antes de la primera dinastía —Xia—, y a los que se debe la civilización del país; instituciones sociales, cultura y economía),... "tras tocar éste una composición titulada <i>La música de Xianchi</i>, a resultas de cuya audición aquél queda profundamente turbado. El virtuoso intérprete al dar a su arte un cariz cada vez más sutil, profundo, interior, sume a su oyente en una confusión creciente:"</span><br />
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<b><i><span style="font-family: inherit;"><span style="font-size: medium;">D</span>iálogo entre <span style="font-size: medium;">B</span>eimen <span style="font-size: medium;">C</span>heng y el <span style="font-size: medium;">E</span>mperador <span style="font-size: medium;">A</span>marillo</span></i></b></div>
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<i><span style="color: white;">.....</span>Beimen consultaba al Emperador Amarillo.</i></span><br />
<i><span style="font-family: inherit;"><span style="color: white;">.....</span>—Al oíros tocar la música de Xianchi en plena naturaleza salvaje —dijo—, la primera vez me sobrecogió el espanto, la segunda me sentí deshecho, y por último extraviado, desamparado, incapaz de sobreponerme. </span></i><br />
<i><span style="font-family: inherit;"><span style="color: white;">.....</span>—Eso es lo que tenías que sentir —contestó el Emperador Amarillo. Pues aunque tocara de un modo humano, [enseguida] tomé como pauta la acción del Cielo; [enseguida] me inspiré en la energía pura. [Bajo mis dedos,] la estaciones se sucedían, los seres nacía [y morían], el florecimiento conllevaba la decadencia, y la decadencia el florecimiento, el despliegue de las formas conllevaba su destrucción, y esta destrucción su nuevo despliegue. Alternaba los tonos puros e impuros; los sonidos fluían, se derramaban; despertaba a los animales que hibernaban como lo hacen el trueno y el relámpago en la primavera. Acababa sin concluir, inauguraba sin apertura, mi música moría y renacía, caía y se alzaba de nuevo, constante sólo en sus infinitas metamorfosis y siempre imprevisible. Sólo podías quedar sobrecogido de espanto.</span></i><br />
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<span style="color: white; font-style: italic;">.....</span><i>»Luego toqué el equilibrio del </i>yin <i>y el </i>yang<i>, el esplendor combinado del sol y la luna. Mezclando las largas y las breves, las suaves y las fuertes, unifiqué las metamorfosis, pero sin ligarme nunca. Si había valle, llenaba el valle; si había barranco, me insinuaba en el barranco. No dejaba que intervinieran ni mis sentidos, ni mi mente, y me vertía así en las cosas. Bajo el hechizo de mis melodías y mis ritmos, los espíritus se agazapaban en la oscuridad y los astros seguían su curso exacto. Me detenía en los límites de lo finito, pero la música desarrollaba infinitamente sus efectos. En vano tratabas de comprender, tratabas de ver, tratabas de seguir. Estabas ahí, confundido, en una vía que no llevaba a ninguna parte, gemías en tu reposabrazos de madera. Tenías la mente limitada por lo que intentabas comprender, la vista acotada por lo que intentabas ver, y tus esfuerzos no iban más allá de lo que perseguías, de suerte que no tenías posibilidad alguna de alcanzarme. Tu cuerpo, sin embargo, empezó a disolverse y te pusiste a seguir el movimiento. Por eso te sentiste deshecho. </i></span><br />
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<span style="color: white; font-style: italic;">.....</span><i>»Luego anulé toda inercia, di rienda suelta a los ritmos. Se produjo como un surgimiento primitivo, una polifonía sin forma, un despliegue continuo que brotaba de una oscuridad silenciosa. Se movía en lo ilimitado manteniéndose en un abismo umbroso. Habríase dicho que era la muerte, habríase dicho que era la vida. Parecía convertirse en fruta y acabar como flor, yendo, fluyendo, esparciéndose, desplazándose fuera de toda norma. La mentes comunes reprochan al sabio esta forma de tocar que los desconcierta. Pues el sabio entra en los movimientos de la naturaleza y los obedece por entero. No deja su espíritu escaparse ni sus sentidos extraviarse. No dice una palabra, pero, en su fuero interno, exulta. Esta alegría es lo que se llama «música celeste». Shennong la cantó en estos términos: </i>Inaudible, inasible, llena el Cielo y la Tierra, abarca el Universo<i>. Quisiste escucharme, pero mi música no te ha ofrecido ningún punto de agarre y, por tanto, sólo podías sentirte perdido.</i></span><br />
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<i><span style="color: white;">.....</span>»Por la música, empecé llenándote de espanto, y te creíste víctima de algún maleficio. Aflojé mi interpretación, y empezaste a perder pie. Toqué el extravío y te sumiste en el embrutecimiento. Por este embrutecimiento te has unido a la Gran Actividad. Dejándose uno llevar es como entra en la Gran Actividad.</i></span><br />
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<span style="font-family: inherit;"><span style="color: white;">.....</span>Tras la cita, Jean François Billeter realiza su propio comentario al texto en los siguientes términos:</span></div>
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<span style="font-family: inherit;"><span style="color: white; font-style: italic;">.....</span>«Este diálogo es uno de los textos más bellos de estética que conozco. Debería ser universalmente conocido. Si no lo es, puede que sea en primer lugar porque no ha sido suficientemente bien traducido. El original es difícil, incluso oscuro en ciertas partes. Se aclara cuando uno se remite a la experiencia, como he hecho, a la experiencia de escuchar música. Como han señalado los especialistas parece oponerse a la concepción confuciana que ve en la música el complemento de los ritos y le atribuye una función reguladora y moralizadora [...]</span></div>
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<span style="font-family: inherit;"><span style="color: white;">.....</span>»Sobre el fondo, señalemos esta paradoja: cuanto más sutil, profunda, interior, se vuelve la manera de tocar del Emperador Amarillo, más sume a Beimeng Cheng en la confusión. Diríase que lo hace regresar. Nos cuesta concebir que una actividad superior, como es esta ejecución musical perfecta, provoque una regresión. Sin embargo, eso es lo que sucede, en cierto sentido, cuando escuchamos gran música y nos hallamos en un estado de profunda receptividad. En esos momentos, la música tiene el poder de hacer vibrar y de armonizar casi todos los registros de nuestra actividad: la percepción de uno mismo, la espacialidad del propio cuerpo, el conocimiento interior del gesto, la emoción, la memoria y las formas más elevadas de la inteligencia. La música une entonces en una única sinergia todas las fuerzas del cuerpo, desde las más elementales hasta las más evolucionadas. Así es la «Gran Actividad» que el Emperador Amarillo menciona al final de su discurso. Así es como me he tomado la liberta de traducir aquí la palabra <i>dao</i>.»</span></div>
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<span style="font-family: inherit;"><span style="color: white;">.....</span>Como hemos visto, el tema central del diálogo es la música como paradigma de la universalidad del ser en todas las cosas, la música como vehículo para transmitir conocimiento y para medir el desarrollo de la conciencia. El arte más abstracto e inmaterial, el más matemático, el que menos se atiene a los límites y las fronteras de los estados materiales aparentes, y que, no obstante, posee capacidad para modularlos y modificarlos mediante los estímulos que produce. Todo ello descrito con una capacidad de sugerencia descriptiva asombrosa.</span><br />
<span style="font-family: inherit;"><span style="color: white;">.....</span>En el comentario que el Emperador Amarillo realiza tras su interpretación, justifica y describe, de modo explícito y secuencial los diversos cambios acaecidos en el alma del confuso oyente (Beimen Cheng), a tenor de los cambios introducidos por él en su interpretación. Huangdi le guía así en lo que parece haya sido realmente, más que una interpretación musical, un camino de iniciación conducente a dejarlo sumergido en el <i>Tao/Dao </i>(aquí traducido por Billeter como la <i>Gran Actividad</i>, expresión mucho más sugerente). La sensación de anonadamiento descrita por Zhuangzi en la persona de Beimen es harto semejante a la transmitida por todos los místicos que en el mundo han sido.</span><br />
<span style="font-family: inherit;"><span style="color: white;">.....</span>La música perfecta, la que sigue la armonía oculta de la naturaleza, aquí como imagen arquetípica de la ascesis. El hecho de que ambos protagonistas se ubiquen en medio de la <i>naturaleza salvaje</i> es simbólico. El Emperador Amarillo toca su composición sugerida por el entorno, por la naturaleza no mediatizada, ni contaminada, por el hombre. Se trata así de una música pura, sin interferencias, prístina, la que Huangdi, el Emperador Amarillo, extrae del fondo de su espíritu, liberado de toda atadura y conectado con el Gran Ser, la Gran Actividad, el <i>Dao/Tao</i>.</span><br />
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<b><span style="color: #cc0000; font-family: inherit; font-size: large;">GALERÍA 1</span></b></div>
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<b><span style="font-family: inherit;">Seis Maestros de la Dinastía Qing temprana</span></b></div>
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<b><span style="font-family: inherit;">(1644-1911 d.C.)</span></b></div>
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<span style="font-family: inherit;"><span style="background-color: white; color: white; text-align: justify;">.....</span><span style="background-color: white; color: #333333; text-align: justify;">Se denomina así a un grupo de grandes artistas que trabajaron en el siglo XVII e inicios del XVIII (dinastía Qing). También conocidos como "maestros ortodoxos", continuaron la tradición de la pintura académica siguiendo las prescripciones del artista-crítico </span></span><a href="http://www.comuseum.com/painting/masters/dong-qichang/" style="background-color: white; color: #6a94c6; font-family: inherit; margin: 0px; outline: none; padding: 0px; text-align: justify;">Dong Qichang (董其昌)</a><span style="font-family: inherit;">, de finales de la dinastía Ming.</span><br />
<span style="background-color: white; font-family: inherit; text-align: justify;"><span style="font-family: inherit;"><span style="color: white;">.....</span><span style="color: #333333;">Los Seis Maestros incluyen los paisajistas </span></span></span><a href="http://www.comuseum.com/painting/masters/wu-li/" style="background-color: white; color: #6a94c6; font-family: inherit; margin: 0px; outline: none; padding: 0px; text-align: justify;">Wu Li (吳歷)</a><span style="background-color: white; color: #333333; font-family: inherit; text-align: justify;"> y los Cuatro Wangs —</span><a href="http://www.comuseum.com/painting/masters/wang-shimin/" style="background-color: white; color: #6a94c6; font-family: inherit; margin: 0px; outline: none; padding: 0px; text-align: justify;">Wang Shimin (王時敏)</a><span style="background-color: white; color: #333333; font-family: inherit; text-align: justify;">, </span><a href="http://www.comuseum.com/painting/masters/wang-jian/" style="background-color: white; color: #6a94c6; font-family: inherit; margin: 0px; outline: none; padding: 0px; text-align: justify;">Wang Jian (王鑑)</a><span style="background-color: white; color: #333333; font-family: inherit; text-align: justify;">, </span><a href="http://www.comuseum.com/painting/masters/wang-hui/" style="background-color: white; color: #6a94c6; font-family: inherit; margin: 0px; outline: none; padding: 0px; text-align: justify;">Wang Hui (王翬)</a><span style="background-color: white; color: #333333; font-family: inherit; text-align: justify;"> y </span><a href="http://www.comuseum.com/painting/masters/wang-yuanqi/" style="background-color: white; color: #6a94c6; font-family: inherit; margin: 0px; outline: none; padding: 0px; text-align: justify;">Wang Yuanqi (王原祁)</a><span style="background-color: white; color: #333333; font-family: inherit; text-align: justify;">—, así como el pintor de flores </span><a href="http://www.comuseum.com/painting/masters/yun-shouping/" style="background-color: white; color: #6a94c6; font-family: inherit; margin: 0px; outline: none; padding: 0px; text-align: justify;">Yun Shouping (惲壽平)</a><span style="font-family: inherit;">. Los trabajos de Los Seis Maestros son generalmente conservadores, comedidos, sutiles y complejos, en contraste con la vigorosa y vívida pintura de sus "individualistas" contemporáneos.</span><br />
<span style="background-color: white; color: white; font-family: inherit; text-align: justify;">.....</span><span style="background-color: white; color: #333333; font-family: inherit; text-align: justify;">Los Cuatro Wangs se centran en las técnicas de pinceladas y tinta tan admirados en las obras de los antiguos artistas. Raramente salieron al exterior a mirar la naturaleza. Por el contrario, crearon sus paisajes en el estudio. Aunque las pinturas más tardías de los Cuatro Wangs fueron más formalizadas. </span><br />
<span style="color: white; font-family: inherit; text-align: justify;">.....</span><span style="color: #333333; font-family: inherit; text-align: justify;">Como el trabajo de los otros Seis Maestros, los paisajes de Wu Li evolucionan desde los </span><a href="http://www.comuseum.com/painting/schools/four-masters-of-the-yuan-dynasty/" style="color: #3d85c6; font-family: inherit; text-align: justify;">Cuatro Maestros de la dinastía Yuan</a><span style="background-color: white; font-family: inherit; text-align: justify;">. Pero en lugar de imitar a sus predecesores él insiste en que "se debe captar la esencia del pasado". Comparado con los Cuatro Wangs, su pincel y tinta son más variados y expresivos de su personalidad.</span><br />
<span style="background-color: white; font-family: inherit; text-align: justify;"><span style="font-family: inherit;"><span style="color: white;">.....</span><span style="color: #333333;">La pintura de flores de Yun Shouping modifica el ornato de las pinturas de Corte de la dinastía Ming, y continúa el descarnado método imitado por Xu Chongsi </span></span></span><span style="background-color: white; color: #333333; font-family: inherit; text-align: justify;">徐崇嗣) de la dinastía Song del Norte. Su método de pintura gana pronto una gran popularidad y muchos artistas reconocen su influencia</span><br />
<span style="font-family: inherit;"><span style="font-family: inherit; font-size: x-small;"><span style="background-color: white; color: #333333; text-align: justify;">(Tomado de </span><a href="http://www.comuseum.com/"><span style="color: #3d85c6;">China Online Museum</span></a>. Traducción del autor del blog<span style="color: #333333;">)</span></span></span><br />
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<span style="color: white;">.....</span>En esta primera GALERÍA 1, se expondrán las obras de Wu Li y los dos primeros Wang (Wang Jian y Wang Shimin). En el siguiente post se incluirán las obras de los otros dos Wang (Wang Hui y Wang Yuanqi) y de Yun Shouping.<br />
<span style="color: white;">.....</span>Las sinopsis biográficas de los artistas están tomadas de la página <span style="color: #3d85c6;"><a href="http://www.comuseum.com/">China Online Museum</a> </span><span style="color: #3d85c6;">—</span>y traducidas, así mismo, por el autor del blog. Allí podrán encontrar las versiones originales en inglés. He decidido respetar los enlaces tal y como se presentan en esa página, para una mayor facilidad en la consulta del interesado o curioso.<br />
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<span style="font-family: inherit;"><b style="font-family: inherit;">Wu Li </b><span style="background-color: white; font-family: inherit; text-align: justify;"><b>(吳歷)</b></span></span></div>
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<span style="font-family: inherit;"><b style="background-color: white; color: #333333; font-family: inherit; text-align: justify;"> (1632–1718)</b></span></div>
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<span style="font-family: inherit;"><span style="color: white;">.....</span>Wu Li <span style="background-color: white; color: #333333; text-align: justify;">(吳歷, 1632–1718), de gentilicio </span><span style="background-color: white; color: #333333; text-align: justify;">Yushan (漁山) y apodo </span><span style="background-color: white; color: #333333; text-align: justify;">Mojing Daoren (墨井道人), fue nativo de Changshu, Jiangsu. Él y </span><a href="http://www.comuseum.com/painting/masters/wang-hui/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;" title="Wang Hui">Wang Hui (王翬, 1632–1717)</a> fueron estudiantes de <a href="http://www.comuseum.com/painting/masters/wang-jian/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;" title="Wang Jian">Wang Jian (王鑑, 1598–1677)</a><span style="background-color: white; color: #333333; text-align: justify;"> y </span><a href="http://www.comuseum.com/painting/masters/wang-shimin/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;" title="Wang Shimin">Wang Shimin (王時敏, 1592–1680)</a>. Estos cuatro artistas son a menudo agrupados junto a <a href="http://www.comuseum.com/painting/masters/wang-yuanqi/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;" title="Wang Yuanqi">Wang Yuanqi (王原祁, 1642–1715)</a><span style="background-color: white; color: #333333; text-align: justify;"> y </span><a href="http://www.comuseum.com/painting/masters/yun-shouping/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;">Yun Shouping (惲壽平, 1633–1690)</a> como los "Seis Maestros de la dinastía Qing temprana", o como "Los Cuatro Wangs, Wu y Yun". Su rico y refinado estilo fue el más cercano al de Wang Jian, y, en su búsqueda de maestros, fue particularmente influenciado por las maneras de <a href="http://www.comuseum.com/painting/masters/wang-meng/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;" title="Wang Meng">Wang Meng (王蒙, 1308–1385)</a><span style="background-color: white; color: #333333; text-align: justify;"> y </span><a href="http://www.comuseum.com/painting/masters/wu-zhen/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;" title="Wu Zhen">Wu Zhen (吳鎮, 1280–1354)</a>. Después de 1679, no obstante, Wu Li se convirtió al Cristianismo, entrando posteriormente en la orden jesuita. Fue ordenado en Macao en 1688 y fiel el resto de su vida a las actividades misioneras en Jiangsu y Shanghai.</span><br />
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<span style="font-family: inherit;"><a href="https://3.bp.blogspot.com/-NiUp5oEws54/WWngMSgSf6I/AAAAAAAAlvU/xorWCec72XYiproE8-MNzGLZBbwHJQ7mgCLcBGAs/s1600/Wu%2BLi%2B-%2Bgreen-mountains-and-white-clouds.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="317" data-original-width="1600" height="126" src="https://3.bp.blogspot.com/-NiUp5oEws54/WWngMSgSf6I/AAAAAAAAlvU/xorWCec72XYiproE8-MNzGLZBbwHJQ7mgCLcBGAs/s640/Wu%2BLi%2B-%2Bgreen-mountains-and-white-clouds.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;"> Wu Li - Green mountains and white clouds</span></div>
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<span style="font-family: inherit;"><a href="https://2.bp.blogspot.com/-cifHLslmz98/WWnhk__F_MI/AAAAAAAAlvY/jT40z_bGEds7w1yyxeiNdaOrPxFZl_XqQCLcBGAs/s1600/Wu%2BLi%2B-%2Bgreen-mountains-and-white-clouds%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="1489" height="214" src="https://2.bp.blogspot.com/-cifHLslmz98/WWnhk__F_MI/AAAAAAAAlvY/jT40z_bGEds7w1yyxeiNdaOrPxFZl_XqQCLcBGAs/s640/Wu%2BLi%2B-%2Bgreen-mountains-and-white-clouds%2B1.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;">Wu Li - Green mountains and white clouds (1) </span></div>
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<span style="font-family: inherit;"><a href="https://1.bp.blogspot.com/-xr7ciD2zywA/WWnhk4RSHKI/AAAAAAAAlvc/gpqFOWUWEEokC6aGlM2sl78r3og31ugMwCLcBGAs/s1600/Wu%2BLi%2B-%2Bgreen-mountains-and-white-clouds%2B2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="1553" height="206" src="https://1.bp.blogspot.com/-xr7ciD2zywA/WWnhk4RSHKI/AAAAAAAAlvc/gpqFOWUWEEokC6aGlM2sl78r3og31ugMwCLcBGAs/s640/Wu%2BLi%2B-%2Bgreen-mountains-and-white-clouds%2B2.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;">Wu Li - Green mountains and white clouds (2) </span></div>
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<span style="font-family: inherit;"><a href="https://3.bp.blogspot.com/-RSL6KvVQehM/WW8YZ5iVKuI/AAAAAAAAl8A/J2kiuCoN6OIMZX_cguvEnrcTpMa3rcmOACLcBGAs/s1600/Wu%2BLi%2B%252BWang%2BJian%2B%252B%2BWang%2BShimin_25x100.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="225" data-original-width="1589" height="90" src="https://3.bp.blogspot.com/-RSL6KvVQehM/WW8YZ5iVKuI/AAAAAAAAl8A/J2kiuCoN6OIMZX_cguvEnrcTpMa3rcmOACLcBGAs/s640/Wu%2BLi%2B%252BWang%2BJian%2B%252B%2BWang%2BShimin_25x100.jpg" width="640" /></a></span><br />
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<span style="font-family: inherit;"><a href="https://2.bp.blogspot.com/-aeW392BNC-Y/WWnhteXfGSI/AAAAAAAAlvk/lgZQwC5vLQcXPJUl8_habOZdGsN1bNQyQCLcBGAs/s1600/Wu%2BLi%2B-%2Bwhiling-away-the-summer.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="123" data-original-width="1600" height="48" src="https://2.bp.blogspot.com/-aeW392BNC-Y/WWnhteXfGSI/AAAAAAAAlvk/lgZQwC5vLQcXPJUl8_habOZdGsN1bNQyQCLcBGAs/s640/Wu%2BLi%2B-%2Bwhiling-away-the-summer.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;">Wu Li - Whiling away the summer</span></div>
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<span style="font-family: inherit;"><a href="https://4.bp.blogspot.com/-HgVPoQ16jLE/WWnhz4BbUyI/AAAAAAAAlvs/zvKwPFzg5e4geR3qR6NlxPvMVXMC-q-IgCLcBGAs/s1600/Wu%2BLi%2B-%2BWhiling%2BAway%2Bthe%2BSummer%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="809" data-original-width="1600" height="322" src="https://4.bp.blogspot.com/-HgVPoQ16jLE/WWnhz4BbUyI/AAAAAAAAlvs/zvKwPFzg5e4geR3qR6NlxPvMVXMC-q-IgCLcBGAs/s640/Wu%2BLi%2B-%2BWhiling%2BAway%2Bthe%2BSummer%2B1.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;"> </span>Wu Li - Whiling away the summer (1)</div>
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<span style="font-family: inherit;"><a href="https://4.bp.blogspot.com/-Ajiat0s12Lk/WWnhzyYFyoI/AAAAAAAAlvw/L9JlaRay1egKuX6RuTcq-vNVJhV9bRp4QCLcBGAs/s1600/Wu%2BLi%2B-%2BWhiling%2BAway%2Bthe%2BSummer%2B2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="802" data-original-width="1600" height="320" src="https://4.bp.blogspot.com/-Ajiat0s12Lk/WWnhzyYFyoI/AAAAAAAAlvw/L9JlaRay1egKuX6RuTcq-vNVJhV9bRp4QCLcBGAs/s640/Wu%2BLi%2B-%2BWhiling%2BAway%2Bthe%2BSummer%2B2.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;"><span style="font-family: inherit;"> </span>Wu Li - Whiling away the summer (2) </span></div>
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<a href="https://2.bp.blogspot.com/-cGWlMC7K-4w/WWniH8OLF_I/AAAAAAAAlwA/TXJWNML0lk8-PEoGhraohJzeE_kKGkvHACLcBGAs/s1600/Wu%2BLi%2B-%2BSummer%2Brest%2Bin%2Bthe%2Bshadow%2Bof%2Bthatched%2Bhouses.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1091" data-original-width="1600" height="436" src="https://2.bp.blogspot.com/-cGWlMC7K-4w/WWniH8OLF_I/AAAAAAAAlwA/TXJWNML0lk8-PEoGhraohJzeE_kKGkvHACLcBGAs/s640/Wu%2BLi%2B-%2BSummer%2Brest%2Bin%2Bthe%2Bshadow%2Bof%2Bthatched%2Bhouses.jpg" width="640" /></a></div>
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<span style="font-family: inherit;"> </span>Wu Li - Whiling away the summer (2, detail</div>
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<span style="font-family: inherit;"><a href="https://2.bp.blogspot.com/-EuPculP6N0c/WWnhznQpY3I/AAAAAAAAlvo/PHwm3mQ5lRMUpiTclRo8wWFbPtg95fbUACLcBGAs/s1600/Wu%2BLi%2B-%2BWhiling%2BAway%2Bthe%2BSummer%2B3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="815" data-original-width="1600" height="324" src="https://2.bp.blogspot.com/-EuPculP6N0c/WWnhznQpY3I/AAAAAAAAlvo/PHwm3mQ5lRMUpiTclRo8wWFbPtg95fbUACLcBGAs/s640/Wu%2BLi%2B-%2BWhiling%2BAway%2Bthe%2BSummer%2B3.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;"> </span><span style="font-family: inherit;"> </span>Wu Li - Whiling away the summer (3)</div>
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<span style="font-family: inherit;"><a href="https://1.bp.blogspot.com/-yfX05qiOgYY/WWnh0nfO60I/AAAAAAAAlv0/fwGy9pffc7U31xDfMidSM4n-KG9IBE9cwCLcBGAs/s1600/Wu%2BLi%2B-%2BWhiling%2BAway%2Bthe%2BSummer%2B4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="819" data-original-width="1600" height="326" src="https://1.bp.blogspot.com/-yfX05qiOgYY/WWnh0nfO60I/AAAAAAAAlv0/fwGy9pffc7U31xDfMidSM4n-KG9IBE9cwCLcBGAs/s640/Wu%2BLi%2B-%2BWhiling%2BAway%2Bthe%2BSummer%2B4.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;"><span style="font-family: inherit;"> </span>Wu Li - Whiling away the summer (4)</span></div>
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<span style="font-family: inherit;"><a href="https://3.bp.blogspot.com/-RSL6KvVQehM/WW8YZ5iVKuI/AAAAAAAAl8A/J2kiuCoN6OIMZX_cguvEnrcTpMa3rcmOACLcBGAs/s1600/Wu%2BLi%2B%252BWang%2BJian%2B%252B%2BWang%2BShimin_25x100.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="225" data-original-width="1589" height="90" src="https://3.bp.blogspot.com/-RSL6KvVQehM/WW8YZ5iVKuI/AAAAAAAAl8A/J2kiuCoN6OIMZX_cguvEnrcTpMa3rcmOACLcBGAs/s640/Wu%2BLi%2B%252BWang%2BJian%2B%252B%2BWang%2BShimin_25x100.jpg" width="640" /></a></span><br />
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<span style="font-family: inherit;"><a href="https://1.bp.blogspot.com/-KqaoHi8UKHs/WWniGa1LMeI/AAAAAAAAlv4/fvLfr8SXdxUA8oGcrB1AAmg3wJ8TffiVACLcBGAs/s1600/Wu%2BLi%2B-%2BRAINY%2BLANDSCAPES.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="781" data-original-width="1600" height="312" src="https://1.bp.blogspot.com/-KqaoHi8UKHs/WWniGa1LMeI/AAAAAAAAlv4/fvLfr8SXdxUA8oGcrB1AAmg3wJ8TffiVACLcBGAs/s640/Wu%2BLi%2B-%2BRAINY%2BLANDSCAPES.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;"> Wu Li - Rainy landscapes</span></div>
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<a href="https://3.bp.blogspot.com/-LpytzLvUAY0/WWniGtpGI3I/AAAAAAAAlv8/eQ6vsOJMl_gVSgIrmfDpFTzWpny1x7I4ACLcBGAs/s1600/Wu%2BLi%2B-%2BAUTUMN%2BSCENE.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="548" data-original-width="1600" height="218" src="https://3.bp.blogspot.com/-LpytzLvUAY0/WWniGtpGI3I/AAAAAAAAlv8/eQ6vsOJMl_gVSgIrmfDpFTzWpny1x7I4ACLcBGAs/s640/Wu%2BLi%2B-%2BAUTUMN%2BSCENE.jpg" width="640" /></a></div>
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Wu Li - Autumn scene</div>
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<span style="font-family: inherit;"><a href="https://3.bp.blogspot.com/-IQe-p1N7ypU/WWnihmCKMUI/AAAAAAAAlwI/wekNNUjXvp0bMG9kB__5aszdOS2WM8T8wCLcBGAs/s1600/Wu%2BLi%2B-%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1590" data-original-width="750" height="640" src="https://3.bp.blogspot.com/-IQe-p1N7ypU/WWnihmCKMUI/AAAAAAAAlwI/wekNNUjXvp0bMG9kB__5aszdOS2WM8T8wCLcBGAs/s640/Wu%2BLi%2B-%2B1.jpg" width="300" /></a><a href="https://2.bp.blogspot.com/-pp4waSooLNI/WWnihuJApII/AAAAAAAAlwM/zOXe3baswkc_brALOjNZq94_UtOSiLpmQCLcBGAs/s1600/Wu%2BLi%2B-%2B2.jpg"><img height="640" src="https://2.bp.blogspot.com/-pp4waSooLNI/WWnihuJApII/AAAAAAAAlwM/zOXe3baswkc_brALOjNZq94_UtOSiLpmQCLcBGAs/s640/Wu%2BLi%2B-%2B2.jpg" style="text-align: left;" width="306" /></a></span></div>
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<span style="font-family: inherit;"> Wu Li - Landscapes</span></div>
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<span style="font-family: inherit;"><a href="https://3.bp.blogspot.com/-V3uW_w22LzA/WWnih5H3qmI/AAAAAAAAlwQ/HBRyBD3izOEqA3u9A9zXBoo-FDj_TAyvwCLcBGAs/s1600/Wu%2BLi%2B-%2BReciting%2BPoetry%2Bbefore%2Bthe%2BYellowing%2Bof%2BAutumn.jpg"><img height="640" src="https://3.bp.blogspot.com/-V3uW_w22LzA/WWnih5H3qmI/AAAAAAAAlwQ/HBRyBD3izOEqA3u9A9zXBoo-FDj_TAyvwCLcBGAs/s640/Wu%2BLi%2B-%2BReciting%2BPoetry%2Bbefore%2Bthe%2BYellowing%2Bof%2BAutumn.jpg" style="text-align: left;" width="300" /></a><span style="color: white;">....</span></span><img src="https://2.bp.blogspot.com/-PphzXGP8K_s/WWniit4AcWI/AAAAAAAAlwY/OgpMRka5aGce06mGnkXTVuOqjma_ZxFHwCLcBGAs/s640/Wu%2BLi%2B-%2BSinging%2BQin%2Bin%2Bthe%2BPine%2BValley.jpg" style="text-align: left;" /></div>
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<span style="font-family: inherit;"> Wu Li - Reciting Poetry before the Yellowing of Autumn (left)</span></div>
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<span style="font-family: inherit;">Wu Li - Singing Qin in the Pine Valley (right)</span></div>
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<a href="https://3.bp.blogspot.com/-I8SKjbxz3fE/WWnimIOZ92I/AAAAAAAAlwg/Dkdc8w4YuVYc95g7dDTGqAp6u1F-Fbr8wCLcBGAs/s1600/Wu%2BLi%2B-%2BSpring%2BComes%2Bto%2Bthe%2BLake.jpg"><img height="640" src="https://3.bp.blogspot.com/-I8SKjbxz3fE/WWnimIOZ92I/AAAAAAAAlwg/Dkdc8w4YuVYc95g7dDTGqAp6u1F-Fbr8wCLcBGAs/s640/Wu%2BLi%2B-%2BSpring%2BComes%2Bto%2Bthe%2BLake.jpg" style="text-align: left;" width="328" /></a><a href="https://3.bp.blogspot.com/-v8a9I59xux4/WWnihrEmQiI/AAAAAAAAlwE/ygsoIuLfqiQc7Xd7HoKHMyqzYDzIb1nxQCLcBGAs/s1600/Wu%2BLi%2B-%2BPrintemps%2Bsur%2Ble%2Blac%252C.jpg"><img height="640" src="https://3.bp.blogspot.com/-v8a9I59xux4/WWnihrEmQiI/AAAAAAAAlwE/ygsoIuLfqiQc7Xd7HoKHMyqzYDzIb1nxQCLcBGAs/s640/Wu%2BLi%2B-%2BPrintemps%2Bsur%2Ble%2Blac%252C.jpg" style="text-align: left;" width="324" /></a></div>
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<span style="font-family: inherit;"> Wu Li - Spring Comes to the Lake</span></div>
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<span style="font-family: inherit;"><a href="https://3.bp.blogspot.com/-Nqr9bjvjpqs/WWniicjyMgI/AAAAAAAAlwU/l-u730jcP8IE8NQ5Uv0C_btDSI5TU5FmwCLcBGAs/s1600/Wu%2BLi%2B-%2BSPRING%2BMOUNTAINS%2BIN%2BSECLUSION.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="480" height="640" src="https://3.bp.blogspot.com/-Nqr9bjvjpqs/WWniicjyMgI/AAAAAAAAlwU/l-u730jcP8IE8NQ5Uv0C_btDSI5TU5FmwCLcBGAs/s640/Wu%2BLi%2B-%2BSPRING%2BMOUNTAINS%2BIN%2BSECLUSION.jpg" width="190" /></a></span><a href="https://4.bp.blogspot.com/-A6NguZpKYRE/WWnilPYKB5I/AAAAAAAAlwc/BYoAUrumtTcpG4cxsNbHrAD6XdRriO6bACLcBGAs/s1600/Wu%2BLi%2B-%2BTravelers%2BAmong%2BStreams%2Band%2BMountains.jpg"><img height="640" src="https://4.bp.blogspot.com/-A6NguZpKYRE/WWnilPYKB5I/AAAAAAAAlwc/BYoAUrumtTcpG4cxsNbHrAD6XdRriO6bACLcBGAs/s640/Wu%2BLi%2B-%2BTravelers%2BAmong%2BStreams%2Band%2BMountains.jpg" style="text-align: left;" width="294" /></a></div>
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<span style="font-family: inherit;"> Wu Li - Spring mountains in seclusión (left)</span></div>
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<span style="font-family: inherit;">Wu Li - Travelers Among Streams and Mountains (right)</span></div>
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<a href="https://4.bp.blogspot.com/-dib6bjrH1EI/WW8XyDmeunI/AAAAAAAAl70/gpg8hHez7kwFs_9O3W-drjgynnWc7XW0QCLcBGAs/s1600/Wu%2BLi%2B%252BWang%2BJian%2B%252B%2BWang%2BShimin_50x100.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="375" data-original-width="1322" height="180" src="https://4.bp.blogspot.com/-dib6bjrH1EI/WW8XyDmeunI/AAAAAAAAl70/gpg8hHez7kwFs_9O3W-drjgynnWc7XW0QCLcBGAs/s640/Wu%2BLi%2B%252BWang%2BJian%2B%252B%2BWang%2BShimin_50x100.jpg" width="640" /></a></div>
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<span style="background-color: white; color: #333333; text-align: justify;"><span style="font-family: inherit;"><b>Wang Jian (王鑑)</b></span></span></div>
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<span style="background-color: white; color: #333333; text-align: justify;"><span style="font-family: inherit;"><b>(1598–1677)</b></span></span></div>
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<span style="background-color: white; color: #333333; font-family: inherit; text-align: justify;"> Wang Jian (王鑑, 1598–1677) fue un pintor paisajista chino de la dinastía Qing (1644–1912). Su gentilicio fue Xuanzhao (玄照) y sus seudónimos fueron Xiangbi (湘碧) y Ranxiang Anzhu (染香庵主).</span><br />
<span style="font-family: inherit;"><span style="background-color: white; color: #333333; text-align: justify;"> Wang Jian nació en Taicang en la provincia de Jiangsu (cerca de la moderna Shanghai), convecino y amigo de </span><a href="http://www.comuseum.com/painting/masters/wang-shimin/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;" title="Wang Shimin">Wang Shimin (王時敏, 1592–1680)</a><span style="background-color: white; color: #333333; text-align: justify;">. Ambos fueron pupilos de </span><a href="http://www.comuseum.com/painting/masters/dong-qichang/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;" title="Dong Qichang">Dong Qichang (董其昌, 1555–1636)</a><span style="background-color: white; color: #333333; text-align: justify;">. La pintura paisajista de Wang Jian generalmente sigue el estilo de los maestros Song y Yuan, tales como </span><a href="http://www.comuseum.com/painting/masters/dong-yuan/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;" title="Dong Yuan">Dong Yuan (董源, 10th century)</a><span style="background-color: white; color: #333333; text-align: justify;">, </span><a href="http://www.comuseum.com/painting/masters/huang-gongwang/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;" title="Huang Gongwang">Huang Gongwang (黃公望, 1269–1354)</a><span style="color: #333333;"> y </span><a href="http://www.comuseum.com/painting/masters/wang-meng/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;" title="Wang Meng">Wang Meng (王蒙, 1308–1385)</a><span style="background-color: white; color: #333333; text-align: justify;">. Él es un miembro de los Cuatro Wangs, que también incluyen a </span><a href="http://www.comuseum.com/painting/masters/wang-shimin/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;" title="Wang Shimin">Wang Shimin</a><span style="background-color: white; color: #333333; text-align: justify;">, </span><a href="http://www.comuseum.com/painting/masters/wang-hui/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;" title="Wang Hui">Wang Hui (王翬, 1632–1717)</a><span style="color: #333333;"> y </span><a href="http://www.comuseum.com/painting/masters/wang-yuanqi/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;">Wang Yuanqi (王原祁, 1642–1715)</a><span style="background-color: white; color: #333333; text-align: justify;">.</span></span><br />
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<span style="font-family: inherit;"><a href="https://1.bp.blogspot.com/-cfqdWa3L8cA/WWnnk8wIzRI/AAAAAAAAlws/kpytskvFM-MJlHyPA7nLHegflyA8x2N-wCLcBGAs/s1600/wang-jian_landscape-after-wu-zhen.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="164" data-original-width="1600" height="64" src="https://1.bp.blogspot.com/-cfqdWa3L8cA/WWnnk8wIzRI/AAAAAAAAlws/kpytskvFM-MJlHyPA7nLHegflyA8x2N-wCLcBGAs/s640/wang-jian_landscape-after-wu-zhen.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;">Wang Jian - Landscape after Wu Zhen</span></div>
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<span style="font-family: inherit;"><a href="https://2.bp.blogspot.com/-kRPUKF6N7GA/WWnobmEy1TI/AAAAAAAAlw4/ckCQLwuEzYEa6fmzdAkvxW_Dco3UnnIvgCLcBGAs/s1600/wang-jian_landscape-after-wu-zhen%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="297" data-original-width="1600" height="118" src="https://2.bp.blogspot.com/-kRPUKF6N7GA/WWnobmEy1TI/AAAAAAAAlw4/ckCQLwuEzYEa6fmzdAkvxW_Dco3UnnIvgCLcBGAs/s640/wang-jian_landscape-after-wu-zhen%2B1.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;">Wang Jian - Landscape after Wu Zhen (1) </span></div>
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<span style="font-family: inherit;"><a href="https://2.bp.blogspot.com/-5L2Bi6tsNhM/WWnobl5tTfI/AAAAAAAAlww/YuvEdfTmTrUCvIRpGiRIuw-x_LoecU9OQCLcBGAs/s1600/wang-jian_landscape-after-wu-zhen%2B1_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="1351" height="236" src="https://2.bp.blogspot.com/-5L2Bi6tsNhM/WWnobl5tTfI/AAAAAAAAlww/YuvEdfTmTrUCvIRpGiRIuw-x_LoecU9OQCLcBGAs/s640/wang-jian_landscape-after-wu-zhen%2B1_1.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;">Wang Jian - Landscape after Wu Zhen (1_1) </span></div>
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<span style="font-family: inherit;"><a href="https://2.bp.blogspot.com/-x1IMcSlVGFc/WWnobpcfV5I/AAAAAAAAlw0/jIP0ub6cGVAGzHilUJ2qKRjvGjdtKuEFQCLcBGAs/s1600/wang-jian_landscape-after-wu-zhen%2B1_2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="1352" height="236" src="https://2.bp.blogspot.com/-x1IMcSlVGFc/WWnobpcfV5I/AAAAAAAAlw0/jIP0ub6cGVAGzHilUJ2qKRjvGjdtKuEFQCLcBGAs/s640/wang-jian_landscape-after-wu-zhen%2B1_2.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;"> </span>Wang Jian - Landscape after Wu Zhen (1_2)</div>
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<span style="font-family: inherit;"><a href="https://3.bp.blogspot.com/-e-PIKcOBNvE/WWnoccoj9ZI/AAAAAAAAlxE/_B48a9SEtjEzAW313RdalHVDcsR1VblFQCLcBGAs/s1600/wang-jian_landscape-after-wu-zhen%2B2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="364" data-original-width="1600" height="144" src="https://3.bp.blogspot.com/-e-PIKcOBNvE/WWnoccoj9ZI/AAAAAAAAlxE/_B48a9SEtjEzAW313RdalHVDcsR1VblFQCLcBGAs/s640/wang-jian_landscape-after-wu-zhen%2B2.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;"> </span>Wang Jian - Landscape after Wu Zhen (2)</div>
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<span style="font-family: inherit;"><a href="https://2.bp.blogspot.com/-orwaThSpw4o/WWnocQcmHRI/AAAAAAAAlxA/dLHCgjpLDV8ofSt2CofYuFA2gxTLnHoTwCLcBGAs/s1600/wang-jian_landscape-after-wu-zhen%2B2_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="1102" height="290" src="https://2.bp.blogspot.com/-orwaThSpw4o/WWnocQcmHRI/AAAAAAAAlxA/dLHCgjpLDV8ofSt2CofYuFA2gxTLnHoTwCLcBGAs/s640/wang-jian_landscape-after-wu-zhen%2B2_1.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;"><span style="font-family: inherit;"> </span>Wang Jian - Landscape after Wu Zhen (2_1) </span></div>
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<span style="font-family: inherit;"><a href="https://1.bp.blogspot.com/-Ql9M3ppbYlo/WWnocdsq6JI/AAAAAAAAlw8/fndthpcP5OEOrwG9ngyaDwpjsOaHyNPXgCLcBGAs/s1600/wang-jian_landscape-after-wu-zhen%2B2_2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="1102" height="290" src="https://1.bp.blogspot.com/-Ql9M3ppbYlo/WWnocdsq6JI/AAAAAAAAlw8/fndthpcP5OEOrwG9ngyaDwpjsOaHyNPXgCLcBGAs/s640/wang-jian_landscape-after-wu-zhen%2B2_2.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;"><span style="font-family: inherit;"> </span>Wang Jian - Landscape after Wu Zhen (2_2)</span></div>
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<span style="font-family: inherit;"><a href="https://3.bp.blogspot.com/-RSL6KvVQehM/WW8YZ5iVKuI/AAAAAAAAl8A/J2kiuCoN6OIMZX_cguvEnrcTpMa3rcmOACLcBGAs/s1600/Wu%2BLi%2B%252BWang%2BJian%2B%252B%2BWang%2BShimin_25x100.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="225" data-original-width="1589" height="90" src="https://3.bp.blogspot.com/-RSL6KvVQehM/WW8YZ5iVKuI/AAAAAAAAl8A/J2kiuCoN6OIMZX_cguvEnrcTpMa3rcmOACLcBGAs/s640/Wu%2BLi%2B%252BWang%2BJian%2B%252B%2BWang%2BShimin_25x100.jpg" width="640" /></a></span><br />
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<span style="font-family: inherit;"><a href="https://4.bp.blogspot.com/-rrWudqE-g7E/WWnou4y9uQI/AAAAAAAAlxI/swhxEHKwxAwHcja6XCh1MnwbPDWK4MOagCLcBGAs/s1600/wang%2Bjian-%25E9%259D%2592%25E7%25B6%25A0%25E5%25B1%25B1%25E6%25B0%25B4%25E5%259C%2596%25EF%25B9%259D%25E5%25B1%2580%25E9%2583%25A81%2529_Figuras%2Ben%2Bpaisaje%2Bverde.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="749" data-original-width="1600" height="298" src="https://4.bp.blogspot.com/-rrWudqE-g7E/WWnou4y9uQI/AAAAAAAAlxI/swhxEHKwxAwHcja6XCh1MnwbPDWK4MOagCLcBGAs/s640/wang%2Bjian-%25E9%259D%2592%25E7%25B6%25A0%25E5%25B1%25B1%25E6%25B0%25B4%25E5%259C%2596%25EF%25B9%259D%25E5%25B1%2580%25E9%2583%25A81%2529_Figuras%2Ben%2Bpaisaje%2Bverde.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;"> Wang Jian - 青綠山水圖﹝局部1)_Figuras en paisaje verde (1)</span></div>
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<span style="font-family: inherit;"><a href="https://3.bp.blogspot.com/-kfmG3bHgSQw/WWnou3q6agI/AAAAAAAAlxQ/iJBBrf4CRMkc4SxiMwjJe3gANrvsTVGwwCLcBGAs/s1600/wang%2Bjian-%25E9%259D%2592%25E7%25B6%25A0%25E5%25B1%25B1%25E6%25B0%25B4%25E5%259C%2596%25EF%25B9%259D%25E5%25B1%2580%25E9%2583%25A82%2529_Figuras%2Ben%2Bpaisaje%2Bverde.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="748" data-original-width="1600" height="298" src="https://3.bp.blogspot.com/-kfmG3bHgSQw/WWnou3q6agI/AAAAAAAAlxQ/iJBBrf4CRMkc4SxiMwjJe3gANrvsTVGwwCLcBGAs/s640/wang%2Bjian-%25E9%259D%2592%25E7%25B6%25A0%25E5%25B1%25B1%25E6%25B0%25B4%25E5%259C%2596%25EF%25B9%259D%25E5%25B1%2580%25E9%2583%25A82%2529_Figuras%2Ben%2Bpaisaje%2Bverde.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;"> </span>Wang Jian - 青綠山水圖﹝局部2)_Figuras en paisaje verde (2)</div>
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<span style="font-family: inherit;"><a href="https://2.bp.blogspot.com/-cldGIGKSjoQ/WWnou6WsCqI/AAAAAAAAlxM/6POPZg8CXwMcNqFfU52jjT4uMyT_TUrfQCLcBGAs/s1600/wang%2Bjian-%25E9%259D%2592%25E7%25B6%25A0%25E5%25B1%25B1%25E6%25B0%25B4%25E5%259C%2596%25EF%25B9%259D%25E5%25B1%2580%25E9%2583%25A83%2529_Figuras%2Ben%2Bpaisaje%2Bverde.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="743" data-original-width="1600" height="296" src="https://2.bp.blogspot.com/-cldGIGKSjoQ/WWnou6WsCqI/AAAAAAAAlxM/6POPZg8CXwMcNqFfU52jjT4uMyT_TUrfQCLcBGAs/s640/wang%2Bjian-%25E9%259D%2592%25E7%25B6%25A0%25E5%25B1%25B1%25E6%25B0%25B4%25E5%259C%2596%25EF%25B9%259D%25E5%25B1%2580%25E9%2583%25A83%2529_Figuras%2Ben%2Bpaisaje%2Bverde.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;"> </span>Wang Jian - 青綠山水圖﹝局部3)_Figuras en paisaje verde (3)</div>
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<span style="font-family: inherit;"><a href="https://2.bp.blogspot.com/-H7krV7XEzyo/WWnowOix_EI/AAAAAAAAlxU/T2aRhDkTZuoYMow7vtlGtKD9WRLd7_KiACLcBGAs/s1600/wang%2Bjian-%25E9%259D%2592%25E7%25B6%25A0%25E5%25B1%25B1%25E6%25B0%25B4%25E5%259C%2596%25EF%25B9%259D%25E5%25B1%2580%25E9%2583%25A84%2529_Figuras%2Ben%2Bpaisaje%2Bverde.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="754" data-original-width="1600" height="300" src="https://2.bp.blogspot.com/-H7krV7XEzyo/WWnowOix_EI/AAAAAAAAlxU/T2aRhDkTZuoYMow7vtlGtKD9WRLd7_KiACLcBGAs/s640/wang%2Bjian-%25E9%259D%2592%25E7%25B6%25A0%25E5%25B1%25B1%25E6%25B0%25B4%25E5%259C%2596%25EF%25B9%259D%25E5%25B1%2580%25E9%2583%25A84%2529_Figuras%2Ben%2Bpaisaje%2Bverde.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;">Wang Jian - 青綠山水圖﹝局部4)_Figuras en paisaje verde (4)</span></div>
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<span style="font-family: inherit;"><a href="https://4.bp.blogspot.com/-YnL7UZTHgqo/WWnpU5VKGrI/AAAAAAAAlxg/9WjTv8SAd0gjBIMZxh34EVHQ-Z-wHZiZgCLcBGAs/s1600/Wang%2BJian%2528%25E7%258E%258B%25E9%2591%2592%2529%2B%252C%2B%25E6%25BA%25AA%25E5%25B1%25B1%25E6%25B7%25B1%25E7%25A7%2580%25E5%259B%25BE%25E5%258F%25B0%25E5%258C%2597%25E6%2595%2585%25E5%25AE%25AB%25E5%258D%259A%25E7%2589%25A9%25E9%2599%25A2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="645" height="640" src="https://4.bp.blogspot.com/-YnL7UZTHgqo/WWnpU5VKGrI/AAAAAAAAlxg/9WjTv8SAd0gjBIMZxh34EVHQ-Z-wHZiZgCLcBGAs/s640/Wang%2BJian%2528%25E7%258E%258B%25E9%2591%2592%2529%2B%252C%2B%25E6%25BA%25AA%25E5%25B1%25B1%25E6%25B7%25B1%25E7%25A7%2580%25E5%259B%25BE%25E5%258F%25B0%25E5%258C%2597%25E6%2595%2585%25E5%25AE%25AB%25E5%258D%259A%25E7%2589%25A9%25E9%2599%25A2.jpg" width="258" /></a><a href="https://3.bp.blogspot.com/-xoXZxjTv8EU/WWnpVx70clI/AAAAAAAAlxo/sdc8BOdSSrojBsFhXgLY-7WZ7qWls19NACLcBGAs/s1600/wangjian-%25E4%25BB%25BF%25E7%258E%258B%25E8%2592%2599%25E7%25A7%258B%25E5%25B1%25B1%25E5%259C%2596%2B%2528La%2Bfigura%2BAkiyama%2Bimitaci%25C3%25B3n%2BMeng%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="442" height="640" src="https://3.bp.blogspot.com/-xoXZxjTv8EU/WWnpVx70clI/AAAAAAAAlxo/sdc8BOdSSrojBsFhXgLY-7WZ7qWls19NACLcBGAs/s640/wangjian-%25E4%25BB%25BF%25E7%258E%258B%25E8%2592%2599%25E7%25A7%258B%25E5%25B1%25B1%25E5%259C%2596%2B%2528La%2Bfigura%2BAkiyama%2Bimitaci%25C3%25B3n%2BMeng%2529.jpg" width="220" /></a></span></div>
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<span style="font-family: inherit;">Wang Jian - (王鑒) , 溪山深秀图台北故宫博物院 (left)</span></div>
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<span style="font-family: inherit;">Wang Jian - 仿王蒙秋山圖 (Imagen de Akiyama a imitación de Meng) (right)</span></div>
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<span style="font-family: inherit;"><a href="https://3.bp.blogspot.com/-FdpQAZIMsJ8/WWnpUkM2rOI/AAAAAAAAlxY/JbaQs9rLLVIoAHAz6e4QYlyMlRg1l6G5ACLcBGAs/s1600/wang-jian_distant-peaks-amid-drifting-mists.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1379" data-original-width="800" height="640" src="https://3.bp.blogspot.com/-FdpQAZIMsJ8/WWnpUkM2rOI/AAAAAAAAlxY/JbaQs9rLLVIoAHAz6e4QYlyMlRg1l6G5ACLcBGAs/s640/wang-jian_distant-peaks-amid-drifting-mists.jpg" width="370" /></a></span></div>
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<span style="font-family: inherit;">Wang Jian - Distant peaks amid drifting mists</span></div>
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<span style="font-family: inherit;"><a href="https://1.bp.blogspot.com/-uFSxIW2LiQ8/WWnpV7O_X4I/AAAAAAAAlxk/BA9m0gmzAXkq-RFVmSqHbK8BA8mEfSEngCLcBGAs/s1600/wang-jian_l%25E5%25A4%25A2%25E5%25A2%2583%25E5%259C%2596%2B%2528imagen%2Bde%2Blos%2Bsue%25C3%25B1os%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="539" height="640" src="https://1.bp.blogspot.com/-uFSxIW2LiQ8/WWnpV7O_X4I/AAAAAAAAlxk/BA9m0gmzAXkq-RFVmSqHbK8BA8mEfSEngCLcBGAs/s640/wang-jian_l%25E5%25A4%25A2%25E5%25A2%2583%25E5%259C%2596%2B%2528imagen%2Bde%2Blos%2Bsue%25C3%25B1os%2529.jpg" width="268" /></a><a href="https://2.bp.blogspot.com/-JvIyvtnm07I/WWnpWhRAxfI/AAAAAAAAlxw/KG8JuQmQDD8hOrHIEgoiZWIbmXrRL6xMwCLcBGAs/s1600/wangjian-%25E9%2595%25B7%25E6%259D%25BE%25E4%25BB%2599%25E9%25A4%25A8%25E5%259C%2596%2B%2528Larga%2Bfloja%2Bmapa%2BKoon%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="499" height="640" src="https://2.bp.blogspot.com/-JvIyvtnm07I/WWnpWhRAxfI/AAAAAAAAlxw/KG8JuQmQDD8hOrHIEgoiZWIbmXrRL6xMwCLcBGAs/s640/wangjian-%25E9%2595%25B7%25E6%259D%25BE%25E4%25BB%2599%25E9%25A4%25A8%25E5%259C%2596%2B%2528Larga%2Bfloja%2Bmapa%2BKoon%2529.jpg" width="248" /></a></span></div>
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<span style="font-family: inherit;">Wang Jian - l夢境圖 (left)</span></div>
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<span style="font-family: inherit;">Wang Jian - 長松仙館圖 (right)</span></div>
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<span style="font-family: inherit;"><a href="https://2.bp.blogspot.com/-X-91GwVjekY/WWnpV327swI/AAAAAAAAlxs/N275wEjN1nUf8P50EbzK4auSwG_uPo3NwCLcBGAs/s1600/wang-jian_styles-of-old-masters_5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1228" data-original-width="800" height="640" src="https://2.bp.blogspot.com/-X-91GwVjekY/WWnpV327swI/AAAAAAAAlxs/N275wEjN1nUf8P50EbzK4auSwG_uPo3NwCLcBGAs/s640/wang-jian_styles-of-old-masters_5.jpg" width="416" /></a></span></div>
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<span style="font-family: inherit;">Wwang Jian - Style of old masters</span></div>
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<a href="https://2.bp.blogspot.com/-e0gVevmMkcs/WW8V4uoQguI/AAAAAAAAl7g/uPi48oi98R8Muo9xfAx5ljKhuvdxTerwQCEwYBhgL/s1600/Wu%2BLi%2B%252BWang%2BJian%2B%252B%2BWang%2BShimin_50x100.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="375" data-original-width="1322" height="180" src="https://2.bp.blogspot.com/-e0gVevmMkcs/WW8V4uoQguI/AAAAAAAAl7g/uPi48oi98R8Muo9xfAx5ljKhuvdxTerwQCEwYBhgL/s640/Wu%2BLi%2B%252BWang%2BJian%2B%252B%2BWang%2BShimin_50x100.jpg" width="640" /></a></div>
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<span style="font-family: inherit;"><b>Wang Shimin (王時敏)</b></span></div>
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<b><span style="font-family: inherit;">(1592–1680)</span></b></div>
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<span style="font-family: inherit;"><span style="background-color: white; color: #333333; text-align: justify;"><span style="font-family: inherit;"> Wang Shimin (王時敏, 1592–1680), de gentilicio Xunzhi (遜之) y pseudónimos Yanke (煙客) y Xilu Laoren (西廬老人), </span></span><span style="background-color: white; color: #333333; text-align: justify;">fue un pintor paisajista chino de la dinastía Qing (1644–1912)</span></span><br />
<span style="font-family: inherit;"><span style="background-color: white; color: #333333; text-align: justify;"> Nacido en Taicang cerca de la moderna Shanghai, Wang creció en un artístico entorno académico. Su abuelo Wang Xijue (王錫爵) fue un primer ministro de la dinastía Ming tardía, y su padre Wang Heng (王衡) fue un editor de la Academia Hanlin de la Corte. Iniciado a una tierna edad, Wang Shimin fue introducido en el estudio de la pintura y la caligrafía, y fue pupilo de </span><a href="http://www.comuseum.com/painting/masters/dong-qichang/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;" title="Dong Qichang">Dong Qichang (董其昌, 1555–1636)</a><span style="background-color: white; color: #333333; text-align: justify;">. Su familia era propietaria de una importante colección de pintura antigua, en la cual se inspiró Wang Shimin. En 1614 marchó a la capital y comenzó su ascenso en el funcionariado. Pero a la edad de 48 años, mientras realizaba un viaje oficial a Fujian, cayó enfermo por agotamiento en Nanjing, debido a ello tuvo que resignarse a permanecer retirado en los suburbios de Taicang. Durante este periodo, Wang Shimin se sumergió en sí mismo y en su arte creando numerosas obras. Fue un ferviente seguidor de los estilos de los antiguos maestros, y muchas de sus pinturas las realizó en el estilo de </span><a href="http://www.comuseum.com/painting/masters/huang-gongwang/" style="background-color: white; color: #6a94c6; margin: 0px; outline: none; padding: 0px; text-align: justify;" title="Huang Gongwang">Huang Gongwang (黃公望, 1269–1354)</a><span style="background-color: white; color: #333333; text-align: justify;">. Sus pinturas lo colocaron en un prominente grupo denominado Los Cuatro Wangs, formando parte también, por tanto, de Los Seis Maestros de la dinastía Qing temprana.</span></span><br />
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<span style="font-family: inherit;"><a href="https://4.bp.blogspot.com/-k0Zm0gbhhxc/WWnwH0HgmLI/AAAAAAAAlx8/Wxi9URlIkE4leefO0j8SBzMc4t8VyFpiwCLcBGAs/s1600/wang-jian_landscape-after-wu-zhen.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="164" data-original-width="1600" height="64" src="https://4.bp.blogspot.com/-k0Zm0gbhhxc/WWnwH0HgmLI/AAAAAAAAlx8/Wxi9URlIkE4leefO0j8SBzMc4t8VyFpiwCLcBGAs/s640/wang-jian_landscape-after-wu-zhen.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;">Wang Shimin - Streams and mountains in light ocher</span></div>
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<span style="font-family: inherit;"><a href="https://2.bp.blogspot.com/-oWq6F4l9KN4/WWnwPnMCfHI/AAAAAAAAlyE/iitDbPraSEEyarEb-b4zraiFIQEkgqVxgCLcBGAs/s1600/wang-jian_landscape-after-wu-zhen%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="297" data-original-width="1600" height="118" src="https://2.bp.blogspot.com/-oWq6F4l9KN4/WWnwPnMCfHI/AAAAAAAAlyE/iitDbPraSEEyarEb-b4zraiFIQEkgqVxgCLcBGAs/s640/wang-jian_landscape-after-wu-zhen%2B1.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;"> Wang Shimin - Streams and mountains in light ocher (1)</span></div>
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<span style="font-family: inherit;"><a href="https://1.bp.blogspot.com/-I-7exI6cRWw/WWnwPp_4aTI/AAAAAAAAlyA/Oqg6nNx5MhMeBH1IwyMlLlXU-4AAXK23ACLcBGAs/s1600/wang-jian_landscape-after-wu-zhen%2B1_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="1351" height="236" src="https://1.bp.blogspot.com/-I-7exI6cRWw/WWnwPp_4aTI/AAAAAAAAlyA/Oqg6nNx5MhMeBH1IwyMlLlXU-4AAXK23ACLcBGAs/s640/wang-jian_landscape-after-wu-zhen%2B1_1.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;">Wang Shimin - Streams and mountains in light ocher (1_1) </span></div>
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<span style="font-family: inherit;"><a href="https://3.bp.blogspot.com/-45PPNpVbYKg/WWnwPnzwUJI/AAAAAAAAlyI/wI_CKEKppNwCeNFVyK_d6OBNpzzMaemEQCLcBGAs/s1600/wang-jian_landscape-after-wu-zhen%2B1_2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="1352" height="236" src="https://3.bp.blogspot.com/-45PPNpVbYKg/WWnwPnzwUJI/AAAAAAAAlyI/wI_CKEKppNwCeNFVyK_d6OBNpzzMaemEQCLcBGAs/s640/wang-jian_landscape-after-wu-zhen%2B1_2.jpg" width="640" /></a></span></div>
<div style="text-align: center;">
<span style="font-family: inherit;"> Wang Shimin - Streams and mountains in light ocher (1_2)</span></div>
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<span style="font-family: inherit;"><a href="https://1.bp.blogspot.com/-rcutqd8_g5c/WWnwQpKBbUI/AAAAAAAAlyU/duX8yZ64J5EukGsu3p4voZNReVAR3dp1wCLcBGAs/s1600/wang-jian_landscape-after-wu-zhen%2B2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="364" data-original-width="1600" height="144" src="https://1.bp.blogspot.com/-rcutqd8_g5c/WWnwQpKBbUI/AAAAAAAAlyU/duX8yZ64J5EukGsu3p4voZNReVAR3dp1wCLcBGAs/s640/wang-jian_landscape-after-wu-zhen%2B2.jpg" width="640" /></a></span></div>
<div style="text-align: center;">
<span style="font-family: inherit;"> Wang Shimin - Streams and mountains in light ocher (2)</span></div>
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<span style="font-family: inherit;"><a href="https://4.bp.blogspot.com/-WkIgWMRSdEg/WWnwQRUoseI/AAAAAAAAlyM/h7-TLsSTYGIOe4Y8HQA0GzY1tHRKJbaUACLcBGAs/s1600/wang-jian_landscape-after-wu-zhen%2B2_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="1102" height="290" src="https://4.bp.blogspot.com/-WkIgWMRSdEg/WWnwQRUoseI/AAAAAAAAlyM/h7-TLsSTYGIOe4Y8HQA0GzY1tHRKJbaUACLcBGAs/s640/wang-jian_landscape-after-wu-zhen%2B2_1.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;">Wang Shimin - Streams and mountains in light ocher (2_1) </span></div>
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<span style="font-family: inherit;"><a href="https://2.bp.blogspot.com/-9SnQMneK6yg/WWnwQfyRWbI/AAAAAAAAlyQ/GMSIKqr21VsDN_qYd6FszwV4XQpiRH4mACLcBGAs/s1600/wang-jian_landscape-after-wu-zhen%2B2_2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="1102" height="290" src="https://2.bp.blogspot.com/-9SnQMneK6yg/WWnwQfyRWbI/AAAAAAAAlyQ/GMSIKqr21VsDN_qYd6FszwV4XQpiRH4mACLcBGAs/s640/wang-jian_landscape-after-wu-zhen%2B2_2.jpg" width="640" /></a></span></div>
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<span style="font-family: inherit;">Wang Shimin - Streams and mountains in light ocher (2_2)</span></div>
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<span style="font-family: inherit;"><a href="https://3.bp.blogspot.com/-RSL6KvVQehM/WW8YZ5iVKuI/AAAAAAAAl8A/J2kiuCoN6OIMZX_cguvEnrcTpMa3rcmOACLcBGAs/s1600/Wu%2BLi%2B%252BWang%2BJian%2B%252B%2BWang%2BShimin_25x100.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="225" data-original-width="1589" height="90" src="https://3.bp.blogspot.com/-RSL6KvVQehM/WW8YZ5iVKuI/AAAAAAAAl8A/J2kiuCoN6OIMZX_cguvEnrcTpMa3rcmOACLcBGAs/s640/Wu%2BLi%2B%252BWang%2BJian%2B%252B%2BWang%2BShimin_25x100.jpg" width="640" /></a></span><br />
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<span style="font-family: inherit;"><a href="https://2.bp.blogspot.com/-1KE_lmLTjzk/WWnwr6aIKdI/AAAAAAAAlyY/Q3HrnhQCm6s807qSZHV-PL-dgp1H9kCXQCLcBGAs/s1600/wang-shimin_poetic-feeling-of-du-fu_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1337" data-original-width="800" height="640" src="https://2.bp.blogspot.com/-1KE_lmLTjzk/WWnwr6aIKdI/AAAAAAAAlyY/Q3HrnhQCm6s807qSZHV-PL-dgp1H9kCXQCLcBGAs/s640/wang-shimin_poetic-feeling-of-du-fu_1.jpg" width="382" /></a></span></div>
<div style="text-align: center;">
<span style="font-family: inherit;">Wang Shimin - Poetic feeling of Du Fu_1</span></div>
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<span style="font-family: inherit;">. </span></div>
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<span style="font-family: inherit;"><a href="https://2.bp.blogspot.com/-UEToLxL5qwg/WWnwsJjIDiI/AAAAAAAAlyg/-rY48pHCFQgyMo1ID5Lxn3yYtQ4P3NOUwCLcBGAs/s1600/wang-shimin_poetic-feeling-of-du-fu_2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1202" data-original-width="800" height="640" src="https://2.bp.blogspot.com/-UEToLxL5qwg/WWnwsJjIDiI/AAAAAAAAlyg/-rY48pHCFQgyMo1ID5Lxn3yYtQ4P3NOUwCLcBGAs/s640/wang-shimin_poetic-feeling-of-du-fu_2.jpg" width="424" /></a></span></div>
<div style="text-align: center;">
<span style="font-family: inherit;">Wang Shimin - Poetic feeling of Du Fu_2</span></div>
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<span style="font-family: inherit;">. </span></div>
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<span style="font-family: inherit;"><a href="https://2.bp.blogspot.com/-qw1CS045Pxg/WWnws9TSoaI/AAAAAAAAlyo/wtJE-bwqsHY1kG0icHSdfo-Fssdn2bGQgCLcBGAs/s1600/wang-shimin_poetic-feeling-of-du-fu_3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1210" data-original-width="800" height="640" src="https://2.bp.blogspot.com/-qw1CS045Pxg/WWnws9TSoaI/AAAAAAAAlyo/wtJE-bwqsHY1kG0icHSdfo-Fssdn2bGQgCLcBGAs/s640/wang-shimin_poetic-feeling-of-du-fu_3.jpg" width="422" /></a></span></div>
<div style="text-align: center;">
<span style="font-family: inherit;">Wang Shimin - Poetic feeling of Du Fu_3</span></div>
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<span style="font-family: inherit;">. </span></div>
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<span style="font-family: inherit;"><a href="https://3.bp.blogspot.com/-hyANwapK6-I/WWnwtFDExHI/AAAAAAAAlys/HNK14ugR6TYtRyrZI-E_pmSZgC-46FFXgCLcBGAs/s1600/wang-shimin_poetic-feeling-of-du-fu_4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1212" data-original-width="800" height="640" src="https://3.bp.blogspot.com/-hyANwapK6-I/WWnwtFDExHI/AAAAAAAAlys/HNK14ugR6TYtRyrZI-E_pmSZgC-46FFXgCLcBGAs/s640/wang-shimin_poetic-feeling-of-du-fu_4.jpg" width="422" /></a></span></div>
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<span style="font-family: inherit;">Wang Shimin - Poetic feeling of Du Fu_4</span></div>
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<span style="font-family: inherit;">. </span></div>
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<span style="font-family: inherit;"><a href="https://2.bp.blogspot.com/-Ic9dkhWyCbE/WWnws6JUgiI/AAAAAAAAlyk/pjC8200Q0m4LwulIswT1HfIUda0_pugrACLcBGAs/s1600/wang-shimin_poetic-feeling-of-du-fu_5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1196" data-original-width="800" height="640" src="https://2.bp.blogspot.com/-Ic9dkhWyCbE/WWnws6JUgiI/AAAAAAAAlyk/pjC8200Q0m4LwulIswT1HfIUda0_pugrACLcBGAs/s640/wang-shimin_poetic-feeling-of-du-fu_5.jpg" width="428" /></a></span></div>
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<span style="font-family: inherit;">Wang Shimin - Poetic feeling of Du Fu_5</span></div>
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<span style="font-family: inherit;">. </span></div>
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<span style="font-family: inherit;"><a href="https://3.bp.blogspot.com/-ANkDxKAn62g/WWnwtjNKS4I/AAAAAAAAlyw/DGpyHuUK4ngcnksRxzinyBSJbsNuRbhvwCLcBGAs/s1600/wang-shimin_poetic-feeling-of-du-fu_6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1211" data-original-width="801" height="640" src="https://3.bp.blogspot.com/-ANkDxKAn62g/WWnwtjNKS4I/AAAAAAAAlyw/DGpyHuUK4ngcnksRxzinyBSJbsNuRbhvwCLcBGAs/s640/wang-shimin_poetic-feeling-of-du-fu_6.jpg" width="422" /></a></span></div>
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<span style="font-family: inherit;">Wang Shimin - Poetic feeling of Du Fu_6</span></div>
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<span style="font-family: inherit;">. </span></div>
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<span style="font-family: inherit;"><a href="https://2.bp.blogspot.com/-dudcurkCRN8/WWnwtyoX9hI/AAAAAAAAly4/GTIzAkdnP1wa3FI9G0Ce31xYd58kb13RQCLcBGAs/s1600/wang-shimin_poetic-feeling-of-du-fu_7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1210" data-original-width="800" height="640" src="https://2.bp.blogspot.com/-dudcurkCRN8/WWnwtyoX9hI/AAAAAAAAly4/GTIzAkdnP1wa3FI9G0Ce31xYd58kb13RQCLcBGAs/s640/wang-shimin_poetic-feeling-of-du-fu_7.jpg" width="422" /></a></span></div>
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<span style="font-family: inherit;">Wang Shimin - Poetic feeling of Du Fu_7</span></div>
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<span style="font-family: inherit;">. </span></div>
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<span style="font-family: inherit;"><a href="https://2.bp.blogspot.com/-UcJd40tpHZw/WWnwt8pIcYI/AAAAAAAAly0/YfyVyTIz7hAaLv2jckjrEhbJYoH9mlz3QCLcBGAs/s1600/wang-shimin_poetic-feeling-of-du-fu_8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1208" data-original-width="801" height="640" src="https://2.bp.blogspot.com/-UcJd40tpHZw/WWnwt8pIcYI/AAAAAAAAly0/YfyVyTIz7hAaLv2jckjrEhbJYoH9mlz3QCLcBGAs/s640/wang-shimin_poetic-feeling-of-du-fu_8.jpg" width="422" /></a></span></div>
<div style="text-align: center;">
<span style="font-family: inherit;">Wang Shimin - Poetic feeling of Du Fu_8</span></div>
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<span style="font-family: inherit;">. </span></div>
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<span style="font-family: inherit;"><a href="https://4.bp.blogspot.com/-Oduui0W_Q9o/WWnwuQNe0eI/AAAAAAAAly8/5G4CalZk6XQuHd42lMxlPTW6CbQRj7j9QCLcBGAs/s1600/wang-shimin_poetic-feeling-of-du-fu_9.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1205" data-original-width="800" height="640" src="https://4.bp.blogspot.com/-Oduui0W_Q9o/WWnwuQNe0eI/AAAAAAAAly8/5G4CalZk6XQuHd42lMxlPTW6CbQRj7j9QCLcBGAs/s640/wang-shimin_poetic-feeling-of-du-fu_9.jpg" width="424" /></a></span></div>
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<span style="font-family: inherit;">Wang Shimin - Poetic feeling of Du Fu_9</span></div>
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<span style="font-family: inherit;">. </span></div>
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<span style="font-family: inherit;"><a href="https://1.bp.blogspot.com/-u5mKd9LwfXQ/WWnwsEhr8mI/AAAAAAAAlyc/Ex6BHFvz6yYWs109fNLimrlN67VezhPWwCLcBGAs/s1600/wang-shimin_poetic-feeling-of-du-fu_10.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1209" data-original-width="800" height="640" src="https://1.bp.blogspot.com/-u5mKd9LwfXQ/WWnwsEhr8mI/AAAAAAAAlyc/Ex6BHFvz6yYWs109fNLimrlN67VezhPWwCLcBGAs/s640/wang-shimin_poetic-feeling-of-du-fu_10.jpg" width="422" /></a></span></div>
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<span style="font-family: inherit;">Wang Shimin - Poetic feeling of Du Fu_10</span></div>
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<span style="font-family: inherit;">.</span><br />
<span style="font-family: inherit;"><a href="https://3.bp.blogspot.com/-RSL6KvVQehM/WW8YZ5iVKuI/AAAAAAAAl8A/J2kiuCoN6OIMZX_cguvEnrcTpMa3rcmOACLcBGAs/s1600/Wu%2BLi%2B%252BWang%2BJian%2B%252B%2BWang%2BShimin_25x100.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="225" data-original-width="1589" height="90" src="https://3.bp.blogspot.com/-RSL6KvVQehM/WW8YZ5iVKuI/AAAAAAAAl8A/J2kiuCoN6OIMZX_cguvEnrcTpMa3rcmOACLcBGAs/s640/Wu%2BLi%2B%252BWang%2BJian%2B%252B%2BWang%2BShimin_25x100.jpg" width="640" /></a></span><br />
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<span style="font-family: inherit;"><a href="https://1.bp.blogspot.com/-Po4nG36_N48/WWnw-RRGChI/AAAAAAAAlzI/Dq1ifUvZWFIHSjlMomjETWcTy-4ZbjOSgCLcBGAs/s1600/Wang%2BShimin%2B-%2Blandscape%2Bafter%2Bdo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="623" height="640" src="https://1.bp.blogspot.com/-Po4nG36_N48/WWnw-RRGChI/AAAAAAAAlzI/Dq1ifUvZWFIHSjlMomjETWcTy-4ZbjOSgCLcBGAs/s640/Wang%2BShimin%2B-%2Blandscape%2Bafter%2Bdo.jpg" width="248" /></a><a href="https://1.bp.blogspot.com/-oWshB1XopbY/WWnw-xX9-PI/AAAAAAAAlzQ/iJQ9wQpHi-o3V1jLTA8dLlH3hI6wUwnWACLcBGAs/s1600/wang-shimin_greenery-deposited-on-the-southern-mountain.jpg"><img height="640" src="https://1.bp.blogspot.com/-oWshB1XopbY/WWnw-xX9-PI/AAAAAAAAlzQ/iJQ9wQpHi-o3V1jLTA8dLlH3hI6wUwnWACLcBGAs/s640/wang-shimin_greenery-deposited-on-the-southern-mountain.jpg" style="text-align: left;" width="290" /></a></span></div>
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<span style="font-family: inherit;"> Wang Shimin - Landscape after Dong Qichang (left)</span></div>
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<span style="font-family: inherit;">Wang Shimin - Greenery deposited on the southern mountain (right)</span></div>
<span style="font-family: inherit;">.</span><br />
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<span style="font-family: inherit;"><a href="https://4.bp.blogspot.com/-uBqIn08UdUA/WWnw-KbINHI/AAAAAAAAlzA/Q3ZFGu1tgpYqeoQdbPoxO9373cOJs45zQCLcBGAs/s1600/Wang%2BShimin%2B-%2Blandscape.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1433" data-original-width="690" height="640" src="https://4.bp.blogspot.com/-uBqIn08UdUA/WWnw-KbINHI/AAAAAAAAlzA/Q3ZFGu1tgpYqeoQdbPoxO9373cOJs45zQCLcBGAs/s640/Wang%2BShimin%2B-%2Blandscape.jpg" width="308" /></a></span></div>
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<span style="font-family: inherit;"> Wang Shimin - Landscape</span></div>
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<span style="font-family: inherit;">.</span></div>
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<span style="font-family: inherit;"><a href="https://3.bp.blogspot.com/-AM4iCZifnpk/WWnw-VRy-LI/AAAAAAAAlzE/l3PrNrFQpLkKyCObQYRFS1bRYcugfQBSQCLcBGAs/s1600/Wang%2BShimin%2B-%2BPath%2Bby%2Bthe%2BStreams%2Bin%2BAutumn%2BForest.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="580" height="640" src="https://3.bp.blogspot.com/-AM4iCZifnpk/WWnw-VRy-LI/AAAAAAAAlzE/l3PrNrFQpLkKyCObQYRFS1bRYcugfQBSQCLcBGAs/s640/Wang%2BShimin%2B-%2BPath%2Bby%2Bthe%2BStreams%2Bin%2BAutumn%2BForest.jpg" width="308" /></a></span></div>
<div style="text-align: center;">
<span style="font-family: inherit;"> Wang Shimin - Path by the Streams in Autumn Forest</span></div>
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<span style="font-family: inherit;">.</span></div>
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<span style="font-family: inherit;"><a href="https://1.bp.blogspot.com/-d2AznMWt0Vo/WWnw-y9LAOI/AAAAAAAAlzM/lrD5jELbs-Yj2Xw0XrGX146n-skgk4YaACLcBGAs/s1600/wang-shimin_After%2BWang%2BWei%25E2%2580%2599s%2BClearing%2Bof%2BRivers%2Band%2BMountains%2Bafter%2BSnow.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="541" height="640" src="https://1.bp.blogspot.com/-d2AznMWt0Vo/WWnw-y9LAOI/AAAAAAAAlzM/lrD5jELbs-Yj2Xw0XrGX146n-skgk4YaACLcBGAs/s640/wang-shimin_After%2BWang%2BWei%25E2%2580%2599s%2BClearing%2Bof%2BRivers%2Band%2BMountains%2Bafter%2BSnow.jpg" width="288" /></a></span></div>
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<span style="font-family: inherit;">Wang Shimin - After Wang Wei’s Clearing of Rivers and Mountains after Snow </span></div>
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<span style="font-family: inherit;"><br /></span></div>
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<a href="https://4.bp.blogspot.com/-UwgkKU4-llw/WW8YN59OpMI/AAAAAAAAl78/mh4iJNvu6YA1Cv884qcTZy21aIlpTf43gCLcBGAs/s1600/Wu%2BLi%2B%252BWang%2BJian%2B%252B%2BWang%2BShimin_50x100.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="375" data-original-width="1322" height="180" src="https://4.bp.blogspot.com/-UwgkKU4-llw/WW8YN59OpMI/AAAAAAAAl78/mh4iJNvu6YA1Cv884qcTZy21aIlpTf43gCLcBGAs/s640/Wu%2BLi%2B%252BWang%2BJian%2B%252B%2BWang%2BShimin_50x100.jpg" width="640" /></a></div>
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Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-5464569323978413729.post-54636069843109628642017-06-24T10:00:00.000+02:002017-06-24T10:00:14.050+02:00Los Primitivos Flamencos (VIII). Siglo XVI (V). Ambrosius Benson y Pieter Coecke van Aelst<br />
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<a href="https://2.bp.blogspot.com/-WVRqJisr3zk/WTUSyp-aENI/AAAAAAAAluU/9oK8Q9KL6oQ0Dj2dUfEULvHM1UjvFTVQQCLcB/s1600/Pieter%2BCoeck%2Bvan%2BAelst%2B%252B%2BAmbrosius%2BBenson_cabecera.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="740" data-original-width="1303" height="362" src="https://2.bp.blogspot.com/-WVRqJisr3zk/WTUSyp-aENI/AAAAAAAAluU/9oK8Q9KL6oQ0Dj2dUfEULvHM1UjvFTVQQCLcB/s640/Pieter%2BCoeck%2Bvan%2BAelst%2B%252B%2BAmbrosius%2BBenson_cabecera.jpg" width="640" /></a></div>
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<div style="text-align: center;">
<iframe allowfullscreen="" frameborder="0" height="197" src="https://www.youtube.com/embed/4xEYmgP1WZw" width="350"></iframe></div>
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<b><span style="font-size: large;">Pensamientos</span></b></div>
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<br />
Suena de nuevo la horrísona siringa:<br />
la cadencia de imágenes borrosas<br />
se vuelve a hacer oír.<br />
El cíclope anda cerca... otra vez.<br />
Pero, en esta ocasión —perro más viejo—<br />
acude investido de Tiresias.<br />
Deberé protegerme, ocultarme<br />
a esa visión monocular<br />
que progresa a ceguera clarividente.<br />
Quizás no sea ella quien ha venido a mí,<br />
sino yo quien la he buscado:<br />
este empeño por beberme la belleza del mundo por los ojos...<br />
demasiado mundo, demasiada belleza,<br />
para tan delicados ojos.<br />
<br />
Y no viene sola, que llega acompañada<br />
de un vacío tan vasto como una mirada ciega.<br />
Tanta belleza trasegada por los ojos<br />
ha caído en el saco roto de mi conciencia:<br />
de ella poco queda más que el rastro de su paso<br />
por mi sensibilidad, convertido en memoria;<br />
serie de bellas imágenes apenas ya borrosas<br />
que llenaron mis días y mis noches<br />
de constante navegar.<br />
<br />
Otrora conquistador de mi embeleso,<br />
y ahora esclavo de mi frustración.<br />
Todo lo que quise, sin apenas esfuerzo,<br />
sólo obediente a mi querer,<br />
me fue dado sorbo a sorbo:<br />
no logré apagar mi sed, no obstante.<br />
Pero ahora, y tras todos esos tragos,<br />
no me queda más que la sensación de aquella sed,<br />
una sensación amortiguada, lejana,<br />
como si llegara desde fuera de mí,<br />
como si trepara desde muy adentro.<br />
<br />
Todo se junta: ceguera, clarividencia,<br />
vacío, plétora de nada.<br />
Sólo puedo dejarme ir,<br />
mecerme en la memoria de la belleza<br />
que bebí, y en la que apenas volveré a beber<br />
—labios cerrados, ojos deslumbrados.<br />
Recordadme como el cíclope<br />
que quiso ser proyector de imágenes<br />
—las imágenes delatoras de la belleza del mundo—<br />
y que cantó, de vez en vez, agradecido,<br />
con voz ronca y trémula,<br />
la emoción que esa belleza le produjo.<br />
<br />
<br />
<a href="https://1.bp.blogspot.com/-MIw7dfCgBgo/WRa-QRY9jDI/AAAAAAAAkt8/9odd7THEylo1uV6b7BuF3bjIUXJEvuBBwCLcB/s1600/Los%2BPrimitivos%2BFlamencos_cronolog%25C3%25ADa%2BAmbrosius%2BBenson.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="64" src="https://1.bp.blogspot.com/-MIw7dfCgBgo/WRa-QRY9jDI/AAAAAAAAkt8/9odd7THEylo1uV6b7BuF3bjIUXJEvuBBwCLcB/s640/Los%2BPrimitivos%2BFlamencos_cronolog%25C3%25ADa%2BAmbrosius%2BBenson.jpg" width="640" /></a></div>
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(Tomado de la web del Museo del Prado, completada con otras diversas fuentes</div>
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y una estimación personal acerca del estilo del pintor)</div>
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<span style="font-family: inherit;"><i><span style="color: white;">.....</span>Nace
Ambrosius Benson en Lombardía, probablemente en Milán (ya que
el patrono de esa ciudad es San Ambrosio). Está en activo en
Brujas desde 1518, y fallece en dicha ciudad en 1550. Pintor de
escenas religiosas y de retratos, hasta el siglo XX es conocido
como Maestro de Segovia —por la cantidad de pinturas suyas en
esa ciudad y alrededores—, antes de ser identificado como
Ambrosius Benson, gracias a las iniciales suyas halladas en uno
de sus cuadros.</i></span></div>
<div align="LEFT" style="margin-bottom: 0.2cm;">
<span style="font-family: inherit;"><i><span style="color: white;">.....</span>También
conocemos los nombres de dos de sus aprendices, Joachim Spaers y
Jacob Vinson. Dos de sus hijos, Willen y Jan Benson, fueron
también pintores y colaboraron probablemente con él.</i></span></div>
<div align="LEFT" style="margin-bottom: 0.2cm;">
<span style="font-family: inherit;"><i><span style="color: white;">.....</span>Solo
se conocen dos obras suyas firmadas, <span style="color: black;">Tríptico
de san Antonio de Padua </span>(Musées
Royaux des Beaux-Arts de Belgique, Bruselas) y <span style="color: black;">La
Sagrada Familia </span>(colección
particular), y siete fechadas, pero basándose en criterios
estilísticos se le han atribuido más de ciento cincuenta
pinturas. Las primeras son <span style="color: black;">Retrato
de un hombre </span>(Philadelphia
Museum of Art, The John G. Johnson Collection, Filadelfia), <span style="color: black;">La
Sagrada Familia con san Juan </span>y
<span style="color: black;">Descendimiento
de la cruz </span>(catedral
de Segovia) .</i></span></div>
<div align="LEFT" style="margin-bottom: 0.2cm;">
<span style="font-family: inherit;"><i><span style="color: white;">.....</span>El
taller de Benson tuvo una producción importante, pero de calidad
irregular, en general destinada al mercado de la Península
Ibérica. Un cierto Sancho de Santander aparece regularmente en
la documentación relacionada con Benson y probablemente
desempeñó un papel importante en la exportación de sus obras.
En España, su pintura gozó de gran aprecio y tuvo un gran
número de seguidores, a pesar de no haber estado nunca en este
país.
</i></span></div>
<div align="LEFT" style="margin-bottom: 0.2cm;">
<i><span style="color: white;">.....</span>Benson llegaría a ocupar altos puestos en el Gremio de Pintores.</i></div>
<div align="LEFT" style="margin-bottom: 0.1cm;">
<span style="font-family: inherit;"><i><span style="color: white;">.....</span>Junto
con Adriaen Isenbrandt y Jan Provost formó parte de la última
generación de pintores de Brujas caracterizados por romper con
la tradición gótica e introducir en su estilo las innovaciones
del renacimiento italiano. Esta influencia se aprecia en la
plástica y en los efectos monumentales, ya que los temas y la
composición siguen inscritos en la tradición flamenca. Su
producción se caracteriza por la variedad de temas (escenas
religiosas, profanas y retratos) y de formatos, lo que puede
indicar un taller con numerosos colaboradores. En todas sus
actividades, el lombardo-brujense, orientado al mercado español,
se muestra como un ejemplo excelente del cruce entre norte y sur,
entre tradición e innovación.</i></span></div>
<div align="LEFT" style="margin-bottom: 0.1cm;">
<i style="font-family: inherit; text-align: center;"><span style="color: white;">.....</span>Su
estilo es delicado y ligeramente longuilíneo, identificándose
sus serenas y elegantes madonnas (o sus Magdalenas, esbozando un
rictus semejante a una ligera sonrisa) por el característico
diseño de sus ovalados rostros, sus armoniosas bocas de labios
rojos y turgentes y sus esbeltos cuellos. Las manos de las
figuras suelen ser alargadas y delicadas. Es un maestro de las
veladuras que prodiga con reconocido éxito en sus Magdalenas,
aunque no sólo. En su paleta abundan los tonos cálidos (rojos y
ocres) y los negros, con matices de verde y azul en los paisajes
para recrear atmósferas y horizonte.</i></div>
</td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1490</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1500</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Nace en
Lombardía (¿Milán?) Ambrosius Benson, tambien conocido como
Maestro de Segovia.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1518" width="35"><div align="CENTER">
<span style="font-family: inherit;">1518</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Obtiene la
ciudadanía de Brujas.</span><br />
<span style="font-family: inherit;">Trabajó
durante una temporada en el taller de Gérard David, con quien
pleitearía a cuenta de dos maletas con diverso material
pictórico y diseños.
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1519" width="35"><div align="CENTER">
<span style="font-family: inherit;">1519</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Se establece
como pintor independiente. En esa fecha se registra en el Gremio
(Guilda) de Pintores de Brujas.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1520" width="35"><div align="CENTER">
<span style="font-family: inherit;">1520</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Tiene
un segundo juicio con Gérard David por culpa de las dos maletas
de marras. La sentencia mandará a David temporalmente a la
cárcel y a él le obliga a trabajar durante unos días a la
semana en el taller de su antiguo maestro</span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="color: black; font-family: inherit;">1520</span></div>
<div align="CENTER">
<span style="color: black; font-family: inherit;">1530</span></div>
</td>
<td width="592"><span style="color: black; font-family: inherit;">A
partir de 1520 se aprecia un crecimiento de la producción del
taller de Benson, y alquila, entre 1522 y 1530, de uno a tres
puestos en el mercado anual para vender sus cuadros.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1533" width="35"><div align="CENTER">
<span style="color: black; font-family: inherit;">1533</span></div>
</td>
<td width="592"><span style="color: black; font-family: inherit;">Compró
una casa al comerciante español Lucas de Castro, pagándole la
mitad del precio con ocho pinturas tasadas por los concejales de
Brujas.</span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="color: black; font-family: inherit;">1537</span></div>
<div align="CENTER">
<span style="color: black; font-family: inherit;">1538</span></div>
</td>
<td width="592"><span style="color: black; font-family: inherit;">Ejerce
como jefe del Gremio (Guilda) de San Lucas de Brujas.</span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="color: black; font-family: inherit;">1543</span></div>
<div align="CENTER">
<span style="color: black; font-family: inherit;">1544</span></div>
</td>
<td width="592"><span style="color: black; font-family: inherit;">Repite
como más alto cargo del Gremio de San Lucas de Brujas.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1550" width="35"><div align="CENTER">
<span style="font-family: inherit;">1550</span></div>
</td>
<td width="592"><span style="color: black; font-family: inherit;">Ambrosius
Benson muere entre el 12 y el 19 de enero de 1550 y es enterrado
en la iglesia de Nuestra Señora de Brujas.</span></td></tr>
</tbody></table>
</center>
</div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<a href="https://1.bp.blogspot.com/-6WnrA4XDV3w/WRa-Qav_CpI/AAAAAAAAkt4/3hbvqHnmrOA89Fp4Vs3tXcEL_mNanOuAwCLcB/s1600/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="36" src="https://1.bp.blogspot.com/-6WnrA4XDV3w/WRa-Qav_CpI/AAAAAAAAkt4/3hbvqHnmrOA89Fp4Vs3tXcEL_mNanOuAwCLcB/s640/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" width="640" /></a></div>
<div style="text-align: center;">
<br />
<br /></div>
<div style="text-align: center;">
<b><span style="color: #cc0000; font-size: x-large;">GALERÍA</span></b></div>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-YFLvvVIYcNA/WRa-g_V-6aI/AAAAAAAAkuM/lY_sIJJAVtUOpkJupSmtEtgJ2pm3B1TDACLcB/s1600/Ambrosius%2BBenson%2B-%2BMary%2BMagdalene%252C%2B1520%2B%2528National%2BGallery%2529_T%25C3%25ADtulo%2Bestre.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="124" src="https://1.bp.blogspot.com/-YFLvvVIYcNA/WRa-g_V-6aI/AAAAAAAAkuM/lY_sIJJAVtUOpkJupSmtEtgJ2pm3B1TDACLcB/s640/Ambrosius%2BBenson%2B-%2BMary%2BMagdalene%252C%2B1520%2B%2528National%2BGallery%2529_T%25C3%25ADtulo%2Bestre.jpg" width="640" /></a></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-cGqN1AdpeXc/WTLskYJH2VI/AAAAAAAAlig/sH9MQr6ZoCoO9eVjn6gLJC7hmG8A7sbiACLcB/s1600/Ambrosius%2BBenson%2B-%2BMadonna%2Band%2BChild%2Bwith%2BSaint%2BCatharine%2Band%2BSaint%2BBarbara%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="830" height="640" src="https://3.bp.blogspot.com/-cGqN1AdpeXc/WTLskYJH2VI/AAAAAAAAlig/sH9MQr6ZoCoO9eVjn6gLJC7hmG8A7sbiACLcB/s640/Ambrosius%2BBenson%2B-%2BMadonna%2Band%2BChild%2Bwith%2BSaint%2BCatharine%2Band%2BSaint%2BBarbara%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529.jpg" width="518" /></a></div>
Ambrosius Benson - Madonna and Child with Saint Catharine and Saint Barbara<br />
(Musée du Louvre)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-glhl3hv0PtQ/WTLskM2hu3I/AAAAAAAAlic/MLg-cRsgUqE68XMC8FRCZjjUrn0s5QtZACLcB/s1600/Ambrosius%2BBenson%2B-%2BVirgin%2Band%2BChild%2Bwith%2BSaints.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1020" data-original-width="833" height="640" src="https://4.bp.blogspot.com/-glhl3hv0PtQ/WTLskM2hu3I/AAAAAAAAlic/MLg-cRsgUqE68XMC8FRCZjjUrn0s5QtZACLcB/s640/Ambrosius%2BBenson%2B-%2BVirgin%2Band%2BChild%2Bwith%2BSaints.jpg" width="522" /></a></div>
mbrosius Benson - Madonna and Child with Saint Catharine and Saint Barbara<br />
(Musée du Louvre)<br />
.<br />
.<a href="https://2.bp.blogspot.com/-wmC35RY2DVE/WTLsxi580uI/AAAAAAAAlio/kbd8wBqaAiUsGn8eAoDEJ6ILJmWij2zvgCLcB/s1600/Ambrosius%2BBenson%2B-%2BMadonna%2Bwith%2BChild.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1390" data-original-width="991" height="640" src="https://2.bp.blogspot.com/-wmC35RY2DVE/WTLsxi580uI/AAAAAAAAlio/kbd8wBqaAiUsGn8eAoDEJ6ILJmWij2zvgCLcB/s640/Ambrosius%2BBenson%2B-%2BMadonna%2Bwith%2BChild.jpg" width="456" /></a><br />
Ambrosius Benson - Madonna with Child<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-M90msUYShAQ/WTLs1BXKupI/AAAAAAAAli0/2bpmlz8Jx-Erxr4qXJhMWmsry5Vn824hwCLcB/s1600/Ambrosius%2BBenson%2B-%2BSanta%2BAna%252C%2Bel%2BNi%25C3%25B1o%2BJes%25C3%25BAs%2By%2Bla%2BVirgen%252C%2B1528%2B%2528Museo%2Bdel%2BPrado%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1319" data-original-width="989" height="640" src="https://4.bp.blogspot.com/-M90msUYShAQ/WTLs1BXKupI/AAAAAAAAli0/2bpmlz8Jx-Erxr4qXJhMWmsry5Vn824hwCLcB/s640/Ambrosius%2BBenson%2B-%2BSanta%2BAna%252C%2Bel%2BNi%25C3%25B1o%2BJes%25C3%25BAs%2By%2Bla%2BVirgen%252C%2B1528%2B%2528Museo%2Bdel%2BPrado%2529.jpg" width="478" /></a></div>
Ambrosius Benson - Santa Ana, el Niño Jesús y la Virgen, 1528<br />
(Museo del Prado)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-7yQhr5N1vFM/WTLsxrbkRfI/AAAAAAAAlik/P1cCr9pkF9MTS2OFMKDvUbKj5sMLLa1NQCLcB/s1600/Ambrosius%2BBenson%2B-%2BThe%2BHoly%2BFamily%2Bin%2Ba%2BLandscape.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="944" data-original-width="708" height="640" src="https://1.bp.blogspot.com/-7yQhr5N1vFM/WTLsxrbkRfI/AAAAAAAAlik/P1cCr9pkF9MTS2OFMKDvUbKj5sMLLa1NQCLcB/s640/Ambrosius%2BBenson%2B-%2BThe%2BHoly%2BFamily%2Bin%2Ba%2BLandscape.jpg" width="480" /></a></div>
Ambrosius Benson - The Holy Family in a Landscape<br />
.<br />
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<a href="https://4.bp.blogspot.com/-SB8iWehjapU/WTLszd8lB4I/AAAAAAAAlis/rwye_BGwuWwhLRD2F6c62rNnkmrlc0GhACLcB/s1600/Ambrosius%2BBenson%2B-%2BThe%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt%2B%2528Groeninge%2BMuseum%252C%2BBrugge%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1177" data-original-width="801" height="640" src="https://4.bp.blogspot.com/-SB8iWehjapU/WTLszd8lB4I/AAAAAAAAlis/rwye_BGwuWwhLRD2F6c62rNnkmrlc0GhACLcB/s640/Ambrosius%2BBenson%2B-%2BThe%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt%2B%2528Groeninge%2BMuseum%252C%2BBrugge%2529.jpg" width="434" /></a></div>
Ambrosius Benson - The Rest on the Flight into Egypt<br />
(Groeninge Museum, Brugge)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-b49aNdpVHos/WTLs3kdWCrI/AAAAAAAAli8/s4JaJx4XQqcRz0YI_CL0SXAZ6FbDVAiRwCLcB/s1600/Ambrosius%2BBenson%2B-%2BThe%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt%2B%2528Groeninge%2BMuseum%252C%2BBrugge%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1008" height="640" src="https://1.bp.blogspot.com/-b49aNdpVHos/WTLs3kdWCrI/AAAAAAAAli8/s4JaJx4XQqcRz0YI_CL0SXAZ6FbDVAiRwCLcB/s640/Ambrosius%2BBenson%2B-%2BThe%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt%2B%2528Groeninge%2BMuseum%252C%2BBrugge%2529_.jpg" width="402" /></a></div>
Ambrosius Benson - The Rest on the Flight into Egypt<br />
(Groeninge Museum, Brugge)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-Bs3LaaywbfI/WTLs1D6S__I/AAAAAAAAliw/KIWw0Q5zpLw6LXaxnqt3o0--ZT9VclSCgCLcB/s1600/Ambrosius%2BBenson%2B-%2BThe%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt%2B%2528Oxford%2BUniversity%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="967" height="640" src="https://4.bp.blogspot.com/-Bs3LaaywbfI/WTLs1D6S__I/AAAAAAAAliw/KIWw0Q5zpLw6LXaxnqt3o0--ZT9VclSCgCLcB/s640/Ambrosius%2BBenson%2B-%2BThe%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt%2B%2528Oxford%2BUniversity%2529.jpg" width="514" /></a></div>
Ambrosius Benson - The Rest on the Flight into Egypt<br />
(Oxford University)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-9YXi6kjl23k/WTLs2V3POLI/AAAAAAAAli4/PUtN_-FKKLQrljaOQ99ZxlVBO6lN8dnOwCLcB/s1600/Ambrosius%2BBenson%2B-%2BThe%2BVirgin%2Band%2BChild%2Bwith%2BSaint%2BAnne%2B%2528Scottish%2BNational%2BMuseum%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="944" data-original-width="687" height="640" src="https://2.bp.blogspot.com/-9YXi6kjl23k/WTLs2V3POLI/AAAAAAAAli4/PUtN_-FKKLQrljaOQ99ZxlVBO6lN8dnOwCLcB/s640/Ambrosius%2BBenson%2B-%2BThe%2BVirgin%2Band%2BChild%2Bwith%2BSaint%2BAnne%2B%2528Scottish%2BNational%2BMuseum%2529.jpg" width="464" /></a></div>
Ambrosius Benson - The Virgin and Child with Saint Anne<br />
(Scottish National Museum)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-bMcq6iamtI0/WTLs5CEvQ9I/AAAAAAAAljA/a8z0YpC2yZUr65SuG6kpOn_QfX3NFcXqgCLcB/s1600/Ambrosius%2BBenson%2B-%2BVirgin%2Band%2BChild%2Benthroned%2B%2528Private%2BCollection%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1540" data-original-width="1435" height="640" src="https://4.bp.blogspot.com/-bMcq6iamtI0/WTLs5CEvQ9I/AAAAAAAAljA/a8z0YpC2yZUr65SuG6kpOn_QfX3NFcXqgCLcB/s640/Ambrosius%2BBenson%2B-%2BVirgin%2Band%2BChild%2Benthroned%2B%2528Private%2BCollection%2529.jpg" width="596" /></a></div>
Ambrosius Benson - Virgin and Child enthroned<br />
(Private Collection)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-Diwuw9mDAC4/WTLtPAY1NvI/AAAAAAAAljQ/FEILpDPor3YOeDygOPxR8KfJgFZPW6yLQCLcB/s1600/Ambrosius%2BBenson%2B%2528and%2Bworkshop%2529%2B-%2BVirgin%2Band%2BChild%2B%2528Wadsworth%2BAtheneum%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1250" height="640" src="https://4.bp.blogspot.com/-Diwuw9mDAC4/WTLtPAY1NvI/AAAAAAAAljQ/FEILpDPor3YOeDygOPxR8KfJgFZPW6yLQCLcB/s640/Ambrosius%2BBenson%2B%2528and%2Bworkshop%2529%2B-%2BVirgin%2Band%2BChild%2B%2528Wadsworth%2BAtheneum%2529.jpg" width="498" /></a></div>
Ambrosius Benson (and workshop) - Virgin and Child<br />
(Wadsworth Atheneum)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-m1UwhuSzBjM/WTLtKtBR5iI/AAAAAAAAljE/RA0ak_0EaxYoACvLqM7PWxIycuiO1itswCLcB/s1600/Ambrosius%2BBenson%2B-%2BHoly%2BFamily%2Bwith%2BSaint%2BJohn.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="755" height="640" src="https://4.bp.blogspot.com/-m1UwhuSzBjM/WTLtKtBR5iI/AAAAAAAAljE/RA0ak_0EaxYoACvLqM7PWxIycuiO1itswCLcB/s640/Ambrosius%2BBenson%2B-%2BHoly%2BFamily%2Bwith%2BSaint%2BJohn.jpg" width="470" /></a></div>
Ambrosius Benson - Holy Family with Saint John<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-DA4ds8Ed2cU/WTLtKgRiulI/AAAAAAAAljI/WzRXSzI6NHkjbliCecaK3HFlTWYETCmrwCLcB/s1600/Ambrosius%2BBenson%2B-%2BThe%2BHoly%2BFamily.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="944" data-original-width="780" height="640" src="https://1.bp.blogspot.com/-DA4ds8Ed2cU/WTLtKgRiulI/AAAAAAAAljI/WzRXSzI6NHkjbliCecaK3HFlTWYETCmrwCLcB/s640/Ambrosius%2BBenson%2B-%2BThe%2BHoly%2BFamily.jpg" width="528" /></a></div>
Ambrosius Benson - The Holy Family<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-u9hhXeRQCS8/WTLtLyNNaQI/AAAAAAAAljM/ekRH9fPZt-I1I2iycWTLjPhlLmNz7P_8wCLcB/s1600/Ambrosius%2BBenson%2B-%2BThe%2BVirgin%2Band%2BChild%2B%2528Compton%2BVerney%2B-%2BWarwickshire%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="689" data-original-width="512" height="640" src="https://4.bp.blogspot.com/-u9hhXeRQCS8/WTLtLyNNaQI/AAAAAAAAljM/ekRH9fPZt-I1I2iycWTLjPhlLmNz7P_8wCLcB/s640/Ambrosius%2BBenson%2B-%2BThe%2BVirgin%2Band%2BChild%2B%2528Compton%2BVerney%2B-%2BWarwickshire%2529.jpg" width="474" /></a></div>
Ambrosius Benson - The Virgin and Child<br />
(Compton Verney - Warwickshire)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-_NailQKf4vk/WTLtTqcFN0I/AAAAAAAAljY/idXozAreMcQJDHdVYphZZnpfqrVAr48-QCLcB/s1600/Ambrosius%2BBenson%2B-%2BThe%2BVirgin%2Band%2BChild%2B%2528Private%2BCollection%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1400" data-original-width="1400" height="640" src="https://2.bp.blogspot.com/-_NailQKf4vk/WTLtTqcFN0I/AAAAAAAAljY/idXozAreMcQJDHdVYphZZnpfqrVAr48-QCLcB/s640/Ambrosius%2BBenson%2B-%2BThe%2BVirgin%2Band%2BChild%2B%2528Private%2BCollection%2529.jpg" width="640" /></a></div>
Ambrosius Benson - The Virgin and Child<br />
(Private Collection)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-r9OaTpSCvm4/WTLtQkYUOMI/AAAAAAAAljU/spgzuoJ2AU8Yrv6D2KJQXwNEfGKOwDGhwCLcB/s1600/Ambrosius%2BBenson%2B-%2BThe%2BVirgin%2BMary%2Bwith%2Bthe%2BChild%2BJesus%2Bin%2Ba%2BShirt%2B%2528Museo%2BL%25C3%25A1zaro%2BGaldeano%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1248" height="640" src="https://4.bp.blogspot.com/-r9OaTpSCvm4/WTLtQkYUOMI/AAAAAAAAljU/spgzuoJ2AU8Yrv6D2KJQXwNEfGKOwDGhwCLcB/s640/Ambrosius%2BBenson%2B-%2BThe%2BVirgin%2BMary%2Bwith%2Bthe%2BChild%2BJesus%2Bin%2Ba%2BShirt%2B%2528Museo%2BL%25C3%25A1zaro%2BGaldeano%2529.jpg" width="498" /></a></div>
Ambrosius Benson - The Virgin Mary with the Child Jesus in a Shirt<br />
(Museo Lázaro Galdeano)<br />
.<br />
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<a href="https://3.bp.blogspot.com/-kqQPrDE5WoU/WTLtWxZgMSI/AAAAAAAAljg/QZLEnJDxsZ8S1S-uDWB0lQeVy8bUfL5RgCLcB/s1600/Ambrosius%2BBenson%2B-%2BVirgin%2Band%2BChild%2B%2528Private%2BCollection%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1215" height="640" src="https://3.bp.blogspot.com/-kqQPrDE5WoU/WTLtWxZgMSI/AAAAAAAAljg/QZLEnJDxsZ8S1S-uDWB0lQeVy8bUfL5RgCLcB/s640/Ambrosius%2BBenson%2B-%2BVirgin%2Band%2BChild%2B%2528Private%2BCollection%2529.jpg" width="484" /></a></div>
Ambrosius Benson - Virgin and Child<br />
(Private Collection)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-p7k-bkPT4u0/WTLtWyRBdSI/AAAAAAAAljc/mMN42myFz7EvoJ9l3qThEHZceUUZUX2rACLcB/s1600/Ambrosius%2BBenson%2B-%2BVirgin%2Band%2BChild%2B%2528Sotheby%2527s%2B2%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1232" height="640" src="https://2.bp.blogspot.com/-p7k-bkPT4u0/WTLtWyRBdSI/AAAAAAAAljc/mMN42myFz7EvoJ9l3qThEHZceUUZUX2rACLcB/s640/Ambrosius%2BBenson%2B-%2BVirgin%2Band%2BChild%2B%2528Sotheby%2527s%2B2%2529.jpg" width="492" /></a></div>
Ambrosius Benson - Virgin and Child<br />
(Sotheby's)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-UBbVz-XTE88/WTLtZ0PTNYI/AAAAAAAAljk/4Ugo1NvJk90HK8oIIh2_tEEqrKEj-X8QQCLcB/s1600/Ambrosius%2BBenson%2B-%2BVirgin%2Band%2BChild%2B%2528Sotheby%2527s%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1227" height="640" src="https://1.bp.blogspot.com/-UBbVz-XTE88/WTLtZ0PTNYI/AAAAAAAAljk/4Ugo1NvJk90HK8oIIh2_tEEqrKEj-X8QQCLcB/s640/Ambrosius%2BBenson%2B-%2BVirgin%2Band%2BChild%2B%2528Sotheby%2527s%2529.jpg" width="490" /></a></div>
Ambrosius Benson - Virgin and Child<br />
(Sotheby's)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-H8ohQ4B2GvI/WTLtckODElI/AAAAAAAAljo/3n_yvpQYFrQL4RjYvzNFDjCGajc0SVoTgCLcB/s1600/Ambrosius%2BBenson%2B-%2BVirgin%2Band%2BChild%2B%2528workshop%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1476" data-original-width="1189" height="640" src="https://1.bp.blogspot.com/-H8ohQ4B2GvI/WTLtckODElI/AAAAAAAAljo/3n_yvpQYFrQL4RjYvzNFDjCGajc0SVoTgCLcB/s640/Ambrosius%2BBenson%2B-%2BVirgin%2Band%2BChild%2B%2528workshop%2529.jpg" width="514" /></a></div>
Ambrosius Benson - Virgin and Child (workshop)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-NUJIjZfVrHc/WTLtdC6iLPI/AAAAAAAAljs/ZKpux_D2R9w2_V7Dss-0JYD7nxGtWJ4LACLcB/s1600/Guillaume%2BBenson%2B-%2BVirgin%2Band%2BChild%2B%2528Sotheby%2527s%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1143" height="640" src="https://4.bp.blogspot.com/-NUJIjZfVrHc/WTLtdC6iLPI/AAAAAAAAljs/ZKpux_D2R9w2_V7Dss-0JYD7nxGtWJ4LACLcB/s640/Guillaume%2BBenson%2B-%2BVirgin%2Band%2BChild%2B%2528Sotheby%2527s%2529.jpg" width="456" /></a></div>
Guillaume Benson - Virgin and Child<br />
(Sotheby's)<br />
.<br />
-o-<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-l6Nsxf3y0Zs/WTLuSP--D3I/AAAAAAAAlj0/OntTC-GgCqg_-VjTWh0gVN9XNZIS-VLuwCLcB/s1600/Ambrosius%2BBenson%2B-%2BTriptych%2Bof%2BMadonna%2Bwith%2BChild.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1006" data-original-width="1400" height="458" src="https://2.bp.blogspot.com/-l6Nsxf3y0Zs/WTLuSP--D3I/AAAAAAAAlj0/OntTC-GgCqg_-VjTWh0gVN9XNZIS-VLuwCLcB/s640/Ambrosius%2BBenson%2B-%2BTriptych%2Bof%2BMadonna%2Bwith%2BChild.jpg" width="640" /></a></div>
Ambrosius Benson - Triptych of Madonna with Child<br />
.<br />
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<a href="https://1.bp.blogspot.com/--HJGSsSvy4g/WTLuRgKuQDI/AAAAAAAAljw/4M198pgTjKU8VPEsLo3_J3asW3I5NO-bgCLcB/s1600/Ambrosius%2BBenson%2B-%2BTriptych%2Bwith%2BSaint%2BAnthony%2Bof%2BPadua%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%252C%2BBelgique%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="343" data-original-width="492" height="446" src="https://1.bp.blogspot.com/--HJGSsSvy4g/WTLuRgKuQDI/AAAAAAAAljw/4M198pgTjKU8VPEsLo3_J3asW3I5NO-bgCLcB/s640/Ambrosius%2BBenson%2B-%2BTriptych%2Bwith%2BSaint%2BAnthony%2Bof%2BPadua%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%252C%2BBelgique%2529.jpg" width="640" /></a></div>
Ambrosius Benson - Triptych with Saint Anthony of Padua<br />
(Musées Royaux des Beaux-Arts, Belgique)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-6uTagztIEw4/WTLuSySjKMI/AAAAAAAAlj4/ZsgyoMTg-_Mz5541wNVlUWSz1en9F29owCLcB/s1600/Ambrosius%2BBenson%2B-%2BTriptych_Penitent%2BSaint%2BJerome%252C%2Bwith%2BSaint%2BPeter%2Band%2Ba%2BDonor%2Bas%2BSaint%2BPaul%2B%2528Philadelphia%2BMuseum%2Bof%2BArt%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="868" data-original-width="1389" height="398" src="https://1.bp.blogspot.com/-6uTagztIEw4/WTLuSySjKMI/AAAAAAAAlj4/ZsgyoMTg-_Mz5541wNVlUWSz1en9F29owCLcB/s640/Ambrosius%2BBenson%2B-%2BTriptych_Penitent%2BSaint%2BJerome%252C%2Bwith%2BSaint%2BPeter%2Band%2Ba%2BDonor%2Bas%2BSaint%2BPaul%2B%2528Philadelphia%2BMuseum%2Bof%2BArt%2529.jpg" width="640" /></a></div>
Ambrosius Benson - Triptych_Penitent Saint Jerome, with Saint Peter and a Donor as Saint Paul (Philadelphia Museum of Art)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-SsJ2BkHGXLI/WTLuTw1lMKI/AAAAAAAAlkA/3Q-ElwCSvDMH2F_Ce8mbwerwBbtW79MDwCLcB/s1600/Ambrosius%2BBenson%2B-%2BTr%25C3%25ADptico%2Bcon%2BAsunci%25C3%25B3n%2Bde%2Bla%2BV%25C3%25ADrgen%2B%2528Navarrete%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="471" data-original-width="567" height="530" src="https://1.bp.blogspot.com/-SsJ2BkHGXLI/WTLuTw1lMKI/AAAAAAAAlkA/3Q-ElwCSvDMH2F_Ce8mbwerwBbtW79MDwCLcB/s640/Ambrosius%2BBenson%2B-%2BTr%25C3%25ADptico%2Bcon%2BAsunci%25C3%25B3n%2Bde%2Bla%2BV%25C3%25ADrgen%2B%2528Navarrete%2529.jpg" width="640" /></a></div>
Ambrosius Benson - Tríptico con Asunción de la Vírgen<br />
(Navarrete)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://2.bp.blogspot.com/-6GvIoa-eFUE/WTLuVIqyVyI/AAAAAAAAlkI/OWhLvnf5J9ETOWBKv5MbdlscLPc3OAVugCLcB/s1600/Ambrosius%2BBenson%2B-%2BTr%25C3%25ADptico%2Bcon%2BAsunci%25C3%25B3n%2Bde%2Bla%2BV%25C3%25ADrgen.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="831" data-original-width="1000" height="530" src="https://2.bp.blogspot.com/-6GvIoa-eFUE/WTLuVIqyVyI/AAAAAAAAlkI/OWhLvnf5J9ETOWBKv5MbdlscLPc3OAVugCLcB/s640/Ambrosius%2BBenson%2B-%2BTr%25C3%25ADptico%2Bcon%2BAsunci%25C3%25B3n%2Bde%2Bla%2BV%25C3%25ADrgen.jpg" width="640" /></a></div>
Ambrosius Benson - Tríptico con Asunción de la Vírgen<br />
(Navarrete)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-_E-3oOQxGrI/WTLuTE9UQoI/AAAAAAAAlj8/IV8vH_Awl8UiE4gwwdYzbxtaOdQWJD8DACLcB/s1600/Ambrosius%2BBenson%2B-%2BTr%25C3%25ADptico%2Bcon%2BAsunci%25C3%25B3n%2Bde%2Bla%2BV%25C3%25ADrgen%2B%2528Navarrete%2529_cerrado.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="534" height="640" src="https://3.bp.blogspot.com/-_E-3oOQxGrI/WTLuTE9UQoI/AAAAAAAAlj8/IV8vH_Awl8UiE4gwwdYzbxtaOdQWJD8DACLcB/s640/Ambrosius%2BBenson%2B-%2BTr%25C3%25ADptico%2Bcon%2BAsunci%25C3%25B3n%2Bde%2Bla%2BV%25C3%25ADrgen%2B%2528Navarrete%2529_cerrado.JPG" width="426" /></a></div>
Ambrosius Benson - Tríptico con Asunción de la Vírgen (Closed)<br />
(Navarrete)<br />
<div class="separator" style="clear: both; text-align: center;">
.</div>
<div class="separator" style="clear: both; text-align: center;">
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Ambrosius Benson - Tríptico de la Lamentación<br />
(Nájera)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-ug1wEe3-14k/WTLuYhP5PdI/AAAAAAAAlkQ/xZvZHF3u9W8fI-0jNn4_Naxe3TbvsC-XgCLcB/s1600/Ambrosius%2BBenson%2B-%2BTr%25C3%25ADptico%2Bde%2Bla%2BPiedad%2B%2528Prado%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1066" data-original-width="1422" height="478" src="https://2.bp.blogspot.com/-ug1wEe3-14k/WTLuYhP5PdI/AAAAAAAAlkQ/xZvZHF3u9W8fI-0jNn4_Naxe3TbvsC-XgCLcB/s640/Ambrosius%2BBenson%2B-%2BTr%25C3%25ADptico%2Bde%2Bla%2BPiedad%2B%2528Prado%2529.jpg" width="640" /></a></div>
Ambrosius Benson - Tríptico de la Piedad<br />
(Museo del Prado)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-TGEPlFSXBsw/WTLuYav9pfI/AAAAAAAAlkM/qetjKJgfTTEEUkfuxTCaJf9OcLpTaI6-QCLcB/s1600/Ambrosius%2BBenson%2B-%2BTr%25C3%25ADptico%2Bdel%2BDescendimiento%252C%2Bh.%2B1530%2B%2528Catedral%2Bde%2BSegovia_Iglesia%2Bde%2BSan%2BMiguel%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://1.bp.blogspot.com/-TGEPlFSXBsw/WTLuYav9pfI/AAAAAAAAlkM/qetjKJgfTTEEUkfuxTCaJf9OcLpTaI6-QCLcB/s640/Ambrosius%2BBenson%2B-%2BTr%25C3%25ADptico%2Bdel%2BDescendimiento%252C%2Bh.%2B1530%2B%2528Catedral%2Bde%2BSegovia_Iglesia%2Bde%2BSan%2BMiguel%2529.JPG" width="640" /></a></div>
Ambrosius Benson - Tríptico del Descendimiento, h. 1530<br />
(Catedral de Segovia_Iglesia de San Miguel)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-nVoXeycVWfk/WTLuaVXVxXI/AAAAAAAAlkc/pMKMphqpUakvQyWBypsMkRJx6XhIgCf1ACLcB/s1600/Ambrosius%2BBenson%2B-%2BTr%25C3%25ADptico%2Bdel%2BDescendimiento%252C%2Bh.%2B1530%2B%2528Catedral%2Bde%2BSegovia_Iglesia%2Bde%2BSan%2BMiguel%2529_panel%2Bcentral.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1168" height="640" src="https://2.bp.blogspot.com/-nVoXeycVWfk/WTLuaVXVxXI/AAAAAAAAlkc/pMKMphqpUakvQyWBypsMkRJx6XhIgCf1ACLcB/s640/Ambrosius%2BBenson%2B-%2BTr%25C3%25ADptico%2Bdel%2BDescendimiento%252C%2Bh.%2B1530%2B%2528Catedral%2Bde%2BSegovia_Iglesia%2Bde%2BSan%2BMiguel%2529_panel%2Bcentral.jpg" width="466" /></a></div>
Ambrosius Benson - Tríptico del Descendimiento, h. 1530_panel central<br />
(Catedral de Segovia_Iglesia de San Miguel)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
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Ambrosius Benson - Tríptico del Descendimiento<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-4xNfeXbxj_w/WTLuZ8ZFFGI/AAAAAAAAlkY/lx2YkyBcTicyu6DpoV4RzABc7hB-Q-bnACLcB/s1600/Ambrosius%2BBenson%2B-%2BVirgin%2Bwith%2Bthe%2BPear.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="608" data-original-width="845" height="460" src="https://3.bp.blogspot.com/-4xNfeXbxj_w/WTLuZ8ZFFGI/AAAAAAAAlkY/lx2YkyBcTicyu6DpoV4RzABc7hB-Q-bnACLcB/s640/Ambrosius%2BBenson%2B-%2BVirgin%2Bwith%2Bthe%2BPear.jpg" width="640" /></a></div>
Ambrosius Benson - Virgin with the Pear<br />
.<br />
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<a href="https://2.bp.blogspot.com/-jo4C5G3y4JY/WTLu8b35nVI/AAAAAAAAlkk/DFOExan3SGEvVffxaPpmP-QrenDR217QwCLcB/s1600/Ambrosius%2BBenson%2B-%2BAbrazo%2Bde%2BSan%2BJoaqu%25C3%25ADn%2By%2BSanta%2BAna%2Bante%2Bla%2BPuerta%2BDorada%252BNacimiento%2Bde%2Bla%2BVirgen.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1159" data-original-width="1205" height="614" src="https://2.bp.blogspot.com/-jo4C5G3y4JY/WTLu8b35nVI/AAAAAAAAlkk/DFOExan3SGEvVffxaPpmP-QrenDR217QwCLcB/s640/Ambrosius%2BBenson%2B-%2BAbrazo%2Bde%2BSan%2BJoaqu%25C3%25ADn%2By%2BSanta%2BAna%2Bante%2Bla%2BPuerta%2BDorada%252BNacimiento%2Bde%2Bla%2BVirgen.jpg" width="640" /></a></div>
Ambrosius Benson - Díptico_Abrazo de San Joaquín y Santa Ana ante la Puerta Dorada<br />
y Nacimiento de la Virgen<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-qQXOEIXd3ZY/WTLu8YYAxWI/AAAAAAAAlko/BCspIID5sj8YpJv--0FUI3f9U9Mt_lWtwCLcB/s1600/Ambrosius%2BBenson%2B-%2BAbrazo%2Bde%2BSan%2BJoaqu%25C3%25ADn%2By%2BSanta%2BAna%2Bante%2Bla%2BPuerta%2BDorada_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="813" height="640" src="https://3.bp.blogspot.com/-qQXOEIXd3ZY/WTLu8YYAxWI/AAAAAAAAlko/BCspIID5sj8YpJv--0FUI3f9U9Mt_lWtwCLcB/s640/Ambrosius%2BBenson%2B-%2BAbrazo%2Bde%2BSan%2BJoaqu%25C3%25ADn%2By%2BSanta%2BAna%2Bante%2Bla%2BPuerta%2BDorada_.jpg" width="324" /></a></div>
Ambrosius Benson - Díptico_Abrazo de San Joaquín y Santa Ana ante la Puerta Dorada<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-22U1Q6Xtyc8/WTLu74n26pI/AAAAAAAAlkg/cMgwRjLaV40KX2jkkUn8iGRkZoa8CZ6PwCLcB/s1600/Ambrosius%2BBenson%2B-%2BEl%2BNacimiento%2Bde%2Bla%2BVirgen_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="819" height="640" src="https://2.bp.blogspot.com/-22U1Q6Xtyc8/WTLu74n26pI/AAAAAAAAlkg/cMgwRjLaV40KX2jkkUn8iGRkZoa8CZ6PwCLcB/s640/Ambrosius%2BBenson%2B-%2BEl%2BNacimiento%2Bde%2Bla%2BVirgen_.jpg" width="326" /></a></div>
Ambrosius Benson - Díptico_Nacimiento de la Virgen<br />
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Ambrosius Benson - Anbetung der Könige<br />
(Kunsthistorisches Museum, Wien)<br />
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Ambrosius Benson - Anbetung der Könige_(workshop)<br />
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Ambrosius Benson - Deipara Virgo<br />
(Museo de Bellas Artes de Amberes)<br />
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Ambrosius Benson - Deipara Virgo<br />
(Museo de Bellas Artes de Amberes)<br />
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Ambrosius Benson - Las Bodas de Caná<br />
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Ambrosius Benson - Las Bodas de Caná<br />
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Ambrosius Benson - Santa Úrsula y sus compañeras<br />
(Colección Masaveu, Oviedo)<br />
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Ambrosius Benson - Sibilla Persica<br />
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Ambrosius Benson - Sibilla Persica<br />
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Ambrosius Benson - The Pentecost<br />
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Ambrosius Benson - Crucifixion with scenes from the Passion beyond<br />
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Ambrosius Benson - La Descente de Croix<br />
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Ambrosius Benson - La Piedad, h 1528<br />
(Museo del Prado)<br />
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Ambrosius Benson - Pietà at the Foot of the Cross<br />
(Museo de Bellas Artes de Bilbao)<br />
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Ambrosius Benson - Pietà at the Foot of the Cross_detalle<br />
(Museo de Bellas Artes de Bilbao)<br />
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Ambrosius Benson - Pietà<br />
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Ambrosius Benson - The Lamentation<br />
(MFASF_Legion of Honor)<br />
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Ambrosius Benson - The lamentation over the dead Christ<br />
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Ambrosius Benson - The Lamentation, 1520-25<br />
(MET)<br />
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Ambrosius Benson - La Resurrección<br />
(Catedral de Burgos, Capilla de San Juan Bautista y Santiago)<br />
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Ambrosius Benson - Mary Magdalene<br />
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Ambrosius Benson - Mary Magdalene<br />
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Ambrosius Benson - Mary Magdalene Reading<br />
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<a href="https://4.bp.blogspot.com/-KjXpwasngsQ/WTLwq_TgLKI/AAAAAAAAlmY/Da_KzVfF5jQpnmbmXvbV8IStusfdjTsmwCLcB/s1600/Ambrosius%2BBenson%2B-%2BMary%2BMagdalene%252C%2B1520%2B%2528National%2BGallery%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="705" height="640" src="https://4.bp.blogspot.com/-KjXpwasngsQ/WTLwq_TgLKI/AAAAAAAAlmY/Da_KzVfF5jQpnmbmXvbV8IStusfdjTsmwCLcB/s640/Ambrosius%2BBenson%2B-%2BMary%2BMagdalene%252C%2B1520%2B%2528National%2BGallery%2529.jpg" width="564" /></a></div>
Ambrosius Benson - Mary Magdalene, 1520<br />
(National Gallery)<br />
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<a href="https://2.bp.blogspot.com/-9fm3eHNDvlc/WTLwrfE9qlI/AAAAAAAAlmc/tp4ut_cLslkIaFyjQisCirSbdFBio7DtgCLcB/s1600/Ambrosius%2BBenson%2B-%2BMary%2BMagdalene%252C%2B1520%2B%2528National%2BGallery%2529_big.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1480" data-original-width="1305" height="640" src="https://2.bp.blogspot.com/-9fm3eHNDvlc/WTLwrfE9qlI/AAAAAAAAlmc/tp4ut_cLslkIaFyjQisCirSbdFBio7DtgCLcB/s640/Ambrosius%2BBenson%2B-%2BMary%2BMagdalene%252C%2B1520%2B%2528National%2BGallery%2529_big.jpg" width="564" /></a></div>
Ambrosius Benson - Mary Magdalene, 1520<br />
(National Gallery)<br />
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<a href="https://1.bp.blogspot.com/-jIDIYW516LQ/WTLwm-dzUKI/AAAAAAAAlmM/UDAWijlzGR8xLLnEukK8PgqMdlSERFPwwCLcB/s1600/Ambrosius%2BBenson%2B-%2BMary%2BMagdalene%2BReading_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="538" data-original-width="1023" height="336" src="https://1.bp.blogspot.com/-jIDIYW516LQ/WTLwm-dzUKI/AAAAAAAAlmM/UDAWijlzGR8xLLnEukK8PgqMdlSERFPwwCLcB/s640/Ambrosius%2BBenson%2B-%2BMary%2BMagdalene%2BReading_.jpg" width="640" /></a></div>
Ambrosius Benson - Mary Magdalene, 1520_detalle<br />
(National Gallery)<br />
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<a href="https://3.bp.blogspot.com/-ZzQKIP7dj4c/WTLwqjxGlfI/AAAAAAAAlmU/kzYgqbrimd4wb72aapBsm-zOOBGX4fdeQCLcB/s1600/Ambrosius%2BBenson%2B-%2BMary%2BMagdalene.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1085" data-original-width="900" height="640" src="https://3.bp.blogspot.com/-ZzQKIP7dj4c/WTLwqjxGlfI/AAAAAAAAlmU/kzYgqbrimd4wb72aapBsm-zOOBGX4fdeQCLcB/s640/Ambrosius%2BBenson%2B-%2BMary%2BMagdalene.jpg" width="530" /></a></div>
Ambrosius Benson - The Magdalen Reading<br />
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<a href="https://2.bp.blogspot.com/-ifhy3CfvX84/WTLwtpDLBnI/AAAAAAAAlmg/RDhZQdSaIIENJ4kfCXtsny08K79xv_WvACLcB/s1600/Ambrosius%2BBenson%2B-%2BThe%2BMagdalen%2BReading.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1145" height="640" src="https://2.bp.blogspot.com/-ifhy3CfvX84/WTLwtpDLBnI/AAAAAAAAlmg/RDhZQdSaIIENJ4kfCXtsny08K79xv_WvACLcB/s640/Ambrosius%2BBenson%2B-%2BThe%2BMagdalen%2BReading.jpg" width="458" /></a></div>
Ambrosius Benson - The Magdalen Reading<br />
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<a href="https://2.bp.blogspot.com/-PIMlWlLj02c/WTLxC6qSbXI/AAAAAAAAlm0/sHloN1lPQ6wAe5eg-jk_6Dze7WJU2gWvQCLcB/s1600/Ambrosius%2BBenson%2B-%2BJudith%252C%2B1525-50.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1400" data-original-width="1015" height="640" src="https://2.bp.blogspot.com/-PIMlWlLj02c/WTLxC6qSbXI/AAAAAAAAlm0/sHloN1lPQ6wAe5eg-jk_6Dze7WJU2gWvQCLcB/s640/Ambrosius%2BBenson%2B-%2BJudith%252C%2B1525-50.jpg" width="464" /></a></div>
Ambrosius Benson - Judith, 1525-50<br />
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<a href="https://4.bp.blogspot.com/-9FElOC-FLFk/WTLw8Kh7NII/AAAAAAAAlmk/vcb2i9fsdZo5udoF_n_9vEGq48BToKXxACLcB/s1600/Ambrosius%2BBenson%2B-%2BDeath%2Bof%2BLucretia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="559" height="640" src="https://4.bp.blogspot.com/-9FElOC-FLFk/WTLw8Kh7NII/AAAAAAAAlmk/vcb2i9fsdZo5udoF_n_9vEGq48BToKXxACLcB/s640/Ambrosius%2BBenson%2B-%2BDeath%2Bof%2BLucretia.jpg" width="446" /></a></div>
Ambrosius Benson - Death of Lucretia<br />
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<a href="https://1.bp.blogspot.com/-YtkETkEuewg/WTLxDzbIhjI/AAAAAAAAlm4/hRya7XNbS1AioUccf7-ccVTIeu0F2wytgCLcB/s1600/Ambrosius%2BBenson%2B-%2BLe%2Bconcert%2Bapr%25C3%25A8s%2Ble%2Brepas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1206" data-original-width="1480" height="520" src="https://1.bp.blogspot.com/-YtkETkEuewg/WTLxDzbIhjI/AAAAAAAAlm4/hRya7XNbS1AioUccf7-ccVTIeu0F2wytgCLcB/s640/Ambrosius%2BBenson%2B-%2BLe%2Bconcert%2Bapr%25C3%25A8s%2Ble%2Brepas.jpg" width="640" /></a></div>
Ambrosius Benson - Le concert après le repas<br />
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<a href="https://4.bp.blogspot.com/-XotYzd9AubM/WTLxArEhtzI/AAAAAAAAlmw/S4JX3cqkrXATzD3i0xi7lp0BDIhgtGibACLcB/s1600/Ambrosius%2BBenson%2B-%2BConcert.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1312" data-original-width="1568" height="534" src="https://4.bp.blogspot.com/-XotYzd9AubM/WTLxArEhtzI/AAAAAAAAlmw/S4JX3cqkrXATzD3i0xi7lp0BDIhgtGibACLcB/s640/Ambrosius%2BBenson%2B-%2BConcert.jpg" width="640" /></a></div>
Ambrosius Benson - Musical company<br />
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<a href="https://1.bp.blogspot.com/-U2_AV6ODSSA/WTLxEfJNZ1I/AAAAAAAAlm8/ekysN5Y0QpAukO4cegSWiHQFLpmgJM67QCLcB/s1600/Ambrosius%2BBenson%2B-%2BMusical%2Bcompany_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="615" data-original-width="736" height="534" src="https://1.bp.blogspot.com/-U2_AV6ODSSA/WTLxEfJNZ1I/AAAAAAAAlm8/ekysN5Y0QpAukO4cegSWiHQFLpmgJM67QCLcB/s640/Ambrosius%2BBenson%2B-%2BMusical%2Bcompany_.jpg" width="640" /></a></div>
Ambrosius Benson - Musical company<br />
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<a href="https://3.bp.blogspot.com/-UUjkvshYEPc/WTLw9zyQqdI/AAAAAAAAlms/7dQNAcaOOk8nkieouBi-fkmcXlRHOgE7wCLcB/s1600/Ambrosius%2BBenson%2B-%2BConcerto%2Ba%2Btavola.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="634" data-original-width="800" height="506" src="https://3.bp.blogspot.com/-UUjkvshYEPc/WTLw9zyQqdI/AAAAAAAAlms/7dQNAcaOOk8nkieouBi-fkmcXlRHOgE7wCLcB/s640/Ambrosius%2BBenson%2B-%2BConcerto%2Ba%2Btavola.jpg" width="640" /></a></div>
Ambrosius Benson - Concerto a tavola<br />
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<a href="https://3.bp.blogspot.com/-4BJeFwe3DKc/WTLw9ftqH8I/AAAAAAAAlmo/13-t7LhugCI5YhHgp6P9kRe1nDn-UfV4gCLcB/s1600/Ambrosius%2BBenson%2B-%2BElegantes%2Bparejas%2Bbailando%2Ben%2Bun%2Bpaisaje%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2Bla%2BUniversidad%2Bde%2BUtah%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="600" height="640" src="https://3.bp.blogspot.com/-4BJeFwe3DKc/WTLw9ftqH8I/AAAAAAAAlmo/13-t7LhugCI5YhHgp6P9kRe1nDn-UfV4gCLcB/s640/Ambrosius%2BBenson%2B-%2BElegantes%2Bparejas%2Bbailando%2Ben%2Bun%2Bpaisaje%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2Bla%2BUniversidad%2Bde%2BUtah%2529.jpg" width="480" /></a></div>
Ambrosius Benson - Elegantes parejas bailando en un paisaje<br />
(Museo de Bellas Artes de la Universidad de Utah)<br />
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Ambrosius Benson - Musical company<br />
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<a href="https://2.bp.blogspot.com/-wvvEZkBvZDQ/WTLxXHs1dxI/AAAAAAAAlnI/w3Ol-mlvXkwonEKk2BdRvDI-DPhAUDfpgCLcB/s1600/Ambrosius%2BBenson%2B-%2BA%2BMan%2Bin%2BPrayer.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="716" height="640" src="https://2.bp.blogspot.com/-wvvEZkBvZDQ/WTLxXHs1dxI/AAAAAAAAlnI/w3Ol-mlvXkwonEKk2BdRvDI-DPhAUDfpgCLcB/s640/Ambrosius%2BBenson%2B-%2BA%2BMan%2Bin%2BPrayer.jpg" width="458" /></a></div>
Ambrosius Benson - A Man in Prayer<br />
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<a href="https://1.bp.blogspot.com/-uE_G-8ALxfc/WTLxXH4DIoI/AAAAAAAAlnE/KPCEa1mnJsA741BJCbZt2RtofehMxcT3QCLcB/s1600/Ambrosius%2BBenson%2B-%2BMan%2Bpraying.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="734" height="640" src="https://1.bp.blogspot.com/-uE_G-8ALxfc/WTLxXH4DIoI/AAAAAAAAlnE/KPCEa1mnJsA741BJCbZt2RtofehMxcT3QCLcB/s640/Ambrosius%2BBenson%2B-%2BMan%2Bpraying.jpg" width="458" /></a></div>
Ambrosius Benson - Man praying<br />
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<a href="https://1.bp.blogspot.com/-zsRks_1jdQY/WTLxb9qLSDI/AAAAAAAAlnY/mqc6ou9z3kY6H94n9vP8LHsqhhuYX3knwCLcB/s1600/Ambrosius%2BBenson%2B-%2BPortrait%2Bof%2Ba%2BLady%2Bholding%2Ba%2BCat%252C%2B1540-50%2B%2528Private%2BCollection%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="861" data-original-width="700" height="640" src="https://1.bp.blogspot.com/-zsRks_1jdQY/WTLxb9qLSDI/AAAAAAAAlnY/mqc6ou9z3kY6H94n9vP8LHsqhhuYX3knwCLcB/s640/Ambrosius%2BBenson%2B-%2BPortrait%2Bof%2Ba%2BLady%2Bholding%2Ba%2BCat%252C%2B1540-50%2B%2528Private%2BCollection%2529.jpg" width="520" /></a></div>
Ambrosius Benson - Portrait of a Lady holding a Cat, 1540-50<br />
(Private Collection)<br />
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<a href="https://3.bp.blogspot.com/--JSEh0jBGKs/WTLxeIkmdAI/AAAAAAAAlng/6QgYYw7MH8QqsdLa8E9HSdBt9hjgOaLiQCLcB/s1600/Ambrosius%2BBenson%2B-%2BPortrait%2Bof%2Ba%2BMan%2Bat%2Bthe%2BWindow%252C%2Bc%2B1530%2B%2528Private%2BCollection%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1242" height="640" src="https://3.bp.blogspot.com/--JSEh0jBGKs/WTLxeIkmdAI/AAAAAAAAlng/6QgYYw7MH8QqsdLa8E9HSdBt9hjgOaLiQCLcB/s640/Ambrosius%2BBenson%2B-%2BPortrait%2Bof%2Ba%2BMan%2Bat%2Bthe%2BWindow%252C%2Bc%2B1530%2B%2528Private%2BCollection%2529.jpg" width="496" /></a></div>
Ambrosius Benson - Portrait of a Man at the Window, c 1530<br />
(Private Collection)<br />
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Ambrosius Benson - Portrait of a Man with Flower<br />
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<a href="https://1.bp.blogspot.com/-1rgJJBh6YgY/WTLxfW4LFcI/AAAAAAAAlno/la3vsK8NgnA_DDRNJF93TJYeVYyj8EzHACLcB/s1600/Ambrosius%2BBenson%2B-%2BPortrait%2Bof%2Ba%2BYoung%2BMan%2Bwith%2Ban%2BEngagement%2BRing.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1153" height="640" src="https://1.bp.blogspot.com/-1rgJJBh6YgY/WTLxfW4LFcI/AAAAAAAAlno/la3vsK8NgnA_DDRNJF93TJYeVYyj8EzHACLcB/s640/Ambrosius%2BBenson%2B-%2BPortrait%2Bof%2Ba%2BYoung%2BMan%2Bwith%2Ban%2BEngagement%2BRing.jpg" width="460" /></a></div>
Ambrosius Benson - Portrait of a Young Man with an Engagement Ring<br />
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.<a href="https://1.bp.blogspot.com/-87ObnBpJMvg/WTLxfhjr51I/AAAAAAAAlns/VgWeojd7nEkBTpbGIJ8d_bVZmh3cQ1UbwCLcB/s1600/Ambrosius%2BBenson%2B-%2BPortrait%2Bof%2Ban%2BUnknown%2BGentleman%2B%2528Compton%2BVerney%2B-%2BWarwickshire%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="944" data-original-width="728" height="640" src="https://1.bp.blogspot.com/-87ObnBpJMvg/WTLxfhjr51I/AAAAAAAAlns/VgWeojd7nEkBTpbGIJ8d_bVZmh3cQ1UbwCLcB/s640/Ambrosius%2BBenson%2B-%2BPortrait%2Bof%2Ban%2BUnknown%2BGentleman%2B%2528Compton%2BVerney%2B-%2BWarwickshire%2529.jpg" width="492" /></a></div>
Ambrosius Benson - Portrait of an Unknown Gentleman<br />
(Compton Verney - Warwickshire)<br />
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Ambrosius Benson - Portrait of Andrea Alciati<br />
(Musée des Beaux-Arts d'Angers)<br />
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<a href="https://2.bp.blogspot.com/-i5BZiRVYXf4/WTLxZEGTQxI/AAAAAAAAlnM/ECDMLx-WPIMpaxNDDa5INBGIgI_DmljkgCLcB/s1600/Ambrosius%2BBenson%2B-%2BPortrait%2Bof%2BAnne%2BStafford%252C%2B1535.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="937" data-original-width="787" height="640" src="https://2.bp.blogspot.com/-i5BZiRVYXf4/WTLxZEGTQxI/AAAAAAAAlnM/ECDMLx-WPIMpaxNDDa5INBGIgI_DmljkgCLcB/s640/Ambrosius%2BBenson%2B-%2BPortrait%2Bof%2BAnne%2BStafford%252C%2B1535.jpg" width="536" /></a></div>
Ambrosius Benson - Portrait of Anne Stafford, 1535<br />
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<a href="https://2.bp.blogspot.com/-hyMHs4tfw6k/WTLxbt9fZmI/AAAAAAAAlnU/V_8B_QeNcVQ7FAeDcE8Z06xxy23EtVuuACLcB/s1600/Ambrosius%2BBenson%2B-%2BPortrait%2Bof%2BJean%2BWyts.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="710" height="640" src="https://2.bp.blogspot.com/-hyMHs4tfw6k/WTLxbt9fZmI/AAAAAAAAlnU/V_8B_QeNcVQ7FAeDcE8Z06xxy23EtVuuACLcB/s640/Ambrosius%2BBenson%2B-%2BPortrait%2Bof%2BJean%2BWyts.jpg" width="504" /></a></div>
Ambrosius Benson - Portrait of Jean Wyts<br />
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<a href="https://1.bp.blogspot.com/-FSTkbNZTp_k/WTLxhVWwOGI/AAAAAAAAlnw/kv9jCDi3un4AjtKnSuKn1lZ7hFJis9HtQCLcB/s1600/Ambrosius%2BBenson%2B-%2BYoung%2Bwoman%2Breading%2Ba%2BBook%2Bof%2BHours%252C%2B1520%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1151" height="640" src="https://1.bp.blogspot.com/-FSTkbNZTp_k/WTLxhVWwOGI/AAAAAAAAlnw/kv9jCDi3un4AjtKnSuKn1lZ7hFJis9HtQCLcB/s640/Ambrosius%2BBenson%2B-%2BYoung%2Bwoman%2Breading%2Ba%2BBook%2Bof%2BHours%252C%2B1520%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529.jpg" width="460" /></a></div>
Ambrosius Benson - Young woman reading a Book of Hours, 1520<br />
(Musée du Louvre)<br />
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Ambrosius Benson (Attr) - John Bourchier, 2nd Baron Berners<br />
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<td colspan="2" valign="TOP" width="635"><div align="LEFT" style="margin-bottom: 0.2cm;">
<span style="font-family: inherit;"><i><span style="color: white;">.....</span>Pieter
Coecke van Aelst fue un pintor, grabador, dibujante y editor
flamenco, nacido en 1502 y muerto en 1550, que recibe su nombre
de la ciudad de Aelst, donde nació. Según Van Mander, estudia
con Bernard van Orley en Bruselas. Se casa con Anna van Dornicke,
hija del pintor Jan van Dornicke y cuando el maestro fallece,
Pieter Coecke hereda un taller importante con bastante
producción. Más adelante, cuando su primera esposa fallece, y
después de una relación con Antonia van der Sant, se casa en
segundas nupcias con Mayken Verhulst. Una de las hijas de este
matrimonio, María (Mayken), será la esposa de Pieter Bruegel el
Viejo.</i></span></div>
<div align="LEFT" style="margin-bottom: 0.2cm;">
<span style="font-family: inherit;"><span style="color: white; font-style: italic;">.....</span><i>En
un viaje a Constantinopla en 1533, Pieter Coecke plasmó sus
impresiones en una serie de dibujos que serán grabados en 1550
en madera por su segunda esposa, con el título </i><span style="color: black;">Usos
y costumbres de los turcos</span><i>.
Sus actividades no se limitaron a la dirección del taller y la
ejecución de pinturas, sino que también realizó diseños para
vidrieras y para tapices y se interesó por la arquitectura.
Además de pintor, Van Aelst fue un políglota, y sus
traducciones, entre otras, de obras de Vitruvio y de Sebastiano
Serlio (del latín al flamenco, francés y alemán) constituyen
una referencia fundamental para la difusión de las ideas y del
arte del renacimiento, del que será auténtico representante en
Flandes. </i>
</span></div>
<div align="LEFT" style="margin-bottom: 0.1cm;">
<span style="font-family: inherit;"><i><span style="color: white;">.....</span>Al
principio su pintura parece influida por su maestro Bernard van
Orley y por su suegro Jan van Dornicke, pero más adelante su
estilo, calificado de manierista antuerpiense, y cercano a la
tradición de las últimas obras de Rafael, evoluciona hacia un
lenguaje cercano al de los romanistas.</i></span></div>
<div align="LEFT" style="margin-bottom: 0.1cm;">
<span style="font-family: inherit;"><i><span style="color: white;">.....</span>Fue
un gran maestro diseñador cuya variada obra se realiza en
diversos medios incluyendo pintura sobre tabla, el grabado, los
tapices, las vidrieras, trabajos de orfebrería y la escultura.</i></span></div>
<div align="LEFT">
<span style="color: black; font-family: inherit;"><i>Nunca
firmó sus obras y pocas debidamente documentadas han sobrevivido
hasta nuestros días. Son sus dibujos el verdadero corpus
testimonial de sus habilidades, pues son las únicas obras suyas
autógrafas. De éstos existen alrededor de cuarenta
convenientemente auntentificados.</i></span></div>
</td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1502" width="35"><div align="CENTER">
<span style="font-family: inherit;">1502</span></div>
</td>
<td width="592"><span style="font-family: inherit; font-size: small;">Nace en
Aelst, <span style="color: black;">ciudad
flamenca situada en Flandes Oriental. Es hijo del teniente de
alcalde de Aalst</span></span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1525" width="35"><div align="CENTER">
<span style="font-family: inherit;">1525</span></div>
</td>
<td width="592"><div style="margin-bottom: 0.2cm;">
<span style="font-family: inherit;">Se
casa con Anne van Dornicke, en primeras nupcias, hija de Jan van
Mertens Dornicke, con la que tendrá dos hijos, Michiel y Pieter
II, que será también pintor.</span></div>
<span style="font-family: inherit;">Viaje a
Italia.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1527" width="35"><div align="CENTER">
<span style="font-family: inherit;">1527</span></div>
</td>
<td width="592"><div align="LEFT" style="margin-bottom: 0.2cm;">
<span style="color: black; font-family: inherit;">Aparece
inscrito en el Gremio de Pintores de San Lucas de Amberes, ciudad
donde se instala.</span></div>
<div align="LEFT">
<span style="color: black; font-family: inherit;">Hereda
el taller de su suegro tras su muerte.</span></div>
</td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1529" width="35"><div align="CENTER">
<span style="font-family: inherit;">1529</span></div>
</td>
<td width="592"><div align="LEFT">
<span style="color: black; font-family: inherit;">Antes
de este año muere su primera esposa. Tras la cual tendrá un
romance con Antonette van der Sand, y con la permanecerá el
resto de su vida, aunque sin casarse. De esta relación nacerán
dos hijos: una niña, Antonette, y un niño, Pawel, que también
será pintor.</span></div>
</td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1533" width="35"><div align="CENTER">
<span style="font-family: inherit;">1533</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Viaje
a Constantinopla, con la misión de negociar con el Sultán turco
la comisión de tapices. La negociación será infructuosa, pero
el pintor realiza una serie de dibujos sobre la gente, la
arquitectura y la flora del país que después será importante a
la hora de diseñar los cartones para sus futuros tapices.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1534" width="35"><div align="CENTER">
<span style="font-family: inherit;">1534</span></div>
</td>
<td width="592"><div style="margin-bottom: 0.2cm;">
<span style="font-family: inherit;">Regreso
a Amberes.
</span></div>
<span style="font-family: inherit;">Realiza
una serie de diseños para una figura a gran escala, la
denominada <i>Druon
Anbtigoon</i>
(o <i>Gigante de
Amberes</i>),
que en 1549 será utilizada en la Entrada Triunfal de Felipe
(II), y a partir de esa fecha en numerosas procesiones hasta el
siglo XX.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1537" width="35"><div align="CENTER">
<span style="font-family: inherit;">1537</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Es nombrado
decano del Gremio (Guilda) de San Lucas de Amberes.</span><br />
<span style="font-family: inherit;">Recibe una
beca del gobierno de la ciudad de Amberes.</span><br />
<span style="font-family: inherit;">Recibe el
encargo del diseño de vidrieras para la catedral de Amberes.</span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1538</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1539</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Se casa en
segundas nupcias con Mayken Verhulst, con la que tendrá tres
hijos, Katelijn, María y Pawel (pese a tener otro hijo, con
Antonette, con este nombre). Más tarde, su hija María se casará
con el pintor Pieter Breughel <i>El Viejo</i>.
</span><br />
<span style="font-family: inherit;">Según
Karl van Mander, la segunda esposa de Van Aelst sería la primera
maestra de sus nietos Pieter Brueghel <i>El Joven </i>
y Jan Brueghel <i>El Viejo</i>.
</span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1540</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1550</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Realiza sus
famosas series de tapices para clientes como Carlos V, Francisco
I de Francia, Enrique VII de Inglaterra y Cósimo Medici.</span><br />
<div align="LEFT" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">
<span style="font-family: inherit;">Estas
series, que le darán merecida fama, son: <span style="color: black;"><span style="font-size: small;"><i><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">H</span></i></span></span><span style="color: black;"><span style="font-size: small;"><i><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">istoria
de San Pablo</span></i></span></span><span style="color: black;"><span style="font-size: small;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">,
</span></span></span><span style="color: black;"><span style="font-size: small;"><i>Los</i></span></span><span style="color: black;"><span style="font-size: small;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">
S</span></span></span><span style="color: black;"><span style="font-size: small;"><i><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">iete
Pecados Capitales</span></i></span></span><span style="color: black;"><span style="font-size: small;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">,
</span></span></span><span style="color: black;"><span style="font-size: small;"><i>La
Historia</i></span></span><span style="color: black;"><span style="font-size: small;"><i><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">
de Abraham</span></i></span></span><span style="color: black;"><span style="font-size: small;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">,
</span></span></span><span style="color: black;"><span style="font-size: small;"><i>La
historia </i></span></span><span style="color: black;"><span style="font-size: small;"><i><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">de
Vertumnus y Pomona</span></i></span></span><span style="color: black;"><span style="font-size: small;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">,
</span></span></span><span style="color: black;"><span style="font-size: small;"><i>La
</i></span></span><span style="color: black;"><span style="font-size: small;"><i>historia
de Josué</i></span></span><span style="color: black;"><span style="font-size: small;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">,
</span></span></span><span style="color: black;"><span style="font-size: small;"><i>La
Cr</i></span></span><span style="color: black;"><span style="font-size: small;"><i><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">eación</span></i></span></span><span style="color: black;"><span style="font-size: small;"><i><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">,
</span></i></span></span><span style="color: black;"><span style="font-size: small;"><i>Poesia</i></span></span><span style="color: black;"><span style="font-size: small;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">,
</span></span></span><span style="color: black;"><span style="font-size: small;"><i>La
</i></span></span><span style="color: black;"><span style="font-size: small;"><i>conquista
de Túnez</i></span></span><span style="color: black;"><span style="font-size: small;"><i><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">
</span></i></span></span><span style="color: black;">y
</span><span style="color: black;"><span style="font-size: small;"><i>Julius
Caesar</i></span></span><span style="color: black;"><span style="font-size: small;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">.</span></span></span></span></div>
</td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1550" width="35"><div align="CENTER">
<span style="font-family: inherit;">1550</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Es nombrado
pintor de la Corte de Carlos V.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1550" width="35"><div align="CENTER">
<span style="font-family: inherit;">1550</span></div>
</td>
<td width="592"><span style="font-family: inherit;">En
diciembre, estando en Bruselas, Pieter Coecke van Aelst muere.
</span><br />
<span style="font-family: inherit;">Por
el mismo tiempo mueren sus dos hijos menores. Se especula que la
causa de dichas muertes fuera debida a una enfermedad contagiosa.</span><br />
<span style="font-family: inherit;"><br /></span>
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<b><span style="color: #cc0000; font-size: x-large;">GALERÍA</span></b></div>
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Pieter Coecke van Aelst - The Annunciation, 1525-28<br />
(Museo de Santa Cruz. Spain, Toledo)<br />
.</div>
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Pieter Coecke van Aelst - Adoración de los Magos, 1540<br />
(Gemäldegalerie de Berlín)<br />
.<br />
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Pieter Coecke van Aelst - Adoration of the Sepherds<br />
.<br />
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Pieter Coecke van Aelst - The Adoration of the Magi, 1530<br />
(LACMA)<br />
.<br />
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Pieter Coecke van Aelst - The Adoration of the Magi<br />
.<br />
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<a href="https://2.bp.blogspot.com/-oAXqKYibA9o/WTLy5Sddi_I/AAAAAAAAloA/aMxWMRqk0eAJZuq63AoADHuxkwLwLBuhQCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BHoly%2BFamily%252C%2B1520-25%2B%2528Zamek%2BKr%25C3%25B3lewski%2Bna%2BWawelu%252C%2BKrakow%252C%2BPoland%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1186" data-original-width="781" height="640" src="https://2.bp.blogspot.com/-oAXqKYibA9o/WTLy5Sddi_I/AAAAAAAAloA/aMxWMRqk0eAJZuq63AoADHuxkwLwLBuhQCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BHoly%2BFamily%252C%2B1520-25%2B%2528Zamek%2BKr%25C3%25B3lewski%2Bna%2BWawelu%252C%2BKrakow%252C%2BPoland%2529.jpg" width="420" /></a></div>
Pieter Coecke van Aelst - Holy Family, 1520-25<br />
(Zamek Królewski na Wawelu, Krakow, Poland)<br />
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<a href="https://1.bp.blogspot.com/-9HLzC606oQI/WTLzC6BVA0I/AAAAAAAAloU/M3J3SYYsAyUjvkQ3Hgb1-7JfU9-n2DFQwCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BThe%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt%2B%2528Private%2BCollection%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1120" height="640" src="https://1.bp.blogspot.com/-9HLzC606oQI/WTLzC6BVA0I/AAAAAAAAloU/M3J3SYYsAyUjvkQ3Hgb1-7JfU9-n2DFQwCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BThe%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt%2B%2528Private%2BCollection%2529.jpg" width="446" /></a></div>
Pieter Coecke van Aelst - The Rest on the Flight into Egypt<br />
(Private Collection)<br />
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<a href="https://4.bp.blogspot.com/-4OwYxH4Kbek/WTLy7bW8MjI/AAAAAAAAloI/RT6yF0X6eBAr0z7RQRdQtlYi9iUflgklACLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BHoly%2BFamily%252C%2Bca.%2B1530%25E2%2580%259335%2B%2528Leuwen%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1134" height="640" src="https://4.bp.blogspot.com/-4OwYxH4Kbek/WTLy7bW8MjI/AAAAAAAAloI/RT6yF0X6eBAr0z7RQRdQtlYi9iUflgklACLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BHoly%2BFamily%252C%2Bca.%2B1530%25E2%2580%259335%2B%2528Leuwen%2529.jpg" width="452" /></a></div>
Pieter Coecke van Aelst - Holy Family, ca. 1530–35 (Leuwen)<br />
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Pieter Coecke van Aelst - La Huida a Egipto<br />
(Museo del Prado)<br />
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Pieter Coeck van Aelst - The Madonna with the Cushion<br />
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<a href="https://2.bp.blogspot.com/-x4mdofbcnPw/WTLy12i43QI/AAAAAAAAln0/C717LRM9FagGKW7S-v47eaOz5_zwDqHZACLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B%2528Workshop%2529%2B-%2BVirgen%2Bde%2Bla%2Bleche.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="824" data-original-width="640" height="640" src="https://2.bp.blogspot.com/-x4mdofbcnPw/WTLy12i43QI/AAAAAAAAln0/C717LRM9FagGKW7S-v47eaOz5_zwDqHZACLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B%2528Workshop%2529%2B-%2BVirgen%2Bde%2Bla%2Bleche.jpg" width="496" /></a></div>
Pieter Coecke van Aelst (Workshop) - Virgen de la leche<br />
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Pieter Coecke van Aelst - Virgin and Child<br />
(Private Collection)<br />
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<a href="https://2.bp.blogspot.com/-I1PktdT4c6c/WTLzFm9cWAI/AAAAAAAAloY/-J4127jyfgcT2G0kWzXS5H-qV4E-_HzbgCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BVirgin%2Band%2BChild%2B%2528Private%2BCollection%2529_2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1036" height="640" src="https://2.bp.blogspot.com/-I1PktdT4c6c/WTLzFm9cWAI/AAAAAAAAloY/-J4127jyfgcT2G0kWzXS5H-qV4E-_HzbgCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BVirgin%2Band%2BChild%2B%2528Private%2BCollection%2529_2.jpg" width="414" /></a></div>
Pieter Coecke van Aelst - Virgin and Child<br />
(Private Collection)<br />
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Pieter Coecke van Aelst - Sacra Famiglia con santa Caterina d'Alessandria e santa Barbara<br />
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Pieter Coecke van Aelst - Saint Luke paints the Virgin<br />
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<a href="https://4.bp.blogspot.com/-H3qcIaXbfJw/WTLzrQrAsFI/AAAAAAAAlos/rVJi5xfTFLgcKDixN5mImxNz1vkhgYzEQCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BEntry%2Binto%2BJerusalem%252C%2B1530-35%2B%2528Bonnefantenmuseum%2BMaastricht%252C%2BNetherlands%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1016" height="640" src="https://4.bp.blogspot.com/-H3qcIaXbfJw/WTLzrQrAsFI/AAAAAAAAlos/rVJi5xfTFLgcKDixN5mImxNz1vkhgYzEQCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BEntry%2Binto%2BJerusalem%252C%2B1530-35%2B%2528Bonnefantenmuseum%2BMaastricht%252C%2BNetherlands%2529.jpg" width="406" /></a></div>
Pieter Coecke van Aelst - Entry into Jerusalem, 1530-35<br />
(Bonnefantenmuseum Maastricht, Netherlands)<br />
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Pieter Coecke van Aelst - The Last Supper<br />
(Private Collection)<br />
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<a href="https://4.bp.blogspot.com/-MNF4ik6fvT4/WTLzz8bjHFI/AAAAAAAAlpI/2msLNhjZdNM18-y23gLuKPxD9iNKTex4ACLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BThe%2BLast%2BSupper%252C%2Bc%2B1527%2B%2528Belvoir%2BCastle.%2BLeicestershire%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="499" data-original-width="600" height="532" src="https://4.bp.blogspot.com/-MNF4ik6fvT4/WTLzz8bjHFI/AAAAAAAAlpI/2msLNhjZdNM18-y23gLuKPxD9iNKTex4ACLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BThe%2BLast%2BSupper%252C%2Bc%2B1527%2B%2528Belvoir%2BCastle.%2BLeicestershire%2529.jpg" width="640" /></a></div>
Pieter Coecke van Aelst - The Last Supper, c 1527<br />
(Belvoir Castle. Leicestershire)<br />
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Pieter Coecke van Aelst - The Last Supper, c 1527<br />
(Belvoir Castle. Leicestershire)<br />
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Pieter Coecke van Aelst - The Last Supper, c 1545<br />
(Private c1ollection)<br />
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Pieter Coecke van Aelst - Agony in the Garden. 1527-30<br />
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Pieter Coecke van Aelst - Christ Carrying the Cross<br />
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Pieter Coecke van Aelst - Pietà<br />
(Koninklijk Museum voor Schone Kunsten Antwerpen)<br />
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Pieter Coecke van Aelst - Christ and His Disciples on Their Way to Emmaus<br />
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<a href="https://4.bp.blogspot.com/-mEA9Jr9H1ZY/WTLz1YwWq1I/AAAAAAAAlpU/lUYEJzHU-RUtkRNwOWeFZc_4r161i9v9ACLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BThe%2BTrinity.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="892" data-original-width="758" height="640" src="https://4.bp.blogspot.com/-mEA9Jr9H1ZY/WTLz1YwWq1I/AAAAAAAAlpU/lUYEJzHU-RUtkRNwOWeFZc_4r161i9v9ACLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BThe%2BTrinity.jpg" width="542" /></a></div>
Pieter Coecke van Aelst - The Trinity<br />
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<a href="https://3.bp.blogspot.com/-I1MRVVyxAd8/WTLz2_4wgeI/AAAAAAAAlpY/B1rmhT97eroGymt7VHNy6fk0xRinSvSwwCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BVision%2Bdes%2BEzechiel.%2B1530-40.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1060" data-original-width="869" height="640" src="https://3.bp.blogspot.com/-I1MRVVyxAd8/WTLz2_4wgeI/AAAAAAAAlpY/B1rmhT97eroGymt7VHNy6fk0xRinSvSwwCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BVision%2Bdes%2BEzechiel.%2B1530-40.jpg" width="524" /></a></div>
Pieter Coecke van Aelst - Vision des Ezechiel. 1530-40<br />
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<a href="https://2.bp.blogspot.com/-H9Uy-yVDBqU/WTL1PCcN9FI/AAAAAAAAlpk/OtoX0gBmzus_YIh-_9on0ecoIw7nV8eFACLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BLas%2Btentaciones%2Bde%2Bsan%2BAntonio%2BAbad%2B%2528Museo%2Bdel%2BPrado%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1203" data-original-width="1600" height="480" src="https://2.bp.blogspot.com/-H9Uy-yVDBqU/WTL1PCcN9FI/AAAAAAAAlpk/OtoX0gBmzus_YIh-_9on0ecoIw7nV8eFACLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BLas%2Btentaciones%2Bde%2Bsan%2BAntonio%2BAbad%2B%2528Museo%2Bdel%2BPrado%2529.jpg" width="640" /></a></div>
Pieter Coecke van Aelst - The Temptation of Saint Anthony, 1543-50<br />
(Museo Nacional del Prado. Spain, Madrid)<br />
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<a href="https://2.bp.blogspot.com/-9GT-eIeidgg/WTL1NsB2bwI/AAAAAAAAlpc/vS4plINXksgCiR8NCULIfX-HY2Uxd0VlQCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BLovers%2BSurprised%2Bby%2Ba%2BFool%2Band%2BDeath%252C%2B1525-30%2B%2528Private%2BCollection%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="619" data-original-width="879" height="450" src="https://2.bp.blogspot.com/-9GT-eIeidgg/WTL1NsB2bwI/AAAAAAAAlpc/vS4plINXksgCiR8NCULIfX-HY2Uxd0VlQCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BLovers%2BSurprised%2Bby%2Ba%2BFool%2Band%2BDeath%252C%2B1525-30%2B%2528Private%2BCollection%2529_.jpg" width="640" /></a></div>
Pieter Coecke van Aelst - Lovers Surprised by a Fool and Death, 1525-30<br />
(Private Collection)<br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/--Ci9Sg2U_lM/WTL1QPJGNRI/AAAAAAAAlpo/IVK5nP3O4KADUUuyNmVFnTj2QTgPFRlqwCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BSantiago%2Bel%2BMayor%2Bcon%2Borantes%2B%2528anverso%2529_%2528Museo%2Bdel%2BPrado%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="628" height="640" src="https://2.bp.blogspot.com/--Ci9Sg2U_lM/WTL1QPJGNRI/AAAAAAAAlpo/IVK5nP3O4KADUUuyNmVFnTj2QTgPFRlqwCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BSantiago%2Bel%2BMayor%2Bcon%2Borantes%2B%2528anverso%2529_%2528Museo%2Bdel%2BPrado%2529.jpg" width="250" /></a></div>
Pieter Coecke van Aelst - Santiago el Mayor con orantes (anverso)<br />
(Museo del Prado)<br />
.<br />
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Pieter Coecke van Aelst - Potiphar's Wife, 1525-50<br />
(Museum Catharijneconvent)<br />
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Pieter Coecke van Aelst - The Dream of Paris<br />
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-o-<br />
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Pieter Coecke van Aelst - Adoration of the Magi<br />
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Pieter Coecke van Aelst - La Adoración de los Magos<br />
(Museo del Prado)<br />
.<br />
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Pieter Coecke van Aelst - Triptych_Adoration of the Magi<br />
(Collection of Hester Diamond)<br />
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Pieter Coecke van Aelst - Triptych_Adoration of the Magi<br />
(Private Collection)<br />
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Pieter Coecke van Aelst - Triptych_The Adoration of the Magi<br />
(Private Collection)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
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Pieter Coecke van Aelst - Triptych_The Adoration of the Magi,<br />
The Nativity and The Circumcision (Attr.)<br />
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Pieter Coecke van Aelst - Triptych_The Adoration of the Magi, The Annunciation<br />
and The Rest on The Flight into Egypt<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
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Pieter Coecke van Aelst - Triptych_The Magus Balthazar, The Adoration of the Magi, Saint Joseph (Private Collection)<br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-KGoa5aZBcSk/WTL2zGjM-fI/AAAAAAAAlqQ/JeOe3_tjBU8ZFy6nVAx5So11L2h6YECqgCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BTr%25C3%25ADptico%2Bcon%2Bla%2BAnunciaci%25C3%25B3n%252C%2Bla%2BAdoraci%25C3%25B3n%2Bde%2Blos%2BMagos%2By%2Bla%2BAdoraci%25C3%25B3n%2Bde%2B%25C3%25A1ngeles%2By%2Blos%2Bpastores.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="932" data-original-width="1600" height="372" src="https://2.bp.blogspot.com/-KGoa5aZBcSk/WTL2zGjM-fI/AAAAAAAAlqQ/JeOe3_tjBU8ZFy6nVAx5So11L2h6YECqgCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BTr%25C3%25ADptico%2Bcon%2Bla%2BAnunciaci%25C3%25B3n%252C%2Bla%2BAdoraci%25C3%25B3n%2Bde%2Blos%2BMagos%2By%2Bla%2BAdoraci%25C3%25B3n%2Bde%2B%25C3%25A1ngeles%2By%2Blos%2Bpastores.jpg" width="640" /></a></div>
Pieter Coecke van Aelst - Tríptico con la Anunciación, la Adoración de los Magos<br />
y la Adoración de ángeles y los pastores<br />
.<br />
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Pieter Coecke van Aelst (Workshop) - Drieluik met de aanbidding der koningen. 1520-50 (Rijksmuseum, amsterdam)<br />
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<br />
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Pieter Coecke van Aelst - Triptych of The Deposition_panel central<br />
(Museu de Arte Antiga, Lisboa)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
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Pieter Coecke van Aelst - Triptych of The Deposition_panel central<br />
(Museu de Arte Antiga, Lisboa)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://1.bp.blogspot.com/-hSo3_tXurt8/WTL3MurTixI/AAAAAAAAlqU/ZqrB6p_x2e8ix4bqJ7Ynr23KdNQOyPdnACLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BTriptych%2Bof%2BThe%2BDeposition%2B%2528Museu%2Bde%2BArte%2BAntiga%252C%2BLisboa%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="625" data-original-width="449" height="640" src="https://1.bp.blogspot.com/-hSo3_tXurt8/WTL3MurTixI/AAAAAAAAlqU/ZqrB6p_x2e8ix4bqJ7Ynr23KdNQOyPdnACLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BTriptych%2Bof%2BThe%2BDeposition%2B%2528Museu%2Bde%2BArte%2BAntiga%252C%2BLisboa%2529.jpg" width="458" /></a></div>
Pieter Coecke van Aelst - Triptych of The Deposition_panel central<br />
(Museu de Arte Antiga, Lisboa)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
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Pieter Coecke van Aelst - Triptych_Lamentation over the Dead Christ<br />
(Museo Nacional de Bellas Artes de Buenos Aires, Argentina)<br />
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Pieter Coecke van Aelst - Triptych_The Deposition (also known as Descent from the Cross)<br />
(Private Collectio)<br />
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Pieter Coecke van Aelst+Dirck Jacobsz. - Trittico con il riposo in Egitto<br />
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Pieter Coecke van Aelst - Triptych of Nava y Grimón<br />
(Museo de Bellas Artes de Tenerife)<br />
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Pieter Coecke van Aelst - Triptych of Nava y Grimón_verso: Anunciación_grisalla<br />
(Museo de Bellas Artes de Tenerife)<br />
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Pieter Coecke van Aelst - Triptych of Nava y Grimón_left wing: circumcision<br />
(Museo de Bellas Artes de Tenerife)<br />
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Pieter Coecke van Aelst - Triptych of Nava y Grimón_left wing: circumcision_detail<br />
(Museo de Bellas Artes de Tenerife)<br />
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Pieter Coecke van Aelst - Triptych of Nava y Grimón_panel central<br />
(Museo de Bellas Artes de Tenerife)<br />
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Pieter Coecke van Aelst - Triptych of Nava y Grimón_panel central_detail<br />
(Museo de Bellas Artes de Tenerife)<br />
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Pieter Coecke van Aelst - Triptych of Nava y Grimón_panel central_detail<br />
(Museo de Bellas Artes de Tenerife)<br />
.<br />
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Pieter Coecke van Aelst - Triptych of Nava y Grimón_panel central_detail<br />
(Museo de Bellas Artes de Tenerife)<br />
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Pieter Coecke van Aelst - Triptych of Nava y Grimón_panel central_detail<br />
(Museo de Bellas Artes de Tenerife)<br />
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Pieter Coecke van Aelst - Triptych of Nava y Grimón_right wing_Presentación en el Templo<br />
(Museo de Bellas Artes de Tenerife)<br />
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Pieter Coecke van Aelst - Triptych of Nava y Grimón_right wing_Presentación en el Templo_detalle<br />
(Museo de Bellas Artes de Tenerife)<br />
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Pieter Coecke van Aelst - Triptych of Nava y Grimón_right wing_Presentación en el Templo_detalle<br />
(Museo de Bellas Artes de Tenerife)<br />
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Pieter Coecke van Aelst - Triptych of Nava y Grimón_right wing_Presentación en el Templo_detalle<br />
(Museo de Bellas Artes de Tenerife)<br />
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Pieter Coecke van Aelst - Triptych depicting Mary Magdalene and Joseph of Arimathae<br />
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<a href="https://2.bp.blogspot.com/-eKCDDyK9Y8A/WTL3hhroeNI/AAAAAAAAlq4/kGDqtbWUzJE1Bb2hUmSdyyoWsjWXtCrqACLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BTriptych%2B%2528right%2Bwing%2529%2BMary%2BMagdalen%252C%2B%2528left%2Bwing%2529%2BJoseph%2Bof%2BArimathaea.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1536" data-original-width="983" height="640" src="https://2.bp.blogspot.com/-eKCDDyK9Y8A/WTL3hhroeNI/AAAAAAAAlq4/kGDqtbWUzJE1Bb2hUmSdyyoWsjWXtCrqACLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BTriptych%2B%2528right%2Bwing%2529%2BMary%2BMagdalen%252C%2B%2528left%2Bwing%2529%2BJoseph%2Bof%2BArimathaea.jpg" width="408" /></a></div>
Pieter Coecke van Aelst - Triptych depicting Mary Magdalene and Joseph of Arimathae<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-GpDjdp9MrOc/WTL3g1yepbI/AAAAAAAAlqw/Y6cknJ3Kl8kUpCRpn9XN70mkkEqq_NT5gCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BTriptych%2B%2528right%2Bwing%2529%2BMary%2BMagdalen%252C%2B%2528left%2Bwing%2529%2BJoseph%2Bof%2BArimathaea_detalle.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="521" height="640" src="https://4.bp.blogspot.com/-GpDjdp9MrOc/WTL3g1yepbI/AAAAAAAAlqw/Y6cknJ3Kl8kUpCRpn9XN70mkkEqq_NT5gCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BTriptych%2B%2528right%2Bwing%2529%2BMary%2BMagdalen%252C%2B%2528left%2Bwing%2529%2BJoseph%2Bof%2BArimathaea_detalle.jpg" width="416" /></a></div>
Pieter Coecke van Aelst - Triptych depicting Mary Magdalene<br />
.</div>
<div style="text-align: center;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-lXJRb3a35xs/WTL4HhCvefI/AAAAAAAAlr8/tYQi0MRDjwINTlmliGa95GJI2GT67G9FgCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BSan%2BJuan%2Bevangelista%2Bcon%2Bdos%2Bdamas%2By%2Bdos%2Bni%25C3%25B1as%2B%2528anverso%2529.%2BSan%2BAdri%25C3%25A1n%2B%2528reverso%2529%2B%2528Museo%2Bdel%2BPrado%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="629" height="640" src="https://4.bp.blogspot.com/-lXJRb3a35xs/WTL4HhCvefI/AAAAAAAAlr8/tYQi0MRDjwINTlmliGa95GJI2GT67G9FgCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BSan%2BJuan%2Bevangelista%2Bcon%2Bdos%2Bdamas%2By%2Bdos%2Bni%25C3%25B1as%2B%2528anverso%2529.%2BSan%2BAdri%25C3%25A1n%2B%2528reverso%2529%2B%2528Museo%2Bdel%2BPrado%2529.jpg" width="250" /></a><a href="https://1.bp.blogspot.com/-tlLo-hstdjY/WTUJL3TGHwI/AAAAAAAAluM/99h3WNkwS1osBOyui1DCtHkAlE5tnkUWACLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BSantiago%2Bel%2BMayor%2Bcon%2Borantes%2B%2528anverso%2529_%2528Museo%2Bdel%2BPrado%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="628" height="640" src="https://1.bp.blogspot.com/-tlLo-hstdjY/WTUJL3TGHwI/AAAAAAAAluM/99h3WNkwS1osBOyui1DCtHkAlE5tnkUWACLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BSantiago%2Bel%2BMayor%2Bcon%2Borantes%2B%2528anverso%2529_%2528Museo%2Bdel%2BPrado%2529.jpg" width="250" /></a></div>
Pieter Coecke van Aelst - Díptico, anverso: San Juan evangelista con dos damas y dos niñas<br />
y Santiago el Mayor con orantes<br />
(Museo del Prado)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-gQcMcHncwxU/WTL4GpucX2I/AAAAAAAAlr0/KV6qMoFTAUIkHK7fMhs4Mltjdf8PAS2dQCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BSan%2BJuan%2Bevangelista%2Bcon%2Bdos%2Bdamas%2By%2Bdos%2Bni%25C3%25B1as%2B%2528anverso%2529.%2BSan%2BAdri%25C3%25A1n%2B%2528reverso%2529%2B%2528Museo%2Bdel%2BPrado%2529_reverso.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1092" data-original-width="520" height="640" src="https://4.bp.blogspot.com/-gQcMcHncwxU/WTL4GpucX2I/AAAAAAAAlr0/KV6qMoFTAUIkHK7fMhs4Mltjdf8PAS2dQCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BSan%2BJuan%2Bevangelista%2Bcon%2Bdos%2Bdamas%2By%2Bdos%2Bni%25C3%25B1as%2B%2528anverso%2529.%2BSan%2BAdri%25C3%25A1n%2B%2528reverso%2529%2B%2528Museo%2Bdel%2BPrado%2529_reverso.jpg" width="304" /></a><a href="https://2.bp.blogspot.com/-tDzsQJFrZKA/WTL4G_P8pWI/AAAAAAAAlr4/UV25dNjGYRQWjxB4P4ys6sxbqUPjm9hvgCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BSantiago%2Bel%2BMayor%2Bcon%2Borantes%2B%2528anverso%2529.%2BSan%2BSebasti%25C3%25A1n%2B%2528reverso%2529%2B%2528Museo%2Bdel%2BPrado%2529_reverso.jpg"><img height="640" src="https://2.bp.blogspot.com/-tDzsQJFrZKA/WTL4G_P8pWI/AAAAAAAAlr4/UV25dNjGYRQWjxB4P4ys6sxbqUPjm9hvgCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BSantiago%2Bel%2BMayor%2Bcon%2Borantes%2B%2528anverso%2529.%2BSan%2BSebasti%25C3%25A1n%2B%2528reverso%2529%2B%2528Museo%2Bdel%2BPrado%2529_reverso.jpg" width="304" /></a></div>
Pieter Coecke van Aelst - Díptico_reverso: San Adrián y San Sebastián<br />
(Museo del Prado)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-n_YSgiCYCE8/WTRBw9vtM7I/AAAAAAAAltw/29NoKVVYUXQ-gmKgjP9zSrz__Rm5wdc-gCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BDesign%2Bfor%2Ba%2Bnautilus%2Bcup%2Bwith%2BNeptune%2Briding%2Ba%2BHippocampus%2B%2528Drawing%2Band%2Bwatercolour%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="625" data-original-width="452" height="640" src="https://1.bp.blogspot.com/-n_YSgiCYCE8/WTRBw9vtM7I/AAAAAAAAltw/29NoKVVYUXQ-gmKgjP9zSrz__Rm5wdc-gCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BDesign%2Bfor%2Ba%2Bnautilus%2Bcup%2Bwith%2BNeptune%2Briding%2Ba%2BHippocampus%2B%2528Drawing%2Band%2Bwatercolour%2529.jpg" width="462" /></a></div>
Pieter Coecke van Aelst - Design for a nautilus cup with Neptune riding a Hippocampus<br />
(Drawing and watercolour)<br />
-o-<br />
<br />
<b>TAPICES</b><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-OztYexK6MWw/WTQ6tCr2kMI/AAAAAAAAlsk/CpympldiMl8Ot1JldUWKWJ8EpXLjl6UHwCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BGod%2BAccuses%2BAdam%2Band%2BEve%2BAfter%2Bthe%2BFall%2B%2528Embroidery%2529%2B%2528Palazzo%2BPitti%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1029" data-original-width="1485" height="443" src="https://1.bp.blogspot.com/-OztYexK6MWw/WTQ6tCr2kMI/AAAAAAAAlsk/CpympldiMl8Ot1JldUWKWJ8EpXLjl6UHwCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BGod%2BAccuses%2BAdam%2Band%2BEve%2BAfter%2Bthe%2BFall%2B%2528Embroidery%2529%2B%2528Palazzo%2BPitti%2529.jpg" width="640" /></a></div>
Pieter Coecke van Aelst - God Accuses Adam and Eve After the Fall<br />
from the Story of the Creation<br />
(Palazzo Pitti)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-VDGR4geDg7E/WTQ6quORNFI/AAAAAAAAlsY/RrsgQzwH0GwJFwzZ3HDcbAW-j0Rlh_OAgCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BGod%2BAccuses%2BAdam%2Band%2BEve%2BAfter%2Bthe%2BFall%2B%2528Embroidery%2529%2B%2528Palazzo%2BPitti%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="397" data-original-width="572" src="https://1.bp.blogspot.com/-VDGR4geDg7E/WTQ6quORNFI/AAAAAAAAlsY/RrsgQzwH0GwJFwzZ3HDcbAW-j0Rlh_OAgCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BGod%2BAccuses%2BAdam%2Band%2BEve%2BAfter%2Bthe%2BFall%2B%2528Embroidery%2529%2B%2528Palazzo%2BPitti%2529_.jpg" /></a></div>
Pieter Coecke van Aelst - God Accuses Adam and Eve After the Fall<br />
from the Story of the Creation<br />
(Palazzo Pitti)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://4.bp.blogspot.com/-CFtseQKEPOo/WTQ6n9p8jQI/AAAAAAAAlsI/8FTB2MURBkwZs5pPkY4pLLDPU6KsIp1uQCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BDetail%2Bof%2BEve%252C%2Bfrom%2BGod%2BAccuses%2BAdam%2Band%2BEve%2Bafter%2Bthe%2BFall%252C%2Btapestry%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="481" height="640" src="https://4.bp.blogspot.com/-CFtseQKEPOo/WTQ6n9p8jQI/AAAAAAAAlsI/8FTB2MURBkwZs5pPkY4pLLDPU6KsIp1uQCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BDetail%2Bof%2BEve%252C%2Bfrom%2BGod%2BAccuses%2BAdam%2Band%2BEve%2Bafter%2Bthe%2BFall%252C%2Btapestry%2529.jpg" width="384" /></a></div>
Pieter Coecke van Aelst - God Accuses Adam and Eve After the Fall<br />
from the Story of the Creation _detail<br />
(Palazzo Pitti)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-lk4UaXprv4Q/WTQ6qdYVcLI/AAAAAAAAlsU/b34Km3hWelgOnO_EvOPei0Y4lG4RkEOGQCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BGod%2BLeads%2BAdam%2Binto%2Bthe%2BGarden%2Bof%2BEden%2Bfrom%2Bthe%2BStory%2Bof%2Bthe%2BCreation%2B%2528tapestry%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="511" data-original-width="736" height="444" src="https://2.bp.blogspot.com/-lk4UaXprv4Q/WTQ6qdYVcLI/AAAAAAAAlsU/b34Km3hWelgOnO_EvOPei0Y4lG4RkEOGQCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BGod%2BLeads%2BAdam%2Binto%2Bthe%2BGarden%2Bof%2BEden%2Bfrom%2Bthe%2BStory%2Bof%2Bthe%2BCreation%2B%2528tapestry%2529.jpg" width="640" /></a></div>
Pieter Coecke van Aelst - God Leads Adam into the Garden of Eden<br />
from the Story of the Creation<br />
.<br />
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<a href="https://1.bp.blogspot.com/-j0-4EeL-KEU/WTQ6siram9I/AAAAAAAAlsc/Rc1ZW11lNvwH7W39U1SKOOPB3wxPDSeygCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BStory%2Bof%2BAbraham_%2BThe%2BMeeting%2Bof%2BAbraham%2Band%2BMelchizedek%2B%2528Tapestry%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="381" data-original-width="600" src="https://1.bp.blogspot.com/-j0-4EeL-KEU/WTQ6siram9I/AAAAAAAAlsc/Rc1ZW11lNvwH7W39U1SKOOPB3wxPDSeygCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BStory%2Bof%2BAbraham_%2BThe%2BMeeting%2Bof%2BAbraham%2Band%2BMelchizedek%2B%2528Tapestry%2529.jpg" /></a></div>
Pieter Coecke van Aelst - The Meeting of Abraham and Melchizedek<br />
Story of Abraham_<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-oVRzbcCH-lg/WTQ6s4UlsdI/AAAAAAAAlsg/TLz-lYONAjYr3Lb-uNBzGjhk7j0KdXQwwCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BStory%2Bof%2BSaint%2BPaul_%2BConversion%2Bof%2BSaul%2B%2528tapestry%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="349" data-original-width="600" src="https://2.bp.blogspot.com/-oVRzbcCH-lg/WTQ6s4UlsdI/AAAAAAAAlsg/TLz-lYONAjYr3Lb-uNBzGjhk7j0KdXQwwCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BStory%2Bof%2BSaint%2BPaul_%2BConversion%2Bof%2BSaul%2B%2528tapestry%2529.jpg" /></a></div>
Pieter Coecke van Aelst - Conversion of Saul<br />
Story of Saint Paul<br />
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.</div>
<div class="separator" style="clear: both; text-align: center;">
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Pieter Coecke van Aelst - Conversion of Saul<br />
Story of Saint Paul<br />
.<br />
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Pieter Coecke van Aelst - Preaching to the Women at Philippi<br />
Story of Saint Paul<br />
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Pieter Coecke van Aelst - Story of Saint Paul_ The Arrest of Paul<br />
Story of Saint Paul<br />
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.</div>
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Pieter Coecke van Aelst - The Martyrdom of Saint Paul<br />
The Story of Saint Paul<br />
.<br />
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<a href="https://1.bp.blogspot.com/-U_72arIODFM/WTQ6xOps5uI/AAAAAAAAls4/gDy9eZYCDW4YsmV_QrOjdINO_xHnZzw6gCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BThe%2BStory%2Bof%2BJoshua_%2BFall%2Bof%2BJericho%2B%2528tapestry%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="409" data-original-width="578" src="https://1.bp.blogspot.com/-U_72arIODFM/WTQ6xOps5uI/AAAAAAAAls4/gDy9eZYCDW4YsmV_QrOjdINO_xHnZzw6gCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BThe%2BStory%2Bof%2BJoshua_%2BFall%2Bof%2BJericho%2B%2528tapestry%2529.jpg" /></a></div>
Pieter Coecke van Aelst - Fall of Jericho<br />
The Story of Joshua<br />
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.</div>
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Pieter Coecke van Aelst - Gibeonites Trick Joshua<br />
The Story of Joshua<br />
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Pieter Coecke van Aelst - God's Commandment To Joshua<br />
The Story of Joshua<br />
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Pieter Coecke van Aelst - Vertumnus in the Guise of a Fruitpicker<br />
The Story of Vertumnus and Pomona<br />
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Pieter Coecke van Aelst - Vertumnus in the Guise of a Vintne<br />
The Story of Vertumnus and Pomona<br />
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Pieter Coecke van Aelst - Vertumnus Appears to Pomona in the Guise of a Herdsman (tapestry)<br />
The Story of Vertumnus and Pomona<br />
(Museo Nacional de Tapices)<br />
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Pieter Coecke van Aelst - Quest For Fodder<br />
Conquest of Tunis<br />
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Pieter Coecke van Aelst - Pride<br />
Seven Deadly Sins<br />
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Pieter Coecke van Aelst - Gluttony<br />
Seven Deadly Sins<br />
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Pieter Coecke van Aelst - Gluttony<br />
Seven Deadly Sins<br />
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Pieter Coecke van Aelst - Gluttony_detalle<br />
Seven Deadly Sins<br />
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Pieter Coecke van Aelst - Lust<br />
Seven Deadly Sins<br />
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Pieter Coecke van Aelst - Sloth<br />
Seven Deadly Sins<br />
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Pieter Coecke van Aelst - Sloth<br />
Seven Deadly Sins<br />
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Pieter Coecke van Aelst - Flaying Of Marsyas<br />
Fables of Ovid<br />
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Pieter Coecke van Aelst - God the Father with the symbols of the fourth apostles (tetramorphos), know as 'The Trinity', 1518<br />
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Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-5464569323978413729.post-90502478356960096272017-06-17T10:00:00.000+02:002017-06-17T19:40:46.819+02:00Los Primitivos Flamencos (VII). Siglo XVI (IV). Jan Gossaert 'Mabuse'<br />
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<a href="https://2.bp.blogspot.com/-8ZCoSRevCgI/WS2-BgF_DJI/AAAAAAAAlh4/zhssHz-T0vIAbPq1K8m4xBYdw85TyAAeACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2Bcabezera%2B1%2BAd%25C3%25A1n%2By%2BEva.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1025" data-original-width="1341" height="488" src="https://2.bp.blogspot.com/-8ZCoSRevCgI/WS2-BgF_DJI/AAAAAAAAlh4/zhssHz-T0vIAbPq1K8m4xBYdw85TyAAeACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2Bcabezera%2B1%2BAd%25C3%25A1n%2By%2BEva.jpg" width="640" /></a></div>
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<iframe allowfullscreen="" frameborder="0" height="197" src="https://www.youtube.com/embed/videoseries?list=PL0dYx2N3BTuTsDusAvtM4W0XL60U1sDj4" width="350"></iframe></div>
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<b><span style="font-size: large;">Pensamientos</span></b><br />
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El afán del ser humano por recrear la realidad,</div>
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por reflejarla desde el tamiz de su conciencia,</div>
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añadiendo o quitando contenido a su apariencia,</div>
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es el empeño de dejar en la vida testimonio de su singularidad.</div>
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El que uno es, lo es con y a pesar de las apariencias,</div>
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de esa realidad objetiva que es la suma de las coincidencias entre los individuos.</div>
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Hay otra realidad, que es privativa de la conciencia particular de cada cual,</div>
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que suele permanecer oculta a las miradas, salvo en el caso más feliz</div>
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del artista que es capaz de perfundir la realidad objetiva con la suya propia,</div>
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y hacer de esa mixtura una recreación en la que los otros</div>
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pueden ver reflejada su propia cara oculta: la que es capaz de interpretar</div>
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el código artístico en la obra implícito, y, por ende, hacer patente su existencia.</div>
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La obra de arte, así vista, se convierte en un bello enigma descifrable,</div>
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enigma que todo ser humano, por el hecho de serlo, de una u otra forma comparte;</div>
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mas sólo quien posee las claves para su correcta y completa interpretación,</div>
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es decir, sensibilidad, cultura, penetración,</div>
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puede extraer de ella toda su carga significativa</div>
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y, por tanto, todo su potencial de íntimo o social disfrute.</div>
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La grandeza del arte, la de la obra artística,</div>
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es la que supone cifrar y descifrar la realidad:</div>
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tanto la objetiva —la de la apariencia—</div>
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como la subjetiva —la de la conciencia—,</div>
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para ofrecer una realidad <i>más completa</i></div>
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que implica y comporta a individuos y a comunidades,</div>
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y que permite aflorar las sensaciones y emociones más íntimas y personales,</div>
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aquellas que brotan de lo ignoto y cuya naturaleza se funda en lo inefable.</div>
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El arte es un espejo que refleja lo que somos inmersos en lo que hay;</div>
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pero también una puerta por la cual acceder a la realidad más esquiva,</div>
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aquella que sólo la conciencia capta, registra y es capaz de desvelar.</div>
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La conciencia es el ámbito del arte, la morada en que habita.</div>
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Percepción, interpretación, sensación,</div>
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son las tres dimensiones en que se circunscribe el arte.</div>
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<b><span style="font-family: inherit; font-size: x-small;"><i>Sobre la urdimbre del Arte.</i> Héctor Amado</span><i> </i></b></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><em><span style="color: white;">.....</span><span style="color: #1d1d1d;">Jan
Gossaert es el primer artista de los Países Bajos del cual se
sabe que viajó a Roma con el fin de estudiar el arte clásico. A
pesar de ello la influencia de esta estancia no se refleja
inmediatamente en su arte, que recoge sobre todo la influencia
significativa de sus contemporáneos, por lo que a menudo es
visto como el primer artista del Renacimiento 'Romano' de los
Países Bajos. Su patrón más importante es Felipe de Borgoña,
aunque también recibió encargos de Margarita de Austria, Carlos
V, Adolfo de Borgoña y Mencía de Mendoza. Más o menos la mitad
de su obra consiste en retratos, género en el que obtuvo unos
excepcionales y provechosos resultados.</span></em>
</span>
</span></div>
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<td sdnum="3082;" sdval="1478" width="35"><div align="CENTER">
<span style="font-family: inherit;">1478</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">Jan
Gossaert nace en Maubeuge. El año de nacimiento se deduce a
partir de un dibujo del retrato de Reinier Snoy de Gouda, en la
que señala que el creador "Malboius" tenía 50 años
en 1528. Que se trate de Jan Gossaert se puede deducir del
nombre latinizado “Malbodius”, que él ha utilizado en las
etapas tardías de su vida. Karel van Mander también confirma
más tarde en su </span><span style="color: #1d1d1d;"><i>Schilder-Boeck</i></span><span style="color: #1d1d1d;">
</span><span style="color: #1d1d1d;">(<i>Libro
del pintor</i></span><span style="color: #1d1d1d;">)
que procede de Gossaert Maubeuge. El dibujo de la mano de
Gossaert ya no existe, aunque Arnold Buchelius,</span></span><span style="text-align: center;"> </span><span style="text-align: center;">en 1623,</span><span style="color: #1d1d1d; font-family: inherit; text-align: center;"> describe el
dibujo que había visto con sus propios ojos</span></td>
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<td sdnum="3082;" sdval="1503" width="35"><div align="CENTER">
<span style="font-family: inherit;">1503</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">En
1503, "Jennyn van Henegouwe" está registrado como
maestro en el gremio de San Lucas de Amberes. Que se refierea a
Jan Gossaert puede inferirse por su lugar de nacimiento,
Maubeuge, que está en Henegouwen.</span><br /><span style="color: #1d1d1d;">Sobre
el período precedente a este dato no se sabe nada. A partir de
fuentes escritas se afirma sin embargo que Gossaert residió en
Brujas. Bruselas y Amberes también se nombran como lugares de
aprendizaje. No existe evidencia de ninguna de estas
suposiciones.</span>
</span></td>
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<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1505</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1506</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="font-size: small;"><span style="color: #1d1d1d;">El
maestro "Jennyn van Henegouwe" tomó a Hennen Mertens
(posiblemente Jan Mertens) en 1505 y en 1507 a Machiel In't
Swaenken como alumnos.</span><br /><span style="color: #1d1d1d;">Para
este primer período de la vida de Gossaert sólo se le pueden
atribuir unos pocos dibujos firmados con IIENNING.OSAR (</span><em><span style="color: #1d1d1d;"><i><b>La
boda mística de Santa Catalina</b></i></span></em><span style="color: #1d1d1d;">,
Statens Museum of Art, Copenhague) y ANWER IENNI (</span><em><span style="color: #1d1d1d;"><i><b>Caesar
Augustus y la Sibila Tiburtina</b></i></span></em><span style="color: #1d1d1d;">,
Kupferstichkabinett der Staatlichen Museen, Berlín). Las
pinturas de este período no se han conservado. Los dibujos dejan
claro que el artista trabajó en el estilo del manierismo de
Amberes durante este periodo.</span>
</span>
</span></td>
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<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1508</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1509</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="font-size: small;"><span style="color: #1d1d1d;">El
26 de octubre 1508 Gossaert partió de Mechelen en el séquito de
Felipe de Borgoña, el bastardo hijo menor de Felipe el Bueno y
almirante de la marina, hacia Roma, a donde llegaron el 14 de
enero de 1509. Durante la misión diplomática, a Felipe se le
encomendó la tarea de resolver los conflictos de opinión con el
Papa en relación al nombramiento de los altos cargos
eclesiásticos. De acuerdo con Gerrit-Geldenhouwer —biógrafo
de Felipe de Borgoña— Gossaert registra los monumentos
antiguos para el principesco amante del arte. Como tal, Gossaert
es el primer artista de los Países Bajos que viajó a Roma para
estudiar las artes clásicas e italianas. Según informe de
Margarita de Austria, fechado el 22 de junio de 1509, parece que
Gossaert fue el único de los participantes de la misión que se
quedaron en Roma con el fin de seguir trabajando en los bocetos
para Felipe. No está claro cuánto tiempo Gossaert permaneció
en Roma. Dos de los bocetos que hizo en Roma son el </span><em><span style="color: #1d1d1d;"><i><b>Coliseo</b></i></span></em><em><span style="color: #1d1d1d;"><span style="font-style: normal;">
</span></span></em><span style="color: #1d1d1d;">(Kupferstichkabinett
der Staatlichen Museen, Berlín) y</span><em><span style="color: #1d1d1d;"><span style="font-style: normal;"><b>
</b></span></span></em><em><span style="color: #1d1d1d;"><i><b>Hércules
de pie</b></i></span></em><em><span style="color: #1d1d1d;"><span style="font-style: normal;"> </span></span></em><span style="color: #1d1d1d;">(anteriormente
colección de Lord Wharton, Londres).</span>
</span>
</span></td>
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<td sdnum="3082;" sdval="1509" width="35"><div align="CENTER">
<span style="font-family: inherit;">1509</span></div>
</td>
<td width="592"><div style="margin-bottom: 0.2cm;">
<span style="font-family: inherit;"><span style="font-size: small;"><span style="color: #1d1d1d;">Un
cierto "Janin de Waele" se registra en la hermandad de
Nuestra Señora, en Middelburg. No se sabe si en este caso</span></span></span><span style="text-align: center;"> </span><span style="color: #1d1d1d; font-family: inherit; text-align: center;">se trata de </span><span style="text-align: center;">"Jennyn van Henegouwe", también conocido como </span><span style="color: #1d1d1d; font-family: inherit; text-align: center;">Jan Gossaert</span><span style="color: #1d1d1d; font-family: inherit; text-align: center;">.</span></div>
<span style="font-family: inherit;"><span style="color: #1d1d1d;">Felipe
de Borgoña se estableció después de su regreso de Roma en el
castillo de Souburg, cercano a Middelburg. No hay certeza sobre
si Gossaert estaba al servicio de Felipe en ese momento. En
cualquier caso, él es libre para aceptar encargos de otros
comitentes.</span>
</span></td>
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<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1509</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1516</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">No
existe información acerca de este período. No hay trabajos
fechados y pocos firmados pertenecientes a este periodo. Es
interesante notar que la influencia de su viaje a Roma no se
encuentra en estas obras, como tampoco el Manierismo de Amberes,
durante mucho tiempo tan enfáticamente presente. Según la mayoría
de los investigadores se atribuyen a este periodo</span></span><span style="text-align: center;">, entre otras,</span><span style="text-align: center;"> </span><span style="color: #1d1d1d; font-family: inherit; text-align: center;">las siguientes obras: </span><em style="font-family: inherit; text-align: center;"><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>La
Adoración</b></i></span></span></em><em style="font-family: inherit; text-align: center;"><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;"><b>
</b></span></span></span></em><span style="color: #1d1d1d; font-family: inherit; text-align: center;">(National
Gallery, Londres), el </span><em style="font-family: inherit; text-align: center;"><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>Tríptico
Malvagna</b></i></span></span></em><em style="font-family: inherit; text-align: center;"><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;"><b>
</b></span></span></span></em><span style="color: #1d1d1d; font-family: inherit; text-align: center;">(Galleria
Regionale della Sicilia, Palermo), el </span><span style="color: #1d1d1d; font-family: inherit; text-align: center;"><span style="font-size: small;"><i><b>Díptico
</b></i></span></span><em style="font-family: inherit; text-align: center;"><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>Doria</b></i></span></span></em><em style="font-family: inherit; text-align: center;"><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;"><b>
</b></span></span></span></em><span style="color: #1d1d1d; font-family: inherit; text-align: center;">(Galería
Doria Pamphili, Roma) y </span><em style="font-family: inherit; text-align: center;"><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>San
Lucas pintando a la Virgen</b></i></span></span></em><em style="font-family: inherit; text-align: center;"><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;"><b>
</b></span></span></span></em><span style="color: #1d1d1d; font-family: inherit; text-align: center;">(Narodni
Galerie, Praga ).</span><br />
<span style="font-family: inherit;"><span style="color: #1d1d1d;">En
este periodo Gossaert pudo haber conocido al artista veneciano
Jacopo De Barbari en el castillo de Souburg. En la biografía de
Felipe de Borgoña, de Geldenhouwer, da la impresión de que
estos artistas habían trabajado juntos en las obras de arte para
esta residencia, sin embargo, no se sabe nada con
certeza.<br />Geldenhouwer los llama el Apeles y Zeuxis de su
tiempo.<br />Es posible que en 1513 Gossaert se quedara en la corte
de Margarita de Austria en Mechelen y allí conociera a Antonio
Siciliano, el comisionado del Díptico </span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;">Doria.</span></span></span></em></span><br />
<div style="border: none; padding: 0cm;">
<span style="font-family: inherit;"><span style="color: #1d1d1d;">De
acuerdo con una reciente hipótesis [Ainsworth 2010], Gossaert
trabajó junto con Gerard David en este periodo. La mano de David
se reconoce en el panel izquierdo del </span><span style="color: #1d1d1d;"><span style="font-size: small;"><i>Díptico
</i></span></span><em><span style="color: #1d1d1d;">Doria</span></em><span style="color: #1d1d1d;"><span style="font-size: small;">,
en </span></span><span style="color: #1d1d1d;"><span style="font-size: small;"><i>L</i></span></span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i>a
Adoración</i></span></span></em><em><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;">
</span></span></span></em><span style="color: #1d1d1d;">y
en el </span><span style="color: #1d1d1d;"><span style="font-size: small;"><i>Tríptico
</i></span></span><em><span style="color: #1d1d1d;">Malvagna</span></em><span style="color: #1d1d1d;"><span style="font-size: small;">.
Para el panel derecho del </span></span><span style="color: #1d1d1d;"><span style="font-size: small;"><i>Díptico
Doria</i></span></span><span style="color: #1d1d1d;"><span style="font-size: small;">,
Gossaert pudo haber colaborado con un paisajista.</span></span></span></div>
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<td sdnum="3082;" sdval="1516" width="35"><div align="CENTER">
<span style="font-family: inherit;">1516</span></div>
</td>
<td width="592"><span style="color: #1d1d1d; font-family: inherit;">En
marzo de Gossaert recibe 15 libras para pagar su contribución a
los diseños del carro de triunfo para el servicio de luto de
Fernando de Aragón. El carro de triunfo, de acuerdo con
Geldenhouwer, está diseñado en estrecha consulta con Felipe de
Borgoña. Es posible que se le puedan atribuir dos bocetos con el
carro triunfal de hombres ataviados con uniforme militar
(Kupferstichkabinett, Dresde y Staedelsches Kunstinstitut,
Frankfurt am Main).<br />Gossaert viaja con Felipe a Bruselas con
el fin de asistir a los servicios. Allí recibe la asignación de
Carlos V para pintar dos retratos de Leonor de Austria.</span><br />
<div style="border: none; margin-bottom: 0cm; padding: 0cm;">
<span style="font-family: inherit;"><span style="color: #1d1d1d;">En
este año Gossaert también pinta su primer cuadro fechado:
</span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>Neptuno
y Anfitrite </b></i></span></span></em><span style="color: #1d1d1d;">(Gemäldegalerie,
Staatliche Museen, Berlín) para Felipe. El tema mitológico no
es convencional, la forma en que los desnudos son presentados con
gran énfasis en la musculatura individual y la arquitectura
clásica dan a la obra un carácter inconfundiblemente
renacentista. Karel van Mander le proclamará después como uno
de los primeros artistas que han adoptado la manera propia de la
pintura de los Países Bajos.</span></span></div>
<div style="border: none; padding: 0cm;">
<span style="font-size: small;"><span style="color: #1d1d1d; font-family: inherit;">De
1516 en adelante Gossaert sólo utiliza el nombre latinizado
"JOANNES MALBODIUS".</span></span></div>
</td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1517" width="35"><div align="CENTER">
<span style="font-family: inherit;">1517</span></div>
</td>
<td width="592"><span style="color: #1d1d1d; font-family: inherit;">Felipe
de Borgoña se convierte en obispo de Utrecht. Abandona Castillo
de Souburg y se establece en su lugar en el castillo de Wijk bij
Duurstede. Él permanece viviendo allí hasta su muerte, en 1524.
Gossaert se traslada junto a él y recibe varias asignaciones
para la decoración de este castillo. Gossaert también recibe
asignaciones que son resultado de la nueva función de su patrón.
El artista probablemente diseña dos sellos (el gran sello y el
sello "ad causas") y participa en dos proyectos para la
catedral de Utrecht.</span><br />
<div style="border: none; padding: 0cm;">
<span style="font-family: inherit;"><span style="color: #1d1d1d;">En
este año Gossaert pinta </span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>Hércules
y Deyanira</b></i></span></span></em><em><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;"><b>
</b></span></span></span></em><span style="color: #1d1d1d;">(El
Barber Institute of Fine Arts de la Universidad de Birmingham) y
el </span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>Díptico
de Jean Carondelet</b></i></span></span></em><em><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;"><b>
</b></span></span></span></em><span style="color: #1d1d1d;">(Museo
del Louvre, París). En el primer cuadro, Gossaert utiliza las
innovaciones que ya había empleado en </span><span style="color: #1d1d1d;"><span style="font-size: small;"><i>Neptuno
y Anfitrite</i></span></span><span style="color: #1d1d1d;"><span style="font-size: small;">.
En el díptico, en cambio, sigue una línea más conservadora.</span></span></span></div>
</td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1517</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1518</span></div>
</td>
<td width="592"><span style="font-size: small;"><span style="color: #1d1d1d; font-family: inherit;">De
acuerdo con Mander, Jan van Scorel se convierte en alumno de
Gossaert. Sin embargo no debe haber respetado siempre al maestro,
porque —como informa Van Mander— Gossaert vivía una vida tan
despilfarradora que le costó un montón de dinero a Van Scorel,
e incluso lo puso en una situación que amenazó su vida. Es
probable que la información que Van Mander proporciona no sea
del todo correcta. Scorel probablemente no fue alumno de
Gossaert, aunque tal vez lo visitó. En 1518 Scorel fue a Italia.</span></span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1520" width="35"><div align="CENTER">
<span style="font-family: inherit;">1520</span></div>
</td>
<td width="592"><span style="font-size: small;"><span style="color: #1d1d1d; font-family: inherit;">En
1520, Alberto Durero describe un retablo pintado por Jan Gossaert
en la abadía premonstratense de Middelburg. Este viaje a la
ciudad de Zelanda que Durero hizo especialmente para ver el
políptico muestra el gran reconocimiento y la fama tanto de la
obra como del artista. Karel van Mander también escribe sobre la
obra: "Entre sus muy numerosas obras [de Gossaert] la más
importante y famosa fue el retablo mayor en Middelburg, una pieza
muy grande con persianas dobles, el hecho de que al abrirla uno
debera sujetarla con caballetes da cuenta de su tamaño ..."
Dado que Durero vio el políptico en 1520, debió haber sido
pintado antes de ese tiempo. El retablo se perdió en un incendio
declarado en 1568.</span></span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1522</span></div>
<div align="CENTER">
<span style="font-family: inherit;">22/7</span></div>
</td>
<td width="592"><span style="font-size: small;"><span style="color: #1d1d1d; font-family: inherit;">Por
encargo de Gossaert, Gerrit Geldenhouwer investiga, a partir de
Frans Cranevelt, una fórmula para hacer un ácido con el que
podrían ser grabadas placas de cobre. Probablemente influenciado
por la visita de Alberto Durero a los Países Bajos, Gossaert
experimentó con el grabado y el arte de impresión. Por su
parte, se conservan cuatro o cinco grabados y cinco copias
conocidas a partir de su diseño. Hasta entonces las impresiones
conocidas que se atribuyen a Gossaert con certeza se hacían con
hierro en lugar de placas de cobre.</span></span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1523" width="35"><div align="CENTER">
<span style="font-family: inherit;">1523</span></div>
</td>
<td width="592"><span style="font-size: small;"><span style="color: #1d1d1d; font-family: inherit;">Gossaert
trabaja para Margarita de Austria. Restaura para ella varias
pinturas. En este período trabaja junto al escultor Conrad Meit,
artista de la corte de Margarita de Austria, y vive en Mechelen.
Meit tuvo una gran influencia en el arte del retrato de Gossaert.</span></span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1524</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1533</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">De
esta época vienen muchas de las representaciones de la Madonna y el
Niño. A partir de estas mismas composiciones hay varias
versiones conocidas.</span>
</span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1524</span></div>
<div align="CENTER">
<span style="font-family: inherit;">7/4</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="font-size: small;"><span style="color: #1d1d1d;">Felipe
de Borgoña muere, por lo tanto Gossaert pierde su protector más
importante. En el período que Gossaert estuvo al servicio del
obispo se hizo muy famoso, según Van Mander. El artista continuó
recibiendo numerosos encargos de figuras de alto rango, tales
como, entre otros, Adolfo de Borgoña, el rey Christian II de
Dinamarca, Enrique III de Nassau y su esposa Mencía de Mendoza.
Para Adolfo de Borgoña pintó el retrato de su esposa Anna van
Bergen como María con su hijo en brazos (Museo Metropolitano de
Arte, Nueva York).</span><span style="color: #222222;"> </span></span>
</span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1526</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1527</span></div>
</td>
<td width="592"><div align="LEFT">
<span style="font-family: inherit;"><span style="color: #1d1d1d;">Lucas
van Leyden visita a Gossaert en Middelburg. Juntos visitan
Malinas, Gante y Amberes.</span>
</span></div>
</td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1527" width="35"><div align="CENTER">
<span style="font-family: inherit;">1527</span></div>
</td>
<td width="592"><div style="margin-bottom: 0.2cm;">
<span style="font-family: inherit;"><span style="font-size: small;"><span style="color: #1d1d1d;">Gossaert
pinta </span><em><span style="color: #1d1d1d;"><i><b>Dánae</b></i></span></em><em><span style="color: #1d1d1d;"><span style="font-style: normal;"><b>
</b></span></span></em><span style="color: #1d1d1d;">(Alte
Pinakothek, Munich, fechada y firmada IOANNES MALBODIVS PINGEBAT
1527). Esta es la única obra mitológica que Gossaert hizo
después de la muerte de Felipe de Borgoña.</span>
</span>
</span></div>
<span style="font-family: inherit;"><span style="color: #1d1d1d;">Del
mismo periodo han llegado diferentes obras de arte con la misma
composición, lo que saca a la luz un aspecto interesante de la
obra de Gossaert. Con la excepción de los dos alumnos que habían
estudiado con "Jennyn van Henegouwe" en Amberes y Jan
van Scorel, que según Van Mander se mantuvo durante un breve
tiempo con Gossaert, no hay documentos existentes que indiquen
claramente si el artista tuvo un lugar de trabajo fijo. Sobre la
base de las diferentes versiones de la misma composición, muchos
autores han llegado a la conclusión de que el artista debe haber
tenido un lugar de trabajo en este último período de su vida.
Ya que la gran diferencia, tanto en las variaciones de calidad
como en la composición, parece indicar que estas copias no se
hicieron bajo la supervisión de Gossaert.</span>
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1530" width="35"><div align="CENTER">
<span style="font-family: inherit;">1530</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="font-size: small;"><span style="color: #1d1d1d;">Desde
1530 hasta su muerte Gossaert recibe un subsidio trimestral de la
marquesa Mencía de Mendoza. Es excepcional que un artista
recibiera un estipendio anual de este tipo. </span></span>
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1531" width="35"><div align="CENTER">
<span style="font-family: inherit;">1531</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="font-size: small;"><span style="color: #1d1d1d;">El
trabajo más reciente que ha sobrevivido es </span><em><span style="color: #1d1d1d;"><i><b>Virgen
con el Niño en paisaje</b></i></span></em><em><span style="color: #1d1d1d;"><span style="font-style: normal;"><b>
</b></span></span></em><span style="color: #1d1d1d;">(Museo
de Arte de Cleveland, Ohio). Está fechada en 1531.</span>
</span>
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1532" width="35"><div align="CENTER">
<span style="font-family: inherit;">1532</span></div>
</td>
<td width="592"><div style="margin-bottom: 0.2cm;">
<span style="font-family: inherit;"><span style="color: #1d1d1d;">Jan
Gossaert muere entre 12 de septiembre y el 13 de octubre de 1532.
Esto puede deducirse de los documentos en los que se recoge que
Mencía de Mendoza ha abonado una parte de su sueldo anual.</span>
</span></div>
<span style="color: #1d1d1d; font-family: inherit;">Ya
en el siglo XVI Gossaert es citado por varios autores en sus
escritos (Dominicus Lampsonius, Lodovico Giucciardini, Giorgio
Vasari, Marco van Vaernewijck y Johannes Molanus). Todos ellos
afirman que el artista trajo el Renacimiento hasta los Países
Bajos y mencionan su gran notoriedad.</span>
</td>
</tr>
</tbody></table>
</center>
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<a href="https://1.bp.blogspot.com/-tMca-CApCmc/WRa9T71Rd1I/AAAAAAAAktk/PMkG6MNRsfgnIGnYRFvtsfBI1E-nWZMUQCLcB/s1600/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="36" src="https://1.bp.blogspot.com/-tMca-CApCmc/WRa9T71Rd1I/AAAAAAAAktk/PMkG6MNRsfgnIGnYRFvtsfBI1E-nWZMUQCLcB/s640/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" width="640" /></a></div>
<div style="text-align: center;">
</div>
<div style="text-align: center;">
<b><span style="color: #cc0000; font-size: x-large;">GALERÍA</span></b></div>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-NfVArTQoN0o/WRa9hIhpylI/AAAAAAAAktw/KUaBwKqqm5I7KP9akw5O0KWl2zVZWYqHQCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Bwith%2BChild%2B%2528Maria%2BLactans%2529_T%25C3%25ADtulo%2B2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="134" src="https://3.bp.blogspot.com/-NfVArTQoN0o/WRa9hIhpylI/AAAAAAAAktw/KUaBwKqqm5I7KP9akw5O0KWl2zVZWYqHQCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Bwith%2BChild%2B%2528Maria%2BLactans%2529_T%25C3%25ADtulo%2B2.jpg" width="640" /></a></div>
<div style="text-align: center;">
<br /></div>
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<div class="separator" style="clear: both; text-align: center;">
<b>MADONNA CON NIÑO. SAGRADA FAMILIA</b></div>
<br />
<div class="separator" style="clear: both;">
<a href="https://3.bp.blogspot.com/-N3TXpx-2s9Y/WSyrgyNQOUI/AAAAAAAAlS8/BUahkUvH3DYlFD_tf5IFtIuOfdAWpYE5ACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BSaint%2BLuke%2Bpainting%2Bthe%2BVirgin.%2BAround%2B1520%2B%2528KHM%2BVienna%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1169" height="640" src="https://3.bp.blogspot.com/-N3TXpx-2s9Y/WSyrgyNQOUI/AAAAAAAAlS8/BUahkUvH3DYlFD_tf5IFtIuOfdAWpYE5ACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BSaint%2BLuke%2Bpainting%2Bthe%2BVirgin.%2BAround%2B1520%2B%2528KHM%2BVienna%2529_.jpg" width="466" /></a></div>
Jan Gossaert 'Mabuse' - Saint Luke painting the Virgin. Around 1520<br />
(KHM Vienna)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-MeTJwJeW-io/WSyrgIMLayI/AAAAAAAAlS4/v47Vdq-Sl3YE28K9ZQOUs1gMygciLy4wgCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BSaint%2BLuke%2Bpainting%2Bthe%2BVirgin.%2BAround%2B1520%2B%2528KHM%2BVienna%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1268" height="640" src="https://4.bp.blogspot.com/-MeTJwJeW-io/WSyrgIMLayI/AAAAAAAAlS4/v47Vdq-Sl3YE28K9ZQOUs1gMygciLy4wgCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BSaint%2BLuke%2Bpainting%2Bthe%2BVirgin.%2BAround%2B1520%2B%2528KHM%2BVienna%2529.jpg" width="506" /></a></div>
Jan Gossaert 'Mabuse' - Saint Luke painting the Virgin. Around 1520<br />
(KHM Vienna)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-JS5dlUnq0S0/WSyrlffCjlI/AAAAAAAAlTI/r-J72AZTD0YTRG9FG3gjDUSb4un8eX0ggCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BSt.%2BLuke%2Bdrawing%2Bthe%2BVirgin%2B%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1437" data-original-width="1246" height="640" src="https://2.bp.blogspot.com/-JS5dlUnq0S0/WSyrlffCjlI/AAAAAAAAlTI/r-J72AZTD0YTRG9FG3gjDUSb4un8eX0ggCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BSt.%2BLuke%2Bdrawing%2Bthe%2BVirgin%2B%25282%2529.jpg" width="554" /></a></div>
Jan Gossaert 'Mabuse' - St. Luke drawing the Virgin<br />
(Palais Sternberg, Gallerie Nationale, Prague)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-Jh87h1p5ozA/WSyrbaUS16I/AAAAAAAAlS0/SamtKEikxRwA31LtjKNhuYs-F5cEe5OnwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BSt%2BLuke%2Bdrawing%2BThe%2BVirgin%2B%2528Maria%2BLactans%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1400" data-original-width="1254" height="640" src="https://4.bp.blogspot.com/-Jh87h1p5ozA/WSyrbaUS16I/AAAAAAAAlS0/SamtKEikxRwA31LtjKNhuYs-F5cEe5OnwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BSt%2BLuke%2Bdrawing%2BThe%2BVirgin%2B%2528Maria%2BLactans%2529.jpg" width="572" /></a></div>
Jan Gossaert 'Mabuse' - St. Luke drawing the Virgin<br />
(Palais Sternberg, Gallerie Nationale, Prague)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-lJCELzFJiuE/WSyrkda6RZI/AAAAAAAAlTE/JPN8-3ol8C0avliDWUmxTegTGVyk46exQCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BSt.%2BLuke%2Bdrawing%2Bthe%2BVirgin_detail.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1157" data-original-width="1166" height="634" src="https://4.bp.blogspot.com/-lJCELzFJiuE/WSyrkda6RZI/AAAAAAAAlTE/JPN8-3ol8C0avliDWUmxTegTGVyk46exQCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BSt.%2BLuke%2Bdrawing%2Bthe%2BVirgin_detail.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' - St. Luke drawing the Virgin_detail<br />
(Palais Sternberg, Gallerie Nationale, Prague)<br />
<div class="separator" style="clear: both; text-align: center;">
.</div>
</div>
<div style="text-align: center;">
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<a href="https://3.bp.blogspot.com/-hXj0Z3OFomo/WSyt8J56hYI/AAAAAAAAlTk/QPUB5Pkzd3g3dRac0hB4wema8kHHNg-SACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BHoly%2BFamily.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1156" height="640" src="https://3.bp.blogspot.com/-hXj0Z3OFomo/WSyt8J56hYI/AAAAAAAAlTk/QPUB5Pkzd3g3dRac0hB4wema8kHHNg-SACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BHoly%2BFamily.jpg" width="462" /></a></div>
Jan Gossaert 'Mabuse' - The Holy Family<br />
(National Gallery, London)<br />
.<br />
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<a href="https://3.bp.blogspot.com/-Q7YTV4bLIrw/WSyt3_K4u7I/AAAAAAAAlTg/iLlFoYHNrSQb_XN8akCcz1RNYO6lVR2jACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BHoly%2BFamily_0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1230" data-original-width="900" height="640" src="https://3.bp.blogspot.com/-Q7YTV4bLIrw/WSyt3_K4u7I/AAAAAAAAlTg/iLlFoYHNrSQb_XN8akCcz1RNYO6lVR2jACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BHoly%2BFamily_0.jpg" width="468" /></a></div>
Jan Gossaert 'Mabuse' - The Holy Family<br />
(National Gallery, London)<br />
.<br />
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<a href="https://3.bp.blogspot.com/-V8pqDHsr9a8/WSyvaxjknkI/AAAAAAAAlUo/iOerV9OvU7k1F6WUcNuiKDcEulnPMhWzwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BHoly%2BFamily%252C%2Bc.%2B1525-1530%2B%2528Museo%2BBellas%2BArtes%2Bde%2BBilbao%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1316" height="640" src="https://3.bp.blogspot.com/-V8pqDHsr9a8/WSyvaxjknkI/AAAAAAAAlUo/iOerV9OvU7k1F6WUcNuiKDcEulnPMhWzwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BHoly%2BFamily%252C%2Bc.%2B1525-1530%2B%2528Museo%2BBellas%2BArtes%2Bde%2BBilbao%2529.jpg" width="526" /></a></div>
Jan Gossaert 'Mabuse' - The Holy Family, c. 1525-1530<br />
(Museo Bellas Artes de Bilbao)<br />
.<br />
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<a href="https://3.bp.blogspot.com/-MmEEYk5DDUA/WSyu3WaGAOI/AAAAAAAAlUY/x8-vsydUQnwBQDB7ExAknahDb6bezttvgCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BHoly%2BFamily%252C%2B1525-30%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BBilbao%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1202" height="640" src="https://3.bp.blogspot.com/-MmEEYk5DDUA/WSyu3WaGAOI/AAAAAAAAlUY/x8-vsydUQnwBQDB7ExAknahDb6bezttvgCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BHoly%2BFamily%252C%2B1525-30%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BBilbao%2529.jpg" width="480" /></a></div>
Jan Gossaert 'Mabuse' - The Holy Family, c. 1525-1530<br />
(Museo Bellas Artes de Bilbao)<br />
.<br />
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<a href="https://3.bp.blogspot.com/-fv0hbCYgUts/WSyu46FRL1I/AAAAAAAAlUc/2qRJYdDw2EoOxvmN5ufeuTnN4Gbc9o3tACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BHoly%2BFamily%252C%2B1525-30%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BBilbao%2529_detail.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1244" data-original-width="1084" height="640" src="https://3.bp.blogspot.com/-fv0hbCYgUts/WSyu46FRL1I/AAAAAAAAlUc/2qRJYdDw2EoOxvmN5ufeuTnN4Gbc9o3tACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BHoly%2BFamily%252C%2B1525-30%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BBilbao%2529_detail.jpg" width="556" /></a></div>
Jan Gossaert 'Mabuse' - The Holy Family, c. 1525-1530_detail<br />
(Museo Bellas Artes de Bilbao)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-P8BT2X0nu0s/WSyu2jd6h6I/AAAAAAAAlUQ/4JhJIJYtGlMoOjPNl6Lvl3oKUwzPw9MDACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BHoly%2BFamily%252C%2B1525-30%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BBilbao%2529_detail%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="739" data-original-width="611" height="640" src="https://1.bp.blogspot.com/-P8BT2X0nu0s/WSyu2jd6h6I/AAAAAAAAlUQ/4JhJIJYtGlMoOjPNl6Lvl3oKUwzPw9MDACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BHoly%2BFamily%252C%2B1525-30%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BBilbao%2529_detail%2B1.jpg" width="528" /></a></div>
Jan Gossaert 'Mabuse' - The Holy Family, c. 1525-1530_detail<br />
(Museo Bellas Artes de Bilbao)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-DTbI4VmakMQ/WS2b7tEtqAI/AAAAAAAAlfw/vYe2ZRho2Loc0wbLLpE6OdlNAyXDX-dpwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BHoly%2BFamily_2_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1141" height="640" src="https://3.bp.blogspot.com/-DTbI4VmakMQ/WS2b7tEtqAI/AAAAAAAAlfw/vYe2ZRho2Loc0wbLLpE6OdlNAyXDX-dpwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BHoly%2BFamily_2_.jpg" width="456" /></a></div>
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Jan Gossaert 'Mabuse' - The Holy Family</div>
<div class="separator" style="clear: both;">
<span style="background-color: white;"><span style="font-family: inherit;">(<span style="color: #222222; text-align: left;">Museum of Fine Arts, Houston)</span></span></span></div>
.<br />
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<a href="https://2.bp.blogspot.com/-_m3vElQCP2Y/WSysWmW_AOI/AAAAAAAAlTU/FXSr8ocuctgPQHsnfxXYrs6UGTCNFeBGwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Bof%2BLouvain%252C%2Bc%2B1516.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1465" data-original-width="1231" height="640" src="https://2.bp.blogspot.com/-_m3vElQCP2Y/WSysWmW_AOI/AAAAAAAAlTU/FXSr8ocuctgPQHsnfxXYrs6UGTCNFeBGwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Bof%2BLouvain%252C%2Bc%2B1516.jpg" width="536" /></a></div>
Jan Gossaert 'Mabuse' - Virgin of Louvain, c 1516<br />
(Museo del Prado)<br />
.<br />
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<a href="https://3.bp.blogspot.com/-cVEBW1e_Nks/WSysU7E13vI/AAAAAAAAlTQ/rUxCMclCyUQwtk9HGC8EKpa_NNfvdXFWwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild%2Bwith%2BMusical%2BAngels%2B%2528Private%2BCollection%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1100" data-original-width="807" height="640" src="https://3.bp.blogspot.com/-cVEBW1e_Nks/WSysU7E13vI/AAAAAAAAlTQ/rUxCMclCyUQwtk9HGC8EKpa_NNfvdXFWwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild%2Bwith%2BMusical%2BAngels%2B%2528Private%2BCollection%2529.jpg" width="468" /></a></div>
Jan Gossaert 'Mabuse' - Virgin and Child with Musical Angels<br />
(Private Collection)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-Oo7zxUiGA64/WSyt8A09-0I/AAAAAAAAlTo/GJqoPGiiaI07BwJ7nUtm-22coMiigX7BgCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BVirgin%2Band%2BChild.%2BVierge%2B%25C3%25A0%2Bl%2527Enfant.%2B1527.%2BLondres.%2BNational%2BGallery.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1359" height="640" src="https://2.bp.blogspot.com/-Oo7zxUiGA64/WSyt8A09-0I/AAAAAAAAlTo/GJqoPGiiaI07BwJ7nUtm-22coMiigX7BgCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BVirgin%2Band%2BChild.%2BVierge%2B%25C3%25A0%2Bl%2527Enfant.%2B1527.%2BLondres.%2BNational%2BGallery.jpg" width="542" /></a></div>
Jan Gossaert 'Mabuse' - The Virgin and Child. Vierge à l'Enfant. 1527<br />
(Londres. National Gallery)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-s7oSqopQFKc/WSyuBBeaJBI/AAAAAAAAlTw/KWPPnL09BdgznTbD5ZKn3UKtPlmKwpMywCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild%252C%2B1525-27%2528Kunsthistorisches%2BMuseum%2BViena%2529%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1463" data-original-width="1184" height="640" src="https://1.bp.blogspot.com/-s7oSqopQFKc/WSyuBBeaJBI/AAAAAAAAlTw/KWPPnL09BdgznTbD5ZKn3UKtPlmKwpMywCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild%252C%2B1525-27%2528Kunsthistorisches%2BMuseum%2BViena%2529%2529.jpg" width="516" /></a></div>
Jan Gossaert 'Mabuse' - Virgin and Child, 1525-27<br />
(Kunsthistorisches Museum Viena)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-5ru8ar3PcLU/WSyuCowASOI/AAAAAAAAlT4/qrNwmXxwFpsvauPxbWVcVkJwIJ7y663OQCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild%252C%2B1525-27%2528Kunsthistorisches%2BMuseum%2BViena%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1272" height="640" src="https://4.bp.blogspot.com/-5ru8ar3PcLU/WSyuCowASOI/AAAAAAAAlT4/qrNwmXxwFpsvauPxbWVcVkJwIJ7y663OQCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild%252C%2B1525-27%2528Kunsthistorisches%2BMuseum%2BViena%2529.jpg" width="508" /></a></div>
Jan Gossaert 'Mabuse' - Virgin and Child, 1525-27<br />
(Kunsthistorisches Museum Viena)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-nSZTtiUfMTk/WSyt_VEIpEI/AAAAAAAAlTs/R8x7gvhfek4W_XDSoZJ2PcnB_x8SwX5VgCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVierge%2B%25C3%25A0%2Bl%2527enfant%252C%2BVers%2B1525-27%2B%2528KHM%2BVienne%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1287" height="640" src="https://2.bp.blogspot.com/-nSZTtiUfMTk/WSyt_VEIpEI/AAAAAAAAlTs/R8x7gvhfek4W_XDSoZJ2PcnB_x8SwX5VgCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVierge%2B%25C3%25A0%2Bl%2527enfant%252C%2BVers%2B1525-27%2B%2528KHM%2BVienne%2529.jpg" width="514" /></a></div>
Jan Gossaert 'Mabuse' - Virgin and Child, 1525-27<br />
(Kunsthistorisches Museum Viena)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-DKJmwlUQVe4/WSyuB_lFVuI/AAAAAAAAlT0/9PfJavJJpdkQkqFaOq-9PZmvfw4rXazfACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild%252C%2B1532%2B%2528National%2BGallery%2Bof%2BArt%252C%2BWashington%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="859" data-original-width="715" height="640" src="https://4.bp.blogspot.com/-DKJmwlUQVe4/WSyuB_lFVuI/AAAAAAAAlT0/9PfJavJJpdkQkqFaOq-9PZmvfw4rXazfACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild%252C%2B1532%2B%2528National%2BGallery%2Bof%2BArt%252C%2BWashington%2529.jpg" width="532" /></a></div>
Jan Gossaert 'Mabuse' - Virgin and Child, 1532<br />
(National Gallery of Art, Washington)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-nxs2UyvZoDg/WSyuC4ebefI/AAAAAAAAlT8/zE7Y6uP4BKU0YjNw1BvH13bV5WgK1E01gCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild%252C%2B1532%2B%2528National%2BGallery%2Bof%2BArt%252C%2BWashington%2529_2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1225" data-original-width="900" height="640" src="https://1.bp.blogspot.com/-nxs2UyvZoDg/WSyuC4ebefI/AAAAAAAAlT8/zE7Y6uP4BKU0YjNw1BvH13bV5WgK1E01gCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild%252C%2B1532%2B%2528National%2BGallery%2Bof%2BArt%252C%2BWashington%2529_2.jpg" width="470" /></a></div>
Jan Gossaert 'Mabuse' - Virgin and Child, 1532<br />
(National Gallery of Art, Washington)<br />
.</div>
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<a href="https://4.bp.blogspot.com/-T0D506XeJJY/WSywSgx6TlI/AAAAAAAAlVE/AqO0VFAmcbgEA9T6sEzz32PERgnUp3AywCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild%2B%2528Museu%2BCalouste%2BGulbenkian%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1102" height="640" src="https://4.bp.blogspot.com/-T0D506XeJJY/WSywSgx6TlI/AAAAAAAAlVE/AqO0VFAmcbgEA9T6sEzz32PERgnUp3AywCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild%2B%2528Museu%2BCalouste%2BGulbenkian%2529.jpg" width="440" /></a></div>
Jan Gossaert 'Mabuse' - Virgin and Child<br />
(Museu Calouste Gulbenkian)<br />
.<br />
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Jan Gossaert 'Mabuse' - Madonna and Child, 1520<br />
<span style="background-color: white;"><span style="font-family: inherit;">Landesmuseum für Kunst und Kulturgeschichte, Münster</span></span><br />
.<br />
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Jan Gossaert 'Mabuse' - Madonna and Child, 1520<br />
<span style="background-color: white;"><span style="font-family: inherit;">Landesmuseum für Kunst und Kulturgeschichte, Münster</span></span><br />
.</div>
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<a href="https://2.bp.blogspot.com/-837GcfUPFMs/WSyxAd-jGHI/AAAAAAAAlVk/CiFq_5uKAVg5Y87c-zEnFeWBaZ-aW5GugCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="843" height="640" src="https://2.bp.blogspot.com/-837GcfUPFMs/WSyxAd-jGHI/AAAAAAAAlVk/CiFq_5uKAVg5Y87c-zEnFeWBaZ-aW5GugCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild.jpg" width="526" /></a></div>
Jan Gossaert 'Mabuse' - Madonna and Child, 1520<br />
<span style="background-color: white;"><span style="font-family: inherit;">Landesmuseum für Kunst und Kulturgeschichte, Münster</span></span><br />
.<br />
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<a href="https://2.bp.blogspot.com/-ab25S1SzQw8/WSyu3UBZBPI/AAAAAAAAlUU/rLpaKSN3vHQuSPnODS3TzsDzobq1PbBEQCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BMadonna%2Band%2BChild%252C%2B1530%2B%2528Z%25C3%25BCrich%25E2%2580%2599s%2BKoller%2BAuktionen%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1203" height="640" src="https://2.bp.blogspot.com/-ab25S1SzQw8/WSyu3UBZBPI/AAAAAAAAlUU/rLpaKSN3vHQuSPnODS3TzsDzobq1PbBEQCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BMadonna%2Band%2BChild%252C%2B1530%2B%2528Z%25C3%25BCrich%25E2%2580%2599s%2BKoller%2BAuktionen%2529.jpg" width="480" /></a></div>
Jan Gossaert 'Mabuse' - Madonna and Child, 1530<br />
(Zürich’s Koller Auktionen)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-iXDsqaQoRcU/WSyu0WGcmMI/AAAAAAAAlUM/OHxfqGq7kY03VtA3GXHcUhFgFjsp-Z0DQCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BMaria%2BLactans%2B%2528Gem%25C3%25A4ldegalerie%2BBerlin%2529_rec.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1300" data-original-width="1002" height="640" src="https://2.bp.blogspot.com/-iXDsqaQoRcU/WSyu0WGcmMI/AAAAAAAAlUM/OHxfqGq7kY03VtA3GXHcUhFgFjsp-Z0DQCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BMaria%2BLactans%2B%2528Gem%25C3%25A4ldegalerie%2BBerlin%2529_rec.jpg" width="492" /></a></div>
Jan Gossaert 'Mabuse' - Maria Lactans<br />
(Gemäldegalerie Berlin)<br />
.</div>
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<a href="https://2.bp.blogspot.com/-j7UNQNYG4kQ/WSyxCfD3gII/AAAAAAAAlVs/n8OGqrahykU6sbcU4ynfQ6BcFLl5lWWhQCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Bwith%2BChild%252C%2B1527-30%2B%2528Maria%2BLactans%2529%2B%2528Museo%2Bdel%2BPrado%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1218" height="640" src="https://2.bp.blogspot.com/-j7UNQNYG4kQ/WSyxCfD3gII/AAAAAAAAlVs/n8OGqrahykU6sbcU4ynfQ6BcFLl5lWWhQCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Bwith%2BChild%252C%2B1527-30%2B%2528Maria%2BLactans%2529%2B%2528Museo%2Bdel%2BPrado%2529.jpg" width="486" /></a></div>
Jan Gossaert 'Mabuse' - Virgin with Child, 1527-30 (Maria Lactans)<br />
(Museo del Prado)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-xEeZBNKhHUU/WSywK2QA1_I/AAAAAAAAlU0/mCrz5GhQ-NYakiyLx526bJ4JSNdlkCgmQCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BNorfolk%2BTriptych%252C%2B1525-30%2B%2528central%2Bpanel%2529%2B%2528Chrysler%2BMuseum%2Bof%2BArt%252C%2BNorfolk%252C%2BVirginia%2B%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="922" height="640" src="https://2.bp.blogspot.com/-xEeZBNKhHUU/WSywK2QA1_I/AAAAAAAAlU0/mCrz5GhQ-NYakiyLx526bJ4JSNdlkCgmQCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BNorfolk%2BTriptych%252C%2B1525-30%2B%2528central%2Bpanel%2529%2B%2528Chrysler%2BMuseum%2Bof%2BArt%252C%2BNorfolk%252C%2BVirginia%2B%2529.jpg" width="490" /></a></div>
Jan Gossaert 'Mabuse' - The Norfolk Triptych, 1525-30 (central panel)<br />
(Chrysler Museum of Art, Norfolk, Virginia )<br />
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<a href="https://4.bp.blogspot.com/-o_mUzOfFAwQ/WSywKutgNWI/AAAAAAAAlUw/LUhM9Dc-YM49nfu4N6d8NxC08vigqP9nQCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BVirgin%2Band%2BChild%2B%2528National%2BGallery%2BLondon%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="821" height="640" src="https://4.bp.blogspot.com/-o_mUzOfFAwQ/WSywKutgNWI/AAAAAAAAlUw/LUhM9Dc-YM49nfu4N6d8NxC08vigqP9nQCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BVirgin%2Band%2BChild%2B%2528National%2BGallery%2BLondon%2529.jpg" width="436" /></a></div>
Jan Gossaert 'Mabuse' - The Virgin and Child<br />
(National Gallery London)<br />
.<br />
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<a href="https://3.bp.blogspot.com/-orBoGKHNhEk/WSywPNqE1SI/AAAAAAAAlU8/ZBimeVWJSKwnw-zl4oYjHqVZM-5kAUsEgCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BVirgin%2Band%2BChild%2B%2528Sotheby%2527s%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1100" height="640" src="https://3.bp.blogspot.com/-orBoGKHNhEk/WSywPNqE1SI/AAAAAAAAlU8/ZBimeVWJSKwnw-zl4oYjHqVZM-5kAUsEgCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BVirgin%2Band%2BChild%2B%2528Sotheby%2527s%2529.jpg" width="440" /></a></div>
Jan Gossaert 'Mabuse' - The Virgin and Child<br />
(National Gallery London)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-hYdmoGrv9cA/WSyw8D7JnPI/AAAAAAAAlVY/kmbpZuns_zEZayAeEzjpbSNwH2DY13yYACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild%252C%2B1520%2B%2528Art%2BInstitute%2Bof%2BChicago%2529-%2Bc%2Bm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="656" height="640" src="https://2.bp.blogspot.com/-hYdmoGrv9cA/WSyw8D7JnPI/AAAAAAAAlVY/kmbpZuns_zEZayAeEzjpbSNwH2DY13yYACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild%252C%2B1520%2B%2528Art%2BInstitute%2Bof%2BChicago%2529-%2Bc%2Bm.jpg" width="524" /></a></div>
Jan Gossaert 'Mabuse' - Virgin and Child, 1520<br />
(Art Institute of Chicago)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-RmVlyNnu4tw/WSywRmx87FI/AAAAAAAAlVA/YwbalIjDpmATCfM-QdZ0PLj3qaaLMUPNwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild%2B%2528Art%2BInstitute%2Bof%2BChicago%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1228" height="640" src="https://1.bp.blogspot.com/-RmVlyNnu4tw/WSywRmx87FI/AAAAAAAAlVA/YwbalIjDpmATCfM-QdZ0PLj3qaaLMUPNwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild%2B%2528Art%2BInstitute%2Bof%2BChicago%2529.jpg" width="490" /></a></div>
Jan Gossaert 'Mabuse' - Virgin and Child, 1520<br />
(Art Institute of Chicago)<br />
.<br />
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<a href="https://3.bp.blogspot.com/-Yb90uaOo1VA/WSyw-N0sqEI/AAAAAAAAlVg/jhenzw37pU4bJjyvJmntfCuUgjz9imaEQCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild.%2BMetropolitan%2BMuseum%2Bof%2BArt%252C%2BNew%2BYork.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="898" data-original-width="754" height="640" src="https://3.bp.blogspot.com/-Yb90uaOo1VA/WSyw-N0sqEI/AAAAAAAAlVg/jhenzw37pU4bJjyvJmntfCuUgjz9imaEQCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild.%2BMetropolitan%2BMuseum%2Bof%2BArt%252C%2BNew%2BYork.jpg" width="536" /></a></div>
Jan Gossaert 'Mabuse' - Virgin and Child (Copy of)<br />
(MET)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-VutaeIO_2U8/WSywObFH28I/AAAAAAAAlU4/wj6Cmpjb758dV-o2R-9fdTSVTvFoLbLGgCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild%2B%2528Copy%2Bof%2529%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1131" height="640" src="https://2.bp.blogspot.com/-VutaeIO_2U8/WSywObFH28I/AAAAAAAAlU4/wj6Cmpjb758dV-o2R-9fdTSVTvFoLbLGgCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild%2B%2528Copy%2Bof%2529%2B%2528MET%2529.jpg" width="482" /></a></div>
Jan Gossaert 'Mabuse' - Virgin and Child (Copy of)<br />
(MET)<br />
.</div>
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<a href="https://3.bp.blogspot.com/-B8i7TaNU8So/WSywluWMkeI/AAAAAAAAlVI/_wwpVcdIdJwcWcwIeN80DNVc3XST_CsIwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild%2B%2528Royal%2BCabinet%2Bof%2BPaintings%252C%2BThe%2BHague%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="898" data-original-width="786" height="640" src="https://3.bp.blogspot.com/-B8i7TaNU8So/WSywluWMkeI/AAAAAAAAlVI/_wwpVcdIdJwcWcwIeN80DNVc3XST_CsIwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild%2B%2528Royal%2BCabinet%2Bof%2BPaintings%252C%2BThe%2BHague%2529.jpg" width="560" /></a></div>
Jan Gossaert 'Mabuse' - Virgin and Child<br />
(Royal Cabinet of Paintings, The Hague)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-SUYk8x0x7iE/WSyxAuK1IdI/AAAAAAAAlVo/Pyz9xLLqb-cV2tLBYsnviwW0fnxCXxoUgCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild.%2B1520%2B%2528The%2BHague%252C%2BMauritshuis%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1232" height="640" src="https://2.bp.blogspot.com/-SUYk8x0x7iE/WSyxAuK1IdI/AAAAAAAAlVo/Pyz9xLLqb-cV2tLBYsnviwW0fnxCXxoUgCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild.%2B1520%2B%2528The%2BHague%252C%2BMauritshuis%2529.jpg" width="492" /></a></div>
Jan Gossaert 'Mabuse' - Virgin and Child<br />
(Mauritshuis, The Hague)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-_ZWNF9dCnVE/WSywn40iZoI/AAAAAAAAlVQ/BUinZhxpVNUb9eJvn-0sPzEBnisbAzw1gCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild%2Bin%2Ba%2BLandscape%252C%2B1531%2B%2528Cleveland%2BMuseum%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="893" data-original-width="778" height="640" src="https://4.bp.blogspot.com/-_ZWNF9dCnVE/WSywn40iZoI/AAAAAAAAlVQ/BUinZhxpVNUb9eJvn-0sPzEBnisbAzw1gCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild%2Bin%2Ba%2BLandscape%252C%2B1531%2B%2528Cleveland%2BMuseum%2529.jpg" width="556" /></a></div>
Jan Gossaert 'Mabuse' - Virgin and Child in a Landscape, 1531<br />
(Cleveland Museum)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-FmqKikqBGbw/WSywnvRN_cI/AAAAAAAAlVM/9RiX2ljxSPAwEwu90FOIpeNuPrAJBPu8gCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild%2Bin%2Ba%2BLandscape%252C%2B1531%2B%2528Cleveland%2BMuseum%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="893" data-original-width="699" height="640" src="https://2.bp.blogspot.com/-FmqKikqBGbw/WSywnvRN_cI/AAAAAAAAlVM/9RiX2ljxSPAwEwu90FOIpeNuPrAJBPu8gCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild%2Bin%2Ba%2BLandscape%252C%2B1531%2B%2528Cleveland%2BMuseum%2529_.jpg" width="500" /></a></div>
Jan Gossaert 'Mabuse' - Virgin and Child in a Landscape, 1531<br />
(Cleveland Museum)</div>
<div style="text-align: center;">
.</div>
<div style="text-align: center;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-AIrNCAF2fjI/WSyw8V_38xI/AAAAAAAAlVc/u4OYWIb45kgehk28Z0vm-Djdc1FLCua6QCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild.%2B1520%2B%2528Sotheby%2527s%252C%2BLondon%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="721" height="640" src="https://2.bp.blogspot.com/-AIrNCAF2fjI/WSyw8V_38xI/AAAAAAAAlVc/u4OYWIb45kgehk28Z0vm-Djdc1FLCua6QCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVirgin%2Band%2BChild.%2B1520%2B%2528Sotheby%2527s%252C%2BLondon%2529.jpg" width="512" /></a></div>
Jan Gossaert 'Mabuse' - Virgin and Child. 1520<br />
(Sotheby's, London)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-u6IC9DwnIOs/WS01GBgKG4I/AAAAAAAAlfg/TBXYG_wAr000azDWzNuXfGTbJMxS8sCZACLcB/s1600/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="86" data-original-width="1498" height="35" src="https://2.bp.blogspot.com/-u6IC9DwnIOs/WS01GBgKG4I/AAAAAAAAlfg/TBXYG_wAr000azDWzNuXfGTbJMxS8sCZACLcB/s640/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" width="640" /></a></div>
<br />
<br />
<b>ADÁN Y EVA</b><br />
<b><br /></b>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-VOxZMZQ4ycc/WS0ima8DLwI/AAAAAAAAlV8/AJGtm0VmGM0e4X9M3znjRhke2piuamxmwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%2B%252C%2B1507-08%2B%2528Museo%2BThyssen-Bornemisza%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="659" height="640" src="https://3.bp.blogspot.com/-VOxZMZQ4ycc/WS0ima8DLwI/AAAAAAAAlV8/AJGtm0VmGM0e4X9M3znjRhke2piuamxmwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%2B%252C%2B1507-08%2B%2528Museo%2BThyssen-Bornemisza%2529.jpg" width="410" /></a></div>
Jan Gossaert 'Mabuse' - Adam and Eve , 1507-08<br />
(Museo Thyssen-Bornemisza)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-z-Bw5t2ce-w/WS0ioRkNDbI/AAAAAAAAlWA/vuHw752K8DoKrOx7cSO7tFa0xWNTU9eZgCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%2B%252C%2B1507-08%2B%2528Museo%2BThyssen-Bornemisza%2529_rec.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1058" height="640" src="https://1.bp.blogspot.com/-z-Bw5t2ce-w/WS0ioRkNDbI/AAAAAAAAlWA/vuHw752K8DoKrOx7cSO7tFa0xWNTU9eZgCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%2B%252C%2B1507-08%2B%2528Museo%2BThyssen-Bornemisza%2529_rec.jpg" width="422" /></a></div>
Jan Gossaert 'Mabuse' - Adam and Eve , 1507-08<br />
(Museo Thyssen-Bornemisza)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-Hu7xlCppPvA/WS0i7WMqMcI/AAAAAAAAlWQ/hvnNLDxTy7UjwKCRw1bQCjAu-kTc7ai_ACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%2Bin%2BParadise%2B%2528Gem%25C3%25A4ldegalerie%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1046" height="640" src="https://4.bp.blogspot.com/-Hu7xlCppPvA/WS0i7WMqMcI/AAAAAAAAlWQ/hvnNLDxTy7UjwKCRw1bQCjAu-kTc7ai_ACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%2Bin%2BParadise%2B%2528Gem%25C3%25A4ldegalerie%2529.jpg" width="418" /></a></div>
Jan Gossaert 'Mabuse' - Adam and Eve in Paradise<br />
(Gemäldegalerie, Berlin)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-427HHMXmaK8/WS2h5C5OWOI/AAAAAAAAlgA/tDysrrnpQkILyrcsktxPDzXbjFs7SaUIwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%252C%2Bdetail%252C%2Bca.1525%2B%2528Gem%25C3%25A4ldegalerie%2BStaatliche%2BMuseen%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="821" data-original-width="982" height="534" src="https://3.bp.blogspot.com/-427HHMXmaK8/WS2h5C5OWOI/AAAAAAAAlgA/tDysrrnpQkILyrcsktxPDzXbjFs7SaUIwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%252C%2Bdetail%252C%2Bca.1525%2B%2528Gem%25C3%25A4ldegalerie%2BStaatliche%2BMuseen%2529.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' - Adam and Eve in Paradise_detail<br />
(Gemäldegalerie, Berlin)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-XCmSZ7sStbw/WS0i6kPPaZI/AAAAAAAAlWM/bwkc34TbKnEBPP8ahYVdWpTXXwy5-3EGwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve_detail%2Bca.1525%2B%2528Gem%25C3%25A4ldegalerie%2BStaatliche%2BMuseen%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="1024" height="480" src="https://2.bp.blogspot.com/-XCmSZ7sStbw/WS0i6kPPaZI/AAAAAAAAlWM/bwkc34TbKnEBPP8ahYVdWpTXXwy5-3EGwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve_detail%2Bca.1525%2B%2528Gem%25C3%25A4ldegalerie%2BStaatliche%2BMuseen%2529_.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' - Adam and Eve in Paradise_detail<br />
(Gemäldegalerie, Berlin)<br />
.<br />
<br />
<div class="separator" style="clear: both;">
<a href="https://4.bp.blogspot.com/-lhhgqabpI0o/WS0i3cf-QjI/AAAAAAAAlWE/UVWNGROnhvkjRaq6c6gx7XE6jbGOPVvEACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%2Bin%2BParadise%252C%2Bcirca%2B1525.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="664" data-original-width="1022" height="414" src="https://4.bp.blogspot.com/-lhhgqabpI0o/WS0i3cf-QjI/AAAAAAAAlWE/UVWNGROnhvkjRaq6c6gx7XE6jbGOPVvEACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%2Bin%2BParadise%252C%2Bcirca%2B1525.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' - Adam and Eve in Paradise_detail<br />
(Gemäldegalerie, Berlin)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://2.bp.blogspot.com/-ibWETgbTzJs/WS0jlvamzWI/AAAAAAAAlWk/QI4EE17bAWIYyLx9J7Z3Fn-GlDMzotTvgCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%252C%2Bc%2B1520%2B%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1148" height="640" src="https://2.bp.blogspot.com/-ibWETgbTzJs/WS0jlvamzWI/AAAAAAAAlWk/QI4EE17bAWIYyLx9J7Z3Fn-GlDMzotTvgCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%252C%2Bc%2B1520%2B%25282%2529.jpg" width="458" /></a></div>
Jan Gossaert 'Mabuse' - Adam and Eve, 1520<br />
(Royal Collection Trust (UK) - Buckingham Palace)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-hMzr2g2bEF8/WS0kK75Ch9I/AAAAAAAAlW8/kbOEa-MqRJI69gOo_G7Ds4aeOF9NOcToACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%252C%2Bc%2B1520%2B%25282%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1044" height="640" src="https://2.bp.blogspot.com/-hMzr2g2bEF8/WS0kK75Ch9I/AAAAAAAAlW8/kbOEa-MqRJI69gOo_G7Ds4aeOF9NOcToACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%252C%2Bc%2B1520%2B%25282%2529_.jpg" width="416" /></a></div>
Jan Gossaert 'Mabuse' - Adam and Eve, 1520<br />
(Royal Collection Trust (UK) - Buckingham Palace)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://3.bp.blogspot.com/-EGi9y89v7zg/WS0jrM2XnGI/AAAAAAAAlW0/oBgMSUmoy3MxyIgGlOmgdV3ZwAqiwF9TgCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%252C%2Bc%2B1520_detail.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1386" data-original-width="1600" height="554" src="https://3.bp.blogspot.com/-EGi9y89v7zg/WS0jrM2XnGI/AAAAAAAAlW0/oBgMSUmoy3MxyIgGlOmgdV3ZwAqiwF9TgCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%252C%2Bc%2B1520_detail.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' - Adam and Eve, 1520_detail<br />
(Royal Collection Trust (UK) - Buckingham Palace)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://4.bp.blogspot.com/-opaGG7WrDrU/WS0jqtHxcEI/AAAAAAAAlWw/K_7JUBUkgBwe9nVfEvjbFuhDW58T4c2nwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%252C%2Bc%2B1520_detail%2B0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1066" data-original-width="1600" height="426" src="https://4.bp.blogspot.com/-opaGG7WrDrU/WS0jqtHxcEI/AAAAAAAAlWw/K_7JUBUkgBwe9nVfEvjbFuhDW58T4c2nwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%252C%2Bc%2B1520_detail%2B0.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' - Adam and Eve, 1520_detail<br />
(Royal Collection Trust (UK) - Buckingham Palace)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-EecnpInYlKo/WS0jltyTDMI/AAAAAAAAlWg/pgiPKxAKSwocbthQNNMEBI8O1mz8ChHBgCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%252C%2Bc%2B1520%2B%2528Royal%2BCollection%2BTrust%2B%2528UK%2529%2B-%2BBuckingham%2BPalace%2529_detail.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1066" data-original-width="1600" height="426" src="https://4.bp.blogspot.com/-EecnpInYlKo/WS0jltyTDMI/AAAAAAAAlWg/pgiPKxAKSwocbthQNNMEBI8O1mz8ChHBgCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%252C%2Bc%2B1520%2B%2528Royal%2BCollection%2BTrust%2B%2528UK%2529%2B-%2BBuckingham%2BPalace%2529_detail.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' - Adam and Eve, 1520_detail<br />
(Royal Collection Trust (UK) - Buckingham Palace)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-0Q80htYHXio/WS0jqakPO8I/AAAAAAAAlWs/J7JJ5xbvQz8o21DK-NILFlmO2_EZ8hikwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%252C%2Bc%2B1520.%2BThe%2Blargest%2Bof%2Bhis%2Bversions%2Bof%2Bthis%2Bsubject%2B_detail.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://1.bp.blogspot.com/-0Q80htYHXio/WS0jqakPO8I/AAAAAAAAlWs/J7JJ5xbvQz8o21DK-NILFlmO2_EZ8hikwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%252C%2Bc%2B1520.%2BThe%2Blargest%2Bof%2Bhis%2Bversions%2Bof%2Bthis%2Bsubject%2B_detail.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' - Adam and Eve, 1520_detail<br />
(Royal Collection Trust (UK) - Buckingham Palace)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://1.bp.blogspot.com/-UTOZtFL2N0Y/WS0jnQEfrnI/AAAAAAAAlWo/AQuIrN45dU0M8zyKEWgPmNjNc2EWaQzqACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%252C%2Bc%2B1520%2B%2528Royal%2BCollection%2BTrust%2B%2528UK%2529%2B-%2BBuckingham%2BPalace%2529_2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1048" height="640" src="https://1.bp.blogspot.com/-UTOZtFL2N0Y/WS0jnQEfrnI/AAAAAAAAlWo/AQuIrN45dU0M8zyKEWgPmNjNc2EWaQzqACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%252C%2Bc%2B1520%2B%2528Royal%2BCollection%2BTrust%2B%2528UK%2529%2B-%2BBuckingham%2BPalace%2529_2.jpg" width="418" /></a></div>
Jan Gossaert 'Mabuse' - Adam and Eve, 1520<br />
(Royal Collection Trust (UK) - Buckingham Palace)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://2.bp.blogspot.com/-lrsWhawAPWQ/WS0jhVCnuAI/AAAAAAAAlWY/h2jIIWblTCE1whwJEy5_PkKQY7FfjqdiwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%252C%2B1520%2B%2528NGL%2529__detail%2Bsup.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="888" data-original-width="1024" height="554" src="https://2.bp.blogspot.com/-lrsWhawAPWQ/WS0jhVCnuAI/AAAAAAAAlWY/h2jIIWblTCE1whwJEy5_PkKQY7FfjqdiwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%252C%2B1520%2B%2528NGL%2529__detail%2Bsup.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' - Adam and Eve, 1520_detail<br />
(Royal Collection Trust (UK) - Buckingham Palace)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://2.bp.blogspot.com/-Lje-JhzdR6Y/WS0jhvkaD0I/AAAAAAAAlWc/a4Lf8yLZPwUYFsDmo_ffJP9xVXPjtKK-wCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%252C%2B1520%2B%2528NGL%2529__detail%2Binf.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="904" data-original-width="1024" height="564" src="https://2.bp.blogspot.com/-Lje-JhzdR6Y/WS0jhvkaD0I/AAAAAAAAlWc/a4Lf8yLZPwUYFsDmo_ffJP9xVXPjtKK-wCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%252C%2B1520%2B%2528NGL%2529__detail%2Binf.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' - Adam and Eve, 1520_detail<br />
(Royal Collection Trust (UK) - Buckingham Palace)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-u6IC9DwnIOs/WS01GBgKG4I/AAAAAAAAlfg/i3KyiustE_Evod4bYN6MEnAwx7IvDYAMwCEw/s1600/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="86" data-original-width="1498" height="35" src="https://1.bp.blogspot.com/-u6IC9DwnIOs/WS01GBgKG4I/AAAAAAAAlfg/i3KyiustE_Evod4bYN6MEnAwx7IvDYAMwCEw/s640/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" width="640" /></a></div>
<br />
<br />
<b>ESCENAS RELIGIOSAS. PASIÓN. SANTOS Y DONANTES</b><br />
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Jan Gossaert 'Mabuse' - Malvagna Triptych, c 1515<br />
(Galleria Regionale della Sicilia, Palermo)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-92UeJtT4Aac/WS0o3QT4IqI/AAAAAAAAlX4/Kj09sKzOeUMU6MCSipWVc9hw0pEKZcgpACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BMalvagna%2BTriptych%252C%2Bc%2B1515%2B%2528Galleria%2BRegionale%2Bdella%2BSicilia%252C%2BPalermo%2529_0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="784" data-original-width="1200" height="418" src="https://2.bp.blogspot.com/-92UeJtT4Aac/WS0o3QT4IqI/AAAAAAAAlX4/Kj09sKzOeUMU6MCSipWVc9hw0pEKZcgpACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BMalvagna%2BTriptych%252C%2Bc%2B1515%2B%2528Galleria%2BRegionale%2Bdella%2BSicilia%252C%2BPalermo%2529_0.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' - Malvagna Triptych, c 1515<br />
(Galleria Regionale della Sicilia, Palermo)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-xXfhAtIYzkI/WS0lFPDJtQI/AAAAAAAAlXM/S2-MGe3hV9QrtF2rPmVpwcg2KMXYYyn4gCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BMalvagna%2BTriptych%252C%2Bc%2B1515%2B%2528Galleria%2BRegionale%2Bdella%2BSicilia%252C%2BPalermo%2529_verso.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="330" data-original-width="500" src="https://3.bp.blogspot.com/-xXfhAtIYzkI/WS0lFPDJtQI/AAAAAAAAlXM/S2-MGe3hV9QrtF2rPmVpwcg2KMXYYyn4gCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BMalvagna%2BTriptych%252C%2Bc%2B1515%2B%2528Galleria%2BRegionale%2Bdella%2BSicilia%252C%2BPalermo%2529_verso.JPG" /></a></div>
Jan Gossaert 'Mabuse' - Malvagna Triptych, c 1515_verso<br />
(Galleria Regionale della Sicilia, Palermo)<br />
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Jan Gossaert 'Mabuse' - Malvagna Triptych, c 1515_central panel<br />
(Galleria Regionale della Sicilia, Palermo)<br />
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<a href="https://3.bp.blogspot.com/-g5mLIchnqEw/WS0o3mSEq7I/AAAAAAAAlX8/VHLgK5e-tf0IPfSrmuBp9RGEqbODUbVfQCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BMalvagna%2BTriptych%252C%2Bc%2B1515_central%2Bpanel%2B%2528Galleria%2BRegionale%2Bdella%2BSicilia%252C%2BPalermo%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="939" height="640" src="https://3.bp.blogspot.com/-g5mLIchnqEw/WS0o3mSEq7I/AAAAAAAAlX8/VHLgK5e-tf0IPfSrmuBp9RGEqbODUbVfQCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BMalvagna%2BTriptych%252C%2Bc%2B1515_central%2Bpanel%2B%2528Galleria%2BRegionale%2Bdella%2BSicilia%252C%2BPalermo%2529_.jpg" width="500" /></a></div>
Jan Gossaert 'Mabuse' - Malvagna Triptych, c 1515_central panel<br />
(Galleria Regionale della Sicilia, Palermo)<br />
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<a href="https://3.bp.blogspot.com/-sU6PQbhIVg8/WS0lHuagchI/AAAAAAAAlXg/PIR78El-uuoP0OlB0nwF9tUSuqwdGWEgQCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BMalvagna%2BTriptych%252C%2Bc%2B1515_side%2Bwings%2B%2528Galleria%2BRegionale%2Bdella%2BSicilia%252C%2BPalermo%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1300" data-original-width="1025" height="640" src="https://3.bp.blogspot.com/-sU6PQbhIVg8/WS0lHuagchI/AAAAAAAAlXg/PIR78El-uuoP0OlB0nwF9tUSuqwdGWEgQCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BMalvagna%2BTriptych%252C%2Bc%2B1515_side%2Bwings%2B%2528Galleria%2BRegionale%2Bdella%2BSicilia%252C%2BPalermo%2529.jpg" width="504" /></a></div>
Jan Gossaert 'Mabuse' - Malvagna Triptych, c 1515_side wings<br />
(Galleria Regionale della Sicilia, Palermo)<br />
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<a href="https://1.bp.blogspot.com/-d5Zqvjsmr-g/WS0lG9TjhjI/AAAAAAAAlXc/68Xb0b4_G2UBzJRNvFiq-SPLN-A4Ni2sQCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BMalvagna%2BTriptych%252C%2Bc%2B1515_exterior%2Bwings%2B%2528Galleria%2BRegionale%2Bdella%2BSicilia%252C%2BPalermo%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1300" data-original-width="978" height="640" src="https://1.bp.blogspot.com/-d5Zqvjsmr-g/WS0lG9TjhjI/AAAAAAAAlXc/68Xb0b4_G2UBzJRNvFiq-SPLN-A4Ni2sQCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BMalvagna%2BTriptych%252C%2Bc%2B1515_exterior%2Bwings%2B%2528Galleria%2BRegionale%2Bdella%2BSicilia%252C%2BPalermo%2529.jpg" width="480" /></a></div>
Jan Gossaert 'Mabuse' - Malvagna Triptych, c 1515_side wings_verso<br />
(Galleria Regionale della Sicilia, Palermo)<br />
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<a href="https://3.bp.blogspot.com/-BwfQ3a8Oz4Q/WS0ljg6U9KI/AAAAAAAAlXk/EPOQ0W2eGYAHhN_eWhTlxXf18gj5-f99gCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BMalvagna%2BTriptych%252C%2Bc%2B1515_exterior%2Bwings%2B%2528Galleria%2BRegionale%2Bdella%2BSicilia%252C%2BPalermo%2529_detail.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="855" data-original-width="465" height="640" src="https://3.bp.blogspot.com/-BwfQ3a8Oz4Q/WS0ljg6U9KI/AAAAAAAAlXk/EPOQ0W2eGYAHhN_eWhTlxXf18gj5-f99gCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BMalvagna%2BTriptych%252C%2Bc%2B1515_exterior%2Bwings%2B%2528Galleria%2BRegionale%2Bdella%2BSicilia%252C%2BPalermo%2529_detail.jpg" width="348" /></a></div>
Jan Gossaert 'Mabuse' - Malvagna Triptych, c 1515_left wing_verso<br />
(Galleria Regionale della Sicilia, Palermo)<br />
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<a href="https://2.bp.blogspot.com/-uSId901SNIQ/WS0paEbhCLI/AAAAAAAAlYQ/13LEDtFZmAkpoTXdS204Ha6ilQN-bcB7wCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BKings%252C%2B1510-15%2B%2528NGL%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="727" height="640" src="https://2.bp.blogspot.com/-uSId901SNIQ/WS0paEbhCLI/AAAAAAAAlYQ/13LEDtFZmAkpoTXdS204Ha6ilQN-bcB7wCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BKings%252C%2B1510-15%2B%2528NGL%2529.jpg" width="580" /></a></div>
Jan Gossaert 'Mabuse' - The Adoration of the Kings, 1510-15<br />
(National Gallery London)<br />
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<a href="https://2.bp.blogspot.com/-j3Um2VAkRQQ/WS0pXkBIVcI/AAAAAAAAlYE/BZ3xf6LHf5Y0rtzGvcGHZMKxssQDHcakACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BKings%252C%2B1510-15%2B%2528NGL%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="920" height="640" src="https://2.bp.blogspot.com/-j3Um2VAkRQQ/WS0pXkBIVcI/AAAAAAAAlYE/BZ3xf6LHf5Y0rtzGvcGHZMKxssQDHcakACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BKings%252C%2B1510-15%2B%2528NGL%2529_.jpg" width="574" /></a></div>
Jan Gossaert 'Mabuse' - The Adoration of the Kings, 1510-15<br />
(National Gallery London<br />
.<br />
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<a href="https://4.bp.blogspot.com/-sKBr-gMSK2k/WS0pbzJdnJI/AAAAAAAAlYk/OyeVoonFp_Qp9jFz3_Z5aAzBA48kOVltwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BKings%252C%2B1510-15%2B%2528NGL%2529_detail%2Bsup.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="441" data-original-width="1024" height="274" src="https://4.bp.blogspot.com/-sKBr-gMSK2k/WS0pbzJdnJI/AAAAAAAAlYk/OyeVoonFp_Qp9jFz3_Z5aAzBA48kOVltwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BKings%252C%2B1510-15%2B%2528NGL%2529_detail%2Bsup.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' - The Adoration of the Kings, 1510-15_detail<br />
(National Gallery London<br />
.<br />
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<a href="https://3.bp.blogspot.com/-E0M73LWakzI/WS0paGB6nxI/AAAAAAAAlYU/ZRfZIsxhC4Y8rDGINgDEP8quBNVYsX05wCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BKings%252C%2B1510-15%2B%2528NGL%2529_detail%2Bmed.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="602" data-original-width="1024" height="376" src="https://3.bp.blogspot.com/-E0M73LWakzI/WS0paGB6nxI/AAAAAAAAlYU/ZRfZIsxhC4Y8rDGINgDEP8quBNVYsX05wCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BKings%252C%2B1510-15%2B%2528NGL%2529_detail%2Bmed.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' - The Adoration of the Kings, 1510-15_detail<br />
(National Gallery London<br />
.<br />
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<a href="https://4.bp.blogspot.com/-ahbDiT68tao/WS0pavxQjcI/AAAAAAAAlYY/6O-fSkxve2siJpn4K6dVT5NtQ6eQ00MJgCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BKings%252C%2B1510-15%2B%2528NGL%2529_detail%2Bof%2Bthe%2BVirgin%2Band%2BChild.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1400" data-original-width="1045" height="640" src="https://4.bp.blogspot.com/-ahbDiT68tao/WS0pavxQjcI/AAAAAAAAlYY/6O-fSkxve2siJpn4K6dVT5NtQ6eQ00MJgCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BKings%252C%2B1510-15%2B%2528NGL%2529_detail%2Bof%2Bthe%2BVirgin%2Band%2BChild.jpg" width="476" /></a></div>
Jan Gossaert 'Mabuse' - The Adoration of the Kings, 1510-15_detail<br />
(National Gallery London<br />
.<br />
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<a href="https://2.bp.blogspot.com/-f3HnIZjp0XY/WS0pa8btoGI/AAAAAAAAlYg/GNMnAWjT-qc_blgJ4VnxZ-yVeVRGzt2oQCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BKings%252C%2B1510-15%2B%2528NGL%2529_detail%2Bof%2Bthe%2BVirgin%2Band%2BChild_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="699" data-original-width="1002" height="446" src="https://2.bp.blogspot.com/-f3HnIZjp0XY/WS0pa8btoGI/AAAAAAAAlYg/GNMnAWjT-qc_blgJ4VnxZ-yVeVRGzt2oQCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BKings%252C%2B1510-15%2B%2528NGL%2529_detail%2Bof%2Bthe%2BVirgin%2Band%2BChild_1.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' - The Adoration of the Kings, 1510-15_detail<br />
(National Gallery London<br />
.<br />
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Jan Gossaert 'Mabuse' - The Adoration of the Kings, 1510-15_detail<br />
(National Gallery London<br />
.<br />
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<a href="https://3.bp.blogspot.com/-yeL3qPfJo0A/WS0pYRmc8UI/AAAAAAAAlYI/pgCZryL6p-wUq2bYBFnYfrr_kMEc2nXOACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BKings%252C%2B1510-15%2B%2528NGL%2529_detail%2Bleft%2B2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1462" data-original-width="844" height="640" src="https://3.bp.blogspot.com/-yeL3qPfJo0A/WS0pYRmc8UI/AAAAAAAAlYI/pgCZryL6p-wUq2bYBFnYfrr_kMEc2nXOACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BKings%252C%2B1510-15%2B%2528NGL%2529_detail%2Bleft%2B2.jpg" width="368" /></a></div>
Jan Gossaert 'Mabuse' - The Adoration of the Kings, 1510-15_detail<br />
(National Gallery London<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/--fvf7DAGDUU/WS0pZb5focI/AAAAAAAAlYM/VIMQbplG0hMCrN-si6R6MiRlRmlQFjvSgCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BKings%252C%2B1510-15%2B%2528NGL%2529_detail%2Bleft.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1501" data-original-width="564" height="640" src="https://2.bp.blogspot.com/--fvf7DAGDUU/WS0pZb5focI/AAAAAAAAlYM/VIMQbplG0hMCrN-si6R6MiRlRmlQFjvSgCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BKings%252C%2B1510-15%2B%2528NGL%2529_detail%2Bleft.jpg" width="240" /></a></div>
Jan Gossaert 'Mabuse' - The Adoration of the Kings, 1510-15_detail<br />
(National Gallery London<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-bvNqOCCyaNo/WS0pdQRX52I/AAAAAAAAlYo/BJyhxWpQ9HQSmJgk2S51e4uu-U3ee3icACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BMagi%252C%2B1510-15%2B%2Bdetail.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1536" data-original-width="1487" height="640" src="https://3.bp.blogspot.com/-bvNqOCCyaNo/WS0pdQRX52I/AAAAAAAAlYo/BJyhxWpQ9HQSmJgk2S51e4uu-U3ee3icACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BMagi%252C%2B1510-15%2B%2Bdetail.jpg" width="618" /></a></div>
Jan Gossaert 'Mabuse' - The Adoration of the Kings, 1510-15_detail<br />
(National Gallery London<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-F2u9-alchPk/WS0qTYNBfXI/AAAAAAAAlZA/lFyw8qPEjl8M-O69gOHD8N5q-n2ViKWQwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BTr%25C3%25ADptico%2Bda%2BSagrada%2BFam%25C3%25ADlia%252C%2BMuseu%2BNacional%2Bde%2BArte%2BAntiga%252C%2BLisboa.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="999" data-original-width="1356" height="470" src="https://1.bp.blogspot.com/-F2u9-alchPk/WS0qTYNBfXI/AAAAAAAAlZA/lFyw8qPEjl8M-O69gOHD8N5q-n2ViKWQwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BTr%25C3%25ADptico%2Bda%2BSagrada%2BFam%25C3%25ADlia%252C%2BMuseu%2BNacional%2Bde%2BArte%2BAntiga%252C%2BLisboa.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' - Tríptico da Sagrada Familia<br />
(Museu Nacional de Arte Antiga, Lisboa)<br />
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<a href="https://1.bp.blogspot.com/-eWX-dRVlUFM/WS0qQO4nLgI/AAAAAAAAlYw/RhQGS3gE4RMZpUng4Im6RBbkxoOkQwArQCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BTwo%2BWings%2Bfrom%2Bthe%2BSo-called%2BSalamanca%2BTriptych_exterior%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1559" data-original-width="650" height="640" src="https://1.bp.blogspot.com/-eWX-dRVlUFM/WS0qQO4nLgI/AAAAAAAAlYw/RhQGS3gE4RMZpUng4Im6RBbkxoOkQwArQCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BTwo%2BWings%2Bfrom%2Bthe%2BSo-called%2BSalamanca%2BTriptych_exterior%2B1.jpg" width="266" /></a><a href="https://4.bp.blogspot.com/-mr4Jjwk5gas/WS0qQDGFTqI/AAAAAAAAlY0/1AJEpHBVZMs-YxMRG76kB5BNzmqhE8frQCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BTwo%2BWings%2Bfrom%2Bthe%2BSo-called%2BSalamanca%2BTriptych_exterior%2B2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="637" height="640" src="https://4.bp.blogspot.com/-mr4Jjwk5gas/WS0qQDGFTqI/AAAAAAAAlY0/1AJEpHBVZMs-YxMRG76kB5BNzmqhE8frQCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BTwo%2BWings%2Bfrom%2Bthe%2BSo-called%2BSalamanca%2BTriptych_exterior%2B2.jpg" width="254" /></a></div>
Jan Gossaert 'Mabuse' - Two Wings from the So-called Salamanca Triptych_verso_grisalla<br />
(Toledo Museum of Art, Toledo, Ohio)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-OOh3rhYFBU8/WS0qTCvtTOI/AAAAAAAAlY8/pxuXPDX5l6QKj9SGW4zhqp2BOWPKq_b0ACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BTwo%2BWings%2Bfrom%2Bthe%2BSo-called%2BSalamanca%2BTriptych_interior%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1564" data-original-width="650" height="640" src="https://1.bp.blogspot.com/-OOh3rhYFBU8/WS0qTCvtTOI/AAAAAAAAlY8/pxuXPDX5l6QKj9SGW4zhqp2BOWPKq_b0ACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BTwo%2BWings%2Bfrom%2Bthe%2BSo-called%2BSalamanca%2BTriptych_interior%2B1.jpg" width="264" /></a><a href="https://4.bp.blogspot.com/-GaOH9hnulfI/WS0qUEtR48I/AAAAAAAAlZE/RqwUo6howD002iwtxZayJWzWuBMSoyq5wCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BTwo%2BWings%2Bfrom%2Bthe%2BSo-called%2BSalamanca%2BTriptych_interior%2B2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1445" data-original-width="600" height="640" src="https://4.bp.blogspot.com/-GaOH9hnulfI/WS0qUEtR48I/AAAAAAAAlZE/RqwUo6howD002iwtxZayJWzWuBMSoyq5wCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BTwo%2BWings%2Bfrom%2Bthe%2BSo-called%2BSalamanca%2BTriptych_interior%2B2.jpg" width="264" /></a></div>
Jan Gossaert 'Mabuse' - Two Wings from the So-called Salamanca Triptych<br />
(Toledo Museum of Art, Toledo, Ohio)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-sdc3TeBZhMo/WS0qSQP-zgI/AAAAAAAAlY4/EOwFkHOwH70sp12aRG8WyX3KKE9u4zvbQCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BTwo%2BWings%2Bfrom%2Bthe%2BSo-called%2BSalamanca%2BTriptych_exterior.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1078" height="640" src="https://1.bp.blogspot.com/-sdc3TeBZhMo/WS0qSQP-zgI/AAAAAAAAlY4/EOwFkHOwH70sp12aRG8WyX3KKE9u4zvbQCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BTwo%2BWings%2Bfrom%2Bthe%2BSo-called%2BSalamanca%2BTriptych_exterior.jpg" width="574" /></a></div>
Jan Gossaert 'Mabuse' - Two Wings from the So-called Salamanca Triptych_verso_grisalla<br />
(Toledo Museum of Art, Toledo, Ohio)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-nfoy1RsW980/WS0qUhcoZZI/AAAAAAAAlZI/cSKm2mmM93o3QCpeyKxoENvoOE1Dzk_JwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BTwo%2BWings%2Bfrom%2Bthe%2BSo-called%2BSalamanca%2BTriptych_interior.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1062" height="640" src="https://1.bp.blogspot.com/-nfoy1RsW980/WS0qUhcoZZI/AAAAAAAAlZI/cSKm2mmM93o3QCpeyKxoENvoOE1Dzk_JwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BTwo%2BWings%2Bfrom%2Bthe%2BSo-called%2BSalamanca%2BTriptych_interior.jpg" width="566" /></a></div>
Jan Gossaert 'Mabuse' - Two Wings from the So-called Salamanca Triptych<br />
(Toledo Museum of Art, Toledo, Ohio)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-GJi4Sf1SPR0/WS0q9GRdLpI/AAAAAAAAlZQ/lV_nt03o0eYJdbAfM4GTIIYstm5urGfjgCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAgony%2Bin%2Bthe%2BGarden%252C%2B1510%2B%2528Staatliche%2BMuseen%252C%2BBerlin%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1400" data-original-width="1050" height="640" src="https://4.bp.blogspot.com/-GJi4Sf1SPR0/WS0q9GRdLpI/AAAAAAAAlZQ/lV_nt03o0eYJdbAfM4GTIIYstm5urGfjgCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAgony%2Bin%2Bthe%2BGarden%252C%2B1510%2B%2528Staatliche%2BMuseen%252C%2BBerlin%2529.jpg" width="480" /></a></div>
Jan Gossaert 'Mabuse' - Agony in the Garden, 1510<br />
(Staatliche Museen, Berlin)<br />
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<a href="https://3.bp.blogspot.com/-cSUGMiHmfQ8/WS0rBxUofMI/AAAAAAAAlZc/3sKFc6TULB0urYKrBF6hktBo5yo8HtrPQCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BChrist%2BCarrying%2Bthe%2BCross%252C%2B1520-25%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1264" height="640" src="https://3.bp.blogspot.com/-cSUGMiHmfQ8/WS0rBxUofMI/AAAAAAAAlZc/3sKFc6TULB0urYKrBF6hktBo5yo8HtrPQCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BChrist%2BCarrying%2Bthe%2BCross%252C%2B1520-25%2B%2528MET%2529.jpg" width="504" /></a></div>
Jan Gossaert 'Mabuse' - Christ Carrying the Cross, 1520-25<br />
(MET)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-qZ5sfLD_Nh8/WS0rCNpA_PI/AAAAAAAAlZg/U5eYYOrQ0bcPOfZ5tg71nJspD7mz2E4NACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BChrist%2Bon%2Bthe%2BCold%2BStone%2B1527%2B%2528Sz%25C3%25A9pm%25C3%25BCv%25C3%25A9szeti%2BM%25C3%25BAzeum%252C%2BBudapest%2B%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1007" data-original-width="800" height="640" src="https://2.bp.blogspot.com/-qZ5sfLD_Nh8/WS0rCNpA_PI/AAAAAAAAlZg/U5eYYOrQ0bcPOfZ5tg71nJspD7mz2E4NACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BChrist%2Bon%2Bthe%2BCold%2BStone%2B1527%2B%2528Sz%25C3%25A9pm%25C3%25BCv%25C3%25A9szeti%2BM%25C3%25BAzeum%252C%2BBudapest%2B%2529.jpg" width="508" /></a></div>
Jan Gossaert 'Mabuse' - Christ on the Cold Stone 1527<br />
(Szépmüvészeti Múzeum, Budapest)<br />
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<a href="https://2.bp.blogspot.com/-6TH4xZSapLs/WS0rAw6zzPI/AAAAAAAAlZU/KLkBJPiCOgwIQ212y3A27C2NmFLtQQ61gCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BChrist%2Bon%2Bthe%2BCold%2BStone%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BValencia%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1400" data-original-width="934" height="640" src="https://2.bp.blogspot.com/-6TH4xZSapLs/WS0rAw6zzPI/AAAAAAAAlZU/KLkBJPiCOgwIQ212y3A27C2NmFLtQQ61gCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BChrist%2Bon%2Bthe%2BCold%2BStone%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BValencia%2529.jpg" width="426" /></a></div>
Jan Gossaert 'Mabuse' - Christ on the Cold Stone<br />
(Museo de Bellas Artes de Valencia)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-8BrPOm7QkEM/WS23sOqWePI/AAAAAAAAlho/YlGVQ-46R0saWBHXlQQFoJb_zRsD9AtbACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BChrist%2Bon%2Bthe%2BCold%2BStone%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BValencia%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1203" data-original-width="855" height="640" src="https://4.bp.blogspot.com/-8BrPOm7QkEM/WS23sOqWePI/AAAAAAAAlho/YlGVQ-46R0saWBHXlQQFoJb_zRsD9AtbACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BChrist%2Bon%2Bthe%2BCold%2BStone%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BValencia%2529_.jpg" width="454" /></a></div>
Jan Gossaert 'Mabuse' - Christ on the Cold Stone<br />
(Museo de Bellas Artes de Valencia)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-rVVhLzmlRC0/WS0rD_tT6II/AAAAAAAAlZo/AbJwoCPAHQgpLkwuspnAyBqtcSh4dNtJQCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BDescend%2Bof%2Bthe%2BCross%2B%2528Hermitage%2BMuseum%2529.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1476" data-original-width="1115" height="640" src="https://4.bp.blogspot.com/-rVVhLzmlRC0/WS0rD_tT6II/AAAAAAAAlZo/AbJwoCPAHQgpLkwuspnAyBqtcSh4dNtJQCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BDescend%2Bof%2Bthe%2BCross%2B%2528Hermitage%2BMuseum%2529.jpeg" width="482" /></a></div>
Jan Gossaert 'Mabuse' - Descend of the Cross<br />
(Hermitage Museum)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-z6xSr0dxOko/WS0rD8kvGXI/AAAAAAAAlZk/ehfSljlr3zMqX1yASPdEUqwzDGOaCiiEACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BDescend%2Bof%2Bthe%2BCross%2B%2528Hermitage%2BMuseum%2529__.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1237" height="640" src="https://1.bp.blogspot.com/-z6xSr0dxOko/WS0rD8kvGXI/AAAAAAAAlZk/ehfSljlr3zMqX1yASPdEUqwzDGOaCiiEACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BDescend%2Bof%2Bthe%2BCross%2B%2528Hermitage%2BMuseum%2529__.jpg" width="494" /></a></div>
Jan Gossaert 'Mabuse' - Descend of the Cross<br />
(Hermitage Museum)<br />
.</div>
<div style="text-align: center;">
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<a href="https://3.bp.blogspot.com/-OujEvxn292c/WS0rBePJP6I/AAAAAAAAlZY/rCTIB7H9pykh496DxBbEoKdZ7kg8F2EjQCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BChrist%2Bbetween%2Bthe%2BVirgin%2BMary%2Band%2BSaint%2BJohn%2Bthe%2BBaptist.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1225" data-original-width="1306" height="600" src="https://3.bp.blogspot.com/-OujEvxn292c/WS0rBePJP6I/AAAAAAAAlZY/rCTIB7H9pykh496DxBbEoKdZ7kg8F2EjQCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BChrist%2Bbetween%2Bthe%2BVirgin%2BMary%2Band%2BSaint%2BJohn%2Bthe%2BBaptist.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' - Christ between the Virgin Mary and Saint John the Baptist<br />
(Museo del Prado)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-Q_5QnTa1tVc/WS0sQJFPrWI/AAAAAAAAlaQ/Kz1xnpzj3iYcc0wnpS38PJJqzzDtU0qPwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BMaria%2BMagdalene%2B%2528Boston%252C%2BMuseo%2Bde%2BBellas%2BArtes%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1218" data-original-width="960" height="640" src="https://4.bp.blogspot.com/-Q_5QnTa1tVc/WS0sQJFPrWI/AAAAAAAAlaQ/Kz1xnpzj3iYcc0wnpS38PJJqzzDtU0qPwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BMaria%2BMagdalene%2B%2528Boston%252C%2BMuseo%2Bde%2BBellas%2BArtes%2529.jpg" width="504" /></a></div>
Jan Gossaert 'Mabuse' - Maria Magdalene<br />
(Boston, Museo de Bellas Artes)<br />
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<a href="https://4.bp.blogspot.com/-X5IQhMoiFr4/WS0rRokpT8I/AAAAAAAAlZs/DN2dRv9plNgEQcG2oRQYpt1X52AftfeMACLcB/s1600/Jan%2BGossaert%2BMabuse%2B-%2BNorfolk%2BTriptych.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="416" data-original-width="555" src="https://4.bp.blogspot.com/-X5IQhMoiFr4/WS0rRokpT8I/AAAAAAAAlZs/DN2dRv9plNgEQcG2oRQYpt1X52AftfeMACLcB/s1600/Jan%2BGossaert%2BMabuse%2B-%2BNorfolk%2BTriptych.jpg" /></a></div>
Jan Gossaert Mabuse - Norfolk Triptych<br />
(Side wings: Musées Royaux des Beaux Arts de Belgique;<br />
Central panel: Chrysler Museum of Art, Norfolk, Virginia)<br />
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<a href="https://4.bp.blogspot.com/-35bKcaA9yMQ/WS0rUUm3ZxI/AAAAAAAAlZ0/8Xo4z4T-DM4fHaFtKRNrKmvNyydyKe6HACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BCouple%2Bof%2Bdonors_Wings%2Bof%2Bthe%2BNorfolk%2BTriptych%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux%2BArts%2Bde%2BBelgique%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="1242" height="640" src="https://4.bp.blogspot.com/-35bKcaA9yMQ/WS0rUUm3ZxI/AAAAAAAAlZ0/8Xo4z4T-DM4fHaFtKRNrKmvNyydyKe6HACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BCouple%2Bof%2Bdonors_Wings%2Bof%2Bthe%2BNorfolk%2BTriptych%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux%2BArts%2Bde%2BBelgique%2529.jpg" width="552" /></a></div>
Jan Gossaert 'Mabuse' - Couple of donors_Wings of the Norfolk Triptych<br />
(Musées Royaux des Beaux Arts de Belgique)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-NVSULoqafmg/WS0ritSFpnI/AAAAAAAAlZ4/5nIANrGlO80YtcJimpI3kJkUFRRUgVa_gCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BNorfolk%2BTriptych%252C%2B1525-30%2B%2528central%2Bpanel%2529%2B%2528Chrysler%2BMuseum%2Bof%2BArt%252C%2BNorfolk%252C%2BVirginia%2B%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="922" height="640" src="https://3.bp.blogspot.com/-NVSULoqafmg/WS0ritSFpnI/AAAAAAAAlZ4/5nIANrGlO80YtcJimpI3kJkUFRRUgVa_gCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BNorfolk%2BTriptych%252C%2B1525-30%2B%2528central%2Bpanel%2529%2B%2528Chrysler%2BMuseum%2Bof%2BArt%252C%2BNorfolk%252C%2BVirginia%2B%2529.jpg" width="490" /></a></div>
Jan Gossaert 'Mabuse' - The Norfolk Triptych, 1525-30 (central panel)<br />
(Chrysler Museum of Art, Norfolk, Virginia)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-Ph_W2olSD3U/WS0rSZJifnI/AAAAAAAAlZw/eSwfsoNdt_E3NB824HpoBiSqGJDrTq4CACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BCouple%2Bof%2Bdonors_Wings%2Bof%2Bthe%2BNorfolk%2BTriptych%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux%2BArts%2Bde%2BBelgique%2529_verso.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1100" data-original-width="727" height="640" src="https://4.bp.blogspot.com/-Ph_W2olSD3U/WS0rSZJifnI/AAAAAAAAlZw/eSwfsoNdt_E3NB824HpoBiSqGJDrTq4CACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BCouple%2Bof%2Bdonors_Wings%2Bof%2Bthe%2BNorfolk%2BTriptych%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux%2BArts%2Bde%2BBelgique%2529_verso.jpg" width="422" /></a></div>
Jan Gossaert 'Mabuse' - Couple of donors_Wings of the Norfolk Triptych_verso<br />
(Musées Royaux des Beaux Arts de Belgique)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-qyydOtUd0Ms/WS0r_sz2r1I/AAAAAAAAlaA/M2eBm_2XXgIaPp4pl2_n8I2BiQq1__9awCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B%2528Circle%2Bof%2BJG%2529%2B-%2BAdortation%2Bof%2Bthe%2BKings%2BTriptych%2B%2528NGL%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="759" data-original-width="1024" height="474" src="https://1.bp.blogspot.com/-qyydOtUd0Ms/WS0r_sz2r1I/AAAAAAAAlaA/M2eBm_2XXgIaPp4pl2_n8I2BiQq1__9awCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B%2528Circle%2Bof%2BJG%2529%2B-%2BAdortation%2Bof%2Bthe%2BKings%2BTriptych%2B%2528NGL%2529_.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' (Circle of JG) - Adortation of the Kings Triptych<br />
(NGL)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-eA0Ngq8Jdps/WS0sABGzuiI/AAAAAAAAlaE/9TJfIrmR0RI8xkotcRmVorp6GCSIZzCqwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B%2528Circle%2Bof%2529%2B-%2BAdoration%2Bof%2Bthe%2BKings%2BTriptych%2B%2528NGL%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1176" height="488" src="https://4.bp.blogspot.com/-eA0Ngq8Jdps/WS0sABGzuiI/AAAAAAAAlaE/9TJfIrmR0RI8xkotcRmVorp6GCSIZzCqwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B%2528Circle%2Bof%2529%2B-%2BAdoration%2Bof%2Bthe%2BKings%2BTriptych%2B%2528NGL%2529.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' (Circle of JG) - Adortation of the Kings Triptych<br />
(NGL)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-0ZR3FPZ4Wx0/WS0r_P8RH9I/AAAAAAAAlZ8/3cing-GSnFIFCQphezQ2lJ6LPucvQqBtwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B%2528Circle%2Bof%2529%2B-%2BAdoration%2Bof%2Bthe%2BKings%2BTriptych%2B%2528NGL%2529_detail.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="834" data-original-width="564" height="640" src="https://1.bp.blogspot.com/-0ZR3FPZ4Wx0/WS0r_P8RH9I/AAAAAAAAlZ8/3cing-GSnFIFCQphezQ2lJ6LPucvQqBtwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B%2528Circle%2Bof%2529%2B-%2BAdoration%2Bof%2Bthe%2BKings%2BTriptych%2B%2528NGL%2529_detail.jpg" width="432" /></a></div>
Jan Gossaert 'Mabuse' (Circle of JG) - Adortation of the Kings Triptych_detail<br />
(NGL)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://2.bp.blogspot.com/-hkCy0xSOSuw/WS0sPzhyBWI/AAAAAAAAlaI/fEFx-gulpkwpZmihIpnr5gGzfugSWAmAACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BMary%2BMagdalene%252C%2B%2528NGL%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1059" data-original-width="800" height="640" src="https://2.bp.blogspot.com/-hkCy0xSOSuw/WS0sPzhyBWI/AAAAAAAAlaI/fEFx-gulpkwpZmihIpnr5gGzfugSWAmAACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BMary%2BMagdalene%252C%2B%2528NGL%2529.jpg" width="482" /></a></div>
Jan Gossaert 'Mabuse' (attr) - Mary Magdalene<br />
(NGL)<br />
.<br />
<a href="https://1.bp.blogspot.com/-u6IC9DwnIOs/WS01GBgKG4I/AAAAAAAAlfg/i3KyiustE_Evod4bYN6MEnAwx7IvDYAMwCEw/s1600/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="86" data-original-width="1498" height="35" src="https://1.bp.blogspot.com/-u6IC9DwnIOs/WS01GBgKG4I/AAAAAAAAlfg/i3KyiustE_Evod4bYN6MEnAwx7IvDYAMwCEw/s640/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" width="640" /></a><br />
<br />
<br />
<b>MITOLOGÍA</b><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-ZdjE5I3zaog/WS0tjPKzwkI/AAAAAAAAlak/vqIYgRppteAXG1kko4jNqpk15eoYSxvOwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BDanae%252C%2B1527%2B%2528Alte%2BPinakothek%252C%2BM%25C3%25BCnchen%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1192" height="640" src="https://1.bp.blogspot.com/-ZdjE5I3zaog/WS0tjPKzwkI/AAAAAAAAlak/vqIYgRppteAXG1kko4jNqpk15eoYSxvOwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BDanae%252C%2B1527%2B%2528Alte%2BPinakothek%252C%2BM%25C3%25BCnchen%2529.jpg" width="476" /></a></div>
Jan Gossaert 'Mabuse' - Danae, 1527<br />
(Alte Pinakothek, München)<br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-WSJglZ2hI0s/WS0td_8norI/AAAAAAAAlac/C3Er4DscfF8acEL8gPZjNswGcfXTOFqMQCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BDanae%252C%2B1527%2B%2528Alte%2BPinakothek%252C%2BM%25C3%25BCnchen%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="888" data-original-width="736" height="640" src="https://3.bp.blogspot.com/-WSJglZ2hI0s/WS0td_8norI/AAAAAAAAlac/C3Er4DscfF8acEL8gPZjNswGcfXTOFqMQCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BDanae%252C%2B1527%2B%2528Alte%2BPinakothek%252C%2BM%25C3%25BCnchen%2529_.jpg" width="530" /></a></div>
Jan Gossaert 'Mabuse' - Danae, 1527<br />
(Alte Pinakothek, München)<br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-cpAPPZfLcTw/WS0tibl-sjI/AAAAAAAAlag/Q7qFNAvevqIezqJlE0LP9aIOUbfqEN4fwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BDanae%252C%2B1527_detail%2B0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1076" data-original-width="1434" height="480" src="https://3.bp.blogspot.com/-cpAPPZfLcTw/WS0tibl-sjI/AAAAAAAAlag/Q7qFNAvevqIezqJlE0LP9aIOUbfqEN4fwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BDanae%252C%2B1527_detail%2B0.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' - Danae, 1527_detail<br />
(Alte Pinakothek, München)<br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-HLcvbU5a9No/WS0tk5FkyJI/AAAAAAAAlaw/DKc6_3EjTsgBSnsqZR8dSRDtbOSkQI1oACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BDanae%252C%2B1527_detail.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://2.bp.blogspot.com/-HLcvbU5a9No/WS0tk5FkyJI/AAAAAAAAlaw/DKc6_3EjTsgBSnsqZR8dSRDtbOSkQI1oACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BDanae%252C%2B1527_detail.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' - Danae, 1527_detail<br />
(Alte Pinakothek, München)<br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-bN1OxsWGdiU/WS0tkspOrlI/AAAAAAAAlao/PjwRvNU-PMgrvP10YqHHEFwTepjJcGpVACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BHercules%2Band%2BDeianeira%252C%2B1517%2B%2528Barber%2BInstitute%2BBirmingham%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1108" data-original-width="800" height="640" src="https://4.bp.blogspot.com/-bN1OxsWGdiU/WS0tkspOrlI/AAAAAAAAlao/PjwRvNU-PMgrvP10YqHHEFwTepjJcGpVACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BHercules%2Band%2BDeianeira%252C%2B1517%2B%2528Barber%2BInstitute%2BBirmingham%2529.jpg" width="462" /></a></div>
Jan Gossaert 'Mabuse' - Hercules and Deianeira, 1517<br />
(Barber Institute Birmingham)<br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-mLOGGCLB_Pg/WS0tkt22u8I/AAAAAAAAlas/06Df2wnuHnYdICXaVxrc3gikpg3UIdwhACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BHercules%2Band%2BDeianeira%252C%2B1517.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1018" data-original-width="736" height="640" src="https://3.bp.blogspot.com/-mLOGGCLB_Pg/WS0tkt22u8I/AAAAAAAAlas/06Df2wnuHnYdICXaVxrc3gikpg3UIdwhACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BHercules%2Band%2BDeianeira%252C%2B1517.jpg" width="462" /></a></div>
Jan Gossaert 'Mabuse' - Hercules and Deianeira, 1517<br />
(Barber Institute Birmingham)<br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-clsqaCtZeww/WS0vOavUr4I/AAAAAAAAlb0/4__hF16xvogatcrvx47W9k4Xy7pM2njswCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BHermaphrodite%2B%2526%2BSalmacis.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1137" height="640" src="https://3.bp.blogspot.com/-clsqaCtZeww/WS0vOavUr4I/AAAAAAAAlb0/4__hF16xvogatcrvx47W9k4Xy7pM2njswCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BHermaphrodite%2B%2526%2BSalmacis.jpg" width="454" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
Jan Gossaert 'Mabuse' - Jan Gossaert, Hermaphrodite & Salmacis</div>
<div class="separator" style="clear: both; text-align: center;">
<span style="background-color: white;"><span style="font-family: inherit;"><span style="text-align: left;">(Museo Boijmans Van Beuningen, </span><a href="https://es.wikipedia.org/wiki/R%C3%B3terdam" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0b0080; text-align: left; text-decoration-line: none;" title="Róterdam">Róterdam</a>)</span></span></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-2xoQuEIaXvA/WS0utUvtxzI/AAAAAAAAlbo/gKlqrv0Lm2EcwdTG6ac5FwXOfMCAxUKmgCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BJan%2BGossaert%252C%2BHermaphrodite%2B%2526%2BSalmacis%252C%2Bdetail.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="964" height="640" src="https://1.bp.blogspot.com/-2xoQuEIaXvA/WS0utUvtxzI/AAAAAAAAlbo/gKlqrv0Lm2EcwdTG6ac5FwXOfMCAxUKmgCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BJan%2BGossaert%252C%2BHermaphrodite%2B%2526%2BSalmacis%252C%2Bdetail.jpg" width="384" /></a></div>
<div class="separator" style="clear: both;">
Jan Gossaert 'Mabuse' - Jan Gossaert, Hermaphrodite & Salmacis</div>
<div class="separator" style="clear: both;">
<span style="background-color: white;"><span style="font-family: inherit;"><span style="text-align: left;">(Museo Boijmans Van Beuningen, </span><a href="https://es.wikipedia.org/wiki/R%C3%B3terdam" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0b0080; text-align: left; text-decoration-line: none;" title="Róterdam">Róterdam</a>)</span></span></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-9D4eLLe9wF0/WS0tsA6CgeI/AAAAAAAAla8/onRIFMvmeOUyVkcZfU_ctqz6NDdCnIdEgCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BNeptune%2Band%2BAmphitrite%252C%2B1516%2B%2528Gem%25C3%25A4ldegalerie%2Bder%2BStaatlichen%2BMuseen%2Bzu%2BBerlin%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1072" height="640" src="https://2.bp.blogspot.com/-9D4eLLe9wF0/WS0tsA6CgeI/AAAAAAAAla8/onRIFMvmeOUyVkcZfU_ctqz6NDdCnIdEgCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BNeptune%2Band%2BAmphitrite%252C%2B1516%2B%2528Gem%25C3%25A4ldegalerie%2Bder%2BStaatlichen%2BMuseen%2Bzu%2BBerlin%2529.jpg" width="428" /></a></div>
Jan Gossaert 'Mabuse' - Neptune and Amphitrite, 1516<br />
(Gemäldegalerie der Staatlichen Museen zu Berlin)<br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-5OzroTPH4LE/WS0ts0589sI/AAAAAAAAlbE/nxzVKzO3_K4yuvbr0aLzVNmydxvMjSaiACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BNeptune%2Band%2BAmphritrite%252C%2B1516%2B%2528Gem%25C3%25A4ldegalerie%252C%2BBerlin%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="664" data-original-width="1026" height="414" src="https://1.bp.blogspot.com/-5OzroTPH4LE/WS0ts0589sI/AAAAAAAAlbE/nxzVKzO3_K4yuvbr0aLzVNmydxvMjSaiACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BNeptune%2Band%2BAmphritrite%252C%2B1516%2B%2528Gem%25C3%25A4ldegalerie%252C%2BBerlin%2529.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' - Neptune and Amphitrite, 1516_detail<br />
(Gemäldegalerie der Staatlichen Museen zu Berlin)<br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-xAglXTuA9nQ/WS0ttEAMLrI/AAAAAAAAlbI/mrof2LyxEZsKCVT4zXU3omF0yET2K01sQCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BNeptune%2Bet%2BAmphitrite%2BJan%2BGossaert%2B1516_detail%2Binf.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="750" data-original-width="469" height="640" src="https://4.bp.blogspot.com/-xAglXTuA9nQ/WS0ttEAMLrI/AAAAAAAAlbI/mrof2LyxEZsKCVT4zXU3omF0yET2K01sQCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BNeptune%2Bet%2BAmphitrite%2BJan%2BGossaert%2B1516_detail%2Binf.jpg" width="400" /></a></div>
Jan Gossaert 'Mabuse' - Neptune and Amphitrite, 1516_detail<br />
(Gemäldegalerie der Staatlichen Museen zu Berlin)<br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-Gf6CxWfNaP4/WS0v5NHvrwI/AAAAAAAAlb8/JCpcfizzxKMkaF36WWAqEffOzodXUUinQCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVenus%2Band%2BCupid%252C%2B1521%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%2Bde%2BBelgique%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="860" data-original-width="730" height="640" src="https://1.bp.blogspot.com/-Gf6CxWfNaP4/WS0v5NHvrwI/AAAAAAAAlb8/JCpcfizzxKMkaF36WWAqEffOzodXUUinQCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVenus%2Band%2BCupid%252C%2B1521%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%2Bde%2BBelgique%2529.jpg" width="542" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
Jan Gossaert 'Mabuse' - Venus and Cupid, 1521</div>
<div class="separator" style="clear: both; text-align: center;">
(Musées Royaux des Beaux-Arts de Belgique)</div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-dQwPv2sWvec/WS0tuQKjKDI/AAAAAAAAlbM/bZehRvpHSEQEkOMJhz0txBM9tt8XiEbjACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVenus%2Band%2BCupid%252C%2B1521%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%2Bde%2BBelgique%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1020" data-original-width="809" height="640" src="https://1.bp.blogspot.com/-dQwPv2sWvec/WS0tuQKjKDI/AAAAAAAAlbM/bZehRvpHSEQEkOMJhz0txBM9tt8XiEbjACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVenus%2Band%2BCupid%252C%2B1521%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%2Bde%2BBelgique%2529_.jpg" width="506" /></a></div>
<div class="separator" style="clear: both;">
Jan Gossaert 'Mabuse' - Venus and Cupid, 1521</div>
<div class="separator" style="clear: both;">
(Musées Royaux des Beaux-Arts de Belgique)</div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-yOqq-bIqZvE/WS0tulgDQVI/AAAAAAAAlbU/7vYVkhiG6QgNDMzmwbrOCK8HvfXLsS-cwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVenus%2Band%2Bthe%2BMirror.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1446" data-original-width="736" height="640" src="https://4.bp.blogspot.com/-yOqq-bIqZvE/WS0tulgDQVI/AAAAAAAAlbU/7vYVkhiG6QgNDMzmwbrOCK8HvfXLsS-cwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVenus%2Band%2Bthe%2BMirror.jpg" width="324" /></a></div>
Jan Gossaert 'Mabuse' - Venus and the Mirror, c 1521<br />
<span style="background-color: white; font-variant-ligatures: common-ligatures; text-align: left;"><span style="font-family: inherit;">(Pinacoteca dell'Accademia dei concordi e del seminario vescovile, Rovigo.</span></span><br />
<span style="background-color: white; font-variant-ligatures: common-ligatures; text-align: left;"><span style="font-family: inherit;"> Kunsthistorisches Museum, Vienna KHM)</span></span><br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-MsJjkC61uVs/WS2ooZCdZiI/AAAAAAAAlgQ/R0zGr2kr27cFc-tRKkfKUe_ISoxy6WA5QCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVenus%2Band%2Bthe%2BMirror_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="300" height="640" src="https://4.bp.blogspot.com/-MsJjkC61uVs/WS2ooZCdZiI/AAAAAAAAlgQ/R0zGr2kr27cFc-tRKkfKUe_ISoxy6WA5QCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BVenus%2Band%2Bthe%2BMirror_.jpg" width="320" /></a></div>
Jan Gossaert 'Mabuse' - Venus and the Mirror, c 1521<br />
<span style="background-color: white; font-variant-ligatures: common-ligatures; text-align: left;"><span style="font-family: inherit;">(Pinacoteca dell'Accademia dei concordi e del seminario vescovile, Rovigo.</span></span><br />
<span style="background-color: white; font-variant-ligatures: common-ligatures; text-align: left;"><span style="font-family: inherit;"> Kunsthistorisches Museum, Vienna KHM)</span></span><br />
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<a href="https://1.bp.blogspot.com/-u6IC9DwnIOs/WS01GBgKG4I/AAAAAAAAlfg/i3KyiustE_Evod4bYN6MEnAwx7IvDYAMwCEw/s1600/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="86" data-original-width="1498" height="35" src="https://1.bp.blogspot.com/-u6IC9DwnIOs/WS01GBgKG4I/AAAAAAAAlfg/i3KyiustE_Evod4bYN6MEnAwx7IvDYAMwCEw/s640/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" width="640" /></a><br />
<br />
<br />
<b>RETRATOS</b><br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-0JBm16fA4eo/WS0xBc6SycI/AAAAAAAAlcM/UOOmrC6YJgk1euJKzpMKzMeIThPSUgALACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BA%2BMan%2Bholding%2Ba%2BGlove%2B%2528National%2BGallery%252C%2Blondon%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="551" height="640" src="https://1.bp.blogspot.com/-0JBm16fA4eo/WS0xBc6SycI/AAAAAAAAlcM/UOOmrC6YJgk1euJKzpMKzMeIThPSUgALACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BA%2BMan%2Bholding%2Ba%2BGlove%2B%2528National%2BGallery%252C%2Blondon%2529.jpg" width="440" /></a></div>
Jan Gossaert 'Mabuse' - A Man holding a Glove<br />
(National Gallery, London)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-TKsEPCazHas/WS0xGaDnoHI/AAAAAAAAlcY/G_L-smMR2KkpBDUG-rdS2bYHK4PMlxAPgCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BA%2Bman%2Bwith%2BPansies%2Band%2Ba%2BSkull%252C%2B1535%2B%2528Londres.%2BNational%2BGallery%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1258" height="640" src="https://4.bp.blogspot.com/-TKsEPCazHas/WS0xGaDnoHI/AAAAAAAAlcY/G_L-smMR2KkpBDUG-rdS2bYHK4PMlxAPgCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BA%2Bman%2Bwith%2BPansies%2Band%2Ba%2BSkull%252C%2B1535%2B%2528Londres.%2BNational%2BGallery%2529.jpg" width="502" /></a></div>
Jan Gossaert 'Mabuse' - A man with Pansies and a Skull, 1535<br />
(Londres. National Gallery)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-HshJzJKuEFg/WS0xIyxjVxI/AAAAAAAAlcg/RCFRGd1n9nILz1dZlO3v7_jhRZyvnwi4ACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BA%2Bmerchant%2B%255BNGOA.Washington%2BDC%255D_0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1187" height="640" src="https://3.bp.blogspot.com/-HshJzJKuEFg/WS0xIyxjVxI/AAAAAAAAlcg/RCFRGd1n9nILz1dZlO3v7_jhRZyvnwi4ACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BA%2Bmerchant%2B%255BNGOA.Washington%2BDC%255D_0.jpg" width="474" /></a></div>
Jan Gossaert 'Mabuse' - A merchant<br />
(NGoA.Washington DC)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-Rc1JMLFXokc/WS0xEmlf-II/AAAAAAAAlcU/MvPaqP-JLAQYZuFc5wQOeVORO8QlEWp3gCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BA%2Bmerchant%2B%255BNGOA.Washington%2BDC%255D_detail.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="725" data-original-width="552" height="640" src="https://2.bp.blogspot.com/-Rc1JMLFXokc/WS0xEmlf-II/AAAAAAAAlcU/MvPaqP-JLAQYZuFc5wQOeVORO8QlEWp3gCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BA%2Bmerchant%2B%255BNGOA.Washington%2BDC%255D_detail.jpg" width="486" /></a></div>
Jan Gossaert 'Mabuse' - A merchant_detail<br />
(NGoA.Washington DC)<br />
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<div class="separator" style="clear: both;">
<a href="https://1.bp.blogspot.com/-FhEcrg79Kww/WS0xDPkiwQI/AAAAAAAAlcQ/xMIPEui0Pu418gqUKqRMjOfO6rcyI6dRQCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BA%2BYoung%2BPrincess%2B%2528National%2BGallery%252C%2BLondon%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="854" data-original-width="698" height="640" src="https://1.bp.blogspot.com/-FhEcrg79Kww/WS0xDPkiwQI/AAAAAAAAlcQ/xMIPEui0Pu418gqUKqRMjOfO6rcyI6dRQCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BA%2BYoung%2BPrincess%2B%2528National%2BGallery%252C%2BLondon%2529.jpg" width="522" /></a></div>
Jan Gossaert 'Mabuse' - A Young Princess (Dorothea of Denmark), 1530-32<br />
(National Gallery London<br />
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<a href="https://3.bp.blogspot.com/-jf0G_hu_Gyk/WS0xBR9NbCI/AAAAAAAAlcI/YdXEEJDi4-kNrO7NZXdTHWviZlUTr5OGgCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BA%2BYoung%2BPrincess%2B%2528Dorothea%2Bof%2BDenmark%2529%252C%2B1530-32%2528NGL%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="777" data-original-width="593" height="640" src="https://3.bp.blogspot.com/-jf0G_hu_Gyk/WS0xBR9NbCI/AAAAAAAAlcI/YdXEEJDi4-kNrO7NZXdTHWviZlUTr5OGgCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BA%2BYoung%2BPrincess%2B%2528Dorothea%2Bof%2BDenmark%2529%252C%2B1530-32%2528NGL%2529.jpg" width="488" /></a></div>
Jan Gossaert 'Mabuse' - A Young Princess (Dorothea of Denmark), 1530-32<br />
(National Gallery London)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/--hoIGLo58as/WS0xBLkTKNI/AAAAAAAAlcE/VfU5svnlaEIkBR3RH9yhyCtsRvzeoTQKQCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BA%2BYoung%2BPrincess%2B%2528Dorothea%2Bof%2BDenmark%2529%252C%2B1530-32%2528NGL%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="777" height="640" src="https://2.bp.blogspot.com/--hoIGLo58as/WS0xBLkTKNI/AAAAAAAAlcE/VfU5svnlaEIkBR3RH9yhyCtsRvzeoTQKQCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BA%2BYoung%2BPrincess%2B%2528Dorothea%2Bof%2BDenmark%2529%252C%2B1530-32%2528NGL%2529_.jpg" width="484" /></a></div>
Jan Gossaert 'Mabuse' - A Young Princess (Dorothea of Denmark), 1530-32<br />
(National Gallery London<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-Usn6tIqEQGY/WS0xK_W_AtI/AAAAAAAAlco/tjb3VPJns2oMoWaG2m8k8x9rdqazzWeMwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAn%2BElderly%2BCouple%2Babout%252C%2B1520.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1108" data-original-width="1600" height="442" src="https://3.bp.blogspot.com/-Usn6tIqEQGY/WS0xK_W_AtI/AAAAAAAAlco/tjb3VPJns2oMoWaG2m8k8x9rdqazzWeMwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAn%2BElderly%2BCouple%2Babout%252C%2B1520.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' - An Elderly Couple about, 1520<br />
(NGL)<br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-V5RFPTxx_RM/WS0xIGrG1WI/AAAAAAAAlcc/VXysu49cJ9o5cm2VkR0mZIO-py8BY8FmwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAnna%2Bvan%2BBergen%252C%2B1526%2B1530.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1300" data-original-width="1025" height="640" src="https://2.bp.blogspot.com/-V5RFPTxx_RM/WS0xIGrG1WI/AAAAAAAAlcc/VXysu49cJ9o5cm2VkR0mZIO-py8BY8FmwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAnna%2Bvan%2BBergen%252C%2B1526%2B1530.jpg" width="504" /></a></div>
Jan Gossaert Mabuse - Anna van Bergen, 1530<br />
(Clark Art Institute; MA)<br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-1LgMUBWtA80/WS0xKo0RukI/AAAAAAAAlck/gHw4CMbj-6s40XwjdDcAa91JjetWxWalQCLcB/s1600/Jan%2BGossaert%2BMabuse%2B-%2BAnna%2Bvan%2BBergen%252C%2B1530%2B%2528Clark%2BArt%2BInstitute%253B%2BMA%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="700" data-original-width="540" height="640" src="https://2.bp.blogspot.com/-1LgMUBWtA80/WS0xKo0RukI/AAAAAAAAlck/gHw4CMbj-6s40XwjdDcAa91JjetWxWalQCLcB/s640/Jan%2BGossaert%2BMabuse%2B-%2BAnna%2Bvan%2BBergen%252C%2B1530%2B%2528Clark%2BArt%2BInstitute%253B%2BMA%2529.jpg" width="492" /></a></div>
Jan Gossaert Mabuse - Anna van Bergen, 1530<br />
(Clark Art Institute; MA)<br />
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<div class="separator" style="clear: both;">
<a href="https://4.bp.blogspot.com/-mjUssxcbIjI/WS0yag-MxxI/AAAAAAAAlc4/cT70pReHZ9k-eS0RNzo8DL64IYYeTlM2ACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BDiptych%2Bof%2BJean%2BCarondelet%252C%2B1517_complet.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="568" data-original-width="1600" height="226" src="https://4.bp.blogspot.com/-mjUssxcbIjI/WS0yag-MxxI/AAAAAAAAlc4/cT70pReHZ9k-eS0RNzo8DL64IYYeTlM2ACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BDiptych%2Bof%2BJean%2BCarondelet%252C%2B1517_complet.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' - Diptych of Jean Carondelet, 1517<br />
(Musée du Louvre)<br />
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<a href="https://2.bp.blogspot.com/-F7iy1Bogl8w/WS0yah4dJuI/AAAAAAAAlc8/NEtj9jCCa5gsv9Bvfa0qRqDzO-8Em1F2QCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BDiptych%2Bof%2BJean%2BCarondelet%252C%2B1517%2B%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1141" data-original-width="1470" height="496" src="https://2.bp.blogspot.com/-F7iy1Bogl8w/WS0yah4dJuI/AAAAAAAAlc8/NEtj9jCCa5gsv9Bvfa0qRqDzO-8Em1F2QCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BDiptych%2Bof%2BJean%2BCarondelet%252C%2B1517%2B%25282%2529.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' - Diptych of Jean Carondelet, 1517<br />
(Musée du Louvre)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-k4vjYDG1zEo/WS0yXNohYDI/AAAAAAAAlcw/ADCecYwZ6bUpqqmIJPrfHuMR5VY8RscVQCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BDiptych%2Bof%2BJean%2BCarondelet%252C%2B1517.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1100" data-original-width="1448" height="486" src="https://4.bp.blogspot.com/-k4vjYDG1zEo/WS0yXNohYDI/AAAAAAAAlcw/ADCecYwZ6bUpqqmIJPrfHuMR5VY8RscVQCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BDiptych%2Bof%2BJean%2BCarondelet%252C%2B1517.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' - Diptych of Jean Carondelet, 1517<br />
(Musée du Louvre)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-AqRrYZcRjYE/WS0yY9g7qEI/AAAAAAAAlc0/r39ycuS5k3AUI-BUm5gTxGyZmf7GMsFgACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BDiptych%2Bof%2BJean%2BCarondelet%252C%2B1517_verso.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="559" data-original-width="758" height="470" src="https://1.bp.blogspot.com/-AqRrYZcRjYE/WS0yY9g7qEI/AAAAAAAAlc0/r39ycuS5k3AUI-BUm5gTxGyZmf7GMsFgACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BDiptych%2Bof%2BJean%2BCarondelet%252C%2B1517_verso.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' - Diptych of Jean Carondelet, 1517_verso<br />
(Musée du Louvre)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-lMBzSamAfuI/WS0yfkxDbYI/AAAAAAAAldE/izpwabJzGYgzbWCioR0HNCjooTy90loQgCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BHenry%2BIII%2Bof%2BNassau%2BBreda.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1263" height="640" src="https://3.bp.blogspot.com/-lMBzSamAfuI/WS0yfkxDbYI/AAAAAAAAldE/izpwabJzGYgzbWCioR0HNCjooTy90loQgCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BHenry%2BIII%2Bof%2BNassau%2BBreda.jpg" width="504" /></a></div>
Jan Gossaert 'Mabuse' - Henry III of Nassau Breda<br />
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<a href="https://1.bp.blogspot.com/-u-Dsb50gJTU/WS0yeKdS7dI/AAAAAAAAldA/1p8vYd0grnM5ciKPb4VCUhtrjNZtVCdHACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BMan%2Bwith%2Ba%2BRosary%2B%2528National%2BGallery%2BLondon%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="571" height="640" src="https://1.bp.blogspot.com/-u-Dsb50gJTU/WS0yeKdS7dI/AAAAAAAAldA/1p8vYd0grnM5ciKPb4VCUhtrjNZtVCdHACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BMan%2Bwith%2Ba%2BRosary%2B%2528National%2BGallery%2BLondon%2529.jpg" width="456" /></a></div>
Jan Gossaert 'Mabuse' - Man with a Rosary<br />
(National Gallery London)<br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-aMSyjxrfoF0/WS0yhYHSuMI/AAAAAAAAldI/U-TFXSmwBLANnt4cbBY8hXDBQQ-uL1JhACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BMan%2Bwith%2Ba%2BRosary%252C%2Bc%2B1525-30%2B%255BNG.London%255D.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1130" height="640" src="https://1.bp.blogspot.com/-aMSyjxrfoF0/WS0yhYHSuMI/AAAAAAAAldI/U-TFXSmwBLANnt4cbBY8hXDBQQ-uL1JhACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BMan%2Bwith%2Ba%2BRosary%252C%2Bc%2B1525-30%2B%255BNG.London%255D.jpg" width="450" /></a></div>
Jan Gossaert 'Mabuse' - Man with a Rosary<br />
(National Gallery London)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-bzatMUd9G-Q/WS0ykyc0ZtI/AAAAAAAAldU/aSUdgQnzNGseG8OgzaiJiExp_ornOripQCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2Ba%2BGentleman%252C%2B1530%2B%2528Sterling%2Band%2BFrancine%2BClark%2BArt%2BInstitute%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1290" height="640" src="https://2.bp.blogspot.com/-bzatMUd9G-Q/WS0ykyc0ZtI/AAAAAAAAldU/aSUdgQnzNGseG8OgzaiJiExp_ornOripQCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2Ba%2BGentleman%252C%2B1530%2B%2528Sterling%2Band%2BFrancine%2BClark%2BArt%2BInstitute%2529.jpg" width="514" /></a></div>
Jan Gossaert 'Mabuse' - Portrait of a Gentleman, 1530<br />
(Sterling and Francine Clark Art Institute)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-rQ4Fnt4HtoM/WS0yiqgsi4I/AAAAAAAAldM/0AMfbaGFJ-UODT5l5pEf9XXKUqkHYEjxwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2Ba%2BGentleman%252C%2B1530_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="380" height="640" src="https://2.bp.blogspot.com/-rQ4Fnt4HtoM/WS0yiqgsi4I/AAAAAAAAldM/0AMfbaGFJ-UODT5l5pEf9XXKUqkHYEjxwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2Ba%2BGentleman%252C%2B1530_.jpg" width="304" /></a></div>
Jan Gossaert 'Mabuse' - Portrait of a Gentleman, 1530_detail<br />
(Sterling and Francine Clark Art Institute)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-JoBRG6tps_c/WS0ykubvzQI/AAAAAAAAldQ/qQFjvje9ILkxXjhmHqYxkN5FRd5x5MEhgCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2BA%2Bman%2B%2B2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1255" height="640" src="https://1.bp.blogspot.com/-JoBRG6tps_c/WS0ykubvzQI/AAAAAAAAldQ/qQFjvje9ILkxXjhmHqYxkN5FRd5x5MEhgCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2BA%2Bman%2B%2B2.jpg" width="502" /></a></div>
Jan Gossaert 'Mabuse' - Portrait of A man (self-portrait?)<br />
<span style="background-color: white; color: #545454; text-align: left;"><span style="font-family: inherit;">(Pushkin Museum of Fine Arts)</span></span><br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-O0ee9LIAsjs/WS2yKJkAnxI/AAAAAAAAlg4/7fZM19UH_Gwq_H25OX8InNk9C2daaaeQACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2BA%2Bman%2B%2B%2528self%2Bportrait%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="941" data-original-width="736" height="640" src="https://1.bp.blogspot.com/-O0ee9LIAsjs/WS2yKJkAnxI/AAAAAAAAlg4/7fZM19UH_Gwq_H25OX8InNk9C2daaaeQACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2BA%2Bman%2B%2B%2528self%2Bportrait%2529.jpg" width="500" /></a></div>
Jan Gossaert 'Mabuse' - Portrait of A man (self-portrait?)<br />
<span style="background-color: white; color: #545454; text-align: left;"><span style="font-family: inherit;">(Pushkin Museum of Fine Arts)</span></span><br />
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Jan Gossaert Mabuse - Portrait of a Man<br />
(Clark Art Institute, MA)<br />
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<a href="https://2.bp.blogspot.com/-rJv7UQVT1FM/WS0y3f0pNtI/AAAAAAAAldw/WZ2o2o4YKN4czewR1DMVhHQ2WyEZuzmfwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2Ba%2BMan%2B%2528Kunsthistorisches%2BMuseum%2BViena%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1070" height="640" src="https://2.bp.blogspot.com/-rJv7UQVT1FM/WS0y3f0pNtI/AAAAAAAAldw/WZ2o2o4YKN4czewR1DMVhHQ2WyEZuzmfwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2Ba%2BMan%2B%2528Kunsthistorisches%2BMuseum%2BViena%2529.jpg" width="428" /></a></div>
Jan Gossaert 'Mabuse' - Portrait of a Man<br />
(Kunsthistorisches Museum Viena)<br />
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<a href="https://2.bp.blogspot.com/-jB_9ivYeTlA/WS0y1Og9HaI/AAAAAAAAldk/SVtiBW1_oKEjfPwCbF-Z_3W_WUtTy_MowCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2Ba%2BMan%252C%2B1520-25%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1105" height="640" src="https://2.bp.blogspot.com/-jB_9ivYeTlA/WS0y1Og9HaI/AAAAAAAAldk/SVtiBW1_oKEjfPwCbF-Z_3W_WUtTy_MowCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2Ba%2BMan%252C%2B1520-25%2B%2528MET%2529.jpg" width="470" /></a></div>
Jan Gossaert 'Mabuse' - Portrait of a Man, 1520-25<br />
(MET)<br />
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<a href="https://4.bp.blogspot.com/-O0zMhKm0Fow/WS0y1AajCFI/AAAAAAAAldg/s91T9ES8c3U79l-HcEoy9GiPRColmpwuACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2Ba%2BMan.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="657" data-original-width="482" height="640" src="https://4.bp.blogspot.com/-O0zMhKm0Fow/WS0y1AajCFI/AAAAAAAAldg/s91T9ES8c3U79l-HcEoy9GiPRColmpwuACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2Ba%2BMan.jpg" width="468" /></a></div>
Jan Gossaert 'Mabuse' - Portrait of a Man, 1520-25<br />
<span style="background-color: white;"><span style="font-family: inherit;">(Koninklijk Museum voor Schone Kunsten, Antwer)</span></span><br />
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<a href="https://4.bp.blogspot.com/-qxsdxKXKKSc/WS2sW4PQUnI/AAAAAAAAlgc/kjY4m_DLrtwZZDPRma5fFPFqFmLqWMDygCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2Ba%2BNobleman%2B%2528Gem%25C3%25A4ldegalerie%2BStaatliche%2BMuseen%252C%2BBerlin%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="861" data-original-width="669" height="640" src="https://4.bp.blogspot.com/-qxsdxKXKKSc/WS2sW4PQUnI/AAAAAAAAlgc/kjY4m_DLrtwZZDPRma5fFPFqFmLqWMDygCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2Ba%2BNobleman%2B%2528Gem%25C3%25A4ldegalerie%2BStaatliche%2BMuseen%252C%2BBerlin%2529.jpg" width="496" /></a></div>
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Jan Gossaert 'Mabuse' - Portrait of a Nobleman (Charles of Burgundy?)</div>
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(Gemäldegalerie Staatliche Museen, Berlin)</div>
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Jan Gossaert 'Mabuse' - Portrait of a Nobleman (Charles of Burgundy?)_detail</div>
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(Gemäldegalerie Staatliche Museen, Berlin)</div>
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<a href="https://1.bp.blogspot.com/-7OX0ixc1uto/WS0yz93SH5I/AAAAAAAAldc/YrXfjcKkSNAqE01rOshT3AKOU1RNxonQACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2BFloris%2Bvan%2BEgmond%2B%2528Rijksmuseum%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="771" data-original-width="564" height="640" src="https://1.bp.blogspot.com/-7OX0ixc1uto/WS0yz93SH5I/AAAAAAAAldc/YrXfjcKkSNAqE01rOshT3AKOU1RNxonQACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2BFloris%2Bvan%2BEgmond%2B%2528Rijksmuseum%2529.jpg" width="468" /></a></div>
Jan Gossaert 'Mabuse' - Portrait of Floris van Egmond<br />
(Rijksmuseum)<br />
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<a href="https://2.bp.blogspot.com/-hyGThAupOsQ/WS0zEvKHv1I/AAAAAAAAld8/NWOK2UcTmHYSIkxofbZAmy_lWThRnvQdACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2BFrancisco%2Bde%2Blos%2BCobos%2By%2BMolina%252C%2B1530-32%2B%2528Getty%2BCenter%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1251" height="640" src="https://2.bp.blogspot.com/-hyGThAupOsQ/WS0zEvKHv1I/AAAAAAAAld8/NWOK2UcTmHYSIkxofbZAmy_lWThRnvQdACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2BFrancisco%2Bde%2Blos%2BCobos%2By%2BMolina%252C%2B1530-32%2B%2528Getty%2BCenter%2529.jpg" width="500" /></a></div>
Jan Gossaert 'Mabuse' - Portrait of Francisco de los Cobos y Molina, 1530-32<br />
(Getty Center)<br />
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<a href="https://4.bp.blogspot.com/-qCLZ4MUxWBg/WS0zAcxLqoI/AAAAAAAAld0/iii5gXhxlm8eK_R-4UMA5uFlleU2DDcogCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2BFrancisco%2Bde%2Blos%2BCobos%2By%2BMolina_detail%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="925" data-original-width="736" height="640" src="https://4.bp.blogspot.com/-qCLZ4MUxWBg/WS0zAcxLqoI/AAAAAAAAld0/iii5gXhxlm8eK_R-4UMA5uFlleU2DDcogCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2BFrancisco%2Bde%2Blos%2BCobos%2By%2BMolina_detail%2B1.jpg" width="508" /></a></div>
Jan Gossaert 'Mabuse' - Portrait of Francisco de los Cobos y Molina, 1530-32_detail<br />
(Getty Center)<br />
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<a href="https://3.bp.blogspot.com/-eTZ_qQHvCYI/WS0zD4eSIYI/AAAAAAAAld4/CWXVMPlWls0TW6QaQlIsUOkCl8PVbC8UgCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2BFrancisco%2Bde%2Blos%2BCobos%2By%2BMolina_detail.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1258" height="640" src="https://3.bp.blogspot.com/-eTZ_qQHvCYI/WS0zD4eSIYI/AAAAAAAAld4/CWXVMPlWls0TW6QaQlIsUOkCl8PVbC8UgCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2BFrancisco%2Bde%2Blos%2BCobos%2By%2BMolina_detail.jpg" width="502" /></a></div>
Jan Gossaert 'Mabuse' - Portrait of Francisco de los Cobos y Molina, 1530-32_detail<br />
(Getty Center)<br />
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<a href="https://2.bp.blogspot.com/-k3SqvUG3xbI/WS0zHURm2II/AAAAAAAAleE/OH0zuPjrDf09eqFPdxq8N1fJq_UE4KIgACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2BHendrik%2BIII%252C%2BCount%2Bof%2BNassau-Breda%2Bc.%2B1516-1517%2B%2528Kimbell%2BArt%2BMuseum%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1282" height="640" src="https://2.bp.blogspot.com/-k3SqvUG3xbI/WS0zHURm2II/AAAAAAAAleE/OH0zuPjrDf09eqFPdxq8N1fJq_UE4KIgACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2BHendrik%2BIII%252C%2BCount%2Bof%2BNassau-Breda%2Bc.%2B1516-1517%2B%2528Kimbell%2BArt%2BMuseum%2529.jpg" width="512" /></a></div>
Jan Gossaert 'Mabuse' - Portrait of Hendrik III, Count of Nassau-Breda c. 1516-1517<br />
(Kimbell Art Museum)<br />
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<a href="https://2.bp.blogspot.com/-tT3230S4XTo/WS2tGErxuWI/AAAAAAAAlgk/YawyDb5TE_0cBoRHpjWJI_vy8gJOys5BgCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2BJean%2Bde%2BCarondelet%252C%2B1525-1530%2B%2528Nelson-Atkins%2BMuseum%2Bof%2BArt%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1580" data-original-width="1296" height="640" src="https://2.bp.blogspot.com/-tT3230S4XTo/WS2tGErxuWI/AAAAAAAAlgk/YawyDb5TE_0cBoRHpjWJI_vy8gJOys5BgCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2BJean%2Bde%2BCarondelet%252C%2B1525-1530%2B%2528Nelson-Atkins%2BMuseum%2Bof%2BArt%2529.JPG" width="524" /></a></div>
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Jan Gossaert 'Mabuse' - Portrait of Jean de Carondelet, 1525-1530</div>
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(Nelson-Atkins Museum of Art)</div>
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<a href="https://4.bp.blogspot.com/-gJLdb-9iueo/WS0zHTDpZaI/AAAAAAAAleA/TAtIEF3hTCUSUBsqQts5t2dnBH3SSuCiACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BSelf-portrait%252C%2B1515-20%2B%2528%2BCurrier%2BMuseum%2Bof%2BArt%252C%2BManchester%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1386" data-original-width="1000" height="640" src="https://4.bp.blogspot.com/-gJLdb-9iueo/WS0zHTDpZaI/AAAAAAAAleA/TAtIEF3hTCUSUBsqQts5t2dnBH3SSuCiACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BSelf-portrait%252C%2B1515-20%2B%2528%2BCurrier%2BMuseum%2Bof%2BArt%252C%2BManchester%2529.jpg" width="460" /></a></div>
Jan Gossaert 'Mabuse' - Self-portrait, 1515-20<br />
(Currier Museum of Art, Manchester)<br />
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<a href="https://1.bp.blogspot.com/-ZL7lBHKX5hU/WS0zK2Dl7II/AAAAAAAAleM/wDoOAYM3LbEGPqm54ZsxKdLkvja4VG-ZACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2Bthree%2Bchildren%2Bof%2BChristian%2BII%2Bof%2BDenmark.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1176" data-original-width="1600" height="470" src="https://1.bp.blogspot.com/-ZL7lBHKX5hU/WS0zK2Dl7II/AAAAAAAAleM/wDoOAYM3LbEGPqm54ZsxKdLkvja4VG-ZACLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2Bthree%2Bchildren%2Bof%2BChristian%2BII%2Bof%2BDenmark.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' - The three children of Christian II of Denmark<br />
<span style="background-color: white; color: #222222; text-align: left;"><span style="font-family: inherit;">(Royal Collection of the United Kingdom)</span></span><br />
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<a href="https://1.bp.blogspot.com/-u6IC9DwnIOs/WS01GBgKG4I/AAAAAAAAlfg/i3KyiustE_Evod4bYN6MEnAwx7IvDYAMwCEw/s1600/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="86" data-original-width="1498" height="35" src="https://1.bp.blogspot.com/-u6IC9DwnIOs/WS01GBgKG4I/AAAAAAAAlfg/i3KyiustE_Evod4bYN6MEnAwx7IvDYAMwCEw/s640/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" width="640" /></a><br />
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<b>DIBUJOS Y GRABADOS</b><br />
<b><br /></b>
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Jan Gossaert - Adam Accuses Eve before God, 1520-25<br />
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<a href="https://4.bp.blogspot.com/-q4eXV_vRy5U/WS0zrA7uUdI/AAAAAAAAleY/kkUJNBSz9NkSyxN5Y9fH0Z-ieNNLqP8EACLcB/s1600/Jan%2BGossaert%2B-%2BAdam%2Band%2BEve%2B3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="850" data-original-width="696" height="640" src="https://4.bp.blogspot.com/-q4eXV_vRy5U/WS0zrA7uUdI/AAAAAAAAleY/kkUJNBSz9NkSyxN5Y9fH0Z-ieNNLqP8EACLcB/s640/Jan%2BGossaert%2B-%2BAdam%2Band%2BEve%2B3.jpg" width="524" /></a></div>
Jan Gossaert - Adam and Eve, 1520-25<br />
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<a href="https://4.bp.blogspot.com/-VLwPLjWCfGA/WS0zq_J3i0I/AAAAAAAAleU/mSoHazx9b3gZEqZBWp7Ehlimt-8P7D-IgCLcB/s1600/Jan%2BGossaert%2B-%2BAdam%2Band%2BEve%252C%2Bca.%2B1520%25E2%2580%259325.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="519" data-original-width="720" height="460" src="https://4.bp.blogspot.com/-VLwPLjWCfGA/WS0zq_J3i0I/AAAAAAAAleU/mSoHazx9b3gZEqZBWp7Ehlimt-8P7D-IgCLcB/s640/Jan%2BGossaert%2B-%2BAdam%2Band%2BEve%252C%2Bca.%2B1520%25E2%2580%259325.jpg" width="640" /></a></div>
Jan Gossaert - Adam and Eve, ca. 1520–25<br />
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<a href="https://3.bp.blogspot.com/-jIfdC-WE1Ig/WS0zrcMEF7I/AAAAAAAAleg/JnTbtq75W78YUSl1qYGtPWyYHLUc0h-ewCLcB/s1600/Jan%2BGossaert%2B-%2BAdam%2Band%2BEve.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="686" data-original-width="517" height="640" src="https://3.bp.blogspot.com/-jIfdC-WE1Ig/WS0zrcMEF7I/AAAAAAAAleg/JnTbtq75W78YUSl1qYGtPWyYHLUc0h-ewCLcB/s640/Jan%2BGossaert%2B-%2BAdam%2Band%2BEve.jpg" width="482" /></a></div>
Jan Gossaert - Adam and Eve, ca 1520-25<br />
<h3 class="r" style="background-color: white; color: #222222; font-weight: normal; margin: 0px; overflow: hidden; padding: 0px; text-align: center; text-overflow: ellipsis; white-space: nowrap;">
<span style="font-family: inherit; font-size: small;">(Risd Museum)</span></h3>
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<a href="https://4.bp.blogspot.com/-LodHY3eGt0U/WS21CRWspLI/AAAAAAAAlhQ/lUK4_QQoUzgiPoZZFA4sh2AG49UjNhaywCLcB/s1600/Jan%2BGossaert%2BMabuse%2B-%2BCain%2BKilling%2BAbel%252C%2Bca.%2B1525.%2BWoodcut%2B%2528The%2BBritish%2BMuseum%252C%2BLondon%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="686" height="640" src="https://4.bp.blogspot.com/-LodHY3eGt0U/WS21CRWspLI/AAAAAAAAlhQ/lUK4_QQoUzgiPoZZFA4sh2AG49UjNhaywCLcB/s640/Jan%2BGossaert%2BMabuse%2B-%2BCain%2BKilling%2BAbel%252C%2Bca.%2B1525.%2BWoodcut%2B%2528The%2BBritish%2BMuseum%252C%2BLondon%2529.jpg" width="486" /></a></div>
<span style="background-color: white;"><span style="font-family: inherit;">Jan Gossaert 'Mabuse' - <em>Cain Killing Abel</em>, ca. 1525. Woodcut</span></span><br />
<span style="background-color: white;"><span style="font-family: inherit;">(The British Museum, London)</span></span><br />
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<a href="https://3.bp.blogspot.com/-6uv7A7Bpq4s/WS0z9wYBXeI/AAAAAAAAles/03qJGmF8dr0FP1SUl35ymRwqI2m59NHoACLcB/s1600/Jan%2BGossaert%2BMabuse%2B-%2BVirgin%2Band%2BChild%2Bwith%2BSts%2BCatherine%2Band%2BBarbara%252C%2B1510-15_drawing.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="739" height="640" src="https://3.bp.blogspot.com/-6uv7A7Bpq4s/WS0z9wYBXeI/AAAAAAAAles/03qJGmF8dr0FP1SUl35ymRwqI2m59NHoACLcB/s640/Jan%2BGossaert%2BMabuse%2B-%2BVirgin%2Band%2BChild%2Bwith%2BSts%2BCatherine%2Band%2BBarbara%252C%2B1510-15_drawing.jpg" width="472" /></a></div>
Jan Gossaert Mabuse - Virgin and Child with Sts Catherine and Barbara, 1510-15<br />
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<a href="https://3.bp.blogspot.com/-g4ojvrmCQBc/WS0z9l4SLYI/AAAAAAAAleo/50QzginNUOACKK1SVLIbvSMM9SM2PjlYwCLcB/s1600/Jan%2BGossaert%2BMabuse%2B-%2BVirgin%2Band%2BChild%2Bwith%2BSts%2BCatherine%2Band%2BBarbara%252C%2B1510-15_drawing_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1109" data-original-width="800" height="640" src="https://3.bp.blogspot.com/-g4ojvrmCQBc/WS0z9l4SLYI/AAAAAAAAleo/50QzginNUOACKK1SVLIbvSMM9SM2PjlYwCLcB/s640/Jan%2BGossaert%2BMabuse%2B-%2BVirgin%2Band%2BChild%2Bwith%2BSts%2BCatherine%2Band%2BBarbara%252C%2B1510-15_drawing_.jpg" width="460" /></a></div>
Jan Gossaert Mabuse - Virgin and Child with Sts Catherine and Barbara, 1510-15<br />
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<a href="https://2.bp.blogspot.com/-v4EDUc223LA/WS0z8yW4uCI/AAAAAAAAlek/GQz96r_alOcrycJlyNWFD_VIMvEeQ4O5QCLcB/s1600/Jan%2BGossaert%2BMabuse%2B-%2BVirgin%2Band%2BChild.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="700" data-original-width="490" height="640" src="https://2.bp.blogspot.com/-v4EDUc223LA/WS0z8yW4uCI/AAAAAAAAlek/GQz96r_alOcrycJlyNWFD_VIMvEeQ4O5QCLcB/s640/Jan%2BGossaert%2BMabuse%2B-%2BVirgin%2Band%2BChild.jpg" width="448" /></a></div>
Jan Gossaert Mabuse - Virgin and Child<br />
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<a href="https://2.bp.blogspot.com/-NxAQ4ueIEvc/WS00A7LeddI/AAAAAAAAle4/Fr5QH6I9AqIuDXDR73crzLo5RIEpHg9RACLcB/s1600/Jan%2BGossaert%2BMabuse%2B-%2BVirgin%2Band%2BChild_engraving.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1463" data-original-width="1048" height="640" src="https://2.bp.blogspot.com/-NxAQ4ueIEvc/WS00A7LeddI/AAAAAAAAle4/Fr5QH6I9AqIuDXDR73crzLo5RIEpHg9RACLcB/s640/Jan%2BGossaert%2BMabuse%2B-%2BVirgin%2Band%2BChild_engraving.jpg" width="458" /></a></div>
Jan Gossaert Mabuse - Virgin and Child_engraving<br />
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<a href="https://2.bp.blogspot.com/-NeiwMZQYNAw/WS0z-5fB4cI/AAAAAAAAlew/T5L68QLWEV4vBFucnarpNvjLUR2m4gqMgCLcB/s1600/Jan%2BGossaert%2BMabuse%2B-%2BVirgin%2Bof%2BHumility%2B1520-25_drawing.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="749" data-original-width="700" height="640" src="https://2.bp.blogspot.com/-NeiwMZQYNAw/WS0z-5fB4cI/AAAAAAAAlew/T5L68QLWEV4vBFucnarpNvjLUR2m4gqMgCLcB/s640/Jan%2BGossaert%2BMabuse%2B-%2BVirgin%2Bof%2BHumility%2B1520-25_drawing.jpg" width="598" /></a></div>
Jan Gossaert Mabuse - Virgin of Humility 1520-25<br />
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<a href="https://4.bp.blogspot.com/-6amSIoR27j0/WS00L1xd5hI/AAAAAAAAlfA/4a188umvmPA93i23U0877ffO8r_7u-J9ACLcB/s1600/Jan%2BGossaert%2BMabuse%2B-%2BThe%2BMocking%2Bof%2BChrist-The%2Bman%2Bof%2Bsorrows_drawing.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1119" data-original-width="851" height="640" src="https://4.bp.blogspot.com/-6amSIoR27j0/WS00L1xd5hI/AAAAAAAAlfA/4a188umvmPA93i23U0877ffO8r_7u-J9ACLcB/s640/Jan%2BGossaert%2BMabuse%2B-%2BThe%2BMocking%2Bof%2BChrist-The%2Bman%2Bof%2Bsorrows_drawing.jpg" width="486" /></a></div>
Jan Gossaert Mabuse - The Mocking of Christ-The man of sorrows<br />
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<a href="https://3.bp.blogspot.com/-wZjVxcibZew/WS00K5yOxUI/AAAAAAAAle8/NgN4P1yCk84dbTGkeu62MwED9-Mk4d5AACLcB/s1600/Jan%2BGossaert%2BMabuse%2B-%2BThe%2BLamentation%252C%2B1520s_drawing.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="850" data-original-width="943" height="576" src="https://3.bp.blogspot.com/-wZjVxcibZew/WS00K5yOxUI/AAAAAAAAle8/NgN4P1yCk84dbTGkeu62MwED9-Mk4d5AACLcB/s640/Jan%2BGossaert%2BMabuse%2B-%2BThe%2BLamentation%252C%2B1520s_drawing.jpg" width="640" /></a></div>
Jan Gossaert Mabuse - The Lamentation, 1520s<br />
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<a href="https://4.bp.blogspot.com/-gkIKBlr7F9w/WS00ZKYco3I/AAAAAAAAlfI/GRnoCpDtWUc8G39IRep73QZBimsVEwg1QCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BColosseum.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="782" data-original-width="1030" height="484" src="https://4.bp.blogspot.com/-gkIKBlr7F9w/WS00ZKYco3I/AAAAAAAAlfI/GRnoCpDtWUc8G39IRep73QZBimsVEwg1QCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BColosseum.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' - Colosseum<br />
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<a href="https://3.bp.blogspot.com/-r2xCJDlqjSI/WS00akFhciI/AAAAAAAAlfQ/VwLtwc8nNTAiPIXn_rhJRsfhBI4IcAkZQCLcB/s1600/Jan%2BGossaert%2BMabuse%2B-%2BHercules%2Band%2BDeianira%252C%2Bc.%2B1520.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="584" height="640" src="https://3.bp.blogspot.com/-r2xCJDlqjSI/WS00akFhciI/AAAAAAAAlfQ/VwLtwc8nNTAiPIXn_rhJRsfhBI4IcAkZQCLcB/s640/Jan%2BGossaert%2BMabuse%2B-%2BHercules%2Band%2BDeianira%252C%2Bc.%2B1520.jpg" width="414" /></a></div>
Jan Gossaert Mabuse - Hercules and Deianira, c. 1520<br />
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Jan Gossaert Mabuse - Hercules Killing Cacus, ca. 1520s<br />
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<a href="https://3.bp.blogspot.com/-sZUB3LzeoPs/WS22CWqgQ0I/AAAAAAAAlhc/RJVgDN9uK9AkQbitOduvC9IV12Kh3JshwCLcB/s1600/Jan%2BGossaert%2BMabuse%2B-%2BHercules%2BKilling%2BCacus%252C%2Bca.%2B1520s_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1333" height="432" src="https://3.bp.blogspot.com/-sZUB3LzeoPs/WS22CWqgQ0I/AAAAAAAAlhc/RJVgDN9uK9AkQbitOduvC9IV12Kh3JshwCLcB/s640/Jan%2BGossaert%2BMabuse%2B-%2BHercules%2BKilling%2BCacus%252C%2Bca.%2B1520s_.jpg" width="640" /></a></div>
Jan Gossaert Mabuse - Hercules Killing Cacus, ca. 1520s<br />
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<a href="https://1.bp.blogspot.com/-z7hNLLVJTVo/WS00bFArTiI/AAAAAAAAlfY/lprmKygc6F8ezmAowQK4dqqIwvEdiV5CQCLcB/s1600/Jan%2BGossaert%2BMabuse%2B-%2BStudy%2Bafter%2Bthe%2B%2527Spinario%2527%2B%2528detail%2529%2Bc.%2B1509_drawing.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="700" data-original-width="737" height="606" src="https://1.bp.blogspot.com/-z7hNLLVJTVo/WS00bFArTiI/AAAAAAAAlfY/lprmKygc6F8ezmAowQK4dqqIwvEdiV5CQCLcB/s640/Jan%2BGossaert%2BMabuse%2B-%2BStudy%2Bafter%2Bthe%2B%2527Spinario%2527%2B%2528detail%2529%2Bc.%2B1509_drawing.jpg" width="640" /></a></div>
Jan Gossaert Mabuse - Study after the 'Spinario' (detail) c. 1509<br />
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<a href="https://3.bp.blogspot.com/-zzDADaiDbM8/WS0z_5LR01I/AAAAAAAAle0/x8hw6LriG44EXNq9Gq-g-G6yyTSF3JGFgCLcB/s1600/Jan%2BGossaert%2BMabuse%2B-%2BWomans%2Bat%2Bthe%2BBath_drawing.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1199" height="480" src="https://3.bp.blogspot.com/-zzDADaiDbM8/WS0z_5LR01I/AAAAAAAAle0/x8hw6LriG44EXNq9Gq-g-G6yyTSF3JGFgCLcB/s640/Jan%2BGossaert%2BMabuse%2B-%2BWomans%2Bat%2Bthe%2BBath_drawing.jpg" width="640" /></a></div>
Jan Gossaert Mabuse - Womans at the Bath<br />
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<a href="https://2.bp.blogspot.com/-jhBzHUaamr8/WS20DoRF--I/AAAAAAAAlhI/5hSIzTQovvsp6wNsHRVtWRQ1KADCld1OACLcB/s1600/Jan%2BGossaert%2BMabuse%2B-%2BDesign%2Bfor%2Ba%2BGlass%2BWindow%2Bwith%2BScenes%2Bfrom%2Bthe%2BLife%2Bof%2BSaint%2BJohn%2Bthe%2BEvangelist%252C%2Bca.%2B1520s.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="520" data-original-width="187" height="640" src="https://2.bp.blogspot.com/-jhBzHUaamr8/WS20DoRF--I/AAAAAAAAlhI/5hSIzTQovvsp6wNsHRVtWRQ1KADCld1OACLcB/s640/Jan%2BGossaert%2BMabuse%2B-%2BDesign%2Bfor%2Ba%2BGlass%2BWindow%2Bwith%2BScenes%2Bfrom%2Bthe%2BLife%2Bof%2BSaint%2BJohn%2Bthe%2BEvangelist%252C%2Bca.%2B1520s.jpg" width="230" /></a></div>
Jan Gossaert Mabuse - Design for a Glass Window with Scenes<br />
from the Life of Saint John the Evangelist, ca. 1520s<br />
(<span style="background-color: white;"><span style="font-family: inherit;">Gabinetto Disegni e Stampe degli Uffizi, Florence)</span></span><br />
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<a href="https://1.bp.blogspot.com/-Khay9Ph59Vg/WS2zXVY72hI/AAAAAAAAlhA/q4rtiBS0WekaqHba72kS93naMUIJOV0BQCLcB/s1600/Jan%2BGossaert%2BMabuse%2B-%2BDesign%2Bfor%2Bthe%2BTomb%2Bof%2BIsabella%2Bof%2BAustria%2B%2528Elizabeth%2Bof%2BDenmark%2529%252C%2Bc.%2B1526%2B%2528Staatliche%2BMuseen%2Bzu%2BBerlin.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="381" data-original-width="650" height="374" src="https://1.bp.blogspot.com/-Khay9Ph59Vg/WS2zXVY72hI/AAAAAAAAlhA/q4rtiBS0WekaqHba72kS93naMUIJOV0BQCLcB/s640/Jan%2BGossaert%2BMabuse%2B-%2BDesign%2Bfor%2Bthe%2BTomb%2Bof%2BIsabella%2Bof%2BAustria%2B%2528Elizabeth%2Bof%2BDenmark%2529%252C%2Bc.%2B1526%2B%2528Staatliche%2BMuseen%2Bzu%2BBerlin.jpg" width="640" /></a></div>
Jan Gossaert Mabuse - Design for the Tomb of Isabella of Austria (Elizabeth of Denmark), c. 1526 (Staatliche Museen zu Berlin)<br />
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Jan Gossaert Mabuse - Christian II of Denmark<br />
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<a href="https://3.bp.blogspot.com/-_-5OeiAy300/WS00Y3rJd8I/AAAAAAAAlfE/L_DcnH992fkU1WQVgyJ0X_ijvDXKw7FvACLcB/s1600/Jan%2BGossaert%2BMabuse%2B%2528Jacob%2BBinck%2Bafter%2BJGM%2529%2B-%2BChristian%2BII%2Bof%2BDenmark_drawing.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="635" height="640" src="https://3.bp.blogspot.com/-_-5OeiAy300/WS00Y3rJd8I/AAAAAAAAlfE/L_DcnH992fkU1WQVgyJ0X_ijvDXKw7FvACLcB/s640/Jan%2BGossaert%2BMabuse%2B%2528Jacob%2BBinck%2Bafter%2BJGM%2529%2B-%2BChristian%2BII%2Bof%2BDenmark_drawing.jpg" width="528" /></a></div>
Jan Gossaert Mabuse (Jacob Binck after JGM) - Christian II of Denmark<br />
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<a href="https://1.bp.blogspot.com/-oAhmAZsHKA4/WS2xA8MjGfI/AAAAAAAAlgw/C5ZX340ZBp4OwV_MwNBta8BHM37j_pwRgCLcB/s1600/Attributed%2Bto%2BJohannes%2BWierix%252C%2B1572%2B-%2BJan%2BGossaert%2B%2527Mabuse%2527%2Bengraving.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1396" data-original-width="860" height="640" src="https://1.bp.blogspot.com/-oAhmAZsHKA4/WS2xA8MjGfI/AAAAAAAAlgw/C5ZX340ZBp4OwV_MwNBta8BHM37j_pwRgCLcB/s640/Attributed%2Bto%2BJohannes%2BWierix%252C%2B1572%2B-%2BJan%2BGossaert%2B%2527Mabuse%2527%2Bengraving.jpg" width="394" /></a></div>
Attributed to Johannes Wierix - Jan Gossaert 'Mabuse' engraving, 1572<br />
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Hendrick Hondius the Elder's - Jan Gossaert 'Mabuse' Portrait_engraving, 1610<br />
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Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-5464569323978413729.post-88946658257866637892017-06-10T10:00:00.000+02:002017-06-14T11:32:19.439+02:00Los Primitivos Flamencos (VI). Siglo XVI (III). Joachim Patinir y Lucas Leyden.<div class="separator" style="clear: both; text-align: center;">
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<a href="https://3.bp.blogspot.com/-C2_ylnZUGZU/WTwkT1BYnwI/AAAAAAAAluw/sMxfrbeMQg8R-M-7WUXf5Xwa6iN2e0vJgCLcB/s1600/Joachim%2BPatinir%2B%252B%2BLucas%2BLeyden_Cabecera%2B2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="1201" height="408" src="https://3.bp.blogspot.com/-C2_ylnZUGZU/WTwkT1BYnwI/AAAAAAAAluw/sMxfrbeMQg8R-M-7WUXf5Xwa6iN2e0vJgCLcB/s640/Joachim%2BPatinir%2B%252B%2BLucas%2BLeyden_Cabecera%2B2.jpg" width="640" /></a></div>
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<iframe allowfullscreen="" frameborder="0" height="197" src="https://www.youtube.com/embed/3dxpzA3HGLE" width="350"></iframe></div>
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<div style="text-align: center;">
<b><span style="font-size: large;">Pensamientos</span></b></div>
<div style="text-align: center;">
<b><br /></b></div>
<div style="text-align: center;">
Asaltan, asaltan...</div>
<div style="text-align: center;">
las dudas entre las ideas,</div>
<div style="text-align: center;">
por las abiertas grietas en la estructura</div>
<div style="text-align: center;">
del alma, por ellas se cuelan y reclaman</div>
<div style="text-align: center;">
su lugar.</div>
<div style="text-align: center;">
A contrapelo del proyecto,</div>
<div style="text-align: center;">
a contracorriente del compromiso,</div>
<div style="text-align: center;">
hijas de los días perennemente nuevos,</div>
<div style="text-align: center;">
demandan actualidad.</div>
<div style="text-align: center;">
Pero, ¿de qué sirve el compromiso,</div>
<div style="text-align: center;">
de qué pergeñar proyectos, si no es para cumplir</div>
<div style="text-align: center;">
lo que en determinados momentos de creación surge</div>
<div style="text-align: center;">
para dar su curso al mar de la existencia?</div>
<div style="text-align: center;">
Las ideas nuevas tendrán que esperar,</div>
<div style="text-align: center;">
hacerse un hueco en la sala de espera de la conciencia</div>
<div style="text-align: center;">
o retirarse al limbo de lo nonato.</div>
<div style="text-align: center;">
Nada seríamos si no tuviéramos capacidad de compromiso,</div>
<div style="text-align: center;">
nada si no cumpliésemos lo que un día proyectamos;</div>
<div style="text-align: center;">
no devendríamos, entonces, más que vértigo de ideas,</div>
<div style="text-align: center;">
magma de dudas yendo y viniendo</div>
<div style="text-align: center;">
sin finalidad alguna.</div>
<div style="text-align: center;">
¿Somos no más lo que cumplimos?,</div>
<div style="text-align: center;">
¿y lo que se queda en el ínterin sin poderse cumplir?,</div>
<div style="text-align: center;">
¿no lo somos también, aunque de otra forma?,</div>
<div style="text-align: center;">
¿no se alzará sobre su inexistencia la siguiente idea con futuro,</div>
<div style="text-align: center;">
el siguiente compromiso, el anhelado proyecto nuevo?</div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
Sumas, restas, multiplicaciones y divisiones,</div>
<div style="text-align: center;">
todo sirve en la ecuación del ser que quiere ser.</div>
<div style="text-align: center;">
La elección nos determina,</div>
<div style="text-align: center;">
para bien y para mal;</div>
<div style="text-align: center;">
ser fieles a lo elegido nos define,</div>
<div style="text-align: center;">
dándonos identidad.</div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
Pero nadie conoce a nadie con exactitud,</div>
<div style="text-align: center;">
porque se desconocen la mayoría de sus renuncias:</div>
<div style="text-align: center;">
todas esas posibilidades que quedaron en la intimidad</div>
<div style="text-align: center;">
de la conciencia, sin salir y hacerse expresión.</div>
<div style="text-align: center;">
Todo lo más puede atisbarse la tensión del arco</div>
<div style="text-align: center;">
en el recorrido y velocidad de la flecha,</div>
<div style="text-align: center;">
pero se desconoce el verdadero impulso</div>
<div style="text-align: center;">
gracias al cual fue lanzada.</div>
<div style="text-align: center;">
Ese impulso va implícito en la flecha,</div>
<div style="text-align: center;">
mas no se ve; nadie sabe qué lo produjo,</div>
<div style="text-align: center;">
el resultado de qué variables insospechadas</div>
<div style="text-align: center;">
lo hizo posible.</div>
<div style="text-align: center;">
Lo aparente son las chispas producidas por la fricción</div>
<div style="text-align: center;">
de fuerzas ignotas chocando entre sí en el núcleo del ser.</div>
<div style="text-align: center;">
Reacción en cadena de una vida detonada:</div>
<div style="text-align: center;">
eso es la existencia de cada uno de los modos del ser,</div>
<div style="text-align: center;">
es decir, de cada una de las singularidades</div>
<div style="text-align: center;">
con que la pluralidad del ser se manifiesta.</div>
<div style="text-align: center;">
Explosión controlada la de la vida,</div>
<div style="text-align: center;">
controlada por leyes inmutables</div>
<div style="text-align: center;">
de designios desconocidos,</div>
<div style="text-align: center;">
leyes que se determinan y modifican</div>
<div style="text-align: center;">
a medida que la explosión de vida progresa</div>
<div style="text-align: center;">
expandiéndose hacia el infinito.</div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
¿Cómo una conciencia consciente de todo esto</div>
<div style="text-align: center;">
puede vivir sin padecer el acoso de la duda?</div>
<div style="text-align: center;">
¿Cómo creerse lo falible, cómo hacer de ello certeza?</div>
<div style="text-align: center;">
¿A qué aferrarse cuando uno se sabe inmerso</div>
<div style="text-align: center;">
en un infinito estanque de arenas movedizas?</div>
<div style="text-align: center;">
Como no sea a simulacros...</div>
<div style="text-align: center;">
esos asideros imaginarios que el ser humano necesita</div>
<div style="text-align: center;">
para transitar por la realidad sin angustiarse.</div>
<div style="text-align: center;">
Y uno de los más poderosos simulacros es el arte</div>
<div style="text-align: center;">
—que crea y recrea belleza—,</div>
<div style="text-align: center;">
el mejor remedio contra la angustia vital.<br />
Hacia él agito las manos con la esperanza —inútil, lo sé—<br />
de que su acción benéfica —o narcótica—<br />
me salve de la inacción que debilita<br />
y de la indiferencia que consume.<br />
<br />
En esas estoy, en esas me hallo:<br />
necesitado de crearme y creerme manifestaciones<br />
que aboguen y sustenten mi realidad,<br />
proyecto empresas y me comprometo a realizarlas...<br />
y debo luchar contra las dudas y el desaliento<br />
que sin cesar me asaltan.<br />
<br />
<b><span style="font-family: inherit; font-size: x-small;"><i>Dudas.</i> Héctor Amado</span></b><br />
<br />
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<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<br /></div>
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-chbS281EulA/WRa6FwxIRsI/AAAAAAAAktA/8q7vdzvb-6EH9enNuvUEnwvJ39nCzxu_wCLcB/s1600/Los%2BPrimitivos%2BFlamencos_cronolog%25C3%25ADa%2BJoachim%2BPatinir.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="64" src="https://1.bp.blogspot.com/-chbS281EulA/WRa6FwxIRsI/AAAAAAAAktA/8q7vdzvb-6EH9enNuvUEnwvJ39nCzxu_wCLcB/s640/Los%2BPrimitivos%2BFlamencos_cronolog%25C3%25ADa%2BJoachim%2BPatinir.jpg" width="640" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
[La siguiente síntesis biográfica y crítica está tomada en gran parte</div>
<div class="separator" style="clear: both; text-align: center;">
de la página web del Museo del Prado: Mª Ángeles Blanca Piquero López]</div>
<div style="text-align: center;">
<center>
<center>
<table border="0" cellpadding="4" cellspacing="0" style="width: 643px;">
<colgroup><col width="35"></col>
<col width="592"></col>
</colgroup><tbody>
<tr>
<td colspan="2" valign="TOP" width="635"><div align="LEFT" style="margin-bottom: 0.1cm;">
<i><span style="font-family: inherit;"><span style="color: white;">.....</span>Pintor
flamenco. Nacido a las orillas del Mosa, es considerado como el
primer paisajista flamenco. Sus amplios paisajes, muy
característicos, presentan horizontes altos con extensas
campiñas en las que destacan macizos de rocas puntiagudas, de
carácter fantástico, mezclándose lo real y lo simbólico. Sus
temas son un mero pretexto para desarrollar el paisaje que se
convierte en el protagonista principal de sus composiciones.
</span></i></div>
<div align="LEFT" style="margin-bottom: 0.1cm;">
<i><span style="font-family: inherit;"><span style="color: white;">.....</span>Alcanza
gran fama especialmente por sus últimas obras, tanto por su
maestría de ejecución como por su creatividad. De ello dan fe
los elogios de sus contemporáneos. Sabemos que Durero en su
<span style="color: black;">Libro de
viaje </span>le
califica como «buen pintor de paisajes».</span></i></div>
<div align="LEFT" style="margin-bottom: 0.1cm;">
<i><span style="font-family: inherit;"><span style="color: white;">.....</span>Su
estilo desde los comienzos está influido por El Bosco, aunque
sin alcanzar la fuerza satírica del gran maestro, y en menor
medida por Gérard David, de quien tomará la perfecta ejecución
y quizá también el gusto por el paisaje. Su nombre aparece en
dos obras de juventud, <span style="color: black;">San
Jerónimo </span>(Staatliche
Kunsthalle, Karlsruhe) y <span style="color: black;">Huida
a Egipto </span>(Koninklijk
Museum voor Schone Kunsten, Amberes). La inscripción, sin
embargo, en otras tres tablas, el <span style="color: black;">Bautismo
de Cristo </span>(Kunsthistorisches
Museum, Viena), <span style="color: black;">Paisaje
con san Jerónimo </span><span style="color: black;">y
</span><span style="color: black;">Las
tentaciones de san</span><span style="color: black;">
</span><span style="color: black;">Antonio
Abad </span>(Prado),
quizá pueda deberse a añadidos posteriores.</span></i></div>
<div align="LEFT" style="margin-bottom: 0.1cm;">
<i><span style="font-family: inherit;"><span style="color: white;">.....</span>Desarrolla
una imaginación poética que le permite expresar un mundo
idealizado o patético con profundo sentimiento. Todo ello con
una técnica perfecta, con un magnífico estudio de la luz y las
sombras, que en cierta manera anticipa a los grandes maestros
holandeses del siglo XVII, con un excelente manejo del color en
donde destaca la deliciosa gama de azules y verdes, que infunden
novedad y un atractivo especial a sus obras.</span></i></div>
<div align="LEFT" style="margin-bottom: 0.1cm;">
<i><span style="font-family: inherit;"><span style="color: white;">.....</span>Su
influencia paisajista se dejó sentir en la pintura posterior.
Sus discípulos Jan Wellens de Cock y su sobrino Hendrick Met de
Bles reflejan en sus cuadros un modelo similar al empleado por
Patinir. Lucas Gassel y Cornelys Metsys (hijo de Quentin Massys)
fueron seguidores de su estilo. <span style="text-align: center;">Su
influencia así mismo en Peter Brueghel el Viejo es manifiesta.
Así como puede apreciarse en sus paisajes fantásticos una
cierta función como heraldo del simbolismo naturalista y del
expresionismo.</span></span></i></div>
</td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1480" width="35"><div align="CENTER">
<span style="font-family: inherit;">1480</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Nace en
Dinant Joachim Patinir. Esta ciudad, situada en el corazón de la provincia de Namur y edificada en la ribera
derecha del Río Mosa, rodeada de farallones y escarpadas masas
rocosas (Rocher Bayard y Roche-a-Chandelle), quizás tuviese una
importancia capital en el posterior desarrollo del pintor como
paisajista, cuyos fondos rocosos que pueblan muchos de sus
cuadros pueden ser evocaciones de este modelo natural observado y vivido en
la infancia.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="15001510" width="35"><div align="CENTER">
<span style="font-family: inherit;">1500</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1510</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Periodo de
aprendizaje en Brujas. Probablemente junto a Gérard David, de
quien recibe una notable influencia (aunque a decir de Piquero López, más parece deber a <i>El Bosco</i>).</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1511" width="35"><div align="CENTER">
<span style="font-family: inherit;">1511</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Es posible
que este año acompañe a su maestro en Brujas, Gérard David, y
a Adriaen Isenbrandt en un viaje a Génova.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1515" width="35"><div align="CENTER">
<span style="font-family: inherit;">1515</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Queda
registrado como miembro de la Guilda de San Lucas (gremio de
pintores) de Amberes, el mismo año que Gérard David.</span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1515</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1520</span></div>
</td>
<td width="592"><span style="font-family: inherit;">En los
archivos de Amberes figura su primer matrimonio con Francine
Buyst, con quien tendrá dos hijas, Brigitte y Anna.</span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1520</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1521</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Conoce a
Alberto Durero, con quien le unirá una duradera y estrecha
amistad, y quien le hará un retrato. También le acompaña en la
boda de su hija.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1521" width="35"><div align="CENTER">
<span style="font-family: inherit;">1521</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Contrae
de nuevo matrimonio con Jeanne Nuyts.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1524" width="35"><div align="CENTER">
<span style="font-family: inherit;">1524</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Patinir muere
en Amberes. Quentin Massys, su colega y amigo, se hará cargo del
taller y de sus hijos.</span></td>
</tr>
</tbody></table>
</center>
</center>
</div>
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<a href="https://3.bp.blogspot.com/-dFKnBdFXSqA/WRa6GQQ3BOI/AAAAAAAAktE/OBaYV4Os1dI6iW_tQ1eJHP4PFx0kQXb0ACLcB/s1600/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="36" src="https://3.bp.blogspot.com/-dFKnBdFXSqA/WRa6GQQ3BOI/AAAAAAAAktE/OBaYV4Os1dI6iW_tQ1eJHP4PFx0kQXb0ACLcB/s640/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" width="640" /></a></div>
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<div style="text-align: center;">
<b style="color: #cc0000; font-size: xx-large;">GALERÍA</b></div>
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<a href="https://2.bp.blogspot.com/-AFeh4DCgGmY/WRa6KWIbKAI/AAAAAAAAktU/zIAhxnAZ2fs8LwbRVYUEJYPREomTew4dACLcB/s1600/Joachim%2BPatinir%2B-%2BDescanso%2Ben%2Bla%2Bhuida%2Ba%2BEgipto_T%25C3%25ADtulo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="102" src="https://2.bp.blogspot.com/-AFeh4DCgGmY/WRa6KWIbKAI/AAAAAAAAktU/zIAhxnAZ2fs8LwbRVYUEJYPREomTew4dACLcB/s640/Joachim%2BPatinir%2B-%2BDescanso%2Ben%2Bla%2Bhuida%2Ba%2BEgipto_T%25C3%25ADtulo.jpg" width="640" /></a></div>
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<a href="https://4.bp.blogspot.com/-fsqwQkJHneY/WR61qKLAGCI/AAAAAAAAlEg/zAIhL6G7llY317tyh3D-_N5jLbNXX0kAwCLcB/s1600/Joachim%2BPatinir%2B-%2BEl%2Bpaso%2Bde%2Bla%2Blaguna%2BEstigia%252C%2B1520%2B-%2B1524.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="396" src="https://4.bp.blogspot.com/-fsqwQkJHneY/WR61qKLAGCI/AAAAAAAAlEg/zAIhL6G7llY317tyh3D-_N5jLbNXX0kAwCLcB/s640/Joachim%2BPatinir%2B-%2BEl%2Bpaso%2Bde%2Bla%2Blaguna%2BEstigia%252C%2B1520%2B-%2B1524.jpg" width="640" /></a></div>
Joachim Patinir - El paso de la laguna Estigia, 1520 - 1524<br />
(Museo del Prado)<br />
.</div>
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<a href="https://4.bp.blogspot.com/-O8y2WdXPZYY/WR61qXrtp8I/AAAAAAAAlEk/wO94B78iwlICnEIELK_gVe0hR0kHMu0bwCLcB/s1600/Joachim%2BPatinir%2B-%2BDescanso%2Ben%2Bla%2Bhuida%2Ba%2BEgipto.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="440" src="https://4.bp.blogspot.com/-O8y2WdXPZYY/WR61qXrtp8I/AAAAAAAAlEk/wO94B78iwlICnEIELK_gVe0hR0kHMu0bwCLcB/s640/Joachim%2BPatinir%2B-%2BDescanso%2Ben%2Bla%2Bhuida%2Ba%2BEgipto.jpg" width="640" /></a></div>
Joachim Patinir - Descanso en la huida a Egipto<br />
(Museo del Prado)<br />
.<br />
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Joachim Patinir - Landscape with the Flight into Egypt<br />
(Koninklijk Museum voor Schone Kunsten, Antwerp)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-3kGf6VGyXP4/WR62JYUiKYI/AAAAAAAAlFA/v3ngWC-ykrc7sYquX5lmsmWHVyn3DVuaACLcB/s1600/Joachim%2BPatinir%2B-%2BLandscape%2Bwith%2Bthe%2BRest%2Bon%2Bthe%2BFlight%2B%2528Strossmayer%2BGallery%252C%2BZagreb%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="518" src="https://1.bp.blogspot.com/-3kGf6VGyXP4/WR62JYUiKYI/AAAAAAAAlFA/v3ngWC-ykrc7sYquX5lmsmWHVyn3DVuaACLcB/s640/Joachim%2BPatinir%2B-%2BLandscape%2Bwith%2Bthe%2BRest%2Bon%2Bthe%2BFlight%2B%2528Strossmayer%2BGallery%252C%2BZagreb%2529.jpg" width="640" /></a></div>
Joachim Patinir - Landscape with the Rest on the Flight<br />
(Strossmayer Gallery, Zagreb)<br />
.<br />
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Joachim Patinir - Landscape with the Rest on the Flight_detalle<br />
(Strossmayer Gallery, Zagreb)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-eltt9JMESOI/WR62RBerxII/AAAAAAAAlFQ/QzMaOQ3bnLAWTOf8oPIhS3dbjQoujjbRQCLcB/s1600/Joachim%2BPatinir%2B-%2BLandscape%2Bwith%2Bthe%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt%252C%2B1524%2B%2528Museo%2BThyssen-Bornemisza%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="342" src="https://2.bp.blogspot.com/-eltt9JMESOI/WR62RBerxII/AAAAAAAAlFQ/QzMaOQ3bnLAWTOf8oPIhS3dbjQoujjbRQCLcB/s640/Joachim%2BPatinir%2B-%2BLandscape%2Bwith%2Bthe%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt%252C%2B1524%2B%2528Museo%2BThyssen-Bornemisza%2529.jpg" width="640" /></a></div>
Joachim Patinir - Landscape with the Rest on the Flight into Egypt, 1524<br />
(Museo Thyssen-Bornemisza)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-5N47Elkv560/WR62RYi3UvI/AAAAAAAAlFU/7fmA_0aRAAwNk3Q8NRCdSFQMGaKZljS_ACLcB/s1600/Joachim%2BPatinir%2B-%2BLandscape%2Bwith%2Bthe%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="524" src="https://1.bp.blogspot.com/-5N47Elkv560/WR62RYi3UvI/AAAAAAAAlFU/7fmA_0aRAAwNk3Q8NRCdSFQMGaKZljS_ACLcB/s640/Joachim%2BPatinir%2B-%2BLandscape%2Bwith%2Bthe%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt.jpg" width="640" /></a></div>
Joachim Patinir - Landscape with the Rest on the Flight into Egypt<br />
(Philadelphia Museum of Art)<br />
.<br />
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Joachim Patinir - Landscape with the Rest on the Flight into Egypt<br />
(Philadelphia Museum of Art)<br />
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<a href="https://1.bp.blogspot.com/-em66CNN240I/WR69ernHjdI/AAAAAAAAlHM/9lnWgAI7VpwKys_l61-FhZaXf2Ra8QoBACLcB/s1600/Joachim%2BPatinir%2B-%2BRest%2Bon%2Bthe%2Bflight%2Binto%2BEgypt%252C%2B1515-24%2B%2528Gem%25C3%25A4ldegalerie%2Bder%2BStaatlichen%2BMuseen%2Bzu%2BBerlin%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="508" src="https://1.bp.blogspot.com/-em66CNN240I/WR69ernHjdI/AAAAAAAAlHM/9lnWgAI7VpwKys_l61-FhZaXf2Ra8QoBACLcB/s640/Joachim%2BPatinir%2B-%2BRest%2Bon%2Bthe%2Bflight%2Binto%2BEgypt%252C%2B1515-24%2B%2528Gem%25C3%25A4ldegalerie%2Bder%2BStaatlichen%2BMuseen%2Bzu%2BBerlin%2529.jpg" width="640" /></a></div>
Joachim Patinir - Rest on the flight into Egypt, 1515-24<br />
(Gemäldegalerie der Staatlichen Museen zu Berlin)<br />
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Joachim Patinir - El Bautismo de Cristo<br />
(Kunsthistorisches Museum, Viena)<br />
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Joachim Patinir - El Bautismo de Cristo_detalle<br />
(Kunsthistorisches Museum, Viena)<br />
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<a href="https://1.bp.blogspot.com/-S-oBfFM5ymo/WR61tQzD-dI/AAAAAAAAlEs/j2eVQeeBDKkr_1uIbWv6EY0rr3h4MMckQCLcB/s1600/Joachim%2BPatinir%2B-%2BLandscape%2Bwith%2Bthe%2BBaptism%2Bof%2BChrist%2Band%2Bthe%2BSermon%2Bof%2BSt.%2BJohn%252C%2B1520.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="472" src="https://1.bp.blogspot.com/-S-oBfFM5ymo/WR61tQzD-dI/AAAAAAAAlEs/j2eVQeeBDKkr_1uIbWv6EY0rr3h4MMckQCLcB/s640/Joachim%2BPatinir%2B-%2BLandscape%2Bwith%2Bthe%2BBaptism%2Bof%2BChrist%2Band%2Bthe%2BSermon%2Bof%2BSt.%2BJohn%252C%2B1520.jpg" width="640" /></a></div>
Joachim Patinir (attr) - Landscape with the Baptism of Christ and the Sermon of St. John, 1520<br />
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<a href="https://1.bp.blogspot.com/-xC6bfYYB4ow/WR61sCUZ6YI/AAAAAAAAlEo/2lUdMRZNUUYLp_-sQY8J26E93pYCL47pwCLcB/s1600/Joachim%2BPatinir%2B-%2BLandscape%2Bwith%2BSt%2BJohn%2Bthe%2BBaptist%2BPreaching%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%252C%2BBrussels%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="464" src="https://1.bp.blogspot.com/-xC6bfYYB4ow/WR61sCUZ6YI/AAAAAAAAlEo/2lUdMRZNUUYLp_-sQY8J26E93pYCL47pwCLcB/s640/Joachim%2BPatinir%2B-%2BLandscape%2Bwith%2BSt%2BJohn%2Bthe%2BBaptist%2BPreaching%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%252C%2BBrussels%2529.jpg" width="640" /></a></div>
Joachim Patinir - Landscape with St John the Baptist Preaching<br />
(Musées Royaux des Beaux-Arts, Brussels)<br />
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<a href="https://1.bp.blogspot.com/-mI17JTZF0E4/WR61t7dgOaI/AAAAAAAAlEw/icel1DmFVqsW3NvAaYwvbDV5IL_KlsSFACLcB/s1600/Joachim%2BPatinir%2B-%2BLandscape%2Bwith%2Bthe%2BDestruction%2Bof%2BSodom%2Band%2BGomorrah%2B%2528The%2BAshmolean%2BMuseum%2Bof%2BArt%2Band%2BArchaeology%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-mI17JTZF0E4/WR61t7dgOaI/AAAAAAAAlEw/icel1DmFVqsW3NvAaYwvbDV5IL_KlsSFACLcB/s640/Joachim%2BPatinir%2B-%2BLandscape%2Bwith%2Bthe%2BDestruction%2Bof%2BSodom%2Band%2BGomorrah%2B%2528The%2BAshmolean%2BMuseum%2Bof%2BArt%2Band%2BArchaeology%2529.jpg" width="628" /></a></div>
Joachim Patinir - Landscape with the Destruction of Sodom and Gomorrah<br />
(The Ashmolean Museum of Art and Archaeology)<br />
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<a href="https://3.bp.blogspot.com/-irS5z_34NNw/WR61ydsyRVI/AAAAAAAAlE4/gbHW9yK5cYMmzWpPm_atptKX9MpZ_Vm-QCLcB/s1600/Joachim%2BPatinir%2B-%2BLandscape%2Bwith%2Bthe%2BDestruction%2Bof%2BSodom%2Band%2BGomorrah_detail%2B%2528The%2BAshmolean%2BMuseum%2Bof%2BArt%2Band%2BArchaeology%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="486" src="https://3.bp.blogspot.com/-irS5z_34NNw/WR61ydsyRVI/AAAAAAAAlE4/gbHW9yK5cYMmzWpPm_atptKX9MpZ_Vm-QCLcB/s640/Joachim%2BPatinir%2B-%2BLandscape%2Bwith%2Bthe%2BDestruction%2Bof%2BSodom%2Band%2BGomorrah_detail%2B%2528The%2BAshmolean%2BMuseum%2Bof%2BArt%2Band%2BArchaeology%2529.jpg" width="640" /></a></div>
Joachim Patinir - Landscape with the Destruction of Sodom and Gomorrah<br />
(The Ashmolean Museum of Art and Archaeology)<br />
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Joachim Patinir - Las tentaciones de San Antonio Abad, 1520 - 1524<br />
(Museo del Prado)<br />
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Joachim Patinir - Las tentaciones de San Antonio Abad, 1520 - 1524_detalle<br />
(Museo del Prado)<br />
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Joachim Patinir - Paisaje con san Jerónimo, 1516<br />
(Museo del Prado)<br />
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Joachim Patinir - Paisaje con san Jerónimo, 1516_detalle 1<br />
(Museo del Prado)<br />
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Joachim Patinir - Paisaje con san Jerónimo, 1516_detalle 2<br />
(Museo del Prado) <br />
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Joachim Patinir - Paisaje con san Jerónimo, 1516_detalle 3<br />
(Museo del Prado)<br />
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Joachim Patinir - Saint Jerome dans le desert<br />
(Musée du Louvre)<br />
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Joachim Patinir - Saint Jerome dans le desert<br />
(Musée du Louvre)<br />
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Joachim Patinir - Radwunder der Hl. Katharina, 1515<br />
(Kunsthistorisches Museum)<br />
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Joachim Patinir - The feeding of the five thousand<br />
(Monasterio de El Escorial)<br />
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Joachim Patinir - The Penitence of Saint Jerome<br />
(MET)<br />
.<br />
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Joachim Patinir - The Penitence of Saint Jerome<br />
(MET)<br />
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Joachim Patinir - The Penitence of Saint Jerome_panel central<br />
(MET)<br />
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Joachim Patinir - The Penitence of Saint Jerome_inside wings<br />
(MET)<br />
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Joachim Patinir - The Penitence of Saint Jerome_detail right wing<br />
(MET)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-7TAmW4a3fHo/WR64MNL4QAI/AAAAAAAAlGY/YEZGLm2TZKQK-8cfji8Z08qJK2kjV440QCLcB/s1600/Joachim%2BPatinir%2B-%2BThe%2BPenitence%2Bof%2BSaint%2BJerome_closed%2Bwings%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-7TAmW4a3fHo/WR64MNL4QAI/AAAAAAAAlGY/YEZGLm2TZKQK-8cfji8Z08qJK2kjV440QCLcB/s640/Joachim%2BPatinir%2B-%2BThe%2BPenitence%2Bof%2BSaint%2BJerome_closed%2Bwings%2B%2528MET%2529.jpg" width="456" /></a></div>
Joachim Patinir - The Penitence of Saint Jerome_outher wings (Triptych closed)<br />
(MET)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-dZAD2TKPiIw/WR69huEMU4I/AAAAAAAAlHU/RGUmARyGTEYvQQUcfUGsG0NhNLFAa_1jQCLcB/s1600/Joachim%2BPatinir%2B-%2BRocky%2BLandscape%2Bwith%2BSaint%2BJerome%2B%2528Museum%2BMayer%2Bvan%2Bden%2BBergh%252C%2BAntwerp%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-dZAD2TKPiIw/WR69huEMU4I/AAAAAAAAlHU/RGUmARyGTEYvQQUcfUGsG0NhNLFAa_1jQCLcB/s640/Joachim%2BPatinir%2B-%2BRocky%2BLandscape%2Bwith%2BSaint%2BJerome%2B%2528Museum%2BMayer%2Bvan%2Bden%2BBergh%252C%2BAntwerp%2529.jpg" width="492" /></a></div>
Joachim Patinir - Rocky Landscape with Saint Jerome<br />
(Museum Mayer van den Bergh, Antwerp)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://2.bp.blogspot.com/--i7EhjzaldE/WR61y-DP66I/AAAAAAAAlE8/nLTwVad8eaw18WMLalRJ7czdq4vRLBk3QCLcB/s1600/Joachim%2BPatinir%2B-%2BJoachim%2BPatinir%2BLandscape%2Bwith%2Bthe%2BFlight%2Binto%2BEgypt.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="338" src="https://2.bp.blogspot.com/--i7EhjzaldE/WR61y-DP66I/AAAAAAAAlE8/nLTwVad8eaw18WMLalRJ7czdq4vRLBk3QCLcB/s640/Joachim%2BPatinir%2B-%2BJoachim%2BPatinir%2BLandscape%2Bwith%2Bthe%2BFlight%2Binto%2BEgypt.jpg" width="640" /></a></div>
Joachim Patinir (attr) - Joachim Patinir Landscape with the Flight into Egypt<br />
(Museo del Hermitage, San Petersburgo)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://3.bp.blogspot.com/-ZPSbkrlaAaY/WR62P451MGI/AAAAAAAAlFI/EqnG2oJRGJQY84rD4Yp6psRSET-aHP5pACLcB/s1600/Joachim%2BPatinir%2B-%2BLandscape%2Bwith%2Bthe%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt%2B%2528Workshop%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="472" src="https://3.bp.blogspot.com/-ZPSbkrlaAaY/WR62P451MGI/AAAAAAAAlFI/EqnG2oJRGJQY84rD4Yp6psRSET-aHP5pACLcB/s640/Joachim%2BPatinir%2B-%2BLandscape%2Bwith%2Bthe%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt%2B%2528Workshop%2529.jpg" width="640" /></a></div>
Joachim Patinir (Workshop) - Landscape with the Rest on the Flight into Egypt<br />
(Sotheby's. Private Collection)<br />
.<br />
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<a href="https://3.bp.blogspot.com/-XQVeFACy4ak/WR62Q1fDCyI/AAAAAAAAlFM/_ndMkA8e9nc0vbVLOBizsUPyJYhz3VR4QCLcB/s1600/Joachim%2BPatinir%2B-%2BLandscape%2Bwith%2Bthe%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt%252C%2B1518-1520%2B%2528Workshop_%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="420" src="https://3.bp.blogspot.com/-XQVeFACy4ak/WR62Q1fDCyI/AAAAAAAAlFM/_ndMkA8e9nc0vbVLOBizsUPyJYhz3VR4QCLcB/s640/Joachim%2BPatinir%2B-%2BLandscape%2Bwith%2Bthe%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt%252C%2B1518-1520%2B%2528Workshop_%2529.jpg" width="640" /></a></div>
Joachim Patinir (Follower) - Landscape with the Rest on the Flight into Egypt, 1518-1520<br />
(National Gallery London)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-rSEljlLfttI/WR69eonbH5I/AAAAAAAAlHQ/UoBA_C6-8voXSS_SU-BhzsAQmZqLECxBQCLcB/s1600/Joachim%2BPatinir%2B-%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt%252C%2B1524.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-rSEljlLfttI/WR69eonbH5I/AAAAAAAAlHQ/UoBA_C6-8voXSS_SU-BhzsAQmZqLECxBQCLcB/s640/Joachim%2BPatinir%2B-%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt%252C%2B1524.jpg" width="444" /></a></div>
Joachim Patinir (¿?) - Rest on the Flight into Egypt, 1524<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-XIPzx2Ayxzw/WR7HUwKTn-I/AAAAAAAAlIA/Mk8wa8_cemYWw2d_RRqVI0qfchqgl2WMgCLcB/s1600/Joachim%2BPatinir%2B%2528attr%2529%2B-%2BDescanso%2Ben%2Bla%2Bhu%25C3%25ADda%2Ba%2BEgipto%2B%2528Museo%2BNacional%2Bde%2BBellas%2BArtes%2Bde%2BArgentina%252C%2BBuenos%2BAires%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="418" src="https://1.bp.blogspot.com/-XIPzx2Ayxzw/WR7HUwKTn-I/AAAAAAAAlIA/Mk8wa8_cemYWw2d_RRqVI0qfchqgl2WMgCLcB/s640/Joachim%2BPatinir%2B%2528attr%2529%2B-%2BDescanso%2Ben%2Bla%2Bhu%25C3%25ADda%2Ba%2BEgipto%2B%2528Museo%2BNacional%2Bde%2BBellas%2BArtes%2Bde%2BArgentina%252C%2BBuenos%2BAires%2529.jpg" width="640" /></a></div>
Joachim Patinir (attr) - Descanso en la huida a Egipto<br />
(Museo Nacional de Bellas Artes de Argentina, Buenos Aires)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-D3Uw_aIh1AU/WR62VB5plxI/AAAAAAAAlFc/iDAXPx9WaL0m-W2WmB1hRhBx69TXMoymwCLcB/s1600/Joachim%2BPatinir%2B-%2BLandscape%2Bwith%2Bthe%2BTemptation%2Bof%2BSaint%2BAntony%2BAbbot%252C%2BJoachim%2BPatinir%2B%2528workshop%2Bof%2529%252C%2Bc.%2B1510%2B-%2Bc.%2B1520%2528Rijksmuseum%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="308" src="https://2.bp.blogspot.com/-D3Uw_aIh1AU/WR62VB5plxI/AAAAAAAAlFc/iDAXPx9WaL0m-W2WmB1hRhBx69TXMoymwCLcB/s640/Joachim%2BPatinir%2B-%2BLandscape%2Bwith%2Bthe%2BTemptation%2Bof%2BSaint%2BAntony%2BAbbot%252C%2BJoachim%2BPatinir%2B%2528workshop%2Bof%2529%252C%2Bc.%2B1510%2B-%2Bc.%2B1520%2528Rijksmuseum%2529.jpg" width="640" /></a></div>
Joachim Patinir (Workshop) - Landscape with the Temptation of Saint Antony, 1510 - 1520<br />
(Rijksmuseum Amsterdam)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-RMfF9B9Qq6k/WR69l204-PI/AAAAAAAAlHc/duVmP9mjaOsuF5rvncAtabrORVLw9JJ9QCLcB/s1600/Joachim%2BPatinir%2B-%2BSaint%2BChristopher%2Bin%2Ba%2BLandscape.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="480" src="https://2.bp.blogspot.com/-RMfF9B9Qq6k/WR69l204-PI/AAAAAAAAlHc/duVmP9mjaOsuF5rvncAtabrORVLw9JJ9QCLcB/s640/Joachim%2BPatinir%2B-%2BSaint%2BChristopher%2Bin%2Ba%2BLandscape.jpg" width="640" /></a></div>
Joachim Patinir (Workshop) - Saint Christopher in a Landscape<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-glN88c3NaMQ/WR64vLz9PuI/AAAAAAAAlGs/RsfjCjN4VB0DtlwrjmpNzCkWSIA7p063ACLcB/s1600/Joachim%2BPatinir%2B%2528circle%2Bof%2529%2B-%2BThe%2Bpenitent%2BSaint%2BJerome%2Bin%2Ban%2Bextensive%2Brocky%2Blandscape.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="464" src="https://1.bp.blogspot.com/-glN88c3NaMQ/WR64vLz9PuI/AAAAAAAAlGs/RsfjCjN4VB0DtlwrjmpNzCkWSIA7p063ACLcB/s640/Joachim%2BPatinir%2B%2528circle%2Bof%2529%2B-%2BThe%2Bpenitent%2BSaint%2BJerome%2Bin%2Ban%2Bextensive%2Brocky%2Blandscape.jpg" width="640" /></a></div>
Joachim Patinir (circle of) - The penitent Saint Jerome in an extensive rocky landscape<br />
.<br />
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<a href="https://2.bp.blogspot.com/-L4SSKsEKP3M/WR64yOj6gZI/AAAAAAAAlG4/9QlBwOrLSdYl81FqLVTEpEU4QU7ehGukACLcB/s1600/Joachim%2BPatinir%2B%2528Follower%2Bof%2529%2B-%2BSt.%2BJerome%2BPraying%2Bin%2Ba%2BLandscape%252C%2B1525-50%2B%2528Museum%2Bof%2BFine%2BArts%252C%2BHouston%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="448" src="https://2.bp.blogspot.com/-L4SSKsEKP3M/WR64yOj6gZI/AAAAAAAAlG4/9QlBwOrLSdYl81FqLVTEpEU4QU7ehGukACLcB/s640/Joachim%2BPatinir%2B%2528Follower%2Bof%2529%2B-%2BSt.%2BJerome%2BPraying%2Bin%2Ba%2BLandscape%252C%2B1525-50%2B%2528Museum%2Bof%2BFine%2BArts%252C%2BHouston%2529.jpg" width="640" /></a></div>
Joachim Patinir (Follower of) - St. Jerome Praying in a Landscape, 1525-50<br />
(Museum of Fine Arts, Houston)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-N3kRk0ui7L0/WR64w3EJjYI/AAAAAAAAlGw/oz9DAocmK0Ay_avJYeG11qxqR9aLJWRyACLcB/s1600/Joachim%2BPatinir%2B%2528Workshop%2529%2B-%2BSaint%2BJerome%2Bin%2Ba%2BLandscape%2B%2528National%2BGallery%2BLondon%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-N3kRk0ui7L0/WR64w3EJjYI/AAAAAAAAlGw/oz9DAocmK0Ay_avJYeG11qxqR9aLJWRyACLcB/s640/Joachim%2BPatinir%2B%2528Workshop%2529%2B-%2BSaint%2BJerome%2Bin%2Ba%2BLandscape%2B%2528National%2BGallery%2BLondon%2529.jpg" width="604" /></a></div>
Joachim Patinir (Workshop) - Saint Jerome in a Landscape<br />
(National Gallery London)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-TLcJSrEfSf8/WR64tGHICFI/AAAAAAAAlGo/BK-XXdpP3qEHa6FQB4s57E_s8khm4ymQgCLcB/s1600/Joachim%2BPatinir%2B%2528Workshop%2529%2B-%2BSaint%2BJerome%2Bin%2Ba%2BLandscape%2B%2528National%2BGallery%2BLondon%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-TLcJSrEfSf8/WR64tGHICFI/AAAAAAAAlGo/BK-XXdpP3qEHa6FQB4s57E_s8khm4ymQgCLcB/s640/Joachim%2BPatinir%2B%2528Workshop%2529%2B-%2BSaint%2BJerome%2Bin%2Ba%2BLandscape%2B%2528National%2BGallery%2BLondon%2529_.jpg" width="578" /></a></div>
Joachim Patinir (Workshop) - Saint Jerome in a Landscape<br />
(National Gallery London) <br />
.</div>
<div style="text-align: center;">
<div class="separator" style="clear: both;">
<a href="https://4.bp.blogspot.com/-lHezUygMw6M/WR64IWztjoI/AAAAAAAAlGM/aETEVrrv7h4M-c0EGAf48lassxc5FAwXQCLcB/s1600/Joachim%2BPatinir%2B-%2BThe%2BBattle%2Bof%2BPavia%252C%2B1530%2B%2528falsa%2Batribuci%25C3%25B3n%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="486" src="https://4.bp.blogspot.com/-lHezUygMw6M/WR64IWztjoI/AAAAAAAAlGM/aETEVrrv7h4M-c0EGAf48lassxc5FAwXQCLcB/s640/Joachim%2BPatinir%2B-%2BThe%2BBattle%2Bof%2BPavia%252C%2B1530%2B%2528falsa%2Batribuci%25C3%25B3n%2529.jpg" width="640" /></a></div>
Joachim Patinir - The Battle of Pavia, 1530 (falsa atribución)<br />
<span style="color: white;">.</span></div>
<div style="text-align: center;">
<a href="https://4.bp.blogspot.com/-DhCY9C1Q01M/WRa6JfbKobI/AAAAAAAAktQ/4tash7VN4QUbnS6QAOHNF4430F0N9-ihQCLcB/s1600/Los%2BPrimitivos%2BFlamencos_separador%2Bfinal%2B0.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="70" src="https://4.bp.blogspot.com/-DhCY9C1Q01M/WRa6JfbKobI/AAAAAAAAktQ/4tash7VN4QUbnS6QAOHNF4430F0N9-ihQCLcB/s640/Los%2BPrimitivos%2BFlamencos_separador%2Bfinal%2B0.png" width="640" /></a></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-CenNKLZzAIk/WRa6GV65F8I/AAAAAAAAktI/dUMcJ6LeBBQHSm03hu9NumfbbvWnIjcRACLcB/s1600/Los%2BPrimitivos%2BFlamencos_cronolog%25C3%25ADa%2BLucas%2Bvan%2BLeyden.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="64" src="https://1.bp.blogspot.com/-CenNKLZzAIk/WRa6GV65F8I/AAAAAAAAktI/dUMcJ6LeBBQHSm03hu9NumfbbvWnIjcRACLcB/s640/Los%2BPrimitivos%2BFlamencos_cronolog%25C3%25ADa%2BLucas%2Bvan%2BLeyden.jpg" width="640" /></a></div>
<div style="text-align: center;">
<center>
<table border="0" cellpadding="4" cellspacing="0" style="width: 643px;">
<colgroup><col width="35"></col>
<col width="592"></col>
</colgroup><tbody>
<tr>
<td colspan="2" valign="TOP" width="635"><div align="LEFT">
<span style="font-family: inherit;"><i><span style="color: white;">.....</span>Como
su propio nombre indica Lucas van Leyden nació en Leiden, rica
ciudad de los Países Bajos meridionales, más controvertida es
su la fecha de su fecha nacimiento, que Carel Mander en Het
Schilderbooek, de 1604, cita
como más probable 1494 como el año de su natalicio.
</i></span></div>
<div align="LEFT">
<span style="font-family: inherit;"><i>Más
reconocido como grabador que como pintor, tuvo un genio precoz
para esta técnica que domina como pocos. Sus grabados fueron
valorados y admirados tanto por sus contemporáneos (como Durero,
de quien se dice pudo, si no aprender, sí perfeccionar la
técnica del grabado), como por pintores posteriores, como
Rembrandt.
</i></span></div>
<div align="LEFT">
<span style="font-family: inherit;"><i><span style="color: white;">.....</span>Su
primer maestro parece ser fue su propio padre <span style="color: black;"><span style="font-size: small;">Huygh
Jacobszoon, también pintor, para entrar posteriormente en el
taller de Cornelis Engelbrechtsz(oon). Pronto demostraría estar
dotado de un marcado carácter que le haría crear un estilo
propio a partir de sus modelos (Durero, primero; Jan Gossaer
</span></span><span style="color: black;"><span style="font-size: small;">Mabuse</span></span><span style="color: black;"><span style="font-size: small;">,
después).</span></span></i></span></div>
<div align="LEFT">
<i><span style="color: white; font-family: inherit;">.....</span><span style="color: black; font-family: inherit;">Pese
a residir en su ciudad natal, realizando allí la mayor parte de
su obra, viajó constantemente a Amberes, perteneció a su Guilda
de San Lucas y confraternizó con otros artistas flamencos
contemporáneos.</span></i></div>
<div align="LEFT">
<i><span style="color: white; font-family: inherit;">.....</span><span style="color: black; font-family: inherit;">Destaca
por la pureza de sus líneas en el dibujo, la monumentalidad de
sus composiciones, la utilización de la perspectiva aérea, la
minuciosidad en ropajes y objetos y el naturalismo en la
caracterización de sus personajes.</span></i></div>
<div align="LEFT">
<span style="font-family: inherit;"><i><span style="color: white;">.....</span><span style="color: black;">Realizó
más de 200 grabados, aguafuertes y diseños para xilografías,
abundando la temática religiosa, alegórica y mitológica. </span>
</i></span></div>
<div align="LEFT">
<i><span style="color: white; font-family: inherit;">.....</span><span style="color: black; font-family: inherit;">En
comparación con su maestría con el grabado, su faceta como
pintor no raya a la misma altura, aunque en absoluto sea desdeñable.
Pocos cuadros se le reconocen hoy día como de autoría segura (no más de veinticinco). Por el
contrario sus grabados son atesorados como verdaderas joyas de
colección, estando repartidos por bibliotecas, museos y
colecciones privadas de todo el mundo. La Biblioteca Nacional de
España posee una de las colecciones más extensas y completas
(si bien poco difundida).</span></i></div>
</td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1494" width="35"><div align="CENTER">
<span style="font-family: inherit;">1494</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Nace en
Leiden (Países Bajos Meridionales) Lucas Huyghensz(oon), llamado
Lucas Leyden.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1508" width="35"><div align="CENTER">
<span style="font-family: inherit;">1508</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Realiza su
primer grabado a los 14 años: <i>Mahoma y el monje Sergio</i>.
</span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1508</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1509</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Muestra su
gran precocidad y habilidad técnica en grabados tempranos como
<i>Susana y los viejos</i> y en
<i>San Jorge liberando a la princesa</i>.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1510" width="35"><div align="CENTER">
<span style="font-family: inherit;">1510</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Realiza,
bajo la influencia de Alberto Durero, su primera gran obra
maestra: <i>La
lechera</i>,
admirada en su día por el mismísimo Rembrandt. Así como un
<i>Ecce Homo</i>
soberbio de composición, perspectiva y fuerza narrativa.</span><br />
<span style="font-family: inherit;">Es
el año en que produce su primera serie sobre <i>La
Pasión</i>,
notables por la exacta reprtesentación del espacio y la sutileza
de la composición de los paisajes.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1512" width="35"><div align="CENTER">
<span style="font-family: inherit;">1512</span></div>
</td>
<td width="592"><span style="font-family: inherit;">A
partir de este año se produce una disminución del poder
conceptual de su trabajo, manifiesto en grabados tales como la
<i>Adoración de
los Magos</i>,
en que no resuelve bien la composición, produciéndose un
amontonamiento de personajes y un recargo arquitectónico que
transmite cierta sensación de abigarramiento e incomodidad
contemplativa. Esta <i>crisis
</i>conceptual/compositiva
le durará hasta 1519.
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1519" width="35"><div align="CENTER">
<span style="font-family: inherit;">1519</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Año de
realización de <i>La danza de la Magdalena</i>,
en que las dudas compositivas se resuelven, presentando la escena
un equilibrio y armonía entre la situación de los personajes en
el espacio y el paisaje donde se hallan.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1521" width="35"><div align="CENTER">
<span style="font-family: inherit;">1521</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Lucas conoce
personalmente a Durero en Amberes. Entre ellos surge una gran
amistad, y el pintor de Leiden recobra la influencia <i>dureroniana</i>
de su etapa inicial. Lo que puede comprobarse en la serie de <i>La
Pasión</i> de ese año.</span><br />
<span style="font-family: inherit;">Se
cree que es a partir de estos años que Lucas desarrolla la
técnica de grabado en cobre (en lugar de hierro).</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1526" width="35"><div align="CENTER">
<span style="font-family: inherit;">1526</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Realiza su
mejor pintura: <i>El Juicio Final</i>,
en la que el pintor nos dona su trabajo más luminoso,
equilibrado y cromáticamente armonioso. Predominan en el cuadro
las figuras sobre el paisaje y la composición es clara
balanceada.
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1527" width="35"><div align="CENTER">
<span style="font-family: inherit;">1527</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Realiza
un segundo viaje por los Países Bajos, a resultas del cual
conoce a Jan Gossaert <i>Mabuse</i>
en Middleburg. Queda impresionado por el estilo italiano de éste,
lo que quedará reflejado en sus obras posteriores.</span><br />
<span style="font-family: inherit;">A
partir de este viaje su salud se deteriora.</span><br />
<span style="font-family: inherit;">Durante
este año y el siguiente realiza sus otras dos mejores pinturas
<i>Moisés
golpeando la roca</i>
y la <i>Adoración
del Becerro de Oro</i>.
En las que muestra su mejor faceta como pintor.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1533" width="35"><div align="CENTER">
<span style="font-family: inherit;">1533</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Muere enfermo
y postrado en cama, en su ciudad natal, Leiden, Lucas van Leyden.</span></td>
</tr>
</tbody></table>
</center>
</div>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-dFKnBdFXSqA/WRa6GQQ3BOI/AAAAAAAAktE/OBaYV4Os1dI6iW_tQ1eJHP4PFx0kQXb0ACLcB/s1600/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="36" src="https://3.bp.blogspot.com/-dFKnBdFXSqA/WRa6GQQ3BOI/AAAAAAAAktE/OBaYV4Os1dI6iW_tQ1eJHP4PFx0kQXb0ACLcB/s640/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" width="640" /></a></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<span style="color: #cc0000; font-size: x-large;"><b>GALERÍA</b></span></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<a href="https://3.bp.blogspot.com/-JX4QUkVdrQY/WRa6Or9x5uI/AAAAAAAAktY/HudPNkqmaosF2V_bjvPCQpESO3MkIgy-gCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BVirgin%2Band%2BChild%2Bwith%2BAngels.%2B1520%2B%2528Gem%25C3%25A4ldegalerie%252C%2BStaatliche%2BMuseen%2Bzu%2BBerlin%2529_T%25C3%25ADtulo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="110" src="https://3.bp.blogspot.com/-JX4QUkVdrQY/WRa6Or9x5uI/AAAAAAAAktY/HudPNkqmaosF2V_bjvPCQpESO3MkIgy-gCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BVirgin%2Band%2BChild%2Bwith%2BAngels.%2B1520%2B%2528Gem%25C3%25A4ldegalerie%252C%2BStaatliche%2BMuseen%2Bzu%2BBerlin%2529_T%25C3%25ADtulo.jpg" width="640" /></a></div>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<b><span style="color: blue; font-size: large;">PINTURA</span></b></div>
<div style="text-align: center;">
<br />
<div class="separator" style="clear: both;">
<a href="https://3.bp.blogspot.com/-MuCEY93t79g/WSKgjAckkDI/AAAAAAAAlIY/gToe7ihzPE8ohLj8YXi7ecLU31dnpNmswCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BRight%2Bouter%2Bwing_The%2BAnnunciation.%2B1522%2B%2528Munich%252C%2BAlte%2BPinakothek%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-MuCEY93t79g/WSKgjAckkDI/AAAAAAAAlIY/gToe7ihzPE8ohLj8YXi7ecLU31dnpNmswCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BRight%2Bouter%2Bwing_The%2BAnnunciation.%2B1522%2B%2528Munich%252C%2BAlte%2BPinakothek%2529.jpg" width="448" /></a></div>
Lucas van Leyden - Right outer wing_The Annunciation. 1522<br />
(Munich, Alte Pinakothek)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://4.bp.blogspot.com/-RmWQy_xVv5s/WSKgmuRgiqI/AAAAAAAAlIc/72a25sRCVUEvJgWir5H3ZDGjRggrajwNgCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BVirgin%2Band%2BChild%2Bwith%2BAngels.%2B1520%2B%2528Gem%25C3%25A4ldegalerie%252C%2BStaatliche%2BMuseen%2Bzu%2BBerlin%2529_med.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-RmWQy_xVv5s/WSKgmuRgiqI/AAAAAAAAlIc/72a25sRCVUEvJgWir5H3ZDGjRggrajwNgCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BVirgin%2Band%2BChild%2Bwith%2BAngels.%2B1520%2B%2528Gem%25C3%25A4ldegalerie%252C%2BStaatliche%2BMuseen%2Bzu%2BBerlin%2529_med.jpg" width="372" /></a></div>
Lucas van Leyden - Virgin and Child with Angels. 1520<br />
(Gemäldegalerie, Staatliche Museen zu Berlin)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-XPpukXjfJUU/WSKgiJ6rOuI/AAAAAAAAlIU/ZD38JcUJaZILk0sILRboFEmwwxqorv4KgCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BLot%2Band%2Bhis%2BDaughters%252C%2B1520%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-XPpukXjfJUU/WSKgiJ6rOuI/AAAAAAAAlIU/ZD38JcUJaZILk0sILRboFEmwwxqorv4KgCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BLot%2Band%2Bhis%2BDaughters%252C%2B1520%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529.jpg" width="450" /></a></div>
Lucas van Leyden - Lot and his Daughters, 1520<br />
(Musée du Louvre)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-XZXuxdgbJ-k/WSKgiKCpFwI/AAAAAAAAlIQ/sBpmbYvlzLQ4u0NMMmD0ebwdRaHJE7OJQCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BMoses%2Band%2Bthe%2BIsraelites%2Bafter%2Bthe%2BMiracle%2Bof%2BWater%2Bfrom%2Bthe%2BRock%2B%2528MFA%2BBoston%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="494" src="https://1.bp.blogspot.com/-XZXuxdgbJ-k/WSKgiKCpFwI/AAAAAAAAlIQ/sBpmbYvlzLQ4u0NMMmD0ebwdRaHJE7OJQCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BMoses%2Band%2Bthe%2BIsraelites%2Bafter%2Bthe%2BMiracle%2Bof%2BWater%2Bfrom%2Bthe%2BRock%2B%2528MFA%2BBoston%2529.jpg" width="640" /></a></div>
Lucas van Leyden - Moses and the Israelites after the Miracle of Water from the Rock<br />
(MFA Boston)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-lJhpdK9DFko/WShqr_iC7xI/AAAAAAAAlP4/GRW6xboRQFYL_nVTCPPjfXvnh2QzlRSxACLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BHealing%2Bof%2Bthe%2BBlind%2Bof%2BJericho%252C%2B1531%2B%2528Museo%2Bdel%2BHermitage.%2BSan%2BPetersburgo%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="637" data-original-width="1200" height="338" src="https://3.bp.blogspot.com/-lJhpdK9DFko/WShqr_iC7xI/AAAAAAAAlP4/GRW6xboRQFYL_nVTCPPjfXvnh2QzlRSxACLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BHealing%2Bof%2Bthe%2BBlind%2Bof%2BJericho%252C%2B1531%2B%2528Museo%2Bdel%2BHermitage.%2BSan%2BPetersburgo%2529.jpg" width="640" /></a></div>
Lucas van Leyden - The Healing of the Blind of Jericho, 1531<br />
(Museo del Hermitage. San Petersburgo)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://2.bp.blogspot.com/-DbkWTZ3ooiU/WSKhAT5eOeI/AAAAAAAAlIg/7sdZ1WOBfTIxMxAh3OLfyliMIhJshzn_ACLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BHealing%2Bof%2Bthe%2BBlind%2Bof%2BJericho%252C%2B1531%2B%2528Museo%2Bdel%2BHermitage.%2BSan%2BPetersburgo%2529_detail.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="524" src="https://2.bp.blogspot.com/-DbkWTZ3ooiU/WSKhAT5eOeI/AAAAAAAAlIg/7sdZ1WOBfTIxMxAh3OLfyliMIhJshzn_ACLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BHealing%2Bof%2Bthe%2BBlind%2Bof%2BJericho%252C%2B1531%2B%2528Museo%2Bdel%2BHermitage.%2BSan%2BPetersburgo%2529_detail.jpg" width="640" /></a></div>
Lucas van Leyden - The Healing of the Blind of Jericho, 1531_detail<br />
(Museo del Hermitage. San Petersburgo)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-5KyFk8P5rnc/WSKhA_zmV8I/AAAAAAAAlIk/-PmfD8-8VoYQVmtj1Ep5-Faj7uXNHUNdwCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BLast%2BJudgement%252C%2B1526-27%2B%2528Stedelijk%2BMuseum%2BDe%2BLakenhal%2B%2B%2528Netherlands%2B-%2BLeiden%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="456" src="https://4.bp.blogspot.com/-5KyFk8P5rnc/WSKhA_zmV8I/AAAAAAAAlIk/-PmfD8-8VoYQVmtj1Ep5-Faj7uXNHUNdwCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BLast%2BJudgement%252C%2B1526-27%2B%2528Stedelijk%2BMuseum%2BDe%2BLakenhal%2B%2B%2528Netherlands%2B-%2BLeiden%2529.jpg" width="640" /></a></div>
Lucas van Leyden - The Last Judgement, 1526-27<br />
(Stedelijk Museum De Lakenhal, Leiden)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-qg5PQpv5hYE/WSKhETp8I3I/AAAAAAAAlIs/ZB3vjeEwYuogp8S1kWaOtZofJ1Ct0PfCwCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BWorship%2Bof%2Bthe%2BGolden%2BCalf%252C%2Bc.%2B1530_Triptych%2B%2528Rijksmuesum%252C%2BAmsterdam%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="480" src="https://4.bp.blogspot.com/-qg5PQpv5hYE/WSKhETp8I3I/AAAAAAAAlIs/ZB3vjeEwYuogp8S1kWaOtZofJ1Ct0PfCwCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BWorship%2Bof%2Bthe%2BGolden%2BCalf%252C%2Bc.%2B1530_Triptych%2B%2528Rijksmuesum%252C%2BAmsterdam%2529.jpg" width="640" /></a></div>
Lucas van Leyden - Worship of the Golden Calf, c. 1530_Triptych<br />
(Rijksmuesum, Amsterdam)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-m3MQ7_7HTws/WSKhDPMhkxI/AAAAAAAAlIo/W54ZHimndN85LkVi-rQtVIuMfSGRZDHKgCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BWorship%2Bof%2Bthe%2BGolden%2BCalf%252C%2Bc.%2B1530_Triptych%2B%2528Rijksmuesum%252C%2BAmsterdam%2529__.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="434" src="https://4.bp.blogspot.com/-m3MQ7_7HTws/WSKhDPMhkxI/AAAAAAAAlIo/W54ZHimndN85LkVi-rQtVIuMfSGRZDHKgCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BWorship%2Bof%2Bthe%2BGolden%2BCalf%252C%2Bc.%2B1530_Triptych%2B%2528Rijksmuesum%252C%2BAmsterdam%2529__.jpg" width="640" /></a></div>
Lucas van Leyden - Worship of the Golden Calf, c. 1530_Triptych<br />
(Rijksmuesum, Amsterdam)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-VGs8DeeUsrM/WSKht5d2RKI/AAAAAAAAlI0/jP5bivZ-qcM1jAPuif8u2_I-XGiMndW3gCEw/s1600/Lucas%2Bvan%2BLeyden%2B-%2BPotiphar%2527s%2Bwife%2Bshows%2Bher%2Bhusband%2BJoseph%2527s%2Bcloak.%2BCa.%2B1512%2B%2528Rotterdam%252C%2BMuseum%2BBoijmans%2BVan%2BBeuningen%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="454" src="https://1.bp.blogspot.com/-VGs8DeeUsrM/WSKht5d2RKI/AAAAAAAAlI0/jP5bivZ-qcM1jAPuif8u2_I-XGiMndW3gCEw/s640/Lucas%2Bvan%2BLeyden%2B-%2BPotiphar%2527s%2Bwife%2Bshows%2Bher%2Bhusband%2BJoseph%2527s%2Bcloak.%2BCa.%2B1512%2B%2528Rotterdam%252C%2BMuseum%2BBoijmans%2BVan%2BBeuningen%2529.jpg" width="640" /></a></div>
Lucas van Leyden - Potiphar's wife shows her husband Joseph's cloak. Ca. 1512<br />
(Rotterdam, Museum Boijmans Van Beuningen)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-Ta8tcnkU6W8/WSKhvO6U20I/AAAAAAAAlI8/nTejlQ61s9cfQFJlu3HiCOwQmuisasnRQCEw/s1600/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BCard%2BPlayers%2B%2528NGA%2BWashington%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="582" src="https://2.bp.blogspot.com/-Ta8tcnkU6W8/WSKhvO6U20I/AAAAAAAAlI8/nTejlQ61s9cfQFJlu3HiCOwQmuisasnRQCEw/s640/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BCard%2BPlayers%2B%2528NGA%2BWashington%2529.jpg" width="640" /></a></div>
Lucas van Leyden - The Card Players<br />
(NGA Washington)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-cOAZY7L2vJE/WSKhvx4knRI/AAAAAAAAlJA/4cvvqG1ZHyMj3I1BDakhRtq4m12Dn5UeQCEw/s1600/Lucas%2Bvan%2BLeyden%2B-%2BThe%2Bcard-players.%2BCa.%2B1517%2B%2528Wilton%252C%2BWilton%2BHouse%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="444" src="https://1.bp.blogspot.com/-cOAZY7L2vJE/WSKhvx4knRI/AAAAAAAAlJA/4cvvqG1ZHyMj3I1BDakhRtq4m12Dn5UeQCEw/s640/Lucas%2Bvan%2BLeyden%2B-%2BThe%2Bcard-players.%2BCa.%2B1517%2B%2528Wilton%252C%2BWilton%2BHouse%2529.jpg" width="640" /></a></div>
Lucas van Leyden - The card-players. Ca. 1517<br />
(Wilton, Wilton House)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-ljzgZKsW0ww/WSKhzojR6II/AAAAAAAAlJE/MYnj__vIEXQkQ6u78aSSkHXAGq_PMDRFACEw/s1600/Lucas%2Bvan%2BLeyden%2B-%2BThe%2Bgame%2Bof%2Bchess.%2BCa.%2B1508%2B%2528%2BBerlin%252C%2BGem%25C3%25A4ldegalerie%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="494" src="https://1.bp.blogspot.com/-ljzgZKsW0ww/WSKhzojR6II/AAAAAAAAlJE/MYnj__vIEXQkQ6u78aSSkHXAGq_PMDRFACEw/s640/Lucas%2Bvan%2BLeyden%2B-%2BThe%2Bgame%2Bof%2Bchess.%2BCa.%2B1508%2B%2528%2BBerlin%252C%2BGem%25C3%25A4ldegalerie%2529.jpg" width="640" /></a></div>
Lucas van Leyden - The game of chess. Ca. 1508<br />
(Berlin, Gemäldegalerie)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-wpkPVE8-s08/WSKiQ7PL34I/AAAAAAAAlJI/KVj4IuR0fXkhkAbYlUZbDKC54u-pW6XmQCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BThe%2Bfortune-teller.%2BCa.%2B1508%2B%2528Paris%252C%2BMus%25C3%25A9e%2Bdu%2BLouvre%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="516" src="https://1.bp.blogspot.com/-wpkPVE8-s08/WSKiQ7PL34I/AAAAAAAAlJI/KVj4IuR0fXkhkAbYlUZbDKC54u-pW6XmQCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BThe%2Bfortune-teller.%2BCa.%2B1508%2B%2528Paris%252C%2BMus%25C3%25A9e%2Bdu%2BLouvre%2529.jpg" width="640" /></a></div>
Lucas van Leyden - The fortune-teller. Ca. 1508<br />
(Paris, Musée du Louvre)<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-Uw2-PacqB5M/WShrgLo32JI/AAAAAAAAlQA/PsRCymlIkoM7tEp7kyWWBfxOYQOlFT81QCLcB/s1600/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="86" data-original-width="1498" height="22" src="https://2.bp.blogspot.com/-Uw2-PacqB5M/WShrgLo32JI/AAAAAAAAlQA/PsRCymlIkoM7tEp7kyWWBfxOYQOlFT81QCLcB/s400/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" width="400" /></a></div>
<br />
<br />
<b><span style="color: blue; font-size: large;">GRABADO</span></b><br />
<br />
<b>ESCENAS DE GÉNERO, MITOLOGÍA, ALEGORÍA</b><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-IJsHxCOvs_g/WSgPT06DOyI/AAAAAAAAlJk/78Z-Uv9ge6wSvhBggUJyrXih6115Md46ACEw/s1600/Lucas%2Bvan%2BLeyden%2B-%2BHet%2Bmelkmeisje%252C%2B1510%2B%2528Rijksmuseum%252C%2BAmsterdam%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1064" data-original-width="1409" height="482" src="https://3.bp.blogspot.com/-IJsHxCOvs_g/WSgPT06DOyI/AAAAAAAAlJk/78Z-Uv9ge6wSvhBggUJyrXih6115Md46ACEw/s640/Lucas%2Bvan%2BLeyden%2B-%2BHet%2Bmelkmeisje%252C%2B1510%2B%2528Rijksmuseum%252C%2BAmsterdam%2529.jpg" width="640" /></a></div>
Lucas Leyden - The Milkmaid, 1510<br />
(Rijksmuseum, Amsterdam)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://3.bp.blogspot.com/-OE25pfbAzfM/WSgXuhywo1I/AAAAAAAAlKI/6CFR5BVFtjQ-09c8-Jt4fLk5hkIvAwFvQCLcB/s1600/Lucas%2BLeyden%2B-%2BThe%2BMilkmaid%252C%2B1510%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1009" data-original-width="1352" height="476" src="https://3.bp.blogspot.com/-OE25pfbAzfM/WSgXuhywo1I/AAAAAAAAlKI/6CFR5BVFtjQ-09c8-Jt4fLk5hkIvAwFvQCLcB/s640/Lucas%2BLeyden%2B-%2BThe%2BMilkmaid%252C%2B1510%2B%2528MET%2529.jpg" width="640" /></a></div>
Lucas Leyden - The Milkmaid, 1510<br />
(MET)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-HO01D3xEEbs/WSsTTgQdkWI/AAAAAAAAlRA/nPWbe2VhboMbXclHY-mn-h31_OgjYmWNgCLcB/s1600/Lucas%2BLeyden%2B-%2BVirgilio%2Bsuspendido%2Bde%2Bun%2Bcesto_med_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1392" data-original-width="1076" height="640" src="https://4.bp.blogspot.com/-HO01D3xEEbs/WSsTTgQdkWI/AAAAAAAAlRA/nPWbe2VhboMbXclHY-mn-h31_OgjYmWNgCLcB/s640/Lucas%2BLeyden%2B-%2BVirgilio%2Bsuspendido%2Bde%2Bun%2Bcesto_med_.jpg" width="494" /></a></div>
Lucas Leyden - Virgilio suspendido de un cesto, 1525<br />
(Biblioteca Hispánica Digital)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-s-CvdJnA3d0/WSsVVudq9BI/AAAAAAAAlRQ/mydhRdE9xMU7CcvF8irhNXpdYldI2J9jwCLcB/s1600/Lucas%2BLeyden%2B-%2BVirgilio%2Bsuspendido%2Bde%2Bun%2Bcesto_MET.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1192" height="640" src="https://3.bp.blogspot.com/-s-CvdJnA3d0/WSsVVudq9BI/AAAAAAAAlRQ/mydhRdE9xMU7CcvF8irhNXpdYldI2J9jwCLcB/s640/Lucas%2BLeyden%2B-%2BVirgilio%2Bsuspendido%2Bde%2Bun%2Bcesto_MET.jpg" width="508" /></a></div>
Lucas Leyden - The Poet Virgil in a Basket, 1525<br />
(MET)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-zMpyHrRwdx4/WSsTr_CAePI/AAAAAAAAlRE/q4KJI-979U0XZPfNgAOmPjxOjZEcK5pGgCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BVirgil%2Bsuspended%2Bin%2Ba%2Bbasket.%2BCa.%2B1514%2B%2528Amsterdam%252C%2BRijksmuseum%2BAmsterdam%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1232" data-original-width="863" height="640" src="https://4.bp.blogspot.com/-zMpyHrRwdx4/WSsTr_CAePI/AAAAAAAAlRE/q4KJI-979U0XZPfNgAOmPjxOjZEcK5pGgCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BVirgil%2Bsuspended%2Bin%2Ba%2Bbasket.%2BCa.%2B1514%2B%2528Amsterdam%252C%2BRijksmuseum%2BAmsterdam%2529.jpg" width="448" /></a></div>
Lucas van Leyden - Virgil suspended in a basket. Ca. 1514 (2ª versión)<br />
(Rijksmuseum Amsterdam)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://3.bp.blogspot.com/-KNzr65ZS464/WSgPT3pQUXI/AAAAAAAAlJk/r8xfgbVBL8cXZ5oZPZbyfMkuF2ZqquUBgCEw/s1600/Lucas%2Bvan%2BLeyden%2B-%2BA%2BFool%2Band%2Ba%2BWoman%252C%2B1520%2B%2528Rijksmuseum%2BAmsterdam%2529_med.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1337" data-original-width="969" height="640" src="https://3.bp.blogspot.com/-KNzr65ZS464/WSgPT3pQUXI/AAAAAAAAlJk/r8xfgbVBL8cXZ5oZPZbyfMkuF2ZqquUBgCEw/s640/Lucas%2Bvan%2BLeyden%2B-%2BA%2BFool%2Band%2Ba%2BWoman%252C%2B1520%2B%2528Rijksmuseum%2BAmsterdam%2529_med.jpg" width="462" /></a></div>
Lucas van Leyden - A Fool and a Woman, 1520<br />
(Rijksmuseum Amsterdam)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://4.bp.blogspot.com/-dL51APiET4U/WSgXovYlDrI/AAAAAAAAlKA/IyIiw_TVkRwwxWIU8YYEZWbKrLqu6aQxwCLcB/s1600/Lucas%2BLeyden%2B-%2BThe%2BDentist%252C%2B1523%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1489" data-original-width="966" height="640" src="https://4.bp.blogspot.com/-dL51APiET4U/WSgXovYlDrI/AAAAAAAAlKA/IyIiw_TVkRwwxWIU8YYEZWbKrLqu6aQxwCLcB/s640/Lucas%2BLeyden%2B-%2BThe%2BDentist%252C%2B1523%2B%2528MET%2529.jpg" width="414" /></a></div>
Lucas Leyden - The Dentist, 1523<br />
(MET)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://2.bp.blogspot.com/-JdRLwWE7iM0/WSgXvkPiJRI/AAAAAAAAlKM/z2baHKG2ieo7gW1t6JSevkd10AJF3KcxQCLcB/s1600/Lucas%2BLeyden%2B-%2BThe%2BSurgeon%252C%2B1524%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1400" data-original-width="913" height="640" src="https://2.bp.blogspot.com/-JdRLwWE7iM0/WSgXvkPiJRI/AAAAAAAAlKM/z2baHKG2ieo7gW1t6JSevkd10AJF3KcxQCLcB/s640/Lucas%2BLeyden%2B-%2BThe%2BSurgeon%252C%2B1524%2B%2528MET%2529.jpg" width="416" /></a></div>
Lucas Leyden - The Surgeon, 1524<br />
(MET)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-8XOjOrSIN5U/WSgXMXSwbZI/AAAAAAAAlJw/--esNeOf5yMfS0OyUNulxlaxbThzo3J4wCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BResting%2Bpilgrims.%2BCa.%2B1508.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1278" data-original-width="1008" height="640" src="https://4.bp.blogspot.com/-8XOjOrSIN5U/WSgXMXSwbZI/AAAAAAAAlJw/--esNeOf5yMfS0OyUNulxlaxbThzo3J4wCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BResting%2Bpilgrims.%2BCa.%2B1508.jpg" width="504" /></a></div>
Lucas Leyden - The Pilgrims, 1508<br />
.<br />
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<a href="https://2.bp.blogspot.com/-t08oyqV_Wfs/WSgXv_bQTvI/AAAAAAAAlKQ/FMLrZC2FuXwWmsS2mPoMjftVvgnapbxuQCLcB/s1600/Lucas%2BLeyden%2B-%2BThe%2BPilgrims%252C%2B1508%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1386" data-original-width="1130" height="640" src="https://2.bp.blogspot.com/-t08oyqV_Wfs/WSgXv_bQTvI/AAAAAAAAlKQ/FMLrZC2FuXwWmsS2mPoMjftVvgnapbxuQCLcB/s640/Lucas%2BLeyden%2B-%2BThe%2BPilgrims%252C%2B1508%2B%2528MET%2529.jpg" width="520" /></a></div>
Lucas Leyden - The Pilgrims, 1508<br />
(MET)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-QZdryW3Sszs/WSgXNFE1pPI/AAAAAAAAlJ4/z33Oy3TjcN06b7PvCMCl-FHY_naVil3BwCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BWandelend%2Bpaar%2Bmet%2Bhavik%252C%2BLucas%2Bvan%2BLeyden%252C%2B1505%2B-%2B1509.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1513" data-original-width="1196" height="640" src="https://3.bp.blogspot.com/-QZdryW3Sszs/WSgXNFE1pPI/AAAAAAAAlJ4/z33Oy3TjcN06b7PvCMCl-FHY_naVil3BwCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BWandelend%2Bpaar%2Bmet%2Bhavik%252C%2BLucas%2Bvan%2BLeyden%252C%2B1505%2B-%2B1509.jpg" width="504" /></a></div>
Lucas van Leyden - Wandelend paar met havik, Lucas van Leyden, 1505 - 1509<br />
(Rijksmuseum)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-tJNmyRg62VM/WSgXMzFgyFI/AAAAAAAAlJ0/yhavQwSlWU4dW6SRqI8X8NAKiOQQ55H_ACLcB/s1600/Uilenspiegel%2Bde%2Bbedelaarsfamilie%252C%2BLucas%2Bvan%2BLeyden%252C%2B1520.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1396" data-original-width="1145" height="640" src="https://4.bp.blogspot.com/-tJNmyRg62VM/WSgXMzFgyFI/AAAAAAAAlJ0/yhavQwSlWU4dW6SRqI8X8NAKiOQQ55H_ACLcB/s640/Uilenspiegel%2Bde%2Bbedelaarsfamilie%252C%2BLucas%2Bvan%2BLeyden%252C%2B1520.jpg" width="524" /></a></div>
Lucas van Leyden - Uilenspiegel de bedelaarsfamilie, 1520<br />
.</div>
<div style="text-align: center;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-MkotXnM4ffA/WSgXoBTJkvI/AAAAAAAAlJ8/TB_jLIW-KcEkyXDdy_rqNX4LnK6Hz2OlQCLcB/s1600/Lucas%2BLeyden%2B-%2BPyramus%2Band%2BThisbe%252C%2B1514%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1021" data-original-width="1362" height="478" src="https://4.bp.blogspot.com/-MkotXnM4ffA/WSgXoBTJkvI/AAAAAAAAlJ8/TB_jLIW-KcEkyXDdy_rqNX4LnK6Hz2OlQCLcB/s640/Lucas%2BLeyden%2B-%2BPyramus%2Band%2BThisbe%252C%2B1514%2B%2528MET%2529.jpg" width="640" /></a></div>
Lucas Leyden - Pyramus and Thisbe, 1514<br />
(MET)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-9-XtSSh0lJA/WSgXokNQyPI/AAAAAAAAlKE/AOWAiw9Lo94nlM71FWFvBMR_F4Juew5twCLcB/s1600/Lucas%2BLeyden%2B-%2BSt.%2BGeorge%2BLiberating%2Bthe%2BPrincess%252C%2B1508%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1073" height="640" src="https://2.bp.blogspot.com/-9-XtSSh0lJA/WSgXokNQyPI/AAAAAAAAlKE/AOWAiw9Lo94nlM71FWFvBMR_F4Juew5twCLcB/s640/Lucas%2BLeyden%2B-%2BSt.%2BGeorge%2BLiberating%2Bthe%2BPrincess%252C%2B1508%2B%2528MET%2529.jpg" width="456" /></a></div>
Lucas Leyden - St. George Liberating the Princess, 1508<br />
(MET)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://4.bp.blogspot.com/-_qhsiNn--5Y/WSgY-TAmGCI/AAAAAAAAlKw/Exj6DMYlrGoBOvbpVRIjK8hD0s8hvg9TwCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BMars%252C%2BVenus%2Ben%2BCupido%2B%2528Rijksmuseum%2BAmsterdam%2529_med.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1104" data-original-width="1453" height="486" src="https://4.bp.blogspot.com/-_qhsiNn--5Y/WSgY-TAmGCI/AAAAAAAAlKw/Exj6DMYlrGoBOvbpVRIjK8hD0s8hvg9TwCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BMars%252C%2BVenus%2Ben%2BCupido%2B%2528Rijksmuseum%2BAmsterdam%2529_med.jpg" width="640" /></a></div>
Lucas van Leyden - Mars, Venus en Cupido<br />
(Rijksmuseum Amsterdam)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://4.bp.blogspot.com/-9Suo824SvzY/WSgZBNx5lOI/AAAAAAAAlK4/xRcZaosCNM4anliIgitclRhLwS4-9csIwCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BVenus%2Ben%2BCupido%252C%2B%2B1528.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1468" data-original-width="1061" height="640" src="https://4.bp.blogspot.com/-9Suo824SvzY/WSgZBNx5lOI/AAAAAAAAlK4/xRcZaosCNM4anliIgitclRhLwS4-9csIwCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BVenus%2Ben%2BCupido%252C%2B%2B1528.jpg" width="462" /></a></div>
Lucas van Leyden - Venus en Cupido, 1528<br />
<br />
<a href="https://2.bp.blogspot.com/-Uw2-PacqB5M/WShrgLo32JI/AAAAAAAAlQA/PsRCymlIkoM7tEp7kyWWBfxOYQOlFT81QCLcB/s1600/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="86" data-original-width="1498" height="22" src="https://2.bp.blogspot.com/-Uw2-PacqB5M/WShrgLo32JI/AAAAAAAAlQA/PsRCymlIkoM7tEp7kyWWBfxOYQOlFT81QCLcB/s400/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" width="400" /></a><br />
<br />
<b>LAS VIRTUDES CARDINALES, 1530</b><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-1-gz9rCtXO0/WSgamolpWNI/AAAAAAAAlLE/Zjw8_BzmFFA0mwGemnqDSGh-Kw14JMyWACLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BGeloof%252C%2B1530.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1417" data-original-width="989" height="640" src="https://4.bp.blogspot.com/-1-gz9rCtXO0/WSgamolpWNI/AAAAAAAAlLE/Zjw8_BzmFFA0mwGemnqDSGh-Kw14JMyWACLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BGeloof%252C%2B1530.jpg" width="446" /></a></div>
Lucas van Leyden - Geloof, 1530<br />
(Rijksmuseum, Amsterdam)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-ERrDXiEWcAE/WSgamlgL0lI/AAAAAAAAlLI/-bcMCImFMuA1jSzBR-StzipDuuq3z3W8wCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BGematigdheid%252C%2BLucas%2Bvan%2BLeyden%252C%2B1530.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1398" data-original-width="951" height="640" src="https://1.bp.blogspot.com/-ERrDXiEWcAE/WSgamlgL0lI/AAAAAAAAlLI/-bcMCImFMuA1jSzBR-StzipDuuq3z3W8wCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BGematigdheid%252C%2BLucas%2Bvan%2BLeyden%252C%2B1530.jpg" width="434" /></a></div>
Lucas van Leyden - Gematigdheid, 1530<br />
(Rijksmuseum, Amsterdam)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-Z3jBYILCo3s/WSgamuNcFpI/AAAAAAAAlLM/ucnuujrBJ5UEH1_RtBoli6mZGjcniLWDQCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BHoop%252C%2BLucas%2Bvan%2BLeyden%252C%2B1530.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1414" data-original-width="967" height="640" src="https://4.bp.blogspot.com/-Z3jBYILCo3s/WSgamuNcFpI/AAAAAAAAlLM/ucnuujrBJ5UEH1_RtBoli6mZGjcniLWDQCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BHoop%252C%2BLucas%2Bvan%2BLeyden%252C%2B1530.jpg" width="436" /></a></div>
Lucas van Leyden - Hoop, 1530<br />
(Rijksmuseum, Amsterdam)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-N4zPDgSAi_M/WSgatL0tc0I/AAAAAAAAlLQ/bAuQTAbTvNEo6vXEOzc1TZ4kG9DXnfb9gCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BRechtvaardigheid%252C%2BLucas%2Bvan%2BLeyden%252C%2B1530.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1341" data-original-width="911" height="640" src="https://1.bp.blogspot.com/-N4zPDgSAi_M/WSgatL0tc0I/AAAAAAAAlLQ/bAuQTAbTvNEo6vXEOzc1TZ4kG9DXnfb9gCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BRechtvaardigheid%252C%2BLucas%2Bvan%2BLeyden%252C%2B1530.jpg" width="434" /></a></div>
Lucas van Leyden - Rechtvaardigheid, 1530<br />
(Rijksmuseum, Amsterdam)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-oF9xmgRpDJA/WSgatzaIGcI/AAAAAAAAlLU/qJxzMtcC7_wY4n2E19NXGw1IFd9sFWeVgCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BSterkte%252C%2B1530.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1395" data-original-width="942" height="640" src="https://4.bp.blogspot.com/-oF9xmgRpDJA/WSgatzaIGcI/AAAAAAAAlLU/qJxzMtcC7_wY4n2E19NXGw1IFd9sFWeVgCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BSterkte%252C%2B1530.jpg" width="432" /></a></div>
Lucas van Leyden - Sterkte, 1530<br />
(Rijksmuseum, Amsterdam)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-GZaNAjP8KeU/WSgauK25xcI/AAAAAAAAlLY/xlVDKh-vlF8OpD4P9k152Lv356DcTQ1QQCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BVoorzichtigheid%252C%2BLucas%2Bvan%2BLeyden%252C%2B1530.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1436" data-original-width="965" height="640" src="https://1.bp.blogspot.com/-GZaNAjP8KeU/WSgauK25xcI/AAAAAAAAlLY/xlVDKh-vlF8OpD4P9k152Lv356DcTQ1QQCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BVoorzichtigheid%252C%2BLucas%2Bvan%2BLeyden%252C%2B1530.jpg" width="430" /></a></div>
Lucas van Leyden - Voorzichtigheid, 1530<br />
(Rijksmuseum, Amsterdam)<br />
.<br />
<a href="https://2.bp.blogspot.com/-Uw2-PacqB5M/WShrgLo32JI/AAAAAAAAlQA/PsRCymlIkoM7tEp7kyWWBfxOYQOlFT81QCLcB/s1600/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="86" data-original-width="1498" height="22" src="https://2.bp.blogspot.com/-Uw2-PacqB5M/WShrgLo32JI/AAAAAAAAlQA/PsRCymlIkoM7tEp7kyWWBfxOYQOlFT81QCLcB/s400/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" width="400" /></a><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-rH3QYGh_DSI/WSgY32OP1rI/AAAAAAAAlKg/oNz80X2RnwkoyT3Tz4cs1DKmq_xm-QXpwCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BKings%2BAbijah%252C%2BAsa%2Band%2BJehoshaphat.%2BCa.%2B1520.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="752" data-original-width="1176" height="408" src="https://1.bp.blogspot.com/-rH3QYGh_DSI/WSgY32OP1rI/AAAAAAAAlKg/oNz80X2RnwkoyT3Tz4cs1DKmq_xm-QXpwCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BKings%2BAbijah%252C%2BAsa%2Band%2BJehoshaphat.%2BCa.%2B1520.jpg" width="640" /></a></div>
Lucas van Leyden - Kings Abijah, Asa and Jehoshaphat. Ca. 1520<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-vu1ZW95Qmg0/WSgY3-zZ3xI/AAAAAAAAlKY/GqD5MJmzPYUhxcB8fJNkglWFpb73ZP19QCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BKings%2BAhaz%252C%2BHezekiah%2Band%2BManasseh.%2BCa.%2B1520.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="714" data-original-width="1134" height="402" src="https://3.bp.blogspot.com/-vu1ZW95Qmg0/WSgY3-zZ3xI/AAAAAAAAlKY/GqD5MJmzPYUhxcB8fJNkglWFpb73ZP19QCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BKings%2BAhaz%252C%2BHezekiah%2Band%2BManasseh.%2BCa.%2B1520.jpg" width="640" /></a></div>
Lucas van Leyden - Kings Ahaz, Hezekiah and Manasseh. Ca. 1520<br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-q6yY3oTcrxE/WSgY3-YzduI/AAAAAAAAlKc/0CYJv2UZ4TsGPabiqDzHqgJGCCvbdAZUQCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BKings%2BDavid%252C%2BSalomon%2Band%2BJeroboam.%2BCa.%2B1520..jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="766" data-original-width="1182" height="414" src="https://4.bp.blogspot.com/-q6yY3oTcrxE/WSgY3-YzduI/AAAAAAAAlKc/0CYJv2UZ4TsGPabiqDzHqgJGCCvbdAZUQCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BKings%2BDavid%252C%2BSalomon%2Band%2BJeroboam.%2BCa.%2B1520..jpg" width="640" /></a></div>
Lucas van Leyden - Kings David, Salomon and Jeroboam. Ca. 1520<br />
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<a href="https://4.bp.blogspot.com/-ERVo_OjtGt4/WSgY65N-UII/AAAAAAAAlKo/li8ZTRAN3DcM2XhMjYFhzbibc9k9HVFWQCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BThe%2Bheroes%2BHector%2Bof%2BTroy%252C%2BAlexander%2Bthe%2BGreat%2Band%2BJulius%2BCaesar.%2BCa.%2B1520.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="750" data-original-width="1180" height="406" src="https://4.bp.blogspot.com/-ERVo_OjtGt4/WSgY65N-UII/AAAAAAAAlKo/li8ZTRAN3DcM2XhMjYFhzbibc9k9HVFWQCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BThe%2Bheroes%2BHector%2Bof%2BTroy%252C%2BAlexander%2Bthe%2BGreat%2Band%2BJulius%2BCaesar.%2BCa.%2B1520.jpg" width="640" /></a></div>
Lucas van Leyden - The heroes Hector of Troy, Alexander the Great and Julius Caesar. Ca. 1520<br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-WzhqGiUWA0c/WSgY9LZgCqI/AAAAAAAAlKs/hVtZYkycTJQFu3QL1cWhXdw55AwXa5VwgCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BThe%2Bheroes%2BJoshua%252C%2BDavid%2Band%2BJudas%2BMaccabeus.%2BCa.%2B1520.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="714" data-original-width="1150" height="396" src="https://3.bp.blogspot.com/-WzhqGiUWA0c/WSgY9LZgCqI/AAAAAAAAlKs/hVtZYkycTJQFu3QL1cWhXdw55AwXa5VwgCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BThe%2Bheroes%2BJoshua%252C%2BDavid%2Band%2BJudas%2BMaccabeus.%2BCa.%2B1520.jpg" width="640" /></a></div>
Lucas van Leyden - The heroes Joshua, David and Judas Maccabeus. Ca. 1520<br />
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<a href="https://1.bp.blogspot.com/-H0WNm-MBHTI/WSgY-lT05tI/AAAAAAAAlK0/y95NkJr1qRYAy64YwQ9c2pjGqXhqx9twgCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BThe%2Bheroes%2BKing%2BArthur%252C%2BCharlemagne%2Band%2BGodfrey%2Bof%2BBouillon.%2BCa.%2B1520.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="752" data-original-width="1182" height="406" src="https://1.bp.blogspot.com/-H0WNm-MBHTI/WSgY-lT05tI/AAAAAAAAlK0/y95NkJr1qRYAy64YwQ9c2pjGqXhqx9twgCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BThe%2Bheroes%2BKing%2BArthur%252C%2BCharlemagne%2Band%2BGodfrey%2Bof%2BBouillon.%2BCa.%2B1520.jpg" width="640" /></a></div>
Lucas van Leyden - The heroes King Arthur, Charlemagne and Godfrey of Bouillon. Ca. 1520<br />
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<a href="https://2.bp.blogspot.com/-OxJ_1nlNjbI/WSgY57sSG7I/AAAAAAAAlKk/oxZ9mJ39o6Aj5lTwWiPWy6VRF9KOsyd2gCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BTriumph%2Bof%2BMordecai%252C%2B1515.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="587" data-original-width="800" height="468" src="https://2.bp.blogspot.com/-OxJ_1nlNjbI/WSgY57sSG7I/AAAAAAAAlKk/oxZ9mJ39o6Aj5lTwWiPWy6VRF9KOsyd2gCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BTriumph%2Bof%2BMordecai%252C%2B1515.jpg" width="640" /></a></div>
.Lucas van Leyden - The Triumph of Mordecai, 1515<br />
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<a href="https://2.bp.blogspot.com/-Uw2-PacqB5M/WShrgLo32JI/AAAAAAAAlQA/PsRCymlIkoM7tEp7kyWWBfxOYQOlFT81QCLcB/s1600/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="86" data-original-width="1498" height="22" src="https://2.bp.blogspot.com/-Uw2-PacqB5M/WShrgLo32JI/AAAAAAAAlQA/PsRCymlIkoM7tEp7kyWWBfxOYQOlFT81QCLcB/s400/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" width="400" /></a><br />
<br />
<b>TEMAS BÍBLICOS</b><br />
<b><br /></b>
<b>Creación y Caída del Hombre, 1529</b><br />
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<a href="https://3.bp.blogspot.com/-oha6O2_WLAk/WShYE5Lxr8I/AAAAAAAAlL8/naSVFA6N7fEQP1Uh507dSjZRMIiHYePBwCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BCreation%2Bof%2BEve%2B%2528Rijksmuseum%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1100" data-original-width="789" height="640" src="https://3.bp.blogspot.com/-oha6O2_WLAk/WShYE5Lxr8I/AAAAAAAAlL8/naSVFA6N7fEQP1Uh507dSjZRMIiHYePBwCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BCreation%2Bof%2BEve%2B%2528Rijksmuseum%2529.jpg" width="458" /></a></div>
Lucas van Leyden - The Creation of Eve<br />
(Rijksmuseum)<br />
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<a href="https://1.bp.blogspot.com/-UE1yHicKkVw/WShYDinqh4I/AAAAAAAAlL0/3QVOsOp_78Mc1Zj5f2xS5DkzmVFKCrrEACLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BTest%2BCommandment%2B%2528Rijksmuseum%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1099" data-original-width="791" height="640" src="https://1.bp.blogspot.com/-UE1yHicKkVw/WShYDinqh4I/AAAAAAAAlL0/3QVOsOp_78Mc1Zj5f2xS5DkzmVFKCrrEACLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BTest%2BCommandment%2B%2528Rijksmuseum%2529.jpg" width="460" /></a></div>
Lucas van Leyden - The Test Commandment<br />
(Rijksmuseum)<br />
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<a href="https://1.bp.blogspot.com/-jMTqgspGy24/WShYEFucS7I/AAAAAAAAlL4/C4ER5Sx0FHUQ4IT_RSLf_VQrHFQlQqa_wCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BFall%2B%2528Rijksmuseum%2529_rec.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1224" data-original-width="892" height="640" src="https://1.bp.blogspot.com/-jMTqgspGy24/WShYEFucS7I/AAAAAAAAlL4/C4ER5Sx0FHUQ4IT_RSLf_VQrHFQlQqa_wCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BFall%2B%2528Rijksmuseum%2529_rec.jpg" width="466" /></a></div>
Lucas van Leyden - The Fall<br />
(Rijksmuseum)<br />
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<div class="separator" style="clear: both;">
<a href="https://2.bp.blogspot.com/-CYzMPULuwC4/WShX9tUX00I/AAAAAAAAlLs/IWDe0tktqMc3lut5rUEEYYYfWWVhEC9ugCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BExpulsion%2Bfrom%2BParadise%252C%2B1529%2B%2528Rijksmuseum%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1192" data-original-width="864" height="640" src="https://2.bp.blogspot.com/-CYzMPULuwC4/WShX9tUX00I/AAAAAAAAlLs/IWDe0tktqMc3lut5rUEEYYYfWWVhEC9ugCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BExpulsion%2Bfrom%2BParadise%252C%2B1529%2B%2528Rijksmuseum%2529.jpg" width="462" /></a></div>
Lucas van Leyden - Expulsion from Paradise, 1529<br />
(Rijksmuseum)<br />
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<a href="https://1.bp.blogspot.com/-6_6yzJzOWbw/WShX9-pOtLI/AAAAAAAAlLw/ncnm7OEv1lgQ3NT3-IwwgM4ZSGAYK4-UwCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BCain%2BKills%2BAbel%2B%2528Rijksmuseum%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1176" data-original-width="865" height="640" src="https://1.bp.blogspot.com/-6_6yzJzOWbw/WShX9-pOtLI/AAAAAAAAlLw/ncnm7OEv1lgQ3NT3-IwwgM4ZSGAYK4-UwCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BCain%2BKills%2BAbel%2B%2528Rijksmuseum%2529.jpg" width="470" /></a></div>
Lucas van Leyden - Cain Kills Abel<br />
(Rijksmuseum)<br />
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<div class="separator" style="clear: both;">
<a href="https://1.bp.blogspot.com/-DckJv-MXvZc/WShX9bS5LJI/AAAAAAAAlLo/Hl_cBBITu1MpLw-GRIflJq9rzd-Q8Ef8wCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BAdam%2Band%2BEve%2BMourning%2Bover%2BAbel%2B%2528Rijksmuseum%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1101" data-original-width="781" height="640" src="https://1.bp.blogspot.com/-DckJv-MXvZc/WShX9bS5LJI/AAAAAAAAlLo/Hl_cBBITu1MpLw-GRIflJq9rzd-Q8Ef8wCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BAdam%2Band%2BEve%2BMourning%2Bover%2BAbel%2B%2528Rijksmuseum%2529.jpg" width="452" /></a></div>
Lucas van Leyden - Adam and Eve Mourning over Abel<br />
(Rijksmuseum)<br />
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<a href="https://2.bp.blogspot.com/-Uw2-PacqB5M/WShrgLo32JI/AAAAAAAAlQA/PsRCymlIkoM7tEp7kyWWBfxOYQOlFT81QCLcB/s1600/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="86" data-original-width="1498" height="22" src="https://2.bp.blogspot.com/-Uw2-PacqB5M/WShrgLo32JI/AAAAAAAAlQA/PsRCymlIkoM7tEp7kyWWBfxOYQOlFT81QCLcB/s400/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" width="400" /></a><br />
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<a href="https://3.bp.blogspot.com/-IlLQoavwrzg/WShbj4DW7tI/AAAAAAAAlM0/05ih3dIrlSwQ71BemqHP1ocTUcHsbxQLgCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BDe%2Bzondeval%252C%2B1528%2B-%2B1532.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1022" data-original-width="1327" height="492" src="https://3.bp.blogspot.com/-IlLQoavwrzg/WShbj4DW7tI/AAAAAAAAlM0/05ih3dIrlSwQ71BemqHP1ocTUcHsbxQLgCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BDe%2Bzondeval%252C%2B1528%2B-%2B1532.jpg" width="640" /></a></div>
Lucas van Leyden - The Fall, 1528 - 1532<br />
(Rijksmuseum)<br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-gJoXdBx3j1o/WShZ_NkeFfI/AAAAAAAAlMU/1QW0FYoRK7Q3qFW14dw0w3goI0usM6ttgCLcB/s1600/Lucas%2BLeyden%2B-%2BAbraham%2Band%2BThree%2BAngels%252C%2B1513%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1312" data-original-width="1026" height="640" src="https://3.bp.blogspot.com/-gJoXdBx3j1o/WShZ_NkeFfI/AAAAAAAAlMU/1QW0FYoRK7Q3qFW14dw0w3goI0usM6ttgCLcB/s640/Lucas%2BLeyden%2B-%2BAbraham%2Band%2BThree%2BAngels%252C%2B1513%2B%2528MET%2529.jpg" width="500" /></a></div>
Lucas Leyden - Abraham and Three Angels, 1513<br />
(MET)<br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-eksjZnjrENQ/WShZ_DK10FI/AAAAAAAAlMM/sUpAtygZqaoaurjpKviD_9DrRhFlJy2fACLcB/s1600/Lucas%2BLeyden%2B-%2BAbraham%2BGoing%2Bto%2BSacrifice%2BIsaac%252C%2B1517-19%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1335" data-original-width="1007" height="640" src="https://3.bp.blogspot.com/-eksjZnjrENQ/WShZ_DK10FI/AAAAAAAAlMM/sUpAtygZqaoaurjpKviD_9DrRhFlJy2fACLcB/s640/Lucas%2BLeyden%2B-%2BAbraham%2BGoing%2Bto%2BSacrifice%2BIsaac%252C%2B1517-19%2B%2528MET%2529.jpg" width="482" /></a></div>
Lucas Leyden - Abraham Going to Sacrifice Isaac, 1517-19<br />
(MET)<br />
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<a href="https://3.bp.blogspot.com/-h-dqsumw9-Q/WShaG8bN_VI/AAAAAAAAlMg/FHMLpKJtieEOSp8tPcIGxfk1wsEWjhKYACLcB/s1600/Lucas%2BLeyden%2B-%2BPotiphar%2527s%2BWife%2BAcuses%2BJoseph%252C%2B1512%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1039" data-original-width="1329" height="500" src="https://3.bp.blogspot.com/-h-dqsumw9-Q/WShaG8bN_VI/AAAAAAAAlMg/FHMLpKJtieEOSp8tPcIGxfk1wsEWjhKYACLcB/s640/Lucas%2BLeyden%2B-%2BPotiphar%2527s%2BWife%2BAcuses%2BJoseph%252C%2B1512%2B%2528MET%2529.jpg" width="640" /></a></div>
Lucas Leyden - Potiphar's Wife Acuses Joseph, 1512<br />
(MET)<br />
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<a href="https://1.bp.blogspot.com/-eULn8vJqmL8/WShZ_Ed2TcI/AAAAAAAAlMQ/fNo4BD-rydMdhz6SCgiryQC85gl4lkYqQCLcB/s1600/Lucas%2BLeyden%2B-%2BIdolatry%2Bof%2BSolomon.%2B1514%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1349" data-original-width="1048" height="640" src="https://1.bp.blogspot.com/-eULn8vJqmL8/WShZ_Ed2TcI/AAAAAAAAlMQ/fNo4BD-rydMdhz6SCgiryQC85gl4lkYqQCLcB/s640/Lucas%2BLeyden%2B-%2BIdolatry%2Bof%2BSolomon.%2B1514%2B%2528MET%2529.jpg" width="496" /></a></div>
Lucas Leyden - Idolatry of Solomon. 1514<br />
(MET)<br />
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<div class="separator" style="clear: both;">
<a href="https://3.bp.blogspot.com/-3-l7g9aCZYg/WShaG0uctOI/AAAAAAAAlMc/YfT6oGvN3xoK_UvjjFA115Sl1mDc3O52QCLcB/s1600/Lucas%2BLeyden%2B-%2BSolomon%2BWorshiping%2Ban%2BIdol%252C%2B1514%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1312" data-original-width="936" height="640" src="https://3.bp.blogspot.com/-3-l7g9aCZYg/WShaG0uctOI/AAAAAAAAlMc/YfT6oGvN3xoK_UvjjFA115Sl1mDc3O52QCLcB/s640/Lucas%2BLeyden%2B-%2BSolomon%2BWorshiping%2Ban%2BIdol%252C%2B1514%2B%2528MET%2529.jpg" width="456" /></a></div>
Lucas Leyden - Solomon Worshiping an Idol, 1514<br />
(MET)<br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-dsIlMPpc_O0/WShbggOq0-I/AAAAAAAAlMs/kexs3Fo6wNQId0ELshfmIP2sQEDqV7cogCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BAbraham%2Bcasts%2Bout%2BHagar%2Band%2BIsmael.%2BCa.%2B1507-1508%2B%2528Rijksmuseum%2BAmsterdam%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1227" data-original-width="954" height="640" src="https://2.bp.blogspot.com/-dsIlMPpc_O0/WShbggOq0-I/AAAAAAAAlMs/kexs3Fo6wNQId0ELshfmIP2sQEDqV7cogCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BAbraham%2Bcasts%2Bout%2BHagar%2Band%2BIsmael.%2BCa.%2B1507-1508%2B%2528Rijksmuseum%2BAmsterdam%2529.jpg" width="496" /></a></div>
Lucas van Leyden - Abraham casts out Hagar and Ismael. Ca. 1507-1508<br />
(Rijksmuseum Amsterdam)<br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-rIR3u4Y8o74/WShbg4YkNzI/AAAAAAAAlMw/l07KrpzZUKIvkm1f26-spo-H3yB2sTSHwCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BDavid%2Bplaying%2Bthe%2Bharp%2Bfor%2BSaul.%2BCa.%2B1508.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="875" height="640" src="https://2.bp.blogspot.com/-rIR3u4Y8o74/WShbg4YkNzI/AAAAAAAAlMw/l07KrpzZUKIvkm1f26-spo-H3yB2sTSHwCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BDavid%2Bplaying%2Bthe%2Bharp%2Bfor%2BSaul.%2BCa.%2B1508.jpg" width="466" /></a></div>
Lucas van Leyden - David playing the harp for Saul. Ca. 1508<br />
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<a href="https://1.bp.blogspot.com/-a3cZolRN158/WShboKj-4bI/AAAAAAAAlM4/b8jGZ9s8PAUgC2525fzr1bzQJVvSgDKSgCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BEsther%2Bknielt%2Bvoor%2BAhasverus%252C%2BLucas%2Bvan%2BLeyden%252C%2B1518.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1374" data-original-width="1124" height="640" src="https://1.bp.blogspot.com/-a3cZolRN158/WShboKj-4bI/AAAAAAAAlM4/b8jGZ9s8PAUgC2525fzr1bzQJVvSgDKSgCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BEsther%2Bknielt%2Bvoor%2BAhasverus%252C%2BLucas%2Bvan%2BLeyden%252C%2B1518.jpg" width="522" /></a></div>
Lucas van Leyden - Esther knielt voor Ahasverus, 1518<br />
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<a href="https://3.bp.blogspot.com/-lsfFaAJMkZE/WShboVjS17I/AAAAAAAAlM8/ZiQauha7GXcnaTXUtE7MzZuV_951hl7wgCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BJa%25C3%25ABl%2Bdoodt%2BSisera%252C%2B1515-19%2B%2528Rijksmuseum%2BAmsterdam%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1367" data-original-width="986" height="640" src="https://3.bp.blogspot.com/-lsfFaAJMkZE/WShboVjS17I/AAAAAAAAlM8/ZiQauha7GXcnaTXUtE7MzZuV_951hl7wgCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BJa%25C3%25ABl%2Bdoodt%2BSisera%252C%2B1515-19%2B%2528Rijksmuseum%2BAmsterdam%2529.jpg" width="460" /></a></div>
Lucas van Leyden - Jaël doodt Sisera, 1515-19<br />
(Rijksmuseum Amsterdam)<br />
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<a href="https://4.bp.blogspot.com/-m03mrbk9ozU/WShbq8MoUqI/AAAAAAAAlNA/LYNEHRVbgr05C-5MZ39b1n41NJh8k90KwCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BLamech%2Ben%2BKa%25C3%25AFn%252C%2BLucas%2Bvan%2BLeyden%252C%2B1524.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1433" data-original-width="960" height="640" src="https://4.bp.blogspot.com/-m03mrbk9ozU/WShbq8MoUqI/AAAAAAAAlNA/LYNEHRVbgr05C-5MZ39b1n41NJh8k90KwCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BLamech%2Ben%2BKa%25C3%25AFn%252C%2BLucas%2Bvan%2BLeyden%252C%2B1524.jpg" width="428" /></a></div>
Lucas van Leyden - Lamech en Kaïn, Lucas van Leyden, 1524<br />
(Rijksmuseum, Amsterdam)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-0mR1cZhm6Zk/WShbuznDT7I/AAAAAAAAlNI/7zYIrZrUaHInQXFU2RBZ7zg1ScesKBGGwCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BLot%2Band%2BHis%2BDaughters%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1053" data-original-width="1363" height="494" src="https://4.bp.blogspot.com/-0mR1cZhm6Zk/WShbuznDT7I/AAAAAAAAlNI/7zYIrZrUaHInQXFU2RBZ7zg1ScesKBGGwCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BLot%2Band%2BHis%2BDaughters%2B%2528MET%2529.jpg" width="640" /></a></div>
Lucas van Leyden - Lot and His Daughters<br />
(MET)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-aKOhCg-lZlk/WShbsmps_cI/AAAAAAAAlNE/HgZCZrysh1cdQ_k_wdfXbGt9fc2FWVdrACLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BSamson%2Band%2BDelilah.%2BCa.%2B1514%2B%2528Amsterdam%252C%2BRijksmuseum%2BAmsterdam%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1230" data-original-width="859" height="640" src="https://4.bp.blogspot.com/-aKOhCg-lZlk/WShbsmps_cI/AAAAAAAAlNE/HgZCZrysh1cdQ_k_wdfXbGt9fc2FWVdrACLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BSamson%2Band%2BDelilah.%2BCa.%2B1514%2B%2528Amsterdam%252C%2BRijksmuseum%2BAmsterdam%2529.jpg" width="446" /></a></div>
Lucas van Leyden - Samson and Delilah. Ca. 1514<br />
(Rijksmuseum Amsterdam)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-LPwXqV6rUso/WShbvwxMk8I/AAAAAAAAlNM/1LRpPx6xN7s0vaJ_Sd8MleSdOJgFcjrxACLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BSusanna%2Band%2Bthe%2Btwo%2BElders%252C%2B1508%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1483" data-original-width="1107" height="640" src="https://1.bp.blogspot.com/-LPwXqV6rUso/WShbvwxMk8I/AAAAAAAAlNM/1LRpPx6xN7s0vaJ_Sd8MleSdOJgFcjrxACLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BSusanna%2Band%2Bthe%2Btwo%2BElders%252C%2B1508%2B%2528MET%2529.jpg" width="476" /></a></div>
Lucas van Leyden - Susanna and the two Elders, 1508<br />
(MET)<br />
.<br />
<a href="https://2.bp.blogspot.com/-Uw2-PacqB5M/WShrgLo32JI/AAAAAAAAlQA/PsRCymlIkoM7tEp7kyWWBfxOYQOlFT81QCLcB/s1600/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="86" data-original-width="1498" height="22" src="https://2.bp.blogspot.com/-Uw2-PacqB5M/WShrgLo32JI/AAAAAAAAlQA/PsRCymlIkoM7tEp7kyWWBfxOYQOlFT81QCLcB/s400/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" width="400" /></a><br />
<br />
<b>NUEVO TESTAMENTO, ESCENAS RELIGIOSAS</b><br />
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<div class="separator" style="clear: both;">
<a href="https://3.bp.blogspot.com/-AJPW_sspL2E/WShdQmfIdLI/AAAAAAAAlNc/LZXhA79Qj8Iw7obXjlrexQJvTfmvbUN1QCLcB/s1600/Lucas%2BLeyden%2B-%2BAdoration%2Bof%2Bthe%2BMagi%252C%2B1513%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1064" data-original-width="1508" height="450" src="https://3.bp.blogspot.com/-AJPW_sspL2E/WShdQmfIdLI/AAAAAAAAlNc/LZXhA79Qj8Iw7obXjlrexQJvTfmvbUN1QCLcB/s640/Lucas%2BLeyden%2B-%2BAdoration%2Bof%2Bthe%2BMagi%252C%2B1513%2B%2528MET%2529.jpg" width="640" /></a></div>
Lucas Leyden - Adoration of the Magi, 1513<br />
(MET)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-XZaOa_NhZBs/WSsZ8k8rBfI/AAAAAAAAlSA/8WGrzBaVSNAuLips4-y2wcTHK2GizJW3QCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BRest%2Bon%2BThe%2BFlight%2Binto%2BEgypt%252C%2Bc%2B1508%2B%2528Rijksmuseum%252C%2BAmsterdam%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1197" data-original-width="1044" height="640" src="https://1.bp.blogspot.com/-XZaOa_NhZBs/WSsZ8k8rBfI/AAAAAAAAlSA/8WGrzBaVSNAuLips4-y2wcTHK2GizJW3QCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BRest%2Bon%2BThe%2BFlight%2Binto%2BEgypt%252C%2Bc%2B1508%2B%2528Rijksmuseum%252C%2BAmsterdam%2529.jpg" width="558" /></a></div>
Lucas van Leyden - The Rest on The Flight into Egypt, c 1508<br />
(Rijksmuseum, Amsterdam)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-B3-QW3l72Ic/WSsZlaq6mtI/AAAAAAAAlR8/wZSmJLhdxOEnnzmeOeqXbWb1vCF7soVGQCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BLa%2BVirgen%2By%2Bel%2BNi%25C3%25B1o%2Bcon%2Bdos%2B%25C3%25A1ngeles.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1255" data-original-width="914" height="640" src="https://1.bp.blogspot.com/-B3-QW3l72Ic/WSsZlaq6mtI/AAAAAAAAlR8/wZSmJLhdxOEnnzmeOeqXbWb1vCF7soVGQCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BLa%2BVirgen%2By%2Bel%2BNi%25C3%25B1o%2Bcon%2Bdos%2B%25C3%25A1ngeles.jpg" width="466" /></a></div>
Lucas van Leyden - La Virgen y el Niño con dos ángeles<br />
(Biblioteca Digital Hispánica)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-uaMcySPGAWs/WSsWyPe8IcI/AAAAAAAAlRc/lyEDXTL6jzEjjeLJuMgY_p_ctAKrG_thwCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BDoop%2Bvan%2BChristus%2Bin%2Bde%2BJordaan%252C%2BLucas%2Bvan%2BLeyden%252C%2B1508%2B-%2B1512.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1028" data-original-width="1321" height="498" src="https://4.bp.blogspot.com/-uaMcySPGAWs/WSsWyPe8IcI/AAAAAAAAlRc/lyEDXTL6jzEjjeLJuMgY_p_ctAKrG_thwCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BDoop%2Bvan%2BChristus%2Bin%2Bde%2BJordaan%252C%2BLucas%2Bvan%2BLeyden%252C%2B1508%2B-%2B1512.jpg" width="640" /></a></div>
Lucas van Leyden - Doop van Christus in de Jordaan,1508 - 1512<br />
(Rijksmuseum, Amsterdam)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-ee6LlUoMuog/WSsYnjknscI/AAAAAAAAlRw/SjyKkWtkaYAMcaSbedeeOmOF1bmEWyELQCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2B%2BLa_tentaci%25C3%25B3n_de_Cristo_rec.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="935" height="640" src="https://3.bp.blogspot.com/-ee6LlUoMuog/WSsYnjknscI/AAAAAAAAlRw/SjyKkWtkaYAMcaSbedeeOmOF1bmEWyELQCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2B%2BLa_tentaci%25C3%25B3n_de_Cristo_rec.jpg" width="498" /></a></div>
Lucas van Leyden - La tentación de Cristo<br />
(Biblioteca Digital Hispánica)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://3.bp.blogspot.com/-LzvToIVvDKQ/WShdYBlhuII/AAAAAAAAlNs/qn7BsYokK1QVCF0LD46djPoczHO358YlQCLcB/s1600/Lucas%2BLeyden%2B-%2BThe%2BRaising%2Bof%2BLazarus%252C%2B1507%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1423" data-original-width="1044" height="640" src="https://3.bp.blogspot.com/-LzvToIVvDKQ/WShdYBlhuII/AAAAAAAAlNs/qn7BsYokK1QVCF0LD46djPoczHO358YlQCLcB/s640/Lucas%2BLeyden%2B-%2BThe%2BRaising%2Bof%2BLazarus%252C%2B1507%2B%2528MET%2529.jpg" width="468" /></a></div>
Lucas Leyden - The Raising of Lazarus, 1507<br />
(MET)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://3.bp.blogspot.com/-VRKQZCjWkkA/WShdZz-ACTI/AAAAAAAAlNw/y87swFyH2DkidRjBlqIiZP2_aIt_dBCfwCLcB/s1600/Lucas%2BLeyden%2B-%2BThe%2BReturn%2Bof%2Bthe%2BProdigal%2BSon%252C%2B1510%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1006" data-original-width="1379" height="466" src="https://3.bp.blogspot.com/-VRKQZCjWkkA/WShdZz-ACTI/AAAAAAAAlNw/y87swFyH2DkidRjBlqIiZP2_aIt_dBCfwCLcB/s640/Lucas%2BLeyden%2B-%2BThe%2BReturn%2Bof%2Bthe%2BProdigal%2BSon%252C%2B1510%2B%2528MET%2529.jpg" width="640" /></a></div>
Lucas Leyden - The Return of the Prodigal Son, 1510<br />
(MET)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://1.bp.blogspot.com/-LSPhHd4Flgo/WShdXXvnyHI/AAAAAAAAlNo/3aspISFKBHgDjjMGbfPQnMiQ3vjN4K2sACLcB/s1600/Lucas%2BLeyden%2B-%2BThe%2BDance%2Bof%2Bthe%2BMagdalene%252C%2B1519%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="955" data-original-width="1283" height="476" src="https://1.bp.blogspot.com/-LSPhHd4Flgo/WShdXXvnyHI/AAAAAAAAlNo/3aspISFKBHgDjjMGbfPQnMiQ3vjN4K2sACLcB/s640/Lucas%2BLeyden%2B-%2BThe%2BDance%2Bof%2Bthe%2BMagdalene%252C%2B1519%2B%2528MET%2529.jpg" width="640" /></a></div>
Lucas Leyden - The Dance of the Magdalene, 1519<br />
(MET)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-DiUSt8JOSUE/WSsalRYXuhI/AAAAAAAAlSI/gKPCdyCzR80g3le7EBZzj-sb6ZlH-oPFwCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BMary%2BMagdalene%2Bon%2Bthe%2BClouds%252C%2B1518.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1376" data-original-width="915" height="640" src="https://3.bp.blogspot.com/-DiUSt8JOSUE/WSsalRYXuhI/AAAAAAAAlSI/gKPCdyCzR80g3le7EBZzj-sb6ZlH-oPFwCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BMary%2BMagdalene%2Bon%2Bthe%2BClouds%252C%2B1518.jpg" width="424" /></a></div>
Lucas van Leyden - Mary Magdalene on the Clouds, 1518<br />
(Rijksmuseum Amsterdam)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-oJJ6ANLsVEM/WSsWa1dnNnI/AAAAAAAAlRY/U6V8T2yFGSYj11anFJewv6rO3_BW4NpiwCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BEcce%2BHomo%252C%2B1510%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="947" data-original-width="1490" height="406" src="https://2.bp.blogspot.com/-oJJ6ANLsVEM/WSsWa1dnNnI/AAAAAAAAlRY/U6V8T2yFGSYj11anFJewv6rO3_BW4NpiwCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BEcce%2BHomo%252C%2B1510%2B%2528MET%2529.jpg" width="640" /></a></div>
Lucas van Leyden - Ecce Homo, 1510 (versión de plano general)<br />
(MET)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-Q_NTG4e5nfc/WSsXF8V1VMI/AAAAAAAAlRg/v1hu-WSlEhEh1ZEVGUfdY0WrBMuUfQLGACLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BEcce%2BHomo%2B%2528BDH%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1211" height="640" src="https://4.bp.blogspot.com/-Q_NTG4e5nfc/WSsXF8V1VMI/AAAAAAAAlRg/v1hu-WSlEhEh1ZEVGUfdY0WrBMuUfQLGACLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BEcce%2BHomo%2B%2528BDH%2529.jpg" width="484" /></a></div>
Lucas van Leyden - Ecce Homo (versión de primer plano)<br />
(Biblioteca Digital Hispánica)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://2.bp.blogspot.com/-_xGIfYeRAfY/WShdQjeHOsI/AAAAAAAAlNg/ByYdm8vubN4XDLMtGVp1rcFAT2M_5R3cQCLcB/s1600/Lucas%2BLeyden%2B-%2BGolgotha.%2B1517%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1026" data-original-width="1468" height="446" src="https://2.bp.blogspot.com/-_xGIfYeRAfY/WShdQjeHOsI/AAAAAAAAlNg/ByYdm8vubN4XDLMtGVp1rcFAT2M_5R3cQCLcB/s640/Lucas%2BLeyden%2B-%2BGolgotha.%2B1517%2B%2528MET%2529.jpg" width="640" /></a></div>
Lucas Leyden - Golgotha. 1517<br />
(MET)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-WHZnpqPukMM/WSsZMPVSqZI/AAAAAAAAlR4/aVRzh8Ir8y4twdOTDAHaF2RHJZCxaZL7wCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BLa_Crucifixi%25C3%25B3n_con_la_Virgen_y_San_Juan.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1172" height="640" src="https://4.bp.blogspot.com/-WHZnpqPukMM/WSsZMPVSqZI/AAAAAAAAlR4/aVRzh8Ir8y4twdOTDAHaF2RHJZCxaZL7wCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BLa_Crucifixi%25C3%25B3n_con_la_Virgen_y_San_Juan.jpg" width="468" /></a></div>
Lucas van Leyden - La Crucifixión con la Virgen y San Juan<br />
(Biblioteca Digital Hispánica)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-NZa403ldZSw/WSsXoFcWlBI/AAAAAAAAlRo/_dAFwWincF0UF8cJayw0nES0SdUzN5_XACLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BDe%2Bopstanding%252C%2B1529-33%2B%2528Rijksmuseum%2BAmsterdam%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1397" data-original-width="1092" height="640" src="https://3.bp.blogspot.com/-NZa403ldZSw/WSsXoFcWlBI/AAAAAAAAlRo/_dAFwWincF0UF8cJayw0nES0SdUzN5_XACLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BDe%2Bopstanding%252C%2B1529-33%2B%2528Rijksmuseum%2BAmsterdam%2529.jpg" width="500" /></a></div>
Lucas van Leyden - De opstanding, 1529-33<br />
(Rijksmuseum Amsterdam)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://4.bp.blogspot.com/-dvDJxLBD5Ho/WShdWevLLmI/AAAAAAAAlNk/rjt8zeDGTkod0mmszIV1ILxiLDxaZuzXACLcB/s1600/Lucas%2BLeyden%2B-%2BSt.%2BSebastian%252C%2B1510%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1157" height="640" src="https://4.bp.blogspot.com/-dvDJxLBD5Ho/WShdWevLLmI/AAAAAAAAlNk/rjt8zeDGTkod0mmszIV1ILxiLDxaZuzXACLcB/s640/Lucas%2BLeyden%2B-%2BSt.%2BSebastian%252C%2B1510%2B%2528MET%2529.jpg" width="462" /></a></div>
Lucas Leyden - St. Sebastian, 1510<br />
(MET)<br />
.<br />
<a href="https://1.bp.blogspot.com/-UCZN3cgmNRo/WShdQGkEBOI/AAAAAAAAlNY/omc4jiQjuK4uCae50HRjOSABs8RFFyRXgCLcB/s1600/Lucas%2BLeyden%2B-%2BMohammed%2Band%2Bthe%2BMonk%2BSergius%252C%2B1508%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1356" data-original-width="1036" height="640" src="https://1.bp.blogspot.com/-UCZN3cgmNRo/WShdQGkEBOI/AAAAAAAAlNY/omc4jiQjuK4uCae50HRjOSABs8RFFyRXgCLcB/s640/Lucas%2BLeyden%2B-%2BMohammed%2Band%2Bthe%2BMonk%2BSergius%252C%2B1508%2B%2528MET%2529.jpg" width="488" /></a><br />
Lucas Leyden - Mohammed and the Monk Sergius, 1508<br />
(MET)<br />
.<br />
<a href="https://2.bp.blogspot.com/-Uw2-PacqB5M/WShrgLo32JI/AAAAAAAAlQA/PsRCymlIkoM7tEp7kyWWBfxOYQOlFT81QCLcB/s1600/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="86" data-original-width="1498" height="22" src="https://2.bp.blogspot.com/-Uw2-PacqB5M/WShrgLo32JI/AAAAAAAAlQA/PsRCymlIkoM7tEp7kyWWBfxOYQOlFT81QCLcB/s400/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" width="400" /></a><br />
<br /></div>
<div style="text-align: center;">
<b>PASIÓN CIRCULAR, 1509</b><br />
<br />
<div class="separator" style="clear: both;">
<a href="https://2.bp.blogspot.com/-8_8GUh0XYx8/WShhqWc6ecI/AAAAAAAAlOM/XzRff811q7UsD7UKT6J_kRRBKdR5-3BkgCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BChrist%2Bon%2Bthe%2BMount%2Bof%2BOlives%252C%2Bthe%2BCircular%2BPassion.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1272" data-original-width="1298" height="626" src="https://2.bp.blogspot.com/-8_8GUh0XYx8/WShhqWc6ecI/AAAAAAAAlOM/XzRff811q7UsD7UKT6J_kRRBKdR5-3BkgCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BChrist%2Bon%2Bthe%2BMount%2Bof%2BOlives%252C%2Bthe%2BCircular%2BPassion.jpg" width="640" /></a></div>
Lucas van Leyden - Christ on the Mount of Olives, the Circular Passion<br />
(MET)<br />
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<a href="https://3.bp.blogspot.com/-AEDCHNuqlQY/WShhq1I_wQI/AAAAAAAAlOU/Jk5xQWptCKs3MgwDAGwN9c26QiNL51lGQCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BBetrayal%2Bof%2BChrist%252C%2Bthe%2BCircular%2BPassion.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1227" data-original-width="1224" height="640" src="https://3.bp.blogspot.com/-AEDCHNuqlQY/WShhq1I_wQI/AAAAAAAAlOU/Jk5xQWptCKs3MgwDAGwN9c26QiNL51lGQCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BBetrayal%2Bof%2BChrist%252C%2Bthe%2BCircular%2BPassion.jpg" width="638" /></a></div>
Lucas van Leyden - The Betrayal of Christ, the Circular Passion<br />
(MET)<br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-M-h7wgqjVKo/WShhjTJDOpI/AAAAAAAAlOA/yAjjK5WdDhEGYv1--T_J96lEgcop1SygACLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BChrist%2Bbefore%2BAnnas%252C%2Bfrom%2Bthe%2BCircular%2BPassion.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1240" data-original-width="1249" height="634" src="https://3.bp.blogspot.com/-M-h7wgqjVKo/WShhjTJDOpI/AAAAAAAAlOA/yAjjK5WdDhEGYv1--T_J96lEgcop1SygACLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BChrist%2Bbefore%2BAnnas%252C%2Bfrom%2Bthe%2BCircular%2BPassion.jpg" width="640" /></a></div>
Lucas van Leyden - Christ before Annas, from the Circular Passion<br />
(MET)<br />
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<a href="https://1.bp.blogspot.com/-tao-ABZXRaQ/WShhxvdBOtI/AAAAAAAAlOc/6sEK77YCZJES7TRVunvxlw0EvFYdLt75ACLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BMocking%2Bof%2BChrist%252C%2Bfrom%2Bthe%2BCircular%2BPassion.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1249" data-original-width="1243" height="640" src="https://1.bp.blogspot.com/-tao-ABZXRaQ/WShhxvdBOtI/AAAAAAAAlOc/6sEK77YCZJES7TRVunvxlw0EvFYdLt75ACLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BMocking%2Bof%2BChrist%252C%2Bfrom%2Bthe%2BCircular%2BPassion.jpg" width="636" /></a></div>
Lucas van Leyden - The Mocking of Christ, from the Circular Passion<br />
(MET)<br />
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<a href="https://3.bp.blogspot.com/-rLbnPPTExNs/WShhxk3YcuI/AAAAAAAAlOg/t8oegBd_1cwGLInNVn2fnFipSL9yj19yACLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BFlagellation%252C%2Bfrom%2Bthe%2BCircular%2BPassion.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1247" data-original-width="1238" height="640" src="https://3.bp.blogspot.com/-rLbnPPTExNs/WShhxk3YcuI/AAAAAAAAlOg/t8oegBd_1cwGLInNVn2fnFipSL9yj19yACLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BFlagellation%252C%2Bfrom%2Bthe%2BCircular%2BPassion.jpg" width="634" /></a></div>
Lucas van Leyden - The Flagellation, from the Circular Passion<br />
(MET)<br />
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<a href="https://1.bp.blogspot.com/-DpEwIwV7AlM/WShhjaKvTCI/AAAAAAAAlOE/GFFgd_in_rc5T5cTjCOf75pHTioaGEY6QCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BChrist%2BCrowned%2Bwith%2BThorns%252C%2Bfrom%2Bthe%2BCircular%2BPassion.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1204" data-original-width="1215" height="634" src="https://1.bp.blogspot.com/-DpEwIwV7AlM/WShhjaKvTCI/AAAAAAAAlOE/GFFgd_in_rc5T5cTjCOf75pHTioaGEY6QCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BChrist%2BCrowned%2Bwith%2BThorns%252C%2Bfrom%2Bthe%2BCircular%2BPassion.jpg" width="640" /></a></div>
Lucas van Leyden - Christ Crowned with Thorns, from the Circular Passion<br />
(MET)<br />
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<a href="https://2.bp.blogspot.com/-mis3dVO2vJU/WShhqkxdWWI/AAAAAAAAlOQ/BxWFPK4Ii9chob8hmMCS4ssGQoM3SpqZwCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BEcce%2BHomo%252C%2Bfrom%2Bthe%2BCircular%2BPassion.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1225" data-original-width="1219" height="640" src="https://2.bp.blogspot.com/-mis3dVO2vJU/WShhqkxdWWI/AAAAAAAAlOQ/BxWFPK4Ii9chob8hmMCS4ssGQoM3SpqZwCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BEcce%2BHomo%252C%2Bfrom%2Bthe%2BCircular%2BPassion.jpg" width="636" /></a></div>
Lucas van Leyden - Ecce Homo, from the Circular Passion<br />
(MET)<br />
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<a href="https://1.bp.blogspot.com/-WPlxIN8xRFc/WShhjnlbtgI/AAAAAAAAlOI/Y5ek90tBLMEBSZITUIcVvRK6S-ieqjEmQCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BChrist%2BCarrying%2Bthe%2BCross%252C%2Bthe%2BCircular%2BPassion%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1224" data-original-width="1231" height="636" src="https://1.bp.blogspot.com/-WPlxIN8xRFc/WShhjnlbtgI/AAAAAAAAlOI/Y5ek90tBLMEBSZITUIcVvRK6S-ieqjEmQCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BChrist%2BCarrying%2Bthe%2BCross%252C%2Bthe%2BCircular%2BPassion%2B%2528MET%2529.jpg" width="640" /></a></div>
Lucas van Leyden - Christ Carrying the Cross, the Circular Passion<br />
(MET)<br />
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Lucas van Leyden - The Crucifixion, from the Circular Passion<br />
(MET)<br />
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<a href="https://2.bp.blogspot.com/-Uw2-PacqB5M/WShrgLo32JI/AAAAAAAAlQA/PsRCymlIkoM7tEp7kyWWBfxOYQOlFT81QCLcB/s1600/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="86" data-original-width="1498" height="22" src="https://2.bp.blogspot.com/-Uw2-PacqB5M/WShrgLo32JI/AAAAAAAAlQA/PsRCymlIkoM7tEp7kyWWBfxOYQOlFT81QCLcB/s400/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" width="400" /></a><br />
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<b>PASIÓN de 1521</b><br />
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<a href="https://1.bp.blogspot.com/-5mYwJ6Buutk/WShkxbGgfaI/AAAAAAAAlPg/eH6BfP7teG8KaxElYqVFqaDiqnpzyS1bgCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BLaatste%2Bavondmaal%252C%2B1521.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="746" height="640" src="https://1.bp.blogspot.com/-5mYwJ6Buutk/WShkxbGgfaI/AAAAAAAAlPg/eH6BfP7teG8KaxElYqVFqaDiqnpzyS1bgCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BLaatste%2Bavondmaal%252C%2B1521.jpg" width="442" /></a></div>
Lucas van Leyden - Laatste avondmaal, 1521<br />
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<a href="https://2.bp.blogspot.com/-aVZo7ptCl2I/WShko3cBoiI/AAAAAAAAlPI/PNs-Y7OhxfY_6LPbu9aQzE97tqXohs-iACLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BChrist%2Bin%2BGethsemane.%2B1521%2B%2528Rotterdam%252C%2BMuseum%2BBoijmans%2BVan%2BBeuningen%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1031" data-original-width="670" height="640" src="https://2.bp.blogspot.com/-aVZo7ptCl2I/WShko3cBoiI/AAAAAAAAlPI/PNs-Y7OhxfY_6LPbu9aQzE97tqXohs-iACLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BChrist%2Bin%2BGethsemane.%2B1521%2B%2528Rotterdam%252C%2BMuseum%2BBoijmans%2BVan%2BBeuningen%2529.jpg" width="414" /></a></div>
Lucas van Leyden - Christ in Gethsemane. 1521<br />
(Rotterdam, Museum Boijmans Van Beuningen)<br />
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<a href="https://3.bp.blogspot.com/-kT29FUc_ej4/WShkw-Y8wWI/AAAAAAAAlPc/TIT29YrqkH4j26-T7o3u8H_9Ou7ntK-GQCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BMocking%2BChrsit%252C%2Bfrom%2Bthe%2Bseries%2B1521%2527sThe%2BPassion%2B%2528MET%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="633" height="640" src="https://3.bp.blogspot.com/-kT29FUc_ej4/WShkw-Y8wWI/AAAAAAAAlPc/TIT29YrqkH4j26-T7o3u8H_9Ou7ntK-GQCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BMocking%2BChrsit%252C%2Bfrom%2Bthe%2Bseries%2B1521%2527sThe%2BPassion%2B%2528MET%2529_.jpg" width="404" /></a></div>
Lucas van Leyden - El arresto de Christo, from the series 1521'sThe Passion<br />
(MET)<br />
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<a href="https://4.bp.blogspot.com/-5gzoV1MDpXQ/WShknELfHVI/AAAAAAAAlO8/TXj50Eu9LNUQWUKJeyPNDo6LlAHNU6MhwCLcB/s1600/Christus%2Bvoor%2BAnnas%252C%2BLucas%2Bvan%2BLeyden%252C%2B1521%2B%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1261" data-original-width="824" height="640" src="https://4.bp.blogspot.com/-5gzoV1MDpXQ/WShknELfHVI/AAAAAAAAlO8/TXj50Eu9LNUQWUKJeyPNDo6LlAHNU6MhwCLcB/s640/Christus%2Bvoor%2BAnnas%252C%2BLucas%2Bvan%2BLeyden%252C%2B1521%2B%25282%2529.jpg" width="418" /></a></div>
Lucas van Leyden - Christus voor Annas, Lucas van Leyden, 1521<br />
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<a href="https://4.bp.blogspot.com/-iJT1n8ob_Uc/WShkvyrp_5I/AAAAAAAAlPY/6vKC2uoQP6s9k0lF72NVQvCrBJ2qlf4TQCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BMocking%2BChrsit%252C%2Bfrom%2Bthe%2Bseries%2B1521%2527sThe%2BPassion%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="868" data-original-width="564" height="640" src="https://4.bp.blogspot.com/-iJT1n8ob_Uc/WShkvyrp_5I/AAAAAAAAlPY/6vKC2uoQP6s9k0lF72NVQvCrBJ2qlf4TQCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BMocking%2BChrsit%252C%2Bfrom%2Bthe%2Bseries%2B1521%2527sThe%2BPassion%2B%2528MET%2529.jpg" width="414" /></a></div>
Lucas van Leyden - The Mocking Christ, from the series 1521'sThe Passion<br />
(MET)<br />
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<a href="https://1.bp.blogspot.com/-BwJUrLA0ylU/WShktzuaZSI/AAAAAAAAlPQ/qNYFSs5Ayug2m5zAHTj50kEkRGgDe8PyACLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BGeseling%2Bvan%2BChristus%252C%2B1521.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1092" data-original-width="728" height="640" src="https://1.bp.blogspot.com/-BwJUrLA0ylU/WShktzuaZSI/AAAAAAAAlPQ/qNYFSs5Ayug2m5zAHTj50kEkRGgDe8PyACLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BGeseling%2Bvan%2BChristus%252C%2B1521.jpg" width="426" /></a></div>
Lucas van Leyden - Geseling1 van Christus, 1521<br />
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<a href="https://1.bp.blogspot.com/-P_NJbn5LJgw/WShkorRix2I/AAAAAAAAlPE/tUt4ME_XcNUrLxl5RPPCnqPFj_3kaDTKQCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BChrist%2BCrowning%2Bof%2BThorns%252C%2Bfrom%2Bthe%2Bseries%2B1521%2527sThe%2BPassion%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1405" data-original-width="898" height="640" src="https://1.bp.blogspot.com/-P_NJbn5LJgw/WShkorRix2I/AAAAAAAAlPE/tUt4ME_XcNUrLxl5RPPCnqPFj_3kaDTKQCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BChrist%2BCrowning%2Bof%2BThorns%252C%2Bfrom%2Bthe%2Bseries%2B1521%2527sThe%2BPassion%2B%2528MET%2529.jpg" width="408" /></a></div>
Lucas van Leyden - Christ Crowning of Thorns, from the series 1521'sThe Passion<br />
(MET)<br />
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<a href="https://3.bp.blogspot.com/-gm5c3FtsNpI/WShktBIpKvI/AAAAAAAAlPM/QPY-FGo7eDwFsE6vUlY45Du7RtXcMMuuQCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BChristus%2Bwordt%2Bdoor%2BPilatus%2Baan%2Bhet%2Bvolk%2Bgetoond%2B%2528Ecce%2BHomo%2529%252C%2B1521.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1071" data-original-width="708" height="640" src="https://3.bp.blogspot.com/-gm5c3FtsNpI/WShktBIpKvI/AAAAAAAAlPM/QPY-FGo7eDwFsE6vUlY45Du7RtXcMMuuQCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BChristus%2Bwordt%2Bdoor%2BPilatus%2Baan%2Bhet%2Bvolk%2Bgetoond%2B%2528Ecce%2BHomo%2529%252C%2B1521.jpg" width="422" /></a></div>
Lucas van Leyden - Christus wordt door Pilatus aan het volk getoond (Ecce Homo), 1521<br />
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<a href="https://3.bp.blogspot.com/-6imBLnw1JTA/WShkoZ7YXPI/AAAAAAAAlPA/T_NIoOYKNXwJdWtc11BcIEbE9pUOmK3YgCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BChrist%2Bcarrying%2Bthe%2Bcross.%2B1521%2B%2528Rotterdam%252C%2BMuseum%2BBoijmans%2BVan%2BBeuningen.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1038" data-original-width="668" height="640" src="https://3.bp.blogspot.com/-6imBLnw1JTA/WShkoZ7YXPI/AAAAAAAAlPA/T_NIoOYKNXwJdWtc11BcIEbE9pUOmK3YgCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BChrist%2Bcarrying%2Bthe%2Bcross.%2B1521%2B%2528Rotterdam%252C%2BMuseum%2BBoijmans%2BVan%2BBeuningen.jpg" width="410" /></a></div>
Lucas van Leyden - Christ carrying the cross. 1521<br />
(Rotterdam, Museum Boijmans Van Beuningen)<br />
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<a href="https://2.bp.blogspot.com/-8oFiG_Z8Nfo/WShkvjthnvI/AAAAAAAAlPU/bakvKvAwPUUoFLo1c6YAjxY7hKjcByj8gCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BCrucifixion%252C%2Bfrom%2Bthe%2Bseries%2BThe%2BPassion%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1056" height="640" src="https://2.bp.blogspot.com/-8oFiG_Z8Nfo/WShkvjthnvI/AAAAAAAAlPU/bakvKvAwPUUoFLo1c6YAjxY7hKjcByj8gCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BCrucifixion%252C%2Bfrom%2Bthe%2Bseries%2BThe%2BPassion%2B%2528MET%2529.jpg" width="422" /></a></div>
Lucas van Leyden - Crucifixion, from the series The Passion<br />
(MET)<br />
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De kruisafname, Lucas van Leyden, 1521<br />
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<a href="https://1.bp.blogspot.com/-QUvx5lBvDck/WShkxlTS0qI/AAAAAAAAlPk/AMN8iklDG28IAeF24LT_rpue4ByOrr8TwCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BThe%2Bresurrection.%2B1521%2B%2528Rotterdam%252C%2BMuseum%2BBoijmans%2BVan%2BBeuningen%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1020" data-original-width="660" height="640" src="https://1.bp.blogspot.com/-QUvx5lBvDck/WShkxlTS0qI/AAAAAAAAlPk/AMN8iklDG28IAeF24LT_rpue4ByOrr8TwCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BThe%2Bresurrection.%2B1521%2B%2528Rotterdam%252C%2BMuseum%2BBoijmans%2BVan%2BBeuningen%2529.jpg" width="414" /></a></div>
Lucas van Leyden - The resurrection. 1521<br />
(Rotterdam, Museum Boijmans Van Beuningen)<br />
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<a href="https://3.bp.blogspot.com/-hgia_26M8i4/WShkj5wfLfI/AAAAAAAAlO0/8GD6Pd0lm9MngsD18UPnD5eu-BPQzjpJwCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BCChrist%2Bin%2BLimbo.%2B1521%2B%2528Rotterdam%252C%2BMuseum%2BBoijmans%2BVan%2BBeuningen%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1041" data-original-width="676" height="640" src="https://3.bp.blogspot.com/-hgia_26M8i4/WShkj5wfLfI/AAAAAAAAlO0/8GD6Pd0lm9MngsD18UPnD5eu-BPQzjpJwCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BCChrist%2Bin%2BLimbo.%2B1521%2B%2528Rotterdam%252C%2BMuseum%2BBoijmans%2BVan%2BBeuningen%2529.jpg" width="414" /></a></div>
Lucas van Leyden - Christ in Limbo. 1521<br />
(Rotterdam, Museum Boijmans Van Beuningen)<br />
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<a href="https://2.bp.blogspot.com/-2MdexL7WZ-o/WRa6Ioi6W5I/AAAAAAAAktM/FEBkFFzaH8MVEluLCPMNHI9gNrcSfh9PwCLcB/s1600/Los%2BPrimitivos%2BFlamencos_separador%2Bfinal%2B%2528VI%2529.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="70" src="https://2.bp.blogspot.com/-2MdexL7WZ-o/WRa6Ioi6W5I/AAAAAAAAktM/FEBkFFzaH8MVEluLCPMNHI9gNrcSfh9PwCLcB/s640/Los%2BPrimitivos%2BFlamencos_separador%2Bfinal%2B%2528VI%2529.png" width="640" /></a></div>
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Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-5464569323978413729.post-433331213284410952017-06-03T10:00:00.000+02:002017-06-03T10:00:48.664+02:00Los Primitivos Flamencos (V). Siglo XVI (II). Jan Provoost y Quentin Massys.<br />
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<a href="https://1.bp.blogspot.com/-PHANnASzdYw/WR3FpKttVHI/AAAAAAAAlD4/8dDVUqgXHz8kmt8TxkDTuEyORjazaclsgCLcB/s1600/Jan%2BProvoost%2B%252B%2BQuentin%2BMassys_Cabecera.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="398" src="https://1.bp.blogspot.com/-PHANnASzdYw/WR3FpKttVHI/AAAAAAAAlD4/8dDVUqgXHz8kmt8TxkDTuEyORjazaclsgCLcB/s640/Jan%2BProvoost%2B%252B%2BQuentin%2BMassys_Cabecera.jpg" width="640" /></a></div>
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<iframe allowfullscreen="" frameborder="0" height="197" src="https://www.youtube.com/embed/videoseries?list=PL0dYx2N3BTuSLr9IRSxsX23ej5q2ZqDGd" width="350"></iframe></div>
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Llegar a la irrefutable convicción de que el camino elegido es el correcto</div>
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y no poder hacer nada en sentido contrario al que marca la inercia de ese convencimiento,</div>
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aunque se ponga en peligro la misma viabilidad de la existencia,</div>
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aunque parezca que uno abjura a dar pábulo a la lógica de la vida <i>conveniente,</i></div>
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aunque se abandone la senda del bienestar por seguir irremediablemente la del bien ser.</div>
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¿En esto consiste la coherencia? ¿Cómo saber que los anteriores postulados son ciertos?</div>
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¿Cómo no caer en la ocasional y angustiosa sospecha de estar equivocado?</div>
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¿A qué esa impresión —a fuego vivo— de que uno mira directamente a los ojos de su destino?</div>
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Quizás, después todo, no seamos sino personajes construidos por nosotros mismos,</div>
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a golpes de voluntad y fortuna, con los materiales que la vida nos va ofreciendo,</div>
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y que no consisten más que en la suma de nuestras renuncias y nuestras aceptaciones.</div>
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<a href="https://1.bp.blogspot.com/-_o_tmtHKc7g/WRa3rn_vz1I/AAAAAAAAksk/yrL1VDPrbFwT2eeX5mZfNscE9epnnyRPgCLcB/s1600/Los%2BPrimitivos%2BFlamencos_cronolog%25C3%25ADa%2BJan%2BProvoost.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="64" src="https://1.bp.blogspot.com/-_o_tmtHKc7g/WRa3rn_vz1I/AAAAAAAAksk/yrL1VDPrbFwT2eeX5mZfNscE9epnnyRPgCLcB/s640/Los%2BPrimitivos%2BFlamencos_cronolog%25C3%25ADa%2BJan%2BProvoost.jpg" width="640" /></a></div>
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<center>
<table border="0" cellpadding="4" cellspacing="0" style="width: 643px;">
<colgroup><col width="35"></col>
<col width="592"></col>
</colgroup><tbody>
<tr>
<td colspan="2" valign="TOP" width="635"><div align="LEFT">
<em><span style="font-family: inherit; font-size: small;"><span style="color: white;">.....</span><span style="color: #1d1d1d;">Jan
Provoost es uno de los artistas más importantes de Brujas en el
siglo XVI. Obtiene muchos encargos de la administración de la
ciudad, el Franconato de Brujas y las iglesias. Algunas de sus
pinturas parecen indicar una conexión con los círculos
literarios y humanísticos de Brujas y la cámara de la retórica.
También cumple funciones prominentes dentro de los gremios de
esculturas y guarnicioneros. Realiza una peregrinación a
Jerusalén y, probablemente, a su regreso se convierte en un
miembro de la hermandad de Jerusalén de Brujas. Provoost sólo
firmó dos obras. La atribución de su obra está así montada
sobre la base de comparaciones estilísticas y apoyada por los
resultados de la investigación técnico-material. También sólo
data dos de sus obras, esto hace que sea muy difícil ordenarla.
Hacia 1465 Jan Provoost nace en Bergen (Limburg). Probablemente
fue criado allí por su padre Jan Provoost el Viejo, que fue
también pintor. Completa su formación con el pintor e
ilustrador de libros (iluminista) Simon Marmio, en Valenciennes.</span></span></em></div>
</td>
</tr>
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<td sdnum="3082;" sdval="1465" width="35"><div align="CENTER">
<span style="font-family: inherit;">1465</span></div>
</td>
<td width="592"><span style="font-family: inherit; font-size: small;">Nace <em><span style="color: #1d1d1d;"><span style="font-style: normal;">Jan
Provoost en Bergen (Limburg).</span></span></em></span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1489" width="35"><div align="CENTER">
<span style="font-family: inherit;">1489</span></div>
</td>
<td width="592"><span style="color: #1d1d1d; font-family: inherit;">Jan
Provoost se casa con la viuda de Simon Marmio.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1493" width="35"><div align="CENTER">
<span style="font-family: inherit;">1493</span></div>
</td>
<td width="592"><span style="color: #1d1d1d; font-family: inherit;">Un
cierto 'Jan Provoost' se registra en el gremio de San Lucas de
Amberes. Se trata probablemente del mismo artista, pero no existe
una certeza absoluta..</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1494" width="35"><div align="CENTER">
<span style="font-family: inherit;">1494</span></div>
</td>
<td width="592"><span style="color: #1d1d1d; font-family: inherit;">Jan
Provoost recibe la ciudadanía de Brujas y es en ese mismo año
admitido en el gremio de Brujas de escultores y guarnicioneros, a
la que pertenecen todos los artistas.</span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1498</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1501</span></div>
</td>
<td width="592"><span style="color: #1d1d1d; font-family: inherit;">Es
posible que Provoost realice una peregrinación a Jeusalem en
este período. La peregrinación también podría haber tenido
lugar entre 1502 y 1505.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1501" width="35"><div align="CENTER">
<span style="font-family: inherit;">1501</span></div>
</td>
<td width="592"><span style="color: #1d1d1d; font-family: inherit;">Provoost
se convierte en el 'segundo fundador' del gremio de escultores y
guarnicioneros.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1506" width="35"><div align="CENTER">
<span style="font-family: inherit;">1506</span></div>
</td>
<td width="592"><span style="color: #1d1d1d; font-family: inherit;">Maximiliaan
Frans se convierte en aprendiz de Provoost.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1507" width="35"><div align="CENTER">
<span style="font-family: inherit;">1507</span></div>
</td>
<td width="592"><span style="color: #1d1d1d; font-family: inherit;">Provoost
se convierte en 'primer fundador' del gremio de escultores y
guarnicioneros.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1509" width="35"><div align="CENTER">
<span style="font-family: inherit;">1509</span></div>
</td>
<td width="592"><span style="color: #1d1d1d; font-family: inherit;">La
segunda esposa de Provoost muere antes de esa fecha.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1509" width="35"><div align="CENTER">
<span style="font-family: inherit;">1509</span></div>
</td>
<td width="592"><span style="color: #1d1d1d; font-family: inherit;">Provoost
se convierte en 'primer fundador' por segunda vez del gremio de
San Lucas.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1511" width="35"><div align="CENTER">
<span style="font-family: inherit;">1511</span></div>
</td>
<td width="592"><span style="color: #1d1d1d; font-family: inherit;">Provoost
se convierte en gobernador de la Guilda de escultores y
guarnicioneros.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1514" width="35"><div align="CENTER">
<span style="font-family: inherit;">1514</span></div>
</td>
<td width="592"><span style="color: #1d1d1d; font-family: inherit;">Provoost
se convierte en 'primer fundador' por tercera vez del gremio de
escultores y guarnicioneros.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1519" width="35"><div align="CENTER">
<span style="font-family: inherit;">1519</span></div>
</td>
<td width="592"><span style="font-family: inherit; font-size: small;"><span style="color: #1d1d1d;">Provoost
queda elegido decano de la </span><span style="color: #1d1d1d;">Guilda
de escultores y guarnicioneros.</span><span style="color: #1d1d1d;">.</span></span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1520" width="35"><div align="CENTER">
<span style="font-family: inherit;">1520</span></div>
</td>
<td width="592"><span style="color: #222222; font-family: inherit;">Provoost
lleva a cabo toda la gestión de las decoraciones para la
Jubilosa Entrada de Carlos V en Brujas.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1520" width="35"><div align="CENTER">
<span style="font-family: inherit;">1520</span></div>
</td>
<td width="592"><div align="LEFT">
<span style="color: #1d1d1d; font-family: inherit;">Provoost
se encuentra con Albrecht Dürer en Amberes. Durero menciona en
su diario que él dibuja el retrato de Provoost.</span></div>
</td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1521" width="35"><div align="CENTER">
<span style="font-family: inherit;">1521</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">Provoost
y Durero viajan juntos de Amberes a Brujas, donde Durero es el
invitado de Provoost durante tres días. Durero dibuja a Provoost
y a su nueva tercera esposa Katelijne Beaureins. En este año,
Provoost pinta un cuadro con representaciones de la </span><span style="color: #1d1d1d;"><i><b>Vida
de Antonio de Padua</b></i></span><span style="color: #1d1d1d;">
(KMSKB, Bruselas).</span>
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1522" width="35"><div align="CENTER">
<span style="font-family: inherit;">1522</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">Provoost
pinta </span><span style="color: black;"><span style="font-size: small;"><i style="font-weight: bold;">Cristo
cargado con la cruz </i>y el<b style="font-style: italic;"> Retrato de un fraile </b></span></span><span style="color: #1d1d1d;">(Museo
Memling del Hospital de San Jan, Brujas).</span></span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1523" width="35"><div align="CENTER">
<span style="font-family: inherit;">1523</span></div>
</td>
<td width="592"><span style="color: #1d1d1d; font-family: inherit;">Provoost
se convierte en miembro de la Hermandad de los peregrinos de
Jerusalén. Probablemente sea también nombrado Caballero de la
Orden del Santo Grial.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1525" width="35"><div align="CENTER">
<span style="font-family: inherit;">1525</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">Provoost
pinta el </span><span style="color: black;"><span style="font-size: small;"><i><b>J</b></i></span></span><em><span style="color: black;"><span style="font-size: small;"><i><b>uicio
Final</b></i></span></span></em><em><span style="color: #a37e0f;"><span style="font-size: small;"><span style="font-style: normal;"><b>
</b></span></span></span></em><span style="color: #1d1d1d;">(Museo
Groeninge Brujas).</span></span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1525" width="35"><div align="CENTER">
<span style="font-family: inherit;">1525</span></div>
</td>
<td width="592"><span style="color: #1d1d1d; font-family: inherit;">Provoost
es elegido una vez más como decano de la Guilda de San Lucas.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1527" width="35"><div align="CENTER">
<span style="font-family: inherit;">1527</span></div>
</td>
<td width="592"><span style="color: #1d1d1d; font-family: inherit;">En
este año que es regente de la Hermandad de los peregrinos de
Jerusalén. Adriaan Provoost, hijo de Jan, se convierte en pintor
independiente en Brujas. Es probable que reciba su formación en
el taller de su padre.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1529" width="35"><div align="CENTER">
<span style="font-family: inherit;">1529</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Jan Provoost
muere en Brujas.</span></td>
</tr>
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<a href="https://1.bp.blogspot.com/-AanTeYSF8Ao/WRa1htCH4pI/AAAAAAAAksQ/xsqHWtaf6T8ajxQMrf2eLYR8T4vFhAwYQCLcB/s1600/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="36" src="https://1.bp.blogspot.com/-AanTeYSF8Ao/WRa1htCH4pI/AAAAAAAAksQ/xsqHWtaf6T8ajxQMrf2eLYR8T4vFhAwYQCLcB/s640/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" width="640" /></a></div>
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<b><span style="color: #cc0000; font-size: x-large;">GALERÍA</span></b></div>
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<a href="https://3.bp.blogspot.com/-KrJQbAmblYI/WRa3al_6JnI/AAAAAAAAksg/cS9iQZ-NKms8gSn8LxA_Z-wDndryb7TpgCLcB/s1600/Jan%2BProvoost%2B-%2BVirgin%2Band%2BChild%2Bin%2Ba%2BLandscape%2B%2528National%2BGallery%2BLondon%2529_T%25C3%25ADtulo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="112" src="https://3.bp.blogspot.com/-KrJQbAmblYI/WRa3al_6JnI/AAAAAAAAksg/cS9iQZ-NKms8gSn8LxA_Z-wDndryb7TpgCLcB/s640/Jan%2BProvoost%2B-%2BVirgin%2Band%2BChild%2Bin%2Ba%2BLandscape%2B%2528National%2BGallery%2BLondon%2529_T%25C3%25ADtulo.jpg" width="640" /></a></div>
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<a href="https://3.bp.blogspot.com/-BpQfRrZeMf4/WRyofd0FeYI/AAAAAAAAk9Q/XbZ3G5XAMxQ5iucgm0wg19uhWnVf7xnDgCLcB/s1600/Jan%2BProvoost%2B-%2BDeath%2Band%2BThe%2BMiser%2BPoliptych%2B%2528Groeninge%2BMuseum%2BBruges%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="254" src="https://3.bp.blogspot.com/-BpQfRrZeMf4/WRyofd0FeYI/AAAAAAAAk9Q/XbZ3G5XAMxQ5iucgm0wg19uhWnVf7xnDgCLcB/s640/Jan%2BProvoost%2B-%2BDeath%2Band%2BThe%2BMiser%2BPoliptych%2B%2528Groeninge%2BMuseum%2BBruges%2529_.jpg" width="640" /></a></div>
Jan Provoost - Death and The Miser Poliptych<br />
(Groeninge Museum Bruges)<br />
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<a href="https://4.bp.blogspot.com/-I9JAK1OlXs4/WRx5bE3hqmI/AAAAAAAAk5I/eMnHkrJK8bo0GyChNIMhzlzPYdfGU28qgCLcB/s1600/Jan%2BProvoost%2B%2B-%2BDonor%2Bwith%2BSaint%2BNicholas%2Band%2Bdonor%2527s%2Bwife%2Bwith%2BSaint%2BGodeliva%2B%2528The%2BDeath%2Band%2BThe%2BMiser%2BPoliptych%2529%2528Groeninge%2BMuseum%2BBruges%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="472" src="https://4.bp.blogspot.com/-I9JAK1OlXs4/WRx5bE3hqmI/AAAAAAAAk5I/eMnHkrJK8bo0GyChNIMhzlzPYdfGU28qgCLcB/s640/Jan%2BProvoost%2B%2B-%2BDonor%2Bwith%2BSaint%2BNicholas%2Band%2Bdonor%2527s%2Bwife%2Bwith%2BSaint%2BGodeliva%2B%2528The%2BDeath%2Band%2BThe%2BMiser%2BPoliptych%2529%2528Groeninge%2BMuseum%2BBruges%2529_.jpg" width="640" /></a></div>
<div style="text-align: center;">
Jan Provoost - Donor with Saint Nicholas and donor's wife with Saint Godeliva<br />
(The Death and The Miser Poliptych_left and right panels)<br />
(Groeninge Museum Bruges)</div>
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. </div>
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<a href="https://3.bp.blogspot.com/-j2xDJKQoR2g/WRx5baBK41I/AAAAAAAAk5E/iUosFO8EuM8aHmCVTMQTfJBKqPkH_g44ACLcB/s1600/Jan%2BProvoost%2B%2B-%2BDonor%2Bwith%2BSaint%2BNicholas%2Band%2Bdonor%2527s%2Bwife%2Bwith%2BSaint%2BGodeliva%2B%2528The%2BDeath%2Band%2BThe%2BMiser%2BPoliptych%2529%2528Groeninge%2BMuseum%2BBruges%2529_L_med.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-j2xDJKQoR2g/WRx5baBK41I/AAAAAAAAk5E/iUosFO8EuM8aHmCVTMQTfJBKqPkH_g44ACLcB/s640/Jan%2BProvoost%2B%2B-%2BDonor%2Bwith%2BSaint%2BNicholas%2Band%2Bdonor%2527s%2Bwife%2Bwith%2BSaint%2BGodeliva%2B%2528The%2BDeath%2Band%2BThe%2BMiser%2BPoliptych%2529%2528Groeninge%2BMuseum%2BBruges%2529_L_med.jpg" width="430" /></a></div>
<div style="text-align: center;">
Jan Provoost - Donor with Saint Nicholas<br />
The Death and The Miser Poliptych_Left wing<br />
(Groeninge Museum Bruges)</div>
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<a href="https://1.bp.blogspot.com/-zONieXm7Pdk/WRx5kYAFCyI/AAAAAAAAk5U/06Dii8jcaNYvfUEPBXGjixRPYEJerqhcACLcB/s1600/Jan%2BProvoost%2B%2B-%2BDonor%2Bwith%2BSaint%2BNicholas%2Band%2Bdonor%2527s%2Bwife%2Bwith%2BSaint%2BGodeliva%2B%2528The%2BDeath%2Band%2BThe%2BMiser%2BPoliptych%2529%2528Groeninge%2BMuseum%2BBruges%2529_R_med.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-zONieXm7Pdk/WRx5kYAFCyI/AAAAAAAAk5U/06Dii8jcaNYvfUEPBXGjixRPYEJerqhcACLcB/s640/Jan%2BProvoost%2B%2B-%2BDonor%2Bwith%2BSaint%2BNicholas%2Band%2Bdonor%2527s%2Bwife%2Bwith%2BSaint%2BGodeliva%2B%2528The%2BDeath%2Band%2BThe%2BMiser%2BPoliptych%2529%2528Groeninge%2BMuseum%2BBruges%2529_R_med.jpg" width="430" /></a></div>
<div style="text-align: center;">
Jan Provoost - Donor's wife with Saint Godeliva<br />
The Theat and The Miser Poliptych_Right wing<br />
(Groeninge Museum)</div>
<div style="text-align: center;">
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<a href="https://4.bp.blogspot.com/-EVHUdlz9SPI/WRx5bEWSqEI/AAAAAAAAk5A/wrKVigLX05QL5ov3xrBIWy8W4YNCGKxCgCLcB/s1600/Jan%2BProvoost%2B%2B-%2BDonor%2Bwith%2BSaint%2BNicholas%2B%2528The%2BDeath%2Band%2BThe%2BMiser%2BPoliptych%2529%2B%2528Groeninge%2BMuseum%252C%2BBruges%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-EVHUdlz9SPI/WRx5bEWSqEI/AAAAAAAAk5A/wrKVigLX05QL5ov3xrBIWy8W4YNCGKxCgCLcB/s640/Jan%2BProvoost%2B%2B-%2BDonor%2Bwith%2BSaint%2BNicholas%2B%2528The%2BDeath%2Band%2BThe%2BMiser%2BPoliptych%2529%2B%2528Groeninge%2BMuseum%252C%2BBruges%2529.JPG" width="418" /></a></div>
<div style="text-align: center;">
Jan Provoost - Donor with Saint Nicholas<br />
The Death and The Miser Poliptych_Left wing<br />
(Groeninge Museum Bruges)</div>
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Jan Provoost - Donor's wife with Saint Godeliva<br />
The Theat and The Miser Poliptych_Right wing<br />
(Groeninge Museum)</div>
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Jan Provoost - Death and The Miser Poliptych_diptych central<br />
(Groeninge Museum Bruges)<br />
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<div style="text-align: center;">
Jan Provoost - Death and The Miser Poliptych_The Miser<br />
(Groeninge Museum Bruges)<br />
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Jan Provoost - Death and The Miser Poliptych_Death<br />
(Groeninge Museum Bruges)</div>
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Jan Provoost - Abraham, Sarah and the Angel<br />
(Musée du Louvre)</div>
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<div style="text-align: center;">
Jan Provoost - Abraham, Sarah and the Angel<br />
(Musée du Louvre)</div>
<div style="text-align: center;">
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Jan Provoost - Allégorie chrétienne<br />
(Musée du Louvre)<br />
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<div style="text-align: center;">
Jan Provoost - Allégorie chrétienne<br />
(Musée du Louvre)<br />
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Jan Provoost - Emérencie, mère de sainte Anne [Au revers: Sainte Claire (grisaille)]<br />
(Musée du Louvre)</div>
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Jan Provoost - Emérencie, mère de sainte Anne [Au revers: Sainte Claire (grisaille)]<br />
(Musée du Louvre)<br />
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Jan Provoost - Annunciation</div>
<div style="text-align: center;">
(Musei di Strada Nuova)<br />
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Jan Provoost - The Annunciation (Circle of)<br />
(Christie's) </div>
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<div style="text-align: center;">
Jan Provost - the Annunciation<br />
(Christie's)</div>
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</div>
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Jan Provoost - La Virgen con el Niño, h 1500<br />
(Museo del Prado)</div>
<div style="text-align: center;">
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Jan Provoost - Madonna and Child with two angels, 1510-1520<br />
(Eva Kablin Foundation, Rio de Janeiro, Brasil))</div>
<div style="text-align: center;">
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Jan Provoost (attr) - The Adoration of the Magi<br />
with Saint John the Baptist, Saint Anne and Donors<br />
(National Trust, Stourhead, Wiltshire)<br />
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<div style="text-align: center;">
Jan Provoost (attr) - The Adoration of the Magi<br />
with Saint John the Baptist, Saint Anne and Donors<br />
(National Trust, Stourhead, Wiltshire)</div>
<div style="text-align: center;">
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Jan Provoost - The Adoration of the Magi and Shepherds triptych<br />
(National Trust, Stourhead, Wiltshire)<br />
.</div>
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<div style="text-align: center;">
Jan Provoost - The Adoration of the Magi and Shepherds triptych_centre panel</div>
<div style="text-align: center;">
(National Trust, Stourhead, Wiltshire)<br />
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<div style="text-align: center;">
Jan Provoost - The Annunciation and the Madonna Adoring the Christ Child<br />
Triptych of The Adoration of the Magi and Shepherds_inside wings</div>
<div style="text-align: center;">
(National Trust, Stourhead, Wiltshire)<br />
.</div>
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<a href="https://1.bp.blogspot.com/-jdz-fFkdCpc/WRx8Y2cMngI/AAAAAAAAk6s/oFRgMmjwcrACzF9axJRspEvd15HQdUGqQCLcB/s1600/Jan%2BProvoost%2B-%2BSaint%2BJohn%2Bthe%2BBaptist%2B%2528triptych%252C%2Bleft%2Bwing%252C%2Boutside%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-jdz-fFkdCpc/WRx8Y2cMngI/AAAAAAAAk6s/oFRgMmjwcrACzF9axJRspEvd15HQdUGqQCLcB/s640/Jan%2BProvoost%2B-%2BSaint%2BJohn%2Bthe%2BBaptist%2B%2528triptych%252C%2Bleft%2Bwing%252C%2Boutside%2529.jpg" width="222" /></a><a href="https://3.bp.blogspot.com/-d6DRTVj78lw/WRx8Y_XbU3I/AAAAAAAAk6o/_Ut-Tc_x2k4nLpr4qeCqy0QWaax0xAFAQCLcB/s1600/Jan%2BProvoost%2B-%2BSaint%2BMargaret%2B%2528triptych%252C%2Bright%2Bwing%252C%2Boutside%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-d6DRTVj78lw/WRx8Y_XbU3I/AAAAAAAAk6o/_Ut-Tc_x2k4nLpr4qeCqy0QWaax0xAFAQCLcB/s640/Jan%2BProvoost%2B-%2BSaint%2BMargaret%2B%2528triptych%252C%2Bright%2Bwing%252C%2Boutside%2529.jpg" width="222" /></a></div>
<div style="text-align: center;">
Jan Provoost - Saint John the Baptist and Saint Margaret<br />
<div style="text-align: center;">
Triptych of The Adoration of the Magi and Shepherds_outside wings</div>
<div style="text-align: center;">
(National Trust, Stourhead, Wiltshire)</div>
.</div>
<div style="text-align: center;">
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<a href="https://2.bp.blogspot.com/-ZTgijjpwx34/WRx9YzleuVI/AAAAAAAAk7o/vt2vtWIzF6UEOn8vZW2rWyVzEgT7ZecWgCLcB/s1600/Jan%2BProvoost%2B-%2BThe%2BNativity%2B%2528La%2BSalle%2BUniversity%2BArt%2BMuseum%252C%2BPhiladelphia%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-ZTgijjpwx34/WRx9YzleuVI/AAAAAAAAk7o/vt2vtWIzF6UEOn8vZW2rWyVzEgT7ZecWgCLcB/s640/Jan%2BProvoost%2B-%2BThe%2BNativity%2B%2528La%2BSalle%2BUniversity%2BArt%2BMuseum%252C%2BPhiladelphia%2529.jpg" width="458" /></a></div>
<div style="text-align: center;">
Jan Provoost - The Nativity<br />
(La Salle University Art Museum, Philadelphia)</div>
<div style="text-align: center;">
. </div>
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<a href="https://4.bp.blogspot.com/-8xNKJqMNDFU/WRx9Y0nynYI/AAAAAAAAk7s/fAonxeHIhmMekO_tDYywrXroN9DGFkVrgCLcB/s1600/Jan%2BProvoost%2B-%2BThe%2BNativity%2Bat%2BNight.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-8xNKJqMNDFU/WRx9Y0nynYI/AAAAAAAAk7s/fAonxeHIhmMekO_tDYywrXroN9DGFkVrgCLcB/s640/Jan%2BProvoost%2B-%2BThe%2BNativity%2Bat%2BNight.jpg" width="270" /></a></div>
<div style="text-align: center;">
Jan Provoost - The Nativity at Night<br />
(National Trust, Upton House)</div>
<div style="text-align: center;">
. </div>
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<a href="https://2.bp.blogspot.com/-zz3gPKdYmps/WRx9aY5-v6I/AAAAAAAAk7w/qeMIkzA8FEcgaox6xrLcuwvYR7UyAeUvgCLcB/s1600/Jan%2BProvoost%2B-%2BThe%2BVirgin%2Band%2BChild.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-zz3gPKdYmps/WRx9aY5-v6I/AAAAAAAAk7w/qeMIkzA8FEcgaox6xrLcuwvYR7UyAeUvgCLcB/s640/Jan%2BProvoost%2B-%2BThe%2BVirgin%2Band%2BChild.jpg" width="384" /></a></div>
<div style="text-align: center;">
Jan Provoost - The Virgin and Child<br />
(Scottish National Gallery)</div>
<div style="text-align: center;">
.<br />
<a href="https://4.bp.blogspot.com/-QijloPdA6L8/WRx-bmI1MXI/AAAAAAAAk8c/WIbR1A9bn_YvAcxGXtPa-b0Hlaw4056qgCLcB/s1600/Jan%2BProvoost%2B-%2BVirgin%2Bgiving%2Bmilk.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-QijloPdA6L8/WRx-bmI1MXI/AAAAAAAAk8c/WIbR1A9bn_YvAcxGXtPa-b0Hlaw4056qgCLcB/s640/Jan%2BProvoost%2B-%2BVirgin%2Bgiving%2Bmilk.jpg" width="460" /></a><br />
<div style="text-align: center;">
Jan Provoost - Virgin giving breast<br />
(Musée des Beaux-Arts de Strasbourg)</div>
.<br />
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<a href="https://3.bp.blogspot.com/-0_GOFSZIptc/WRx9374tGHI/AAAAAAAAk8M/tV4sYYQvvn4IP4GbYbLqVRwBDy0_2HpLACLcB/s1600/Jan%2BProvoost%2B-%2BVirgin%2Band%2BChild%2Bin%2Ba%2BLandscape%2B%2528Christie%2527s%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-0_GOFSZIptc/WRx9374tGHI/AAAAAAAAk8M/tV4sYYQvvn4IP4GbYbLqVRwBDy0_2HpLACLcB/s640/Jan%2BProvoost%2B-%2BVirgin%2Band%2BChild%2Bin%2Ba%2BLandscape%2B%2528Christie%2527s%2529.jpg" width="504" /></a></div>
<div style="text-align: center;">
Jan Provoost - Virgin and Child in a Landscape<br />
(Christie's)</div>
<div style="text-align: center;">
. </div>
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<a href="https://1.bp.blogspot.com/-Yd65wtb-tww/WRx99_iNBAI/AAAAAAAAk8Y/q80jjbmFASA7nBbPR4HCZZn94h4mh7dEACLcB/s1600/Jan%2BProvoost%2B-%2BVirgin%2Band%2BChild%2Bin%2Ba%2BLandscape%2B%2528National%2BGallery%2BLondon%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-Yd65wtb-tww/WRx99_iNBAI/AAAAAAAAk8Y/q80jjbmFASA7nBbPR4HCZZn94h4mh7dEACLcB/s640/Jan%2BProvoost%2B-%2BVirgin%2Band%2BChild%2Bin%2Ba%2BLandscape%2B%2528National%2BGallery%2BLondon%2529.jpg" width="526" /></a></div>
<div style="text-align: center;">
Jan Provoost - Virgin and Child in a Landscape<br />
(National Gallery London)</div>
<div style="text-align: center;">
.</div>
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<a href="https://3.bp.blogspot.com/-agyF7YSjbvo/WRx-caiJ_aI/AAAAAAAAk8k/FMnqfQrAbnM6clJZIh5Tb68Xz-7TTYqewCLcB/s1600/Jan%2BProvoost%2B-%2BVirgin%2Band%2BChild.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-agyF7YSjbvo/WRx-caiJ_aI/AAAAAAAAk8k/FMnqfQrAbnM6clJZIh5Tb68Xz-7TTYqewCLcB/s640/Jan%2BProvoost%2B-%2BVirgin%2Band%2BChild.jpg" width="352" /></a></div>
<div style="text-align: center;">
Jan Provoost - <span style="font-family: inherit;"><span style="background-color: white; color: #545454; text-align: left;">The </span><span style="background-color: white; color: #6a6a6a; font-weight: bold; text-align: left;">Virgin</span><span style="background-color: white; color: #545454; text-align: left;"> in a Rose Garden</span></span></div>
<div style="text-align: center;">
(MET)<br />
. </div>
</div>
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<a href="https://1.bp.blogspot.com/-iR2BgHs6gfI/WRx9a5oSlEI/AAAAAAAAk70/LpO3I0do1pwR-XiWsG0l3-RXbGVQfRApgCLcB/s1600/Jan%2BProvoost%2B-%2BThe%2BVirgin%2Band%2BSaint%2BJoseph%2Bat%2BBethlehem%2B%2528recto%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-iR2BgHs6gfI/WRx9a5oSlEI/AAAAAAAAk70/LpO3I0do1pwR-XiWsG0l3-RXbGVQfRApgCLcB/s640/Jan%2BProvoost%2B-%2BThe%2BVirgin%2Band%2BSaint%2BJoseph%2Bat%2BBethlehem%2B%2528recto%2529.jpg" width="232" /></a></div>
<div style="text-align: center;">
Jan Provoost - The Virgin and Saint Joseph at Bethlehem<br />
(National Trust, Upton House)</div>
<div style="text-align: center;">
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<a href="https://4.bp.blogspot.com/-Y5uYsJIUarc/WRx9xUIs-KI/AAAAAAAAk8E/P4iL6BEEfTY2cxZPbqTkGsrW8rUrKI62QCLcB/s1600/Jan%2BProvoost%2B-%2BTriptych%2Bwith%2BVirgin%2Band%2BChild%252C%2BSaint%2BJohn%2Bthe%2BEvangelist%2B%2528left%2Bwing%2529%2Band%2BMary%2BMagdalene%2B%2528right%2Bwing%2529%252C%2Bc.%2B1505%2B-%2Bc.%2B1525_.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="360" src="https://4.bp.blogspot.com/-Y5uYsJIUarc/WRx9xUIs-KI/AAAAAAAAk8E/P4iL6BEEfTY2cxZPbqTkGsrW8rUrKI62QCLcB/s640/Jan%2BProvoost%2B-%2BTriptych%2Bwith%2BVirgin%2Band%2BChild%252C%2BSaint%2BJohn%2Bthe%2BEvangelist%2B%2528left%2Bwing%2529%2Band%2BMary%2BMagdalene%2B%2528right%2Bwing%2529%252C%2Bc.%2B1505%2B-%2Bc.%2B1525_.JPG" width="640" /></a></div>
<div style="text-align: center;">
Jan Provoost - Triptych with Virgin and Child, Saint John the Evangelist<br />
and Mary Magdalene, c. 1505 - c. 1525<br />
(Rijksmuseum, Amsterdamm)</div>
<div style="text-align: center;">
.<br />
<div class="separator" style="clear: both;">
<a href="https://1.bp.blogspot.com/-I2L7zry0oCQ/WRzYkNvaLfI/AAAAAAAAk-I/DyYzULBHfQYEByksAromR8VyLvKUB-e4gCLcB/s1600/Jan%2BProvoost%2B-%2BTriptych%2Bwith%2BVirgin%2Band%2BChild%252C%2BSaint%2BJohn%2Bthe%2BEvangelist%2Band%2BMary%2BMagdalene%252C%2Bc.%2B1505%2B-%2Bc.%2B1525%2B%2528Rijksmuseum%252C%2BAmsterdamm%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="408" src="https://1.bp.blogspot.com/-I2L7zry0oCQ/WRzYkNvaLfI/AAAAAAAAk-I/DyYzULBHfQYEByksAromR8VyLvKUB-e4gCLcB/s640/Jan%2BProvoost%2B-%2BTriptych%2Bwith%2BVirgin%2Band%2BChild%252C%2BSaint%2BJohn%2Bthe%2BEvangelist%2Band%2BMary%2BMagdalene%252C%2Bc.%2B1505%2B-%2Bc.%2B1525%2B%2528Rijksmuseum%252C%2BAmsterdamm%2529.jpg" width="640" /></a></div>
Jan Provoost - Triptych with Virgin and Child, Saint John the Evangelist<br />
and Mary Magdalene, c. 1505 - c. 1525<br />
(Rijksmuseum, Amsterdamm)<br />
.</div>
<div class="separator" style="clear: both;">
<a href="https://3.bp.blogspot.com/-bXAM4JVeNWc/WRx91ytDvrI/AAAAAAAAk8I/HlX3vQESP70w2gPQwtje5JWe-L6ZZ1DsgCLcB/s1600/Jan%2BProvoost%2B-%2BTriptych%2Bwith%2BVirgin%2Band%2BChild%252C%2BSaint%2BJohn%2Bthe%2BEvangelist%2B%2528left%2Bwing%2529%2Band%2BMary%2BMagdalene%2B%2528right%2Bwing%2529%252C%2Bc.%2B1505%2B-%2Bc.%2B1525.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="408" src="https://3.bp.blogspot.com/-bXAM4JVeNWc/WRx91ytDvrI/AAAAAAAAk8I/HlX3vQESP70w2gPQwtje5JWe-L6ZZ1DsgCLcB/s640/Jan%2BProvoost%2B-%2BTriptych%2Bwith%2BVirgin%2Band%2BChild%252C%2BSaint%2BJohn%2Bthe%2BEvangelist%2B%2528left%2Bwing%2529%2Band%2BMary%2BMagdalene%2B%2528right%2Bwing%2529%252C%2Bc.%2B1505%2B-%2Bc.%2B1525.jpg" width="640" /></a></div>
<div style="text-align: center;">
Jan Provoost - Triptych with Virgin and Child, Saint John the Evangelist<br />
and Mary Magdalene, c. 1505 - c. 1525<br />
(Rijksmuseum, Amsterdamm)</div>
<div style="text-align: center;">
.</div>
<div style="text-align: center;">
<div class="separator" style="clear: both;">
<a href="https://2.bp.blogspot.com/-Gw7zn_kbp2U/WRx79nL6YUI/AAAAAAAAk6g/X0l7DpsbmQg03Nm-DvivuzJX3TrqYVw0gCLcB/s1600/Jan%2BProvoost%2B-%2BOur%2BLady%2BOf%2BMercy%2B-%2BSaint%2BSebastian%2Band%2BSaint%2BChristopher%2BTriptych%252C%2Bc.%2B1512-1515.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="408" src="https://2.bp.blogspot.com/-Gw7zn_kbp2U/WRx79nL6YUI/AAAAAAAAk6g/X0l7DpsbmQg03Nm-DvivuzJX3TrqYVw0gCLcB/s640/Jan%2BProvoost%2B-%2BOur%2BLady%2BOf%2BMercy%2B-%2BSaint%2BSebastian%2Band%2BSaint%2BChristopher%2BTriptych%252C%2Bc.%2B1512-1515.jpg" width="640" /></a></div>
<div style="text-align: center;">
Jan Provoost - Our Lady Of Mercy, Saint Sebastian and Saint Christopher Triptych, c. 1512-1515<br />
(<span style="background-color: white; color: #545454; text-align: left;">Museo Nacional de Arte Antiguo en Lisboa)</span></div>
<div style="text-align: center;">
.</div>
<div class="separator" style="clear: both;">
<a href="https://4.bp.blogspot.com/-aYhbO3ZZEho/WRx74kx11wI/AAAAAAAAk6Y/4p7i7dXGYHcOZEZqjX3kKa5gYtfTj7lkgCLcB/s1600/Jan%2BProvoost%2B-%2BOur%2BLady%2BOf%2BMercy%2B-%2BSaint%2BSebastian%2Band%2BSaint%2BChristopher%2BTriptych%252C%2Bc.%2B1512-1515_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="344" src="https://4.bp.blogspot.com/-aYhbO3ZZEho/WRx74kx11wI/AAAAAAAAk6Y/4p7i7dXGYHcOZEZqjX3kKa5gYtfTj7lkgCLcB/s640/Jan%2BProvoost%2B-%2BOur%2BLady%2BOf%2BMercy%2B-%2BSaint%2BSebastian%2Band%2BSaint%2BChristopher%2BTriptych%252C%2Bc.%2B1512-1515_.jpg" width="640" /></a></div>
<div style="text-align: center;">
Jan Provoost - Our Lady Of Mercy, Saint Sebastian and Saint Christopher Triptych, c. 1512-1515<br />
<span style="font-family: inherit;">(<span style="background-color: white; color: #545454; text-align: left;">Museo Nacional de Arte Antiguo en Lisboa)</span></span></div>
<div style="text-align: center;">
.</div>
<div class="separator" style="clear: both;">
<a href="https://1.bp.blogspot.com/-_Zlf7jsXw2o/WRx77WVrFJI/AAAAAAAAk6c/BK08EPI5WdE1FzVdvGLNxMrjZgp-y03PwCLcB/s1600/Jan%2BProvoost%2B-%2BOur%2BLady%2Bof%2BMercy%2BTriptych%2B%2528central%2Bpanel%2529%2Bc.%2B1512-1515.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-_Zlf7jsXw2o/WRx77WVrFJI/AAAAAAAAk6c/BK08EPI5WdE1FzVdvGLNxMrjZgp-y03PwCLcB/s640/Jan%2BProvoost%2B-%2BOur%2BLady%2Bof%2BMercy%2BTriptych%2B%2528central%2Bpanel%2529%2Bc.%2B1512-1515.jpg" width="586" /></a></div>
<div style="text-align: center;">
Jan Provoost - Our Lady Of Mercy Triptych, panel central, c. 1512-1515<br />
<span style="font-family: inherit;">(<span style="background-color: white; color: #545454; text-align: left;">Museo Nacional de Arte Antiguo en Lisboa)</span></span></div>
<div style="text-align: center;">
.</div>
<div class="separator" style="clear: both;">
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Jan Provoost - The Virgin Mary in Glory<br />
(Hermitage Museum)<br />
.</div>
<div class="separator" style="clear: both;">
<a href="https://2.bp.blogspot.com/-jEli7MQcRDg/WRx9bbuOS1I/AAAAAAAAk74/MZ1XknhV3jMl1QL8_Lp1-8bOA5Id4B5sgCLcB/s1600/Jan%2BProvoost%2B-%2BThe%2BVirgin%2BMary%2Bin%2BGlory.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-jEli7MQcRDg/WRx9bbuOS1I/AAAAAAAAk74/MZ1XknhV3jMl1QL8_Lp1-8bOA5Id4B5sgCLcB/s640/Jan%2BProvoost%2B-%2BThe%2BVirgin%2BMary%2Bin%2BGlory.jpg" width="472" /></a></div>
<div style="text-align: center;">
Jan Provoost - The Virgin Mary in Glory</div>
<div style="text-align: center;">
(Hermitage Museum)<br />
.</div>
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-kO3cgaZXPkg/WRx9w6WJjSI/AAAAAAAAk8A/bLd82i21hhUENLmrKJS_MSjuT5kSNXuvQCLcB/s1600/Jan%2BProvoost%2B-%2BTriptych%2Bof%2BThe%2BVirgin%2Band%2BChild%2Benthroned%2Bwith%2BSaints%2B%2528Baptist%2Band%2BMartha%2529%2Band%2BDonors%252C%2Bc.%2B1520.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="406" src="https://1.bp.blogspot.com/-kO3cgaZXPkg/WRx9w6WJjSI/AAAAAAAAk8A/bLd82i21hhUENLmrKJS_MSjuT5kSNXuvQCLcB/s640/Jan%2BProvoost%2B-%2BTriptych%2Bof%2BThe%2BVirgin%2Band%2BChild%2Benthroned%2Bwith%2BSaints%2B%2528Baptist%2Band%2BMartha%2529%2Band%2BDonors%252C%2Bc.%2B1520.jpg" width="640" /></a></div>
<div style="text-align: center;">
Jan Provoost - Triptych of The Virgin and Child enthroned with Saints<br />
(Baptist and Martha) and Donors, c. 1520<br />
(Queen's Gallery, Buckingham Palace)</div>
<div style="text-align: center;">
.</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-0yidzkeDMPM/WRx97bI-pKI/AAAAAAAAk8U/lPgu2ViuvqQQr9qxJ7stvWVBJd9VYppkwCLcB/s1600/Jan%2BProvoost%2B-%2BTronende%2Bmadonna%2Bmet%2Bde%2Bheiligen%2BHieronymus%2Ben%2BJohannes%2Bde%2BDoper%2Ben%2Been%2Bknielende%2Bkarthuizer%2Bmonnik.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-0yidzkeDMPM/WRx97bI-pKI/AAAAAAAAk8U/lPgu2ViuvqQQr9qxJ7stvWVBJd9VYppkwCLcB/s640/Jan%2BProvoost%2B-%2BTronende%2Bmadonna%2Bmet%2Bde%2Bheiligen%2BHieronymus%2Ben%2BJohannes%2Bde%2BDoper%2Ben%2Been%2Bknielende%2Bkarthuizer%2Bmonnik.jpeg" width="372" /></a></div>
<div style="text-align: center;">
J1an Provoost - Tronende madonna met de heiligen Hieronymus en Johannes de Doper<br />
en een knielende karthuizer monnik<br />
(Rijksmuseum Amsterdam)</div>
<div style="text-align: center;">
.</div>
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<a href="https://4.bp.blogspot.com/-FSr0yOw6okE/WRx96knR7CI/AAAAAAAAk8Q/7vY-AP17mF4KJVZc05BgzPhPjPTt8QIfgCLcB/s1600/Jan%2BProvoost%2B-%2BVirgin%2Band%2BChild%2BEnthroned%252C%2Bwith%2BSaints%2BJerome%2Band%2BJohn%2Bthe%2BBaptist%2Band%2Ba%2BCarthusian%2BMonk%2B%2528attr%2529%252C%2Bc.%2B1510.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-FSr0yOw6okE/WRx96knR7CI/AAAAAAAAk8Q/7vY-AP17mF4KJVZc05BgzPhPjPTt8QIfgCLcB/s640/Jan%2BProvoost%2B-%2BVirgin%2Band%2BChild%2BEnthroned%252C%2Bwith%2BSaints%2BJerome%2Band%2BJohn%2Bthe%2BBaptist%2Band%2Ba%2BCarthusian%2BMonk%2B%2528attr%2529%252C%2Bc.%2B1510.jpg" width="540" /></a></div>
<div style="text-align: center;">
Jan Provoost - Virgin and Child Enthroned, with Saints Jerome and John the Baptist and<br />
a Carthusian Monk (attr), c. 1510<br />
<span style="background-color: white; color: #222222; text-align: left;"><span style="font-family: inherit;">(Rijksmuseum Amsterdam)</span></span></div>
<div style="text-align: center;">
.<br />
<div class="separator" style="clear: both;">
<a href="https://1.bp.blogspot.com/-Yk16BeZ2A60/WRzaV2Ro6_I/AAAAAAAAk-U/X2QSAPZFWbALBbQ95202rnMUhLCENca-wCLcB/s1600/Jan%2BProvoost%2B-%2BVirgin%2Band%2BChild%2BEnthroned%252C%2Bwith%2BSaints%2BJerome%2Band%2BJohn%2Bthe%2BBaptist%2Band%2Ba%2BCarthusian%2BMonk%2B%2528attr%2529%252C%2Bc.%2B1510_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-Yk16BeZ2A60/WRzaV2Ro6_I/AAAAAAAAk-U/X2QSAPZFWbALBbQ95202rnMUhLCENca-wCLcB/s640/Jan%2BProvoost%2B-%2BVirgin%2Band%2BChild%2BEnthroned%252C%2Bwith%2BSaints%2BJerome%2Band%2BJohn%2Bthe%2BBaptist%2Band%2Ba%2BCarthusian%2BMonk%2B%2528attr%2529%252C%2Bc.%2B1510_.jpg" width="540" /></a></div>
Jan Provoost - Virgin and Child Enthroned, with Saints Jerome and John the Baptist and<br />
a Carthusian Monk (attr), c. 1510<br />
<span style="background-color: white; color: #222222; text-align: left;"><span style="font-family: inherit;">(Rijksmuseum Amsterdam)</span></span><br />
.</div>
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<a href="https://2.bp.blogspot.com/-f42DZ0Z2kMs/WRx9AyJhKlI/AAAAAAAAk7Q/b6TYK-lrmY8uLOtuAFCk6oOiuFlG6H_1ACLcB/s1600/Jan%2BProvoost%2B-%2BThe%2BCrucifixion%2B%2528Groeningemuseum%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="456" src="https://2.bp.blogspot.com/-f42DZ0Z2kMs/WRx9AyJhKlI/AAAAAAAAk7Q/b6TYK-lrmY8uLOtuAFCk6oOiuFlG6H_1ACLcB/s640/Jan%2BProvoost%2B-%2BThe%2BCrucifixion%2B%2528Groeningemuseum%2529.jpg" width="640" /></a></div>
<div style="text-align: center;">
Jan Provoost - The Crucifixion<br />
(Groeninge Museum Bruges)</div>
<div style="text-align: center;">
.</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-WaGfFjGoG7o/WRx9FkWTxGI/AAAAAAAAk7U/azUJxJq0TI0k3AIPeq4S2xpvAHb1NA3XgCLcB/s1600/Jan%2BProvoost%2B-%2BThe%2BCrucifixion%2B%2528Groeningemuseum%2529__med.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="432" src="https://2.bp.blogspot.com/-WaGfFjGoG7o/WRx9FkWTxGI/AAAAAAAAk7U/azUJxJq0TI0k3AIPeq4S2xpvAHb1NA3XgCLcB/s640/Jan%2BProvoost%2B-%2BThe%2BCrucifixion%2B%2528Groeningemuseum%2529__med.jpg" width="640" /></a></div>
<div style="text-align: center;">
Jan Provoost - The Crucifixion<br />
(Groeninge Museum Bruges)</div>
<div style="text-align: center;">
.</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-j6ev1J4AI1I/WRx636O0MuI/AAAAAAAAk5w/dBQCR5XIws4BSg2vFyoQLNE34w5GDgg-QCLcB/s1600/Jan%2BProvoost%2B-%2BCrucifixi%25C3%25B3n%2B%2528Groeningemuseum%2529_.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-j6ev1J4AI1I/WRx636O0MuI/AAAAAAAAk5w/dBQCR5XIws4BSg2vFyoQLNE34w5GDgg-QCLcB/s640/Jan%2BProvoost%2B-%2BCrucifixi%25C3%25B3n%2B%2528Groeningemuseum%2529_.JPG" width="506" /></a></div>
<div style="text-align: center;">
Jan Provoost - Crucifixión<br />
(Groeninge Museum Bruges)<br />
.</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-aoukp30ZeLE/WRx9AliNxCI/AAAAAAAAk7M/NfYq-Fe0drwoI4xWThi0VMKmfStRsb1xwCLcB/s1600/Jan%2BProvoost%2B-%2BThe%2BCrucifixi%25C3%25B3n%2B%2528Groeningemuseum%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-aoukp30ZeLE/WRx9AliNxCI/AAAAAAAAk7M/NfYq-Fe0drwoI4xWThi0VMKmfStRsb1xwCLcB/s640/Jan%2BProvoost%2B-%2BThe%2BCrucifixi%25C3%25B3n%2B%2528Groeningemuseum%2529.jpg" width="342" /></a></div>
<div style="text-align: center;">
Jan Provoost - The Crucifixión<br />
(Groeninge Museum Bruges)</div>
<div style="text-align: center;">
.</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-_8FMLe-3cEE/WRx61gY3VfI/AAAAAAAAk5s/1Y2q-m6tQ9AlcBQ_TT3g9tLk0SF_2ACGACLcB/s1600/Jan%2BProvoost%2B-%2BCrucifixion%252C%2B1510%2B%2528St.%2BLouis%2BArt%2BMuseum%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-_8FMLe-3cEE/WRx61gY3VfI/AAAAAAAAk5s/1Y2q-m6tQ9AlcBQ_TT3g9tLk0SF_2ACGACLcB/s640/Jan%2BProvoost%2B-%2BCrucifixion%252C%2B1510%2B%2528St.%2BLouis%2BArt%2BMuseum%2529.jpg" width="480" /></a></div>
<div style="text-align: center;">
Jan Provoost - Crucifixion, 1510<br />
(St. Louis Art Museum)<br />
.</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-asLPaKM6DWM/WRx72xMjBMI/AAAAAAAAk6Q/yciLCaGWS3YrZk3SmJaKRF1iDQpz8GV5wCLcB/s1600/Jan%2BProvoost%2B-%2BLamentation%252C%2B1510%2B%2528St.%2BLouis%2BArt%2BMuseum%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-asLPaKM6DWM/WRx72xMjBMI/AAAAAAAAk6Q/yciLCaGWS3YrZk3SmJaKRF1iDQpz8GV5wCLcB/s640/Jan%2BProvoost%2B-%2BLamentation%252C%2B1510%2B%2528St.%2BLouis%2BArt%2BMuseum%2529.jpg" width="486" /></a></div>
<div style="text-align: center;">
Jan Provoost - Lamentation, 1510<br />
(St. Louis Art Museum)</div>
<div style="text-align: center;">
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<a href="https://1.bp.blogspot.com/-Ie8Sz8UaYcw/WRx-cTkwIFI/AAAAAAAAk8g/1W1kCsgK5hkxYik5Id7Alf08dn8KX4udQCLcB/s1600/Jan%2BProvoost%2B%2528attr%2529%2B-%2BCrucifixion%252C%2Bca%2B1495%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-Ie8Sz8UaYcw/WRx-cTkwIFI/AAAAAAAAk8g/1W1kCsgK5hkxYik5Id7Alf08dn8KX4udQCLcB/s640/Jan%2BProvoost%2B%2528attr%2529%2B-%2BCrucifixion%252C%2Bca%2B1495%2B%2528MET%2529.jpg" width="520" /></a></div>
<div style="text-align: center;">
Jan Provoost (attr) - Crucifixion, ca 1495<br />
(MET)</div>
<div style="text-align: center;">
.</div>
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<a href="https://2.bp.blogspot.com/-1YiOArlHjF0/WRx8Z8hN_7I/AAAAAAAAk6w/loMeg4XEOYQSNpNArdgkZfl2Dtk6IbRsQCLcB/s1600/Jan%2BProvoost%2B-%2BSaint%2BAndrew%2Bwith%2Ba%2BDonor%2Band%2BHis%2BSons%252C%2BSaint%2BCatherine%2Bof%2BAlexandria%2Bwith%2Ba%2BDonor%2Band%2BHer%2BDaughters%252C%2Bgrisallas%2Blaterales.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="442" src="https://2.bp.blogspot.com/-1YiOArlHjF0/WRx8Z8hN_7I/AAAAAAAAk6w/loMeg4XEOYQSNpNArdgkZfl2Dtk6IbRsQCLcB/s640/Jan%2BProvoost%2B-%2BSaint%2BAndrew%2Bwith%2Ba%2BDonor%2Band%2BHis%2BSons%252C%2BSaint%2BCatherine%2Bof%2BAlexandria%2Bwith%2Ba%2BDonor%2Band%2BHer%2BDaughters%252C%2Bgrisallas%2Blaterales.jpg" width="640" /></a></div>
<div style="text-align: center;">
Jan Provoost - Saint Andrew with a Donor and His Sons, Saint Catherine of Alexandria<br />
with a Donor and Her Daughters; grisallas laterales: Annunciation<br />
(Philadelphia Museum of Art)</div>
<div style="text-align: center;">
.</div>
<div style="text-align: center;">
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<a href="https://3.bp.blogspot.com/-ZEzqhjkRvzg/WR1S5d7SYTI/AAAAAAAAk_A/vpywonJRTggNxwShG8lBKloUbbZEg4COACLcB/s1600/Jan%2BProvoost%2B-%2BHet%2Bdispuut%2Bvan%2Bde%2BH%2BKatharina%2B%2528Boijmans%2BCollection%252C%2BRotterdam%2529_med.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-ZEzqhjkRvzg/WR1S5d7SYTI/AAAAAAAAk_A/vpywonJRTggNxwShG8lBKloUbbZEg4COACLcB/s640/Jan%2BProvoost%2B-%2BHet%2Bdispuut%2Bvan%2Bde%2BH%2BKatharina%2B%2528Boijmans%2BCollection%252C%2BRotterdam%2529_med.jpg" width="464" /></a></div>
Jan Provoost - Het dispuut van de H Katharina<br />
(Boijmans Collection, Rotterdam)<br />
.</div>
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<a href="https://2.bp.blogspot.com/-PFh8zWsbbZA/WRx9I-3zYpI/AAAAAAAAk7Y/WD_YABSsvywPTfjtUtc2mJThTC_-nB0RwCLcB/s1600/Jan%2BProvoost%2B-%2Bthe%2BLife%2Bof%2BSaint%2BCatherine%2Bof%2BAlexandria%2B%2528Groeningemuseum%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-PFh8zWsbbZA/WRx9I-3zYpI/AAAAAAAAk7Y/WD_YABSsvywPTfjtUtc2mJThTC_-nB0RwCLcB/s640/Jan%2BProvoost%2B-%2Bthe%2BLife%2Bof%2BSaint%2BCatherine%2Bof%2BAlexandria%2B%2528Groeningemuseum%2529.jpg" width="460" /></a></div>
<div style="text-align: center;">
Jan Provoost - the Life of Saint Catherine of Alexandria<br />
(Groeninge Museum Bruges)</div>
<div style="text-align: center;">
.</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-IN-en1V9zCc/WRx8aI-nisI/AAAAAAAAk60/_oi1sfbU0TI8QtUCKQbV1KcIghEE1uCBwCLcB/s1600/Jan%2BProvoost%2B-%2BSt.%2BPeter%2B%2528c%2B1510%2529%2B%2528Galleria%2Bdel%2BPalazzo%2BBianco%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-IN-en1V9zCc/WRx8aI-nisI/AAAAAAAAk60/_oi1sfbU0TI8QtUCKQbV1KcIghEE1uCBwCLcB/s640/Jan%2BProvoost%2B-%2BSt.%2BPeter%2B%2528c%2B1510%2529%2B%2528Galleria%2Bdel%2BPalazzo%2BBianco%2529.jpg" width="420" /></a></div>
<div style="text-align: center;">
Jan Provoost - St. Peter, c 1510<br />
(Galleria del Palazzo Bianco)</div>
<div style="text-align: center;">
.</div>
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<a href="https://4.bp.blogspot.com/-pMMuDR_zMqY/WRx7-p3YMlI/AAAAAAAAk6k/QtQadZpsH60GsHLbcbzQFlY7xVv7f3pvQCLcB/s1600/Jan%2BProvoost%2B-%2BRetrato%2Bfemenino%2Bde%2Bdonante.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-pMMuDR_zMqY/WRx7-p3YMlI/AAAAAAAAk6k/QtQadZpsH60GsHLbcbzQFlY7xVv7f3pvQCLcB/s640/Jan%2BProvoost%2B-%2BRetrato%2Bfemenino%2Bde%2Bdonante.jpg" width="554" /></a></div>
<div style="text-align: center;">
Jan Provoost - Retrato femenino de donante<br />
<span style="font-family: inherit;">(<span style="background-color: white; color: #211922;">Museo Thyssen-Bornemisza, Madrid)</span></span></div>
<div style="text-align: center;">
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<a href="https://1.bp.blogspot.com/-iFl1GtkT2p8/WRx-gOfqX4I/AAAAAAAAk8o/4VRmgAIGWg4uMpphuR5KW9oliV-8rKgigCLcB/s1600/Jan%2BProvoost%2B-%2BZacar%25C3%25ADas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-iFl1GtkT2p8/WRx-gOfqX4I/AAAAAAAAk8o/4VRmgAIGWg4uMpphuR5KW9oliV-8rKgigCLcB/s640/Jan%2BProvoost%2B-%2BZacar%25C3%25ADas.jpg" width="224" /></a></div>
<div style="text-align: center;">
Jan Provoost - Zacarías<br />
(Museo del Prado)</div>
<div style="text-align: center;">
.</div>
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<a href="https://2.bp.blogspot.com/-5nhCGv1cSUw/WRx9K5CjIbI/AAAAAAAAk7g/a3tNz8g5Exs7jSpJp3qwHP1xWUeQYLgiQCLcB/s1600/Jan%2BProvoost%2B-%2BThe%2BLast%2BJudgment%2B%2528Groeningemuseum%2529_0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="592" src="https://2.bp.blogspot.com/-5nhCGv1cSUw/WRx9K5CjIbI/AAAAAAAAk7g/a3tNz8g5Exs7jSpJp3qwHP1xWUeQYLgiQCLcB/s640/Jan%2BProvoost%2B-%2BThe%2BLast%2BJudgment%2B%2528Groeningemuseum%2529_0.jpg" width="640" /></a></div>
<div style="text-align: center;">
Jan Provoost - The Last Judgment<br />
(Groeninge Museum Bruges)</div>
<div style="text-align: center;">
.</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-xeyI0Nd6yJI/WRx9K-0JjNI/AAAAAAAAk7c/RJqvsEButJcNvGGpd-Ba-TCFdyyXE0CxwCLcB/s1600/Jan%2BProvoost%2B-%2BThe%2BLast%2BJudgment%2B%2528Groeningemuseum%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="544" src="https://3.bp.blogspot.com/-xeyI0Nd6yJI/WRx9K-0JjNI/AAAAAAAAk7c/RJqvsEButJcNvGGpd-Ba-TCFdyyXE0CxwCLcB/s640/Jan%2BProvoost%2B-%2BThe%2BLast%2BJudgment%2B%2528Groeningemuseum%2529_.jpg" width="640" /></a></div>
<div style="text-align: center;">
Jan Provoost - The Last Judgment</div>
<div style="text-align: center;">
(Groeninge Museum Bruges)<br />
.</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-CTGUM1tbuYE/WRx-kPgsSMI/AAAAAAAAk8s/GuXjMbN4pDA_kiG9W-H4yJd7hSxzkqllQCLcB/s1600/Jan%2BProvost%2B-%2BThe%2BLast%2BJudgement%2B%2528Hamburger%2BKunsthalle%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-CTGUM1tbuYE/WRx-kPgsSMI/AAAAAAAAk8s/GuXjMbN4pDA_kiG9W-H4yJd7hSxzkqllQCLcB/s640/Jan%2BProvost%2B-%2BThe%2BLast%2BJudgement%2B%2528Hamburger%2BKunsthalle%2529.jpg" width="572" /></a></div>
<div style="text-align: center;">
Jan Provost - The Last Judgement<br />
(Hamburger Kunsthalle)</div>
<div style="text-align: center;">
.</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-Xw4UYbHHBcU/WRx-qcw02AI/AAAAAAAAk88/efF_LKxOX-UHDj7KlvCztWSXHUH3yi0wACLcB/s1600/Jan%2BProvost%2B-%2BThe%2BLast%2BJudgment%252C%2Bc.1525.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="616" src="https://2.bp.blogspot.com/-Xw4UYbHHBcU/WRx-qcw02AI/AAAAAAAAk88/efF_LKxOX-UHDj7KlvCztWSXHUH3yi0wACLcB/s640/Jan%2BProvost%2B-%2BThe%2BLast%2BJudgment%252C%2Bc.1525.jpg" width="640" /></a></div>
<div style="text-align: center;">
Jan Provost - The Last Judgment, c.1525<br />
(The Detroit Institute of Arts)</div>
<div style="text-align: center;">
.</div>
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<a href="https://3.bp.blogspot.com/-mBzT0UmDvaM/WRx-lhJ5C8I/AAAAAAAAk8w/dwYS1zYQClgrSDx-3oPVu6zi7pEfD0pQACLcB/s1600/Jan%2BProvost%2B-%2BThe%2BLast%2BJudgment%252C%2Bc.1525%252C%2Bdetail%2B%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-mBzT0UmDvaM/WRx-lhJ5C8I/AAAAAAAAk8w/dwYS1zYQClgrSDx-3oPVu6zi7pEfD0pQACLcB/s640/Jan%2BProvost%2B-%2BThe%2BLast%2BJudgment%252C%2Bc.1525%252C%2Bdetail%2B%25282%2529.jpg" width="488" /></a></div>
<div style="text-align: center;">
Jan Provost - The Last Judgment, c.1525_detail<br />
(The Detroit Institute of Arts)</div>
<div style="text-align: center;">
.</div>
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<a href="https://1.bp.blogspot.com/-tQqtqWIcCk8/WRx-qt512dI/AAAAAAAAk9A/heSl0UR8bRA4OPrkxdpr4-6qB9vB9xjbACLcB/s1600/Jan%2BProvost%2B-%2BThe%2BLast%2BJudgment%252C%2Bc.1525%252C%2Bdetail.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="432" src="https://1.bp.blogspot.com/-tQqtqWIcCk8/WRx-qt512dI/AAAAAAAAk9A/heSl0UR8bRA4OPrkxdpr4-6qB9vB9xjbACLcB/s640/Jan%2BProvost%2B-%2BThe%2BLast%2BJudgment%252C%2Bc.1525%252C%2Bdetail.jpg" width="640" /></a></div>
<div style="text-align: center;">
Jan Provost - The Last Judgment, c.1525_detail<br />
(The Detroit Institute of Arts)</div>
<div style="text-align: center;">
.<br />
<a href="https://1.bp.blogspot.com/-hOkdebpMNI4/WRx-ngtKClI/AAAAAAAAk80/oJaK8dTjA78jVbKnhCkcsMRRsZG49z_kwCLcB/s1600/Jan%2BProvost%2B-%2BThe%2BLast%2BJudgment%252C%2Bc.1525%252C%2Bdetail%2B%25283%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="452" src="https://1.bp.blogspot.com/-hOkdebpMNI4/WRx-ngtKClI/AAAAAAAAk80/oJaK8dTjA78jVbKnhCkcsMRRsZG49z_kwCLcB/s640/Jan%2BProvost%2B-%2BThe%2BLast%2BJudgment%252C%2Bc.1525%252C%2Bdetail%2B%25283%2529.jpg" width="640" /></a><br />
<div style="text-align: center;">
Jan Provost - The Last Judgment, c.1525_detail<br />
(The Detroit Institute of Arts)</div>
<div style="text-align: center;">
<span style="color: white;">.</span></div>
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<div style="text-align: center;">
<a href="https://1.bp.blogspot.com/-XM39h0NlKgE/WRa4E-NJ9QI/AAAAAAAAks0/TsvJ7GvLdL06baafAv--mdXmn31frsjiQCLcB/s1600/Los%2BPrimitivos%2BFlamencos_separador%2Bfinal%2B0.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="70" src="https://1.bp.blogspot.com/-XM39h0NlKgE/WRa4E-NJ9QI/AAAAAAAAks0/TsvJ7GvLdL06baafAv--mdXmn31frsjiQCLcB/s640/Los%2BPrimitivos%2BFlamencos_separador%2Bfinal%2B0.png" width="640" /></a></div>
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<a href="https://1.bp.blogspot.com/-0ZTrY_RPd-I/WRa3vPAwVpI/AAAAAAAAkss/jlIQuQKxe6MhD0RDg2W-o9t7W6amAruxgCLcB/s1600/Los%2BPrimitivos%2BFlamencos_cronolog%25C3%25ADa%2BQuentin%2BMassys.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="64" src="https://1.bp.blogspot.com/-0ZTrY_RPd-I/WRa3vPAwVpI/AAAAAAAAkss/jlIQuQKxe6MhD0RDg2W-o9t7W6amAruxgCLcB/s640/Los%2BPrimitivos%2BFlamencos_cronolog%25C3%25ADa%2BQuentin%2BMassys.jpg" width="640" /></a></div>
<center>
<table border="0" cellpadding="4" cellspacing="0" style="width: 643px;">
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<td colspan="2" valign="TOP" width="635"><div align="LEFT">
<i><span style="color: white;"><span style="font-family: "times new roman" , serif;">.</span><span style="font-family: inherit;">....</span></span><span style="color: #1d1d1d; font-family: inherit;">Quentin
Massys (o Quinten Massijs) nace en Lovaina alrededor de 1466,
aunque él edifica su carrera como pintor en Amberes. Se mueve
entre los círculos humanistas, lo cual está reflejado claramente en su
obra. Introdujo nuevas técnicas y motivos e incluso nuevos temas
moralizantes, sin romper totalmente con la tradición. Quinten
Massijs está influenciado no sólo por Jan van Eyck, Rogier van
der Weyden, Hans Memling y Dieric Bouts, sino también por
Albrecht Dürer, Leonardo da Vinci y otros artistas italianos
como Raphael. Su trabajo se continúa con sus hijos Cornelis y
Jan.</span></i></div>
</td>
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<tr valign="TOP">
<td sdnum="3082;" sdval="1466" width="35"><div align="CENTER">
<span style="font-family: inherit;">1466</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">Quinten
Massijs nace presumiblemente en Lovaina. Es el segundo hijo de un
herrero</span> .</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1491" width="35"><div align="CENTER">
<span style="font-family: inherit;">1491</span></div>
</td>
<td width="592"><div style="margin-bottom: 0.2cm;">
<span style="font-size: small;"><span style="color: #1d1d1d; font-family: inherit;">Massijs
se registra como maestro en el gremio de San Lucas de Amberes, y
se instala en el Huidevettersstraat.</span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;"><span style="color: #1d1d1d;">No
se sabe mucho acerca de sus años escolares. Antes de 1494, no
hubo registros llevados del gremio en Lovaina. De aquí viene el
mito de que fue un artífice autodidacta, algo que engrandece su
genio. Esto alimentó en el siglo XVII la reverencia por el
"flamenco Miguel Ángel". </span></span>
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1492" width="35"><div align="CENTER">
<span style="font-family: inherit;">1492</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">Se
casa con Aleyt van Tuyl. Tres niños nacerán de este matrimonio.</span>
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1494" width="35"><div align="CENTER">
<span style="font-family: inherit;">1494</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">Massijs
declara ante los magistrados en Lovaina que tiene 18 años, de
ahí su presunto año de nacimiento</span>
</span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1495</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1510</span></div>
</td>
<td width="592"><div style="margin-bottom: 0.2cm;">
<span style="font-family: inherit;"><span style="color: #1d1d1d;">Hay
varios escolares mencionados en los los 'liggeren' o registros:
Ariaen (van Overbeke?), Willem Muelenbroec, Edoardo Portogalo (de
acuerdo con el historiador de arte Reis-Santos) y Hennen
Boeckmakere. Estaban allí para ayudar con los grandes retablos
que Massijs realiza. Más tarde se dará preferencia a piezas más
pequeñas y de carácter más íntimo, la mayoría realizadas
para los amigos o humanistas. Un ejemplo de ello es la </span><strong><span style="color: black;"><span style="font-size: small;"><i>Santa
María Magdalena</i></span></span></strong><strong><span style="color: #a37e0f;"><span style="font-size: small;"><u><b>
</b></u></span></span></strong><span style="color: #1d1d1d;">(Museo
Real de Bellas Artes de Amberes) a partir de los años veinte.</span></span></div>
<div style="border: none; margin-bottom: 0.2cm; padding: 0cm;">
<span style="color: #1d1d1d; font-family: inherit;">Quinten
Masijs nunca aceptó reconocimiento de la Guilda. Massijs se
estableció como un artista independiente, y no obstante disfrutó
de un gran prestigio en su entorno.</span></div>
<div style="border: none; margin-bottom: 0.2cm; padding: 0cm;">
<span style="color: #1d1d1d; font-family: inherit;">Con
las obras religiosas se observa que Massijs buscó siempre una
conexión con los modelos más celebrados del siglo XV. Así, abordó las representaciones más reconocibles, las que ganarían
inmediatamente el favor del público, ya se tratase de un panel
devocional que pueda ayudar a un creyente en la oración, o un
gran retablo que represente el símbolo de un determinado grupo
acomodado que quiere mostrar su estatus.</span></div>
<div style="border: none; margin-bottom: 0.2cm; padding: 0cm;">
<span style="font-family: inherit;"><span style="color: #1d1d1d;">Masijs
también pintó una serie de obras menores al final del siglo XV,
tales como un </span><span style="color: #1d1d1d;"><span style="font-size: small;"><b>S</b></span></span><strong><span style="color: black;"><span style="font-size: small;"><i><b>an
Cristóbal </b></i></span></span></strong><span style="color: #1d1d1d;">(Museo
Real de Bellas Artes, Amberes) que protege a los hombres de una
muerte súbita.</span></span></div>
<div style="border: none; padding: 0cm;">
<span style="font-family: inherit;"><strong><span style="color: black;"><span style="font-size: small;"><i>Salvator
Mundi </i></span></span></strong><span style="color: #1d1d1d;"><span style="font-size: small;">y
</span></span><strong><span style="color: black;"><span style="font-size: small;"><i>La
Virgen </i></span></span></strong><span style="color: #1d1d1d;"><span style="font-size: small;">(Museo
Real de Bellas Artes, Amberes) forman un díptico y están
destinados a ser vistos de cerca, con el fin de llegar
directamente a Cristo, como intercesor de María</span></span><span style="color: #1d1d1d;"><span style="font-size: small;">.</span></span></span></div>
</td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1507" width="35"><div align="CENTER">
<span style="font-family: inherit;">1507</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">Tras
la muerte de su primera esposa se casa con Catharina Heyns, en
1508. Tendrá diez hijos con ella.</span>
</span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1507</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1509</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="font-size: small;"><span style="color: #1d1d1d;">En
1507 la Hermandad de Santa Ana en Lovaina le encarga un retablo,
el </span><strong><span style="color: #1d1d1d;"><b><i>Tríptico
de Santa Ana</i></b></span></strong><strong><span style="color: #1d1d1d;"><b>
</b></span></strong><span style="color: #1d1d1d;">(Museo
Real de Bellas Artes, Bruselas), para la iglesia de San Pedro en
Lovaina. Es el primer gran proyecto para el pintor y es también
uno de los primeros retablos pintados completos que se hacen en
Amberes. En el panel central está retratada la familia de Santa Ana, y en los paneles laterales escenas de su vida. En la
parte trasera del panel izquierdo, arriba a la derecha, hay la
siguiente leyenda: "QVINTE METSYS / SCREEF DIT 1509"</span>
</span>
</span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1508</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1511</span></div>
</td>
<td width="592"><span style="font-family: inherit; font-size: small;"><span style="color: #1d1d1d;">En
1508, aún antes de que el </span><em><span style="color: #1d1d1d;"><i>Tríptico
de Santa Ana</i></span></em><em><span style="color: #1d1d1d;"><span style="font-style: normal;">
</span></span></em><span style="color: #1d1d1d;">sea
completado, los carpinteros de Amberes piden un retablo. Los
carpinteros, inicialmente unidos con los toneleros, formaron un
gremio separado en 1497. Ellos querían, como emblema de su
gremio, una </span><span style="color: #1d1d1d;"><i>lamentación</i></span><span style="color: #1d1d1d;">.
Pero en los paneles laterales eligieron por su santo patrón a
San Juan Evangelista y San Juan Bautista. Los carpinteros
realizaron previamente el marco tallado que debía albergar
las imágenes, antes incluso de recibir el trabajo de Massijs. Es
por esto que los paneles apenas cabían en los altares
tallados. Massijs estuvo claramente inspirado por Durero y
Leonardo da Vinci al representar los sufrimientos de
los patronos.</span></span><br />
<div style="border: none; padding: 0cm;">
<span style="font-family: inherit;"><span style="color: #1d1d1d;">En
el panel central el ambiente italiano es claro. No se muestra el
sufrimiento sino el lamento después del sufrimiento. Esta escena
es más propicia para la reflexión y oración. El grupo de
figuras es una reminiscencia de las de </span><span style="color: #1d1d1d;"><span style="font-size: small;"><i>El
Descendimiento</i></span></span><span style="color: #1d1d1d;"><span style="font-size: small;">
de Rogier</span></span><span style="color: #1d1d1d;"><span style="font-size: small;">
van der Weyden (Museo del Prado, Madrid), totalmente fundidas con el
paisaje. El drama religioso se considera con detalle y se sitúa armoniosamente en escena. Al mismo tiempo Massijs se aproxima a
la gran importancia que para los creyentes tienen la narración y
la descripción. Quinten Massijs reconcilia de manera magistral
tanto lo antiguo como lo nuevo en </span></span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>El
Retablo de gremio del carpintero</b></i></span></span></em><span style="color: #1d1d1d;"><span style="font-size: small;"> (Museo
Real de Bellas Artes, Amberes).</span></span></span></div>
</td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1514" width="35"><div align="CENTER">
<span style="font-family: inherit;">1514</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="font-size: small;"><span style="color: #1d1d1d;">En
su trabajo secular Massijs introduce una serie de nuevos temas,
también aquí sin romper con la tradición. En París, en </span><span style="color: #1d1d1d;"><i><b>El</b></i></span><span style="color: #1d1d1d;"><b>
</b></span><em><span style="color: #1d1d1d;"><i><b>Prestamista
y su esposa</b></i></span></em><em><span style="color: #1d1d1d;"><span style="font-style: normal;">
</span></span></em><span style="color: #1d1d1d;">(Museo
del Louvre, París), hay lo que parece una reminiscencia del </span><span style="color: #1d1d1d;"><i>San
Eligio</i></span><span style="color: #1d1d1d;">
de Petrus Christus (Museo Metropolitano de Nueva York),
probablemente inspirado en un prototipo perdido de Jan van Eyck.
Los motivos de la naturaleza muerta también invocan el retrato
de </span><span style="color: #1d1d1d;"><i>Arnolfini</i></span><span style="color: #1d1d1d;">
de Jan van Eyck (National Gallery, Londres). Estas
representaciones moralizantes con banqueros y coleccionistas de
la ciudad sobrepasaron la esfera del humanismo para hacerse en
gran medida populares. Su hijo Jan, más tarde, se centrará en
dichos cuadros llenos de advertencias en contra de un
comportamiento inapropiado. Marinus Van Reymerswale también utilizará
estos motivos.</span>
</span>
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1517" width="35"><div align="CENTER">
<span style="font-family: inherit;">1517</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="font-size: small;"><span style="color: #1d1d1d;">Su
confianza en el humansimo se expresa también en los retratos de
</span><i><strong><span style="color: #1d1d1d;"><b>Erasmo</b></span></strong><strong><span style="color: #1d1d1d;"><b>
</b></span></strong></i><span style="color: #1d1d1d;">(Royal
Collection, Londres) y </span><em><span style="color: #1d1d1d;"><b>Peter
Gillis</b></span></em><em><span style="color: #1d1d1d;"><span style="font-style: normal;">
(C</span></span></em><span style="color: #1d1d1d;">astillo
de Longford, Wiltshire) que fueron pedidos como detalle para su
amigo, Tomás Moro.</span><br /><span style="color: #1d1d1d;">Desiderius
Erasmus (1466-1536) es, naturalmente, suficientemente conocido y
Peter Gillis (1486-1533) es una figura importante en los círculos
humanistas. Realizó una serie de traducciones y publicaciones
como </span><span style="color: #1d1d1d;"><i>Utopía</i>,
de</span><span style="color: #1d1d1d;">
Tomás Moro. La casa de Gillis, en Amberes, fue un lugar de
encuentro importante para humanistas, diplomáticos y artistas
con atracción internacional. Quinten Massijs sería también un
invitado bien visto. Peter Gillis, lector a los diecisiete años
de Dirk Martens, se encuentra con Erasmus en 1504. Quien le dará
el consejo de estudiar más a fondo y mantener el contacto. Ambos
hombres, doctos y educados, a pesar de que son retratados en
paneles separados, se presentan en un área de estudio continuo.
Erasmus está ocupado escribiendo y Peter Gillis apunta a un
libro de Erasmo, el </span><span style="color: #1d1d1d;"><i>Antibarbari</i></span><span style="color: #1d1d1d;">,
mientras sostiene una carta en su mano izquierda. La
representación en una sala de estudio hace pensar en las
representaciones de San Jerónimo, que con su traducción de la
Biblia es un ejemplo para todos los humanistas.</span><br /><span style="color: #1d1d1d;">Tomás
Moro dejó constancia de su agrado sobre estos retratos en muchas
cartas: "(...) con una gran virtuosidad de tal manera que
todos los pintores de la antigüedad palidecen en comparación
(...)". El retrato en el Museo Real de Bellas Artes de
Amberes es una réplica hecha por Massijs. Teniendo en cuenta que
existen más versiones de los dos retratos, probablemente las
realizara para Pieter Gillis, Erasmo y otros amigos.</span>
</span>
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1520" width="35"><div align="CENTER">
<span style="font-family: inherit;">1520</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">Albrecht
Dürer visita a Massijs en su casa de la Huidevettersstraat.</span>
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1521" width="35"><div align="CENTER">
<span style="font-family: inherit;">1521</span></div>
</td>
<td width="592"><div style="margin-bottom: 0.2cm;">
<span style="font-family: inherit;"><span style="color: #1d1d1d;">El
pintor y su esposa compran varias casas y en 1521 la familia se
traslada a una casa grande en la Schuttershofstraat. El interior
está pintado por el mismo Massijs con decoraciones de estilo
italiano (festones de hojas, flores o frutos) y grutescos (red
decorativa y simétrica de líneas y figuras entrelazadas).</span>
</span></div>
<span style="font-family: inherit;"><span style="color: #1d1d1d;">En
trabajos posteriores Massijs se verá más influenciado
por los modelos italianos. De ninguna manera por los cartones de
Raphael que se tejieron en Bruselas.</span>
</span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1530</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1531</span></div>
</td>
<td width="592"><span style="font-size: small;"><span style="color: #1d1d1d; font-family: inherit;">El
artista se encuentra en el claustro cartujo del Amberes San
Rochusstraat cuando muere de las consecuencias de la llamada
enfermedad del sudor Inglés. Durante esta epidemia, más de
cuatrocientos hombres murieron en un intervalo de tiempo de tres
días. Fue enterrado en el claustro.</span></span><br />
<span style="font-family: inherit;"><span style="font-size: small;"><span style="color: #1d1d1d;">El
segundo hijo del matrimonio con Catharina continúa la labor de
su padre. Cornelis y Jan están registrados como maestros. </span></span>
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1531" width="35"><div align="CENTER">
<span style="font-family: inherit;">1531</span></div>
</td>
<td width="592"><span style="font-size: small;"><span style="color: #1d1d1d; font-family: inherit;">Los
restos mortales de Quinten Massijs se transfieren, por
solicitud de Cornelis van der Geest, a la catedral de Amberes.</span><span style="color: #222222; font-family: "times new roman" , serif;">
</span></span>
</td>
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</tbody></table>
</center>
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<div style="text-align: center;">
<a href="https://1.bp.blogspot.com/-AanTeYSF8Ao/WRa1htCH4pI/AAAAAAAAksQ/xsqHWtaf6T8ajxQMrf2eLYR8T4vFhAwYQCLcB/s1600/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="36" src="https://1.bp.blogspot.com/-AanTeYSF8Ao/WRa1htCH4pI/AAAAAAAAksQ/xsqHWtaf6T8ajxQMrf2eLYR8T4vFhAwYQCLcB/s640/Los%2BPrimitivos%2BFlamencos_separador%2B1.jpg" width="640" /></a></div>
<br />
<br />
<div style="text-align: center;">
<b><span style="color: #cc0000; font-size: x-large;">GALERÍA</span></b></div>
<br />
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<a href="https://2.bp.blogspot.com/-bxAevOj5GVI/WRa30FHpDaI/AAAAAAAAksw/HQwapGl1KykeZhUX2J8l5P7pFqYZsDzCACLcB/s1600/Quentin%2BMassys%2B-%2BVirgin%2Band%2BChild%2B%2528Rijksmuseum%2BAmsterdam%2529_T%25C3%25ADtulo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="122" src="https://2.bp.blogspot.com/-bxAevOj5GVI/WRa30FHpDaI/AAAAAAAAksw/HQwapGl1KykeZhUX2J8l5P7pFqYZsDzCACLcB/s640/Quentin%2BMassys%2B-%2BVirgin%2Band%2BChild%2B%2528Rijksmuseum%2BAmsterdam%2529_T%25C3%25ADtulo.jpg" width="640" /></a></div>
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<a href="https://1.bp.blogspot.com/-svsI5LUZyOA/WR1lmkfOrkI/AAAAAAAAk_0/nr7XEoDeMZEkILJ1IehWMMWVoTe3wBsRgCLcB/s1600/Quentin%2BMassys%2B-%2BSaint%2BAnne%2BAltarpiece%252C%2B1507-09%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%2Bde%2BBelgique%2529_big.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="322" src="https://1.bp.blogspot.com/-svsI5LUZyOA/WR1lmkfOrkI/AAAAAAAAk_0/nr7XEoDeMZEkILJ1IehWMMWVoTe3wBsRgCLcB/s640/Quentin%2BMassys%2B-%2BSaint%2BAnne%2BAltarpiece%252C%2B1507-09%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%2Bde%2BBelgique%2529_big.jpg" width="640" /></a></div>
<div style="text-align: center;">
Quentin Massys - Saint Anne Altarpiece, 1507-09<br />
(Musées Royaux des Beaux-Arts de Belgique)</div>
<div style="text-align: center;">
.</div>
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<a href="https://1.bp.blogspot.com/-wjleQUmQhNM/WR1ll3YqcPI/AAAAAAAAk_w/ECaxexY7FLUhAkuwi1y7dF3QxYJfxlMVgCLcB/s1600/Quentin%2BMassys%2B-%2BSaint%2BAnne%2BAltarpiece_Triptych%2B%2528central%2Bpanel%2529%252C%2B1507-09%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%2Bde%2BBelgique%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-wjleQUmQhNM/WR1ll3YqcPI/AAAAAAAAk_w/ECaxexY7FLUhAkuwi1y7dF3QxYJfxlMVgCLcB/s640/Quentin%2BMassys%2B-%2BSaint%2BAnne%2BAltarpiece_Triptych%2B%2528central%2Bpanel%2529%252C%2B1507-09%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%2Bde%2BBelgique%2529.jpg" width="572" /></a></div>
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Quentin Massys - Saint Anne Altarpiece_Triptych (central panel), 1507-09<br />
(Musées Royaux des Beaux-Arts de Belgique)</div>
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<a href="https://1.bp.blogspot.com/-QUNYgpMV4G0/WR1ln9udvhI/AAAAAAAAk_4/GQJVIo_JCpQOKByfuKj5Dp6p7qAFOYZSACLcB/s1600/Quentin%2BMassys%2B-%2BSaint%2BAnne%2BAltarpiece_Triptych%2B%2528central%2Bpanel_detail%2529%252C%2B1507-09%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%2Bde%2BBelgique%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="426" src="https://1.bp.blogspot.com/-QUNYgpMV4G0/WR1ln9udvhI/AAAAAAAAk_4/GQJVIo_JCpQOKByfuKj5Dp6p7qAFOYZSACLcB/s640/Quentin%2BMassys%2B-%2BSaint%2BAnne%2BAltarpiece_Triptych%2B%2528central%2Bpanel_detail%2529%252C%2B1507-09%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%2Bde%2BBelgique%2529.jpg" width="640" /></a></div>
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Quentin Massys - Saint Anne Altarpiece_Triptych (central panel, detail), 1507-09<br />
(Musées Royaux des Beaux-Arts de Belgique)</div>
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<a href="https://4.bp.blogspot.com/-tJLCRdn1Zkk/WR1lbEvC7hI/AAAAAAAAk_s/QptWppa3gIoxcw9pwPFUxT5pVU7QF5aKACLcB/s1600/Quentin%2BMassys%2B-%2BSaint%2BAnne%2BAltarpiece%2B%2528wings%2Bclosed%2529%252C%2B1507-09%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%2Bde%2BBelgique%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="634" src="https://4.bp.blogspot.com/-tJLCRdn1Zkk/WR1lbEvC7hI/AAAAAAAAk_s/QptWppa3gIoxcw9pwPFUxT5pVU7QF5aKACLcB/s640/Quentin%2BMassys%2B-%2BSaint%2BAnne%2BAltarpiece%2B%2528wings%2Bclosed%2529%252C%2B1507-09%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%2Bde%2BBelgique%2529.jpg" width="640" /></a></div>
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Quentin Massys - Saint Anne Altarpiece (wings closed), 1507-09</div>
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(Musées Royaux des Beaux-Arts de Belgique)</div>
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<a href="https://1.bp.blogspot.com/-IdQypB7og2c/WR1lK7qxxGI/AAAAAAAAk_o/oTibAQRW5ZAYibEFMxOL4xxBrVy7ayS6wCLcB/s1600/Quentin%2BMassys%2B-%2BLa%2BVirgen%2Ben%2BOraci%25C3%25B3n%2B%2528Museo%2Bdel%2BPrado%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-IdQypB7og2c/WR1lK7qxxGI/AAAAAAAAk_o/oTibAQRW5ZAYibEFMxOL4xxBrVy7ayS6wCLcB/s640/Quentin%2BMassys%2B-%2BLa%2BVirgen%2Ben%2BOraci%25C3%25B3n%2B%2528Museo%2Bdel%2BPrado%2529.jpg" width="510" /></a></div>
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Quentin Massys - La Virgen en Oración<br />
(Museo del Prado)</div>
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<a href="https://1.bp.blogspot.com/-1G-ny1NTmXQ/WR1lHN_18hI/AAAAAAAAk_c/NPfMFnq_0rgEKnCoYAveGEuyz2bjxhByACLcB/s1600/Quentin%2BMassys%2B-%2BMadonna%2Band%2BChild%2B%2528Detroit%2BInstitute%2Bof%2BArt%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-1G-ny1NTmXQ/WR1lHN_18hI/AAAAAAAAk_c/NPfMFnq_0rgEKnCoYAveGEuyz2bjxhByACLcB/s640/Quentin%2BMassys%2B-%2BMadonna%2Band%2BChild%2B%2528Detroit%2BInstitute%2Bof%2BArt%2529.jpg" width="466" /></a></div>
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Quentin Massys - Madonna and Child<br />
(Detroit Institute of Art)</div>
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<a href="https://1.bp.blogspot.com/-9e0EzOr0Y-8/WR1lIru72AI/AAAAAAAAk_g/XNLjzU77ly81qUGe2g9zyw3AUGJjdixegCLcB/s1600/Quentin%2BMassys%2B-%2BMadonna%2Band%2BChild%252C%2B1529%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-9e0EzOr0Y-8/WR1lIru72AI/AAAAAAAAk_g/XNLjzU77ly81qUGe2g9zyw3AUGJjdixegCLcB/s640/Quentin%2BMassys%2B-%2BMadonna%2Band%2BChild%252C%2B1529%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529.jpg" width="454" /></a></div>
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Quentin Massys - Madonna and Child, 1529<br />
(Musée du Louvre)</div>
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<a href="https://3.bp.blogspot.com/-U0A-f0XeUds/WR1lKXq2nRI/AAAAAAAAk_k/wmfXhe3DuJsgBR9qhUlcwr4_wJa874M2QCLcB/s1600/Quentin%2BMassys%2B-%2BMadonna%2Bof%2Bthe%2BCherries%252C%2B1525%2B%2528The%2BJohn%2Band%2BMable%2BRingling%2BMuseum%2Bof%2BArt%2B-%2BSarasota%2B%2528Florida%2529%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-U0A-f0XeUds/WR1lKXq2nRI/AAAAAAAAk_k/wmfXhe3DuJsgBR9qhUlcwr4_wJa874M2QCLcB/s640/Quentin%2BMassys%2B-%2BMadonna%2Bof%2Bthe%2BCherries%252C%2B1525%2B%2528The%2BJohn%2Band%2BMable%2BRingling%2BMuseum%2Bof%2BArt%2B-%2BSarasota%2B%2528Florida%2529%2529.jpg" width="530" /></a></div>
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Quentin Massys - Madonna of the Cherries, 1525<br />
(The John and Mable Ringling Museum of Art, Sarasota, Florida)</div>
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<a href="https://2.bp.blogspot.com/-vuhfXYaJSAA/WR1mB_nvFJI/AAAAAAAAlAg/BIxVeuVs42siOdC_atQEC4IwXQQh5lA0wCLcB/s1600/Quentin%2BMassys%2B-%2BVirgin%2Band%2BChild%2Bin%2Ba%2BLandscape%2B%2528Museum%2BBoijmans%2BVan%2BBeuningen%252C%2BRotterdam%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-vuhfXYaJSAA/WR1mB_nvFJI/AAAAAAAAlAg/BIxVeuVs42siOdC_atQEC4IwXQQh5lA0wCLcB/s640/Quentin%2BMassys%2B-%2BVirgin%2Band%2BChild%2Bin%2Ba%2BLandscape%2B%2528Museum%2BBoijmans%2BVan%2BBeuningen%252C%2BRotterdam%2529.jpg" width="450" /></a></div>
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Quentin Massys - Virgin and Child in a Landscape<br />
(Museum Boijmans Van Beuningen, Rotterdam)</div>
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<a href="https://3.bp.blogspot.com/-tg4LwFlV5ko/WR1lFrfM0VI/AAAAAAAAk_Y/fClZ8avh3yAiwdGhDjC5WW3z9ncGfqX8QCLcB/s1600/Quentin%2BMassys%2B-%2BMadonna%2Band%2BChild%2BStanding%2Bon%2Ba%2BHalf%2BMoon%2B%2528Private%2BCollectio%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-tg4LwFlV5ko/WR1lFrfM0VI/AAAAAAAAk_Y/fClZ8avh3yAiwdGhDjC5WW3z9ncGfqX8QCLcB/s640/Quentin%2BMassys%2B-%2BMadonna%2Band%2BChild%2BStanding%2Bon%2Ba%2BHalf%2BMoon%2B%2528Private%2BCollectio%2529.jpg" width="444" /></a></div>
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Quentin Massys - Madonna and Child Standing on a Half Moon<br />
(Private Collection)</div>
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<a href="https://3.bp.blogspot.com/-msSjxM8i44g/WR1l35sacQI/AAAAAAAAlAE/6uTqlpWRq5YG44fTKEOtA6jwcffziDjugCLcB/s1600/Quentin%2BMassys%2B-%2BThe%2BVirgin%2Band%2BChild%2Bwith%2BAngels%252C%2B1500-09%2B%2528The%2BCourtauld%2BGallery%2B-%2BLondon%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-msSjxM8i44g/WR1l35sacQI/AAAAAAAAlAE/6uTqlpWRq5YG44fTKEOtA6jwcffziDjugCLcB/s640/Quentin%2BMassys%2B-%2BThe%2BVirgin%2Band%2BChild%2Bwith%2BAngels%252C%2B1500-09%2B%2528The%2BCourtauld%2BGallery%2B-%2BLondon%2529.jpg" width="432" /></a></div>
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Quentin Massys - The Virgin and Child with Angels, 1500-09<br />
(The Courtauld Gallery, London)</div>
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<a href="https://1.bp.blogspot.com/-MHZZA3OjNZU/WR1l_kai2hI/AAAAAAAAlAY/q2pW450bz80XoSghejkbHLBY6hOt__jtwCLcB/s1600/Quentin%2BMassys%2B-%2BVirgin%2Band%2BChild%2BSurrounded%2Bby%2BAngels%252C%2B1509%2B%2528Mus%25C3%25A9e%2Bdes%2BBeaux-Arts%2Bde%2BLyon%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-MHZZA3OjNZU/WR1l_kai2hI/AAAAAAAAlAY/q2pW450bz80XoSghejkbHLBY6hOt__jtwCLcB/s640/Quentin%2BMassys%2B-%2BVirgin%2Band%2BChild%2BSurrounded%2Bby%2BAngels%252C%2B1509%2B%2528Mus%25C3%25A9e%2Bdes%2BBeaux-Arts%2Bde%2BLyon%2529.jpg" width="428" /></a></div>
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Quentin Massys - Virgin and Child with angles, 1500-09<br />
(Musée des Beaux-Arts Lyon)</div>
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<a href="https://3.bp.blogspot.com/-fxg3eHZrT8k/WR1l9JVqBnI/AAAAAAAAlAU/3N7Hx_0kOGEYgfcl5pyFw7Imqwa56qGqgCLcB/s1600/Quentin%2BMassys%2B-%2BThe%2BVirgin%2Band%2BChild%2Bwith%2BSaints%2BCatherine%2Band%2BBarbara%252C%2B1515-25%2B%2528NGL%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="538" src="https://3.bp.blogspot.com/-fxg3eHZrT8k/WR1l9JVqBnI/AAAAAAAAlAU/3N7Hx_0kOGEYgfcl5pyFw7Imqwa56qGqgCLcB/s640/Quentin%2BMassys%2B-%2BThe%2BVirgin%2Band%2BChild%2Bwith%2BSaints%2BCatherine%2Band%2BBarbara%252C%2B1515-25%2B%2528NGL%2529.jpg" width="640" /></a></div>
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Quentin Massys - The Virgin and Child with Saints Catherine and Barbara, 1515-25<br />
(National Gallery London)</div>
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<a href="https://3.bp.blogspot.com/-edrO9QhmpTk/WR1l6QaxpiI/AAAAAAAAlAM/Z2RdBWZA3dYiYZUoIHyiaWYc6vlODn2NACLcB/s1600/Quentin%2BMassys%2B-%2BThe%2BVirgin%2Band%2BChild%2BEnthroned%252C%2Bwith%2BFour%2BAngels%252C%2B1506-09%2B%2528NGL%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-edrO9QhmpTk/WR1l6QaxpiI/AAAAAAAAlAM/Z2RdBWZA3dYiYZUoIHyiaWYc6vlODn2NACLcB/s640/Quentin%2BMassys%2B-%2BThe%2BVirgin%2Band%2BChild%2BEnthroned%252C%2Bwith%2BFour%2BAngels%252C%2B1506-09%2B%2528NGL%2529.jpg" width="448" /></a></div>
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Quentin Massys - The Virgin and Child Enthroned, with Four Angels, 1506-09<br />
(National Gallery London)</div>
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<a href="https://4.bp.blogspot.com/-JwzGr7cufz4/WR1l4C3KapI/AAAAAAAAlAI/Lt0JBwPZ200Cwxe0UqbxmW2FUBw9hisuACLcB/s1600/Quentin%2BMassys%2B-%2BThe%2BVirgin%2BEnthroned%252C%2B1520-25%2B%2528Gem%25C3%25A4ldegalerie%252C%2BStaatliche%2BMuseen%2Bzu%2BBerlin%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-JwzGr7cufz4/WR1l4C3KapI/AAAAAAAAlAI/Lt0JBwPZ200Cwxe0UqbxmW2FUBw9hisuACLcB/s640/Quentin%2BMassys%2B-%2BThe%2BVirgin%2BEnthroned%252C%2B1520-25%2B%2528Gem%25C3%25A4ldegalerie%252C%2BStaatliche%2BMuseen%2Bzu%2BBerlin%2529.jpg" width="408" /></a></div>
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Quentin Massys - The Virgin Enthroned, 1520-25<br />
(Gemäldegalerie, Staatliche Museen zu Berlin)</div>
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<a href="https://1.bp.blogspot.com/-AAHiCRnCsj0/WR1mFO1fbEI/AAAAAAAAlAo/FJX4K7ZWiowtvj26FXCAkcehWB5dRUqIgCLcB/s1600/Quentin%2BMassys%2B-%2BVirgin%2Band%2BChild%2B%2528Rijksmuseum%2BAmsterdam%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-AAHiCRnCsj0/WR1mFO1fbEI/AAAAAAAAlAo/FJX4K7ZWiowtvj26FXCAkcehWB5dRUqIgCLcB/s640/Quentin%2BMassys%2B-%2BVirgin%2Band%2BChild%2B%2528Rijksmuseum%2BAmsterdam%2529.jpg" width="530" /></a></div>
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Quentin Massys - Virgin and Child<br />
(Rijksmuseum Amsterdam)</div>
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<a href="https://2.bp.blogspot.com/-qrB9QXXnGyI/WR1mH8I-fOI/AAAAAAAAlAw/sRzott20bY8IyrpgwYYtlNSB5SHR2rBTQCLcB/s1600/Quentin%2BMassys%2B-%2BVirgin%2Band%2BChild%252C%2B1525-29%2B%2528Mauritshuis%2BRoyal%2BPicture%2BGallery%2B-%2BThe%2BHague%2529_.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-qrB9QXXnGyI/WR1mH8I-fOI/AAAAAAAAlAw/sRzott20bY8IyrpgwYYtlNSB5SHR2rBTQCLcB/s640/Quentin%2BMassys%2B-%2BVirgin%2Band%2BChild%252C%2B1525-29%2B%2528Mauritshuis%2BRoyal%2BPicture%2BGallery%2B-%2BThe%2BHague%2529_.png" width="520" /></a></div>
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Quentin Massys - Virgin and Child, 1525-29<br />
(Mauritshuis Royal Picture Gallery - The Hague)</div>
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<a href="https://2.bp.blogspot.com/-8691PBeuHeY/WR1mCapaxxI/AAAAAAAAlAk/qN-N4_XiNuw-oSEA1ww-v4AjGSGSbgn6QCLcB/s1600/Quentin%2BMassys%2B-%2BVirgin%2Band%2BChild%252C%2B1495%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%2Bde%2BBelgique%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-8691PBeuHeY/WR1mCapaxxI/AAAAAAAAlAk/qN-N4_XiNuw-oSEA1ww-v4AjGSGSbgn6QCLcB/s640/Quentin%2BMassys%2B-%2BVirgin%2Band%2BChild%252C%2B1495%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%2Bde%2BBelgique%2529.jpg" width="404" /></a></div>
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Quentin Massys - Virgin and Child, 1495<br />
(Musées Royaux des Beaux-Arts de Belgique)</div>
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<a href="https://4.bp.blogspot.com/-p5tZQCnNSbw/WR1mFE6VIdI/AAAAAAAAlAs/-e1KA-mHZDkT8XIAIT-39yQVJmRWBSuYQCLcB/s1600/Quentin%2BMassys%2B-%2BVirgin%2Band%2BChild%2Bwith%2BSaints%2BElizabeth%2Band%2BJohn%2Bthe%2BBaptist%252C%2B1520-25%2B%2528Sterling%2Band%2BFrancine%2BClark%2BArt%2BInstitute%2529%2B%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-p5tZQCnNSbw/WR1mFE6VIdI/AAAAAAAAlAs/-e1KA-mHZDkT8XIAIT-39yQVJmRWBSuYQCLcB/s640/Quentin%2BMassys%2B-%2BVirgin%2Band%2BChild%2Bwith%2BSaints%2BElizabeth%2Band%2BJohn%2Bthe%2BBaptist%252C%2B1520-25%2B%2528Sterling%2Band%2BFrancine%2BClark%2BArt%2BInstitute%2529%2B%25282%2529.jpg" width="480" /></a></div>
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Quentin Massys - Virgin and Child with Saints Elizabeth and John the Baptist, 1520-25<br />
(Sterling and Francine Clark Art Institute)</div>
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<a href="https://1.bp.blogspot.com/-CV70nkFIFOM/WR1mJsxCVfI/AAAAAAAAlA0/MbAXZ0ct8o8yEkCoiNzSFpOVexHaFMjqgCLcB/s1600/Quentin%2BMassys%2B-%2BVirgin%2Band%2BChild%2Bwith%2BSaints%2BElizabeth%2Band%2BJohn%2Bthe%2BBaptist%252C%2B1520-25%2B%2528Sterling%2Band%2BFrancine%2BClark%2BArt%2BInstitute%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-CV70nkFIFOM/WR1mJsxCVfI/AAAAAAAAlA0/MbAXZ0ct8o8yEkCoiNzSFpOVexHaFMjqgCLcB/s640/Quentin%2BMassys%2B-%2BVirgin%2Band%2BChild%2Bwith%2BSaints%2BElizabeth%2Band%2BJohn%2Bthe%2BBaptist%252C%2B1520-25%2B%2528Sterling%2Band%2BFrancine%2BClark%2BArt%2BInstitute%2529.jpg" width="512" /></a></div>
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Quentin Massys - Virgin and Child with Saints Elizabeth and John the Baptist, 1520-25<br />
(Sterling and Francine Clark Art Institute)</div>
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<a href="https://1.bp.blogspot.com/-hTJVZhHnQ3w/WR1lrd0xHvI/AAAAAAAAlAA/hI4VPHQP5cILwSK417EJ3WwEfUYiQ1NwwCLcB/s1600/Quentin%2BMassys%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BMagi%252C%2B1526%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-hTJVZhHnQ3w/WR1lrd0xHvI/AAAAAAAAlAA/hI4VPHQP5cILwSK417EJ3WwEfUYiQ1NwwCLcB/s640/Quentin%2BMassys%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BMagi%252C%2B1526%2B%2528MET%2529.jpg" width="496" /></a></div>
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Quentin Massys - The Adoration of the Magi, 1526<br />
(MET)</div>
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<a href="https://2.bp.blogspot.com/-C-X63AO6Ay0/WR1los67TpI/AAAAAAAAk_8/voO39FFqlHUwi_asFz44pw3JAj2erncvQCLcB/s1600/Quentin%2BMassys%2B-%2BThe%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt%252C%2Babout%2B1509-13%2B%2528Worcester%2BArt%2BMuseum%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-C-X63AO6Ay0/WR1los67TpI/AAAAAAAAk_8/voO39FFqlHUwi_asFz44pw3JAj2erncvQCLcB/s640/Quentin%2BMassys%2B-%2BThe%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt%252C%2Babout%2B1509-13%2B%2528Worcester%2BArt%2BMuseum%2529.jpg" width="608" /></a></div>
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Quentin Massys - The Rest on the Flight into Egypt, about 1509-13<br />
(Worcester Art Museum)</div>
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<a href="https://4.bp.blogspot.com/-VFmKbEWc7wM/WR1mAK-VWDI/AAAAAAAAlAc/gQ-v4ItY4FMc0t9e7g2XWw18ScbE8UpmACLcB/s1600/Quentin%2BMassys%2B%2528Follower%2529%2B-%2BThe%2BVirgin%2Band%2BChild%2Bwith%2BSaints%2Band%2BAngels%2Bin%2Ba%2BGarden%252C%2Bc%2B1510%2B%2528NGL%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="494" src="https://4.bp.blogspot.com/-VFmKbEWc7wM/WR1mAK-VWDI/AAAAAAAAlAc/gQ-v4ItY4FMc0t9e7g2XWw18ScbE8UpmACLcB/s640/Quentin%2BMassys%2B%2528Follower%2529%2B-%2BThe%2BVirgin%2Band%2BChild%2Bwith%2BSaints%2Band%2BAngels%2Bin%2Ba%2BGarden%252C%2Bc%2B1510%2B%2528NGL%2529.jpg" width="640" /></a></div>
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Quentin Massys (Follower) - The Virgin and Child with Saints and Angels in a Garden, c 1510 (National Gallery London)</div>
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<a href="https://3.bp.blogspot.com/-JOMkwySi-O8/WR1mjKuUQxI/AAAAAAAAlBI/LJ3aQM9qfdE3UlY8YwdxePPdLS5BSjGbACLcB/s1600/Quentin%2BMassys%2B-%2BChrist%2Band%2Bthe%2BVirgin%252C%2B1510-20%2B%2528Diptych%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="536" src="https://3.bp.blogspot.com/-JOMkwySi-O8/WR1mjKuUQxI/AAAAAAAAlBI/LJ3aQM9qfdE3UlY8YwdxePPdLS5BSjGbACLcB/s640/Quentin%2BMassys%2B-%2BChrist%2Band%2Bthe%2BVirgin%252C%2B1510-20%2B%2528Diptych%2529.jpg" width="640" /></a></div>
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Quentin Massys - Christ and the Virgin, 1510-20 (Diptych)<br />
(National Gallery London)</div>
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<a href="https://1.bp.blogspot.com/-UejC_waD1l0/WR1l86knVRI/AAAAAAAAlAQ/N6uI-ZXBGA0Xn5MzE7yiIhc0jsE3yAV0QCLcB/s1600/Quentin%2BMassys%2B-%2BThe%2BVirgin%252C%2B1510-20%2B%2528NGL%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-UejC_waD1l0/WR1l86knVRI/AAAAAAAAlAQ/N6uI-ZXBGA0Xn5MzE7yiIhc0jsE3yAV0QCLcB/s640/Quentin%2BMassys%2B-%2BThe%2BVirgin%252C%2B1510-20%2B%2528NGL%2529.jpg" width="372" /></a></div>
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Quentin Massys - The Virgin, 1510-20<br />
(National Gallery London)</div>
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<a href="https://3.bp.blogspot.com/-xk-3zV03vcw/WR1meAoT-4I/AAAAAAAAlA8/Fmn5NAS7v0oquNaNyQtiR1d06iXD7utTwCLcB/s1600/Quentin%2BMassys%2B-%2BChrist%2Bon%2Bthe%2BCross%2BBetween%2Bthe%2BVirgin%252C%2BSaint%2BJohn%2Band%2BTwo%2BDonors%252C%2B1490-95%2B%2528The%2BCourtauld%2BGallery%252C%2BLondon%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-xk-3zV03vcw/WR1meAoT-4I/AAAAAAAAlA8/Fmn5NAS7v0oquNaNyQtiR1d06iXD7utTwCLcB/s640/Quentin%2BMassys%2B-%2BChrist%2Bon%2Bthe%2BCross%2BBetween%2Bthe%2BVirgin%252C%2BSaint%2BJohn%2Band%2BTwo%2BDonors%252C%2B1490-95%2B%2528The%2BCourtauld%2BGallery%252C%2BLondon%2529.jpg" width="434" /></a></div>
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Quentin Massys - Christ on the Cross Between the Virgin, Saint John and Two Donors, 1490-95<br />
(The Courtauld Gallery, London)</div>
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<a href="https://1.bp.blogspot.com/-ShPjtIUwnJA/WR1md_siG8I/AAAAAAAAlA4/vCr81ZvDV3co4V7OP54z-V-NpNivTRBOwCLcB/s1600/Quentin%2BMassys%2B-%2BChrist%2Bon%2Bthe%2BCross%2Bwith%2BDonors%252C%2B1520%2B%2528Museum%2BMayer%2Bvan%2Bden%2BBergh%2B-%2BAntwerp%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="514" src="https://1.bp.blogspot.com/-ShPjtIUwnJA/WR1md_siG8I/AAAAAAAAlA4/vCr81ZvDV3co4V7OP54z-V-NpNivTRBOwCLcB/s640/Quentin%2BMassys%2B-%2BChrist%2Bon%2Bthe%2BCross%2Bwith%2BDonors%252C%2B1520%2B%2528Museum%2BMayer%2Bvan%2Bden%2BBergh%2B-%2BAntwerp%2529.jpg" width="640" /></a></div>
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Quentin Massys - Christ on the Cross with Donors, 1520<br />
(Museum Mayer van den Bergh - Antwerp)</div>
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<a href="https://1.bp.blogspot.com/-y2w21XUZ4qU/WR1me6oJvfI/AAAAAAAAlBA/fLGVsyJ66bwTu3dmi7QeR2FZfHhBhK18wCLcB/s1600/Quentin%2BMassys%2B-%2BChrist%2Bon%2Bthe%2BCross%2Bwith%2BDonors%252C%2Bc%2B1520%2B%2528central%2Bpanel%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-y2w21XUZ4qU/WR1me6oJvfI/AAAAAAAAlBA/fLGVsyJ66bwTu3dmi7QeR2FZfHhBhK18wCLcB/s640/Quentin%2BMassys%2B-%2BChrist%2Bon%2Bthe%2BCross%2Bwith%2BDonors%252C%2Bc%2B1520%2B%2528central%2Bpanel%2529.jpg" width="456" /></a></div>
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Quentin Massys - Christ on the Cross with Donors, c 1520 (central panel)</div>
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<a href="https://1.bp.blogspot.com/-6jPITdwBC2E/WR1mimpTEPI/AAAAAAAAlBE/aVd46s9Ra-gfClcdTkCnZjCFcPkVJ_R7gCLcB/s1600/Quentin%2BMassys%2B-%2BChrist%252C%2B1510-20%2B%2528NGL%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-6jPITdwBC2E/WR1mimpTEPI/AAAAAAAAlBE/aVd46s9Ra-gfClcdTkCnZjCFcPkVJ_R7gCLcB/s640/Quentin%2BMassys%2B-%2BChrist%252C%2B1510-20%2B%2528NGL%2529.jpg" width="374" /></a></div>
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Quentin Massys - Christ, 1510-20<br />
(National Gallery London)</div>
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<a href="https://4.bp.blogspot.com/-w4jOHKOh4VA/WR1mn4nd4SI/AAAAAAAAlBQ/9PQuIaFPW20Uo9HgGYKUIWnoQZbJrqaTgCLcB/s1600/Quentin%2BMassys%2B-%2BCristo%2Bpresentado%2Bal%2Bpueblo%252C%2B1518-20%2B%2B%2528Museo%2Bdel%2BPrado%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-w4jOHKOh4VA/WR1mn4nd4SI/AAAAAAAAlBQ/9PQuIaFPW20Uo9HgGYKUIWnoQZbJrqaTgCLcB/s640/Quentin%2BMassys%2B-%2BCristo%2Bpresentado%2Bal%2Bpueblo%252C%2B1518-20%2B%2B%2528Museo%2Bdel%2BPrado%2529.jpg" width="478" /></a></div>
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Quentin Massys - Cristo presentado al pueblo, 1518-20<br />
(Museo del Prado)</div>
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<a href="https://1.bp.blogspot.com/-D3XtzVPlfvg/WR1nBTX2DVI/AAAAAAAAlBY/xtzfoaXOz-Iz79DrRbvbqPHE7X3VhfNGwCLcB/s1600/Quentin%2BMassys%2B-%2BEcce%2BHomo%252C%2B1526%2B%2528Palazzo%2BDucale%2Bdi%2BVenezia%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-D3XtzVPlfvg/WR1nBTX2DVI/AAAAAAAAlBY/xtzfoaXOz-Iz79DrRbvbqPHE7X3VhfNGwCLcB/s640/Quentin%2BMassys%2B-%2BEcce%2BHomo%252C%2B1526%2B%2528Palazzo%2BDucale%2Bdi%2BVenezia%2529.jpg" width="500" /></a></div>
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Quentin Massys - Ecce Homo, 1526<br />
(Palazzo Ducale di Venezia)</div>
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<a href="https://2.bp.blogspot.com/-kO6BesHCU7s/WR1nB-Rg2NI/AAAAAAAAlBc/KKQQTidEe5I3RyAWvpmEe8KDBTs7HblYgCLcB/s1600/Quentin%2BMassys%2B-%2BEcce%2BHomo%252C%2B1526%2B%2528Palazzo%2BDucale%2Bdi%2BVenezia%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-kO6BesHCU7s/WR1nB-Rg2NI/AAAAAAAAlBc/KKQQTidEe5I3RyAWvpmEe8KDBTs7HblYgCLcB/s640/Quentin%2BMassys%2B-%2BEcce%2BHomo%252C%2B1526%2B%2528Palazzo%2BDucale%2Bdi%2BVenezia%2529_.jpg" width="500" /></a></div>
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Quentin Massys - Ecce Homo, 1526<br />
(Palazzo Ducale di Venezia)</div>
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<a href="https://1.bp.blogspot.com/-P5cmhCb0WQw/WR1nG5xVtEI/AAAAAAAAlBw/2zBmQLi9e4oFfe9PAcoxMD7WNLIRWgRLQCLcB/s1600/Quentin%2BMassys%2B-%2BThe%2BCrucifixion%252C%2Bc%2B1515%2B%2528NGL%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-P5cmhCb0WQw/WR1nG5xVtEI/AAAAAAAAlBw/2zBmQLi9e4oFfe9PAcoxMD7WNLIRWgRLQCLcB/s640/Quentin%2BMassys%2B-%2BThe%2BCrucifixion%252C%2Bc%2B1515%2B%2528NGL%2529.jpg" width="412" /></a></div>
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Quentin Massys - The Crucifixion, c 1515<br />
(National Gallery London)</div>
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<a href="https://1.bp.blogspot.com/-PR_-mi8-V1k/WR1nJdfEYQI/AAAAAAAAlB4/OOz7_jl0C5Q7qfiF552-jQneWA65cFdFwCLcB/s1600/Quentin%2BMassys%2B-%2BThe%2BCrucifixion%252C%2Bc%2B1520%2B%2528Museum%2BNational%2Bof%2BCanada%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-PR_-mi8-V1k/WR1nJdfEYQI/AAAAAAAAlB4/OOz7_jl0C5Q7qfiF552-jQneWA65cFdFwCLcB/s640/Quentin%2BMassys%2B-%2BThe%2BCrucifixion%252C%2Bc%2B1520%2B%2528Museum%2BNational%2Bof%2BCanada%2529.jpg" width="412" /></a></div>
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Quentin Massys - The Crucifixion, c 1515<br />
(National Gallery London)</div>
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<a href="https://2.bp.blogspot.com/-i8rE_-ZtVQI/WR1nBYJRebI/AAAAAAAAlBU/eHU2vieOVV4qE0Hv_y9pru0vwgx1fAfAQCLcB/s1600/Quentin%2BMassys%2B%2528Follower%2529%2B-%2BCarpenter%2527s%2BGuild%2BAltarpiece%2B%2528central%2Bpanel_Lamentation%2529%252C%2B1508-10%2B%2528Onze-Lieve-Vrouwekathedraal%2B%2B%2528Belgium%2B-%2BAntwerp%2529%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="624" src="https://2.bp.blogspot.com/-i8rE_-ZtVQI/WR1nBYJRebI/AAAAAAAAlBU/eHU2vieOVV4qE0Hv_y9pru0vwgx1fAfAQCLcB/s640/Quentin%2BMassys%2B%2528Follower%2529%2B-%2BCarpenter%2527s%2BGuild%2BAltarpiece%2B%2528central%2Bpanel_Lamentation%2529%252C%2B1508-10%2B%2528Onze-Lieve-Vrouwekathedraal%2B%2B%2528Belgium%2B-%2BAntwerp%2529%2529.jpg" width="640" /></a></div>
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Quentin Massys - Entombment, 1525<br />
(Museum Leuven, Belgium)</div>
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<a href="https://1.bp.blogspot.com/-Hd5kXW9aG44/WR1nC6XnZhI/AAAAAAAAlBg/XPCv82UoYf4ydWkDcPm1HfYWqOScMuVSwCLcB/s1600/Quentin%2BMassys%2B-%2BEntombment%252C%2B1525%2B%2528M%2B-%2BMuseum%2BLeuven%252C%2BBelgium%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="440" src="https://1.bp.blogspot.com/-Hd5kXW9aG44/WR1nC6XnZhI/AAAAAAAAlBg/XPCv82UoYf4ydWkDcPm1HfYWqOScMuVSwCLcB/s640/Quentin%2BMassys%2B-%2BEntombment%252C%2B1525%2B%2528M%2B-%2BMuseum%2BLeuven%252C%2BBelgium%2529.jpg" width="640" /></a></div>
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Quentin Massys - Entombment, 1525<br />
(Museum Leuven, Belgium)</div>
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<a href="https://1.bp.blogspot.com/-9KfQTK2dYII/WR1nD5kvUzI/AAAAAAAAlBk/QMIwMssh3hYDGZlCQPcNobi0tYDtV4J6QCLcB/s1600/Quentin%2BMassys%2B-%2BPiet%25C3%25A0%252C%2B1515%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="458" src="https://1.bp.blogspot.com/-9KfQTK2dYII/WR1nD5kvUzI/AAAAAAAAlBk/QMIwMssh3hYDGZlCQPcNobi0tYDtV4J6QCLcB/s640/Quentin%2BMassys%2B-%2BPiet%25C3%25A0%252C%2B1515%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529.jpg" width="640" /></a></div>
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Quentin Massys - Pietà, 1515<br />
(Musée du Louvre)</div>
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<a href="https://3.bp.blogspot.com/-mlraQajgEr8/WR1nER9KbUI/AAAAAAAAlBo/Co7cEg63tQcR3pklxqv7o0RrVmcS6cWbgCLcB/s1600/Quentin%2BMassys%2B-%2BSt%2BJohn%2BAltarpiece%252C%2B1507-08%2B%2528Koninklijk%2BMuseum%2Bvoor%2BSchone%2BKunsten%2B-%2BAntwerp%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="314" src="https://3.bp.blogspot.com/-mlraQajgEr8/WR1nER9KbUI/AAAAAAAAlBo/Co7cEg63tQcR3pklxqv7o0RrVmcS6cWbgCLcB/s640/Quentin%2BMassys%2B-%2BSt%2BJohn%2BAltarpiece%252C%2B1507-08%2B%2528Koninklijk%2BMuseum%2Bvoor%2BSchone%2BKunsten%2B-%2BAntwerp%2529.jpg" width="640" /></a></div>
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Quentin Massys - St John Altarpiece, 1507-08<br />
(Koninklijk Museum voor Schone Kunsten - Antwerp)</div>
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<a href="https://4.bp.blogspot.com/-G6kZ08LLUkE/WR1nJT-Wc_I/AAAAAAAAlB0/qxT0sISPviI9PK3I_wV3Y7IwUiy1EB4oQCLcB/s1600/Quentin%2BMassys%2B-%2BThe%2BLamentation%252C.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="488" src="https://4.bp.blogspot.com/-G6kZ08LLUkE/WR1nJT-Wc_I/AAAAAAAAlB0/qxT0sISPviI9PK3I_wV3Y7IwUiy1EB4oQCLcB/s640/Quentin%2BMassys%2B-%2BThe%2BLamentation%252C.jpg" width="640" /></a></div>
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Quentin Massys - St John Altarpiece, 1507-08<br />
(Koninklijk Museum voor Schone Kunsten - Antwerp)</div>
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<a href="https://4.bp.blogspot.com/-7L2InkP9pFE/WR1nF60KW3I/AAAAAAAAlBs/UvvH9PwjTXYoDOVeNy9ZZ0jsDWK814GCACLcB/s1600/Quentin%2BMassys%2B-%2BThe%2BLamentation%252C%2B1510%2B%2528Museum%2BNational%2Bof%2BCanada%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="336" src="https://4.bp.blogspot.com/-7L2InkP9pFE/WR1nF60KW3I/AAAAAAAAlBs/UvvH9PwjTXYoDOVeNy9ZZ0jsDWK814GCACLcB/s640/Quentin%2BMassys%2B-%2BThe%2BLamentation%252C%2B1510%2B%2528Museum%2BNational%2Bof%2BCanada%2529.jpg" width="640" /></a></div>
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Quentin Massys - The Lamentation, 1510<br />
(Museum National of Canada)</div>
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.<a href="https://4.bp.blogspot.com/-Hgg-7giRXuI/WR1ml57dGWI/AAAAAAAAlBM/Z_bX_zUFu1gIVKKeA1U-OaNVHAUmAG9SQCLcB/s1600/Quentin%2BMassys%2B-%2BCristo%2BSalvador%252C%2B1529%2B%2528Museo%2Bdel%2BPrado%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-Hgg-7giRXuI/WR1ml57dGWI/AAAAAAAAlBM/Z_bX_zUFu1gIVKKeA1U-OaNVHAUmAG9SQCLcB/s640/Quentin%2BMassys%2B-%2BCristo%2BSalvador%252C%2B1529%2B%2528Museo%2Bdel%2BPrado%2529.jpg" width="506" /></a></div>
<div style="text-align: center;">
Quentin Massys - Cristo Salvador, 1529<br />
(Museo del Prado)</div>
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<a href="https://3.bp.blogspot.com/-Num1S-t2eiU/WR1nkr0S8UI/AAAAAAAAlCI/_-fq39NPyBIt3dlOlviO_libMACFNahQgCLcB/s1600/Quentin%2BMassys%2B-%2BMary%2BMagdalene%2B%2528Detroit%2BInstitute%2Bof%2BArt%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-Num1S-t2eiU/WR1nkr0S8UI/AAAAAAAAlCI/_-fq39NPyBIt3dlOlviO_libMACFNahQgCLcB/s640/Quentin%2BMassys%2B-%2BMary%2BMagdalene%2B%2528Detroit%2BInstitute%2Bof%2BArt%2529.jpg" width="454" /></a></div>
<div style="text-align: center;">
Quentin Massys - Mary Magdalene<br />
(Detroit Institute of Art)</div>
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.</div>
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<a href="https://3.bp.blogspot.com/-A4IDif-TxV0/WR1njC6VfFI/AAAAAAAAlCA/Chb_Lj9qExcLeAclD_iTJfzNCWq-v5i0ACLcB/s1600/Quentin%2BMassys%2B-%2BMary%2BMagdalene%252C%2B1515%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-A4IDif-TxV0/WR1njC6VfFI/AAAAAAAAlCA/Chb_Lj9qExcLeAclD_iTJfzNCWq-v5i0ACLcB/s640/Quentin%2BMassys%2B-%2BMary%2BMagdalene%252C%2B1515%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529.jpg" width="544" /></a></div>
<div style="text-align: center;">
Quentin Massys - Mary Magdalene, 1515<br />
(Musée du Louvre)</div>
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<a href="https://4.bp.blogspot.com/-UN9bHqOxqVw/WR1noZ2ZqXI/AAAAAAAAlCU/kgUktowCQxYDQV6D-QwIcN18_Aq-MGl1QCLcB/s1600/Quentin%2BMassys%2B-%2BSaint%2BMary%2BMagdalene%252C%2Bc%2B1520%2B%2528Koninklijk%2BMuseum%2Bvoor%2BSchone%2BKunsten%2B-%2BAntwerp%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-UN9bHqOxqVw/WR1noZ2ZqXI/AAAAAAAAlCU/kgUktowCQxYDQV6D-QwIcN18_Aq-MGl1QCLcB/s640/Quentin%2BMassys%2B-%2BSaint%2BMary%2BMagdalene%252C%2Bc%2B1520%2B%2528Koninklijk%2BMuseum%2Bvoor%2BSchone%2BKunsten%2B-%2BAntwerp%2529.jpg" width="454" /></a></div>
<div style="text-align: center;">
Quentin Massys - Saint Mary Magdalene, c 1520<br />
(Koninklijk Museum voor Schone Kunsten - Antwerp)</div>
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<a href="https://1.bp.blogspot.com/-qLlVxSiHLI0/WR1nm7fMunI/AAAAAAAAlCQ/wPYpB_GZVGc2PJzA9lWPaQ59sLXDjnIkwCLcB/s1600/Quentin%2BMassys%2B-%2BSaint%2BMary%2BMagdalene%252C%2B1466%2B%2B%2528Philadelphia%2BMuseum%2Bof%2BArt%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-qLlVxSiHLI0/WR1nm7fMunI/AAAAAAAAlCQ/wPYpB_GZVGc2PJzA9lWPaQ59sLXDjnIkwCLcB/s640/Quentin%2BMassys%2B-%2BSaint%2BMary%2BMagdalene%252C%2B1466%2B%2B%2528Philadelphia%2BMuseum%2Bof%2BArt%2529.jpg" width="426" /></a></div>
<div style="text-align: center;">
Quentin Massys - Saint Mary Magdalene, 1466<br />
(Philadelphia Museum of Art)</div>
<div style="text-align: center;">
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<a href="https://2.bp.blogspot.com/-35RunuTM7bs/WR1nirQRb-I/AAAAAAAAlB8/1OUtWdnSYtAvKvkgYfyAO4VM6zUKi_MMQCLcB/s1600/Quentin%2BMassys%2B-%2BSaint%2BCatherine%2B%2528Kunsthistorisxches%2BMuseum%252C%2BViena%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-35RunuTM7bs/WR1nirQRb-I/AAAAAAAAlB8/1OUtWdnSYtAvKvkgYfyAO4VM6zUKi_MMQCLcB/s640/Quentin%2BMassys%2B-%2BSaint%2BCatherine%2B%2528Kunsthistorisxches%2BMuseum%252C%2BViena%2529.jpg" width="492" /></a></div>
<div style="text-align: center;">
Quentin Massys - Saint Catherine<br />
(Kunsthistorisxches Museum, Viena)</div>
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<a href="https://4.bp.blogspot.com/-GzMFE4xmSb0/WR1npSOqaOI/AAAAAAAAlCY/vQBD-FBWmmIybjOrbHiw619hNB80gQJ6gCLcB/s1600/Quentin%2BMassys%2B-%2BSaint%2BChristopher%2B%2528Koninklijk%2BMuseum%2Bvoor%2BSchone%2BKunsten%2B-%2BAntwerp%2529_in%2Bframe.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-GzMFE4xmSb0/WR1npSOqaOI/AAAAAAAAlCY/vQBD-FBWmmIybjOrbHiw619hNB80gQJ6gCLcB/s640/Quentin%2BMassys%2B-%2BSaint%2BChristopher%2B%2528Koninklijk%2BMuseum%2Bvoor%2BSchone%2BKunsten%2B-%2BAntwerp%2529_in%2Bframe.jpg" width="420" /></a></div>
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Quentin Massys - Saint Christopher<br />
(Koninklijk Museum voor Schone Kunsten - Antwerp)</div>
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<a href="https://1.bp.blogspot.com/-266KDWjq0FQ/WR1nkUABlnI/AAAAAAAAlCE/mi2pGKJPovQMvxHbryJaf_pk-0aJydvTQCLcB/s1600/Quentin%2BMassys%2B-%2BSaint%2BChristopher%2B%2528Koninklijk%2BMuseum%2Bvoor%2BSchone%2BKunsten%2B-%2BAntwerp%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-266KDWjq0FQ/WR1nkUABlnI/AAAAAAAAlCE/mi2pGKJPovQMvxHbryJaf_pk-0aJydvTQCLcB/s640/Quentin%2BMassys%2B-%2BSaint%2BChristopher%2B%2528Koninklijk%2BMuseum%2Bvoor%2BSchone%2BKunsten%2B-%2BAntwerp%2529.jpg" width="448" /></a></div>
<div style="text-align: center;">
Quentin Massys - Saint Christopher<br />
(Koninklijk Museum voor Schone Kunsten - Antwerp)</div>
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<a href="https://2.bp.blogspot.com/-z7g6iidzRYo/WR3Ppg3zV7I/AAAAAAAAlEM/XDV55VYXuRobeEWNnZ_UnKlnj3N5BRwcwCLcB/s1600/Quentin%2BMassys%2B-%2BLas%2Btentaciones%2Bde%2BSan%2BAntonio%2BAbad%2B%2528Museo%2Bdel%2BPrado%2529%2B%2528con%2BPatinir%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="572" src="https://2.bp.blogspot.com/-z7g6iidzRYo/WR3Ppg3zV7I/AAAAAAAAlEM/XDV55VYXuRobeEWNnZ_UnKlnj3N5BRwcwCLcB/s640/Quentin%2BMassys%2B-%2BLas%2Btentaciones%2Bde%2BSan%2BAntonio%2BAbad%2B%2528Museo%2Bdel%2BPrado%2529%2B%2528con%2BPatinir%2529.jpg" width="640" /></a></div>
Quentin Massys (con Joachim Patinir) - Las tentaciones de San Antonio Abad<br />
(Museo del Prado)<br />
.</div>
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<a href="https://4.bp.blogspot.com/-rQRwqAPZGBc/WR1nmOKzgVI/AAAAAAAAlCM/WpNdbfZxNgU5-5OIdvfsGp-qboTFQZ4NwCLcB/s1600/Quentin%2BMassys%2B-%2BSaint%2BJohn%2Bthe%2BBaptist%2Band%2BSaint%2BAgnes%252C%2B1520%2B%2528Wallraf-Richartz-Museum%2B%2526%2BFondation%2BCorboud.%2BCologne%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-rQRwqAPZGBc/WR1nmOKzgVI/AAAAAAAAlCM/WpNdbfZxNgU5-5OIdvfsGp-qboTFQZ4NwCLcB/s640/Quentin%2BMassys%2B-%2BSaint%2BJohn%2Bthe%2BBaptist%2Band%2BSaint%2BAgnes%252C%2B1520%2B%2528Wallraf-Richartz-Museum%2B%2526%2BFondation%2BCorboud.%2BCologne%2529.jpg" width="436" /></a></div>
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Quentin Massys - Saint John the Baptist and Saint Agnes, 1520<br />
(Wallraf-Richartz-Museum & Fondation Corboud. Cologne)</div>
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<a href="https://3.bp.blogspot.com/-OKsBreLIrUA/WR1oHNmtgvI/AAAAAAAAlCg/Lh3UQ2dn_3sLCo03cOIyZmlwkMbzs3c5wCLcB/s1600/Quentin%2BMassys%2B-%2BA%2BDonor%252C%2B1520%2B%2528NGL%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-OKsBreLIrUA/WR1oHNmtgvI/AAAAAAAAlCg/Lh3UQ2dn_3sLCo03cOIyZmlwkMbzs3c5wCLcB/s640/Quentin%2BMassys%2B-%2BA%2BDonor%252C%2B1520%2B%2528NGL%2529.jpg" width="300" /></a></div>
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Quentin Massys - A Donor, 1520<br />
(National Gallery London)</div>
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<a href="https://3.bp.blogspot.com/-M_JYUOsvlfo/WR1oHT5hxJI/AAAAAAAAlCk/Dxbv_kiVR18pMOWdgdJB8nzp64G5wTQqQCLcB/s1600/Quentin%2BMassys%2B-%2BCannon%2BStephen%2BGardiner%252C%2B1510%2B%2528Gartenpalais%2BLiechtenstein%2Bin%2BVienna%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-M_JYUOsvlfo/WR1oHT5hxJI/AAAAAAAAlCk/Dxbv_kiVR18pMOWdgdJB8nzp64G5wTQqQCLcB/s640/Quentin%2BMassys%2B-%2BCannon%2BStephen%2BGardiner%252C%2B1510%2B%2528Gartenpalais%2BLiechtenstein%2Bin%2BVienna%2529.jpg" width="524" /></a></div>
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Quentin Massys - Cannon Stephen Gardiner, 1510<br />
(Gartenpalais Liechtenstein in Vienna)</div>
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<a href="https://3.bp.blogspot.com/-Iy0OFruQLVM/WR1oGC-Lg0I/AAAAAAAAlCc/IeOtV3CbgFMVWFncg8D5fWPICd1ZyTo5ACLcB/s1600/Quentin%2BMassys%2B-%2BMan%2Bwith%2BGlasses%252C%2B1520-23%2B%2528St%25C3%25A4delsche%2BKunstinstitut%2Bund%2BSt%25C3%25A4dtische%2BGalerie%2B-%2BFrankfurt%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-Iy0OFruQLVM/WR1oGC-Lg0I/AAAAAAAAlCc/IeOtV3CbgFMVWFncg8D5fWPICd1ZyTo5ACLcB/s640/Quentin%2BMassys%2B-%2BMan%2Bwith%2BGlasses%252C%2B1520-23%2B%2528St%25C3%25A4delsche%2BKunstinstitut%2Bund%2BSt%25C3%25A4dtische%2BGalerie%2B-%2BFrankfurt%2529.jpg" width="506" /></a></div>
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Quentin Massys - Man with Glasses, 1520-23<br />
(Städelsche Kunstinstitut und Städtische Galerie - Frankfurt)</div>
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<div style="text-align: center;">
Quentin Massys - Portrait of a Man<br />
(MET)</div>
<div style="text-align: center;">
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<a href="https://4.bp.blogspot.com/-op0YuKpLvb4/WR1oJyYN8HI/AAAAAAAAlC0/01IPtUpYGSwr2XxbiXgz80jNSa5nhX_DQCLcB/s1600/Quentin%2BMassys%2B-%2BPortrait%2Bof%2Ba%2BMan%2B%2528Scottish%2BNational%2BGallery.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-op0YuKpLvb4/WR1oJyYN8HI/AAAAAAAAlC0/01IPtUpYGSwr2XxbiXgz80jNSa5nhX_DQCLcB/s640/Quentin%2BMassys%2B-%2BPortrait%2Bof%2Ba%2BMan%2B%2528Scottish%2BNational%2BGallery.jpg" width="518" /></a></div>
<div style="text-align: center;">
Quentin Massys - Portrait of a Man<br />
(Scottish National Gallery)</div>
<div style="text-align: center;">
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<a href="https://1.bp.blogspot.com/-WXq_Q5-70g4/WR1oKPqzhdI/AAAAAAAAlC4/B2gM_MPyXOwLVQVA1QOcHAps5yIcLM6rgCLcB/s1600/Quentin%2BMassys%2B-%2BPortrait%2Bof%2Ba%2BMan%2Bwith%2Ba%2BPink%252C%2B1500-10%2B%2528Chicago%2BInstitute%2Bof%2BArt%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-WXq_Q5-70g4/WR1oKPqzhdI/AAAAAAAAlC4/B2gM_MPyXOwLVQVA1QOcHAps5yIcLM6rgCLcB/s640/Quentin%2BMassys%2B-%2BPortrait%2Bof%2Ba%2BMan%2Bwith%2Ba%2BPink%252C%2B1500-10%2B%2528Chicago%2BInstitute%2Bof%2BArt%2529.jpg" width="418" /></a></div>
<div style="text-align: center;">
Quentin Massys - Portrait of a Man with a Pink, 1500-10<br />
(Chicago Institute of Art)</div>
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<a href="https://3.bp.blogspot.com/-rVxV2296lgU/WR1oPdoiPqI/AAAAAAAAlDI/XktCK9lkhyM5PHkXjr3gwbkb9l_XIsiXwCLcB/s1600/Quentin%2BMassys%2B-%2BPortrait%2Bof%2Ba%2BWoman%252C%2Bc%2B1520%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-rVxV2296lgU/WR1oPdoiPqI/AAAAAAAAlDI/XktCK9lkhyM5PHkXjr3gwbkb9l_XIsiXwCLcB/s640/Quentin%2BMassys%2B-%2BPortrait%2Bof%2Ba%2BWoman%252C%2Bc%2B1520%2B%2528MET%2529.jpg" width="548" /></a></div>
<div style="text-align: center;">
Quentin Massys - Portrait of a Woman, c 1520<br />
(MET)</div>
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Quentin Massys - Portraits of Erasmus and Peter Gillis, diptych, 1517<br />
(Galleria Nazionale d'Arte Antica)<br />
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<a href="https://4.bp.blogspot.com/-nfd-Kop1L8U/WR1oIDL3uDI/AAAAAAAAlCs/u6HBvNppqQQgJJz3j3n0x-r4JYHAmvU-gCLcB/s1600/Quentin%2BMassys%2B-%2BPortrait%2Bof%2BErasmus%2B%2528half%2Bof%2Ba%2Bdiptych%2529%252C%2B1517%2B%2528Galleria%2BNazionale%2Bd%2527Arte%2BAntica%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-nfd-Kop1L8U/WR1oIDL3uDI/AAAAAAAAlCs/u6HBvNppqQQgJJz3j3n0x-r4JYHAmvU-gCLcB/s640/Quentin%2BMassys%2B-%2BPortrait%2Bof%2BErasmus%2B%2528half%2Bof%2Ba%2Bdiptych%2529%252C%2B1517%2B%2528Galleria%2BNazionale%2Bd%2527Arte%2BAntica%2529.jpg" width="490" /></a></div>
<div style="text-align: center;">
Quentin Massys - Portrait of Erasmus (half of a diptych), 1517<br />
(Galleria Nazionale d'Arte Antica)</div>
<div style="text-align: center;">
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<div style="text-align: center;">
Quentin Massys - Portrait of Pieter Gillis (half of diptych), 1517<br />
(Galleria Nazionale d'Arte Antica)</div>
<div style="text-align: center;">
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<div style="text-align: center;">
Quentin Massys - Profile Portrait of an Old Man<br />
(Musée Jacquemart-André, Paris)</div>
<div style="text-align: center;">
.</div>
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<a href="https://4.bp.blogspot.com/-YNVtn7vpy28/WR1oMjYdGUI/AAAAAAAAlDE/QnrU_9ROegkB2l0I3qmYgNiiuo81MWa5wCLcB/s1600/Quentin%2BMassys%2B-%2BProfile%2BPortrait%2Bof%2Ban%2BOld%2BMan%2B%2528Mus%25C3%25A9e%2BJacquemart-Andr%25C3%25A9%252C%2BParis%2529_2%2Bv.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-YNVtn7vpy28/WR1oMjYdGUI/AAAAAAAAlDE/QnrU_9ROegkB2l0I3qmYgNiiuo81MWa5wCLcB/s640/Quentin%2BMassys%2B-%2BProfile%2BPortrait%2Bof%2Ban%2BOld%2BMan%2B%2528Mus%25C3%25A9e%2BJacquemart-Andr%25C3%25A9%252C%2BParis%2529_2%2Bv.jpg" width="502" /></a></div>
<div style="text-align: center;">
Quentin Massys - Profile Portrait of an Old Man<br />
(Musée Jacquemart-André, Paris)</div>
<div style="text-align: center;">
.</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-sHVy9v_pCa8/WR1oQ7SEzMI/AAAAAAAAlDM/9DKkZh4ScOoZGqpOb9ZZvLhtR__ngqreACLcB/s1600/Quentin%2BMassys%2B-%2BVieja%2Bmes%25C3%25A1ndose%2Blos%2Bcabellos%252C%2Bdespu%25C3%25A9s%2Bde%2B1533%2B%2528Museo%2Bdel%2BPrado%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-sHVy9v_pCa8/WR1oQ7SEzMI/AAAAAAAAlDM/9DKkZh4ScOoZGqpOb9ZZvLhtR__ngqreACLcB/s640/Quentin%2BMassys%2B-%2BVieja%2Bmes%25C3%25A1ndose%2Blos%2Bcabellos%252C%2Bdespu%25C3%25A9s%2Bde%2B1533%2B%2528Museo%2Bdel%2BPrado%2529.jpg" width="462" /></a></div>
<div style="text-align: center;">
Quentin Massys - Vieja mesándose los cabellos, después de 1533<br />
(Museo del Prado)</div>
<div style="text-align: center;">
.</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-C6HhueRGpS8/WR1oXPgFRpI/AAAAAAAAlDU/oykGshSUbZU_DK5yE_eyWc8d3BQGl_O1wCLcB/s1600/Quentin%2BMassys%2B-%2BAn%2BOld%2BWoman%2B%2528%2527The%2BUgly%2BDuchess%2527%2529%252C%2Babout%2B1513%2B%2528NGL%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-C6HhueRGpS8/WR1oXPgFRpI/AAAAAAAAlDU/oykGshSUbZU_DK5yE_eyWc8d3BQGl_O1wCLcB/s640/Quentin%2BMassys%2B-%2BAn%2BOld%2BWoman%2B%2528%2527The%2BUgly%2BDuchess%2527%2529%252C%2Babout%2B1513%2B%2528NGL%2529.jpg" width="486" /></a></div>
<div style="text-align: center;">
Quentin Massys - An Old Woman ('The Ugly Duchess'), about 1513<br />
(National Gallery London)</div>
<div style="text-align: center;">
.</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-1nts091eDYE/WR1oVTyEE1I/AAAAAAAAlDQ/L6hP6tR2pkov65VWklHVmI3uKDYeaJT0wCLcB/s1600/Quentin%2BMassys%2B-%2BIll-Matched%2BLovers%252C%2B1520-25%2B%2528National%2BGallery%2Bof%2BArt%2B-%2BWashington%2BDC%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="434" src="https://1.bp.blogspot.com/-1nts091eDYE/WR1oVTyEE1I/AAAAAAAAlDQ/L6hP6tR2pkov65VWklHVmI3uKDYeaJT0wCLcB/s640/Quentin%2BMassys%2B-%2BIll-Matched%2BLovers%252C%2B1520-25%2B%2528National%2BGallery%2Bof%2BArt%2B-%2BWashington%2BDC%2529.jpg" width="640" /></a></div>
<div style="text-align: center;">
Quentin Massys - Ill-Matched Lovers, 1520-25<br />
(National Gallery of Art - Washington DC)</div>
<div style="text-align: center;">
.</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-qCu-LZOu3Mk/WR1oakP6rYI/AAAAAAAAlDc/kCyOTJapnB0JNnulw-oB0lgaRa-2MyuLwCLcB/s1600/Quentin%2BMassys%2B-%2BIll-Matched%2BLovers%252C%2B1520-25%2B%2528National%2BGallery%2Bof%2BArt%2B-%2BWashington%2BDC%2529_.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="446" src="https://2.bp.blogspot.com/-qCu-LZOu3Mk/WR1oakP6rYI/AAAAAAAAlDc/kCyOTJapnB0JNnulw-oB0lgaRa-2MyuLwCLcB/s640/Quentin%2BMassys%2B-%2BIll-Matched%2BLovers%252C%2B1520-25%2B%2528National%2BGallery%2Bof%2BArt%2B-%2BWashington%2BDC%2529_.JPG" width="640" /></a></div>
<div style="text-align: center;">
Quentin Massys - Ill-Matched Lovers, 1520-25<br />
(National Gallery of Art - Washington DC)</div>
<div style="text-align: center;">
.</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-3hczSZVSVEQ/WR1ocQT6Z6I/AAAAAAAAlDg/5_lNh6WNkhYloKi31fNGRmx8kWE5MaM8wCLcB/s1600/Quentin%2BMassys%2B-%2BThe%2BMoneylender%2Band%2Bhis%2BWife%252C%2B1514%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529_c%2Bm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-3hczSZVSVEQ/WR1ocQT6Z6I/AAAAAAAAlDg/5_lNh6WNkhYloKi31fNGRmx8kWE5MaM8wCLcB/s640/Quentin%2BMassys%2B-%2BThe%2BMoneylender%2Band%2Bhis%2BWife%252C%2B1514%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529_c%2Bm.jpg" width="620" /></a></div>
<div style="text-align: center;">
Quentin Massys - The Moneylender and his Wife, 1514<br />
(Musée du Louvre)</div>
<div style="text-align: center;">
.</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-Abj6AQdBf1Q/WR1oYYg6XiI/AAAAAAAAlDY/VFb1IMs_X9UbsYArZnWGID2VlCUj6oNLwCLcB/s1600/Quentin%2BMassys%2B-%2BThe%2BMoneylender%2Band%2Bhis%2BWife%252C%2B1514%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-Abj6AQdBf1Q/WR1oYYg6XiI/AAAAAAAAlDY/VFb1IMs_X9UbsYArZnWGID2VlCUj6oNLwCLcB/s640/Quentin%2BMassys%2B-%2BThe%2BMoneylender%2Band%2Bhis%2BWife%252C%2B1514%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529.jpg" width="616" /></a></div>
<div style="text-align: center;">
Quentin Massys - The Moneylender and his Wife, 1514<br />
(Musée du Louvre)</div>
<div style="text-align: center;">
.</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-3q-IusqyMjY/WR1ocykZM9I/AAAAAAAAlDk/7ayg4GQwPzkLBc803-nztfhQpM5Mu_WzACLcB/s1600/Quentin%2BMassys%2B-%2BThe%2BMoneylender%2Band%2Bhis%2BWife%252C%2B1514%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-3q-IusqyMjY/WR1ocykZM9I/AAAAAAAAlDk/7ayg4GQwPzkLBc803-nztfhQpM5Mu_WzACLcB/s640/Quentin%2BMassys%2B-%2BThe%2BMoneylender%2Band%2Bhis%2BWife%252C%2B1514%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529_.jpg" width="616" /></a></div>
<div style="text-align: center;">
Quentin Massys - The Moneylender and his Wife, 1514<br />
(Musée du Louvre)</div>
<div style="text-align: center;">
.</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-T5M-Xai_8KI/WR1odScupeI/AAAAAAAAlDo/Fe3bUCjOgHUW66lyoJ-qR14un4Z68oFdwCLcB/s1600/Quentin%2BMassys%2B-%2BThe%2BPurchase%2BContract%2B%2528Staatliche%2BMuseen%2Bzu%2BBerlin%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="444" src="https://1.bp.blogspot.com/-T5M-Xai_8KI/WR1odScupeI/AAAAAAAAlDo/Fe3bUCjOgHUW66lyoJ-qR14un4Z68oFdwCLcB/s640/Quentin%2BMassys%2B-%2BThe%2BPurchase%2BContract%2B%2528Staatliche%2BMuseen%2Bzu%2BBerlin%2529.jpg" width="640" /></a></div>
<div style="text-align: center;">
Quentin Massys - The Purchase Contract<br />
(Staatliche Museen zu Berlin)</div>
<div style="text-align: center;">
<span style="color: white;">.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-fXHJjvoZy_Y/WRa3sIJa_BI/AAAAAAAAkso/O8j5YYkuK4UME2t5kzb7SYOResDNpBB_gCLcB/s1600/Los%2BPrimitivos%2BFlamencos_separador%2Bfinal%2B%2528V%2529.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="70" src="https://1.bp.blogspot.com/-fXHJjvoZy_Y/WRa3sIJa_BI/AAAAAAAAkso/O8j5YYkuK4UME2t5kzb7SYOResDNpBB_gCLcB/s640/Los%2BPrimitivos%2BFlamencos_separador%2Bfinal%2B%2528V%2529.png" width="640" /></a></div>
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Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-5464569323978413729.post-44489761186902372322017-05-27T10:00:00.000+02:002017-05-27T10:00:07.478+02:00Los Primitivos Flamencos (IV). Siglo XVI (I): Gérard David<br />
<div style="text-align: center;">
<a href="https://3.bp.blogspot.com/-frFF1TfdU4E/WRlqEL-TS9I/AAAAAAAAkxA/CiWrHkXJq48obdlQevyS05hXW9qYwjHRACLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BRest%2Bon%2Bthe%2Bflight%2Binto%2BEgypt%252C%2Bc%2B1510.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-frFF1TfdU4E/WRlqEL-TS9I/AAAAAAAAkxA/CiWrHkXJq48obdlQevyS05hXW9qYwjHRACLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BRest%2Bon%2Bthe%2Bflight%2Binto%2BEgypt%252C%2Bc%2B1510.jpg" width="630" /></a></div>
<br />
<div style="text-align: center;">
<iframe allowfullscreen="" frameborder="0" height="197" src="https://www.youtube.com/embed/videoseries?list=PL0dYx2N3BTuSKnTyaz7jGex88G5yM4SL4" width="350"></iframe></div>
<br />
<div style="text-align: right;">
<br /></div>
<div style="text-align: right;">
Intento, nada más, sobrevivir.</div>
<div style="text-align: right;">
Es por ello que no pudiendo hacerlo sin propinarme buenas dosis de belleza</div>
<div style="text-align: right;">
me dedique a compilarla con fruición y a atiborrarme de ella con delectación.</div>
<div style="text-align: right;">
Felizmente, mi alma es capaz de digerir grandes cantidades de belleza</div>
<div style="text-align: right;">
sin sentirse nunca ahíta, nunca aquejada de plétora, siempre hambrienta.</div>
<div style="text-align: right;">
Pudiera decirse que la fragilidad y delicadeza que caracteriza mi sistema digestivo</div>
<div style="text-align: right;">
tiene su contrapunto en la fortaleza y la robustez de mi alma para digerir belleza.</div>
<div style="text-align: right;">
Dicho esto, este blog queda suficientemente justificado y esclarecido...</div>
<div style="text-align: right;">
Y yo, cada vez más desvelado.</div>
<div style="text-align: right;">
<br /></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-jSjqOLMG2ns/WRa1JU6PjhI/AAAAAAAAksI/s0jAIFBSJtAm7qt4UO-i_fZZM-fUAMv2ACLcB/s1600/Los%2BPrimitivos%2BFlamencos_cronolog%25C3%25ADa%2BG%25C3%25A9rard%2BDavid.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="64" src="https://4.bp.blogspot.com/-jSjqOLMG2ns/WRa1JU6PjhI/AAAAAAAAksI/s0jAIFBSJtAm7qt4UO-i_fZZM-fUAMv2ACLcB/s640/Los%2BPrimitivos%2BFlamencos_cronolog%25C3%25ADa%2BG%25C3%25A9rard%2BDavid.jpg" width="640" /></a></div>
<center>
<table border="0" cellpadding="4" cellspacing="0" style="width: 643px;">
<colgroup><col width="40"></col>
<col width="586"></col>
</colgroup><tbody>
<tr>
<td colspan="2" valign="TOP" width="635"><div align="LEFT">
<span style="font-family: inherit;"><span style="font-size: small;"><em><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="color: white;">.....</span><span style="color: #1d1d1d;">Gerard
David nació probablemente en Oudewater. </span></span></em><em><span style="color: #1d1d1d;">Después
de su formación en Haarlem se estableció en 1484 como maestro
en Brujas. David es el artista que culminó el siglo XV, el siglo
de Jan van Eyck, tanto técnicamente como en relación al
contenido, y al mismo tiempo radicado en el siglo XVI. Imbuido de
místicismo, una disposición religiosa para lo secreto lo
oculto, y una atención especial al paisaje, lo que compartía
con Geertgen tot Sint Jans. Además de esto, Gerard David está
influido indiscutiblemente tanto por el Renacimiento italiano
como por maestros flamencos como Memling y Van Eyck. Gerard
David jugó un papel importante en la evolución del paisajismo
en la pintura que se desarrollaría a principios del siglo XVI hasta llegar a ser un género autónomo bajo la influencia de
Joachim Patinir.</span></em>
</span>
</span></div>
</td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1455" width="40"><div align="CENTER">
<span style="font-family: inherit;">1455</span></div>
</td>
<td width="586"><span style="font-family: inherit;"><span style="color: #1d1d1d;">Gerard
David nace, probablemente, hacia 1455 en Oudewater, en las
proximidades de Gouda. Su lugar de nacimiento es conocido porque
se menciona en su lápida en la Iglesia de Nuestra Señora, en
Brujas. Su tumba desapareció a principios del siglo XIX, debido
a trabajos de restauración.</span>
</span></td>
</tr>
<tr valign="TOP">
<td width="40"><div align="CENTER">
<span style="font-family: inherit;">Antes</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1480</span></div>
</td>
<td width="586"><span style="font-family: inherit;"><span style="font-size: small;"><span style="color: #1d1d1d;">David
pintó </span><em><span style="color: #1d1d1d;"><i><b>La
Natividad</b></i></span></em><em><span style="color: #1d1d1d;"><span style="font-style: normal;"><b>
</b></span></span></em><span style="color: #1d1d1d;">(Metropolitan
Museum of Art, Colección Friedsam, Nueva York), probablemente
antes de instalarse en Brujas. La composición, lo cotidiano y
los personajes sencillos muestran influencias de Geertgen tot
Sint Jans y Dieric Bouts.</span>
</span>
</span></td>
</tr>
<tr valign="TOP">
<td width="40"><div align="CENTER">
<span style="font-family: inherit;">Antes</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1484</span></div>
</td>
<td width="586"><span style="font-family: inherit;"><span style="color: #1d1d1d;">El
KMSKA en Amberes está en posesión de dos paneles laterales (</span><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>La
Virgen</b></i></span></span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;"><b>,
</b></span></span></span></em><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>San
Juan,</b></i></span></span></em><em><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;"><b>
</b></span></span></span></em><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>María
Magdalena y otras dos mujeres dolientes y Pilatos discutiendo con
el Gran Sacerdote fariseo</b></i></span></span></em><span style="color: #1d1d1d;"><span style="font-size: small;">)
que constituyen un tríptico con el </span></span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>Cristo
clavado en la cruz</b></i></span></span></em><em><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;"><b>
</b></span></span></span></em><span style="color: #1d1d1d;">de
la colección de la National Gallery de Londres.</span></span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1484" width="40"><div align="CENTER">
<span style="font-family: inherit;">1484</span></div>
</td>
<td width="586"><span style="color: #1d1d1d; font-family: inherit;">Gerard
David se convierte en pintor independiente dentro del gremio de
artistas visuales y guarnicioneros en Brujas. Legalmente, Gerard
David tendría al menos 25 años de edad en ese momento. Este es
el primer dato documentado de su carrera.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1485" width="40"><div align="CENTER">
<span style="font-family: inherit;">1485</span></div>
</td>
<td width="586"><span style="font-family: inherit;"><span style="color: #1d1d1d;">David
pinta </span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">Salvator
Mundi </span></b></i></span></span></em><span style="color: #1d1d1d;">(Metropolitan
Museum of Art, Robert Lehmann Collection, Nueva York). Esta
pequeña obra muestra un Cristo muy humano. Originalmente se
trataba de una ilustración de un libro de horas. El tema se
utiliza a menudo en los libros de horas de Brujas la finales del
s XV y principios de XVI.</span></span></td>
</tr>
<tr valign="TOP">
<td width="40"><div align="CENTER">
<span style="font-family: inherit;">1485</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1490</span></div>
</td>
<td width="586"><span style="font-family: inherit;"><span style="color: #1d1d1d;">David
pinta </span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>San
Juan Bautista y</b></i></span></span></em><span style="color: #1d1d1d;"><span style="font-size: small;"><i>
</i></span></span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>San
Francisco recibiendo los estigmas </b></i></span></span></em><span style="color: #1d1d1d;"><span style="font-size: small;">(Metropolitan
Museum of Art, Colección Friedsam, Nueva York). Son los paneles
laterales de un tríptico cuyo panel central (desconocido)
probablemente representara una crucifixión o lamentación. La
combinación de ambos santos es inusual en los Países Bajos.
Ambos tempranos paneles muestran claramente la influencia del
</span></span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;">Retablo
de Gante, de los hermanos</span></span></span></em><span style="color: #1d1d1d;"><span style="font-size: small;">
Van Eyck.</span></span></span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1488" width="40"><div align="CENTER">
<span style="font-family: inherit;">1488</span></div>
</td>
<td width="586"><span style="font-family: inherit; font-size: small;"><span style="color: #1d1d1d;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">David
es elegido en febrero segundo fundador del gremio (miembro y
asistente del decano de gobierno). </span></span><span style="color: #1d1d1d;">Es
su primera función oficial.</span></span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1494" width="40"><div align="CENTER">
<span style="font-family: inherit;">1494</span></div>
</td>
<td width="586"><span style="font-family: inherit; font-size: small;"><span style="color: #1d1d1d;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">Después
de la muerte de Hans Memling, David reside en una casa del barrio
de los artistas cerca del Vlamingbrug, donde Memling, entre
otros, había vivido. </span></span><span style="color: #1d1d1d;">La
casa se mantuvo en su poder hasta su muerte en 1523. Él pagó el
</span><span style="color: #1d1d1d;"><i>la
renta del burgés</i></span><span style="color: #1d1d1d;">
(un suplemento al precio de venta) al hospital de Nuestra Señora
de la Potterie. Entre 1494 y 1510 compartió su casa con un
cierto Antheunis Huyghe.</span></span></td>
</tr>
<tr valign="TOP">
<td width="40"><div align="CENTER">
<span style="font-family: inherit;">1495</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1500</span></div>
</td>
<td width="586"><span style="font-family: inherit;"><span style="color: #1d1d1d;">David
pinta la </span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>Crucifixión</b></i></span></span></em><em><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;"><b>
</b></span></span></span></em><span style="color: #1d1d1d;">(Museo
Metropolitano de Arte, Rogers Fund, Nueva York). La obra da
testimonio de su atención al paisaje y estaba destinado para la
devoción privada. Se muestra en ella la influencia de Memling.</span></span></td>
</tr>
<tr valign="TOP">
<td width="40"><div align="CENTER">
<span style="font-family: inherit;">1498</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1499</span></div>
</td>
<td width="586"><span style="font-family: inherit;"><span style="color: #1d1d1d;">La
ciudad de Brujas paga a David por la realización de una obra
para la Sala de los Diputados del Ayuntamiento: 'grandes paneles
pintados, situados en la Sala de los Diputados'. Se refiere aquí
a los dos grandes paneles con el </span><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>J</b></i></span></span><strong><span style="color: black;"><span style="font-size: small;"><i><b>uicio
de Cambyses</b></i></span></span></strong><strong><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-weight: normal;">,</span></span></span></strong><strong><span style="color: #1d1d1d;"><span style="font-size: small;"><b>
</b></span></span></strong><span style="color: #1d1d1d;">de
1498 (Museo Groeninge, Brujas). Fue el archivero británico James
Weale (1832-1917), quien vincula los documentos de archivo
referentes a estos dos paneles conservados. De esta manera Weale
sacó el trabajo de David de la oscuridad. La retribución se
llevó a cabo después de que el magistrado de la ciudad hubiera
pedido el juicio de cuatro personas, entre los que se encontraba
el tesorero Jan de Trompes. De Trompes encargó a David en 1502
el </span><strong><span style="color: black;"><span style="font-size: small;"><i><b>Retablo
del Bautismo de Cristo </b></i></span></span></strong><span style="color: #1d1d1d;">(Museo
Groeninge, Brujas) como tema central.</span></span></td>
</tr>
<tr valign="TOP">
<td width="40"><div align="CENTER">
<span style="font-family: inherit;">1500</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1505</span></div>
</td>
<td width="586"><span style="font-family: inherit;"><span style="color: #1d1d1d;">David
pinta la </span><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>T</b></i></span></span><strong><span style="color: #1d1d1d;"><span style="font-size: small;"><i>ransfiguración</i></span></span></strong><strong><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-weight: normal;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">
(</span></span></span></span></strong><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">Iglesia
de Nuestra Señora, Brujas). </span></span></span><span style="color: #1d1d1d;">El
trabajo se expande con paneles laterales de la mano de Pieter
Pourbus.</span></span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="501" width="40"><div align="CENTER">
<span style="font-family: inherit;">501</span></div>
</td>
<td width="586"><span style="font-family: inherit;">David es
nombrado Decano de la Guilda.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1501" width="40"><div align="CENTER">
<span style="font-family: inherit;">1501</span></div>
</td>
<td width="586"><span style="font-family: inherit;"><span style="color: #1d1d1d;">David
pinta el </span><strong><span style="color: #1d1d1d;"><span style="font-size: small;"><i>Canon
Bernardino de Salviati con San Bernardino</i></span></span></strong><strong><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-weight: normal;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">,</span></span></span></span></strong><strong><span style="color: #1d1d1d;"><span style="font-size: small;"><i>
San Martín y San</i></span></span></strong><strong><span style="color: #1d1d1d;"><span style="font-size: small;"><b><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">
</span></b></span></span></strong><strong><span style="color: #1d1d1d;"><span style="font-size: small;"><i>Donaciano</i></span></span></strong><strong><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-weight: normal;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">
</span></span></span></span></strong><span style="color: #1d1d1d;">para</span><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">
la Iglesia de San Donaas en Brujas (National Gallery, Londres),
donde el canon Salviati se ubicó. Este trabajo fue el panel
izquierdo de un díptico. El panel derecho sería la </span></span></span><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>Crucifixión</b></i></span></span><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">
sito en la Gemäldegalerie de Berlín.</span></span></span></span></td>
</tr>
<tr valign="TOP">
<td width="40"><div align="CENTER">
<span style="font-family: inherit;">1501</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1511</span></div>
</td>
<td width="586"><span style="font-family: inherit; font-size: small;"><span style="color: #222222;">David
pinta </span><span style="color: #222222;"><i><b>El Matrimonio Místico
de Santa Catalina</b></i></span><span style="color: #222222;"> (National
Gallery, Londres)</span></span></td>
</tr>
<tr valign="TOP">
<td width="40"><div align="CENTER">
<span style="font-family: inherit;">1502</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1508</span></div>
</td>
<td width="586"><div align="LEFT">
<span style="font-family: inherit;"><span style="color: #1d1d1d;">Por
comisión del tesorero de la ciudad, Jan de Trompes, David
realiza </span><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>El
</b></i></span></span><strong><span style="color: #1d1d1d;"><span style="font-size: small;"><i>Retablo
del Bautismo de Cristo </i></span></span></strong><span style="color: #1d1d1d;"><span style="font-size: small;">(Museo
Groeninge, Brujas)</span></span><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">.
En los paneles laterales destacan el comisionado con su primera
esposa —Elisabeth van der Meersch— y sus hijos retratados en
compañía de sus santos patronos (San Juan Bautista e Isabel de
Hungría, respectivamente). El tríptico cerrado muestra a Santa
María Magdalena que presenta la segunda esposa de Jan —Magdalena
Cordier— a María y su hijo</span></span></span><span style="color: #1d1d1d;"><span style="font-size: small;">.
La representación detallada de la naturaleza es de suma
importancia para el desarrollo del paisaje como género autónomo.</span></span></span></div>
</td>
</tr>
<tr valign="TOP">
<td width="40"><div align="CENTER">
<span style="font-family: inherit;">1503</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1514</span></div>
</td>
<td width="586"><span style="font-size: small;"><span style="color: #1d1d1d; font-family: inherit;">En
este período hay irregularidades en el pago de la renta de su
casa de Vlamingbrug. Esto refuerza la sospecha de que David
estuvo trabajando fuera de Brujas durante períodos largos de
tiempo.</span></span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1505" width="40"><div align="CENTER">
<span style="font-family: inherit;">1505</span></div>
</td>
<td width="586"><span style="font-family: inherit;"><span style="color: #1d1d1d;">David
realiza dos paneles laterales con la </span><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>A</b></i></span></span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>nunciación</b></i></span></span></em><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i>
</i></span></span></em><em><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;">(</span></span></span></em><span style="color: #1d1d1d;"><span style="font-size: small;">exterior)
(Museo Metropolitano de Arte, Robert Lehmann Collection, Nueva
York) y cuadros con </span></span><strong><span style="color: #1d1d1d;"><span style="font-size: small;"><i>Cristo
con la cruz</i></span></span></strong><strong><span style="color: #1d1d1d;"><span style="font-size: small;"><b>
</b></span></span></strong><span style="color: #1d1d1d;">(</span><span style="color: #1d1d1d;"><span style="font-size: small;"><i>La
C</i></span></span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i>rucifixión
</i></span></span></em><span style="color: #1d1d1d;"><span style="font-size: small;"><i>y
la R</i></span></span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i>esurrección,
con los peregrinos de Emaús</i></span></span></em><span style="color: #1d1d1d;"><span style="font-size: small;">)
(Museo Metropolitano de Arte, Robert Lehmann Collection, Nueva
York). </span></span><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">Una
vez más fue el archivero británico James Weale quien atribuyó
los paneles laterales a Gerard David por primera vez. </span></span></span><span style="color: #1d1d1d;">La
datación se basa en la investigación comparada con la firma del</span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;">
</span></span></span></em><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>Retablo
del bautismo de Cristo </b></i></span></span></em><span style="color: #1d1d1d;"><span style="font-size: small;">(Museo
Groeninge, Brujas). En general se acepta que el panel central es
</span></span><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>El
Duelo</b></i></span></span><span style="color: #1d1d1d;"><span style="font-size: small;">,
que ahora se encuentra en el Museo de Arte de Filadelfia (Johnson
Collection).</span></span></span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1506" width="40"><div align="CENTER">
<span style="font-family: inherit;">1506</span></div>
</td>
<td width="586"><span style="font-family: inherit;"><span style="color: #1d1d1d;">David
está en la cúspide de su carrera. Su buena actitud respecto a
los deseos de sus clientes le aseguran muchas encargos de
diplomáticos italianos, banqueros y comerciantes. El 7 de
septiembre de 1506 es la fecha probable de la comisión para el
monumental </span><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>R</b></i></span></span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>etablo
Cervara</b></i></span></span></em><em><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;">
</span></span></span></em><span style="color: #1d1d1d;">de
la abadía benedictina del mismo nombre cercana a Génova (fue
desmontado y dispersado cuando el claustro fue disuelta en 1799).
El comitente es Vincenzo Sauli, un banquero y diplomático de una
rica familia Genovesa. Se cree que David hizo un segundo viaje
corto a Genova para evaluar la situación en el lugar. El
multi-panel con siete paneles llegó a estar en Brujas y es una
de las piezas más poderosas de la obra del artista.</span></span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1507" width="40"><div align="CENTER">
<span style="font-family: inherit;">1507</span></div>
</td>
<td width="586"><span style="font-family: inherit; font-size: small;"><span style="color: #1d1d1d;">Gerard
David, sin tener que pagar la cuota de socio, se convierte en
miembro de la prestigiosa confraternidad de la Santísima Virgen
del Árbol Seco, probablemente debido tanto a la esperanza en sus
proyectos como por su pureza espiritual. </span><span style="color: #1d1d1d;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">El
hecho de que fue aceptado muestra su alto estatus social.</span></span></span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1509" width="40"><div align="CENTER">
<span style="font-family: inherit;">1509</span></div>
</td>
<td width="586"><span style="font-family: inherit;"><span style="color: #1d1d1d;">David
pinta </span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>Virgo
inter Virgines</b></i></span></span></em><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">,
un panel de un gran retablo. </span></span></span><span style="color: #1d1d1d;"><span style="font-size: small;">Exhibe
influencia italiana, además de la influencia de Van Eyck y
Memling. El artista y su esposa, la adinerada Cornelia Cnoop,
hija de un orfebre, están de pie allí retratados como una
pareja al modo heráldico. Lo que quiere decir que David debe
haberse casado antes de 1509. Él ha donado el trabajo a las
Hermanas Carmelitas de la clausura Sion en Brujas. Fue colocado
en el altar mayor. El panel fue mencionado en un inventario del
claustro en 1537 (todavía hoy se encuentra en el altar mayor) y
en una carta de 1771 de la mano del lector del claustro. En la
carta se habla de otra obra de David en la que representa a la
familia del donante. </span></span><em><span style="color: #1d1d1d;">Virgo
inter Virgines</span></em><em><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;">
</span></span></span></em><span style="color: #1d1d1d;">es
su única obra documentada y la única que se puede atribuir a
David con 100% de certeza. Durante la administración francesa
fue retirada de su lugar original y llevada a Rouen (Museo de
Bellas Artes, Rouen).</span></span></td>
</tr>
<tr valign="TOP">
<td width="40"><div align="CENTER">
<span style="font-family: inherit;">1510</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1515</span></div>
</td>
<td width="586"><span style="font-family: inherit;"><span style="color: #1d1d1d;">David
pintó </span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>Descanso
en la huida a Egipto </b></i></span></span></em><span style="color: #1d1d1d;"><span style="font-size: small;">(Museo
Metropolitano de Arte, El Bache Colección Jules, Nueva York). Se
trata de un trabajo pionero en el que se integra el </span></span><span style="color: #1d1d1d;"><span style="font-size: small;"><i>sfumato</i></span></span><span style="color: #1d1d1d;"><span style="font-size: small;">,
o efecto artístico de decoloración progresiva mediante
delicadas capas de pintura. David pinta el </span></span><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>T</b></i></span></span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>ríptico
de la Natividad </b></i></span></span></em><span style="color: #1d1d1d;"><span style="font-size: small;">(Museo
Metropolitano de Arte, el Bache Colección Jules, Nueva York).
Los paneles exteriores (Mauritishuis, La Haya) muestran algo
completamente nuevo: un retazo de bosque sin personajes. David
realiza </span></span><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>La</b></i></span></span><span style="color: #1d1d1d;"><span style="font-size: small;">
</span></span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>Virgen
y el Niño con la sopa de leche </b></i></span></span></em><span style="color: #1d1d1d;"><span style="font-size: small;">(Aurora
Trust, Nueva York y Palazzo Bianco, Genova). Con este trabajo y
temas como el </span></span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i>Descanso
en la huida a Egipto</i></span></span></em><span style="color: #1d1d1d;"><span style="font-size: small;">,
David juega con los deseos del público que demandan más
atención al contexto, en lugar del mero tema religioso. David
pinta </span></span><strong><span style="color: #1d1d1d;"><span style="font-size: small;"><i>Virgen
y el Niño con cuatro ángeles (Madonna Wrightsman) </i></span></span></strong><span style="color: #1d1d1d;"><span style="font-size: small;">(Museo
Metropolitano de Arte, Charles B. Wrightsman, Nueva York). Hay
que resaltar la presentación de María en un entorno de Brujas,
con la Iglesia de San Jacobo, la Iglesia de Nuestra Señora y la
indicación del claustro de los cartujos en el fondo. La fuente
de inspiración de este trabajo fue el </span></span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;">de
</span></span></span></em><em><span style="color: #1d1d1d;">Madonna
en la fuente </span></em><span style="color: #1d1d1d;">(Museo
Real de Bellas Artes de Amberes) de Jan van Eyck.</span></span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1515" width="40"><div align="CENTER">
<span style="font-family: inherit;">1515</span></div>
</td>
<td width="586"><span style="font-family: inherit;"><span style="color: #1d1d1d;">Fecha
de posible realización de la </span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>Adoración
de los Reyes</b></i></span></span></em><em><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;"><b>
</b></span></span></span></em><span style="color: #1d1d1d;">(National
Gallery, Londres) y del </span><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>R</b></i></span></span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>etrato
de un monje agustino orando</b></i></span></span></em><em><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;"><b>
</b></span></span></span></em><span style="color: #1d1d1d;">(National
Gallery, Londres), que está representado ante una vista de la
ciudad de Brujas. Este trabajo fue probablemente el panel derecho
de un díptico o tríptico. David coincidió con Joachim Patinir
como miembro del gremio de San Lucas de Amberes. Sus motivos
fueron puramente comerciales: de esta manera estaba igualmente
presente de manera constante tanto en el mercado cada vez más
importante de arte de Amberes como en el mercado de Brujas. No es
improbable que también alquilara un estudio en Amberes.</span></span></td>
</tr>
<tr valign="TOP">
<td width="40"><div align="CENTER">
<span style="font-family: inherit;">1519</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1520</span></div>
</td>
<td width="586"><span style="font-size: small;"><span style="color: #1d1d1d; font-family: inherit;">Gerard
David dirimió una diferencia ante los tribunales con el pintor
Ambrosius Benson de Lombardía, que había vivido con él como un
colega. David fue tachado de haber sido injusto, pero hizo caso
omiso de la decisión judicial. En enero de 1520 David ingresó
en prisión a petición de Benson.</span></span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1520" width="40"><div align="CENTER">
<span style="font-family: inherit;">1520</span></div>
</td>
<td width="586"><span style="font-family: inherit;"><span style="color: #1d1d1d;">La
familia del proveedor de asignaciones Jan de Trompes dona el
</span><em><span style="color: #1d1d1d;">Retablo
del bautismo de Cristo </span></em><em><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;">para
</span></span></span></em><span style="color: #1d1d1d;">
una capilla de la Iglesia de San Basilio (Santa Capilla de la
sangre) en Brujas para que sea más accesible al público. Gerard
David y su suegro libran una diferencia ante los tribunales con
el arquitecto que había llevado a cabo la renovación de la casa
de aquél. Ese mismo año David está involucrado en otro caso
legal, y recibe una fuerte multa.</span></span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1522" width="40"><div align="CENTER">
<span style="font-family: inherit;">1522</span></div>
</td>
<td width="586"><span style="font-size: small;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="color: #1d1d1d; font-family: inherit;">Según
consta en documentos de archivo parece que Gerard David poseyó
una casa en el Dijver y posiblemente habitara en la misma. Esa
podría ser la explicación del porqué David está enterrado en
la Iglesia de Nuestra Señora.</span></span></span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1523" width="40"><div align="CENTER">
<span style="font-family: inherit;">1523</span></div>
</td>
<td width="586"><span style="font-family: inherit;"><span style="color: #1d1d1d;">Gérard
David salda una vieja deuda con las hermanas carmelitas de Sion
poco antes de su muerte. Muere el 13 agosto en Brujas. Su esposa
no paga su deuda de muerte al gremio de los artistas visuales,
sino la de las bibliotecas (ilustradores de libros). En los
círculos de arte históricos hay un consenso cada vez mayor por
el hecho de que David en el inicio de su carrera debió haber
trabajado como miniaturista.</span><br /><span style="color: #1d1d1d;">Gerard
David está enterrado bajo la torre de la Iglesia de Nuestra
Señora. Le sobrevivió, además, una hija menor de edad,
Barbara.</span>
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1524" width="40"><div align="CENTER">
<span style="font-family: inherit;">1524</span></div>
</td>
<td width="586"><span style="font-family: inherit; font-size: small;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="color: #1d1d1d;"><i>Meester
Gheeraert David Scildere</i></span><span style="color: #1d1d1d;">
(</span><span style="color: #1d1d1d;"><i>Master
Gheeraert David Painter</i></span><span style="color: #1d1d1d;">)
es la leyenda inscrita en el registro mortuorio del gremio de
los artistas visuales y guarnicioneros de Brujas.</span></span></span></td>
</tr>
</tbody></table>
</center>
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<span style="color: #cc0000; font-size: x-large;"><br /></span>
<br />
<div style="text-align: center;">
<b><span style="color: #cc0000; font-size: x-large;">GALERÍA</span></b></div>
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<br /></div>
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<a href="https://2.bp.blogspot.com/-h6ZwTylgXYA/WRa2Cr7_JPI/AAAAAAAAksY/xM5Rw08U7VAAj_9UWaXqxUYgNz8MJRJqgCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BRest%2Bon%2Bthe%2Bflight%2Binto%2BEgypt%252C%2Bc%2B1510_titulo%2B0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="104" src="https://2.bp.blogspot.com/-h6ZwTylgXYA/WRa2Cr7_JPI/AAAAAAAAksY/xM5Rw08U7VAAj_9UWaXqxUYgNz8MJRJqgCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BRest%2Bon%2Bthe%2Bflight%2Binto%2BEgypt%252C%2Bc%2B1510_titulo%2B0.jpg" width="640" /></a></div>
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<br />
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<a href="https://1.bp.blogspot.com/-ZLSKJnHEwZE/WRlqVG56QLI/AAAAAAAAkxI/xBh-IdIupI8gd16rLRk6bFFTizUvFUjXwCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BLa%2BThe%2BAnnunciation.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-ZLSKJnHEwZE/WRlqVG56QLI/AAAAAAAAkxI/xBh-IdIupI8gd16rLRk6bFFTizUvFUjXwCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BLa%2BThe%2BAnnunciation.jpg" width="502" /></a></div>
<div style="text-align: center;">
Gérard David - The Annunciation<br />
(Frankfurt am Main, Städel Museum)</div>
<div style="text-align: center;">
.</div>
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<a href="https://3.bp.blogspot.com/-kT6HvF8mLmc/WRlw_GYfyqI/AAAAAAAAkz4/mtwGrUdqVG8bT5r7z83NtPwgLbTPVK_4gCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BThe%2BAnnunciation%2B%2528Detroit%2BInstitute%2Bof%2BArts%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-kT6HvF8mLmc/WRlw_GYfyqI/AAAAAAAAkz4/mtwGrUdqVG8bT5r7z83NtPwgLbTPVK_4gCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BThe%2BAnnunciation%2B%2528Detroit%2BInstitute%2Bof%2BArts%2529.jpg" width="414" /></a></div>
<div style="text-align: center;">
Gérard David - The Annunciation<br />
(Detroit Institute of Arts)</div>
<div style="text-align: center;">
.</div>
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<a href="https://1.bp.blogspot.com/-z_q1NY0jqZY/WRlrx1qFNxI/AAAAAAAAkxs/grHcBAMHGD0UqgKke42CxmURPaB-ii3BQCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BLamentation%2BTriptych%2B%2528Archangel%2BGabriel%252BVirgin%2Bof%2Bthe%2BAnnuncita_External%2BWings%2529%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-z_q1NY0jqZY/WRlrx1qFNxI/AAAAAAAAkxs/grHcBAMHGD0UqgKke42CxmURPaB-ii3BQCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BLamentation%2BTriptych%2B%2528Archangel%2BGabriel%252BVirgin%2Bof%2Bthe%2BAnnuncita_External%2BWings%2529%2B%2528MET%2529.jpg" width="444" /></a></div>
<div style="text-align: center;">
Gérard David - Lamentation Triptych (Exterior Wings. Grisalla)<br />
Archangel Gabriel and Virgin of the Annunciata<br />
(MET)</div>
<div style="text-align: center;">
.</div>
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<a href="https://1.bp.blogspot.com/-A0mT__PYWtM/WRlrxaE8E4I/AAAAAAAAkxo/wF0E5If0v9Ak___KH5eCiBi_F8LMIsKVACLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BL%2527adoration%2Bdes%2Bmages_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-A0mT__PYWtM/WRlrxaE8E4I/AAAAAAAAkxo/wF0E5If0v9Ak___KH5eCiBi_F8LMIsKVACLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BL%2527adoration%2Bdes%2Bmages_.jpg" width="632" /></a></div>
<div style="text-align: center;">
Gérard David - The Adoration of the Magi<br />
(National Gallery London)</div>
<div style="text-align: center;">
.</div>
</div>
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<a href="https://2.bp.blogspot.com/-_HZ9Ua3goEU/WRlrxDFofkI/AAAAAAAAkxk/i8W4svDTxoUcDx6_pNi_sK-0_xLy2TkjACLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BL%2527adoration%2Bdes%2Bmages%2B%2528MBAB%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-_HZ9Ua3goEU/WRlrxDFofkI/AAAAAAAAkxk/i8W4svDTxoUcDx6_pNi_sK-0_xLy2TkjACLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BL%2527adoration%2Bdes%2Bmages%2B%2528MBAB%2529_.jpg" width="506" /></a></div>
<div style="text-align: center;">
Gérard David - L'adoration des mages<br />
(MBAB)</div>
<div style="text-align: center;">
.</div>
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<a href="https://1.bp.blogspot.com/-O5F1Jc5mPuE/WRl4FHBMQwI/AAAAAAAAk2I/SiEeqiGsRqs5TTk1y19SIAmkwWIkf10ewCLcB/s1600/G%25C3%25A9rard%2BDavid%2B%2528Workshop%2529%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BMagi%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="610" src="https://1.bp.blogspot.com/-O5F1Jc5mPuE/WRl4FHBMQwI/AAAAAAAAk2I/SiEeqiGsRqs5TTk1y19SIAmkwWIkf10ewCLcB/s640/G%25C3%25A9rard%2BDavid%2B%2528Workshop%2529%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BMagi%2B%2528MET%2529.jpg" width="640" /></a></div>
<div style="text-align: center;">
Gérard David (Workshop) - The Adoration of the Magi<br />
(MET)</div>
<div style="text-align: center;">
.</div>
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<a href="https://2.bp.blogspot.com/-KpehDYOWF1g/WRlv4v4fkKI/AAAAAAAAkzQ/yrFFr21zc1QKaSGkXPM0EjiRXvqzkJqwwCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BNativity%252C%2B1480s%2B%255BMET%255D_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-KpehDYOWF1g/WRlv4v4fkKI/AAAAAAAAkzQ/yrFFr21zc1QKaSGkXPM0EjiRXvqzkJqwwCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BNativity%252C%2B1480s%2B%255BMET%255D_.jpg" width="486" /></a></div>
<div style="text-align: center;">
Gérard David - Nativity, 1480s<br />
(MET)</div>
<div style="text-align: center;">
.</div>
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<a href="https://4.bp.blogspot.com/-ciHeu_CEMN0/WRrXyNqxOWI/AAAAAAAAk4w/PH_9-_al9j4aSQSIhtb5QS12KqnDxKZuACLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BThe%2BNativity%252C%2B1490%2B%2528Museum%2Bof%2BFine%2BArts%252C%2BBudapest%2529_0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-ciHeu_CEMN0/WRrXyNqxOWI/AAAAAAAAk4w/PH_9-_al9j4aSQSIhtb5QS12KqnDxKZuACLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BThe%2BNativity%252C%2B1490%2B%2528Museum%2Bof%2BFine%2BArts%252C%2BBudapest%2529_0.jpg" width="468" /></a></div>
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Gérard David - The Nativity, 1490</div>
<div style="text-align: center;">
(Museum of Fine Arts, Budapest)</div>
<div style="text-align: center;">
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<a href="https://4.bp.blogspot.com/-O4BTF8T_-3U/WRlv4p6CcZI/AAAAAAAAkzM/3rWNbr6SOlAsZLeW6ppEzjk4_qQsQF1NwCLcB/s1600/Gerard%2BDavid%2B-%2BNativity.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-O4BTF8T_-3U/WRlv4p6CcZI/AAAAAAAAkzM/3rWNbr6SOlAsZLeW6ppEzjk4_qQsQF1NwCLcB/s640/Gerard%2BDavid%2B-%2BNativity.jpg" width="468" /></a></div>
<div style="text-align: center;">
Gerard David - Nativity, ca 1510<br />
(Kunsthistorisches Museum Viena)</div>
<div style="text-align: center;">
.</div>
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<a href="https://4.bp.blogspot.com/-LRpqNMBhbJw/WRluN--5g4I/AAAAAAAAkyw/IOVdGn-I28EczkM5NvkKM--6z_ACP4WUQCEw/s1600/G%25C3%25A9rard%2BDavid%2B-%2BNativity%2BTriptych%252C%2B1506%2B%2528MET%2529_in%2Bframe.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="408" src="https://4.bp.blogspot.com/-LRpqNMBhbJw/WRluN--5g4I/AAAAAAAAkyw/IOVdGn-I28EczkM5NvkKM--6z_ACP4WUQCEw/s640/G%25C3%25A9rard%2BDavid%2B-%2BNativity%2BTriptych%252C%2B1506%2B%2528MET%2529_in%2Bframe.JPG" width="640" /></a></div>
<div style="text-align: center;">
Gérard David - Nativity Triptych, 1506<br />
(MET)</div>
<div style="text-align: center;">
.</div>
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<a href="https://1.bp.blogspot.com/-rBstofuiA9U/WRluNfnTDkI/AAAAAAAAkys/CR1FNgvt0r4jgEEp61fJtzggWnbTPnWrwCEw/s1600/G%25C3%25A9rard%2BDavid%2B-%2BNativity%2BTriptych%252C%2B1506%2B%2528MET%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="392" src="https://1.bp.blogspot.com/-rBstofuiA9U/WRluNfnTDkI/AAAAAAAAkys/CR1FNgvt0r4jgEEp61fJtzggWnbTPnWrwCEw/s640/G%25C3%25A9rard%2BDavid%2B-%2BNativity%2BTriptych%252C%2B1506%2B%2528MET%2529_.jpg" width="640" /></a></div>
<div style="text-align: center;">
Gérard David - Nativity Triptych, 1506<br />
(MET)</div>
<div style="text-align: center;">
.</div>
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<a href="https://3.bp.blogspot.com/-bEoamLF3KRo/WRluJehlXVI/AAAAAAAAkyo/6YRObjdDhBEbqLtAhvqeUF3cgV6gHWoXwCEw/s1600/G%25C3%25A9rard%2BDavid%2B-%2BNativity%2Btriptych%252C%2B1510-1515_center.%255BAmsterdam%255D.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-bEoamLF3KRo/WRluJehlXVI/AAAAAAAAkyo/6YRObjdDhBEbqLtAhvqeUF3cgV6gHWoXwCEw/s640/G%25C3%25A9rard%2BDavid%2B-%2BNativity%2Btriptych%252C%2B1510-1515_center.%255BAmsterdam%255D.jpg" width="520" /></a></div>
<div style="text-align: center;">
Gérard David - Nativity triptych, 1510-1515_center panel<br />
(MET)</div>
<div style="text-align: center;">
.</div>
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<a href="https://3.bp.blogspot.com/-VSWfp0GH1bg/WRlu0ZfEDcI/AAAAAAAAky4/4nBv94Fs2hwS4ZzTm1TxowKYR82ADGnAwCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BNativity%2Btriptych%252C%2B1510-15_left%2Bwing%255BAmsterdam%255D.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-VSWfp0GH1bg/WRlu0ZfEDcI/AAAAAAAAky4/4nBv94Fs2hwS4ZzTm1TxowKYR82ADGnAwCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BNativity%2Btriptych%252C%2B1510-15_left%2Bwing%255BAmsterdam%255D.jpg" width="256" /></a><a href="https://4.bp.blogspot.com/-IFmibNAGifU/WRlu0QG9g0I/AAAAAAAAky8/9WKMra7yarAih16_uTWSopBXsDpx4_vgQCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BNativity%2Btriptych%252C%2B1510-15_right%2Bwing%255BAmsterdam%255D.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-IFmibNAGifU/WRlu0QG9g0I/AAAAAAAAky8/9WKMra7yarAih16_uTWSopBXsDpx4_vgQCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BNativity%2Btriptych%252C%2B1510-15_right%2Bwing%255BAmsterdam%255D.jpg" width="270" /></a></div>
<div style="text-align: center;">
Gérard David - Nativity triptych, 1510-15_side wing<br />
(MET)</div>
<div style="text-align: center;">
.</div>
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<a href="https://3.bp.blogspot.com/-1JwoiEoGjrU/WRlu1x_X3uI/AAAAAAAAkzA/cY2gBtBVbgE5r6X6Py9rODYslXkSz_9BgCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BNativity%2Btriptych%252C%2B1510-15_exterior%2Bwings%2B%255BAmsterdam%255D.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-1JwoiEoGjrU/WRlu1x_X3uI/AAAAAAAAkzA/cY2gBtBVbgE5r6X6Py9rODYslXkSz_9BgCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BNativity%2Btriptych%252C%2B1510-15_exterior%2Bwings%2B%255BAmsterdam%255D.jpg" width="444" /></a></div>
<div style="text-align: center;">
Gérard David - Nativity triptych, 1510-15_exterior wings<br />
(Rijksmuseum Amsterdam)</div>
<div style="text-align: center;">
.</div>
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<a href="https://2.bp.blogspot.com/-r5PueseLw3s/WRlqF32YpiI/AAAAAAAAkxE/6kPsotK5pn0R2Aq9sJmI_all6SOet9IMQCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BDescanso%2Ben%2Bla%2Bhuida%2Ba%2BEgipto%252C%2Bde%2BGerard%2BDavid%252C%2Bh.%2B1510%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-r5PueseLw3s/WRlqF32YpiI/AAAAAAAAkxE/6kPsotK5pn0R2Aq9sJmI_all6SOet9IMQCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BDescanso%2Ben%2Bla%2Bhuida%2Ba%2BEgipto%252C%2Bde%2BGerard%2BDavid%252C%2Bh.%2B1510%2B%2528MET%2529.jpg" width="478" /></a></div>
<div style="text-align: center;">
Gérard David - Descanso en la huida a Egipto, h. 1512-15<br />
(MET)</div>
<div style="text-align: center;">
.<br />
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<a href="https://4.bp.blogspot.com/-r8FzAbquFvo/WRnc9K58bXI/AAAAAAAAk2c/Rn4AbVFUeRcNOq9Hb-iphQnZV739-F3PQCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BDescanso%2Ben%2Bla%2BHuida%2Ba%2BEgipto%2B%2528Museo%2Bdel%2BPrado%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-r8FzAbquFvo/WRnc9K58bXI/AAAAAAAAk2c/Rn4AbVFUeRcNOq9Hb-iphQnZV739-F3PQCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BDescanso%2Ben%2Bla%2BHuida%2Ba%2BEgipto%2B%2528Museo%2Bdel%2BPrado%2529.jpg" width="420" /></a></div>
Gérard David - Descanso en la Huida a Egipto, 1515<br />
(Museo del Prado)<br />
.</div>
<div class="separator" style="clear: both;">
<a href="https://3.bp.blogspot.com/-frFF1TfdU4E/WRlqEL-TS9I/AAAAAAAAkxA/CiWrHkXJq48obdlQevyS05hXW9qYwjHRACLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BRest%2Bon%2Bthe%2Bflight%2Binto%2BEgypt%252C%2Bc%2B1510.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-frFF1TfdU4E/WRlqEL-TS9I/AAAAAAAAkxA/CiWrHkXJq48obdlQevyS05hXW9qYwjHRACLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BRest%2Bon%2Bthe%2Bflight%2Binto%2BEgypt%252C%2Bc%2B1510.jpg" width="630" /></a></div>
<div style="text-align: center;">
Gérard David - Descanso en la huida a Egipto, h. 1510<br />
(NG Washington)</div>
<div style="text-align: center;">
.</div>
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<a href="https://1.bp.blogspot.com/-U6Q2akiNHSU/WRlqepRdCeI/AAAAAAAAkxY/L76OTjCVQTI3n33Le6qfRNTBrGwiQiGdwCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BLa%2BVierge%2B%25C3%25A0%2Bla%2Bsoupe%2Bau%2Blait%252C%2B1510-20%2B%2528MBA%2BStrasbourg%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-U6Q2akiNHSU/WRlqepRdCeI/AAAAAAAAkxY/L76OTjCVQTI3n33Le6qfRNTBrGwiQiGdwCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BLa%2BVierge%2B%25C3%25A0%2Bla%2Bsoupe%2Bau%2Blait%252C%2B1510-20%2B%2528MBA%2BStrasbourg%2529.JPG" width="510" /></a></div>
<div style="text-align: center;">
Gérard David - La Vierge à la soupe au lait, 1510-20<br />
(MBA Strasbourg)</div>
<div style="text-align: center;">
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<a href="https://3.bp.blogspot.com/-HE-RtK_2jbA/WRlqVgWCMiI/AAAAAAAAkxM/m3xQ79HlAo0yer8S9CBuBTTZBDKRj89fACLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BLa%2BVierge%2B%25C3%25A0%2Bla%2Bsoupe%2Bau%2Blait%252C%2B1510-20%2B%2528MBA%2BStrasbourg%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-HE-RtK_2jbA/WRlqVgWCMiI/AAAAAAAAkxM/m3xQ79HlAo0yer8S9CBuBTTZBDKRj89fACLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BLa%2BVierge%2B%25C3%25A0%2Bla%2Bsoupe%2Bau%2Blait%252C%2B1510-20%2B%2528MBA%2BStrasbourg%2529_.jpg" width="510" /></a></div>
<div style="text-align: center;">
Gérard David - La Vierge à la soupe au lait, 1510-20<br />
(MBA Strasbourg)</div>
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<a href="https://4.bp.blogspot.com/-FCNTzdpRnLs/WRlqXlhcLMI/AAAAAAAAkxQ/fNaX46cUp-42u6_MV4p3rhrt6u6FJMr5gCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BLa%2BVierge%2B%25C3%25A0%2Bla%2Bsoupe%2Bau%2Blait%252C%2Bc%2B1515%2B%2528---%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-FCNTzdpRnLs/WRlqXlhcLMI/AAAAAAAAkxQ/fNaX46cUp-42u6_MV4p3rhrt6u6FJMr5gCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BLa%2BVierge%2B%25C3%25A0%2Bla%2Bsoupe%2Bau%2Blait%252C%2Bc%2B1515%2B%2528---%2529.jpg" width="480" /></a></div>
<div style="text-align: center;">
Gérard David - La Vierge à la soupe au lait, c 1515 (workshop)</div>
<div style="text-align: center;">
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<a href="https://2.bp.blogspot.com/-_s16pnzWNvs/WRlqfCn6sTI/AAAAAAAAkxc/Vc3g9rnYC_0Ts5Xdj3qB7SMPepTMuJYGACLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BLa%2BVierge%2B%25C3%25A0%2Bla%2Bsoupe%2Bau%2Blait%252C%2Bc%2B1515%2B%2528Musei%2Bdi%2BStrada%2BNuova%2B-%2BGenoa%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-_s16pnzWNvs/WRlqfCn6sTI/AAAAAAAAkxc/Vc3g9rnYC_0Ts5Xdj3qB7SMPepTMuJYGACLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BLa%2BVierge%2B%25C3%25A0%2Bla%2Bsoupe%2Bau%2Blait%252C%2Bc%2B1515%2B%2528Musei%2Bdi%2BStrada%2BNuova%2B-%2BGenoa%2529.jpg" width="504" /></a></div>
<div style="text-align: center;">
Gérard David - La Vierge à la soupe au lait, c 1515<br />
(Musei di Strada Nuova - Genoa)</div>
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<a href="https://4.bp.blogspot.com/-z-xejO7tgX4/WRlqeQfzSeI/AAAAAAAAkxU/AIrR7FGREkkZXPmu2A9KMyD6dYKcBBlRQCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BLa%2BVirgen%2Bde%2Blas%2Bsopas%2Bde%2Bleche%252C%2B1515.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-z-xejO7tgX4/WRlqeQfzSeI/AAAAAAAAkxU/AIrR7FGREkkZXPmu2A9KMyD6dYKcBBlRQCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BLa%2BVirgen%2Bde%2Blas%2Bsopas%2Bde%2Bleche%252C%2B1515.jpg" width="532" /></a></div>
<div style="text-align: center;">
Gérard David - La Virgen de las sopas de leche, 1515</div>
<div style="text-align: center;">
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<a href="https://2.bp.blogspot.com/-8tE-WlbJpP8/WRlteKhwQJI/AAAAAAAAkyY/rL7QLW56PyoFq1uOjNrg9JMPo5B3TaDIACLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BMadonna%2Band%2BChild%2Bwith%2Bthe%2BMilk%2BSoup%252C%2Bc.%2B1520.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-8tE-WlbJpP8/WRlteKhwQJI/AAAAAAAAkyY/rL7QLW56PyoFq1uOjNrg9JMPo5B3TaDIACLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BMadonna%2Band%2BChild%2Bwith%2Bthe%2BMilk%2BSoup%252C%2Bc.%2B1520.png" width="546" /></a></div>
<div style="text-align: center;">
Gérard David - Madonna and Child with the Milk Soup, c. 1520</div>
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<a href="https://4.bp.blogspot.com/-zjbIsErmpis/WRltfKnWSoI/AAAAAAAAkyc/Lw49XwW3EBoNsw5kecZdcKWKuNm5K07xACLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BMadonna%2Band%2BChild%2Bwith%2Bthe%2BMilk%2BSoup%252C%2Bc.%2B1520_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-zjbIsErmpis/WRltfKnWSoI/AAAAAAAAkyc/Lw49XwW3EBoNsw5kecZdcKWKuNm5K07xACLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BMadonna%2Band%2BChild%2Bwith%2Bthe%2BMilk%2BSoup%252C%2Bc.%2B1520_.jpg" width="532" /></a></div>
<div style="text-align: center;">
Gérard David - Madonna and Child with the Milk Soup, c. 1520</div>
<div style="text-align: center;">
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<a href="https://1.bp.blogspot.com/-fc7B4vAsVVE/WRrN-UeCQvI/AAAAAAAAk4U/7vwSUboZseAlA8FYIfxL676CTh--dijswCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BVirgin%2Bamong%2Bthe%2BVirgins%2B%2528Virgen%2Bentre%2Blas%2BV%25C3%25ADrgenes%2529%2B%2528Mus%25C3%25A9e%2Bdes%2BBeaux%2BArts%2Bde%2BRouen%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="364" src="https://1.bp.blogspot.com/-fc7B4vAsVVE/WRrN-UeCQvI/AAAAAAAAk4U/7vwSUboZseAlA8FYIfxL676CTh--dijswCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BVirgin%2Bamong%2Bthe%2BVirgins%2B%2528Virgen%2Bentre%2Blas%2BV%25C3%25ADrgenes%2529%2B%2528Mus%25C3%25A9e%2Bdes%2BBeaux%2BArts%2Bde%2BRouen%2529.jpg" width="640" /></a></div>
Gérard David - Virgo inter Virginis (Virgin among the Virgins)<br />
(Musée des Beaux Arts de Rouen)<br />
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<a href="https://3.bp.blogspot.com/-MCxK8ovnMNo/WRl3FXgyelI/AAAAAAAAk1s/4hK3g2tErfIF2v4r7QM-IuQioZ-vXiBGACLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BVirgin%2Bamong%2Bthe%2BVirgins%2B%2528Virgen%2Bentre%2Blas%2BV%25C3%25ADrgenes%2529%2B%2528Mus%25C3%25A9e%2Bdes%2BBeaux%2BArts%2Bde%2BRouen%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="364" src="https://3.bp.blogspot.com/-MCxK8ovnMNo/WRl3FXgyelI/AAAAAAAAk1s/4hK3g2tErfIF2v4r7QM-IuQioZ-vXiBGACLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BVirgin%2Bamong%2Bthe%2BVirgins%2B%2528Virgen%2Bentre%2Blas%2BV%25C3%25ADrgenes%2529%2B%2528Mus%25C3%25A9e%2Bdes%2BBeaux%2BArts%2Bde%2BRouen%2529_.jpg" width="640" /></a></div>
<div style="text-align: center;">
Gérard David - Virgo inter Virginis (Virgin among the Virgins)<br />
(Musée des Beaux Arts de Rouen)</div>
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<a href="https://1.bp.blogspot.com/-vnnZWMjnDjU/WRl3IYmYg0I/AAAAAAAAk1w/MF96oc9XZAQRqspJ9sOp5FKrIkgiX0aNACLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BVirgin%2Bamong%2Bthe%2BVirgins%2B%2528Virgen%2Bentre%2Blas%2BV%25C3%25ADrgenes%2529%2B%2528Mus%25C3%25A9e%2Bdes%2BBeaux%2BArts%2Bde%2BRouen%2529__.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="356" src="https://1.bp.blogspot.com/-vnnZWMjnDjU/WRl3IYmYg0I/AAAAAAAAk1w/MF96oc9XZAQRqspJ9sOp5FKrIkgiX0aNACLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BVirgin%2Bamong%2Bthe%2BVirgins%2B%2528Virgen%2Bentre%2Blas%2BV%25C3%25ADrgenes%2529%2B%2528Mus%25C3%25A9e%2Bdes%2BBeaux%2BArts%2Bde%2BRouen%2529__.jpg" width="640" /></a></div>
<div style="text-align: center;">
Gérard David - Virgo inter Virginis (Virgin among the Virgins)<br />
(Musée des Beaux Arts de Rouen)</div>
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<a href="https://3.bp.blogspot.com/-9YiS3F_G6rE/WRl4EQUaE_I/AAAAAAAAk2E/2_T4_mg3wIkUA1NWjAIuMvfNY8DoHUPQwCLcB/s1600/Gerard%2BDavid%2B-%2BVirgin%2Band%2Bchild%2Bwith%2Bsaints%2Band%2Bdonor%2B%2528Richard%2Bde%2BVisch%2Bvan%2Bder%2Bcapelle%2529_Desposorios%2BM%25C3%25ADsticos%2Bde%2BSanta%2BCatalina%2B%2528NGL%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="464" src="https://3.bp.blogspot.com/-9YiS3F_G6rE/WRl4EQUaE_I/AAAAAAAAk2E/2_T4_mg3wIkUA1NWjAIuMvfNY8DoHUPQwCLcB/s640/Gerard%2BDavid%2B-%2BVirgin%2Band%2Bchild%2Bwith%2Bsaints%2Band%2Bdonor%2B%2528Richard%2Bde%2BVisch%2Bvan%2Bder%2Bcapelle%2529_Desposorios%2BM%25C3%25ADsticos%2Bde%2BSanta%2BCatalina%2B%2528NGL%2529_.jpg" width="640" /></a></div>
<div style="text-align: center;">
Gerard David - Virgin and child with saints and donor (Richard de Visch van der capelle)<br />
Desposorios Místicos de Santa Catalina<br />
(National Gallery London)</div>
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<a href="https://1.bp.blogspot.com/-WFUtpLxrf80/WRl38hN69NI/AAAAAAAAk18/Wqq0vMDaYtY_rPiNw3aRdRIZDUVdkyVuwCLcB/s1600/Gerard%2BDavid%2B-%2BVirgin%2Band%2Bchild%2Bwith%2Bsaints%2Band%2Bdonor%2B%2528Richard%2Bde%2BVisch%2Bvan%2Bder%2Bcapelle%2529_Desposorios%2BM%25C3%25ADsticos%2Bde%2BSanta%2BCatalina%2B%2528NGL%2529__.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-WFUtpLxrf80/WRl38hN69NI/AAAAAAAAk18/Wqq0vMDaYtY_rPiNw3aRdRIZDUVdkyVuwCLcB/s640/Gerard%2BDavid%2B-%2BVirgin%2Band%2Bchild%2Bwith%2Bsaints%2Band%2Bdonor%2B%2528Richard%2Bde%2BVisch%2Bvan%2Bder%2Bcapelle%2529_Desposorios%2BM%25C3%25ADsticos%2Bde%2BSanta%2BCatalina%2B%2528NGL%2529__.jpg" width="498" /></a></div>
<div style="text-align: center;">
<div style="text-align: center;">
Gerard David - Virgin and child with saints and donor (Richard de Visch van der capelle)<br />
Desposorios Místicos de Santa Catalina_detalle<br />
(National Gallery London)</div>
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</div>
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<a href="https://3.bp.blogspot.com/-_qAjD-aVru0/WRl3BuvGKDI/AAAAAAAAk1k/uzBY39AKgYgeTE2YXphoczRqLlOjFg1twCLcB/s1600/Gerard%2BDavid%2B-%2BVirgin%2Band%2Bchild%2Bw%2Bangels%252C%2Bc%2B1500.%255BUptonHse%255D.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-_qAjD-aVru0/WRl3BuvGKDI/AAAAAAAAk1k/uzBY39AKgYgeTE2YXphoczRqLlOjFg1twCLcB/s640/Gerard%2BDavid%2B-%2BVirgin%2Band%2Bchild%2Bw%2Bangels%252C%2Bc%2B1500.%255BUptonHse%255D.jpg" width="490" /></a></div>
<div style="text-align: center;">
Gerard David - Virgin and child w angels, c 1500<br />
[Upton House]</div>
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<a href="https://4.bp.blogspot.com/-rLm6i5HkPRA/WRl3C43qzkI/AAAAAAAAk1o/KB6KmyR4zCU-UFcKaBpUqX-mFFGaiPVVQCLcB/s1600/Gerard%2BDavid%2B-%2BVirgin%2Band%2Bchild%2Bw%2Btwo%2Bangels.c.1500.%255BBasel%255D.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-rLm6i5HkPRA/WRl3C43qzkI/AAAAAAAAk1o/KB6KmyR4zCU-UFcKaBpUqX-mFFGaiPVVQCLcB/s640/Gerard%2BDavid%2B-%2BVirgin%2Band%2Bchild%2Bw%2Btwo%2Bangels.c.1500.%255BBasel%255D.jpg" width="488" /></a></div>
<div style="text-align: center;">
Gerard David - Virgin and child w two angels.c.1500<br />
(Kunstmuseum Basel)</div>
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<a href="https://1.bp.blogspot.com/-ISXTwsdM8mg/WRl3KOPwbII/AAAAAAAAk10/7TZB89u20ewoh-OdowfLnV0U58H33OEjwCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BVirgin%2Bamong%2Bvirgins.c.1505-1510.%255BPierpontMorganLib.%255D.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-ISXTwsdM8mg/WRl3KOPwbII/AAAAAAAAk10/7TZB89u20ewoh-OdowfLnV0U58H33OEjwCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BVirgin%2Bamong%2Bvirgins.c.1505-1510.%255BPierpontMorganLib.%255D.jpg" width="448" /></a></div>
<div style="text-align: center;">
Gérard David - Virgin among virgins.c.1505-1510<br />
(Pierpont Morga Library)</div>
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<a href="https://4.bp.blogspot.com/-NwUyIITPcWs/WRrEw2E3fpI/AAAAAAAAk3o/VOuHN-pU6SI-QoyedUhgTVY2xYIKMeUzgCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BEnthroned%2BVirgin%2Band%2BChild%252C%2Bwith%2BAngels%252C%2B1523%2B%2528PhMoA%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-NwUyIITPcWs/WRrEw2E3fpI/AAAAAAAAk3o/VOuHN-pU6SI-QoyedUhgTVY2xYIKMeUzgCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BEnthroned%2BVirgin%2Band%2BChild%252C%2Bwith%2BAngels%252C%2B1523%2B%2528PhMoA%2529.jpg" width="420" /></a></div>
Gérard David - Enthroned Virgin and Child, with Angels, 1523<br />
(Philadelphia Museum of Art)<br />
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<a href="https://2.bp.blogspot.com/-DPs1UGVXhGE/WRl4Iljd4TI/AAAAAAAAk2M/Xex3Ma8DKyQR8BkiVpKzhy4jZGGPDARWQCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BVirgin%2Band%2BChild%2Bwith%2BFour%2BAngels%252C%2B1510-15%2B%2528MET%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-DPs1UGVXhGE/WRl4Iljd4TI/AAAAAAAAk2M/Xex3Ma8DKyQR8BkiVpKzhy4jZGGPDARWQCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BVirgin%2Band%2BChild%2Bwith%2BFour%2BAngels%252C%2B1510-15%2B%2528MET%2529_.jpg" width="398" /></a></div>
<div style="text-align: center;">
Gérard David - Virgin and Child with Four Angels, 1510-15<br />
(MET)</div>
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<a href="https://1.bp.blogspot.com/-Y42wz2UfCrY/WRl4D63iNuI/AAAAAAAAk2A/fA1yRAhlMUMoMrOdryimuxlsv3_AujWvwCLcB/s1600/Gerard%2BDavid%2B-%2BVirgin%2Band%2Bchild%2Bwith%2Bfour%2Bangels%252C%2Bc%2B1510-1515%2B%2528MET%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-Y42wz2UfCrY/WRl4D63iNuI/AAAAAAAAk2A/fA1yRAhlMUMoMrOdryimuxlsv3_AujWvwCLcB/s640/Gerard%2BDavid%2B-%2BVirgin%2Band%2Bchild%2Bwith%2Bfour%2Bangels%252C%2Bc%2B1510-1515%2B%2528MET%2529_.jpg" width="404" /></a></div>
<div style="text-align: center;">
Gérard David - Virgin and Child with Four Angels, 1510-15<br />
(MET)</div>
<div style="text-align: center;">
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</div>
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<a href="https://3.bp.blogspot.com/-q3vx-RrCCFc/WRlzvtSh9RI/AAAAAAAAk1A/d89-API1WnUBGZgWTYSiTMsBHuaCT732gCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BTriptych%2Bof%2BJan%2BDes%2BTrompes%2B%2528Bapt%25C3%25AAme%2Bdu%2BChrist%2529.%2B1502-1508%2B%2528Groeninge%2BMuseum%252C%2BBruges%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="398" src="https://3.bp.blogspot.com/-q3vx-RrCCFc/WRlzvtSh9RI/AAAAAAAAk1A/d89-API1WnUBGZgWTYSiTMsBHuaCT732gCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BTriptych%2Bof%2BJan%2BDes%2BTrompes%2B%2528Bapt%25C3%25AAme%2Bdu%2BChrist%2529.%2B1502-1508%2B%2528Groeninge%2BMuseum%252C%2BBruges%2529_.jpg" width="640" /></a></div>
<div style="text-align: center;">
Gérard David - Triptych of Jan Des Trompes (Baptême du Christ). 1502-1508<br />
(Groeninge Museum, Bruges)</div>
<div style="text-align: center;">
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<a href="https://1.bp.blogspot.com/-g9DUuyXSYZw/WRlzt0j-ohI/AAAAAAAAk08/EXn85N68I74rXXcPy4nQh05U1T_sU_irgCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BTriptych%2Bof%2BJan%2BDes%2BTrompes%2B%2528Bapt%25C3%25AAme%2Bdu%2BChrist%2529.%2B1502-1508%2B%2528Groeninge%2BMuseum%252C%2BBruges%2529_closed%2Bouther%2Bwings.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-g9DUuyXSYZw/WRlzt0j-ohI/AAAAAAAAk08/EXn85N68I74rXXcPy4nQh05U1T_sU_irgCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BTriptych%2Bof%2BJan%2BDes%2BTrompes%2B%2528Bapt%25C3%25AAme%2Bdu%2BChrist%2529.%2B1502-1508%2B%2528Groeninge%2BMuseum%252C%2BBruges%2529_closed%2Bouther%2Bwings.jpg" width="509" /></a></div>
<div style="text-align: center;">
Gérard David - Triptych of Jan Des Trompes (Baptême du Christ). 1502-1508<br />
Closed outher wings<br />
(Groeninge Museum, Bruges)</div>
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Gérard David - Triptych of Jan Des Trompes (Baptême du Christ). 1502-1508<br />
Central Panel<br />
(Groeninge Museum, Bruges)<br />
.<br />
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Gérard David - Triptych of Jan Des Trompes (Baptême du Christ). 1502-1508<br />
Left Wing interior and Right Wing interior<br />
(Groeninge Museum, Bruges)<br />
.<br />
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Gérard David - Triptych of Jan Des Trompes (Baptême du Christ). 1502-1508<br />
Left Wing exterior and Right Wing exterior<br />
(Groeninge Museum, Bruges)<br />
.</div>
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<div style="text-align: center;">
Gerard David - Las Bodas de Caná<br />
(Musée du Louvre)</div>
<div style="text-align: center;">
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<a href="https://2.bp.blogspot.com/-Y_E2m6jpmm8/WRo2Sczc2dI/AAAAAAAAk3A/1Ve4rQyqnvIVwf9ql1CxCLNJo-7syJHqACLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BLas%2Bbodas%2Bde%2BCan%25C3%25A1.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="478" src="https://2.bp.blogspot.com/-Y_E2m6jpmm8/WRo2Sczc2dI/AAAAAAAAk3A/1Ve4rQyqnvIVwf9ql1CxCLNJo-7syJHqACLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BLas%2Bbodas%2Bde%2BCan%25C3%25A1.JPG" width="640" /></a></div>
Gerard David - Las Bodas de Caná<br />
(Musée du Louvre)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-odmzu54Hn6E/WRoxQia_xHI/AAAAAAAAk2w/Su3_z9SdK1QlTB3Sm07L4eD31RIrQSangCLcB/s1600/Gerard%2BDavid%2B-%2BLas%2BBodas%2Bde%2BCan%25C3%25A1%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529_detail.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-odmzu54Hn6E/WRoxQia_xHI/AAAAAAAAk2w/Su3_z9SdK1QlTB3Sm07L4eD31RIrQSangCLcB/s640/Gerard%2BDavid%2B-%2BLas%2BBodas%2Bde%2BCan%25C3%25A1%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529_detail.jpg" width="464" /></a></div>
Gerard David - Las Bodas de Caná_detalle<br />
(Musée du Louvre)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-3I1Ha0AKvmw/WRo1PKkuVzI/AAAAAAAAk28/ZZjWdQCNzQkyIjt5QkIltj2RF6rkp43dwCLcB/s1600/Gerard%2BDavid%2B-%2BLas%2BBodas%2Bde%2BCan%25C3%25A1%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529_detail%2B2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-3I1Ha0AKvmw/WRo1PKkuVzI/AAAAAAAAk28/ZZjWdQCNzQkyIjt5QkIltj2RF6rkp43dwCLcB/s640/Gerard%2BDavid%2B-%2BLas%2BBodas%2Bde%2BCan%25C3%25A1%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529_detail%2B2.jpg" width="472" /></a></div>
Gerard David - Las Bodas de Caná_detalle 2<br />
(Musée du Louvre)<br />
.</div>
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<a href="https://1.bp.blogspot.com/-KmLET3VT3-w/WRllopDJlpI/AAAAAAAAkvU/Had0FF62EEQkHRhhLCLNk2EZFg3ayiqnwCLcB/s1600/Gerard%2BDavid%2B-%2BCervara%2BAltarpiece%2Breconstruction%252C%2B1506.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-KmLET3VT3-w/WRllopDJlpI/AAAAAAAAkvU/Had0FF62EEQkHRhhLCLNk2EZFg3ayiqnwCLcB/s640/Gerard%2BDavid%2B-%2BCervara%2BAltarpiece%2Breconstruction%252C%2B1506.jpg" width="440" /></a></div>
<div style="text-align: center;">
Gerard David - Cervara Altarpiece reconstruction, 1506</div>
<div style="text-align: center;">
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<a href="https://4.bp.blogspot.com/-g6n8ciXO7Pc/WRllpqAaeGI/AAAAAAAAkvc/i1aBRjA0c9UZAp0OeayflNMxh5PLgaLcwCLcB/s1600/Gerard%2BDavid%2B-%2BCervara%2BAltarpiece%2Breconstruction%252C%2B1506_.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-g6n8ciXO7Pc/WRllpqAaeGI/AAAAAAAAkvc/i1aBRjA0c9UZAp0OeayflNMxh5PLgaLcwCLcB/s640/Gerard%2BDavid%2B-%2BCervara%2BAltarpiece%2Breconstruction%252C%2B1506_.JPG" width="560" /></a></div>
<div style="text-align: center;">
Gerard David - Cervara Altarpiece reconstruction, 1506</div>
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<a href="https://1.bp.blogspot.com/-YF78_qMXHm0/WRozNA6Ir9I/AAAAAAAAk20/NcXe_30HVDMGYSiEtWCeAoWubnGeMnYvgCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BGod%2BFather%2Bblessing%2Band%2Btwo%2Bangels%252C%2B1506%2B%2528Louvre%2529.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="328" src="https://1.bp.blogspot.com/-YF78_qMXHm0/WRozNA6Ir9I/AAAAAAAAk20/NcXe_30HVDMGYSiEtWCeAoWubnGeMnYvgCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BGod%2BFather%2Bblessing%2Band%2Btwo%2Bangels%252C%2B1506%2B%2528Louvre%2529.jpeg" width="640" /></a></div>
Gérard David - God Father blessing and two angels, 1506<br />
(Musée du Louvre)<br />
.</div>
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<a href="https://2.bp.blogspot.com/-hqSRpJo17Jo/WRllr_ZM8aI/AAAAAAAAkvg/pkM2M7HGllA3igfq63bFPNOq02eM0AphgCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BCervara%2BAltarpiece_The%2BAnnunciation%2B%2528Dyptich%2529%252C%2B1506%2B%2528MET%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="394" src="https://2.bp.blogspot.com/-hqSRpJo17Jo/WRllr_ZM8aI/AAAAAAAAkvg/pkM2M7HGllA3igfq63bFPNOq02eM0AphgCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BCervara%2BAltarpiece_The%2BAnnunciation%2B%2528Dyptich%2529%252C%2B1506%2B%2528MET%2529_.jpg" width="640" /></a></div>
<div style="text-align: center;">
Gérard David - Cervara Altarpiece_The Annunciation (two panels of a poliptych), 1506<br />
(MET)</div>
<div style="text-align: center;">
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<a href="https://1.bp.blogspot.com/-ZS4ycY20rak/WRlltf94tNI/AAAAAAAAkvo/oap9tZQz1FwV_HQsncFHEbB16lhx1IvZgCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BCervara%2BAltarpiece_The%2BAnnunciation_Archangel%2BGabriel%252C%2B1506%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-ZS4ycY20rak/WRlltf94tNI/AAAAAAAAkvo/oap9tZQz1FwV_HQsncFHEbB16lhx1IvZgCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BCervara%2BAltarpiece_The%2BAnnunciation_Archangel%2BGabriel%252C%2B1506%2B%2528MET%2529.jpg" width="512" /></a></div>
<div style="text-align: center;">
Gérard David - Cervara Altarpiece_The Annunciation_Archangel Gabriel, 1506<br />
(MET)</div>
<div style="text-align: center;">
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<a href="https://4.bp.blogspot.com/-u1MYibq4tTg/WRlnIUYR81I/AAAAAAAAkv4/vXbIPFWMgK8DUf9DyoGt-lBwpb7mgcH_gCLcB/s1600/Gerard%2BDavid%2B-%2BCervara%2BAltarpiece_Archangel%2BGabriel%252C%2B1506%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-u1MYibq4tTg/WRlnIUYR81I/AAAAAAAAkv4/vXbIPFWMgK8DUf9DyoGt-lBwpb7mgcH_gCLcB/s640/Gerard%2BDavid%2B-%2BCervara%2BAltarpiece_Archangel%2BGabriel%252C%2B1506%2B%2528MET%2529.jpg" width="522" /></a></div>
<div style="text-align: center;">
Gérard David - Cervara Altarpiece_The Annunciation_Archangel Gabriel, 1506<br />
(MET)</div>
<div style="text-align: center;">
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<a href="https://1.bp.blogspot.com/-ZiyHDNJKR_c/WRll6D8WaVI/AAAAAAAAkvs/yZ92WY5_yKEuIHq6d4lTwoYNubPnZeuWQCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BCervara%2BAltarpiece_The%2BAnnunciation_Virgin%252C%2B1506%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-ZiyHDNJKR_c/WRll6D8WaVI/AAAAAAAAkvs/yZ92WY5_yKEuIHq6d4lTwoYNubPnZeuWQCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BCervara%2BAltarpiece_The%2BAnnunciation_Virgin%252C%2B1506%2B%2528MET%2529.jpg" width="514" /></a></div>
<div style="text-align: center;">
Gérard David - Cervara Altarpiece_The Annunciation_Virgin, 1506<br />
(MET)</div>
<div style="text-align: center;">
.</div>
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<a href="https://1.bp.blogspot.com/-CtXB08J6FRk/WRlnIdplQyI/AAAAAAAAkv8/SWK6eFf93FIlhf_I2NaQKWr2uo6-33cPQCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BCervara%2BAltarpiece_Virgin%252C%2B1506%2B%2528MET%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-CtXB08J6FRk/WRlnIdplQyI/AAAAAAAAkv8/SWK6eFf93FIlhf_I2NaQKWr2uo6-33cPQCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BCervara%2BAltarpiece_Virgin%252C%2B1506%2B%2528MET%2529_.jpg" width="516" /></a></div>
<div style="text-align: center;">
Gérard David - Cervara Altarpiece_The Annunciation_Virgin, 1506<br />
(MET)</div>
<div style="text-align: center;">
.</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-WltTI511Mwc/WRllphqj9MI/AAAAAAAAkvY/CRVy7Tk59DQSIZrAyERJ32ya_J3DUEBcACLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BCervara%2BAltarpiece_%2B1506_Virgin%252C%2Bdetail%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-WltTI511Mwc/WRllphqj9MI/AAAAAAAAkvY/CRVy7Tk59DQSIZrAyERJ32ya_J3DUEBcACLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BCervara%2BAltarpiece_%2B1506_Virgin%252C%2Bdetail%2B%2528MET%2529.jpg" width="494" /></a></div>
<div style="text-align: center;">
Gérard David - Cervara Altarpiece_The Annunciation_Virgin, 1506_detail 1<br />
(MET)</div>
<div style="text-align: center;">
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<a href="https://4.bp.blogspot.com/-w423PxInB90/WRllsNwhyUI/AAAAAAAAkvk/TMhciFjRIUQwFJ_QfbS49ENE71VGnu33QCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BCervara%2BAltarpiece_%2B1506_Virgin%252C%2Bdetail%2B%2528MET%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-w423PxInB90/WRllsNwhyUI/AAAAAAAAkvk/TMhciFjRIUQwFJ_QfbS49ENE71VGnu33QCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BCervara%2BAltarpiece_%2B1506_Virgin%252C%2Bdetail%2B%2528MET%2529_.jpg" width="488" /></a></div>
<div style="text-align: center;">
Gérard David - Cervara Altarpiece_The Annunciation_Virgin, 1506_detail 2<br />
(MET)</div>
<div style="text-align: center;">
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<a href="https://1.bp.blogspot.com/-WgnO6o5L-Tk/WRlnjmABkqI/AAAAAAAAkwA/QZVil5Q6akoKO17IR0OeKA1ygN-piJm0QCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BChrist%2Bnailed%2Bto%2Bthe%2Bcross%2B%2528NGL%2529_Triptych.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="290" src="https://1.bp.blogspot.com/-WgnO6o5L-Tk/WRlnjmABkqI/AAAAAAAAkwA/QZVil5Q6akoKO17IR0OeKA1ygN-piJm0QCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BChrist%2Bnailed%2Bto%2Bthe%2Bcross%2B%2528NGL%2529_Triptych.jpg" width="640" /></a></div>
<div style="text-align: center;">
Gérard David - Christ being nailed to the cross Triptych<br />
(National Gallery London_cp: and Groeninge Museum Bruges_wings)</div>
<div style="text-align: center;">
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-KekCZLxcFUM/WRlnmkzmzWI/AAAAAAAAkwI/y4sJ8ZsWlrc7PzKPA5lDgMuqzvBDeeL_wCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BChrist%2Bnailed%2Bto%2Bthe%2Bcross%2B%2528NGL%2529_Triptych_central%2Bpanel_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="324" src="https://3.bp.blogspot.com/-KekCZLxcFUM/WRlnmkzmzWI/AAAAAAAAkwI/y4sJ8ZsWlrc7PzKPA5lDgMuqzvBDeeL_wCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BChrist%2Bnailed%2Bto%2Bthe%2Bcross%2B%2528NGL%2529_Triptych_central%2Bpanel_.jpg" width="640" /></a></div>
<div style="text-align: center;">
Gérard David - Christ being nailed to the cross Triptych_central panel<br />
(NGL)</div>
<div style="text-align: center;">
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<div style="text-align: center;">
Gérard David - Christ being nailed to the cross Triptych_left wing<br />
Maria, Magdalene, St John Evangelist and two mourning women<br />
(Groeninge Museum Bruges)</div>
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<div style="text-align: center;">
Gérard David - Christ being nailed to the cross Triptych_right wing<br />
Pilates before the Hight Priest<br />
(Groeninge Museum Bruges)</div>
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<div style="text-align: center;">
Gérard David - Christ being nailed to the cross Triptych_right wing<br />
Pilates before the Hight Priest_detail<br />
(Groeninge Museum Bruges)</div>
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Gérard David - Canon Bernardin de Salviati and Saints, 1501<br />
(National Gallery, London)</div>
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Gerard David - Crucifixion<br />
(Gemäldegalerie Berlin)</div>
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Canon Bernardino de Salviati - Crucifixion (probable díptico)<br />
(National Gallery Londres) - (Gemäldegalerie Berlin)</div>
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Gérard David - Crucifixion, c 1495<br />
(MET)</div>
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<div style="text-align: center;">
Gérard David - Crucifixion, c 1495<br />
(MET)</div>
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Gérard David - Crucifixión, c. 1475</div>
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Gérard David - Deposition 1490s<br />
[Frick Collection]</div>
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Gérard David - Deposition 1490s<br />
[Frick Collection</div>
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Gerard David - Lamentation triptych (reconstruction)</div>
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(Philadelphia Museum of Art)</div>
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Gérard David - Lamentation.1495-1500. triptych.exterior wings.<br />
(MET)</div>
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<a href="https://1.bp.blogspot.com/-A7W-uxqhC0I/WRlslx_DO5I/AAAAAAAAkx4/JXFp-uNPnjQm8RHVfthv2fAll2tYjFmvQCLcB/s1600/Gerard%2BDavid%2B-%2BLamentation%2Btriptych_PMOA%2529_panel%2Bcentral.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-A7W-uxqhC0I/WRlslx_DO5I/AAAAAAAAkx4/JXFp-uNPnjQm8RHVfthv2fAll2tYjFmvQCLcB/s640/Gerard%2BDavid%2B-%2BLamentation%2Btriptych_PMOA%2529_panel%2Bcentral.jpg" width="484" /></a></div>
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Gerard David - Lamentation triptych_panel central<br />
(Philadelphia Museum of Art)<br />
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Gerard David - Lamentation triptych_panel central_Magdalene detail<br />
(Philadelphia Museum of Art)</div>
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Gerard David - Lamentation triptych_lateral wings<br />
(MET)</div>
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Gerard David - Lamentation trptych<br />
Christ Carrying the Cross and The Resurrection, with the Pilgrims of Emmaus<br />
(MET)</div>
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Gerard David - Lamentation</div>
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Gerard David - The lamentation over the dead Christ, 1523-25</div>
<div style="text-align: center;">
(National Gallery London)</div>
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Gerard David - The Lamentation of Christ c. 1510</div>
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Gerard David - The Transfiguration of Christ Triptych, 1520<br />
(Groeninge Museum, Bruges)</div>
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<a href="https://3.bp.blogspot.com/-9mPdriH9aVo/WRly8yjSbtI/AAAAAAAAk00/dFkgqECz3YsJ20Xjo-g1BCH7fncvs70pQCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BTransfiguration.c.15900-1505.%255BBruges%255D.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-9mPdriH9aVo/WRly8yjSbtI/AAAAAAAAk00/dFkgqECz3YsJ20Xjo-g1BCH7fncvs70pQCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BTransfiguration.c.15900-1505.%255BBruges%255D.jpg" width="474" /></a></div>
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Gerard David - The Transfiguration of Christ. Oil on wood, 1520_panel central<br />
(Groeninge Museum, Bruges)</div>
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<a href="https://1.bp.blogspot.com/-6I4hBeDWU8o/WRln_aMPddI/AAAAAAAAkwU/nvX5RnTM0fovy62enRxeV_xpPxWvZze0gCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BChrist%2BTaking%2BLeave%2Bof%2BHis%2BMother%252C%2BC%2B1500%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-6I4hBeDWU8o/WRln_aMPddI/AAAAAAAAkwU/nvX5RnTM0fovy62enRxeV_xpPxWvZze0gCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BChrist%2BTaking%2BLeave%2Bof%2BHis%2BMother%252C%2BC%2B1500%2B%2528MET%2529.jpg" width="540" /></a></div>
<div style="text-align: center;">
Gérard David - Christ taking leave of his mother c 1500<br />
(MET)</div>
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<a href="https://2.bp.blogspot.com/-Cvk1vYxZo7Y/WRln_2U5o7I/AAAAAAAAkwY/T9B4VYdptNQAXUX1hOPTfEPgRKr5do0fwCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BChrist%2Btaking%2Bleave%2Bof%2Bhis%2Bmother%2Bc%2B1500%2B%255BMMOA%255D.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-Cvk1vYxZo7Y/WRln_2U5o7I/AAAAAAAAkwY/T9B4VYdptNQAXUX1hOPTfEPgRKr5do0fwCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BChrist%2Btaking%2Bleave%2Bof%2Bhis%2Bmother%2Bc%2B1500%2B%255BMMOA%255D.jpg" width="514" /></a></div>
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Gérard David - Christ taking leave of his mother c 1500<br />
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</div>
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<div style="text-align: center;">
(MET)</div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-8On-38b16oc/WRloABA223I/AAAAAAAAkwc/FoFPl9G-hc4WoRck-Oxsaawa70ojTs3sACLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BChrist%2Btaking%2Bleave%2Bof%2Bhis%2Bmother%252C%2Bc.1500%2B%255BBasel%255D.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-8On-38b16oc/WRloABA223I/AAAAAAAAkwc/FoFPl9G-hc4WoRck-Oxsaawa70ojTs3sACLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BChrist%2Btaking%2Bleave%2Bof%2Bhis%2Bmother%252C%2Bc.1500%2B%255BBasel%255D.jpg" width="496" /></a></div>
<div style="text-align: center;">
Gérard David - Christ taking leave of his mother, c.1500<br />
(Kunstmuseum Basel)</div>
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<a href="https://2.bp.blogspot.com/-kg8yRtmqC3c/WRlon7_T-WI/AAAAAAAAkwk/FcpRS-88OacgWUtzQEF0jwryc7ch4YfnACLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BChrist%2BBlessing%252C%2Bc%2B1500-1505%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-kg8yRtmqC3c/WRlon7_T-WI/AAAAAAAAkwk/FcpRS-88OacgWUtzQEF0jwryc7ch4YfnACLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BChrist%2BBlessing%252C%2Bc%2B1500-1505%2B%2528MET%2529.jpg" width="460" /></a></div>
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Gérard David - Christ Blessing, c 1500-1505</div>
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(MET)</div>
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<a href="https://1.bp.blogspot.com/-7gRJGcev2Wc/WRo09WqZpRI/AAAAAAAAk24/oc7RI5IN6j4Qetravflv1_kJ6JIsJsupQCLcB/s1600/Gerard%2BDavid%2B-%2BThe%2BSaint%2BAnne%2BAltarpiece%2B%2528Smithsonian%2BNational%2BGallery%2Bof%2BArt%252C%2BWashington%2BDC%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="562" src="https://1.bp.blogspot.com/-7gRJGcev2Wc/WRo09WqZpRI/AAAAAAAAk24/oc7RI5IN6j4Qetravflv1_kJ6JIsJsupQCLcB/s640/Gerard%2BDavid%2B-%2BThe%2BSaint%2BAnne%2BAltarpiece%2B%2528Smithsonian%2BNational%2BGallery%2Bof%2BArt%252C%2BWashington%2BDC%2529.jpg" width="640" /></a></div>
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Gerard David - The Saint Anne Altarpiece, 1510-20</div>
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(Smithsonian National Gallery of Art, Washington DC)</div>
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<a href="https://2.bp.blogspot.com/-11plp4596Jw/WRrROQfEWrI/AAAAAAAAk4g/VAnVWhcCUSwJ1bGKNfxlhlCX6Q8j1hQcACLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BThe%2BLegend%2Bof%2BSt.%2BNicholas%2BTriptych%2B%2528National%2BGalleries%2Bof%2BScotland%252C%2BScottish%2BNational%2BGallery%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="376" src="https://2.bp.blogspot.com/-11plp4596Jw/WRrROQfEWrI/AAAAAAAAk4g/VAnVWhcCUSwJ1bGKNfxlhlCX6Q8j1hQcACLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BThe%2BLegend%2Bof%2BSt.%2BNicholas%2BTriptych%2B%2528National%2BGalleries%2Bof%2BScotland%252C%2BScottish%2BNational%2BGallery%2529.JPG" width="640" /></a></div>
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Gérard David - The Legend of St. Nicholas Triptych</div>
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(National Galleries of Scotland, Scottish National Gallery)</div>
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<a href="https://1.bp.blogspot.com/-oFN_YEuQiQY/WRlwTq9I50I/AAAAAAAAkzg/Y8pbGW_-mycD48HP_Ssrdsja_gP4xccIwCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BSaint%2BJohn%2Bthe%2BBaptist%253B%2BSaint%2BFrancis%2BReceiving%2Bthe%2BStigmata%252C%2Bc%2B1485-90%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-oFN_YEuQiQY/WRlwTq9I50I/AAAAAAAAkzg/Y8pbGW_-mycD48HP_Ssrdsja_gP4xccIwCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BSaint%2BJohn%2Bthe%2BBaptist%253B%2BSaint%2BFrancis%2BReceiving%2Bthe%2BStigmata%252C%2Bc%2B1485-90%2B%2528MET%2529.jpg" width="466" /></a></div>
<div style="text-align: center;">
Gérard David - Saint John the Baptist; Saint Francis Receiving the Stigmata, c 1485-90<br />
(MET)</div>
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<a href="https://1.bp.blogspot.com/-9B_YCtiWvTU/WRlwWYSkbyI/AAAAAAAAkzk/B51uaUlBwsozyY7q19ZUD1MhamAm8R0ygCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BSaint%2BMichel%2BAltarpiece%252C%2B1495%2B%2528Kunsthistorisches%2BMuseum%2BViena%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="378" src="https://1.bp.blogspot.com/-9B_YCtiWvTU/WRlwWYSkbyI/AAAAAAAAkzk/B51uaUlBwsozyY7q19ZUD1MhamAm8R0ygCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BSaint%2BMichel%2BAltarpiece%252C%2B1495%2B%2528Kunsthistorisches%2BMuseum%2BViena%2529.jpg" width="640" /></a></div>
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Gérard David - Saint Michel Altarpiece, 1495<br />
(Kunsthistorisches Museum Viena)</div>
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<a href="https://3.bp.blogspot.com/-cPfOBrN5J-8/WRlwTNSvckI/AAAAAAAAkzc/mYId8OelEX80SprMPovZHfFxpIaQ3UxDQCLcB/s1600/Gerard%2BDavid%2B--%2BSaint%2BMichael%2BAltarpiece_big.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="438" src="https://3.bp.blogspot.com/-cPfOBrN5J-8/WRlwTNSvckI/AAAAAAAAkzc/mYId8OelEX80SprMPovZHfFxpIaQ3UxDQCLcB/s640/Gerard%2BDavid%2B--%2BSaint%2BMichael%2BAltarpiece_big.jpg" width="640" /></a></div>
<div style="text-align: center;">
Gérard David - Saint Michel Altarpiece, 1495<br />
(Kunsthistorisches Museum Viena)</div>
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<a href="https://2.bp.blogspot.com/-Jov-ADnfpCw/WRlwYoW-RyI/AAAAAAAAkzo/eH0AVZ4hVywmy8m9vNR4mL8OVNMRdpWWQCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BSaint%2BMichel%2BTriptych%252C%2Bca%2B1495%2B%2528Kunsthistorisches%2BMuseum%252C%2BViena%2529_central%2Bpanel.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-Jov-ADnfpCw/WRlwYoW-RyI/AAAAAAAAkzo/eH0AVZ4hVywmy8m9vNR4mL8OVNMRdpWWQCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BSaint%2BMichel%2BTriptych%252C%2Bca%2B1495%2B%2528Kunsthistorisches%2BMuseum%252C%2BViena%2529_central%2Bpanel.jpg" width="512" /></a></div>
<div style="text-align: center;">
Gérard David - Saint Michel Altarpiece, 1495_central panel<br />
(Kunsthistorisches Museum Viena)</div>
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<a href="https://2.bp.blogspot.com/-FClddHReKpE/WRlw-VfSCWI/AAAAAAAAkz0/7BlbiP8zqo8F8bnodohJ0G3doGrPE_WPQCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BSedano.triptych.c.1490.%255BLouvre%255D.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="490" src="https://2.bp.blogspot.com/-FClddHReKpE/WRlw-VfSCWI/AAAAAAAAkz0/7BlbiP8zqo8F8bnodohJ0G3doGrPE_WPQCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BSedano.triptych.c.1490.%255BLouvre%255D.jpg" width="640" /></a></div>
<div style="text-align: center;">
Gérard David - Sedano.triptych.c.1490<br />
(Musée du Louvre)</div>
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<a href="https://2.bp.blogspot.com/-TFc6XimX_Y8/WRlw5wZ6Z6I/AAAAAAAAkzw/Sef39FRm1H4ibHacuWcLgHk7-a9FSzJMwCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BSedano.triptych.c.1490.%255BLouvre%255D_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="488" src="https://2.bp.blogspot.com/-TFc6XimX_Y8/WRlw5wZ6Z6I/AAAAAAAAkzw/Sef39FRm1H4ibHacuWcLgHk7-a9FSzJMwCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BSedano.triptych.c.1490.%255BLouvre%255D_.jpg" width="640" /></a></div>
<div style="text-align: center;">
Gérard David - Sedano.triptych.c.1490<br />
(Musée du Louvre)</div>
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<a href="https://2.bp.blogspot.com/-nOQIvq3KBJU/WRlx2_JE9wI/AAAAAAAAk0A/5LqfcNtqNfce1krSceUEBcE2jCYNgBPxQCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BThe%2BJudgement%2Bof%2BCambyses%252C%2B1498%2B%2528Bruges.%2BGroeninge%2BMuseum%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="336" src="https://2.bp.blogspot.com/-nOQIvq3KBJU/WRlx2_JE9wI/AAAAAAAAk0A/5LqfcNtqNfce1krSceUEBcE2jCYNgBPxQCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BThe%2BJudgement%2Bof%2BCambyses%252C%2B1498%2B%2528Bruges.%2BGroeninge%2BMuseum%2529.jpg" width="640" /></a></div>
<div style="text-align: center;">
Gérard David - The Judgement of Cambyses diptych, 1498<br />
(Bruges. Groeninge Museum)</div>
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<a href="https://4.bp.blogspot.com/-3RA237BNeFQ/WRlx26gN0FI/AAAAAAAAk0E/mlyx_m_AtLsTDmTUuItzfcq3MVlznQoaQCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BThe%2BJudgement%2Bof%2BCambyses%252C%2B1498%2B%2528Bruges.%2BGroeninge%2BMuseum%2529_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-3RA237BNeFQ/WRlx26gN0FI/AAAAAAAAk0E/mlyx_m_AtLsTDmTUuItzfcq3MVlznQoaQCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BThe%2BJudgement%2Bof%2BCambyses%252C%2B1498%2B%2528Bruges.%2BGroeninge%2BMuseum%2529_1.jpg" width="554" /></a></div>
<div style="text-align: center;">
<div style="text-align: center;">
Gérard David - The Judgement of Cambyses diptych, 1498_left panel<br />
(Bruges. Groeninge Museum)</div>
</div>
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<a href="https://2.bp.blogspot.com/-8vhJ5jGUO10/WRlx24WMK0I/AAAAAAAAk0I/4Kv8Wd0Ii1QqFEHnUK-7qzAwdvZf0k8HwCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BThe%2BJudgement%2Bof%2BCambyses%252C%2B1498%2B%2528Bruges.%2BGroeninge%2BMuseum%2529_2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="634" src="https://2.bp.blogspot.com/-8vhJ5jGUO10/WRlx24WMK0I/AAAAAAAAk0I/4Kv8Wd0Ii1QqFEHnUK-7qzAwdvZf0k8HwCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BThe%2BJudgement%2Bof%2BCambyses%252C%2B1498%2B%2528Bruges.%2BGroeninge%2BMuseum%2529_2.jpg" width="640" /></a></div>
<div style="text-align: center;">
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Gérard David - The Judgement of Cambyses diptych, 1498_right panel<br />
(Bruges. Groeninge Museum)</div>
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<div style="text-align: center;">
<div style="text-align: center;">
Gérard David - The Judgement of Cambyses diptych, 1498<br />
(Bruges. Groeninge Museum)</div>
</div>
<div style="text-align: center;">
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-w2s_588q2E8/WRlx99f8dmI/AAAAAAAAk0Q/UzuXV6lDbS4C9BDzYnwUPeZf0w2lsH0jACLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BThe%2BJudgement%2Bof%2BCambyses%252C%2B1498%2B%2528Bruges.%2BGroeninge%2BMuseum%2529_L.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-w2s_588q2E8/WRlx99f8dmI/AAAAAAAAk0Q/UzuXV6lDbS4C9BDzYnwUPeZf0w2lsH0jACLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BThe%2BJudgement%2Bof%2BCambyses%252C%2B1498%2B%2528Bruges.%2BGroeninge%2BMuseum%2529_L.jpg" width="552" /></a></div>
<div style="text-align: center;">
Gérard David - The Judgement of Cambyses diptych, 1498_left panel<br />
(Bruges. Groeninge Museum)</div>
<div style="text-align: center;">
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-pdobPeljGIw/WRlx91N10WI/AAAAAAAAk0M/3Aa1dqfvIVoUhD8IiInTwbmS2H-bIYabACLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BThe%2BJudgement%2Bof%2BCambyses%252C%2B1498%2B%2528Bruges.%2BGroeninge%2BMuseum%2529_R.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-pdobPeljGIw/WRlx91N10WI/AAAAAAAAk0M/3Aa1dqfvIVoUhD8IiInTwbmS2H-bIYabACLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BThe%2BJudgement%2Bof%2BCambyses%252C%2B1498%2B%2528Bruges.%2BGroeninge%2BMuseum%2529_R.jpg" width="550" /></a></div>
<div style="text-align: center;">
Gérard David - The Judgement of Cambyses diptych, 1498_RIGHT panel<br />
(Bruges. Groeninge Museum)</div>
<div style="text-align: center;">
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<a href="https://4.bp.blogspot.com/-WWOMaua0YFk/WRlkou6OMeI/AAAAAAAAkvA/vAWkP4BpLEoG6a1ZyrKdXQQuC23isjiiQCLcB/s1600/Gerard%2BDavid%2B-%2BBildnis%2Beines%2BGoldschmiedes%2B%2528WAHRSCHEINLICH%2BJACOB%2BCNOOP%252C%2BDER%2BSCHWIEGERVATER%2BDAVIDS%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-WWOMaua0YFk/WRlkou6OMeI/AAAAAAAAkvA/vAWkP4BpLEoG6a1ZyrKdXQQuC23isjiiQCLcB/s640/Gerard%2BDavid%2B-%2BBildnis%2Beines%2BGoldschmiedes%2B%2528WAHRSCHEINLICH%2BJACOB%2BCNOOP%252C%2BDER%2BSCHWIEGERVATER%2BDAVIDS%2529.jpg" width="490" /></a></div>
<div style="text-align: center;">
Gerard David - Bildnis eines Goldschmiedes (Portrait of a Goldsmith)<br />
(Wahrscheinlich Jacob Cnoop, the father of David)<br />
(Kunsthistorisches Museum, Viena)</div>
<div style="text-align: center;">
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<a href="https://3.bp.blogspot.com/-kcDyjbrwxfY/WRlkmA4McnI/AAAAAAAAku8/Vhh2TeWbT4Q-FviZrFhPlFuyp6s3Eot4gCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BAn%2BAugustinian%2BFriar%2BPraying%252C%2Bc%2B1515.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-kcDyjbrwxfY/WRlkmA4McnI/AAAAAAAAku8/Vhh2TeWbT4Q-FviZrFhPlFuyp6s3Eot4gCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BAn%2BAugustinian%2BFriar%2BPraying%252C%2Bc%2B1515.jpg" width="496" /></a></div>
<div style="text-align: center;">
Gérard David - An Augustinian Friar Praying, c 1515<br />
(MET)</div>
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<a href="https://2.bp.blogspot.com/-gTXy4JBwfBE/WRa1MdAXL0I/AAAAAAAAksM/ung_zdo3zdwCUvV59TMhq6HvqP3eZVEegCLcB/s1600/Los%2BPrimitivos%2BFlamencos_separador%2Bfinal%2B%2528IV%2529.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="70" src="https://2.bp.blogspot.com/-gTXy4JBwfBE/WRa1MdAXL0I/AAAAAAAAksM/ung_zdo3zdwCUvV59TMhq6HvqP3eZVEegCLcB/s640/Los%2BPrimitivos%2BFlamencos_separador%2Bfinal%2B%2528IV%2529.png" width="640" /></a></div>
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Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-5464569323978413729.post-60750137833890703672017-05-20T10:00:00.000+02:002017-05-20T10:00:07.187+02:00Los Primitivos Flamencos (III). Siglo XV (II): Dieric Bouts / Hugo van der Goes.<div class="separator" style="clear: both; text-align: center;">
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<a href="https://4.bp.blogspot.com/-sIe1lV5TlQc/WRWLEdhPx_I/AAAAAAAAkms/kJMVVv-J5cIn717Gpj5ns8e_KO2uBfaiQCLcB/s1600/Dieric%2BBouts%252BHugo%2Bvan%2Bder%2BGoes_%2Bcabecera.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="404" src="https://4.bp.blogspot.com/-sIe1lV5TlQc/WRWLEdhPx_I/AAAAAAAAkms/kJMVVv-J5cIn717Gpj5ns8e_KO2uBfaiQCLcB/s640/Dieric%2BBouts%252BHugo%2Bvan%2Bder%2BGoes_%2Bcabecera.jpg" width="640" /></a></div>
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<b><span style="font-size: large;">Justificación</span></b></div>
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<b><span style="color: white; font-size: x-small;">.</span></b></div>
<div style="text-align: left;">
<i>En este mundo del siglo XIX en que nos toca vivir, mundo de acelerada revolución tecnológica y mediática, donde la información excesiva, indisolublemente mechada de opinión, se mueve hacia todos lados, fluctúa constantemente, se crea y se destruye a velocidad de vértigo, información que ya no es necesario buscar, pues ella nos asalta en cada esquina, en cada recodo del camino, desde el cada vez más imprescindible teléfono móvil —constantemente pegado a nuestra voluntad, adueñándose de ella, perfundiendo no ya nuestro consciente sino también el inconsciente—; donde los mensajes que vehiculan esa información necesariamente han de ser condensados ante la saturación de los mismos; donde lo efímero se impone sobre lo permanente y la concentración ha de tener ligeros pies para saltar de un mensaje a otro, de un interés a otro, como un niño que se ve inmerso en una tienda de juguetes.</i></div>
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<i>Ante este estado de cosas, digo, en que prima el titular, el aforismo y la sentencia, es decir, la idoneidad —por no decir la necesidad— del breviario, yo me empeño en lo enciclopédico.</i></div>
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<i>Aquí donde es suficiente, e incluso deseable, por no decir exigible, la obra ejemplar o el modelo yo apuesto por la obra integral. En este tiempo en que </i><i>se demanda </i><i>cada </i><i>vez más una labor de síntesis, yo me empeño en otra de análisis. ¿Y todo por qué? ¿Por un afán coleccionista? ¿Por impotencia para la elección o incapacidad para entresacar el grano de la paja? Nada de eso.</i></div>
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<i><br /></i></div>
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<i>Mi respeto por el artista es tal que considero la extracción de sólo lo mejor de él como una mutilación de su obra, una falta de consideración hacia lo que el artista es, hacia el hombre que gracias a su talento y su genio se ha convertido en artista —en demiurgo y taumaturgo de la realidad.</i></div>
<div style="text-align: left;">
<i>Priva al artista de parte de su obra, subraya sólo sus momentos de mayor genialidad, y obtendrás un artista parcial, inexacto, inauténtico. Su altura no tendrá referencias intrínsecas. Estará falseado.</i></div>
<div style="text-align: left;">
<i>Sólo en la obra integral se encuentra la verdad del artista, esa construida sobre el hombre que hace frente a los afanes de la vida, que se sobrepone a ellos y es capaz de crear y embellecer el mundo.</i></div>
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<i>Amante como soy de los breviarios, en lo tocante al arte, y sobre todo al gráfico (pintura, escultura, arquitectura, pero también cine o fotografía), considero que es en el conocimiento de la obra integral donde se encuentra, pleno y pletórico, el artista en toda su dimensión, esa que nos ayuda a comprenderlo y comprender, por ende, al arte en su más incontrovertible y certera manifestación.</i></div>
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<i>Es imprescindible que el breviario conviva con la enciclopedia: contemplar la realidad con profundidad de campo, intentar percibirla en su totalidad, con todos sus matices, a la luz diáfana del día; mirar y vivir la vida exclusivamente a base de destellos no puede acarrear otro resultado que la ceguera... o la confusión.</i></div>
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<td colspan="2" valign="TOP" width="635"><div align="LEFT" style="margin-bottom: 0.2cm;">
<span style="font-family: inherit;"><span style="color: white;">.....</span><span style="color: #cc0000;">D</span>e
acuerdo con la tradición, Dieric Bouts (ca 1420/30-1475) se
educó en Haarlem, que en ese periodo formaba parte de los
dominios del duque borgoñón Felipe el Bueno. Bouts llegó a
Lovaine en 1448, donde se había fundado, en 1425, la primera
universidad de los Países Bajos. En esta ciudad, llena de torres
de iglesias parroquiales y de claustros, se desarrollaba un alto
grado de actividad ligada a la construcción. Las pinturas más
importantes que le fueron comisionadas en Lovaina fueron: el
<i><b>Tríptico de la Adoración de los Reyes</b></i>,
el <i><b>Tríptico de San Erasmo</b></i>,
el <i><b>Retablo de la Última Cena </b></i>(los
dos últimos para la Iglesia de San Pedro) y <i><b>La
Justicia del Emperador Otón III</b></i>.
Desde muy temprano Bouts perteneció a la clase alta, moviéndose
dentro del mundo intelectual de Lovaina y siendo uno de sus más
altos funcionarios.</span></div>
<div align="LEFT" style="margin-bottom: 0.2cm;">
<span style="font-family: inherit;"><span style="color: white;">.....</span>El
estilo de Bouts se caracteriza por composiciones armónicas y una
rica, clara y cálida paleta de colores. Sus figuras son altas y
esculturales, vueltas hacia el interior. Sus representaciones son
escasamente emocionales. Así mismo se le denominó “el pintor
del silencio”. El realismo y la monumentalidad característicos
de los Primitivos Flamencos están presentes en Bouts. Sus
pinturas muestran una influencia temática y compositiva de
Rogier van der Weyden, cuya obra maestra, <i>El
Descenso de la Cruz</i>,
se encontraba todavía en Lovaina. La observación precisa y el
registro de la realidad apuntan claramente a Jan van Eyck.</span></div>
<div align="LEFT">
<span style="font-family: inherit;"><span style="color: white;">.....</span>Los
dos hijos de Bouts, Dieric y Albrecht, continuaron la tradición
artística de su padre hasta bien entrado el siglo XVI. Otros
artistas también influenciados por su obra fueron Hans Memling y
Gérard David, así como a diversos maestros tanto del Norte y
del Sur de los Países Bajos, como a Franceses, alemanes y
españoles.</span></div>
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<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1410</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1420</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Dieric Bouts
nació en los Paises Bajos del Norte, probablemente en Haarlem.</span></td>
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<td sdnum="3082;" sdval="1445" width="35"><div align="CENTER">
<span style="font-family: inherit;">1445</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Bouts produce
el <i><b>Retablo de la Virgen</b></i>
(Museo del Prado), que es contemplado como el primer trabajo que
realizó en Lovaina. En él están ya incluidos los principales
rasgos <i>boutsianos</i>:
la actitud meditativa y distante de las figuras principales, y
una poderosa y realista representación, con gran atención a los
detalles.</span></td>
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<td sdnum="3082;" sdval="1448" width="35"><div align="CENTER">
<span style="font-family: inherit;">1448</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">Nace
Dieric Bouts </span><span style="color: #1d1d1d;"><span style="font-size: small;"><i>el
Joven</i></span></span><span style="color: #1d1d1d;"><span style="font-size: small;">.</span></span></span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1452" width="35"><div align="CENTER">
<span style="font-family: inherit;">1452</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Nace
Albrecht Bouts.</span></td>
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<td sdnum="3082;" sdval="1455" width="35"><div align="CENTER">
<span style="font-family: inherit;">1455</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Bouts pinta
<span style="color: #1d1d1d;">el
</span><strong><span style="color: #1d1d1d;">Tríptico
del Descendimiento</span></strong><strong><span style="color: #1d1d1d;"><span style="font-size: small;"><b>
</b></span></span></strong><span style="color: #1d1d1d;">(Capilla
Real, Granada), cuyos paneles de la pasión siguen el modelo de
los que pintaran el Maestro van Flémalle y Rogier van der
Weyden. Utilizó motivos de su agrado, introduciendo figuras
inmóviles que a menudo carecen de emoción. El historiador de
arte Maurits Smeyers lo llamó 'el pintor del silencio' en una
monografía.</span><span style="font-size: small;">
</span>
</span></td>
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<tr valign="TOP">
<td sdnum="3082;" sdval="1457" width="35"><div align="CENTER">
<span style="font-family: inherit;">1457</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">Relacionado
con las normas de las disposiciones de herencia por la muerte de
los padres de su esposa, el nombre Dieric Bouts aparece por
primera vez en los archivos de la ciudad de Lovaina. Después se
le menciona a menudo en relación con la venta y las
transacciones de bienes, y con los ordenamientos de pinturas.</span>
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1462" width="35"><div align="CENTER">
<span style="font-family: inherit;">1462</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="font-size: small;"><span style="color: #1d1d1d;">Bouts
pinta el </span><span style="color: #1d1d1d;"><i><b>Re</b></i></span><em><span style="color: #1d1d1d;"><i><b>trato
de un hombre </b></i></span></em><span style="color: #1d1d1d;">(National
Gallery, Londres). Este es el primer retrato con una ventana que
da a un paisaje.</span>
</span>
</span></td>
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<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1460</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1465</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">Realiza
el </span><em><span style="color: #1d1d1d;"><i><b>Tríptico
de la Adoración de los Reyes Magos </b></i></span></em><span style="color: #1d1d1d;">(la
llamada </span><span style="color: #1d1d1d;"><i><b>P</b></i></span><em><span style="color: #1d1d1d;"><b>erla
de Brabante</b></span></em><span style="color: #1d1d1d;">)
(Alte Pinakothek, Munich). El nombre de la obra se debe a la
perfección y la brillantez de este tríptico de reducidas
dimensiones. En el panel central se encuentra la </span><span style="color: #1d1d1d;"><i>A</i></span><em><span style="color: #1d1d1d;"><i>doración</i></span></em><em><span style="color: #1d1d1d;">
de los </span></em><em><span style="color: #1d1d1d;">Magos</span></em><span style="color: #1d1d1d;">.
S</span><span style="color: #1d1d1d;"><i>an
Juan Bautista</i></span><span style="color: #1d1d1d;">
y </span><span style="color: #1d1d1d;"><i>San
Cristóbal</i></span><span style="color: #1d1d1d;">
ocupan los paneles laterales. El familiar retablo pertenecó
originalmente a la familia Van 't Sestich, la cual era dueña de
una casa en el Naamsestraat en Lovaina.</span>
</span></td>
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<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1460</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1465</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="font-size: small;"><span style="color: #1d1d1d;">En
</span><em><span style="color: #1d1d1d;"><i><b>Cristo
con San Juan Bautista y un donante </b></i></span></em><span style="color: #1d1d1d;">(</span><em><span style="color: #1d1d1d;">Ecce
Agnus Dei</span></em><span style="color: #1d1d1d;">)
(Alte Pinakothek, Munich) Bouts representa el inicio de la vida
pública de Jesús. En la composición, el paisaje también juega
un papel importante. Jesús es retratado de una manera muy
serena, un tipo que Bouts mantiene en toda su obra. El
comisionado de las obras ha recibido excepcionalmente un lugar
dentro de la composición.</span>
</span>
</span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1460</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1465</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="font-size: small;"><span style="color: #1d1d1d;">La
</span><em><span style="color: #1d1d1d;"><i><b>Virgen
y el Niño</b></i></span></em><em><span style="color: #1d1d1d;"><span style="font-style: normal;">
de Bouts </span></span></em><span style="color: #1d1d1d;">(National
Gallery, Londres) es un buen ejemplo de cómo el pintor
rejuvenece la temática mariana existente. El observador ve la
madre y el niño a través de una ventana abierta. El niño se
sienta en el zócalo de ventana sobre un cojín que funciona como
un elemento conectivo. El motivo de la 'ventana paisaje' de Bouts
se extendió rápidamente por las artes en Europa Occidental.</span>
</span>
</span></td>
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<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">Pre-</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1465</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="font-size: small;"><span style="color: #1d1d1d;">Por
encargo de la confraternidad del Santo Sacramento, Dieric Bouts
pintó el </span><em><span style="color: #1d1d1d;"><i><b>Tríptico
de San Erasmo </b></i></span></em><span style="color: #1d1d1d;">para
una de las dos capillas de la Iglesia del San Pedro de Lovaina.
Todavía hoy se encuentra allí en su lugar original. El panel
central representa a la ejecución de San Erasmo (303), obispo de
Antioquía de Siria; junto a los dos verdugos hay cuatro
personajes ataviados extemporáneamente con ricos vestidos, entre
ellos el emperador Diocleciano, quien había condenado al santo a
morir. En los dos paneles laterales, están representados dos
santos de pie: a la derecha, San Jerónimo; a la izquierda, San
Bernardo de Claraval. Toda la composición es rígida y
equilibrada.</span>
</span>
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1464" width="35"><div align="CENTER">
<span style="font-family: inherit;">1464</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">Se
firma el contrato para la realización del </span><em><span style="color: #1d1d1d;"><span style="font-style: normal;"><b>Retablo
del Santo Sacramento</b></span></span></em><span style="color: #1d1d1d;">,
encargo de la Cofradía del mismo nombre. Debido a que la pintura
es para el uso en la liturgia y para estimular la devoción
eucarística, el pintor recibe asesoramiento de dos teólogos
para la ejecución de la obra: Johannes Varenacker (1475) y
Egidio Bailluwel (1482). Bouts se compromete a no aceptar otra
comisión antes de la finalización de la obra.</span>
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1468" width="35"><div align="CENTER">
<span style="font-family: inherit;">1468</span></div>
</td>
<td width="592"><div align="LEFT" style="margin-bottom: 0.2cm;">
<span style="font-family: inherit;"><span style="color: #1d1d1d;">La
administración de la ciudad comisiona a Bouts, de cincuenta años
de edad, para que pinte unos paneles sobre la justicia en el
Ayuntamiento de Lovaina, así como un </span><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>J</b></i></span></span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>uicio
F</b></i></span></span></em><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>inal</b></i></span></span></em><em><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;">.
</span></span></span></em><span style="color: #1d1d1d;">Para
los paneles de justicia hay cuatro grandes paneles previstos, así
como otros prominentes paneles para el </span><span style="color: #1d1d1d;"><span style="font-size: small;"><i>J</i></span></span><em><span style="color: #1d1d1d;"><span style="font-size: small;">uicio
Final</span></span></em><span style="color: #1d1d1d;"><span style="font-size: small;">.
Las obras son para adornar el Ayuntamiento. Las pinturas también
deben servir de ejemplo para los jueces y los legisladores
durante su tiempo de trabajo. El tema de los paneles de la
justicia es la ejecución del rey Otón III (984 a 1.002), que no
dudó en condenar a su cónyuge a morir en la hoguera por haber
acusado falsamente a un conde, por lo que había sido ejecutado.
Es un tema único en las pinturas del siglo XV.</span></span></span></div>
<div align="LEFT">
<span style="font-family: inherit;"><span style="color: #1d1d1d;">El
31 de enero 1470 </span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>El
Juicio Final</b></i></span></span></em><em><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;">
fue</span></span></span></em><span style="color: #1d1d1d;"><span style="font-size: small;">
colgado en el Ayuntamiento de Lovaina. Según los archivos de la
ciudad parece que se trataba de un tríptico (se registra un pago
para la fabricación de bisagras y un pestillo) con un amplio
zócalo diseñado por el arquitecto principal Mattheus Layens. El
panel central se encuentra a día de hoy desaparecido; los dos
paneles laterales se conservan en el Palacio de Bellas Artes de
Lille. </span></span>
</span></div>
</td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1472" width="35"><div align="CENTER">
<span style="font-family: inherit;">1472</span></div>
</td>
<td width="592"><div align="LEFT">
<span style="font-family: inherit;">Primera
mención de Bouts como pintor principal de la ciudad. Un título
honorífico.</span></div>
</td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1473</span></div>
<div align="CENTER">
<span style="font-family: inherit;"><br />
</span></div>
</td>
<td width="592"><span style="font-size: small;"><span style="color: #1d1d1d; font-family: inherit;">Catharina
van der Brugghen muere y es enterrada en la Iglesia de los
Franciscanos, en Lovaina.</span></span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1474" width="35"><div align="CENTER">
<span style="font-family: inherit;">1474</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">Dieric
Bouts se vuelve a casar, con Elisabeth van Voshem, la viuda del
carnicero de Lovaina Johannes van Thienen, heredando la totalidad
de sus propiedades.</span>
</span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1470</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1475</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">Hippolythe
de Bertoz (1502) y su primera esposa Elisabeth van Keversweyck
encargan a Bouts la tarea de representar el </span><em><span style="color: black;"><span style="font-size: small;"><i><b>Martirio
de San Hipólito </b></i></span></span></em><span style="color: #1d1d1d;">(Catedral
de San Salvador, Brujas). El panel central representa el
desmembramiento de San Hipólito, el patrón del comisionado. El
panel se continúa a través del panel de la derecha, donde hay
seis hombres, entre los cuales están el emperador Decio que
condenó al santo. En el panel izquierdo, los comitentes se
representan de rodillas. Esta es la primera presentación de los
donantes siendo testigos de una escena de martirio. El
historiador de arte Griet Steyaert sugiere una atribución del
panel de la derecha y de algunas zonas en el panel central de
Aert van den Bossche</span><span style="font-size: small;">
</span>
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1475" width="35"><div align="CENTER">
<span style="font-family: inherit;">1475</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">Bouts
redacta su testamento en presencia de los notarios Ene Amelen y
Jan Vanden Winckele, y del artesano vidriero Rombout Keldermans,
su cuñado. Divide su patrimonio entre su esposa, sus dos hijas
que habían entrado en un claustro, y sus dos hijos, a los que
dejó sus estudios de pintura así como la responsabilidad de
la realización de sus obras aún no terminadas, incluido uno de
los paneles de la justicia y el </span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;">Martirio
de San Hipólito</span></span></span></em><span style="color: #1d1d1d;"><span style="font-size: small;">.
Es Hugo van der Goes, quien remata el panel central del
</span></span><em><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;"><b>Martirio
de San Hipólito </b></span></span></span></em><span style="color: #1d1d1d;">.</span></span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">6/5</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1475</span></div>
</td>
<td width="592"><span style="color: #1d1d1d; font-family: inherit;">Dieric
Bouts muere. Su cuerpo se coloca en la Iglesia de los
Franciscanos, junto al de su primera esposa.</span>
</td>
</tr>
</tbody></table>
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<b><span style="color: #cc0000; font-size: x-large;">GALERÍA</span></b></div>
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<b><br /></b></div>
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<div style="text-align: center;">
Dieric Bouts - Triptych the Pearl of Brabant</div>
<div style="text-align: center;">
(lw St John the Baptist_cp Adoration of the Magi_rw Saint Christopher)</div>
<div style="text-align: center;">
(Alte Pinakothek, Munich)</div>
<div style="text-align: center;">
. </div>
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<div style="text-align: center;">
Dieric Bouts - Triptych the Pearl of brabant_central panel Adoration of the Magi </div>
<div style="text-align: center;">
(Alte Pinakothek, Munich)</div>
.<br />
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Dieric Bouts - Triptych the Pearl of brabant_left wing St John the Baptist<br />
<div style="text-align: center;">
(Alte Pinakothek, Munich) </div>
.<br />
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Dieric Bouts - Triptych the Pearl of brabant_right wing St Christopher</div>
<div class="separator" style="clear: both;">
(Alte Pinakothek, Munich)</div>
</div>
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.</div>
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<div style="text-align: center;">
Dirck Bouts - Tríptico de la vida de la Virgen, h 1445</div>
<div style="text-align: center;">
(Museo del Prado)</div>
<div style="text-align: center;">
.</div>
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<div style="text-align: center;">
Dieric Bouts - Passion Altarpiece</div>
<div style="text-align: center;">
(Capilla Real de Granada) </div>
<div style="text-align: center;">
.</div>
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<div style="text-align: center;">
Dieric Bouts - Passion Altarpiece_central panel The Descent</div>
<div style="text-align: center;">
(Capilla Real de Granada)</div>
<div style="text-align: center;">
.</div>
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<div style="text-align: center;">
Dieric Bouts - Passion Altarpiece_side wings: Crucifixión and Resurrection</div>
<div style="text-align: center;">
(Capilla Real de Granada)</div>
<div style="text-align: center;">
.</div>
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<div style="text-align: center;">
Dieric Bouts - Passion Altarpiece</div>
<div style="text-align: center;">
(Museu del Patriarca, Valencia)</div>
<div style="text-align: center;">
.</div>
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<div style="text-align: center;">
Dieric Bouts - Passion Altarpiece</div>
<div style="text-align: center;">
(Museu del Patriarca, Valencia)</div>
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.</div>
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Dirck Bouts - Retablo del Santo Sacramento, 1464-1467<br />
(Sint-Pieterskerk, Leuven)<br />
.<br />
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Dirck Bouts - Retablo del Santo Sacramento, 1464-1467_La Última Cena<br />
(Sint-Pieterskerk, Leuven)<br />
.<br />
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Dirck Bouts - Retablo del Santo Sacramento, 1464-1467_Elías en el desierto<br />
(Sint-Pieterskerk, Leuven)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
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Dirck Bouts - Retablo del Santo Sacramento, 1464-1467_La Fiesta de Pascua<br />
(Sint-Pieterskerk, Leuven)<br />
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Dirck Bouts - Retablo del Santo Sacramento, 1464-1467_La recogida del maná<br />
(Sint-Pieterskerk, Leuven)<br />
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Dirck Bouts - Retablo del Santo Sacramento, 1464-1467_La reunión de Abraham y Melquisedec<br />
(Sint-Pieterskerk, Leuven)<br />
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Dieric Bouts & Hugo van der Goes - Triptiek van de Heilige Hippolytus </div>
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(Sint-Salvators kathedraal; Brugge) </div>
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Dieric Bouts - Triptych of Saint Erasmus, 1458</div>
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(Sint-Pieterskerk, Leuven)</div>
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Dieric Bouts - Triptych of Saint Erasmus, 1458</div>
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(Sint-Pieterskerk, Leuven)</div>
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Dieric Bouts - La justice de l'empereur Otton_Dyptic</div>
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(Musées Royaux des Beaux-Arts de Belgique)</div>
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Dieric Bouts - La justice de l'empereur Otton_L'épreuve du feu</div>
<div style="text-align: center;">
(Musées Royaux des Beaux-Arts de Belgique)</div>
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Dieric Bouts - La justice de l'empereur Otton_L'épreuve du feu_detail 1</div>
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(Musées Royaux des Beaux-Arts de Belgique) </div>
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Dieric Bouts - La justice de l'empereur Otton_L'épreuve du feu_detail 2</div>
<div style="text-align: center;">
(Musées Royaux des Beaux-Arts de Belgique)</div>
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Dieric Bouts - La justice de l'empereur Otton_L'épreuve du feu_detail 2</div>
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(Musées Royaux des Beaux-Arts de Belgique) </div>
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Dieric Bouts - La justice de l'empereur Otton_Le supplice du comte innocent</div>
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(Musées Royaux des Beaux-Arts de Belgique)</div>
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Dieric Bouts - La justice de l'empereur Otton_Le supplice du comte innocent_detail 1</div>
<div style="text-align: center;">
(Musées Royaux des Beaux-Arts de Belgique)</div>
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<div style="text-align: center;">
Dieric Bouts - La justice de l'empereur Otton_Le supplice du comte innocent_detail 2</div>
<div style="text-align: center;">
(Musées Royaux des Beaux-Arts de Belgique)</div>
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Dieric Bouts - L’Ascension des Elus ou le Paradis_La Chute des Damnés ou l'Enfer, c. 1450</div>
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(Side wings of a Triptych of Last Judgment; whose the panel central is lost)</div>
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(Palais des Beaux-Arts, Lille)</div>
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Dieric Bouts - L’Ascension des Élus ou le Paradisc. 1450</div>
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(Left wing of a Triptych of Last Judgment; whose the panel central is lost)</div>
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(Palais des Beaux-Arts, Lille)</div>
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<div style="text-align: center;">
Dieric Bouts - L’Ascension des Élus ou le Paradisc. 1450</div>
<div style="text-align: center;">
(Left wing of a Triptych of Last Judgment; whose the panel central is lost)</div>
<div style="text-align: center;">
(Palais des Beaux-Arts, Lille) </div>
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Dieric Bouts - L’Ascension des Élus ou le Paradisc. 1450_detail 1</div>
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(Left wing of a Triptych of Last Judgment; whose the panel central is lost)</div>
<div style="text-align: center;">
(Palais des Beaux-Arts, Lille)</div>
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Dieric Bouts - L’Ascension des Élus ou le Paradisc. 1450_detail 2</div>
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(Left wing of a Triptych of Last Judgment; whose the panel central is lost)</div>
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(Palais des Beaux-Arts, Lille) </div>
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Dieric Bouts - L’Ascension des Élus ou le Paradisc. 1450_detail 3</div>
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(Left wing of a Triptych of Last Judgment; whose the panel central is lost)</div>
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(Palais des Beaux-Arts, Lille)</div>
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Dieric Bouts - La Chute des Damnés ou l'Enfer, c. 1450</div>
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(Right panel of a Triptych of Last Judgment; whose the panel central is lost)</div>
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(Palais des Beaux-Arts, Lille)</div>
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Dieric Bouts - La Chute des Damnés ou l'Enfer, c. 1450</div>
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(Right panel of a Triptych of Last Judgment; whose the panel central is lost)</div>
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(Palais des Beaux-Arts, Lille)</div>
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Dieric Bouts - La Chute des Damnés ou l'Enfer, c. 1450_detail 1</div>
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(Right panel of a Triptych of Last Judgment; whose the panel central is lost)</div>
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(Palais des Beaux-Arts, Lille)</div>
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Dieric Bouts - La Chute des Damnés ou l'Enfer, c. 1450_detail 2</div>
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(Right panel of a Triptych of Last Judgment; whose the panel central is lost)</div>
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(Palais des Beaux-Arts, Lille)</div>
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Dieric Bouts - La Chute des Damnés ou l'Enfer, c. 1450_detail 3</div>
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(Right panel of a Triptych of Last Judgment; whose the panel central is lost)</div>
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(Palais des Beaux-Arts, Lille)</div>
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Dieric Bouts - La Chute des Damnés ou l'Enfer, c. 1450_detail 4</div>
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(Right panel of a Triptych of Last Judgment; whose the panel central is lost)</div>
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(Palais des Beaux-Arts, Lille)</div>
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Dieric Bouts - La Chute des Damnés ou l'Enfer, c. 1450_detail 5</div>
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(Right panel of a Triptych of Last Judgment; whose the panel central is lost)</div>
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(Palais des Beaux-Arts, Lille)</div>
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Dieric Bouts - La Chute des Damnés ou l'Enfer, c. 1450_detail 6</div>
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(Right panel of a Triptych of Last Judgment; whose the panel central is lost)</div>
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(Palais des Beaux-Arts, Lille)</div>
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Dieric Bouts - Annunciation, 1450-55</div>
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(Getty Museum)</div>
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Dieric Bouts - Annunciation, 1450-55</div>
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(Getty Museum)</div>
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Dieric Bouts (Workshop) - The Virgin and Child with Saint Peter and Saint Paul </div>
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(National Gallery, London)</div>
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Dieric Bouts - Coronation of the Virgin, c 1450</div>
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(Akademie der Bildenden Künste, Vienna)</div>
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Dieric Bouts - Autoritratto come San Luca · Da San Luca ritrae la Vergine , ca 1455</div>
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(Bowes Museum, Teesdale, England) </div>
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Dieric Bouts - Autoritratto come San Luca · Da San Luca ritrae la Vergine , ca 1455</div>
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(Bowes Museum, Teesdale, England) </div>
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Dieric Bouts - Madonna and Child<br />
(National Gallery of Art, Washington DC)<br />
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Dieric Bouts - Virgin and Child, 1454</div>
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(Statens Museum for Kunst)</div>
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Dieric Bouts - The Virgin and Child</div>
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(Koninklijk Museum voor Schone Kunsten, Antwerp) </div>
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<div style="text-align: center;">
Dieric Bouts - The Virgin and Child</div>
<div style="text-align: center;">
(Museo Correr, Venice) </div>
<div style="text-align: center;">
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<div class="separator" style="clear: both; text-align: center;">
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<div style="text-align: center;">
Dieric Bouts - The Virgin and Child (<i>Davis Madonna</i>), 1455-60</div>
<div style="text-align: center;">
(MET)</div>
<div style="text-align: center;">
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<div style="text-align: center;">
Dieric Bouts - The Virgin and Child, 1465</div>
<div style="text-align: center;">
(National Gallery)</div>
<div style="text-align: center;">
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<div style="text-align: center;">
Dieric Bouts (Workshop) - The Virgin and Child, 1475-80<br />
(San Francisco Museum of Arts)</div>
<div style="text-align: center;">
.</div>
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<div style="text-align: center;">
Dieric Bouts (Workshop) - The Virgin and Child </div>
<div style="text-align: center;">
(MET)</div>
<div style="text-align: center;">
.<br />
<div class="separator" style="clear: both;">
<a href="https://4.bp.blogspot.com/-pk6rET-6PIY/WRQvpywBaMI/AAAAAAAAkkM/BtdWHxaNaSY5tHWG5VWLaCqF4Jd6pny2ACLcB/s1600/Dieric%2BBouts%2B%2528Workshop%2529%2B-%2BThe%2BVirgin%2Band%2BChild%252C%2B1475-99%2B%2528MET%2529_med.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-pk6rET-6PIY/WRQvpywBaMI/AAAAAAAAkkM/BtdWHxaNaSY5tHWG5VWLaCqF4Jd6pny2ACLcB/s640/Dieric%2BBouts%2B%2528Workshop%2529%2B-%2BThe%2BVirgin%2Band%2BChild%252C%2B1475-99%2B%2528MET%2529_med.jpg" width="464" /></a></div>
<div style="text-align: center;">
Dieric Bouts (Workshop) - The Virgin and Child, 1475-99<br />
(MET)</div>
. </div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-BPdZl5vFUFM/WRQvhJdQHzI/AAAAAAAAkj0/kFzZ3NN5Qnw_GH4YbU9gcPueqtUdhnvugCLcB/s1600/Dieric%2BBouts%2B%2528Follower%2Bof%2529-%2BVirgin%2Band%2BChild%252C%2B1465-1470%2B%2528Thyssen-Bornemisza%2BMuseum%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-BPdZl5vFUFM/WRQvhJdQHzI/AAAAAAAAkj0/kFzZ3NN5Qnw_GH4YbU9gcPueqtUdhnvugCLcB/s640/Dieric%2BBouts%2B%2528Follower%2Bof%2529-%2BVirgin%2Band%2BChild%252C%2B1465-1470%2B%2528Thyssen-Bornemisza%2BMuseum%2529.jpg" width="454" /></a></div>
<div style="text-align: center;">
Dieric Bouts (Follower of) - Virgin and Child, 1465-1470</div>
<div style="text-align: center;">
(Thyssen-Bornemisza Museum) </div>
<div style="text-align: center;">
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<div style="text-align: center;">
Dieric Bouts - Ecce Agnus Dei, 1462-64</div>
<div style="text-align: center;">
(Alte Pinakothek, Munich)</div>
<div style="text-align: center;">
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<div class="separator" style="clear: both; text-align: center;">
Dieric Bouts - Christ in the House of Simon</div>
<div style="text-align: center;">
(Staatliche, 1440 Museen, Berlin)</div>
<div style="text-align: center;">
.</div>
<div class="separator" style="clear: both; text-align: center;">
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<div style="text-align: center;">
Dieric Bouts - The Capture of Christ, c 1440-50</div>
<div style="text-align: center;">
(Alte Pinakothek, Munich)</div>
<div style="text-align: center;">
. </div>
<div class="separator" style="clear: both; text-align: center;">
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<div style="text-align: center;">
Dieric Bouts (workshop) - Christ Crowned with Thorns_Diptych Virgin and Christ, ca 1470-75</div>
<div style="text-align: center;">
(National Gallery London) </div>
<div style="text-align: center;">
.</div>
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<div style="text-align: center;">
Dieric Bouts (workshop)- Mater Dolorosa_Diptych Virgin and Christ, ca 1470-75</div>
<div style="text-align: center;">
(National Gallery London</div>
<div style="text-align: center;">
.</div>
<div class="separator" style="clear: both; text-align: center;">
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<div style="text-align: center;">
Dieric Bouts - Christ Crowned with Thorns, c 1470</div>
<div style="text-align: center;">
(National Gallery London)</div>
<div style="text-align: center;">
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<div class="separator" style="clear: both; text-align: center;">
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<div style="text-align: center;">
Dieric Bouts - La Déploration du Christ, vers 1460</div>
<div style="text-align: center;">
(Musée du Louvre) </div>
<div style="text-align: center;">
.</div>
<div class="separator" style="clear: both; text-align: center;">
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<div style="text-align: center;">
Dieric Bouts - La Déploration du Christ, vers 1460</div>
<div style="text-align: center;">
(Musée du Louvre) </div>
<div style="text-align: center;">
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<div class="separator" style="clear: both; text-align: center;">
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<div style="text-align: center;">
Dieric Bouts - La Déploration du Christ, vers 1460_detail</div>
<div style="text-align: center;">
(Musée du Louvre) </div>
<div style="text-align: center;">
.</div>
<div class="separator" style="clear: both; text-align: center;">
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<div style="text-align: center;">
Dieric Bouts - The Entombment, c 1450</div>
<div style="text-align: center;">
(National Gallery, London)</div>
<div style="text-align: center;">
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<div class="separator" style="clear: both; text-align: center;">
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<div style="text-align: center;">
Dieric Bouts - The Entombment, c 1450</div>
<div style="text-align: center;">
(National Gallery, London)</div>
<div style="text-align: center;">
.</div>
<div class="separator" style="clear: both; text-align: center;">
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<div style="text-align: center;">
Dieric Bouts - Resurrection</div>
<div style="text-align: center;">
(Norton Simon Museum of Art, Pasadena)</div>
<div style="text-align: center;">
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<div class="separator" style="clear: both; text-align: center;">
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Dieric Bouts - Christus Salvator Mundi, 1464<br />
(Museum Boijmans Van Beuningen)<br />
.</div>
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<div style="text-align: center;">
Dieric Bouts - Portrait of a Man (Jan van Winckele?), 1462</div>
<div style="text-align: center;">
(National Gallery London) </div>
<div style="text-align: center;">
.</div>
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<a href="https://4.bp.blogspot.com/-rvc_LywrH3o/WRLf-ta3FTI/AAAAAAAAkfI/ZnnXzM_09DQq6ybcbJUsqVe8ycnhQV2DwCLcB/s1600/Los%2BPrimitivos%2BFlamencos_cronolog%25C3%25ADa%2BHugo%2Bvan%2Bder%2BGoes.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="64" src="https://4.bp.blogspot.com/-rvc_LywrH3o/WRLf-ta3FTI/AAAAAAAAkfI/ZnnXzM_09DQq6ybcbJUsqVe8ycnhQV2DwCLcB/s640/Los%2BPrimitivos%2BFlamencos_cronolog%25C3%25ADa%2BHugo%2Bvan%2Bder%2BGoes.jpg" width="640" /></a></div>
<div style="text-align: center;">
<center>
<table border="0" cellpadding="4" cellspacing="0" style="width: 643px;">
<colgroup><col width="35"></col>
<col width="592"></col>
</colgroup><tbody>
<tr>
<td colspan="2" valign="TOP" width="635"><div align="LEFT" style="margin-bottom: 0.2cm;">
<span style="font-family: inherit;"><em><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="color: white; font-size: small;">.....</span><span style="color: #cc0000; font-size: large;">H</span><span style="color: #1d1d1d;">ugo
van der Goes está entre los pintores flamencos más importantes
e innovadores de finales del siglo XV. En el escaso número de
paneles que de él ha sobrevivido son reconocidos por un nuevo
monumentalismo, un espectro de color específico y una manera
individualista u sin precedentes de retratar las figuras y sus
expresiones faciales.</span></span></em><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-size: small;">
</span>
</span></div>
<div align="LEFT" style="margin-bottom: 0.2cm;">
<span style="font-family: inherit; font-size: small;"><em><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="color: white;">.....</span><span style="color: #1d1d1d;">Probablemente
nació en Gante, en torno a 1440. Tras la marcha de Joos van
Wassenhove a Urbino, Hugo van der Goes es probablemente el pintor
más importante en su ciudad natal a partir de 1470. Fue
seleccionado para ser diácono del gremio de pintores en varias
ocasiones. Recibió los encargos más importantes de la Corte de
Borgoña, de diversas instituciones de la iglesia, y de la rica
burguesía flamenca y las asociaciones de empresarios italianos
que a la sazón se encontraban en los Países Bajos borgoñones.
El tríptico monumental, que pintara por comisión del banquero
de los Medici residente en Brujas, Tommaso Portinari, llegó a
Florencia en 1483 e inspiró a artistas italianos como Domenico
Ghirlandaio. Giorgio Vasari menciona en 1550, en sus </span></span></em><em><span style="color: #1d1d1d;"><span style="font-style: normal;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">Vidas,</span></span></span></em><em><span style="color: #1d1d1d;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">
que el tríptico Portinari fue pintado por "Ugo d'Anversa",
por lo que la reconstrucción de la obra de Van der Goes, que
parecía haber firmado una única pintura, se hizo posible.</span></span></em></span></div>
<div align="LEFT" style="margin-bottom: 0.2cm;">
<span style="font-size: small;"><em><span style="color: white; font-family: inherit;">.....</span><span style="color: #1d1d1d; font-family: inherit;">En
el punto culminante de su carrera, Van der Goes cerró su estudio
en Gante en 1477 para irse como hermano lego a la comunidad
reformada agustina de Roode Klooster, cerca de Auderghem
(Bruselas). Allí gozaría de ciertos privilegios; por ejemplo,
le estaba permitido dedicarse a la pintura. Durante su estancia
en el claustro, su estado mental empeoró. Tras el regreso de una
visita a Colonia, en 1482, padeció un ataque agudo de depresión
que le incitó al suicidio. Murió poco tiempo después en el
mismo Roode Klooster.</span></em></span></div>
<div align="LEFT">
<span style="font-family: inherit;"><span style="font-size: small;"><em><span style="color: white;">.....</span><span style="color: #1d1d1d;">La
mayoría de la producción original de Van der Goes no se ha
conservado. Numerosas copias posteriores a partir de los
originales perdidos, por su parte, dan testimonio de la inmensa
influencia del nativo de Gante en el arte flamenco. También
artistas alemanes estuvieron familiarizadas con Van der Goes a
través de los grabados de Martin Schongauer. Trasla muerte de
Van der Goes en 1482, el ilustrador de libros de Gante Alexander
Bening, que estaba casado con una sobrina del pintor, debió
heredar los dibujos de modelos y patrones de Van der Goes. Esto
ayuda a explicar la propagación notable de las composiciones del
pintor en los libros ilustrados de horas por la llamada escuela
de Gante-Brujas. Simon Bening, hijo de Alexander Bening, realizó
dibujos de los modelos de Van der Goes en Brujas. Gerard David y
los miembros de su entorno profesional fueron inspirados por el
artista Gante. </span></em></span>
</span></div>
</td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1440" width="35"><div align="CENTER">
<span style="font-family: inherit;">1440</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">Nacimiento
de Van der Goes. A pesar de no estar documentado su lugar de
nacimiento, parece que nació en Gante o sus alrededores.</span>
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1451" width="35"><div align="CENTER">
<span style="font-family: inherit;">1451</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Felipe
el Bueno libera a Van der Goes de un misterioso exilio.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1467" width="35"><div align="CENTER">
<span style="font-family: inherit;">1467</span></div>
</td>
<td width="592"><div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">
<span style="font-family: inherit; font-size: small;"><span style="color: #1d1d1d;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">Van
der Goes se convierte en maestro del gremio de pintores de Gante.
</span></span><span style="color: #1d1d1d;">Los
pintores Joos van Wassenhove y Daneel Ruthaert responden por él.</span></span></div>
</td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1468" width="35"><div align="CENTER">
<span style="font-family: inherit;">1468</span></div>
</td>
<td width="592"><div style="margin-bottom: 0.2cm;">
<span style="color: #1d1d1d; font-family: inherit;">Con
asignación de la ciudad de Gante, realiza pinturas en función
de Gran Becario de la ciudad. También en los años siguientes
Van der Goes lleva a cabo trabajos decorativos bajo comisión de
la ciudad; por ejemplo, pinta blasones papales.</span></div>
<div style="margin-bottom: 0.2cm;">
<span style="color: #1d1d1d; font-family: inherit;">En
marzo y abril el pintor trabajó, por comisión de la Corte de
Borgoña, en el engalanamiento de Brujas con motivo de la boda de
Carlos el Temerario y Magareta de York.</span></div>
<span style="font-family: inherit;"><span style="color: #1d1d1d;">El
18 de octubre Van der Goes es invitado junto a otros miembros del
gremio de pintores, a la asamblea de pintores de Doornik, en
Gante, con motivo del día de San Lucas. </span>
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1469" width="35"><div align="CENTER">
<span style="font-family: inherit;">1469</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">Alexander
(Sander) Bening se convierte en maestro del gremio de pintores de
Gante. </span></span><span style="color: #1d1d1d;">Hugo
van der Goes y Joos van Wassenhove responden por él. En 1480 se
casó con Catalina Sander Bening, prima de Van der Goes.</span>
</span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1469</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1472</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1474</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">Van
der Goes y sus compañeros son pagados por la ciudad para las
obras decorativas con motivo de la Jubilosa Entrada (Visita Real)
de Carlos el Temerario en Gante, y de las pinturas y blasones con
ocasión del funeral de Carlos el Bueno.</span>
</span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1473</span></div>
<div align="CENTER">
<span style="font-family: inherit;">a</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1477</span></div>
</td>
<td width="592"><div style="margin-bottom: 0.2cm;">
<span style="color: #1d1d1d; font-family: inherit;">Van
der Goes alquila un lugar de Clais Filips van der Zickele en el
Sint-Pietersnieuwstraat en Gante.</span></div>
<div style="margin-bottom: 0.2cm;">
<span style="font-family: inherit;"><span style="font-size: small;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><span style="color: #1d1d1d;">El
pintor es elegido en varias ocasiones como diácono de gremio de
pintores de Gante (1474, 1475, 1476). </span></span></span>
</span></div>
<span style="font-family: inherit;"><span style="font-size: small;"><span style="color: #1d1d1d;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">En
este periodo Van der Goes pinta la </span></span><strong><span style="color: #1d1d1d;"><i><b><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">Adoración
de los Reyes Magos</span></b></i></span></strong><span style="color: #1d1d1d;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">,
llamado </span></span><span style="color: #1d1d1d;"><i><b><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">Retablo
</span></b></i></span><strong><span style="color: #1d1d1d;"><i><b><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">Monforte
(</span></b></i></span></strong><span style="color: #1d1d1d;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">Gemäldegalerie,
Berlín) y trabaja al servicio de Tommaso Portinari en un retablo
monumental con </span></span><span style="color: #1d1d1d;"><i><b><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">La
Adoración de los pastores</span></b></i></span><span style="color: #1d1d1d;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">,
o </span></span><span style="color: #1d1d1d;"><i><b><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">Retablo
</span></b></i></span><strong><span style="color: #1d1d1d;"><i><b><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">Portinari</span></b></i></span></strong><strong><span style="color: #1d1d1d;"><b><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">
</span></b></span></strong><span style="color: #1d1d1d;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">(Galleria</span></span><span style="color: #1d1d1d;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">
</span></span><span style="color: #1d1d1d;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">degli
Uffizi, Florencia), que hasta 1483, después de la muerte del
artista, no llegó a Florencia. </span></span></span>
</span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1477</span></div>
<div align="CENTER">
<span style="font-family: inherit;">a
1482</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">Van
der Goes deja Gante y entra como hermano lego en el Roode
Klooster, donde su medio hermano Nicolás es monje. En base a su notoriedad, Van der Goes recibe ciertos privilegios de la
comunidad del monasterio. Se le permite viajar y recibir visitas
de alto nivel, entre ellas la del archiduque Maximiliano. Por
otra parte, se le permitió el privilegio excepcional de beber vino, según observación de Ofhuys, cronista del claustro. Durante su
estancia en Klooster, Van der Goes continuó llevando a cabo
proyectos, aunque la finalización de las pinturas le causaba
gran preocupación.</span>
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1480" width="35"><div align="CENTER">
<span style="font-family: inherit;">1480</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;"><span style="text-align: center;">Van der Goes entró a</span>l
servicio de la ciudad de Lovaina para
evaluar las obras inacabadas de Dieric Bouts para el
ayuntamiento. Desde la administración de la ciudad recibió un
"stoop" de Rijnwijn por este servicio. Van der Goes también completó, </span></span><span style="text-align: center;">probablemente,</span><span style="color: #1d1d1d; font-family: inherit; text-align: center;"> la obra inacabada de Bouts el
</span><em style="font-family: inherit; text-align: center;"><span style="color: black;"><span style="font-size: small;"><i><b>Tríptico
de San Hipólito </b></i></span></span></em><em style="font-family: inherit; text-align: center;"><span style="color: black;"><span style="font-size: small;"><span style="font-style: normal;">(comisión
de Hyppolite Berthoz): de su</span></span></span></em><span style="color: #1d1d1d; font-family: inherit; text-align: center;"><span style="font-size: small;">
panel izquierdo pintó el retrato de la pareja de comitentes.</span></span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1482" width="35"><div align="CENTER">
<span style="font-family: inherit;">1482</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">Durante el viaje de regreso de una visita a Colonia —según el cronista
de Klooster Ofhuys—, fue afectado por una depresión aguda,
tratando de suicidarse sin éxito. Su entorno, entre los que
estaba su medio hermano Nicolás, decidió llevarlo a Bruselas y
de allí a la Roode Klooster. Murió poco después y fue
enterrado en el atrio del claustro. </span>
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1483" width="35"><div align="CENTER">
<span style="font-family: inherit;">1483</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><strong><span style="color: #1d1d1d;"><span style="font-weight: normal;">El</span></span></strong><strong><span style="color: #1d1d1d;"><b>
</b></span></strong><strong><span style="color: #1d1d1d;"><i><b>Retablo
</b></i></span></strong><strong><span style="color: #1d1d1d;"><i><b>Portinari</b></i></span></strong><strong><span style="color: #1d1d1d;"><b>
</b></span></strong><span style="color: #1d1d1d;">llegó
al año siguiente a Pisa y fue transportado a través del canal
de la Porta San Friano a Florencia. El retablo fue erigido en
Santa Maria Nuova. La ruda fisonomía de los pastores causó
impresión en los pintores de Florencia. Domenico Ghirlandaio fue
inspirado por Hugo van der Goes para su Epifanía de la capilla
Sasseti. </span>
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1510" width="35"><div align="CENTER">
<span style="font-family: inherit;">1510</span></div>
</td>
<td width="592"><div align="LEFT">
<span style="font-family: inherit;"><span style="color: #1d1d1d;">Gaspar
Ofhuys, monje en el Roode Klooster, informa en su crónica sobre
la muerte de Van der Goes en 1482 y su enfermedad psicológica.</span><span style="font-size: small;">
</span>
</span></div>
</td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1556</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1560</span></div>
</td>
<td width="592"><div align="LEFT">
<span style="color: #1d1d1d; font-family: inherit;">Marcus
van Vaernewyck describe las obras de Van der Goes que fueron
destruidas durante la Iconoclasia (destrucción de imágenes sagradas durante la Reforma, causada por protestantes calvinistas en 1566).</span>
</div>
</td>
</tr>
</tbody></table>
</center>
</div>
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<b><span style="color: #cc0000; font-size: x-large;">GALERÍA</span></b></div>
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Hugo van der Goes - Adoration of the Magi (Monforte Altarpiece)<br />
(Gemäldegalerie, Berlin)<br />
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Hugo van der Goes - Adoration of the Magi (Monforte Altarpiece)<br />
(Gemäldegalerie, Berlin)<br />
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Hugo van der Goes - Adoration of the Magi (Monforte Altarpiece)_detail 1<br />
(Gemäldegalerie, Berlin)<br />
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Hugo van der Goes - Adoration of the Magi (Monforte Altarpiece)_detail 2<br />
(Gemäldegalerie, Berlin)<br />
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Hugo van der Goes - Adoration of the Magi (Monforte Altarpiece)_detail 3<br />
(Gemäldegalerie, Berlin)<br />
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Hugo van der Goes - Adoration of the Magi (Monforte Altarpiece)_detail 4<br />
(Gemäldegalerie, Berlin)<br />
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Hugo van der Goes - Adoration of the Magi (Monforte Altarpiece)_detail 5<br />
(Gemäldegalerie, Berlin)<br />
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Hugo van der Goes - Adoration of the Magi (Monforte Altarpiece)_detail 6<br />
(Gemäldegalerie, Berlin)<br />
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Hugo van der Goes - Adoration of the Magi (Monforte Altarpiece)_detail 7<br />
(Gemäldegalerie, Berlin)<br />
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Hugo van der Goes - Adoration of the Shepherds_Portinari Altarpiece, 1476-79_open</div>
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(Galleria degli Uffizi)</div>
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Hugo van der Goes - Adoration of the Shepherds_Portinari Altarpiece, 1476-79_closed</div>
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(Galleria degli Uffizi)</div>
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Hugo van der Goes - Adoration of the Shepherds_Portinari Altarpiece, 1476-79 </div>
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(Galleria degli Uffizi)</div>
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Hugo van der Goes - Adoration of the Shepherds_Portinari Altarpiece, 1476-79 </div>
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(Galleria degli Uffizi)</div>
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Hugo van der Goes - Adoration of the Shepherds_Portinari Altarpiece, 1476-79</div>
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Panel central: Adoración de los Pastores</div>
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(Galleria degli Uffizi)</div>
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Hugo van der Goes - Adoration of the Shepherds_Portinari Altarpiece, 1476-79</div>
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Panel central: detalle de los pastores (que copiara Ghirlandaio)</div>
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(Galleria degli Uffizi)</div>
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Hugo van der Goes - Adoration of the Shepherds_Portinari Altarpiece, 1476-79</div>
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Ala izquierda: Tommasso <span style="font-family: inherit;"><span style="background-color: white; color: #222222;">Portinari y sus hijos Antonio y Pigello, con los santos </span>Antonio<span style="background-color: white; color: #222222;"> y </span>Tomás</span></div>
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(Galleria degli Uffizi)</div>
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Hugo van der Goes - Adoration of the Shepherds_Portinari Altarpiece, 1476-79</div>
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Ala derecha: <span style="font-family: inherit;"><span style="background-color: white; color: #222222;">María Portinari, con sus hijas, y las santas </span>Margarita<span style="background-color: white; color: #222222;"> y </span>María Magdalena</span></div>
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(Galleria degli Uffizi)</div>
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<a href="https://4.bp.blogspot.com/-hYVZ5-Uxa7I/WRXWbBeMYzI/AAAAAAAAknE/g7-KQHFl5LsMS38tanrHcueTOn3KALDtACLcB/s1600/Hugo%2Bvan%2Bder%2BGoes%2B-%2BAdoration%2Bof%2Bthe%2BShepherds_Portinari%2BAltarpiece%2B%2528Galleria%2Bdegli%2BUffizi%2529_detail%2B1_wing%2BR.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-hYVZ5-Uxa7I/WRXWbBeMYzI/AAAAAAAAknE/g7-KQHFl5LsMS38tanrHcueTOn3KALDtACLcB/s640/Hugo%2Bvan%2Bder%2BGoes%2B-%2BAdoration%2Bof%2Bthe%2BShepherds_Portinari%2BAltarpiece%2B%2528Galleria%2Bdegli%2BUffizi%2529_detail%2B1_wing%2BR.jpg" width="546" /></a></div>
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Hugo van der Goes - Adoration of the Shepherds_Portinari Altarpiece, 1476-79</div>
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Ala derecha: <span style="font-family: inherit;"><span style="background-color: white; color: #222222;">María Portinari, con sus hijas</span></span></div>
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(Galleria degli Uffizi)</div>
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<a href="https://4.bp.blogspot.com/-a0-bSfh_uBg/WRXWbD8aaVI/AAAAAAAAknA/C-mAAa-fAVYDbqkJDoJ2vG8Xnx7Ir57gwCLcB/s1600/Hugo%2Bvan%2Bder%2BGoes%2B-%2BAdoration%2Bof%2Bthe%2BShepherds_Portinari%2BAltarpiece%2B%2528Galleria%2Bdegli%2BUffizi%2529_detail%2Bwing%2BR.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-a0-bSfh_uBg/WRXWbD8aaVI/AAAAAAAAknA/C-mAAa-fAVYDbqkJDoJ2vG8Xnx7Ir57gwCLcB/s640/Hugo%2Bvan%2Bder%2BGoes%2B-%2BAdoration%2Bof%2Bthe%2BShepherds_Portinari%2BAltarpiece%2B%2528Galleria%2Bdegli%2BUffizi%2529_detail%2Bwing%2BR.jpg" width="502" /></a></div>
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Hugo van der Goes - Adoration of the Shepherds_Portinari Altarpiece, 1476-79</div>
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Ala derecha: <span style="background-color: white; color: #222222;">detalle de la hija menor de Maria Portinari</span></div>
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(Galleria degli Uffizi)</div>
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Dieric Bouts & Hugo van der Goes - Saint Hippolyte Triptych, 1465-7<br />
Obra inacabada por Dieric Bouts y finalizada por Van der Goes<br />
(Sint-Salvator Cathedral - Brugge)<br />
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<a href="https://1.bp.blogspot.com/-fipuSxs0qG8/WRXZPMRJudI/AAAAAAAAkn8/B4U4GoSAHGoN7V-s7o24nBwofECmN3SugCLcB/s1600/Hugo%2Bvan%2Bder%2BGoes%2B-%2BThe%2BCalvary%2BTriptych%252C%2B1465-68%2B%2528Saint%2BBavo%2BCathedral%2B-%2BGhent%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="390" src="https://1.bp.blogspot.com/-fipuSxs0qG8/WRXZPMRJudI/AAAAAAAAkn8/B4U4GoSAHGoN7V-s7o24nBwofECmN3SugCLcB/s640/Hugo%2Bvan%2Bder%2BGoes%2B-%2BThe%2BCalvary%2BTriptych%252C%2B1465-68%2B%2528Saint%2BBavo%2BCathedral%2B-%2BGhent%2529.jpg" width="640" /></a></div>
Hugo van der Goes - The Calvary Triptych, 1465-68<br />
(Saint Bavo Cathedral - Ghent)<br />
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<a href="https://4.bp.blogspot.com/-wLSdXKRmRzI/WRXZO7pCWQI/AAAAAAAAkn4/dfkh-7K-GOcJ8XG7CdI_PR3ZDTPj5oN4ACLcB/s1600/Hugo%2Bvan%2Bder%2BGoes%2B-%2BThe%2BCalvary%2BTriptych%252C%2B1465-68%2B%2528Saint%2BBavo%2BCathedral%2B-%2BGhent%2529_central%2Bpanel.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-wLSdXKRmRzI/WRXZO7pCWQI/AAAAAAAAkn4/dfkh-7K-GOcJ8XG7CdI_PR3ZDTPj5oN4ACLcB/s640/Hugo%2Bvan%2Bder%2BGoes%2B-%2BThe%2BCalvary%2BTriptych%252C%2B1465-68%2B%2528Saint%2BBavo%2BCathedral%2B-%2BGhent%2529_central%2Bpanel.jpg" width="496" /></a></div>
Hugo van der Goes - The Calvary Triptych, 1465-68<br />
Panel central<br />
(Saint Bavo Cathedral - Ghent)<br />
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<a href="https://1.bp.blogspot.com/-RIyXLGhaWYQ/WRXZQZkpR6I/AAAAAAAAkoI/kV_4ZTAbaIojTmGvVEMsPqLZgRuJCFATwCLcB/s1600/Hugo%2Bvan%2Bder%2BGoes%2B-%2BThe%2BCalvary%2BTriptych%252C%2B1465-68%2B%2528Saint%2BBavo%2BCathedral%2B-%2BGhent%2529_right%2Bwing.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-RIyXLGhaWYQ/WRXZQZkpR6I/AAAAAAAAkoI/kV_4ZTAbaIojTmGvVEMsPqLZgRuJCFATwCLcB/s640/Hugo%2Bvan%2Bder%2BGoes%2B-%2BThe%2BCalvary%2BTriptych%252C%2B1465-68%2B%2528Saint%2BBavo%2BCathedral%2B-%2BGhent%2529_right%2Bwing.jpg" width="238" /></a><a href="https://3.bp.blogspot.com/-cAdNjEfV324/WRXZP4wLd-I/AAAAAAAAkoE/8hvV4IHU2HUfe2bLSAo_9PVaSaWW2f33QCLcB/s1600/Hugo%2Bvan%2Bder%2BGoes%2B-%2BThe%2BCalvary%2BTriptych%252C%2B1465-68%2B%2528Saint%2BBavo%2BCathedral%2B-%2BGhent%2529_left%2Bwing.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-cAdNjEfV324/WRXZP4wLd-I/AAAAAAAAkoE/8hvV4IHU2HUfe2bLSAo_9PVaSaWW2f33QCLcB/s640/Hugo%2Bvan%2Bder%2BGoes%2B-%2BThe%2BCalvary%2BTriptych%252C%2B1465-68%2B%2528Saint%2BBavo%2BCathedral%2B-%2BGhent%2529_left%2Bwing.jpg" width="236" /></a></div>
Hugo van der Goes - The Calvary Triptych, 1465-68<br />
Alas laterales<br />
(Saint Bavo Cathedral - Ghent) <br />
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Hugo van der Goes - The Trinity Altarpiece, 1478-79<br />
(Scottish National Gallery)<br />
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<a href="https://2.bp.blogspot.com/-4UGq9kf87Vo/WRXZiz2i1DI/AAAAAAAAkoU/Py9K4AC5eBQL8JYZWOFhZs8T_EFE5BKCQCLcB/s1600/Hugo%2Bvan%2Bder%2BGoes%2B-%2BDiptych%2Bof%2BFall%2Band%2BRedemption%2Bof%2BMan%252C%2B1479%2B%2528Kunsthistorisches%2BMuseum%252C%2BViena%2529_c%2Bm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="414" src="https://2.bp.blogspot.com/-4UGq9kf87Vo/WRXZiz2i1DI/AAAAAAAAkoU/Py9K4AC5eBQL8JYZWOFhZs8T_EFE5BKCQCLcB/s640/Hugo%2Bvan%2Bder%2BGoes%2B-%2BDiptych%2Bof%2BFall%2Band%2BRedemption%2Bof%2BMan%252C%2B1479%2B%2528Kunsthistorisches%2BMuseum%252C%2BViena%2529_c%2Bm.jpg" width="640" /></a></div>
Hugo van der Goes - Diptych of Fall and Redemption of Man, 1479<br />
(Kunsthistorisches Museum, Viena)<br />
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Hugo van der Goes - Diptych of Fall and Redemption of Man, 1479<br />
(Kunsthistorisches Museum, Viena)<br />
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<a href="https://2.bp.blogspot.com/-B1pOAvUmZjw/WRXd6tIOjqI/AAAAAAAAkqE/6uzc-wFBPnIFF4D55359ibPY1vbxqCflQCLcB/s1600/Hugo%2Bvan%2Bder%2BGoes%2B-%2BThe%2BFall%2B%2528Kunsthistorisches%2BMuseum%252C%2BViena%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-B1pOAvUmZjw/WRXd6tIOjqI/AAAAAAAAkqE/6uzc-wFBPnIFF4D55359ibPY1vbxqCflQCLcB/s640/Hugo%2Bvan%2Bder%2BGoes%2B-%2BThe%2BFall%2B%2528Kunsthistorisches%2BMuseum%252C%2BViena%2529.jpg" width="420" /></a></div>
Hugo van der Goes - Diptych of Fall and Redemption of Man, 1479<br />
Left panel: The Fall<br />
(Kunsthistorisches Museum, Viena)<br />
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<a href="https://1.bp.blogspot.com/-3u4xKC5qx-0/WRXc0Z-_LmI/AAAAAAAAkpw/ll8wgTncKN8D4kV_kcY4ToobuRQs8_jLQCLcB/s1600/Hugo%2Bvan%2Bder%2BGoes%2B-%2BThe%2BLamentation%2Bof%2BChrist%2B%2528The%2BState%2BHermitage%2BMuseum%2B-%2BSt%2BPetersburg%2529_0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-3u4xKC5qx-0/WRXc0Z-_LmI/AAAAAAAAkpw/ll8wgTncKN8D4kV_kcY4ToobuRQs8_jLQCLcB/s640/Hugo%2Bvan%2Bder%2BGoes%2B-%2BThe%2BLamentation%2Bof%2BChrist%2B%2528The%2BState%2BHermitage%2BMuseum%2B-%2BSt%2BPetersburg%2529_0.jpg" width="424" /></a></div>
Hugo van der Goes - Diptych of Fall and Redemption of Man, 1479<br />
Right panel: The Redemption<br />
(Kunsthistorisches Museum, Viena)<br />
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Hugo van der Goes - Adoration of the Magi<br />
(The Hermitage Museum)<br />
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<a href="https://1.bp.blogspot.com/-oDzjgIVNz6g/WRXbm7MKaSI/AAAAAAAAkpI/SaPlxYrjclYR7L5uCKiXDesVjjv-Z6mqACLcB/s1600/Hugo%2Bvan%2Bder%2BGoes%2B-%2BAdoration%2Bof%2Bthe%2BMagi%2B%2528The%2BHermitage%2BMuseum%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="433" src="https://1.bp.blogspot.com/-oDzjgIVNz6g/WRXbm7MKaSI/AAAAAAAAkpI/SaPlxYrjclYR7L5uCKiXDesVjjv-Z6mqACLcB/s640/Hugo%2Bvan%2Bder%2BGoes%2B-%2BAdoration%2Bof%2Bthe%2BMagi%2B%2528The%2BHermitage%2BMuseum%2529_.jpg" width="640" /></a></div>
Hugo van der Goes - Adoration of the Magi<br />
(The Hermitage Museum)<br />
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Hugo van der Goes - Adoration of the Shepherds, ca. 1480<br />
(Gemäldegalerie, Staatliche Museen zu Berlin)<br />
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Hugo van der Goes - Adoration of the Shepherds, ca. 1480_detail<br />
(Gemäldegalerie, Staatliche Museen zu Berlin)<br />
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<a href="https://4.bp.blogspot.com/-sAem1kYe3x4/WRXc0M-uJRI/AAAAAAAAkps/TY1JxhT11jU8s1_lmG11PILOca7tj88_gCLcB/s1600/Hugo%2Bvan%2Bder%2BGoes%2B-%2BThe%2BVirgin%2Band%2BChild%2Bwith%2Ba%2BFranciscan%2BFounder%252C%2B1475%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%2Bde%2BBelgique%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="546" src="https://4.bp.blogspot.com/-sAem1kYe3x4/WRXc0M-uJRI/AAAAAAAAkps/TY1JxhT11jU8s1_lmG11PILOca7tj88_gCLcB/s640/Hugo%2Bvan%2Bder%2BGoes%2B-%2BThe%2BVirgin%2Band%2BChild%2Bwith%2Ba%2BFranciscan%2BFounder%252C%2B1475%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%2Bde%2BBelgique%2529.jpg" width="640" /></a></div>
Hugo van der Goes - The Virgin and Child with a Franciscan Founder, 1475<br />
(Musées Royaux des Beaux-Arts de Belgique)<br />
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<a href="https://2.bp.blogspot.com/-BYnVoAbXEU0/WRXc2rWP_yI/AAAAAAAAkp8/C7ADlh9pPmYySKB10-8f22cNfHORq7czQCLcB/s1600/Hugo%2Bvan%2Bder%2BGoes%2B-%2BVirgin%2Band%2BChild%252C%2Bc%2B1470%2B%2528Philadelphia%2BMuseum%2Bof%2BArt%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-BYnVoAbXEU0/WRXc2rWP_yI/AAAAAAAAkp8/C7ADlh9pPmYySKB10-8f22cNfHORq7czQCLcB/s640/Hugo%2Bvan%2Bder%2BGoes%2B-%2BVirgin%2Band%2BChild%252C%2Bc%2B1470%2B%2528Philadelphia%2BMuseum%2Bof%2BArt%2529_.jpg" width="504" /></a></div>
Hugo van der Goes - Virgin and Child, c 1470<br />
(Philadelphia Museum of Art)<br />
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Hugo van der Goes - Virgin and Child, c 1478</div>
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(Städelsches Kunstinstitut, Francfurt am Main)</div>
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Hugo van der Goes - The Death of the Virgin, c 1480<br />
(Groeninge Museum Bruges)<br />
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Hugo van der Goes - Crucifixion, 1470<br />
(Museo Correr, Venice)<br />
.<br />
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Hugo van der Goes - The Lamentation of Christ<br />
(The State Hermitage Museum - St Petersburg)_<br />
.<br />
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Hugo van der Goes - The Lamentation<br />
(Museum voor Schone Kunsten - Ghent)<br />
.<br />
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Hugo van der Goes - Portrait of a Man, 1475<br />
(MET)<br />
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Hugo van der Goes - A Benedictine Monk, 1478<br />
(MET)<br />
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Hugo van der Goes (after of) - The Death of the Virgin, c 1500<br />
(National Gallery London)<br />
.<br />
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Hugo van der Goes (Follower of) - Adoration of the Magi<br />
(Saint Louis Museum)<br />
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Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-5464569323978413729.post-68192250575683474642017-05-13T10:00:00.000+02:002017-05-13T10:00:07.476+02:00Los Primitivos Flamencos (II). Siglo XV (I): Robert Campin / Petrus Christus <div style="text-align: center; text-indent: 0px;">
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<b><br /></b></center>
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<span style="font-family: "times new roman";"><iframe allowfullscreen="" frameborder="0" height="197" src="https://www.youtube.com/embed/sPKzuelsLXM" width="350"></iframe></span></center>
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Elévate, alma mía, sobre la impotencia y la pereza;</center>
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elévate hasta alcanzar los confines de la tierra,</center>
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donde todo tiene lugar y donde todo acaece.</center>
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No te hundas en las arenas movedizas</center>
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de la estéril desesperación.</center>
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Elévate hasta alcanzar tu verdadera altura,</center>
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aquella en la que, junto al cuerpo que te da sustento,</center>
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sobrevueles, camines o te sumerjas en la fecunda vida posible.</center>
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<b><br /></b></center>
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<b><span style="font-size: large;">Presentación</span></b></center>
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<b><span style="font-size: large;"><br /></span></b></center>
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<span style="font-family: inherit;"><span style="color: white;">.....</span>El plan de esta entrada, segunda de la serie sobre los <b style="color: black;">Primitivos Flamencos</b>, al estar dedicada a dos autores —Robert Campin y Petrus Christus—, y a diferencia de lo que suele ser habitual, seguirá la siguiente secuencia:</span></center>
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- primero, se proporcionará una breve síntesis biográfica con cronología resumida de Robert Campin;</span></center>
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- segundo, se adjuntará la correspondiente GALERÍA de obras de Robert Campin.</span></center>
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Tras esta primera GALERÍA, le corresponderá el turno al segundo autor:</span></center>
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- breve síntesis biográfica y cronología resumida de Petrus Chistus</span></center>
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- y la GALERÍA correspondiente a Petrus Christus.</span></center>
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<span style="font-family: inherit;"><span style="color: white;">.....</span><span style="color: black;">Este esquema será el que se siga, en adelante, en todas las entradas de esta serie dedicadas a dos autores.</span></span></center>
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<span style="font-family: inherit;"><span style="color: white; font-size: small; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px;">.....</span><span style="color: black; font-size: small; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px;">Para los datos cronológicos y las breves reseñas crítico-biográficas previas (salvo en el caso de Robert Campin) he utilizado —traduciéndolos— los que alberga la espléndida página web belga vlaamsekunstcollectie, dedicada a los <i>Primitivos Flamencos </i>(V</span><span style="text-align: center;"><span style="font-family: "times new roman";">laamse primitieven).</span></span></span></center>
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<span style="color: black; font-family: inherit;"><br /></span></center>
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<span style="font-family: inherit;"><span style="color: white;">.....</span><span style="color: black;">Aprovecho, así mismo, para referirme a la música que acompaña las entradas de esta serie. Por alusiones, he determinado ilustrar musicalmente los diferentes posts con músicos de dos maneras cercanos a los pintores, es decir, contemporáneos y del mismo lugar de origen: su vida productiva se desarrolla en el siglo XV, y en la zona norte del Ducado Borgoña correspondiente a los Países Bajos. Así, Guillaume Dufay (1397-1474),</span> Antoine Busnoys (1430-1492) y Gilles Binchois (1400-1460) serán los autores escogidos; los dos primeros, con mayor producción de obra religiosa; el tercero, con mayor dedicación a la obra profana (al menos la existente en la red —YouTube).</span></center>
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<td colspan="2" valign="TOP" width="635"><div align="LEFT">
<span style="font-family: inherit;"><span style="color: white;">.....</span><i><span style="color: #cc0000; font-size: large;">A</span>unque
se tenga a Jan Van Eyck como el gran revolucionario que puso fin al Gótico
Internacional</i></span><i style="font-family: inherit; text-align: center;"> para tomar un nuevo
rumbo estilístico </i><i style="font-family: inherit; text-align: center;">en los Países Bajos</i><i style="font-family: inherit; text-align: center;">, en rigor fue Robert
Campin el primero en explorar y conquistar con solvencia una nueva dirección en el arte pictórico de la región flamenca entonces
incluída en el Ducado de Borgoña. Este aún artesano
de las artes gráficas (parte de su aprendizaje lo realizó bajo
la influencia iluminista
de los hermanos Limbourg, ilustradores de libros miniados)
nacido en Valenciennes y afincado en Tournai, sería el primero
en dotar de un realismo naturalista a sus escenas pictóricas, en
emplear y perfeccionar la reciente técnica del óleo y en superar
el rígido esquematismo gótico para dotar a sus cuadros de una
profundidad de campo y una naturalidad figurativa nunca antes
expresada.</i></div>
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<td sdnum="3082;" sdval="1375" width="35"><div align="CENTER">
<span style="font-family: inherit;">1375</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Nace, en
Valenciennes, Robert Campin, también conocido como Maestro de
Flémalle.</span></td>
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<td sdnum="3082;" sdval="1406" width="35"><div align="CENTER">
<span style="font-family: inherit;">1406</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Maestro en
Tournai (hasta 1440).</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1410" width="35"><div align="CENTER">
<span style="font-family: inherit;">1410</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Adquiere la
ciudadanía en Tournai.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1415" width="35"><div align="CENTER">
<span style="font-family: inherit;">1415</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Pinta el
<i><b>Tríptico del entierro de Cristo</b></i><b>
</b>o
<i><b>Tríptico de Seilern</b></i><i>,
</i>aún
con el típico fondo dorado utilizado en el gótico, como cielo,
pero ya representando los escenarios de forma realista.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1420" width="35"><div align="CENTER">
<span style="font-family: inherit;">1420</span></div>
</td>
<td width="592"><div style="margin-bottom: 0.2cm;">
<span style="font-family: inherit;">Miembro
notable de su parroquia.</span></div>
<span style="font-family: inherit;">Pinta una de
sus obras maestras, <i><b>La Natividad</b></i>
(Musée des Beaux Arts de Dijon), representada de forma inusual
a la luz del día, y en la que figuran las dos comadronas (Zelemí y Salomé)
citadas en los Evangelios Apócrifos.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1422" width="35"><div align="CENTER">
<span style="font-family: inherit;">1422</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Se casa con
Ysobiel de Stoquien, viuda, seis años mayor que el pintor. No
tendrán descendencia.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1423" width="35"><div align="CENTER">
<span style="font-family: inherit;">1423</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Implicado en
la revuelta de los artesanos frente a la aristocracia patricia.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1423" width="35"><div align="CENTER">
<span style="font-family: inherit;">1423</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Vicedecano de
la Guilda de San Lucas (hasta 1424).</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1425" width="35"><div align="CENTER">
<span style="font-family: inherit;">1425</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Nombrado
<i>Eswardeur </i>(un cargo
electo de la ciudad de Tournai). Cargo que ocupa hasta 1427.</span><br />
<span style="font-family: inherit;">Entre
este año y 1430 se estima que pintó el <i><b>Tríptico
de la Anunciación</b></i>, o
<i><b>Tríptico de Merode </b></i>(MET)<i>,</i>
considerada la primera obra del renacimiento flamenco.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1425" width="35"><div align="CENTER">
<span style="font-family: inherit;">1425</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Secretario de
las cuentas de la ciudad (hasta 1427).</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1427" width="35"><div align="CENTER">
<span style="font-family: inherit;">1427</span></div>
</td>
<td width="592"><div style="margin-bottom: 0.2cm;">
<span style="font-family: inherit;">Contacto
con Jan van Eyck en una fiesta organizada por la Guilda de San
Lucas de Tournai para homenajear al autor del políptico de
Gante.</span></div>
<span style="font-family: inherit;">Pinta <i><b>La
Boda de la Virgen</b></i>
(Museo del Prado), en la que figuran dos ambientes: uno gótico,
en primer plano; y otro románico, al fondo.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1428" width="35"><div align="CENTER">
<span style="font-family: inherit;">1428</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Guardián de
l'Église de Saint Pierre.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1429" width="35"><div align="CENTER">
<span style="font-family: inherit;">1429</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Su
participación en la revuelta le acarrea la prohibición para
ejercer cargos públicos.</span><br />
<span style="font-family: inherit;">Condenado a
peregrinar a l'Abbaye de Saint Geli. Provenza</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1430" width="35"><div align="CENTER">
<span style="font-family: inherit;">1430</span></div>
</td>
<td width="592"><span style="font-family: inherit;">De vuelta en
Tournai.</span><br />
<span style="font-family: inherit;">De este año
datan los llamados <span style="font-size: small;"><i><b>Paneles
de Flémalle</b></i></span><span style="font-size: small;">
(</span><span style="color: #222222;"><span style="font-size: small;">Städelsches
Kunstinstitut, Frankfurt del Main): </span></span><span style="color: #222222;"><span style="font-size: small;"><i>Santa
Verónica</i></span></span><span style="color: #222222;"><span style="font-size: small;">,</span></span><span style="color: #222222;"><span style="font-size: small;">
</span></span><span style="color: #222222;"><span style="font-size: small;"><i>Trinidad
del cuerpo roto </i></span></span><span style="color: #222222;"><span style="font-size: small;">y
</span></span><span style="color: #222222;"><span style="font-size: small;"><i>La
Virgen con el Niño.</i></span></span></span><br />
<span style="font-family: inherit;"><span style="color: #222222;">A
este año también se asignan los retratos de </span><span style="color: #222222;"><span style="font-size: small;"><i><b>Un
hombre </b></i></span></span><span style="color: #222222;">y
</span><span style="color: #222222;"><span style="font-size: small;"><i><b>Una
mujer </b></i></span></span><span style="color: #222222;">(National
Gallery, Londres)</span></span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1432" width="35"><div align="CENTER">
<span style="font-family: inherit;">1432</span></div>
</td>
<td width="592"><div align="LEFT">
<span style="font-family: inherit;">Se
ve implicado en un escándalo y condenado a un año de exilio,
por mantener relaciones extra conyugales con Laurence Polette. La
intercesión de Margarita de Borgoña le permite conmutar la pena
por una multa de 40 sous. A partir de este hecho sufre cierta
marginación social.</span></div>
</td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1433</span></div>
<div align="CENTER">
<span style="font-family: inherit;">a
</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1442</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Recibe el
encargo de Felipe III el Bueno para diseñar unos paramentos
litúrgicos: tres capas pluviales para los servicios de oración
del Toisón de Oro, y dos antipendios o frontales de altar
bordados.</span><br />
<span style="font-family: inherit;">Todo
confeccionado en seda, hilo de oro y plata, con perlas.
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1438" width="35"><div align="CENTER">
<span style="font-family: inherit;">1438</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Pinta su obra
maestra más tardía: <i><b>El Tríptico Werl </b></i>(Museo
del Prado), del que sólo se conservan los postigos laterales,
habiéndose perdido el panel central.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1444" width="35"><div align="CENTER">
<span style="font-family: inherit;">1444</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Muere en
Tournai.</span></td>
</tr>
</tbody></table>
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<div style="text-align: center;">
<b><span style="color: #cc0000; font-size: x-large;">GALERÍA</span></b></div>
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Robert Campin - Annunciation Triptych, 1425 (Merode Altarpiece)<br />
(Metropolitan Museum of Art, New York –MET)<br />
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Robert Campin - Annunciation Triptych, 1425 (Merode Altarpiece)<br />
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Robert Campin - Annunciation Triptych, 1425 (Merode Altarpiece)_Central panel<br />
(Metropolitan Museum of Art, New York –MET)<br />
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Robert Campin - Annunciation Triptych, 1425 (Merode Altarpiece)_Central panel_detail 1<br />
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Robert Campin - Annunciation Triptych, 1425 (Merode Altarpiece)_Central panel_detail 2<br />
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Robert Campin - Annunciation Triptych, 1425 (Merode Altarpiece)_Central panel_detail 3<br />
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Robert Campin - Annunciation Triptych, 1425 (Merode Altarpiece)_Central panel_detail 4<br />
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Robert Campin - Annunciation Triptych, 1425 (Merode Altarpiece)_Central panel_detail 5<br />
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Robert Campin - Annunciation Triptych, 1425 (Merode Altarpiece)_Left Wing<br />
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Robert Campin - Annunciation Triptych, 1425 (Merode Altarpiece)_Left Wing_detail 1<br />
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Robert Campin - Annunciation Triptych, 1425 (Merode Altarpiece)_Right Wing<br />
(Metropolitan Museum of Art, New York –MET) <br />
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Robert Campin - Annunciation Triptych, 1425 (Merode Altarpiece)_Right Wing_ detail 1<br />
(Metropolitan Museum of Art, New York –MET)<br />
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Robert Campin - Annunciation Triptych, 1425 (Merode Altarpiece)_Right Wing_ detail 2<br />
(Metropolitan Museum of Art, New York –MET)<br />
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Robert Campin - Seilern Triptych, 1410-20 (Courtauld Gallery, London)<br />
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Robert Campin - Seilern Triptych, 1410-20 (Courtauld Gallery, London)<br />
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Robert Campin - Seilern Triptych, 1410-20 (Courtauld Gallery, London)_detail<br />
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Robert Campin - Descent from the Cross, 1445-1460 (Copia del original, perdido)<br />
(Walker Art Gallery, Liverpool)<br />
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Robert Campin - Vida de san José, c 1425 (Copia del original, desaparecido)<br />
(Saint Katarinakerk, Hoogstraten)<br />
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Robert Campin - La Anunciación, 1420-25<br />
(Museo del Prado)<br />
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<div class="separator" style="clear: both; text-align: center;">
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Robert Campin - San Juan Bautista y el maestro franciscano Enrique de Werl_Santa Bárbara 1438<br />
Alas izquierda y derecha del Tríptico Werl, cuyo panel central ha desaparecido<br />
(Museo del Prado)<br />
.<br />
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Robert Campin - San Juan Bautista y el maestro franciscano Enrique de Werl, 1438<br />
Ala izquierda del Tríptico Werl, cuyo panel central ha desaparecido_detail 1<br />
(Museo del Prado) <br />
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Robert Campin - San Juan Bautista y el maestro franciscano Enrique de Werl, 1438<br />
Ala izquierda del Tríptico Werl, cuyo panel central ha desaparecido_detail 2<br />
(Museo del Prado) <br />
.<br />
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Robert Campin - San Juan Bautista y el maestro franciscano Enrique de Werl, 1438<br />
Ala izquierda del Tríptico Werl, cuyo panel central ha desaparecido_detail 3<br />
(Museo del Prado) <br />
.<br />
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Robert Campin - Santa Bárbara, 1438<br />
Ala derecha del Tríptico Werl, cuyo panel central ha desaparecido_detalle 1<br />
(Museo del Prado)<br />
.<br />
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Robert Campin - Santa Bárbara, 1438<br />
Ala derecha del Tríptico Werl, cuyo panel central ha desaparecido_detalle 2<br />
(Museo del Prado)<br />
.<br />
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Robert Campin - Santa Bárbara, 1438<br />
Ala derecha del Tríptico Werl, cuyo panel central ha desaparecido_detalle 2<br />
(Museo del Prado)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
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Robert Campin - The Flemalle Panels, 1410<br />
(Städelsches Kunstinstitut, Frankfurt del Main)<br />
.<br />
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Robert Campin - The Flemalle Panels, 1410_Nursing Virgin Mary<br />
(Städelsches Kunstinstitut, Frankfurt del Main)<br />
.<br />
<div class="separator" style="clear: both;">
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Robert Campin - The Flemalle Panels, 1410_Nursing Virgin Mary_detail<br />
(Städelsches Kunstinstitut, Frankfurt del Main)<br />
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<div class="separator" style="clear: both; text-align: center;">
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Robert Campin - The Flemalle Panels, 1410_Veronica<br />
(Städelsches Kunstinstitut, Frankfurt del Main)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-_pg0uAlPRy8/WRClmdnGT0I/AAAAAAAAkYM/g5KxFbeKnpEDG7nVO-MIRemB_JNNrtN4gCLcB/s1600/Robert%2BCampin%2B-%2BLa%2BVer%25C3%25B3nica%252C%2Bc%2B1410%2B%2528St%25C3%25A4delsches%2BKunstinstitut%252C%2BFrankfurt%2529%2B%2528detalle%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-_pg0uAlPRy8/WRClmdnGT0I/AAAAAAAAkYM/g5KxFbeKnpEDG7nVO-MIRemB_JNNrtN4gCLcB/s640/Robert%2BCampin%2B-%2BLa%2BVer%25C3%25B3nica%252C%2Bc%2B1410%2B%2528St%25C3%25A4delsches%2BKunstinstitut%252C%2BFrankfurt%2529%2B%2528detalle%2529.jpg" width="480" /></a></div>
Robert Campin - The Flemalle Panels, 1410_Veronica_detail<br />
(Städelsches Kunstinstitut, Frankfurt del Main)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://2.bp.blogspot.com/-mk-u5UPQ00U/WRClnPLJ8FI/AAAAAAAAkYU/tgoIW3YWVnEAMgC5XrNRwmZWKOxwH6bSACLcB/s1600/Robert%2Bcampin%2B-%2BHoly%2BTrinity%2B%2528St%25C3%25A4delsches%2BKunstinstitut%252C%2BFrankfurt%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-mk-u5UPQ00U/WRClnPLJ8FI/AAAAAAAAkYU/tgoIW3YWVnEAMgC5XrNRwmZWKOxwH6bSACLcB/s640/Robert%2Bcampin%2B-%2BHoly%2BTrinity%2B%2528St%25C3%25A4delsches%2BKunstinstitut%252C%2BFrankfurt%2529.jpg" width="264" /></a></div>
Robert Campin - The Flemalle Panels, 1410_Holy Trinity<br />
(Städelsches Kunstinstitut, Frankfurt del Main)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-CNVuDwLzWLE/WRCYLZmS1HI/AAAAAAAAkUU/sH1O3b-7qOkqYVx_whQYWhFcj5GIk_D0wCLcB/s1600/Robert%2BCampin%2B-%2BThe%2BNativity%252C%2B1420%2B%2528Mus%25C3%25A9e%2Bdes%2BBeaux-Arts%2Bde%2BDijon%2529%2B%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-CNVuDwLzWLE/WRCYLZmS1HI/AAAAAAAAkUU/sH1O3b-7qOkqYVx_whQYWhFcj5GIk_D0wCLcB/s640/Robert%2BCampin%2B-%2BThe%2BNativity%252C%2B1420%2B%2528Mus%25C3%25A9e%2Bdes%2BBeaux-Arts%2Bde%2BDijon%2529%2B%25282%2529.jpg" width="532" /></a></div>
Robert Campin - The Nativity, 1420<br />
(Musée des Beaux-Arts de Dijon)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-ecScNDHXEZ8/WRCYXFfbClI/AAAAAAAAkUY/Ue8_mphq5zw3WnKuRcH3Cr_XfnUx3mgAQCLcB/s1600/Robert%2BCampin%2B-%2BThe%2BNativity%252C%2B1420%2B%2528Mus%25C3%25A9e%2Bdes%2BBeaux-Arts%2Bde%2BDijon%2529%2B%25283%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-ecScNDHXEZ8/WRCYXFfbClI/AAAAAAAAkUY/Ue8_mphq5zw3WnKuRcH3Cr_XfnUx3mgAQCLcB/s640/Robert%2BCampin%2B-%2BThe%2BNativity%252C%2B1420%2B%2528Mus%25C3%25A9e%2Bdes%2BBeaux-Arts%2Bde%2BDijon%2529%2B%25283%2529.jpg" width="538" /></a></div>
Robert Campin - The Nativity, 1420<br />
(Musée des Beaux-Arts de Dijon)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://1.bp.blogspot.com/-3c5JJ9e8tvU/WRCdg03j-WI/AAAAAAAAkXY/dfmCY88_cxgvvXAa6vahWZbm3Ahfy-TTwCLcB/s1600/Robert%2BCampin%2B-%2BThe%2BNativity%252C%2B1420_%2528Mus%25C3%25A9e%2Bdes%2BBeaux-Arts%2Bde%2BDijon%2529_detail%2B0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-3c5JJ9e8tvU/WRCdg03j-WI/AAAAAAAAkXY/dfmCY88_cxgvvXAa6vahWZbm3Ahfy-TTwCLcB/s640/Robert%2BCampin%2B-%2BThe%2BNativity%252C%2B1420_%2528Mus%25C3%25A9e%2Bdes%2BBeaux-Arts%2Bde%2BDijon%2529_detail%2B0.jpg" width="588" /></a></div>
Robert Campin - The Nativity, 1420_detail 1<br />
(Musée des Beaux-Arts de Dijon)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-0g44TzvrMsI/WRCdc2RPpQI/AAAAAAAAkXQ/c5KPWZ4f4R0QuDFlbJsHrigfu7bCilVuQCLcB/s1600/Robert%2BCampin%2B-%2BThe%2BNativity%252C%2B1420%2B%2528Mus%25C3%25A9e%2Bdes%2BBeaux-Arts%2Bde%2BDijon%2529_detail%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-0g44TzvrMsI/WRCdc2RPpQI/AAAAAAAAkXQ/c5KPWZ4f4R0QuDFlbJsHrigfu7bCilVuQCLcB/s640/Robert%2BCampin%2B-%2BThe%2BNativity%252C%2B1420%2B%2528Mus%25C3%25A9e%2Bdes%2BBeaux-Arts%2Bde%2BDijon%2529_detail%2B1.jpg" width="466" /></a></div>
Robert Campin - The Nativity, 1420_detail 2<br />
(Musée des Beaux-Arts de Dijon)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-MmkbV3a62Ss/WRCdc08-cbI/AAAAAAAAkXM/vf29AqZ8z24k_J-m6ODc8wzxsGCDvh1KACLcB/s1600/Robert%2BCampin%2B-%2BThe%2BNativity%252C%2B1420%2B%2528Mus%25C3%25A9e%2Bdes%2BBeaux-Arts%2Bde%2BDijon%2529_detail%2B2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-MmkbV3a62Ss/WRCdc08-cbI/AAAAAAAAkXM/vf29AqZ8z24k_J-m6ODc8wzxsGCDvh1KACLcB/s640/Robert%2BCampin%2B-%2BThe%2BNativity%252C%2B1420%2B%2528Mus%25C3%25A9e%2Bdes%2BBeaux-Arts%2Bde%2BDijon%2529_detail%2B2.jpg" width="458" /></a></div>
Robert Campin - The Nativity, 1420_detail 3<br />
(Musée des Beaux-Arts de Dijon)<br />
.</div>
<div style="text-align: center;">
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<a href="https://2.bp.blogspot.com/-0F_fH6kAVOA/WRCYsFhXvpI/AAAAAAAAkUk/JQ3ofBdswlYEJyojNT1XRvwiLEpCK24ZQCLcB/s1600/Robert%2BCampin%2B-%2BBlessing%2BChrist%2Band%2BPraying%2BVirgin%252C%2B1424%2B%2528Museum%2Bof%2BArt%252C%2BPhiladelphia%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="410" src="https://2.bp.blogspot.com/-0F_fH6kAVOA/WRCYsFhXvpI/AAAAAAAAkUk/JQ3ofBdswlYEJyojNT1XRvwiLEpCK24ZQCLcB/s640/Robert%2BCampin%2B-%2BBlessing%2BChrist%2Band%2BPraying%2BVirgin%252C%2B1424%2B%2528Museum%2Bof%2BArt%252C%2BPhiladelphia%2529.jpg" width="640" /></a></div>
Robert Campin - Blessing Christ and Praying Virgin, 1424<br />
(Museum of Art, Philadelphia)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-MhHtqCDkScE/WRCYrvGD5dI/AAAAAAAAkUc/7YSCx0Q0-yYnEUAUsJjoX2r5upVR854aQCLcB/s1600/Robert%2BCampin%2B-%2BBlessing%2BChrist%2Band%2BPraying%2BVirgin%252C%2B1424%2B%2528Museum%2Bof%2BArt%252C%2BPhiladelphia%2529_detail%2Bof%2BJesus.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-MhHtqCDkScE/WRCYrvGD5dI/AAAAAAAAkUc/7YSCx0Q0-yYnEUAUsJjoX2r5upVR854aQCLcB/s640/Robert%2BCampin%2B-%2BBlessing%2BChrist%2Band%2BPraying%2BVirgin%252C%2B1424%2B%2528Museum%2Bof%2BArt%252C%2BPhiladelphia%2529_detail%2Bof%2BJesus.jpg" width="494" /></a></div>
Robert Campin - Blessing Christ, 1424<br />
(Museum of Art, Philadelphia)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-as_tt9Ia6xE/WRCYry0NzJI/AAAAAAAAkUg/6pqduoAzXz4NsPMIyC45yeXFAlaneJ6ZQCLcB/s1600/Robert%2BCampin%2B-%2BBlessing%2BChrist%2Band%2BPraying%2BVirgin%252C%2B1424%2B%2528Museum%2Bof%2BArt%252C%2BPhiladelphia%2529_detail%2Bof%2BMary.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-as_tt9Ia6xE/WRCYry0NzJI/AAAAAAAAkUg/6pqduoAzXz4NsPMIyC45yeXFAlaneJ6ZQCLcB/s640/Robert%2BCampin%2B-%2BBlessing%2BChrist%2Band%2BPraying%2BVirgin%252C%2B1424%2B%2528Museum%2Bof%2BArt%252C%2BPhiladelphia%2529_detail%2Bof%2BMary.jpg" width="502" /></a></div>
Robert Campin - Praying Virgin, 1424<br />
(Museum of Art, Philadelphia)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-rjWA0SLsdQc/WRCYsdT0KNI/AAAAAAAAkUo/A5diU_fmTkkR9nsfUscCNqK1Dvlql18XACLcB/s1600/Robert%2BCampin%2B-%2BChrist%2Bon%2Bthe%2BCross%252C%2B1425.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-rjWA0SLsdQc/WRCYsdT0KNI/AAAAAAAAkUo/A5diU_fmTkkR9nsfUscCNqK1Dvlql18XACLcB/s640/Robert%2BCampin%2B-%2BChrist%2Bon%2Bthe%2BCross%252C%2B1425.jpg" width="384" /></a></div>
Robert Campin - Christ on the Cross, 1425<br />
<span style="font-family: inherit;">(<span style="background-color: white; color: #545454; text-align: left;">Gemäldegalerie, Berlin)</span></span><br />
.<br />
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<a href="https://4.bp.blogspot.com/-i1gLfp5MclE/WRCYtqKddkI/AAAAAAAAkUw/XcdYQxqd9VokjJ7cHAJukNt2J4wNgwv4gCLcB/s1600/Robert%2Bcampin%2B-%2BHoly%2BTrinity%2B%2528Hermitage%2BMuseum%252C%2BSt%2BPetersburg%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-i1gLfp5MclE/WRCYtqKddkI/AAAAAAAAkUw/XcdYQxqd9VokjJ7cHAJukNt2J4wNgwv4gCLcB/s640/Robert%2Bcampin%2B-%2BHoly%2BTrinity%2B%2528Hermitage%2BMuseum%252C%2BSt%2BPetersburg%2529.jpg" width="416" /></a></div>
Robert campin - Holy Trinity<br />
(Hermitage Museum, St Petersburg)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-VRfQ8kqY1pg/WRCYs7DxQiI/AAAAAAAAkUs/AXck6Kg2Xh0H-nDMvRezcDF6J2qNNvxJgCLcB/s1600/Robert%2BCampin%2B-%2BHoly%2BVirgin%2Bin%2BGlory%252C%2B1430.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-VRfQ8kqY1pg/WRCYs7DxQiI/AAAAAAAAkUs/AXck6Kg2Xh0H-nDMvRezcDF6J2qNNvxJgCLcB/s640/Robert%2BCampin%2B-%2BHoly%2BVirgin%2Bin%2BGlory%252C%2B1430.jpg" width="418" /></a></div>
Robert Campin - Holy Virgin in Glory, 1430<br />
.</div>
<div style="text-align: center;">
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<a href="https://2.bp.blogspot.com/-MAEEiGNt5lo/WRCZEnXtm6I/AAAAAAAAkU4/HpUki1xlCSwSKyxZ_VajmtOx6Q3tqiqrACLcB/s1600/Robert%2BCampin%2B-%2BLos%2BDesposorios%2Bde%2Bla%2BVirgen%252C%2B1420-30%2B%2528Museo%2Bdel%2BPrado%2529_reverso%252C%2Bgrisalla.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="570" src="https://2.bp.blogspot.com/-MAEEiGNt5lo/WRCZEnXtm6I/AAAAAAAAkU4/HpUki1xlCSwSKyxZ_VajmtOx6Q3tqiqrACLcB/s640/Robert%2BCampin%2B-%2BLos%2BDesposorios%2Bde%2Bla%2BVirgen%252C%2B1420-30%2B%2528Museo%2Bdel%2BPrado%2529_reverso%252C%2Bgrisalla.jpg" width="640" /></a></div>
Robert Campin - Los Desposorios de la Virgen, 1420-30_reverso, grisalla<br />
(Museo del Prado)<br />
.<br />
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<a href="https://3.bp.blogspot.com/-AvMFqVJURBw/WRCZNYAg9yI/AAAAAAAAkVQ/qqBXjF1QTskLXBt-92lEDpggY8VPt-g9QCLcB/s1600/Robert%2Bcampin%2B-%2BMadonna%2Bby%2Ba%2BGrassy%2BBank%252C%2B1425%2B%2528Staatliche%2BMuseen%252C%2BBerlin%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-AvMFqVJURBw/WRCZNYAg9yI/AAAAAAAAkVQ/qqBXjF1QTskLXBt-92lEDpggY8VPt-g9QCLcB/s640/Robert%2Bcampin%2B-%2BMadonna%2Bby%2Ba%2BGrassy%2BBank%252C%2B1425%2B%2528Staatliche%2BMuseen%252C%2BBerlin%2529.jpg" width="450" /></a></div>
Robert campin - Madonna by a Grassy Bank, 1425<br />
(Staatliche Museen, Berlin)<br />
.<br />
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<a href="https://3.bp.blogspot.com/-oBWRk35CpCg/WRCZB59Ji3I/AAAAAAAAkU0/mWJLLz7uJIkF7YnCqwXBpn6OCXTQnxXuQCLcB/s1600/Robert%2BCampin%2B-%2BMass%2Bof%2BSt%2BGregory%2B%2528attr%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-oBWRk35CpCg/WRCZB59Ji3I/AAAAAAAAkU0/mWJLLz7uJIkF7YnCqwXBpn6OCXTQnxXuQCLcB/s640/Robert%2BCampin%2B-%2BMass%2Bof%2BSt%2BGregory%2B%2528attr%2529.jpg" width="526" /></a></div>
Robert Campin - Mass of St Gregory (attr)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-XvUYRm5XZsY/WRCZLVL2w5I/AAAAAAAAkVE/y10_YiHhCUIOZvRKH0S4Fnv75asN3Xz_gCLcB/s1600/Robert%2BCampin%2B-%2BRetrato%2Bde%2BBarth%25C3%25A9lemy%2BAlatruye_med.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-XvUYRm5XZsY/WRCZLVL2w5I/AAAAAAAAkVE/y10_YiHhCUIOZvRKH0S4Fnv75asN3Xz_gCLcB/s640/Robert%2BCampin%2B-%2BRetrato%2Bde%2BBarth%25C3%25A9lemy%2BAlatruye_med.jpg" width="480" /></a></div>
Robert Campin - Retrato de Barthélemy Alatruye<br />
(Musee des Beaux-Arts de Tournai)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-9sGuf6RT7oQ/WRCZM39N1II/AAAAAAAAkVM/Uf59rq8H9nw4lLnuJ0INmGWD8DY1VJw1gCLcB/s1600/Robert%2BCampin%2B-%2BRetrato%2Bde%2BMarie%2Bde%2BPacy_med.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-9sGuf6RT7oQ/WRCZM39N1II/AAAAAAAAkVM/Uf59rq8H9nw4lLnuJ0INmGWD8DY1VJw1gCLcB/s640/Robert%2BCampin%2B-%2BRetrato%2Bde%2BMarie%2Bde%2BPacy_med.jpg" width="474" /></a></div>
Robert Campin - Retrato de Marie de Pacy<br />
(Musee des Beaux-Arts de Tournai)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-YN9IqkqMXLI/WRCZJS5z3aI/AAAAAAAAkVA/sy5x9ZuyXEMCK0Mletc81AmMZg02M-JIgCLcB/s1600/Robert%2BCampin%2B-%2BRetrato%2Bde%2Bun%2Bhombre%2Brobusto.%2BRobert%2Bde%2BMasmines%2B%2528-%2529%2B%2528Gem%25C3%25A4ldegalerie%252C%2BBerlin%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-YN9IqkqMXLI/WRCZJS5z3aI/AAAAAAAAkVA/sy5x9ZuyXEMCK0Mletc81AmMZg02M-JIgCLcB/s640/Robert%2BCampin%2B-%2BRetrato%2Bde%2Bun%2Bhombre%2Brobusto.%2BRobert%2Bde%2BMasmines%2B%2528-%2529%2B%2528Gem%25C3%25A4ldegalerie%252C%2BBerlin%2529.jpg" width="390" /></a></div>
Robert Campin - Retrato de un hombre robusto. Robert de Masmines, 142030<br />
(Gemäldegalerie, Berlin)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-IfujWxLGQ5I/WRCZLxRE3xI/AAAAAAAAkVI/ro-fDrhf_64JdoIG2-mz4VM_ip8EGZxxACLcB/s1600/Robert%2BCampin%2B-%2BRetrato%2Bde%2Bun%2Bhombre%2Brobusto.%2BRobert%2Bde%2BMasmines%2B%2528-%2529%2B%2528Museo%2BThyssen-Bornemisza%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-IfujWxLGQ5I/WRCZLxRE3xI/AAAAAAAAkVI/ro-fDrhf_64JdoIG2-mz4VM_ip8EGZxxACLcB/s640/Robert%2BCampin%2B-%2BRetrato%2Bde%2Bun%2Bhombre%2Brobusto.%2BRobert%2Bde%2BMasmines%2B%2528-%2529%2B%2528Museo%2BThyssen-Bornemisza%2529.jpg" width="378" /></a></div>
Robert Campin - Retrato de un hombre robusto. Robert de Masmines, 142030<br />
(Museo Thyssen-Bornemisza)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-uBhidazFi_I/WRCZoijhLRI/AAAAAAAAkVU/GUGkoBiDi2wmeHdRLCURgJP7OlEuWUm-gCLcB/s1600/Robert%2BCampin%2B%2528after%2529%2B-%2BMadonna%2Band%2BChild%2BBefore%2Ba%2BFireplace%252C%2B1430%2B%2528The%2BHermitage%252C%2BSt%2BPetersburg%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-uBhidazFi_I/WRCZoijhLRI/AAAAAAAAkVU/GUGkoBiDi2wmeHdRLCURgJP7OlEuWUm-gCLcB/s640/Robert%2BCampin%2B%2528after%2529%2B-%2BMadonna%2Band%2BChild%2BBefore%2Ba%2BFireplace%252C%2B1430%2B%2528The%2BHermitage%252C%2BSt%2BPetersburg%2529.jpg" width="400" /></a></div>
Robert Campin (after) - Madonna and Child Before a Fireplace, 1430<br />
(The Hermitage, St Petersburg)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-ELLBC_krG4E/WRF8b2NI_lI/AAAAAAAAkZI/UgLr7mw3_W42twPRpKFwyCQHzSM_y7N4gCLcB/s1600/Robert%2BCampin%2B%2528after%2529%2B-%2BMadonna%2Band%2BChild%2BBefore%2Ba%2BFireplace%252C%2B1430%2B%2528The%2BHermitage%252C%2BSt%2BPetersburg%2529_detail.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-ELLBC_krG4E/WRF8b2NI_lI/AAAAAAAAkZI/UgLr7mw3_W42twPRpKFwyCQHzSM_y7N4gCLcB/s640/Robert%2BCampin%2B%2528after%2529%2B-%2BMadonna%2Band%2BChild%2BBefore%2Ba%2BFireplace%252C%2B1430%2B%2528The%2BHermitage%252C%2BSt%2BPetersburg%2529_detail.jpg" width="458" /></a></div>
Robert Campin (after) - Madonna and Child Before a Fireplace, 1430_detail<br />
(The Hermitage, St Petersburg)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-IOpCBIwVmbk/WRCZpOxUaJI/AAAAAAAAkVc/F7PUs44FJZMaY_uwFe8vrUF5lGYF58RgQCLcB/s1600/Robert%2BCampin%2B-%2BSt%2BJohn%2Bthe%2BBaptist%252C%2B1410.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-IOpCBIwVmbk/WRCZpOxUaJI/AAAAAAAAkVc/F7PUs44FJZMaY_uwFe8vrUF5lGYF58RgQCLcB/s640/Robert%2BCampin%2B-%2BSt%2BJohn%2Bthe%2BBaptist%252C%2B1410.jpg" width="436" /></a></div>
Robert Campin - St John the Baptist, 1415<br />
(Museum of Art Cleveland)<br />
.<br />
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<a href="https://3.bp.blogspot.com/-b4OOe6CWJKU/WRCZpGolxoI/AAAAAAAAkVY/epcfq8zIfOgI16CVbPmlKvCLdh-WadCbACLcB/s1600/Robert%2BCampin%2B-%2BThe%2BAnnunciation%252C%2B1423%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%2Bde%2BBelgique%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="626" src="https://3.bp.blogspot.com/-b4OOe6CWJKU/WRCZpGolxoI/AAAAAAAAkVY/epcfq8zIfOgI16CVbPmlKvCLdh-WadCbACLcB/s640/Robert%2BCampin%2B-%2BThe%2BAnnunciation%252C%2B1423%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%2Bde%2BBelgique%2529.jpg" width="640" /></a></div>
Robert Campin - The Annunciation, 1423<br />
(Musées Royaux des Beaux-Arts de Belgique)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-Kvtbd0xqOGM/WRCZx6XLgCI/AAAAAAAAkVk/YDlfQLcgaB8E0TqanEEWLjxw__dZYMtgwCLcB/s1600/Robert%2Bcampin%2B-%2BThe%2BCrucified%2BThief%252C%2B1410%2B%2528St%25C3%25A4delsches%2BKunstinstitut%252C%2BFrankfurt%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-Kvtbd0xqOGM/WRCZx6XLgCI/AAAAAAAAkVk/YDlfQLcgaB8E0TqanEEWLjxw__dZYMtgwCLcB/s640/Robert%2Bcampin%2B-%2BThe%2BCrucified%2BThief%252C%2B1410%2B%2528St%25C3%25A4delsches%2BKunstinstitut%252C%2BFrankfurt%2529.jpg" width="444" /></a></div>
Robert campin - The Crucified Thief, 1410<br />
(Städelsches Kunstinstitut, Frankfurt)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-aKCvR6mYeXQ/WRCZuikA0cI/AAAAAAAAkVg/Y2-gdHc6PvUoUpwK0EgRQKr3Fb4uy0TcACLcB/s1600/Robert%2BCampin%2B-%2BThe%2BVirgin%2Band%2BChild%2Bin%2Ban%2BInterior%252C%2B1432%2B%2528National%2BGallery%252C%2BLondon%2529%2B%2528Wiorkshop%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-aKCvR6mYeXQ/WRCZuikA0cI/AAAAAAAAkVg/Y2-gdHc6PvUoUpwK0EgRQKr3Fb4uy0TcACLcB/s640/Robert%2BCampin%2B-%2BThe%2BVirgin%2Band%2BChild%2Bin%2Ban%2BInterior%252C%2B1432%2B%2528National%2BGallery%252C%2BLondon%2529%2B%2528Wiorkshop%2529.jpg" width="444" /></a></div>
Robert Campin (and Workshop) - The Virgin and Child in an Interior, 1432<br />
(National Gallery, London)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-fOIcFagbnAs/WRCZzaMB3ZI/AAAAAAAAkVo/PbiL5h_zrYkEDK5XbLJEGanJ0nEgraUxgCLcB/s1600/Robert%2BCampin%2B-%2BThe%2BVirgin%2Band%2BChild%2Bin%2Ban%2BInterior%252C%2B1432%2B%2528National%2BGallery%252C%2BLondon%2529%2528Wiorkshop%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-fOIcFagbnAs/WRCZzaMB3ZI/AAAAAAAAkVo/PbiL5h_zrYkEDK5XbLJEGanJ0nEgraUxgCLcB/s640/Robert%2BCampin%2B-%2BThe%2BVirgin%2Band%2BChild%2Bin%2Ban%2BInterior%252C%2B1432%2B%2528National%2BGallery%252C%2BLondon%2529%2528Wiorkshop%2529_.jpg" width="400" /></a></div>
Robert Campin (and Workshop) - The Virgin and Child in an Interior, 1432<br />
(National Gallery, London)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-ouLv88HAjbw/WRCa3x6NAzI/AAAAAAAAkWE/oxr3UH0LxMYbvQSa9vqwki_YjDmNd0E8wCLcB/s1600/Robert%2BCampin%2B-%2BA%2BMan%2B%2528National%2BGallery%2BLondon%2529_med.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-ouLv88HAjbw/WRCa3x6NAzI/AAAAAAAAkWE/oxr3UH0LxMYbvQSa9vqwki_YjDmNd0E8wCLcB/s640/Robert%2BCampin%2B-%2BA%2BMan%2B%2528National%2BGallery%2BLondon%2529_med.jpg" width="434" /></a></div>
Robert Campin - A Man, c 1430<br />
(National Gallery London)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-XD0eQiRChXM/WRCa308dtgI/AAAAAAAAkWI/gaFrmiZPNf0FfOwTS8Kz7DTpF9PCOcmXACLcB/s1600/Robert%2BCampin%2B-%2BA%2BWoman%2B%2528National%2BGallery%2BLondon%2529_med.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-XD0eQiRChXM/WRCa308dtgI/AAAAAAAAkWI/gaFrmiZPNf0FfOwTS8Kz7DTpF9PCOcmXACLcB/s640/Robert%2BCampin%2B-%2BA%2BWoman%2B%2528National%2BGallery%2BLondon%2529_med.jpg" width="434" /></a></div>
Robert Campin - A Woman, c 1430<br />
(National Gallery London)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-JbS-198VBZQ/WRF6TQHWIcI/AAAAAAAAkY8/T9thcPslsOgC-hJHBSN7JFE7lJEZ4dokACLcB/s1600/Robert%2BCampin%2B-%2BA%2BWoman%252C%2Bc%2B1430%2B%2528National%2BGallery%2BLondon%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-JbS-198VBZQ/WRF6TQHWIcI/AAAAAAAAkY8/T9thcPslsOgC-hJHBSN7JFE7lJEZ4dokACLcB/s640/Robert%2BCampin%2B-%2BA%2BWoman%252C%2Bc%2B1430%2B%2528National%2BGallery%2BLondon%2529.jpg" width="434" /></a></div>
Robert Campin - A Woman, c 1430<br />
(National Gallery London)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-7umzsKyk4_Y/WRCa0xJMcmI/AAAAAAAAkWA/mHCSKSNEBWsqYM1jebeCqCgNwE_rBlFVACLcB/s1600/Robert%2BCampin%2B-%2BMan%2Bin%2BPrayer%252C%2B1430-35.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-7umzsKyk4_Y/WRCa0xJMcmI/AAAAAAAAkWA/mHCSKSNEBWsqYM1jebeCqCgNwE_rBlFVACLcB/s640/Robert%2BCampin%2B-%2BMan%2Bin%2BPrayer%252C%2B1430-35.jpg" width="468" /></a></div>
Robert Campin (Workshop) - Man in Prayer, 1430-35<br />
(MET)<br />
.<br />
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<a href="https://3.bp.blogspot.com/-KfkkNcu0ZGk/WRCbK3AvgpI/AAAAAAAAkWM/13N-_zQmW2QIB5RWy5fpOmvjgR8GCrzLQCLcB/s1600/Robert%2BCampin%2B-%2BThe%2BLiturgical%2BVestments%2BOf%2BThe%2BOrder%2BOf%2BThe%2BGolden%2BFleece%2B-%2BThe%2BCope%2BOf%2BThe%2BChrist.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="340" src="https://3.bp.blogspot.com/-KfkkNcu0ZGk/WRCbK3AvgpI/AAAAAAAAkWM/13N-_zQmW2QIB5RWy5fpOmvjgR8GCrzLQCLcB/s640/Robert%2BCampin%2B-%2BThe%2BLiturgical%2BVestments%2BOf%2BThe%2BOrder%2BOf%2BThe%2BGolden%2BFleece%2B-%2BThe%2BCope%2BOf%2BThe%2BChrist.jpg" width="640" /></a></div>
Robert Campin - The Liturgical Vestments Of The Order Of The Golden Fleece<br />
The Cope Of The Christ<br />
(Kunsthistorisches Museum, Viena)<br />
.<br />
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<a href="https://3.bp.blogspot.com/-kZoryaT_XpI/WRCbK0rk0KI/AAAAAAAAkWQ/kqa4mTjKpeEnoJWVbyCw_U7Fttn5oq0RACLcB/s1600/Robert%2BCampin%2B-%2BThe%2BLiturgical%2BVestments%2BOf%2BThe%2BOrder%2BOf%2BThe%2BGolden%2BFleece_The%2BCope%2BOf%2BSaint%2BJohn.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="344" src="https://3.bp.blogspot.com/-kZoryaT_XpI/WRCbK0rk0KI/AAAAAAAAkWQ/kqa4mTjKpeEnoJWVbyCw_U7Fttn5oq0RACLcB/s640/Robert%2BCampin%2B-%2BThe%2BLiturgical%2BVestments%2BOf%2BThe%2BOrder%2BOf%2BThe%2BGolden%2BFleece_The%2BCope%2BOf%2BSaint%2BJohn.jpg" width="640" /></a></div>
Robert Campin - The Liturgical Vestments Of The Order Of The Golden Fleece<br />
The Cope Of Saint John<br />
(Kunsthistorisches Museum, Viena)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-0WWgr-lPyWo/WRCbLFvEpEI/AAAAAAAAkWU/WZhxjNFTmkA-yOoy0iRXtgZ-DEjl_zwLACLcB/s1600/Robert%2BCampin%2B-%2BThe%2BLiturgical%2BVestments%2BOf%2BThe%2BOrder%2BOf%2BThe%2BGolden%2BFleece_The%2BCope%2BOf%2BThe%2BVirgin%2BMary.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="338" src="https://4.bp.blogspot.com/-0WWgr-lPyWo/WRCbLFvEpEI/AAAAAAAAkWU/WZhxjNFTmkA-yOoy0iRXtgZ-DEjl_zwLACLcB/s640/Robert%2BCampin%2B-%2BThe%2BLiturgical%2BVestments%2BOf%2BThe%2BOrder%2BOf%2BThe%2BGolden%2BFleece_The%2BCope%2BOf%2BThe%2BVirgin%2BMary.jpg" width="640" /></a></div>
Robert Campin - The Liturgical Vestments Of The Order Of The Golden Fleece<br />
The Cope Of The Virgin Mary<br />
(Kunsthistorisches Museum, Viena)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-qfR5sGaZb90/WRCestuuHJI/AAAAAAAAkXg/AvWvVINCPnUc8mWhXgj6DX-WREEQfbPaQCLcB/s1600/Robert%2BCampin%2B-%2BHoly%2BTrinity_Antipendio%2Bo%2Bfrontal%2Bde%2Baltar%2B%2528Embroidery%2529_med.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-qfR5sGaZb90/WRCestuuHJI/AAAAAAAAkXg/AvWvVINCPnUc8mWhXgj6DX-WREEQfbPaQCLcB/s640/Robert%2BCampin%2B-%2BHoly%2BTrinity_Antipendio%2Bo%2Bfrontal%2Bde%2Baltar%2B%2528Embroidery%2529_med.jpg" width="406" /></a></div>
Robert Campin - Holy Trinity_Antipendio of frontal altar (Embroidery)<br />
(Kunsthistorisches Museum, Viena)<br />
.</div>
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<a href="https://2.bp.blogspot.com/-wmQjAcWxycE/WRCaCQq2QxI/AAAAAAAAkVw/oe-a7819adwIl62ETs_V4bRYk2ZYIL5LgCLcB/s1600/Robert%2BCampin%2B%2528Master%2Bof%2BFl%25C3%25A9malle%2529%2B%2528attr%2529%2B-%2BVirgin%2Band%2BChild%2Bwith%2BSaints%2Bin%2Ban%2BEnclosed%2BGarden.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="514" src="https://2.bp.blogspot.com/-wmQjAcWxycE/WRCaCQq2QxI/AAAAAAAAkVw/oe-a7819adwIl62ETs_V4bRYk2ZYIL5LgCLcB/s640/Robert%2BCampin%2B%2528Master%2Bof%2BFl%25C3%25A9malle%2529%2B%2528attr%2529%2B-%2BVirgin%2Band%2BChild%2Bwith%2BSaints%2Bin%2Ban%2BEnclosed%2BGarden.jpg" width="640" /></a></div>
Robert Campin (Master of Flémalle)(attr) - Virgin and Child with Saints in an Enclosed Garden.<br />
.<br />
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<a href="https://3.bp.blogspot.com/-oDjJfKjrHYU/WRCaFCECnQI/AAAAAAAAkV4/Grzf2f-G4KgGkYZnK5Em4xLJkw6lz4liQCLcB/s1600/Robert%2BCampin%2B%2528after%2529%2B-%2BThe%2BVirgin%2Band%2BChild%2Bin%2Ban%2BApse%2Bwith%2BTwo%2BAngels%2B%2528National%2BGallery%2BLondon%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-oDjJfKjrHYU/WRCaFCECnQI/AAAAAAAAkV4/Grzf2f-G4KgGkYZnK5Em4xLJkw6lz4liQCLcB/s640/Robert%2BCampin%2B%2528after%2529%2B-%2BThe%2BVirgin%2Band%2BChild%2Bin%2Ban%2BApse%2Bwith%2BTwo%2BAngels%2B%2528National%2BGallery%2BLondon%2529.jpg" width="534" /></a></div>
Robert Campin (after) - The Virgin and Child in an Apse with Two Angels<br />
(National Gallery London)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-IcN4ApuvEgM/WRF_t37Q3AI/AAAAAAAAkZU/nSy7s9ojEUczYtXAwb_Z4KSTxFwUGYmEQCLcB/s1600/Robert%2BCampin%2B-%2BLa%2BVirgen%2Bde%2Bla%2BLeche%252C%2Bs%2BXV%2B%2528Museo%2Bdel%2BPrado%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-IcN4ApuvEgM/WRF_t37Q3AI/AAAAAAAAkZU/nSy7s9ojEUczYtXAwb_Z4KSTxFwUGYmEQCLcB/s640/Robert%2BCampin%2B-%2BLa%2BVirgen%2Bde%2Bla%2BLeche%252C%2Bs%2BXV%2B%2528Museo%2Bdel%2BPrado%2529.jpg" width="450" /></a></div>
Robert Campin (after) - La Virgen de la Leche, s XV<br />
(Museo del Prado)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-zA8NeB1LLPE/WRF_t-f7mhI/AAAAAAAAkZY/rgqElvHnqE4aqOyYm9eouX2XMzqL3D8rwCLcB/s1600/Robert%2BCampin%2B%2528after%2529%2B-%2BVirgin%2Band%2BChild%2B%2528Madonna%2BLactans%2529%2B%2528Museu%2BNacional%2Bd%2527Art%2Bde%2BCatalunya%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-zA8NeB1LLPE/WRF_t-f7mhI/AAAAAAAAkZY/rgqElvHnqE4aqOyYm9eouX2XMzqL3D8rwCLcB/s640/Robert%2BCampin%2B%2528after%2529%2B-%2BVirgin%2Band%2BChild%2B%2528Madonna%2BLactans%2529%2B%2528Museu%2BNacional%2Bd%2527Art%2Bde%2BCatalunya%2529.JPG" width="628" /></a></div>
Robert Campin (after) - Virgin and Child (Madonna Lactans)<br />
(Museu Nacional d'Art de Catalunya)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-Z1sxufwhwM8/WRCaEewWD0I/AAAAAAAAkV0/nEP_Uzair1sBFGS5OVxTRQpDkQ541Zn4wCLcB/s1600/Robert%2BCampin%2B%2528Follower%2Bof%2529%2B-%2BThe%2BVirgin%2Band%2BChild%2Bbefore%2Ba%2BFirescreen%252C%2B1440%2B%2528National%2BGallery%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-Z1sxufwhwM8/WRCaEewWD0I/AAAAAAAAkV0/nEP_Uzair1sBFGS5OVxTRQpDkQ541Zn4wCLcB/s640/Robert%2BCampin%2B%2528Follower%2Bof%2529%2B-%2BThe%2BVirgin%2Band%2BChild%2Bbefore%2Ba%2BFirescreen%252C%2B1440%2B%2528National%2BGallery%2529.jpg" width="490" /></a></div>
Robert Campin (Follower of) - The Virgin and Child before a Firescreen, 1440<br />
(National Gallery London)<br />
<span style="color: white;">.</span><br />
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<span style="font-family: inherit;"><em><span style="color: white;">.....</span><span style="color: #1d1d1d;"><span style="color: #cc0000; font-size: large;">P</span><span style="color: #1d1d1d;">etrus
Christus es el único pintor de Brujas del período comprendido
entre Van Eyck y Memling de cuya obra apenas se conoce nada. El
pintor llegó a Brujas tres años después de la muerte de Van
Eyck llenando el vacío artístico que fue dejado por su muerte.
Su carrera artística duró tres décadas en Brujas, durante este
periodo se produjeron treinta pinturas, cinco dibujos y una
página de un manuscrito atribuido a Petrus Christus. Nueve de
estas pinturas están firmadas y fechadas (todo entre 1446 y
1457) en un estilo semejante al de Jan van Eyck, y, como Jan van
Eyck, firmó sus obras en el registro. Siete de estas obras
firmadas se pueden relacionar con otros documentos fidedignos,
sirviendo de esta forma como base para las atribuciones de las
obras no firmadas. El estilo de pintura de Petrus Christus es
ecléctico, en él se mezclan las influencias —así como los
motivos y procedimientos de trabajo— de Jan van Eyck, Rogier
van der Weyden y el arte de las miniaturas, dando como resultado
un estilo distintivo. Sus obras tienen un lugar importante en el
complejo desarrollo de la pintura flamenca del siglo XV. </span></span></em><em><span style="color: #1d1d1d;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">Christus
introdujo el retrato de interior en el que el habitual fondo
neutro se cambia por el interior de una habitación.</span></span></em><em><span style="color: #1d1d1d;"><span style="background: #c9d7f1;">
</span></span></em><em><span style="color: #1d1d1d;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">Lo
más</span></span></em><em><span style="color: #1d1d1d;">
voluminoso de su producción se debe a las comisiones de familias
de Brujas, como la pudiente familia Adornes (comerciantes,
políticos y diplomáticos), recibiendo así mismo muchas
encargos de empresarios de España e Italia.</span></em>
</span></div>
</td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1415" width="35"><div align="CENTER">
<span style="font-family: inherit;">1415</span></div>
</td>
<td width="592"><span style="color: #1d1d1d; font-family: inherit;">Petrus
Christus nace, presumiblemente, en Baerle (Baerle-le-Duc) en el
ducado de Brabante.</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1444" width="35"><div align="CENTER">
<span style="font-family: inherit;">1444</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">Mención
en el </span><em><span style="color: #1d1d1d;">Poorterboek</span></em><em><span style="color: #1d1d1d;">
</span></em><em><span style="color: #1d1d1d;"><span style="font-style: normal;">(libro
de registro de ciudadanos) </span></span></em><span style="color: #1d1d1d;">de
Brujas que Petrus Christus adquiere la ciudadanía para que pueda
ejercer como pintor. Petrus Christus es apoyado por Joos van der
Donc para ello. </span><span style="color: #1d1d1d;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">Por
lo tanto Christus se halla en Brujas sólo tres años después de
la muerte de Jan van Eyck</span></span>
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1446" width="35"><div align="CENTER">
<span style="font-family: inherit;">1446</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">Petrus
Christus firma y data un retrato con "PETRUS XRI ME FECIT A
1446" de un hermano lego probablemente perteneciente a la
Cartuja de Genadedal cerca de Bruges: <b><i>Retrato de un cartujo </i></b>(MET, New York). Christus
hace lo mismo para un <b><i>Retrato de Edward Grymeston</i></b>, embajador del
rey inglés Henrique IV en la corte de Felipe el Bueno (National
Gallery, London).</span>
</span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1446
</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1457
</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Los nueve
cuadros firmados y datados de Petrus Christus conservados
pertenecen a este periodo</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1449" width="35"><div align="CENTER">
<span style="font-family: inherit;">1449</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">Petrus
Christus firma su cuadro </span><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>Joyero
en su tienda</b></i></span></span><strong><span style="color: #1d1d1d;">
(¿San Eligio?)</span></strong><span style="color: #1d1d1d;"><span style="font-size: small;">(MET,
New York) y pone su nombre y fecha a su </span></span><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>Virgen
con Niño</b></i></span></span><em><span style="color: black;"><span style="font-size: small;"><i><b>
(</b></i></span></span></em><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>Virgo
Lactans) </b></i></span></span></em><span style="color: #1d1d1d;">(Royal
Museum of Fine Arts, Antwerp).</span><span style="font-size: small;">
</span>
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1452" width="35"><div align="CENTER">
<span style="font-family: inherit;">1452</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><em><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;">Pinta
dos paneles con la </span></span></span></em><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>Anunciación</b></i></span></span></em><em><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;"><b>
y </b></span></span></span></em><em><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-style: normal;">la
</span></span></span></em><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>Natividad</b></i></span></span></em><strong><span style="color: #1d1d1d;"><span style="font-size: small;"><span style="font-weight: normal;">,
y</span></span></span></strong><strong><span style="color: #1d1d1d;"><span style="font-size: small;"><b>
</b></span></span></strong><strong><span style="color: #1d1d1d;"><span style="font-size: small;"><i>El
Último Juicio</i></span></span></strong><em><span style="color: #1d1d1d;"><span style="font-size: small;"><i><b>
</b></i></span></span></em><span style="color: #1d1d1d;">(Gemäldegalerie,
Berlin) y también una </span><em><span style="color: black;"><span style="font-size: small;"><i><b>Natividad</b></i></span></span></em><em><span style="color: black;"><span style="font-size: small;"><span style="font-style: normal;"><b>
y </b></span></span></span></em><em><span style="color: black;"><span style="font-size: small;"><i><b>Anunciación</b></i></span></span></em><span style="color: black;"><span style="font-size: small;">
</span></span><span style="color: #1d1d1d;">(Groeninge
Museum, Bruges). </span>
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1455" width="35"><div align="CENTER">
<span style="font-family: inherit;">1455</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">Christus
firma </span><span style="color: #1d1d1d;"><i><b>La
Lamentación </b></i></span><span style="color: #1d1d1d;">(Royal
</span><span style="color: #1d1d1d;">Museums
of Fine Arts, Brussels)</span>
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1457" width="35"><div align="CENTER">
<span style="font-family: inherit;">1457</span></div>
</td>
<td width="592"><span style="font-family: inherit; font-size: small;"><span style="color: #1d1d1d;">Petrus
Christus firma </span><span style="color: #1d1d1d;"><i><b>Virgen
y Niño entronizados con San Jerónimo y San Francisco
</b></i></span><span style="color: #1d1d1d;">(Städelsches
Kunsinstitut und Städtische Galerie, Frankfurt am Main) Esta es
la última pintura conocida que Petrus Christus firmó.</span></span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1457</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1463</span></div>
</td>
<td width="592"><span style="font-family: inherit;">La ausencia
de documentos de este periodo hace que apenas se conozca lo
acaecido en él. Se presume que el pintor realizó un viaje a
Italia, aunque no ha podido confirmarse.</span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1462</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1463</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Petrus
Christus percibe una asignación de la administración de la
ciudad de Brujas</span><br />
<span style="font-family: inherit;"><span style="font-size: small;"><span style="color: #1d1d1d;">Él
y su mujer se hacen miembros de la prestigiosa Confraternidad de
Nuestra Señora del Árbol Seco, de la que también fueron
miembros los Duques de Borgoña, así como otros miembros de la
aristocracia flamenca y relevantes hombres de negocios
extranjeros. En 1465, para dicha hermandad, Christus pintó un
pequeño y único pane: la </span><em><span style="color: #1d1d1d;"><i><b>La
Madonna del Árbol Seco</b></i></span></em><span style="color: #1d1d1d;">,
la cual se halla hoy en la Colección Thyssen-Bornemisza en
Madrid.</span>
</span>
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1463" width="35"><div align="CENTER">
<span style="font-family: inherit;">1463</span></div>
</td>
<td width="592"><span style="font-size: small;"><span style="color: #1d1d1d; font-family: inherit;">El
22 de Febrero, la Jubilosa Entrada (Visita Real) de Felipe El
Bueno y su hermana Agnes, esposa del duque Carlos de Borbón,
tiene lugar en una engalanada Brujas. Petrus
Christus, junto con el Maestro pintor Pieter Nachtegale, fue el
responsable de la supervisión de la construcción de dos enormes
escenarios decorados en las calles de Brujas con ocasión de las
festividades llevadas a cabo para la procesión de la Santa
Sangre de Brujas y la visita de Felipe <i>El Bueno</i>.</span></span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1465" width="35"><div align="CENTER">
<span style="font-family: inherit;">1465</span></div>
</td>
<td width="592"><span style="font-family: inherit;">Hans Memling
se establece por su cuenta en Brujas.</span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1467</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1468</span></div>
</td>
<td width="592"><span style="font-family: inherit; font-size: small;">Documentos
hacen mención de contribuciones anuales de<span style="color: #1d1d1d;">
Petrus Christus para la importante comunidad devocional de la
Confraternidad de Nuestra Santa Señora de la Nieve, a la que
pertenecen no sólo muchos otros gremios y artesanos, sino
también miembros de la Corte. Es presumible que Christus fuese
así mismo un miembro de ella.</span></span></td>
</tr>
<tr valign="TOP">
<td width="35"><div align="CENTER">
<span style="font-family: inherit;">1467</span></div>
<div align="CENTER">
<span style="font-family: inherit;">1472</span></div>
</td>
<td width="592"><div align="LEFT">
<span style="font-size: small;"><span style="color: #1d1d1d; font-family: inherit;">El
nombre de Christus aparece repetidamente en documentos como
portavoz del gremio de artistas gráficos y en calidad de líder
de la corporación de pintores y otras organizaciones
comerciales.</span></span></div>
</td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1468" width="35"><div align="CENTER">
<span style="font-family: inherit;">1468</span></div>
</td>
<td width="592"><span style="font-family: inherit;"><span style="color: #1d1d1d;">El
19 de Abril, la Jubilosa Entrada (Visita Real) de Carlos <i>El Temerario</i> tiene
lugar en Brujas, con ocasión de su matrimonio con Margaret de
York, hermana de Eduardo IV de Inglaterra. Las festividades
tienen lugar del 3 al 12 Julio. Entre los 150 artistas invitados
a trabajar en las decoraciones están Jacques Daret, Hugo van der
Goes, Daneel de Rijcke y Lieven van Lathem, entre otros. Aunque
no se sabe con certeza si Petrus Christus o Hans Memling
estuvieron implicados en los trabajos.</span>
</span></td>
</tr>
<tr valign="TOP">
<td sdnum="3082;" sdval="1475" width="35"><div align="CENTER">
<span style="font-family: inherit;">1475</span></div>
</td>
<td width="592"><span style="color: #1d1d1d; font-family: inherit;">La
Esposa de Christus paga la última contribución a la
Confraternidad de Nuestra Santa Señora de la Nieve. Petrus
Christus muere entre el 2 Septiembre de 1475 y el 13 Marzo de
1476. Es enterrado en la Iglesia de Nuestra Señora. La hermandad
paga las costas del funeral.</span></td></tr>
</tbody></table>
</center>
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<b><span style="color: #cc0000; font-size: x-large;">GALERÍA</span></b></div>
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Petrus Christus - Annunciation and The Nativity_The Last Judgement<br />
(Gemäldegalerie der Staatlichen Museen zu Berlin)<br />
.<br />
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Petrus Christus - Annunciation and The Nativity<br />
(Gemäldegalerie der Staatlichen Museen zu Berlin)<br />
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. </div>
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Petrus Christus - The Last Judgement<br />
(Gemäldegalerie der Staatlichen Museen zu Berlin)<br />
.<br />
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Petrus Christus - The Last Judgement_detail 1<br />
(Gemäldegalerie der Staatlichen Museen zu Berlin)<br />
.<br />
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Petrus Christus - The Last Judgement_detail 2<br />
(Gemäldegalerie der Staatlichen Museen zu Berlin)<br />
.<br />
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Petrus Christus - The Last Judgement_detail 3<br />
(Gemäldegalerie der Staatlichen Museen zu Berlin)<br />
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Petrus Christus - Virgin and Child in a Domestic Interior, 1460-67<br />
(Nelson-Atkins Museum of Art)<br />
.<br />
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Petrus Christus - Virgin and Child in a Domestic Interior, 1460-67<br />
(Nelson-Atkins Museum of Art)<br />
.<br />
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Petrus Christus - La Virgen del árbol seco, 1465<br />
(Museo Thyssen-Bornemisza)<br />
.<br />
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Petrus Christus - Virgin and Child in a Domestic Interior, 1460-67<br />
(Nelson-Atkins Museum of Art)<br />
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Petrus Christus - La Virgen con el Niño<br />
(Museo del Prado)<br />
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Petrus Christus - Madonna<br />
(Budapest)<br />
.<br />
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Petrus Christus - Maria with the Child, St. Barbara and a Carthusian Monk, (Exeter Madonna)<br />
(Gemäldegalerie - Staatliche Museen zu Berlin)<br />
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Petrus Christus - Maria with the Child, St. Barbara and a Carthusian Monk, (Exeter Madonna) detail<br />
(Gemäldegalerie - Staatliche Museen zu Berlin)<br />
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Petrus Christus - The Annunciation, 1452<br />
(Groeninge Museum Bruges)<br />
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Petrus Christus - The Nativity, c 1450</div>
(National Gallery of Washington)<br />
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Petrus Christus - The Nativity, c 1452<br />
(Groeninge Museum Bruges)<br />
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Petrus Christus - Virgin and Child (Virgo Lactans), 1449<br />
.<br />
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Petrus Christus - Virgin and Child with Saints Jerome and St Francis, 1457<br />
(Frankfurt am Main)<br />
.</div>
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Petrus Christus - Death of the Virgin, ca. 1460-65<br />
(Timken Museum, San Diego)<br />
.<br />
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Petrus Christus - Head of Christ, 1445<br />
(MET)<br />
.<br />
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Petrus Christus (¿?) - Christ as the Man of Sorrows<br />
(Birmingham Museuma and Arts Gallery)<br />
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Petrus Christus - La Lamentation, 1450<br />
(Musée Royaux des Beaux-Arts of Belgique)<br />
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Petrus Christus - The Lamentation, 1450<br />
(MET)<br />
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Petrus Christus - The Lamentation, 1450<br />
(MET)<br />
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Petrus Christus - Saint John the Baptist in a Landscape<br />
(Cleveland Museum of Art)<br />
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Petrus Christus - Portrait of a Carthusian, 1446<br />
(MET)<br />
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Petrus Christus - Edward Grimston, 1446<br />
(National Gallery, London)<br />
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Petrus Christus - Isabel of Portugal with St Elizabeth, 1457-60<br />
(Groeninge Museum Bruges)<br />
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Petrus Christus - Portrait of a Female Donor, 1455<br />
(National Gallery of Art Washington)<br />
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Petrus Christus - Portrait of a Male Donor, 1455<br />
(National Gallery of Art Washington)<br />
.<br />
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Petrus Christus - Portrait of a Man<br />
(LACMA)<br />
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Petrus Christus - Portrait of a Young Lady, 1465-70<br />
(Gemäldegalerie de Berlín)<br />
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Petrus Christus - Portrait of a Young Man<br />
(National Gallery London)<br />
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Petrus Christus - A Goldsmith in his Shop, 1449<br />
(MET)<br />
<span style="color: white;">.</span></div>
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Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-5464569323978413729.post-64179856634107582452017-05-05T11:08:00.002+02:002017-05-09T23:56:12.412+02:00Los Primitivos Flamencos (I). Presentación, Síntesis y Compendio - GALERÍA: Obras representativas<br />
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Cada ser tiene un destino en la vida:</div>
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buscar, encontrar y desarrollar lo que le es propio;</div>
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no importa el esfuerzo, los sacrificios o las renuncias que haya de hacer.</div>
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El "conócete a ti mismo" inscrito en el pronaos del Templo de Apolo en Delfos</div>
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no significa otra cosa que esa búsqueda, encuentro y desarrollo.</div>
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Nadie dijo que vivir fuera fácil; pocos que llegar a ser el que se es</div>
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fuera tan endiabladamente difícil.</div>
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Pero eso exige la vida, eso es lo que demanda el ser. Atrévete.</div>
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<b><span style="font-family: "georgia" , "times new roman" , serif;"><span style="color: #990000; font-size: x-large;">L</span><span style="font-size: large;">OS </span><span style="color: #990000; font-size: x-large;">P</span><span style="font-size: large;">RIMITIVOS </span><span style="color: #990000; font-size: x-large;">F</span><span style="font-size: large;">LAMENCOS</span></span></b></div>
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<br /></div>
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<b><span style="font-size: large;">Introducción y Presentación</span></b></div>
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<b><br /></b></div>
<span style="color: white;">.....</span>Esta denominación, <i>Primitivos Flamencos</i>, se emplea preferentemente para designar a un grupo de pintores que ejercieron su oficio durante todo el siglo XV y primera mitad del XVI (momento en el que se da el florecimiento renacentista italiano), en un territorio perteneciente en aquel tiempo a la parte norte del antiguo Estado Borgoñón, más expresamente a los Condados de Flandes y Hainaut y al Ducado de Brabante, y que se correspondería actualmente con una zona a caballo entre las actuales Holanda y Bélgica, zona que incluiría una serie de ciudades por entonces muy ricas gracias a la actividad comercial internacional (Brujas, Gante, Yprès, Amberes, Bruselas), que propició el surgimiento de una nueva clase social denominada burguesía, con gran poder adquisitivo y gusto por el arte. Es en esa transición de la Edad Media a la Edad Moderna, y del Gótico al Renacimiento en lo artístico, donde hay que enclavar este movimiento singularmente marcado por lo geográfico. Movimiento que desde su inicio daría lugar a un desarrollo soberbio de la pintura nórdica (entendiendo por tal a la realizada al norte de los Alpes, para diferenciarla de la exclusivamente italiana, foco y origen renacentista). Los Primitivos Flamencos forjarían un modo de ser y expresarse pictórico especialmente característico. En todo ello, los avatares de la Reforma luterana y la subsiguiente Contrarreforma no fueron ajenos, ya que la pintura —como todas las demás manifestaciones artísticas— debió adecuarse a los cambios sociales, políticos y religiosos.<br />
<br />
<span style="color: white;">.....</span>Así, existe una diferencia significativa entre la pintura del siglo XV y la del XVI en ese concreto ámbito geográfico. De temática más religiosa en el s. XV y más abierta al género, el retrato y el paisaje en el XVI. En el siglo XV la <i>influencia italiana</i> apenas se deja sentir, en el XVI ya forma parte de su corpus estético (incluso los artistas flamencos se desplazan a Italia para observar in situ, y aprender, las técnicas formales de un Renacimiento ya en sazón.<br />
<span style="color: white;">.....</span>Pero es todavía en el siglo XV cuando, simultáneamente al florecimiento Toscano, en Brujas el genio de los hermanos van Eyck (en especial el de Jan) y el de Rogier van der Weyden, aún influidos por el hieratismo preciosista del gótico internacional y espoleados por su gusto por el detalle —favorecido y propiciado por el descubrimiento de la técnica del óleo y la adopción de la modalidad en caballete, trascendiendo tanto el temple como el fresco—, marcará la senda por la que la pintura del norte transitará hasta casi el siglo XVIII.<br />
<br />
<span style="color: white;">.....</span>No pudiendo considerarse propiamente Renacimiento, pues en Flandes no hay nada de esa mirada vuelta al mundo clásico grecorromano, característica del Renacimiento Italiano, hasta mucho más tarde, ya en el Barroco. Entre los flamencos, ya fuesen católicos (la mayoría), ya protestantes, ya contrarreformistas, la toma de consideración, como un principio fundacional estilístico, del hombre como medida de todas las cosas que caracterizaría al movimiento que alumbró a Leonardo da Vinci, Rafael Sanzio o Miguel Ángel Buonarrotti, no se dio. No, al menos, con la determinación artística y estilística que caracterizó al Renacimiento meridional. Menos rico y colorista, menos pagano y antropocéntrico, menos humanista, más religioso y minucioso, como de ilustración miniada, el <i>Renacimiento Flamenco</i> emplearía su esfuerzo creativo e inspiración para forjar un estilo propio y singular, un estilo reconocible por el amor al detalle y al realismo doméstico. Porque la religiosidad flamenca, pese a algunas grandes realizaciones (sobre todo polípticos grandiosos, como el <i>Políptico de Gante</i>, de van Eyck, o grandes tablas como <i>El Descendimiento</i>, de van der Weyden), es una religiosidad más íntima y personal, en la que los mecenas y donantes cobran importancia protagonista, se hacen presentes en las tablas (porque la pintura flamenca aún se realiza sobre tabla, el lienzo no llegará al norte hasta bien entrado el siglo XVI). El mundo burgués así lo exige. Ya no se pinta para Dios ni para la eternidad, sino por amor al arte contemplativo, inmerso en lo temporal, que los nuevos burgueses valoran y demandan. Es por eso, también, que las escenas de género y los retratos florecen y se desarrollan hasta extremos nunca antes conocidos: se trata de representar escenas de la vida cotidiana, y cuanto mayor realismo se emplee en ello mejor.<br />
<br />
<span style="color: white;">.....</span>La excelencia técnica y expresiva de los genios fundacionales (van Eyck y van del Weyden) no sea alcanzará en los artistas posteriores, lo que no quiere decir que éstos no merezcan idéntica atención. Veremos que en varios de ellos, con más carácter o personalidad, está presente la siempre bienvenida semilla de la originalidad, como es el caso de Hieronymus Bosch, <i>El Bosco</i>, o más tardíamente Pieter Brueghel <i>el Viejo</i>. Aunque, de otra manera, más o menos originales son el <i>italianista </i>Gérard David (verdadero puente estilístico entre Italia y Flandes), el <i>paisajista</i> Joachim Patinir o el cuasi <i>manierista </i>Jan Gossaert<i> Mabuse. </i><br />
<span style="color: white;">.....</span>Robert Campin es tenido como el iniciador, quien primero traspasara los rígidos esquemas del Gótico para adentrarse en un nuevo ámbito artístico. Al mismo tiempo que en Italia Fra Angelico, Botticelli o Mantegna colocan los sólidos sillares del Renacimiento, con un dibujo suelto y libre, voluptuoso, con colores brillantes, con temáticas vitalistas, con perspectivas naturales y composiciones armoniosas en un espacio que ya va pujando hacia lo tridimensional, Robert Campin se sacude el yugo gótico y sitúa sus escenas en medio de un paisaje o de un ámbito de interior; al mismo tiempo sus figuras van cobrando volumen, sus retratos denotan profundidad psicológica y no sólo excelencia técnica; los pliegues se ondulan; la perspectiva da profundidad de campo; sus composiciones adquieren complejidad; la calle penetra en los cuadros, las costumbres también; aún perviven los fondos dorados característicos del Gótico (<i>Tríptico de Seilern</i>, <i>San Juan Bautista</i>, <i>Bendición de Cristo y María orante</i>), pero en ellos las figuras reclaman su volumen mediante las sombras y los gradientes de color.<br />
<br />
<span style="color: white;">.....</span>Pero tanto Petrus Christus, como Dieric Bouts, Hugo van der Goes o Hans Memling (sobre todo este alemán afincado en Brujas) poseen la suficiente entidad y calidad como para erigirse en escalones imprescindibles —o pilares fundamentales— de la original estructura artística que en el siglo XV se estaba conformando en territorio flamenco. Como así mismo la tienen, ya en el XVI, el menos conocido Jan Provoost, el delicado Quentin (o Quinten) Massys, el insigne grabador Lucas Leyden, el <i>lombardo </i>"<i>Maestro de Segovia</i>" Ambrosius Benson o el ya refinado <i>manierista</i> Pieter Coecke van Aelst.<br />
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<span style="color: white;">.....</span>Todos ellos son los protagonistas de esta nueva serie de entradas dedicadas al movimiento artístico prerrenacentista, circunscrito más o menos a los actuales Países Bajos, que se ha dado en llamar Los Primitivos Flamencos. Diecisiete artistas que no agotan el movimiento pero que sí lo ejemplifican. De entre ellos hay cinco a los que ya se dedicó un exhaustivo espacio en esta bitácora (cuya GALERÍA será convenientemente actualizada), y a cuyos enlaces remito:<br />
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-<span style="color: #3d85c6;"> <a href="http://consentidoscomunes.blogspot.com.es/search?q=Jan+van+Eyck"><span style="color: #3d85c6;"><b>Jan van Eyck</b></span></a></span><br />
- <b>Rogier van der Weyden</b> (dos entradas: <a href="http://consentidoscomunes.blogspot.com.es/search?q=Rogier+van+der+Weyden"><span style="color: #3d85c6;"><b>1</b></span></a> y <a href="http://consentidoscomunes.blogspot.com.es/2014/09/principio-y-fin-de-la-pintura-flamenca_23.html"><span style="color: #3d85c6;"><b>2</b></span></a>)<br />
-<span style="color: #3d85c6;"> <a href="http://consentidoscomunes.blogspot.com.es/2013/03/hieronymus-bosch-dos-de-cuatro.html"><span style="color: #3d85c6;"><b>Hieronymus Bosch <i>El Bosco</i></b></span></a></span><br />
- <b>Hans Memling (siete entradas: </b><span style="color: #3d85c6;"><span style="color: #3d85c6;"><b><a href="http://consentidoscomunes.blogspot.com.es/2013/09/heinrich-schutz-obra-i-galeria-hans.html"><span style="color: #3d85c6;">1</span></a><span id="goog_230867932"></span><span style="color: black;"><a href="https://www.blogger.com/"></a></span><span id="goog_230867933"></span>, <a href="http://consentidoscomunes.blogspot.com.es/2013/09/heinrich-schutz-obra-ii-galeria-hans.html"><span style="color: #3d85c6;">2</span></a><span id="goog_230867946"></span><span style="color: black;"><a href="https://www.blogger.com/"></a></span><span id="goog_230867947"></span>, <a href="http://consentidoscomunes.blogspot.com.es/2013/10/johann-sebastian-bach-obra-completa-i.html"><span style="color: #3d85c6;">3</span></a>, <a href="http://consentidoscomunes.blogspot.com.es/2013/10/johann-sebastian-bach-obra-completa-ii.html"><span style="color: #3d85c6;">4</span></a>, <a href="http://consentidoscomunes.blogspot.com.es/2013/10/johann-sebastian-bach-obra-completa-iii.html"><span style="color: #3d85c6;">5</span></a>, <a href="http://consentidoscomunes.blogspot.com.es/2013/10/johann-sebastian-bach-obra-completa-iv.html"><span style="color: #3d85c6;">6</span></a>, <a href="http://consentidoscomunes.blogspot.com.es/2013/10/johann-sebastian-bach-obra-completa-v.html"><span style="color: #3d85c6;">7</span></a>)</b></span></span><br />
-<span style="color: #3d85c6;"> <a href="http://consentidoscomunes.blogspot.com.es/2013/03/pieter-brueghel-elder-tres-de-cuatro.html"><span style="color: #3d85c6;"><b>Pieter Brueghel <i>el Viejo</i></b></span></a></span><br />
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<span style="color: white;">.....</span>Los otros doce serán motivo ahora de las pertinentes entradas: bien en tándem (entradas I, II; IV, V y VII) o en solitario (entradas III y VI), atendiendo a criterios de cantidad —volumen de su producción localizada en la red— y calidad —copias con la suficiente calidad y resolución, a ser posible procedentes de los propios museos, galerías o colecciones que las albergan.<br />
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<b>PLAN</b></div>
<span style="color: white;">.....</span>Obviados en esta serie los cinco artistas ya previamente aparecidos en el blog —y referidos anteriormente—, los doce presentados aquí se agruparán cronológicamente, en una primera distribución, y de modo progresivo, por el siglo en el que realizaron la mayor parte de su obra, ya fuere el XV o el XVI, pues entre uno y otro se establecen cambios, tanto estilísticos como geográficos, que determinan una evolución formal y del área de influencia —de Brujas a Amberes— designada por la Escuela correspondiente a cada una de dichas ciudades (Escuela de Brujas, en el siglo XV; Escuela de Amberes, en el XVI); para después distribuirse formalmente de la siguiente manera:<br />
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<b>Entrada I:</b> Introducción/Presentación de la serie. Cuadro sintético de características y autores. Compendio de las obras más representativas de cada artista.<br />
<b>Entrada II:</b> Siglo XV (I). Robert Campin y Petrus Christus,<br />
<b>Entrada III:</b> Siglo XV (II). Dieric Bouts y Hugo van der Goes.<br />
<i>Al siglo XV pertenecerían así mismo Jan van Eyck, Rogier van der Weyden, Hans Memling y Hieronymus Bosch El Bosco.</i><br />
<b>Entrada IV:</b> Siglo XVI (I). Gérard David.<br />
<b>Entrada V:</b> Siglo XVI (II). Jan Provoost y Quentin Massys.<br />
<b>Entrada VI:</b> Siglo XVI (III). Joachim Patinir y Lucas Leyden.<br />
<b>Entrada VII:</b> Siglo XVI (IV). Jan Gossaert <i>Mabuse.</i><br />
<b>Entrada VIII:</b> Siglo XVI (V). Ambrosius Benson y Pieter Coecke van Aelst.<br />
<i>Al siglo XVI pertenecería también Peter Brueghel el Viejo</i>.<br />
<br />
<span style="color: white;">.....</span>A todos ellos se dedicará, junto a una síntesis cronológica de cada pintor, la correspondiente GALERÍA con una panorámica exhaustiva de su obra.<br />
<span style="color: white;">.....</span>Me ha parecido del todo pertinente en esta primera entrada realizar una GALERÍA COMPENDIO con las obras más importantes y reconocidas de cada pintor; así podrá disponerse de una primera perspectiva de conjunto de lo que <i><b>Los Primitivos Flamencos</b></i> aportan estéticamente a la Historia de la Pintura.<br />
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<b><span style="font-size: x-large;"><u>Cuadro Sintético</u></span></b><br />
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<span style="color: white;"><span style="font-size: 13pt;"><b>PRIMITIVOS
FLAMENCOS</b></span></span></div>
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<span style="font-family: "franklin gothic book" , sans-serif;"><span style="font-size: 11pt;"><b>CARACTERÍSTICAS</b></span></span></div>
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<span style="font-family: "franklin gothic book" , sans-serif;"><span style="font-size: 11pt;">- Se encuadran en los siglos XV y primera mitad del XVI. Región flamenca
del Ducado de Borgoña.</span></span></div>
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<span style="font-family: "franklin gothic book" , sans-serif;"><span style="font-size: 11pt;">- Prosperidad económica de las ciudades: Brujas, Gante, Tournai (s
XV), Amberes, Bruselas (s XVI)</span></span></div>
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<span style="font-family: "franklin gothic book" , sans-serif;"><span style="font-size: 11pt;">- Surgimiento de una poderosa burguesía (mercaderes, banqueros,
fabricantes). </span></span>
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<span style="font-family: "franklin gothic book" , sans-serif;"><span style="font-size: 11pt;">- Captación y representación del mundo real, naturalismo,
costumbrismo, detallismo.</span></span></div>
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<span style="font-family: "franklin gothic book" , sans-serif;"><span style="font-size: 11pt;">- Temática religiosa naturalista, retrato, escenas de género,
paisaje.</span></span></div>
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<span style="font-family: "franklin gothic book" , sans-serif;"><span style="font-size: 11pt;">- Desarrollo y perfeccionamiento de la pintura al óleo:</span></span></div>
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<span style="font-family: "franklin gothic book" , sans-serif;"><span style="font-size: 11pt;"><span style="color: white;">.....</span>·
Riqueza cromática, brillantez, luminosidad, transparencia.</span></span></div>
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<span style="font-family: "franklin gothic book" , sans-serif;"><span style="font-size: 11pt;"><span style="color: white;">.....</span>·
Uso de veladuras.</span></span></div>
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<span style="font-family: "franklin gothic book" , sans-serif;"><span style="font-size: 11pt;"><span style="color: white;">.....</span>·
Trabajo lento y minucioso: virtuosismo técnico.</span></span></div>
<div align="LEFT">
<span style="font-family: "franklin gothic book" , sans-serif;"><span style="font-size: 11pt;">- Soporte: tabla, en pequeño y gran formato (polípticos).</span></span></div>
<div align="LEFT">
<span style="font-family: "franklin gothic book" , sans-serif;"><span style="font-size: 11pt;">- Pintura en caballete. Renuncia a los fondos dorados.</span></span></div>
<div align="LEFT">
<span style="font-family: "franklin gothic book" , sans-serif;"><span style="font-size: 11pt;">- Valoración de la luz (aparecen las sombras y los encuadres).</span></span></div>
<div align="LEFT">
<span style="font-family: "franklin gothic book" , sans-serif;"><span style="font-size: 11pt;">- Creación del espacio natural y realista.</span></span></div>
<div align="LEFT">
<span style="font-family: "franklin gothic book" , sans-serif;"><span style="font-size: 11pt;">- Perspectiva lineal, con puntos y líneas de fuga y horizonte.</span></span></div>
<div align="LEFT">
<span style="font-family: "franklin gothic book" , sans-serif;"><span style="font-size: 11pt;">- Importancia del paisaje como creador del escenario.</span></span></div>
<div align="LEFT">
<span style="font-family: "franklin gothic book" , sans-serif;"><span style="font-size: 11pt;">- Plegado artificioso de las telas.</span></span></div>
<div align="LEFT">
<span style="font-family: "franklin gothic book" , sans-serif;"><span style="font-size: 11pt;">- Captación y representación de la personalidad humana.</span></span></div>
<div align="LEFT">
<span style="font-family: "franklin gothic book" , sans-serif;"><span style="font-size: 11pt;">- Anuncian las innovaciones renacentistas y conservan ciertas
características góticas.</span></span><br />
<span style="font-family: "franklin gothic book" , sans-serif;"><span style="font-size: 11pt;"><br /></span></span></div>
</td>
</tr>
<tr>
<td bgcolor="#00ffff" colspan="5" valign="TOP" width="635"><div align="CENTER">
<span style="font-size: 11pt;"><b>RELACIÓN
DE ARTISTAS EN EL TIEMPO. ADSCRIPCIÓN ESTILÍSTICA. ESCUELA</b></span></div>
</td>
</tr>
<tr valign="TOP">
<td bgcolor="#e6e6ff" width="64"><div align="CENTER">
<span style="font-size: 11pt;"><b>Siglo</b></span></div>
</td>
<td bgcolor="#e6e6ff" width="168"><div align="CENTER">
<span style="font-size: 11pt;"><b>Artistas</b></span></div>
</td>
<td bgcolor="#e6e6ff" width="129"><div align="CENTER">
<span style="font-size: 11pt;"><b>Nac.-Def.-Lugar</b></span></div>
</td>
<td bgcolor="#e6e6ff" width="121"><div align="CENTER">
<span style="font-size: 11pt;"><b>Estilo</b></span></div>
</td>
<td bgcolor="#e6e6ff" width="121"><div align="CENTER">
<span style="font-size: 11pt;"><b>Escuela</b></span></div>
</td>
</tr>
<tr>
<td bgcolor="#ccffff" rowspan="8" width="64"><div align="CENTER">
<b>XV</b></div>
</td>
<td bgcolor="#ccffff" width="168"><div align="CENTER">
<span style="font-size: 11pt;">Robert
Campin</span></div>
</td>
<td bgcolor="#ccffff" width="129"><div align="CENTER">
<span style="font-size: 11pt;">1375-1445</span></div>
<div align="CENTER">
<span style="font-size: 11pt;">Valenciennes-Tournai</span></div>
</td>
<td bgcolor="#ccffff" width="121"><div align="CENTER">
<span style="font-size: 11pt;">Gótico
renacentista</span></div>
<div align="CENTER">
<span style="font-size: 11pt;"><i>Reaccionario</i></span></div>
</td>
<td bgcolor="#ccffff" width="121"><div align="CENTER">
<span style="font-size: 11pt;">Brujas</span></div>
</td>
</tr>
<tr>
<td width="168"><div align="CENTER">
<span style="font-size: 11pt;">Jan van Eyck</span></div>
</td>
<td width="129"><div align="CENTER">
<span style="font-size: 11pt;">1390-1441</span></div>
<div align="CENTER">
<span style="font-size: 11pt;">Lieja-Brujas</span></div>
</td>
<td width="121"><div align="CENTER">
<span style="font-size: 11pt;">Gótico
renacentista</span></div>
<div align="CENTER">
<span style="font-size: 11pt;"><i>Reaccionario</i></span></div>
</td>
<td width="121"><div align="CENTER">
<span style="font-size: 11pt;">Brujas</span></div>
</td>
</tr>
<tr>
<td bgcolor="#ccffff" width="168"><div align="CENTER">
<span style="font-size: 11pt;">Rogier van
der Weyden</span></div>
</td>
<td bgcolor="#ccffff" width="129"><div align="CENTER">
<span style="font-size: 11pt;">1399-1464</span></div>
<div align="CENTER">
<span style="font-size: 11pt;">Tournai-Bruselas</span></div>
</td>
<td bgcolor="#ccffff" width="121"><div align="CENTER">
<span style="font-size: 11pt;">Gótico
renacentista</span></div>
<div align="CENTER">
<span style="font-size: 11pt;"><i>Reaccionario</i></span></div>
</td>
<td bgcolor="#ccffff" width="121"><div align="CENTER">
<span style="font-size: 11pt;">Brujas</span></div>
</td>
</tr>
<tr>
<td width="168"><div align="CENTER">
<span style="font-size: 11pt;">Petrus
Christus</span></div>
</td>
<td width="129"><div align="CENTER">
<span style="font-size: 11pt;">1410-1475</span></div>
<div align="CENTER">
<span style="font-size: 11pt;">Baarle
Hertog-Brujas</span></div>
</td>
<td width="121"><div align="CENTER">
<span style="font-size: 11pt;">Gótico
renacentista</span></div>
<div align="CENTER">
<span style="font-size: 11pt;"><i>Reaccionario</i></span></div>
</td>
<td width="121"><div align="CENTER">
<span style="font-size: 11pt;">Brujas</span></div>
</td>
</tr>
<tr>
<td bgcolor="#ccffff" width="168"><div align="CENTER">
<span style="font-size: 11pt;">Dieric Bouts</span></div>
</td>
<td bgcolor="#ccffff" width="129"><div align="CENTER">
<span style="font-size: 11pt;">1410/20-1475</span></div>
<div align="CENTER">
<span style="font-size: 11pt;">Haarlem-Lovaina</span></div>
</td>
<td bgcolor="#ccffff" width="121"><div align="CENTER">
<span style="font-size: 11pt;">Gótico
renacentista</span></div>
<div align="CENTER">
<span style="font-size: 11pt;"><i>Reaccionario</i></span></div>
</td>
<td bgcolor="#ccffff" width="121"><div align="CENTER">
<span style="font-size: 11pt;">Brujas</span></div>
</td>
</tr>
<tr>
<td width="168"><div align="CENTER">
<span style="font-size: 11pt;">Hans Memling</span></div>
</td>
<td width="129"><div align="CENTER">
<span style="font-size: 11pt;">1423-1494</span></div>
<div align="CENTER">
<span style="font-size: 11pt;">Seligenstadt-Brujas</span></div>
</td>
<td width="121"><div align="CENTER">
<span style="font-size: 11pt;">Gótico
renacentista</span></div>
<div align="CENTER">
<span style="font-size: 11pt;"><i>Reaccionario</i></span></div>
</td>
<td width="121"><div align="CENTER">
<span style="font-size: 11pt;">Brujas</span></div>
</td>
</tr>
<tr>
<td bgcolor="#ccffff" width="168"><div align="CENTER">
<span style="font-size: 11pt;">Hugo van der
Goes</span></div>
</td>
<td bgcolor="#ccffff" width="129"><div align="CENTER">
<span style="font-size: 11pt;">1440-1482</span></div>
<div align="CENTER">
<span style="font-size: 11pt;">Gante-Auderghem</span></div>
</td>
<td bgcolor="#ccffff" width="121"><div align="CENTER">
<span style="font-size: 11pt;">Gótico
renacentista</span></div>
<div align="CENTER">
<span style="font-size: 11pt;"><i>Reaccionario</i></span></div>
</td>
<td bgcolor="#ccffff" width="121"><div align="CENTER">
<span style="font-size: 11pt;">Brujas</span></div>
</td>
</tr>
<tr>
<td width="168"><div align="CENTER">
<span style="font-size: 11pt;">Hieronymus
Bosch</span></div>
</td>
<td width="129"><div align="CENTER">
<span style="font-size: 11pt;">1450-1516</span></div>
<div align="CENTER">
<span style="font-size: 11pt;">s'-Hertogenbosch</span></div>
</td>
<td width="121"><div align="CENTER" style="margin-bottom: 0cm;">
<span style="font-size: 11pt;">Renac.
Flamenco</span></div>
<div align="CENTER">
<span style="font-size: 11pt;"><i>sui
generis</i></span></div>
</td>
<td width="121"><div style="text-align: center;">
<span style="font-size: 11pt;">Brabante-Amberes</span></div>
</td>
</tr>
<tr>
<td bgcolor="#ffffcc" rowspan="9" width="64"><div align="CENTER">
<b>XVI</b></div>
</td>
<td bgcolor="#ffffcc" width="168"><div align="CENTER">
<span style="font-size: 11pt;">Gérard
David</span></div>
</td>
<td bgcolor="#ffffcc" width="129"><div align="CENTER">
<span style="font-size: 11pt;">1460-1523</span></div>
<div align="CENTER">
<span style="font-size: 11pt;">Oudewater-Brujas</span></div>
</td>
<td bgcolor="#ffffcc" width="121"><div align="CENTER">
<span style="font-size: 11pt;">Gótico
renacentista</span></div>
<div align="CENTER">
<span style="font-size: 11pt;"><i>Italianista</i></span></div>
</td>
<td bgcolor="#ffffcc" width="121"><div align="CENTER">
<span style="font-size: 11pt;">Brujas</span></div>
</td>
</tr>
<tr>
<td width="168"><div align="CENTER">
<span style="font-size: 11pt;">Jan Provoost</span></div>
</td>
<td width="129"><div align="CENTER">
<span style="font-size: 11pt;">1465-1529</span></div>
<div align="CENTER">
<span style="font-size: 11pt;">Bergen/Mons-Brujas</span></div>
</td>
<td width="121"><div align="CENTER">
<span style="font-size: 11pt;">Gótico
renacentista</span></div>
<div align="CENTER">
<span style="font-size: 11pt;"><i>Reaccionario</i></span></div>
</td>
<td width="121"><div align="CENTER">
<span style="font-size: 11pt;">Brujas/Amberes</span></div>
</td>
</tr>
<tr>
<td bgcolor="#ffffcc" width="168"><div align="CENTER">
<span style="font-size: 11pt;">Quentin
Massys</span></div>
</td>
<td bgcolor="#ffffcc" width="129"><div align="CENTER">
<span style="font-size: 11pt;">1460-1530</span></div>
<div align="CENTER">
<span style="font-size: 11pt;">Lovaina</span></div>
</td>
<td bgcolor="#ffffcc" width="121"><div align="CENTER">
<span style="font-size: 11pt;">Renac.
flamenco</span></div>
<div align="CENTER">
<span style="font-size: 11pt;"><i>Italianista</i></span></div>
</td>
<td bgcolor="#ffffcc" width="121"><div align="CENTER">
<span style="font-size: 11pt;">Amberes</span></div>
</td>
</tr>
<tr>
<td width="168"><div align="CENTER">
<span style="font-size: 11pt;">Joachim
Patinir</span></div>
</td>
<td width="129"><div align="CENTER">
<span style="font-size: 11pt;">1480-1524</span></div>
<div align="CENTER">
<span style="font-size: 11pt;">Dinant-Amberes</span></div>
</td>
<td width="121"><div align="CENTER">
<span style="font-size: 11pt;">Renac.
flamenco</span></div>
<div align="CENTER">
<span style="font-size: 11pt;"><i>Italianista</i></span></div>
</td>
<td width="121"><div align="CENTER">
<span style="font-size: 11pt;">Amberes</span></div>
</td>
</tr>
<tr>
<td bgcolor="#ffffcc" width="168"><div align="CENTER">
<span style="font-size: 11pt;">Lucas van
Leyden</span></div>
</td>
<td bgcolor="#ffffcc" width="129"><div align="CENTER">
<span style="font-size: 11pt;">1494-1533</span></div>
<div align="CENTER">
<span style="font-size: 11pt;">Leiden</span></div>
</td>
<td bgcolor="#ffffcc" width="121"><div align="CENTER">
<span style="font-size: 11pt;">Renac.
flamenco </span>
</div>
<div align="CENTER">
<span style="font-size: 11pt;"><i>Italianista</i></span></div>
</td>
<td bgcolor="#ffffcc" width="121"><div align="CENTER">
<span style="font-size: 11pt;">Amberes</span></div>
</td>
</tr>
<tr>
<td width="168"><div align="CENTER">
<span style="font-size: 11pt;">Jan Gossaert
'Mabuse'</span></div>
</td>
<td width="129"><div align="CENTER">
<span style="font-size: 11pt;">1478-1532</span></div>
<div align="CENTER">
<span style="font-size: 11pt;">Maubeuge-Amberes</span></div>
</td>
<td width="121"><div align="CENTER">
<span style="font-size: 11pt;">Renac.
flamenco</span></div>
<div align="CENTER">
<span style="font-size: 11pt;"><i>Italianista</i></span></div>
</td>
<td width="121"><div align="CENTER">
<span style="font-size: 11pt;">Amberes</span></div>
</td>
</tr>
<tr>
<td bgcolor="#ffffcc" width="168"><div align="CENTER">
<span style="font-size: 11pt;">Ambrosius
Benson</span></div>
</td>
<td bgcolor="#ffffcc" width="129"><div align="CENTER">
<span style="font-size: 11pt;">1490-1550</span></div>
<div align="CENTER">
<span style="font-size: 11pt;">Lombardía-Brujas</span></div>
</td>
<td bgcolor="#ffffcc" width="121"><div align="CENTER">
<span style="font-size: 11pt;">Renac.
flamenco</span></div>
<div align="CENTER">
<span style="font-size: 11pt;"><i>Italianista</i></span></div>
</td>
<td bgcolor="#ffffcc" width="121"><div align="CENTER">
<span style="font-size: 11pt;">Amberes</span></div>
</td>
</tr>
<tr>
<td width="168"><div align="CENTER">
<span style="font-size: 11pt;">Pieter
Coecke van Aelst</span></div>
</td>
<td width="129"><div align="CENTER">
<span style="font-size: 11pt;">1502-1550</span></div>
<div align="CENTER">
<span style="font-size: 11pt;">Aelst-Bruselas</span></div>
</td>
<td width="121"><div align="CENTER" style="margin-bottom: 0cm;">
<span style="font-size: 11pt;">Renac.
Nórdico</span></div>
<div align="CENTER">
<span style="font-size: 11pt;"><i>Manierista</i></span></div>
</td>
<td width="121"><div align="CENTER">
<span style="font-size: 11pt;">Amberes</span></div>
</td>
</tr>
<tr>
<td bgcolor="#ffffcc" width="168"><div align="CENTER">
<span style="font-size: 11pt;">Pieter
Brueghel 'El Viejo'</span></div>
</td>
<td bgcolor="#ffffcc" width="129"><div align="CENTER">
<span style="font-size: 11pt;">1525-1569</span></div>
<div align="CENTER">
<span style="font-size: 11pt;">Breda/Breugel-Bruselas</span></div>
</td>
<td bgcolor="#ffffcc" width="121"><div align="CENTER" style="margin-bottom: 0cm;">
<span style="font-size: 11pt;">Renac.
Nórdico</span></div>
<div align="CENTER">
<span style="font-size: 11pt;"><i>Manierista</i></span></div>
</td>
<td bgcolor="#ffffcc" width="121"><div align="CENTER">
<span style="font-size: 11pt;">Amberes</span></div>
</td>
</tr>
</tbody></table>
</center>
<br />
<div style="text-align: center;">
-o-o-</div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<b><span style="color: #cc0000; font-size: large;">GALERÍA</span></b></div>
<br />
<div style="text-align: center;">
<span style="color: blue; font-family: "georgia" , "times new roman" , serif;"><b>COMPENDIO DE OBRAS REPRESENTATIVAS DE CADA PINTOR</b></span><br />
<span style="color: blue; font-family: "georgia" , "times new roman" , serif;"><b><br /></b></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-zW3SP-adw5M/WQwZFgRXG3I/AAAAAAAAkMI/Z7z1Ytq-insQij9sXZ4w-PXe5v2tDIawgCEw/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BNeptune%2Band%2BAmphitrite%252C%2B1516%2B%2528Gem%25C3%25A4ldegalerie%2Bder%2BStaatlichen%2BMuseen%2Bzu%2BBerlin%2529_rec%2Bm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="50" src="https://1.bp.blogspot.com/-zW3SP-adw5M/WQwZFgRXG3I/AAAAAAAAkMI/Z7z1Ytq-insQij9sXZ4w-PXe5v2tDIawgCEw/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BNeptune%2Band%2BAmphitrite%252C%2B1516%2B%2528Gem%25C3%25A4ldegalerie%2Bder%2BStaatlichen%2BMuseen%2Bzu%2BBerlin%2529_rec%2Bm.jpg" width="640" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-yY172ovuw8U/WQb-AGk8qiI/AAAAAAAAj2I/pqzWmq-mEz0d6mpfo56v2y4HMFXskY_fwCLcB/s1600/Robert%2BCampin%2B-%2BAnnunciation%2BTriptych%252C%2B1425%2B%2528Merode%2BAltarpiece%2529%2B%2528MET%2529_central%2Bpanel_T%25C3%25ADtulo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="100" src="https://1.bp.blogspot.com/-yY172ovuw8U/WQb-AGk8qiI/AAAAAAAAj2I/pqzWmq-mEz0d6mpfo56v2y4HMFXskY_fwCLcB/s640/Robert%2BCampin%2B-%2BAnnunciation%2BTriptych%252C%2B1425%2B%2528Merode%2BAltarpiece%2529%2B%2528MET%2529_central%2Bpanel_T%25C3%25ADtulo.jpg" width="640" /></a></div>
<center>
</center>
<center>
<b><span style="font-family: "georgia" , "times new roman" , serif;"><u>SELECCIÓN de OBRAS</u></span></b></center>
<br /></div>
<div style="text-align: center;">
<span style="font-family: inherit;"></span>
<a href="https://1.bp.blogspot.com/-avNJ64IR2ek/WQL7VPkViaI/AAAAAAAAjqE/yT2KgAoH6uIGmGs9Xz4CLlNIL30w0B_qwCLcB/s1600/Robert%2BCampin%2B-%2BAnnunciation%2BTriptych%252C%2B1425%2B%2528Merode%2BAltarpiece%2529%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="330" src="https://1.bp.blogspot.com/-avNJ64IR2ek/WQL7VPkViaI/AAAAAAAAjqE/yT2KgAoH6uIGmGs9Xz4CLlNIL30w0B_qwCLcB/s640/Robert%2BCampin%2B-%2BAnnunciation%2BTriptych%252C%2B1425%2B%2528Merode%2BAltarpiece%2529%2B%2528MET%2529.jpg" width="640" /></a><br />
Robert Campin - Annunciation Triptych, 1425 (Merode Altarpiece)<br />
[Metropolitan Museum of New York (MET)]<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-O9_SBFQEtYg/WQMHS-kbTiI/AAAAAAAAjqw/v_AoRdt7X1kg8G6G0ED0udzngVZJGsxIACLcB/s1600/Robert%2BCampin%2B-%2BSeilern%2BTriptych%252C%2B1410-20%2B%2528Courtauld%2BGallery%252C%2BLondon%2529_c%2Bm.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="418" src="https://4.bp.blogspot.com/-O9_SBFQEtYg/WQMHS-kbTiI/AAAAAAAAjqw/v_AoRdt7X1kg8G6G0ED0udzngVZJGsxIACLcB/s640/Robert%2BCampin%2B-%2BSeilern%2BTriptych%252C%2B1410-20%2B%2528Courtauld%2BGallery%252C%2BLondon%2529_c%2Bm.JPG" width="640" /></a></div>
Robert Campin - Seilern Triptych, 1410-20<br />
(Courtauld Gallery, London)_c m<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-DOdq_0oy3NM/WQMG9gyJ9UI/AAAAAAAAjqs/pAqJR3YUuysan-_Ng6I7mi7FB-spyxIewCLcB/s1600/Robert%2BCampin%2B-%2BLa%2BAnunciaci%25C3%25B3n%252C%2B1420-25%2B%2528Museo%2Bdel%2BPrado%2529_med.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-DOdq_0oy3NM/WQMG9gyJ9UI/AAAAAAAAjqs/pAqJR3YUuysan-_Ng6I7mi7FB-spyxIewCLcB/s640/Robert%2BCampin%2B-%2BLa%2BAnunciaci%25C3%25B3n%252C%2B1420-25%2B%2528Museo%2Bdel%2BPrado%2529_med.jpg" width="582" /></a></div>
Robert Campin - Los Desposorios de la Virgen, 1420-30<br />
(Museo del Prado)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-bH1FdzyAwfg/WQMG8MK97pI/AAAAAAAAjqo/2kBbERegK3sEQ2J4MiSwD_Isym9YdP6bQCLcB/s1600/Robert%2BCampin%2B-%2BThe%2BNativity%252C%2B1420%2B%2528Mus%25C3%25A9e%2Bdes%2BBeaux-Arts%2Bde%2BDijon%2529%2B%25281%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-bH1FdzyAwfg/WQMG8MK97pI/AAAAAAAAjqo/2kBbERegK3sEQ2J4MiSwD_Isym9YdP6bQCLcB/s640/Robert%2BCampin%2B-%2BThe%2BNativity%252C%2B1420%2B%2528Mus%25C3%25A9e%2Bdes%2BBeaux-Arts%2Bde%2BDijon%2529%2B%25281%2529.jpg" width="529" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
Robert Campin - The Nativity, 1420</div>
<div class="separator" style="clear: both; text-align: center;">
(Musée des Beaux-Arts de Dijon)</div>
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.</div>
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San Juan Bautista y el maestro franciscano Enrique de Werl, 1438 - Santa Bárbara, 1438<br />
(Museo del Prado)<br />
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A Man, c 1430 - A Woman, c 1430<br />
(National Gallery London)<br />
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<br />
<b><span style="font-family: "georgia" , "times new roman" , serif;"><u>SELECCIÓN de OBRAS</u></span></b><br />
<br />
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<a href="https://2.bp.blogspot.com/-E8gZ7bVX2hw/WQMgxJ9hlsI/AAAAAAAAjrA/bTk1nmYgZC8mqy6puqoZQ9Y_GyPVSKFAACLcB/s1600/Jan%2Bvan%2BEyck%2B-%2BThe%2BGhent%2BAltarpiece_med%2B%2528Saint%2BBavo%2BCathedral%2Bin%2BGhent%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="472" src="https://2.bp.blogspot.com/-E8gZ7bVX2hw/WQMgxJ9hlsI/AAAAAAAAjrA/bTk1nmYgZC8mqy6puqoZQ9Y_GyPVSKFAACLcB/s640/Jan%2Bvan%2BEyck%2B-%2BThe%2BGhent%2BAltarpiece_med%2B%2528Saint%2BBavo%2BCathedral%2Bin%2BGhent%2529.jpg" width="640" /></a></div>
Jan van Eyck - The Ghent Altarpiece (Retablo de la Adoración del Cordero Místico)<br />
(Saint Bavo Cathedral in Ghent)<br />
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Jan van Eyck - The Madonna with Canon van der Paele<br />
(Groeninge Museum, Bruges)<br />
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<a href="https://2.bp.blogspot.com/-Uftjd_kxgnY/WQMhOdqP_7I/AAAAAAAAjrI/CDjHJpTD2L8EqXGrFD_v0DIJVNCZ7SljgCLcB/s1600/Jan%2Bvan%2BEyck%2B-%2BThe%2BVirgin%2Band%2Bthe%2BChancellor%2BRolin%252C%2B1435%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-Uftjd_kxgnY/WQMhOdqP_7I/AAAAAAAAjrI/CDjHJpTD2L8EqXGrFD_v0DIJVNCZ7SljgCLcB/s640/Jan%2Bvan%2BEyck%2B-%2BThe%2BVirgin%2Band%2Bthe%2BChancellor%2BRolin%252C%2B1435%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529_.jpg" width="598" /></a></div>
Jan van Eyck - The Virgin and the Chancellor Rolin, 1435<br />
(Musée du Louvre)<br />
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The Annunciation, 1434/36 - The Madonna in the Church, 1438<br />
(National Art Gallery, Whasington DC) - (Gemäldegalerie, Berlin)<br />
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Jan van Eyck - Portrait of Giovanni Arnolfini and His Wife<br />
(National Gallery, London)<br />
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<a href="https://2.bp.blogspot.com/-f6Ke8h_q3qE/WQMhmMeZFqI/AAAAAAAAjrU/5qAHeidhnjU5laP0yWmls3ajqlzjzLrtgCLcB/s1600/Jan%2Bvan%2BEyck%2B-%2BPortrait%2Bof%2Ba%2BMan.jpg"><img height="400" src="https://2.bp.blogspot.com/-f6Ke8h_q3qE/WQMhmMeZFqI/AAAAAAAAjrU/5qAHeidhnjU5laP0yWmls3ajqlzjzLrtgCLcB/s400/Jan%2Bvan%2BEyck%2B-%2BPortrait%2Bof%2Ba%2BMan.jpg" width="291" /></a><span style="color: white;">.....</span><a href="https://4.bp.blogspot.com/-Z_6ZOU6MEeQ/WQMladh_eSI/AAAAAAAAjr4/78SgvTbBe_QkYdpGWFpmpPsQHLXfQc07gCLcB/s1600/Jan%2Bvan%2BEyck%2B-%2BMargaret%2Bvan%2BEyck%2B%2528Groeninge%2BMuseum%252C%2BBruge%2529.jpg"><img src="https://4.bp.blogspot.com/-Z_6ZOU6MEeQ/WQMladh_eSI/AAAAAAAAjr4/78SgvTbBe_QkYdpGWFpmpPsQHLXfQc07gCLcB/s400/Jan%2Bvan%2BEyck%2B-%2BMargaret%2Bvan%2BEyck%2B%2528Groeninge%2BMuseum%252C%2BBruge%2529.jpg" /></a></div>
Portrait of a Man with red chaperon, 1433 - Margaret van Eyck, 1439 (wife of Jan van Eyck)<br />
(National Gallery, London) - (Groeninge Museum, Bruge)<br />
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Man in a Blue Cap, 1430 - Portrait of Jan de Leeuw, 1436<br />
(Muzeul Naţional Brukenthal, Sibiu, Romania) - (Kunsthistorisches Museum, Viena)<br />
<a href="https://4.bp.blogspot.com/-2XvZJUxxZxw/WQwaiMzcqJI/AAAAAAAAkMU/d6AAIhbMnyYFapXGBo1RQRWtH2bijj_KgCEw/s1600/Hans%2BMemling%2B-%2BThe%2BSeven%2BJoys%2Bof%2B%2BVirgin%2BMary%2B%2528Alte%2BPinakothek%252C%2BMunich%2529_REC%2BMARCO.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="36" src="https://4.bp.blogspot.com/-2XvZJUxxZxw/WQwaiMzcqJI/AAAAAAAAkMU/d6AAIhbMnyYFapXGBo1RQRWtH2bijj_KgCEw/s640/Hans%2BMemling%2B-%2BThe%2BSeven%2BJoys%2Bof%2B%2BVirgin%2BMary%2B%2528Alte%2BPinakothek%252C%2BMunich%2529_REC%2BMARCO.jpg" width="640" /></a><br />
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<a href="https://3.bp.blogspot.com/-zW3SP-adw5M/WQwZFgRXG3I/AAAAAAAAkME/eYYU4wmX8i4ImvXEPtT5F3KxDseiuBD8gCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BNeptune%2Band%2BAmphitrite%252C%2B1516%2B%2528Gem%25C3%25A4ldegalerie%2Bder%2BStaatlichen%2BMuseen%2Bzu%2BBerlin%2529_rec%2Bm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="50" src="https://3.bp.blogspot.com/-zW3SP-adw5M/WQwZFgRXG3I/AAAAAAAAkME/eYYU4wmX8i4ImvXEPtT5F3KxDseiuBD8gCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BNeptune%2Band%2BAmphitrite%252C%2B1516%2B%2528Gem%25C3%25A4ldegalerie%2Bder%2BStaatlichen%2BMuseen%2Bzu%2BBerlin%2529_rec%2Bm.jpg" width="640" /></a><br />
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<b><span style="font-family: "georgia" , "times new roman" , serif;"><u>SELECCIÓN de OBRAS</u></span></b></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: inherit;">.</span><br />
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<a href="https://1.bp.blogspot.com/-hc_UHgXVkO4/WQOL42SzVFI/AAAAAAAAjtc/KwLCVRrzono7A_lSHiDSP2GeKWEP5AyqwCLcB/s1600/Rogier%2Bvan%2Bder%2BWeyden%2B-%2BPoliptych%2Bof%2Bthe%2BNativity%252C%2Bc%2B1450%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="314" src="https://1.bp.blogspot.com/-hc_UHgXVkO4/WQOL42SzVFI/AAAAAAAAjtc/KwLCVRrzono7A_lSHiDSP2GeKWEP5AyqwCLcB/s640/Rogier%2Bvan%2Bder%2BWeyden%2B-%2BPoliptych%2Bof%2Bthe%2BNativity%252C%2Bc%2B1450%2B%2528MET%2529.jpg" width="640" /></a></div>
Rogier van der Weyden - Poliptych of the Nativity, c 1450<br />
(MET)<br />
.<br />
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<a href="https://3.bp.blogspot.com/-uEDZrFvlysQ/WQOL1WWPIMI/AAAAAAAAjtY/A5szTa3Mv2wDABb7UeimvfieJOBwFxLLACLcB/s1600/Rogier%2Bvan%2Bder%2BWeyden%2B-%2BMary%2BAltarpiece%2B%2528Retablo%2Bde%2BMiraflores%2529%252C%2B1440%2B%2528Gem%25C3%25A4ldegalerie%252C%2BBerl%25C3%25ADn%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="338" src="https://3.bp.blogspot.com/-uEDZrFvlysQ/WQOL1WWPIMI/AAAAAAAAjtY/A5szTa3Mv2wDABb7UeimvfieJOBwFxLLACLcB/s640/Rogier%2Bvan%2Bder%2BWeyden%2B-%2BMary%2BAltarpiece%2B%2528Retablo%2Bde%2BMiraflores%2529%252C%2B1440%2B%2528Gem%25C3%25A4ldegalerie%252C%2BBerl%25C3%25ADn%2529.jpg" width="640" /></a></div>
Rogier van der Weyden - Mary Altarpiece (Retablo de Miraflores), 1440<br />
(Gemäldegalerie, Berlín)<br />
.<br />
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Rogier van der Weyden - Seven Sacraments Altarpiece, 1445-50</div>
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(Koninklijk Museum voor Schone Kunsten Antwerpen) </div>
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<a href="https://4.bp.blogspot.com/-xP4HMJZqRZM/WQOL67w1Z7I/AAAAAAAAjtk/4WFPiTB7Jn4-0okebqHbcGDCZbFDmIFhACLcB/s1600/Rogier%2Bvan%2Bder%2BWeyden%2B-%2BTriptych%2Bof%2Bthe%2BCrucifixion%252C%2B1443-45%2B%2528Kunsthistorisches%2BMuseum%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="424" src="https://4.bp.blogspot.com/-xP4HMJZqRZM/WQOL67w1Z7I/AAAAAAAAjtk/4WFPiTB7Jn4-0okebqHbcGDCZbFDmIFhACLcB/s640/Rogier%2Bvan%2Bder%2BWeyden%2B-%2BTriptych%2Bof%2Bthe%2BCrucifixion%252C%2B1443-45%2B%2528Kunsthistorisches%2BMuseum%2529.jpg" width="640" /></a></div>
Rogier van der Weyden - Triptych of the Crucifixion, 1443-45<br />
(Kunsthistorisches Museum)<br />
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<a href="https://3.bp.blogspot.com/-73XM49VhvTM/WQONkKUi2bI/AAAAAAAAjt0/Oy7tAlHXCWs60_vWdnwncvnC8U51d06jwCLcB/s1600/Rogier%2Bvan%2Bder%2BWeyden%2B-%2BMedici%2BMadonna%252C%2B1453-60%2B%2528Staedel%2BMuseum%252C%2BFranckfurt%2Bdel%2BMain%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-73XM49VhvTM/WQONkKUi2bI/AAAAAAAAjt0/Oy7tAlHXCWs60_vWdnwncvnC8U51d06jwCLcB/s640/Rogier%2Bvan%2Bder%2BWeyden%2B-%2BMedici%2BMadonna%252C%2B1453-60%2B%2528Staedel%2BMuseum%252C%2BFranckfurt%2Bdel%2BMain%2529.jpg" width="482" /></a></div>
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Rogier van der Weyden - Medici Madonna, 1453-60</div>
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(Staedel Museum, Franckfurt del Main)</div>
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Rogier van der Weyden - Saint Luke Drawing the Virgin<br />
(MFA, Boston)<br />
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Portrait of a Lady, 1460 - Portrait of a Lady, 1460<br />
(National Gallery of Art, Washington, D.C.) - (National Gallery, London)<br />
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Portrait of a Woman with a Winged Bonnet, 1440 - Portrait of Philippe de Croÿ<br />
(Gemäldegalerie, Berlin) - (Musée des Beaux Arts d'Anvers)<br />
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Portrait of Philip the Good, 3rd Duke of Burgundy - Portrait of Anthony of Burgundy, c 1460<br />
(Musée des Beaux-Arts de Dijon) - (Musées Royaux des Beaux Arts de Belgique)<br />
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<b><span style="font-family: "georgia" , "times new roman" , serif;"><u>SELECCIÓN de OBRAS</u></span></b></div>
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<br /></div>
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Petrus Christus - Annunciation and The Nativity_The Last Judgement<br />
(Gemäldegalerie der Staatlichen Museen zu Berlin)<br />
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Petrus Christus (attr) - The Annunciation, 1450<br />
(MET)<br />
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Petrus Christus - The Nativity, c 1450</div>
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(National Gallery of Art, Washington D.C.)</div>
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Petrus Christus - Virgin and Child in a Domestic Interior, 1460-67<br />
(Nelson-Atkins Museum of Art)<br />
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Petrus Christus - Maria with the Child, St. Barbara and a Carthusian Monk, (Exeter Madonna), 1450<br />
(Gemäldegalerie - Staatliche Museen zu Berlin )<br />
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Petrus Christus - La Lamentation, 1450<br />
(Musée des Beaux Arts de Belgique)<br />
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Petrus Christus - Death of the Virgin, ca. 1460-65<br />
(Timken Museum of Art, San Diego)<br />
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Portrait of a Carthusian, 1446 - Portrait of a Young Lady, 1465-70<br />
(MET) - (Gemäldegalerie de Berlín)<br />
<a href="https://4.bp.blogspot.com/-2XvZJUxxZxw/WQwaiMzcqJI/AAAAAAAAkMU/d6AAIhbMnyYFapXGBo1RQRWtH2bijj_KgCEw/s1600/Hans%2BMemling%2B-%2BThe%2BSeven%2BJoys%2Bof%2B%2BVirgin%2BMary%2B%2528Alte%2BPinakothek%252C%2BMunich%2529_REC%2BMARCO.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="36" src="https://4.bp.blogspot.com/-2XvZJUxxZxw/WQwaiMzcqJI/AAAAAAAAkMU/d6AAIhbMnyYFapXGBo1RQRWtH2bijj_KgCEw/s640/Hans%2BMemling%2B-%2BThe%2BSeven%2BJoys%2Bof%2B%2BVirgin%2BMary%2B%2528Alte%2BPinakothek%252C%2BMunich%2529_REC%2BMARCO.jpg" width="640" /></a><br />
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<a href="https://1.bp.blogspot.com/-xNJri9MWZl4/WQcSOOr6L_I/AAAAAAAAj3A/6meOmy4k_esJgUqTGy7bTTUpU3ogBeqGwCLcB/s1600/Dieric%2BBouts%2B%2528Workshop%2529%2B-%2BThe%2BVirgin%2Band%2BChild%2Bwith%2BSaint%2BPeter%2Band%2BSaint%2BPaul%2B%2528National%2BGallery%252C%2BLondon%2529_T%25C3%25ADtulo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="100" src="https://1.bp.blogspot.com/-xNJri9MWZl4/WQcSOOr6L_I/AAAAAAAAj3A/6meOmy4k_esJgUqTGy7bTTUpU3ogBeqGwCLcB/s640/Dieric%2BBouts%2B%2528Workshop%2529%2B-%2BThe%2BVirgin%2Band%2BChild%2Bwith%2BSaint%2BPeter%2Band%2BSaint%2BPaul%2B%2528National%2BGallery%252C%2BLondon%2529_T%25C3%25ADtulo.jpg" width="640" /></a></div>
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<b><span style="font-family: "georgia" , "times new roman" , serif;"><u>SELECCIÓN de OBRAS</u></span></b></center>
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<b><u><br /></u></b></center>
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<a href="https://3.bp.blogspot.com/-Oly9LByGl1U/WQRbxXSB38I/AAAAAAAAjuw/0nX-7Td_pqYA6EGtFMUOasXL_2H97uLqQCLcB/s1600/Dieric%2BBouts%2B-%2BLa%2Bjustice%2Bde%2Bl%2527empereur%2BOtton_Dyptic%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%2Bde%2BBelgique%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="534" src="https://3.bp.blogspot.com/-Oly9LByGl1U/WQRbxXSB38I/AAAAAAAAjuw/0nX-7Td_pqYA6EGtFMUOasXL_2H97uLqQCLcB/s640/Dieric%2BBouts%2B-%2BLa%2Bjustice%2Bde%2Bl%2527empereur%2BOtton_Dyptic%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%2Bde%2BBelgique%2529.jpg" width="640" /></a></div>
Dieric Bouts - La justice de l'empereur Otton_Dyptic<br />
(Musées Royaux des Beaux-Arts de Belgique)<br />
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<a href="https://1.bp.blogspot.com/-7hISQJPao9s/WQRbx6NmNaI/AAAAAAAAju4/qdW6kgaHGqYqrs0k35Qkg9bUVZa2TDTTwCLcB/s1600/Dieric%2BBouts%2B-%2BTriptych%2Bthe%2BPearl%2Bof%2Bbrabant%2B%2528lw%2BSt%2BJohn%2Bthe%2BBaptist_cp%2BAdoration%2Bof%2Bthe%2BMagi_rw%2BSaint%2BChristopher%2B%2528Alte%2BPinakothek%252C%2BMunich%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="316" src="https://1.bp.blogspot.com/-7hISQJPao9s/WQRbx6NmNaI/AAAAAAAAju4/qdW6kgaHGqYqrs0k35Qkg9bUVZa2TDTTwCLcB/s640/Dieric%2BBouts%2B-%2BTriptych%2Bthe%2BPearl%2Bof%2Bbrabant%2B%2528lw%2BSt%2BJohn%2Bthe%2BBaptist_cp%2BAdoration%2Bof%2Bthe%2BMagi_rw%2BSaint%2BChristopher%2B%2528Alte%2BPinakothek%252C%2BMunich%2529.jpg" width="640" /></a></div>
Triptych the Pearl of Brabant (St John the Baptist_Adoration of the Magi_Saint Christopher)<br />
(Alte Pinakothek, Munich)<br />
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<a href="https://1.bp.blogspot.com/-_S-tBbm29Hg/WQRby43YWLI/AAAAAAAAju8/lIf4LMrn6Gc01NIixMY_ThsSFWlhg2OxgCLcB/s1600/Dirck%2BBouts%2B-%2BRetablo%2Bdel%2BSanto%2BSacramento%25E2%2580%259D%2B%25281464-1467%252C%2BSint-Pieterskerk%252C%2BLeuven%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="370" src="https://1.bp.blogspot.com/-_S-tBbm29Hg/WQRby43YWLI/AAAAAAAAju8/lIf4LMrn6Gc01NIixMY_ThsSFWlhg2OxgCLcB/s640/Dirck%2BBouts%2B-%2BRetablo%2Bdel%2BSanto%2BSacramento%25E2%2580%259D%2B%25281464-1467%252C%2BSint-Pieterskerk%252C%2BLeuven%2529.jpg" width="640" /></a></div>
Dirck Bouts - Retablo del Santo Sacramento, 1464-1467<br />
(Sint-Pieterskerk, Leuven)<br />
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<a href="https://4.bp.blogspot.com/-8KdsjOq-JU8/WQRb0vaSloI/AAAAAAAAjvA/wDuG90PUf_I7gg1-ahpkOJ8vPPuYmGwUQCLcB/s1600/Dirck%2BBouts%2B-%2BTr%25C3%25ADptico%2Bde%2Bla%2Bvida%2Bde%2Bla%2BVirgen%252C%2Bh%2B1445%2B%2528Museo%2Bdel%2BPrado%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="276" src="https://4.bp.blogspot.com/-8KdsjOq-JU8/WQRb0vaSloI/AAAAAAAAjvA/wDuG90PUf_I7gg1-ahpkOJ8vPPuYmGwUQCLcB/s640/Dirck%2BBouts%2B-%2BTr%25C3%25ADptico%2Bde%2Bla%2Bvida%2Bde%2Bla%2BVirgen%252C%2Bh%2B1445%2B%2528Museo%2Bdel%2BPrado%2529.jpg" width="640" /></a></div>
<span style="font-family: inherit;">Dirck Bouts - Tríptico de la vida de la Virgen, h 1445</span><br />
<span style="font-family: inherit;">(Museo del Prado)</span><br />
<span style="font-family: inherit;">.</span><br />
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Dieric Bouts & Hugo van der Goes - Triptiek van de Heilige Hippolytus<br />
(Sint-Salvators kathedraal; Brugge)<br />
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<a href="https://3.bp.blogspot.com/-ea8GwDlYLYU/WQRdL6kE2qI/AAAAAAAAjvQ/I7LPL5YGbU8eDVxju8Do_E9yPBeCdJZrwCLcB/s1600/Dieric%2BBouts%2B-%2BTriptych%2Bof%2BSaint%2BErasmus%252C%2B1458%2B%2528Sint-Pieterskerk%252C%2BLeuven%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="326" src="https://3.bp.blogspot.com/-ea8GwDlYLYU/WQRdL6kE2qI/AAAAAAAAjvQ/I7LPL5YGbU8eDVxju8Do_E9yPBeCdJZrwCLcB/s640/Dieric%2BBouts%2B-%2BTriptych%2Bof%2BSaint%2BErasmus%252C%2B1458%2B%2528Sint-Pieterskerk%252C%2BLeuven%2529.jpg" width="640" /></a></div>
<span style="font-family: inherit;">Dieric Bouts - Triptych of Saint Erasmus, 1458</span><br />
<span style="font-family: inherit;">(Sint-Pieterskerk, Leuven)</span><br />
<span style="font-family: inherit;">.</span><br />
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L’Ascension des Elus ou le Paradis and La Chute des Damnés ou l'Enfer, c. 1450<br />
(Palais des beaux-arts, Lille)<br />
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<a href="https://3.bp.blogspot.com/-GjdVP7qrJLk/WQRjPDX6fVI/AAAAAAAAjv4/3sVdfLHhnqg8DJkSJE-GxqYFI04-vV1NgCLcB/s1600/Dieric%2BBouts%2B-%2BAutoritratto%2Bcome%2BSan%2BLuca%2B%25C2%25B7%2BDa%2BSan%2BLuca%2Britrae%2Bla%2BVergine%2B%25C2%25B7%2B1455%2Bca%2B%2528Bowes%2BMuseum%2529_med.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-GjdVP7qrJLk/WQRjPDX6fVI/AAAAAAAAjv4/3sVdfLHhnqg8DJkSJE-GxqYFI04-vV1NgCLcB/s640/Dieric%2BBouts%2B-%2BAutoritratto%2Bcome%2BSan%2BLuca%2B%25C2%25B7%2BDa%2BSan%2BLuca%2Britrae%2Bla%2BVergine%2B%25C2%25B7%2B1455%2Bca%2B%2528Bowes%2BMuseum%2529_med.jpg" width="494" /></a></div>
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Dieric Bouts - Saint Luke drawing the Virgin (¿Self Portrait?), 1455 ca</div>
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<a href="https://1.bp.blogspot.com/-AchjfsXDcvQ/WQRdJPDMRDI/AAAAAAAAjvI/xk9MMUMOCyE9gEuZoY2jaoUhSnTzgrL2QCLcB/s1600/Dieric%2BBouts%2B-%2BEcce%2BAgnus%2BDei%252C%2B1462-64%2B%2528Alte%2BPinakothek%252C%2BMunich%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-AchjfsXDcvQ/WQRdJPDMRDI/AAAAAAAAjvI/xk9MMUMOCyE9gEuZoY2jaoUhSnTzgrL2QCLcB/s640/Dieric%2BBouts%2B-%2BEcce%2BAgnus%2BDei%252C%2B1462-64%2B%2528Alte%2BPinakothek%252C%2BMunich%2529.jpg" width="480" /></a></div>
Dieric Bouts - Ecce Agnus Dei, 1462-64<br />
(Alte Pinakothek, Munich)<br />
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<a href="https://3.bp.blogspot.com/-W5Dqrf-RWug/WQRdNnQM3NI/AAAAAAAAjvU/PlIgsQ9-wO4sPSTXkGQQdE5g4WV1nMthQCLcB/s1600/Dieric%2BBouts%2B-%2BLa%2BD%25C3%25A9ploration%2Bdu%2BChrist%252C%2Bvers%2B1460%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-W5Dqrf-RWug/WQRdNnQM3NI/AAAAAAAAjvU/PlIgsQ9-wO4sPSTXkGQQdE5g4WV1nMthQCLcB/s640/Dieric%2BBouts%2B-%2BLa%2BD%25C3%25A9ploration%2Bdu%2BChrist%252C%2Bvers%2B1460%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529.JPG" width="476" /></a></div>
Dieric Bouts - La Déploration du Christ, vers 1460<br />
(Musée du Louvre)<br />
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<a href="https://3.bp.blogspot.com/-xGhyfLEAmlU/WQRdOiwwS8I/AAAAAAAAjvY/uwCtWR_EeKUv_-z0RcPgJmzZSD0jGHOYACLcB/s1600/Dieric%2BBouts%2B-%2BResurrection%252C%2B1450-60%2B%2528Norton%2BSimon%2BMuseum%2Bof%2BArt%252C%2BPasadena%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-xGhyfLEAmlU/WQRdOiwwS8I/AAAAAAAAjvY/uwCtWR_EeKUv_-z0RcPgJmzZSD0jGHOYACLcB/s640/Dieric%2BBouts%2B-%2BResurrection%252C%2B1450-60%2B%2528Norton%2BSimon%2BMuseum%2Bof%2BArt%252C%2BPasadena%2529.jpg" width="526" /></a></div>
Dieric Bouts - Resurrection, 1450-60<br />
(Norton Simon Museum of Art, Pasadena)<br />
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<a href="https://3.bp.blogspot.com/-gP0hmcOlXVM/WQRfnM2S8DI/AAAAAAAAjvs/OdIqzqcnl3oN1qMe8mSRkQGiqEsq-BefwCLcB/s1600/Dieric%2BBouts%2B-%2BThe%2BVirgin%2Band%2BChild%252C%2B1455-60%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://3.bp.blogspot.com/-gP0hmcOlXVM/WQRfnM2S8DI/AAAAAAAAjvs/OdIqzqcnl3oN1qMe8mSRkQGiqEsq-BefwCLcB/s400/Dieric%2BBouts%2B-%2BThe%2BVirgin%2Band%2BChild%252C%2B1455-60%2B%2528MET%2529.jpg" width="300" /></a><a href="https://1.bp.blogspot.com/-300g3-ZDzWw/WQRfk3QHGsI/AAAAAAAAjvk/DrTsBjdFnAEEd1DyxNgfSp-b6s5ieiwIQCLcB/s1600/Dieric%2BBouts%2B-%2BThe%2BVirgin%2Band%2BChild%252C%2Bc%2B1465%2B%2528National%2BGallery%252C%2BLondon%2529.jpg"><img height="400" src="https://1.bp.blogspot.com/-300g3-ZDzWw/WQRfk3QHGsI/AAAAAAAAjvk/DrTsBjdFnAEEd1DyxNgfSp-b6s5ieiwIQCLcB/s400/Dieric%2BBouts%2B-%2BThe%2BVirgin%2Band%2BChild%252C%2Bc%2B1465%2B%2528National%2BGallery%252C%2BLondon%2529.jpg" width="293" /></a></div>
The Virgin and Child, 1455-60 - The Virgin and Child, c 1465<br />
(Metropolitam Museum of New York) - (National Gallery of London)<br />
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<a href="https://4.bp.blogspot.com/-2XvZJUxxZxw/WQwaiMzcqJI/AAAAAAAAkMU/d6AAIhbMnyYFapXGBo1RQRWtH2bijj_KgCEw/s1600/Hans%2BMemling%2B-%2BThe%2BSeven%2BJoys%2Bof%2B%2BVirgin%2BMary%2B%2528Alte%2BPinakothek%252C%2BMunich%2529_REC%2BMARCO.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="36" src="https://4.bp.blogspot.com/-2XvZJUxxZxw/WQwaiMzcqJI/AAAAAAAAkMU/d6AAIhbMnyYFapXGBo1RQRWtH2bijj_KgCEw/s640/Hans%2BMemling%2B-%2BThe%2BSeven%2BJoys%2Bof%2B%2BVirgin%2BMary%2B%2528Alte%2BPinakothek%252C%2BMunich%2529_REC%2BMARCO.jpg" width="640" /></a></div>
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<b><span style="font-family: "georgia" , "times new roman" , serif;"><u>SELECCIÓN de OBRAS</u></span></b></div>
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<a href="https://2.bp.blogspot.com/-oM0G5IwmNkI/WQW8BSQ1E5I/AAAAAAAAjwI/owEC0OseKg8NCFXLoWPAYQoB_8b_kSp2gCLcB/s1600/Hans%2BMemling%2B-%2BSt%2BJohn%2BAltarpiece%2B%2528Sint-Janshospitaal%252C%2BBruges%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://2.bp.blogspot.com/-oM0G5IwmNkI/WQW8BSQ1E5I/AAAAAAAAjwI/owEC0OseKg8NCFXLoWPAYQoB_8b_kSp2gCLcB/s640/Hans%2BMemling%2B-%2BSt%2BJohn%2BAltarpiece%2B%2528Sint-Janshospitaal%252C%2BBruges%2529_.jpg" width="640" /></a></div>
Hans Memling - St John Altarpiece<br />
(Sint-Janshospitaal, Bruges)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-E-w004uvwiM/WQW8EX7ydXI/AAAAAAAAjwM/LY-PbM5mItQ0itru1ITz3qMMGDLqVS_3wCLcB/s1600/Hans%2BMemling%2B-%2BThe%2BDonne%2BTriptych%252C%2B1478%2B%2528National%2BGallery%252C%2BLondon%2529_big.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="316" src="https://1.bp.blogspot.com/-E-w004uvwiM/WQW8EX7ydXI/AAAAAAAAjwM/LY-PbM5mItQ0itru1ITz3qMMGDLqVS_3wCLcB/s640/Hans%2BMemling%2B-%2BThe%2BDonne%2BTriptych%252C%2B1478%2B%2528National%2BGallery%252C%2BLondon%2529_big.jpg" width="640" /></a></div>
Hans Memling - The Donne Triptych, 1478<br />
(National Gallery, London)<br />
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<a href="https://2.bp.blogspot.com/--VuQ1OWxd8I/WQW8EWdfXmI/AAAAAAAAjwQ/DT2Di98-3_M5LA4N5dZyu9cV1HqoHesYACLcB/s1600/Hans%2BMemling%2B-%2BThe%2BLast%2BJudgment%252C%2B1466-73%2B%2528National%2BMuseum%252C%2BGdansk%252C%2BPoland%2529%2B%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="426" src="https://2.bp.blogspot.com/--VuQ1OWxd8I/WQW8EWdfXmI/AAAAAAAAjwQ/DT2Di98-3_M5LA4N5dZyu9cV1HqoHesYACLcB/s640/Hans%2BMemling%2B-%2BThe%2BLast%2BJudgment%252C%2B1466-73%2B%2528National%2BMuseum%252C%2BGdansk%252C%2BPoland%2529%2B%25282%2529.jpg" width="640" /></a></div>
Hans Memling - The Last Judgment, 1466-73<br />
(National Museum, Gdansk, Poland)<br />
.<br />
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<a href="https://3.bp.blogspot.com/-hW6IWqu7hHk/WQW8Ig7-bLI/AAAAAAAAjwY/vtXVQT-yEdwKEsZ56v-CwPY0rLFWTi8GwCLcB/s1600/Hans%2BMemling%2B-%2BThe%2BMoreel%2BTriptych%252C%2B1484%2B%2528Groeningemuseum%252C%2BBruges%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="262" src="https://3.bp.blogspot.com/-hW6IWqu7hHk/WQW8Ig7-bLI/AAAAAAAAjwY/vtXVQT-yEdwKEsZ56v-CwPY0rLFWTi8GwCLcB/s640/Hans%2BMemling%2B-%2BThe%2BMoreel%2BTriptych%252C%2B1484%2B%2528Groeningemuseum%252C%2BBruges%2529.jpg" width="640" /></a></div>
Hans Memling - The Moreel Triptych, 1484<br />
(Groeningemuseum, Bruges)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-QHQnM0qqQbc/WQW8IgK1YpI/AAAAAAAAjwU/5EO5T73F66YSf9TGvwwCRThMDjlehg7hACLcB/s1600/Hans%2BMemling%2B-%2BTr%25C3%25ADptico%2Bde%2Bla%2BAdoraci%25C3%25B3n%2Bde%2Blos%2BMagos%252C%2B1470-72%2B%2528Museo%2Bdel%2BPrado%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="252" src="https://4.bp.blogspot.com/-QHQnM0qqQbc/WQW8IgK1YpI/AAAAAAAAjwU/5EO5T73F66YSf9TGvwwCRThMDjlehg7hACLcB/s640/Hans%2BMemling%2B-%2BTr%25C3%25ADptico%2Bde%2Bla%2BAdoraci%25C3%25B3n%2Bde%2Blos%2BMagos%252C%2B1470-72%2B%2528Museo%2Bdel%2BPrado%2529.jpg" width="640" /></a></div>
<span style="font-family: inherit;">Hans Memling - Tríptico de la Adoración de los Magos, 1470-72</span><br />
<span style="font-family: inherit;">(Museo del Prado)</span>
<span style="font-family: inherit;">.</span><br />
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<a href="https://4.bp.blogspot.com/-7MAk6EDVC24/WQW8lsJA6oI/AAAAAAAAjwg/4zR9tGmrDcoktAoHzZE9bnH79Q0KGxj6wCLcB/s1600/Hans%2BMemling%2B-%2BMadonna%2Bim%2BRosenhag%252C%2BSt.%2BGeorg%2Bmit%2BStifter%2B%2528Alte%2BPinakothek%252C%2BMunich%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="440" src="https://4.bp.blogspot.com/-7MAk6EDVC24/WQW8lsJA6oI/AAAAAAAAjwg/4zR9tGmrDcoktAoHzZE9bnH79Q0KGxj6wCLcB/s640/Hans%2BMemling%2B-%2BMadonna%2Bim%2BRosenhag%252C%2BSt.%2BGeorg%2Bmit%2BStifter%2B%2528Alte%2BPinakothek%252C%2BMunich%2529.JPG" width="640" /></a></div>
Hans Memling - Madonna im Rosenhag, St. Georg mit Stifter<br />
(Alte Pinakothek, Munich)<br />
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<a href="https://2.bp.blogspot.com/-OKlRjNG3eCA/WQW8tW86ZaI/AAAAAAAAjws/tvJ5l8iTyTUiiTY2FARKk2cX9UMW-RkyQCLcB/s1600/Hans%2BMemling%2B-%2BVirgin%2Band%2BChild%2Bwith%2BSaints%2BCatherine%2Bof%2BAlexandria%2Band%2BBarbara%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="600" src="https://2.bp.blogspot.com/-OKlRjNG3eCA/WQW8tW86ZaI/AAAAAAAAjws/tvJ5l8iTyTUiiTY2FARKk2cX9UMW-RkyQCLcB/s640/Hans%2BMemling%2B-%2BVirgin%2Band%2BChild%2Bwith%2BSaints%2BCatherine%2Bof%2BAlexandria%2Band%2BBarbara%2B%2528MET%2529.jpg" width="640" /></a></div>
<span style="font-family: inherit;">Hans Memling - Virgin and Child with Saints Catherine of Alexandria and Barbara</span><br />
<span style="font-family: inherit;">(MET)</span>
<span style="font-family: inherit;">.</span><br />
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<a href="https://3.bp.blogspot.com/-9km8sxd828s/WQW8l-ehPNI/AAAAAAAAjwk/n5-3_GJB46wjn2OyKRXfIlfhGcu6pXxZwCLcB/s1600/Hans%2BMemling%2B-%2BLa%2BVirgen%2By%2Bel%2BNi%25C3%25B1o%2Bentre%2Bdos%2B%25C3%25A1ngeles%2B%2528Museo%2Bdel%2BPrado%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://3.bp.blogspot.com/-9km8sxd828s/WQW8l-ehPNI/AAAAAAAAjwk/n5-3_GJB46wjn2OyKRXfIlfhGcu6pXxZwCLcB/s400/Hans%2BMemling%2B-%2BLa%2BVirgen%2By%2Bel%2BNi%25C3%25B1o%2Bentre%2Bdos%2B%25C3%25A1ngeles%2B%2528Museo%2Bdel%2BPrado%2529.jpg" width="290" /></a><a href="https://3.bp.blogspot.com/-84-jJNUAGi4/WQW8jVuVQhI/AAAAAAAAjwc/xLpi_UiUX4Yg9VFnzSDIiBKjkisL0Ny2wCLcB/s1600/Hans%2BMemling%2B-%2BSaint%2BVeronica%2B%255Bobverse%255D%252C%2B1470-75%2B%2528NGA%252C%2BWashington%2BD.C.%2529.jpg"><img height="400" src="https://3.bp.blogspot.com/-84-jJNUAGi4/WQW8jVuVQhI/AAAAAAAAjwc/xLpi_UiUX4Yg9VFnzSDIiBKjkisL0Ny2wCLcB/s400/Hans%2BMemling%2B-%2BSaint%2BVeronica%2B%255Bobverse%255D%252C%2B1470-75%2B%2528NGA%252C%2BWashington%2BD.C.%2529.jpg" width="300" /></a></div>
La Virgen y el Niño entre dos ángeles - Saint Veronica [obverse], 1470-75<br />
(Museo del Prado) - (NGA, Washington D.C.)<br />
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<a href="https://4.bp.blogspot.com/-aoSuSSY6ucc/WQW8r5m6wiI/AAAAAAAAjwo/tvidP4sH5NctE9pVx7OJJ0tDizfUk0GjQCLcB/s1600/Hans%2BMemling%2B-%2BThe%2BAnnunciation%252C%2B1465-70%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://4.bp.blogspot.com/-aoSuSSY6ucc/WQW8r5m6wiI/AAAAAAAAjwo/tvidP4sH5NctE9pVx7OJJ0tDizfUk0GjQCLcB/s400/Hans%2BMemling%2B-%2BThe%2BAnnunciation%252C%2B1465-70%2B%2528MET%2529.jpg" width="250" /></a><a href="https://2.bp.blogspot.com/-7SBggw8zaBk/WQW8tWg1YkI/AAAAAAAAjww/XZfZ_EUZKYonsU8IQQ0449sl8drMH-4_gCLcB/s1600/Hans%2BMemling%2B-%2BThe%2BAnnunciation%252C%2B1465-70%2B%2528MET%2529_%2B2%2Bv_med.jpg"><img height="400" src="https://2.bp.blogspot.com/-7SBggw8zaBk/WQW8tWg1YkI/AAAAAAAAjww/XZfZ_EUZKYonsU8IQQ0449sl8drMH-4_gCLcB/s400/Hans%2BMemling%2B-%2BThe%2BAnnunciation%252C%2B1465-70%2B%2528MET%2529_%2B2%2Bv_med.jpg" width="288" /></a></div>
The Annunciation, 1465-70 - The Annunciation, 1465-70<br />
(MET)<br />
.<br />
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<a href="https://3.bp.blogspot.com/-XKwO84siL5E/WQW-DZq3HyI/AAAAAAAAjxE/8x4RMRE3j-0AIW44tfw6NLaeu2dn2IPLACLcB/s1600/Hans%2BMemling%2B-%2BTomasso%2Band%2BMaria%2BPortinari%252C%2B1470.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="416" src="https://3.bp.blogspot.com/-XKwO84siL5E/WQW-DZq3HyI/AAAAAAAAjxE/8x4RMRE3j-0AIW44tfw6NLaeu2dn2IPLACLcB/s640/Hans%2BMemling%2B-%2BTomasso%2Band%2BMaria%2BPortinari%252C%2B1470.jpg" width="640" /></a></div>
<span style="font-family: inherit;">Hans Memling - Tomasso and Maria Portinari, 1470</span><br />
<span style="font-family: inherit;">(MET)</span>
<span style="font-family: inherit;">.</span><br />
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<a href="https://1.bp.blogspot.com/-ishPOBm-jb8/WQW-QUGEcsI/AAAAAAAAjxM/JO3_5fklqsAvJUCkyEcBm2vb55iAD0D2ACLcB/s1600/Hans%2BMemling%2B-%2BPortrait%2Bof%2Ba%2BMan%2Bwith%2Ba%2BRoman%2Bcoin%252C%2B1480%2527s%2B%2528Koninklijk%2BMuseum%2Bvoor%2BSchone%2BKunsten%252C%2BAntwerp%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://1.bp.blogspot.com/-ishPOBm-jb8/WQW-QUGEcsI/AAAAAAAAjxM/JO3_5fklqsAvJUCkyEcBm2vb55iAD0D2ACLcB/s400/Hans%2BMemling%2B-%2BPortrait%2Bof%2Ba%2BMan%2Bwith%2Ba%2BRoman%2Bcoin%252C%2B1480%2527s%2B%2528Koninklijk%2BMuseum%2Bvoor%2BSchone%2BKunsten%252C%2BAntwerp%2529_.jpg" width="288" /></a><a href="https://1.bp.blogspot.com/-BnVfA-4ds1Y/WQW952fre4I/AAAAAAAAjw4/VI1DhlEd3RAVUoj7l2z29LxqUyJWMq8swCLcB/s1600/Hans%2BMemling%2B-%2BPortrait%2Bof%2Ba%2BMan%2Bwith%2Ban%2BArrow%252C%2B1472-75%2528NGA%252C%2BWashington%2BD.C.%2529.jpg"><img height="400" src="https://1.bp.blogspot.com/-BnVfA-4ds1Y/WQW952fre4I/AAAAAAAAjw4/VI1DhlEd3RAVUoj7l2z29LxqUyJWMq8swCLcB/s400/Hans%2BMemling%2B-%2BPortrait%2Bof%2Ba%2BMan%2Bwith%2Ban%2BArrow%252C%2B1472-75%2528NGA%252C%2BWashington%2BD.C.%2529.jpg" width="307" /></a> </div>
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Portrait of a Man with a Roman coin, 1480's - Portrait of a Man with an Arrow, 1472-75</div>
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(Koninklijk Museum voor Schone Kunsten, Antwerp) - (NGA, Washington D.C.)</div>
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Portrait of a Young Man praying, 1485 - Portrait of a Young Man, 1472-75<br />
(Museo Thyssen-Bornemisza) - (MET)<br />
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<a href="https://4.bp.blogspot.com/-2XvZJUxxZxw/WQwaiMzcqJI/AAAAAAAAkMU/d6AAIhbMnyYFapXGBo1RQRWtH2bijj_KgCEw/s1600/Hans%2BMemling%2B-%2BThe%2BSeven%2BJoys%2Bof%2B%2BVirgin%2BMary%2B%2528Alte%2BPinakothek%252C%2BMunich%2529_REC%2BMARCO.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="36" src="https://4.bp.blogspot.com/-2XvZJUxxZxw/WQwaiMzcqJI/AAAAAAAAkMU/d6AAIhbMnyYFapXGBo1RQRWtH2bijj_KgCEw/s640/Hans%2BMemling%2B-%2BThe%2BSeven%2BJoys%2Bof%2B%2BVirgin%2BMary%2B%2528Alte%2BPinakothek%252C%2BMunich%2529_REC%2BMARCO.jpg" width="640" /></a></div>
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<b><span style="font-family: "georgia" , "times new roman" , serif;"><u>SELECCIÓN de OBRAS</u></span></b></center>
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<b><u><br /></u></b></center>
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<a href="https://4.bp.blogspot.com/-kc1DxHFsYDY/WQXCxkALsbI/AAAAAAAAjxk/8Iek5xHDn54SlGbqLV8aXOLm-g2s4Iu5wCLcB/s1600/Hugo%2Bvan%2Bder%2BGoes%2B-%2B%2BAdoration%2Bof%2Bthe%2BMagi%2B%2528Monforte%2BAltarpiece%2529%2B%2528Gem%25C3%25A4ldegalerie%252C%2BBerlin%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="414" src="https://4.bp.blogspot.com/-kc1DxHFsYDY/WQXCxkALsbI/AAAAAAAAjxk/8Iek5xHDn54SlGbqLV8aXOLm-g2s4Iu5wCLcB/s640/Hugo%2Bvan%2Bder%2BGoes%2B-%2B%2BAdoration%2Bof%2Bthe%2BMagi%2B%2528Monforte%2BAltarpiece%2529%2B%2528Gem%25C3%25A4ldegalerie%252C%2BBerlin%2529.jpg" width="640" /></a></div>
Hugo van der Goes - Adoration of the Magi (Monforte Altarpiece)<br />
(Gemäldegalerie, Berlin)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-o1-0vc4GJjM/WQXCuaYl6OI/AAAAAAAAjxc/ofCXNOwxwxwdI2TcknYfebek-epru1bSQCLcB/s1600/Hugo%2Bvan%2Bder%2BGoes%2B-%2BAdoration%2Bof%2Bthe%2BMagi%2B%2528Portinari%2BTryptich%2529%252C%2B1476-79%2B%2528Galleria%2Bdegli%2BUffizi%2529_0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="268" src="https://1.bp.blogspot.com/-o1-0vc4GJjM/WQXCuaYl6OI/AAAAAAAAjxc/ofCXNOwxwxwdI2TcknYfebek-epru1bSQCLcB/s640/Hugo%2Bvan%2Bder%2BGoes%2B-%2BAdoration%2Bof%2Bthe%2BMagi%2B%2528Portinari%2BTryptich%2529%252C%2B1476-79%2B%2528Galleria%2Bdegli%2BUffizi%2529_0.jpg" width="640" /></a></div>
Hugo van der Goes - Adoration of the Magi (Portinari Tryptich), 1476-79<br />
(Galleria degli Uffizi)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-H5LA14fk7xs/WQXCu8YR03I/AAAAAAAAjxg/zhHdrHonDkENNfgYhBYjCspW3BfuNaKvwCLcB/s1600/Hugo%2Bvan%2Bder%2BGoes%2B-%2BAdoration%2Bof%2Bthe%2BMagi%2B%2528The%2BHermitage%2BMuseum%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="433" src="https://4.bp.blogspot.com/-H5LA14fk7xs/WQXCu8YR03I/AAAAAAAAjxg/zhHdrHonDkENNfgYhBYjCspW3BfuNaKvwCLcB/s640/Hugo%2Bvan%2Bder%2BGoes%2B-%2BAdoration%2Bof%2Bthe%2BMagi%2B%2528The%2BHermitage%2BMuseum%2529_.jpg" width="640" /></a></div>
Hugo van der Goes - Adoration of the Magi<br />
(The Hermitage Museum)_<br />
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Hugo van der Goes - The Calvary Triptych, 1465-68<br />
(Saint Bavo Cathedral - Ghent)<br />
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Hugo van der Goes - Diptych of Fall and Redemption of Man, 1479</div>
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(Kunsthistorisches Museum, Viena)</div>
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Virgin and Child, c 1470 - Virgin and Child, c 1478<br />
(Philadelphia Museum of Art) - (Städelsches Kunstinstitut, Francfurt am Main)<br />
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Hugo van der Goes - Portrait of a Man, 1475<br />
(MET)<br />
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<b><span style="font-family: "georgia" , "times new roman" , serif;"><u>SELECCIÓN de OBRAS</u></span></b><br />
<span style="color: white; font-family: "georgia" , "times new roman" , serif;">.</span><br />
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<a href="https://2.bp.blogspot.com/-JhI0Ve37MDE/WQrXGLyXz3I/AAAAAAAAkIA/PvaNJPpkjZ0ESPN9ocIYSD_JEzEmSokXACLcB/s1600/Hieronymus%2BBosch%2B%2527El%2BBosco%2527%2B-%2BTr%25C3%25ADptico%2Bdel%2Bjard%25C3%25ADn%2Bde%2Blas%2Bdelicias%2B%2528Museo%2Bdel%2BPrado%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="340" src="https://2.bp.blogspot.com/-JhI0Ve37MDE/WQrXGLyXz3I/AAAAAAAAkIA/PvaNJPpkjZ0ESPN9ocIYSD_JEzEmSokXACLcB/s640/Hieronymus%2BBosch%2B%2527El%2BBosco%2527%2B-%2BTr%25C3%25ADptico%2Bdel%2Bjard%25C3%25ADn%2Bde%2Blas%2Bdelicias%2B%2528Museo%2Bdel%2BPrado%2529.jpg" width="640" /></a></div>
Hieronymus Bosch 'El Bosco' - Tríptico del jardín de las delicias<br />
(Museo del Prado)<br />
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<a href="https://2.bp.blogspot.com/-6zKPR6K7DGs/WQrXEcCrMeI/AAAAAAAAkH8/6Th6QqNAfSEliUigV2K9t_ogt4BPXgAdQCLcB/s1600/Hieronymus%2BBosch%2B%2527El%2BBosco%2527%2B-%2BTr%25C3%25ADptico%2Bdel%2Bcarro%2Bde%2Bheno%2B%2528Museo%2Bdel%2BPradfo%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="420" src="https://2.bp.blogspot.com/-6zKPR6K7DGs/WQrXEcCrMeI/AAAAAAAAkH8/6Th6QqNAfSEliUigV2K9t_ogt4BPXgAdQCLcB/s640/Hieronymus%2BBosch%2B%2527El%2BBosco%2527%2B-%2BTr%25C3%25ADptico%2Bdel%2Bcarro%2Bde%2Bheno%2B%2528Museo%2Bdel%2BPradfo%2529.jpg" width="640" /></a></div>
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Hieronymus Bosch El Bosco - Adoración de ,los Magos, h. 1494<br />
(Museo del Prado)<br />
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Hieronymus Bosch 'El Bosco' - Las Tentaciones de San Antonio, ca.1501-1516<br />
(Museo de Arte Antiga, Lisboa)<br />
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<a href="https://3.bp.blogspot.com/-otqu0ubO84Q/WQrW8ZM_3AI/AAAAAAAAkHw/8uw1cWgUe2EQBM0iQ2IB2WLcVo_n_X7nwCLcB/s1600/Hieronymus%2BBosch%2B%2527El%2BBosco%2527%2B-%2BThe%2BLast%2BJudgment%252C%2Bc%2B1500%2B%2528Kunsthistorisches%2BMuseum%252C%2BViena%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="384" src="https://3.bp.blogspot.com/-otqu0ubO84Q/WQrW8ZM_3AI/AAAAAAAAkHw/8uw1cWgUe2EQBM0iQ2IB2WLcVo_n_X7nwCLcB/s640/Hieronymus%2BBosch%2B%2527El%2BBosco%2527%2B-%2BThe%2BLast%2BJudgment%252C%2Bc%2B1500%2B%2528Kunsthistorisches%2BMuseum%252C%2BViena%2529.jpg" width="640" /></a></div>
Hieronymus Bosch 'El Bosco' - The Last Judgment, 1485-1516<br />
(Kunsthistorisches Museum, Viena)<br />
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<a href="https://1.bp.blogspot.com/-CPmf4VzWeJg/WQraMybopTI/AAAAAAAAkI0/zusNVjsSkksVffnaK9EyrLz6FbDws_oxwCLcB/s1600/Hieronymus%2BBosch%2B%2527El%2BBosco%2527%2B-%2BMesa%2Bde%2Blos%2BPecados%2BCapitales%2B%2528Museo%2Bdel%2BPrado%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="550" src="https://1.bp.blogspot.com/-CPmf4VzWeJg/WQraMybopTI/AAAAAAAAkI0/zusNVjsSkksVffnaK9EyrLz6FbDws_oxwCLcB/s640/Hieronymus%2BBosch%2B%2527El%2BBosco%2527%2B-%2BMesa%2Bde%2Blos%2BPecados%2BCapitales%2B%2528Museo%2Bdel%2BPrado%2529.jpg" width="640" /></a></div>
Hieronymus Bosch 'El Bosco' - Mesa de los Pecados Capitales, 1505-10<br />
(Museo del Prado)<br />
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Hieronymus Bosch 'El Bosco' - Adoration of the Magi, ca 1475 </div>
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(MET)</div>
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<a href="https://2.bp.blogspot.com/-uSq6hRFqEVs/WQraC8KrtxI/AAAAAAAAkIc/ZJMTaRrWyPUb1ZFzoYW1Lb0jRFLpocLhQCLcB/s1600/Hieronymus%2BBosch%2B%2527El%2BBosco%2527%2B-%2BAdoration%2Bof%2Bthe%2BMagi%2B%2528Philadelphia%2BMuseum%2Bof%2BArt%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-uSq6hRFqEVs/WQraC8KrtxI/AAAAAAAAkIc/ZJMTaRrWyPUb1ZFzoYW1Lb0jRFLpocLhQCLcB/s640/Hieronymus%2BBosch%2B%2527El%2BBosco%2527%2B-%2BAdoration%2Bof%2Bthe%2BMagi%2B%2528Philadelphia%2BMuseum%2Bof%2BArt%2529.jpg" width="454" /></a></div>
Hieronymus Bosch 'El Bosco' - Adoration of the Magi, 1518<br />
(Philadelphia Museum of Art)<br />
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<a href="https://2.bp.blogspot.com/-3QCM9veu6Mk/WQraCj-kwkI/AAAAAAAAkIY/ZrdedKjEVWEyB4jedAfbCn4Nj614_1QAQCLcB/s1600/Hieronymus%2BBosch%2B%2527El%2BBosco%2527%2B-%2BCristo%2Bllevando%2Bla%2Bcruz%2B%2528Kunsthistorisches%2BMuseum%252C%2BViena%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-3QCM9veu6Mk/WQraCj-kwkI/AAAAAAAAkIY/ZrdedKjEVWEyB4jedAfbCn4Nj614_1QAQCLcB/s640/Hieronymus%2BBosch%2B%2527El%2BBosco%2527%2B-%2BCristo%2Bllevando%2Bla%2Bcruz%2B%2528Kunsthistorisches%2BMuseum%252C%2BViena%2529.jpg" width="348" /></a></div>
Hieronymus Bosch 'El Bosco' - Cristo llevando la cruz<br />
(Kunsthistorisches Museum, Viena)<br />
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<a href="https://1.bp.blogspot.com/-zPanFiA9eoM/WQrla-7xMmI/AAAAAAAAkJg/tbVlQulBris30Z4q3Qr35yTW05visy_2gCLcB/s1600/Hieronymus%2BBosch%2B%2527El%2BBosco%2527%2B-%2BCricifixion%2Bwith%2Ba%2BDonor%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%252C%2BBrussels%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-zPanFiA9eoM/WQrla-7xMmI/AAAAAAAAkJg/tbVlQulBris30Z4q3Qr35yTW05visy_2gCLcB/s640/Hieronymus%2BBosch%2B%2527El%2BBosco%2527%2B-%2BCricifixion%2Bwith%2Ba%2BDonor%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%252C%2BBrussels%2529.jpg" width="530" /></a></div>
Hieronymus Bosch 'El Bosco' - Cricifixion with a Donor<br />
(Musées Royaux des Beaux-Arts, Brussels)<br />
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<a href="https://4.bp.blogspot.com/-YbA4G-b7O0o/WQrkC_UEU9I/AAAAAAAAkJY/qLNnNsJIBaIzgH03SztPq0d_2FJp3epOACLcB/s1600/Hieronymus%2BBosch%2B%2527El%2BBosco%2527%2B-%2BLas%2Btentaciones%2Bde%2BSan%2BAntonio%2BAbad%2B%2528Museo%2Bdel%2BPrado%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-YbA4G-b7O0o/WQrkC_UEU9I/AAAAAAAAkJY/qLNnNsJIBaIzgH03SztPq0d_2FJp3epOACLcB/s640/Hieronymus%2BBosch%2B%2527El%2BBosco%2527%2B-%2BLas%2Btentaciones%2Bde%2BSan%2BAntonio%2BAbad%2B%2528Museo%2Bdel%2BPrado%2529.jpg" width="456" /></a></div>
Hieronymus Bosch 'El Bosco' - Las tentaciones de San Antonio Abad, 1510-15<br />
(Museo del Prado)<br />
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<a href="https://1.bp.blogspot.com/-qPKvtIaCPFw/WQrakFrcrjI/AAAAAAAAkI8/xNVaEt1VG8c1VdrklpOp8xhAJlBIyHe4wCLcB/s1600/Hieronymus%2BBosch%2B%2527El%2BBosco%2527%2B-%2BSan%2BJuan%2BBautista%2Ben%2Bmeditaci%25C3%25B3n%2B%2528Museo%2BL%25C3%25A1zaro%2BGaldiano%252C%2BMadrid%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-qPKvtIaCPFw/WQrakFrcrjI/AAAAAAAAkI8/xNVaEt1VG8c1VdrklpOp8xhAJlBIyHe4wCLcB/s640/Hieronymus%2BBosch%2B%2527El%2BBosco%2527%2B-%2BSan%2BJuan%2BBautista%2Ben%2Bmeditaci%25C3%25B3n%2B%2528Museo%2BL%25C3%25A1zaro%2BGaldiano%252C%2BMadrid%2529.jpg" width="526" /></a></div>
Hieronymus Bosch 'El Bosco' - San Juan Bautista en meditación<br />
(Museo Lázaro Galdiano, Madrid)<br />
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Hieronymus Bosch El Bosco - San Juan Evangelista en Patmos, 1489</div>
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(Staatliche Museen, Berlín)</div>
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Hieronymus Bosch 'El Bosco' - San Cristóbal, 1496<br />
(Museo Boijmans Van Beuningen, Rotterdam)<br />
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The Ship of the Fools, c 1500 - Death and the Miser, 1485-1490<br />
(Musée du Louvre) - (National Gallery of Art, Washington D.C.)<br />
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Hieronymus Bosch 'El Bosco' - La extracción de la piedra de la locura, H. 1494<br />
(Museo del Prado)<br />
<a href="https://4.bp.blogspot.com/-2XvZJUxxZxw/WQwaiMzcqJI/AAAAAAAAkMU/d6AAIhbMnyYFapXGBo1RQRWtH2bijj_KgCEw/s1600/Hans%2BMemling%2B-%2BThe%2BSeven%2BJoys%2Bof%2B%2BVirgin%2BMary%2B%2528Alte%2BPinakothek%252C%2BMunich%2529_REC%2BMARCO.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="36" src="https://4.bp.blogspot.com/-2XvZJUxxZxw/WQwaiMzcqJI/AAAAAAAAkMU/d6AAIhbMnyYFapXGBo1RQRWtH2bijj_KgCEw/s640/Hans%2BMemling%2B-%2BThe%2BSeven%2BJoys%2Bof%2B%2BVirgin%2BMary%2B%2528Alte%2BPinakothek%252C%2BMunich%2529_REC%2BMARCO.jpg" width="640" /></a><br />
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<b><span style="font-family: "georgia" , "times new roman" , serif;"><u>SELECCIÓN de OBRAS</u></span></b></div>
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<br /></div>
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<a href="https://3.bp.blogspot.com/-3dT6Fc0kSog/WQYhC6hzSOI/AAAAAAAAjzI/62JpNDD1h3ctKLIydc8zyyfj7ohezk3fwCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BNativity%2BTriptych%252C%2B1506%2B%2528MET%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="392" src="https://3.bp.blogspot.com/-3dT6Fc0kSog/WQYhC6hzSOI/AAAAAAAAjzI/62JpNDD1h3ctKLIydc8zyyfj7ohezk3fwCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BNativity%2BTriptych%252C%2B1506%2B%2528MET%2529_.jpg" width="640" /></a></div>
Gérard David - Nativity Triptych, 1506<br />
(MET)<br />
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<a href="https://2.bp.blogspot.com/-VQZkWoAvtL4/WQYhGQOh48I/AAAAAAAAjzU/pd4Vm30eSRcVd5k3QePy5fykcXVFwCrKgCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BTriptych%2Bof%2BJan%2BDes%2BTrompes.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://2.bp.blogspot.com/-VQZkWoAvtL4/WQYhGQOh48I/AAAAAAAAjzU/pd4Vm30eSRcVd5k3QePy5fykcXVFwCrKgCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BTriptych%2Bof%2BJan%2BDes%2BTrompes.jpg" width="640" /></a></div>
Gérard David - Triptych de Jan Des Trompes (Ou du Baptême du Christ), 1502-1508<br />
(Groeninge Museum, Bruges)<br />
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<a href="https://3.bp.blogspot.com/-N9GIeJ9k3o4/WQYopTGXE7I/AAAAAAAAj0E/cBcCg4jMJzw6V1VgsCa5fYGBZzFyOIx8gCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BThe%2BJudgement%2Bof%2BCambyses%252C%2B1498%2B%2528Bruges.%2BGroeninge%2BMuseum%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="336" src="https://3.bp.blogspot.com/-N9GIeJ9k3o4/WQYopTGXE7I/AAAAAAAAj0E/cBcCg4jMJzw6V1VgsCa5fYGBZzFyOIx8gCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BThe%2BJudgement%2Bof%2BCambyses%252C%2B1498%2B%2528Bruges.%2BGroeninge%2BMuseum%2529.jpg" width="640" /></a></div>
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Gérard David - The Judgement of Cambyses, 1498 (Dyptic)</div>
(Bruges. Groeninge Museum)<br />
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Gérard David - The Adoration of the Magi<br />
(National Gallery London)<br />
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<a href="https://2.bp.blogspot.com/-ERUR-Aqd_4E/WQYg54Ac8yI/AAAAAAAAjy0/WzSX0y8RlfgU-AqtyN4TjeUODMIUfk7vACLcB/s1600/G%25C3%25A9rard%2BDavid%2B%2528Workshop%2529%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BMagi%2B%2528MET%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="614" src="https://2.bp.blogspot.com/-ERUR-Aqd_4E/WQYg54Ac8yI/AAAAAAAAjy0/WzSX0y8RlfgU-AqtyN4TjeUODMIUfk7vACLcB/s640/G%25C3%25A9rard%2BDavid%2B%2528Workshop%2529%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BMagi%2B%2528MET%2529_.jpg" width="640" /></a></div>
Gérard David (Workshop) - The Adoration of the Magi<br />
(MET)<br />
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Gerard David - Virgin and child with saints and donor (Richard de Visch van der Capelle)<br />
(National Gallery London)<br />
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<a href="https://4.bp.blogspot.com/-PwY86B1oIuw/WQYg5A5t7WI/AAAAAAAAjys/X-smn2Gjv7A2PI5nO7djZnz4QeWLxIyMQCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BCanon%2BBernardin%2Bde%2527%2BSalviati%2Band%2BSaints%252C%2B1501%2B%2528National%2BGallery%252C%2BLondon%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-PwY86B1oIuw/WQYg5A5t7WI/AAAAAAAAjys/X-smn2Gjv7A2PI5nO7djZnz4QeWLxIyMQCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BCanon%2BBernardin%2Bde%2527%2BSalviati%2Band%2BSaints%252C%2B1501%2B%2528National%2BGallery%252C%2BLondon%2529.jpg" width="580" /></a></div>
Gérard David - Canon Bernardin de' Salviati and Saints, 1501<br />
(National Gallery, London)<br />
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<a href="https://2.bp.blogspot.com/-JG2i2ZDZTv4/WQYg54J5usI/AAAAAAAAjyw/ffnMn1cOAiQrbGtvQtFoeXR8gkWiRDG4QCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BChrist%2Bnailed%2Bto%2Bthe%2Bcross%2B%2528NGL%2529_Triptych_central%2Bpanel_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="324" src="https://2.bp.blogspot.com/-JG2i2ZDZTv4/WQYg54J5usI/AAAAAAAAjyw/ffnMn1cOAiQrbGtvQtFoeXR8gkWiRDG4QCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BChrist%2Bnailed%2Bto%2Bthe%2Bcross%2B%2528NGL%2529_Triptych_central%2Bpanel_.jpg" width="640" /></a></div>
Gérard David - Christ nailed to the cross (central panel of a Triptych<br />
(NGL)<br />
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<a href="https://2.bp.blogspot.com/-X5kqr5Yhs7I/WQYg7yREX2I/AAAAAAAAjy4/-eV51VORp_AtUyCF_e8JHfANTGXs-9UaQCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BCrucifixion%252C%2Bc%2B1495%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-X5kqr5Yhs7I/WQYg7yREX2I/AAAAAAAAjy4/-eV51VORp_AtUyCF_e8JHfANTGXs-9UaQCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BCrucifixion%252C%2Bc%2B1495%2B%2528MET%2529.jpg" width="456" /></a></div>
Gérard David - Crucifixion, c 1495<br />
(MET)<br />
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<a href="https://4.bp.blogspot.com/-gnA2fqH9_Mo/WQYg1_RDJVI/AAAAAAAAjyk/HALD1zVZc8oriQIe6cDZ0qEmts_imei-wCLcB/s1600/Gerard%2BDavid%2B-%2BDeposition.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-gnA2fqH9_Mo/WQYg1_RDJVI/AAAAAAAAjyk/HALD1zVZc8oriQIe6cDZ0qEmts_imei-wCLcB/s640/Gerard%2BDavid%2B-%2BDeposition.jpg" width="632" /></a></div>
Gerard David - The lamentation over the dead Christ, 1523-25<br />
(National Gallery London)<br />
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<a href="https://1.bp.blogspot.com/-Ie4o76h2vUo/WQYhBCTMIuI/AAAAAAAAjzA/Czj5EEM-P2UJ8WoDWf2xuo5ULvWlRPG-gCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BDescanso%2Ben%2Bla%2Bhuida%2Ba%2BEgipto%252C%2Bde%2BGerard%2BDavid%252C%2Bh.%2B1510%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-Ie4o76h2vUo/WQYhBCTMIuI/AAAAAAAAjzA/Czj5EEM-P2UJ8WoDWf2xuo5ULvWlRPG-gCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BDescanso%2Ben%2Bla%2Bhuida%2Ba%2BEgipto%252C%2Bde%2BGerard%2BDavid%252C%2Bh.%2B1510%2B%2528MET%2529.jpg" width="478" /></a></div>
Gérard David - Descanso en la huida a Egipto, ca. 1510<br />
(MET)<br />
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<a href="https://3.bp.blogspot.com/-HcT17U5gsZY/WQYhBWysHGI/AAAAAAAAjzE/lSsjcAoPdDMM2JWWq-xd9AxLihr14fkYwCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BRest%2Bon%2Bthe%2Bflight%2Binto%2BEgypt%252C%2Bc%2B1510.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-HcT17U5gsZY/WQYhBWysHGI/AAAAAAAAjzE/lSsjcAoPdDMM2JWWq-xd9AxLihr14fkYwCLcB/s640/G%25C3%25A9rard%2BDavid%2B-%2BRest%2Bon%2Bthe%2Bflight%2Binto%2BEgypt%252C%2Bc%2B1510.jpg" width="630" /></a></div>
Gérard David - Rest on the flight into Egypt.c.1500-1505<br />
(NGA Washington,DC)<br />
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<a href="https://2.bp.blogspot.com/-RkxX92mtvBU/WQYmMzvSAgI/AAAAAAAAjz4/oqO7dVmNAA8modAUaW8tU0eus4edpgCZACLcB/s1600/Gerard%2BDavid%2B-%2BVirgin%2Band%2Bchild%2Bwith%2Bfour%2Bangels%252C%2Bc%2B1510-1515%2B%2528MET%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-RkxX92mtvBU/WQYmMzvSAgI/AAAAAAAAjz4/oqO7dVmNAA8modAUaW8tU0eus4edpgCZACLcB/s640/Gerard%2BDavid%2B-%2BVirgin%2Band%2Bchild%2Bwith%2Bfour%2Bangels%252C%2Bc%2B1510-1515%2B%2528MET%2529_.jpg" width="404" /></a></div>
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Gerard David - Virgin and child with four angels, c 1510-1515</div>
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(MET)</div>
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<a href="https://1.bp.blogspot.com/-GMv8C_qrg_A/WQYudAUJTVI/AAAAAAAAj0U/dU6s6lK8mvUsVGxxRFbnEO-_qaVeK27YQCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BMadonna%2Band%2BChild%2Bwith%2Bthe%2BMilk%2BSoup%252C%2Bc.%2B1520.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://1.bp.blogspot.com/-GMv8C_qrg_A/WQYudAUJTVI/AAAAAAAAj0U/dU6s6lK8mvUsVGxxRFbnEO-_qaVeK27YQCLcB/s320/G%25C3%25A9rard%2BDavid%2B-%2BMadonna%2Band%2BChild%2Bwith%2Bthe%2BMilk%2BSoup%252C%2Bc.%2B1520.png" width="273" /></a><a href="https://2.bp.blogspot.com/-eEujWHPswc4/WQYu7oPo3YI/AAAAAAAAj0Y/U_szPUoq94I_CyaaJuqEUpNN3W_t145aQCLcB/s1600/G%25C3%25A9rard%2BDavid%2B-%2BLa%2BVierge%2B%25C3%25A0%2Bla%2Bsoupe%2Bau%2Blait%252C%2Bc%2B1515.jpg"><img src="https://2.bp.blogspot.com/-eEujWHPswc4/WQYu7oPo3YI/AAAAAAAAj0Y/U_szPUoq94I_CyaaJuqEUpNN3W_t145aQCLcB/s320/G%25C3%25A9rard%2BDavid%2B-%2BLa%2BVierge%2B%25C3%25A0%2Bla%2Bsoupe%2Bau%2Blait%252C%2Bc%2B1515.jpg" /></a></div>
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Madonna and Child with the Milk Soup, c. 1520 - Madonna and Child with the Milk Soup, c. 1515</div>
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(Groeninge Museum, Bruges) - (Musei di Strada Nuova - Genoa)</div>
<a href="https://4.bp.blogspot.com/-2XvZJUxxZxw/WQwaiMzcqJI/AAAAAAAAkMU/d6AAIhbMnyYFapXGBo1RQRWtH2bijj_KgCEw/s1600/Hans%2BMemling%2B-%2BThe%2BSeven%2BJoys%2Bof%2B%2BVirgin%2BMary%2B%2528Alte%2BPinakothek%252C%2BMunich%2529_REC%2BMARCO.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="36" src="https://4.bp.blogspot.com/-2XvZJUxxZxw/WQwaiMzcqJI/AAAAAAAAkMU/d6AAIhbMnyYFapXGBo1RQRWtH2bijj_KgCEw/s640/Hans%2BMemling%2B-%2BThe%2BSeven%2BJoys%2Bof%2B%2BVirgin%2BMary%2B%2528Alte%2BPinakothek%252C%2BMunich%2529_REC%2BMARCO.jpg" width="640" /></a><br />
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<br />
<b><span style="font-family: "georgia" , "times new roman" , serif;"><u>SELECCIÓN de OBRAS</u></span></b><br />
<br />
<img src="https://1.bp.blogspot.com/-oiFKd86odcs/WQe5xL68GxI/AAAAAAAAj6E/0eeZj-SiGRk2R6Ducpp9I9LCdjSbNI-mgCLcB/s640/Jan%2BProvoost%2B-%2BTriptych%2Bwith%2BVirgin%2Band%2BChild%252C%2BSaint%2BJohn%2Bthe%2BEvangelist%2B%2528left%2Bwing%2529%2Band%2BMary%2BMagdalene%2B%2528right%2Bwing%2529%252C%2Bc.%2B1505%2B-%2Bc.%2B1525.jpg" /><br />
Jan Provoost - Triptych with Virgin and Child, Saint John the Evangelist (left wing) and Mary Magdalene (right wing), c. 1505 - c. 1525<br />
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<img src="https://2.bp.blogspot.com/-x1VOCyjVvg4/WQe5p1TQkNI/AAAAAAAAj54/B2wQPv-rEpMRVWrJ6kFbY5xekdLFncptwCLcB/s640/Jan%2BProvoost%2B-%2BSaint%2BAndrew%2Bwith%2Ba%2BDonor%2Band%2BHis%2BSons%252C%2BSaint%2BCatherine%2Bof%2BAlexandria%2Bwith%2Ba%2BDonor%2Band%2BHer%2BDaughters%252C%2Bgrisallas%2Blaterales.jpg" /><br />
Jan Provoost - Saint Andrew with a Donor and His Sons, Saint Catherine of Alexandria with a Donor and Her Daughters, grisallas laterales<br />
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<a href="https://3.bp.blogspot.com/-TFUQTWRwHVg/WQe5m_NkrOI/AAAAAAAAj5w/0hKr-gZcrvckxuFUUl06gdqw6L-sayTZACLcB/s1600/Jan%2BProvoost%2B-%2BDeath%2Band%2Bthe%2BMiser_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="458" src="https://3.bp.blogspot.com/-TFUQTWRwHVg/WQe5m_NkrOI/AAAAAAAAj5w/0hKr-gZcrvckxuFUUl06gdqw6L-sayTZACLcB/s640/Jan%2BProvoost%2B-%2BDeath%2Band%2Bthe%2BMiser_.jpg" width="640" /></a><br />
Jan Provoost - Death and the Miser<br />
(Groeninge Museum, Bruges)<br />
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<a href="https://4.bp.blogspot.com/-XdURHaecHZg/WQe5nnDZSJI/AAAAAAAAj50/n4w_TddO0IoRwzZdxRI1mDb65slKEhBTgCLcB/s1600/Jan%2BProvoost%2B-%2BChristian%2BAllegory_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-XdURHaecHZg/WQe5nnDZSJI/AAAAAAAAj50/n4w_TddO0IoRwzZdxRI1mDb65slKEhBTgCLcB/s640/Jan%2BProvoost%2B-%2BChristian%2BAllegory_.jpg" width="500" /></a></div>
Jan Provoost - Christian Allegory<br />
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<a href="https://3.bp.blogspot.com/-yGXlOKtaD7Q/WQe5qBokCRI/AAAAAAAAj58/QIFCBfZxciwexzBRsF0VFGZwoqMvcxBQwCLcB/s1600/Jan%2BProvoost%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BMagi%2Band%2BShepherds%2B%2528triptych%252C%2Bcentre%2Bpanel%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-yGXlOKtaD7Q/WQe5qBokCRI/AAAAAAAAj58/QIFCBfZxciwexzBRsF0VFGZwoqMvcxBQwCLcB/s640/Jan%2BProvoost%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BMagi%2Band%2BShepherds%2B%2528triptych%252C%2Bcentre%2Bpanel%2529.jpg" width="528" /></a></div>
Jan Provoost - The Adoration of the Magi and Shepherds (triptych, centre panel)<br />
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<a href="https://1.bp.blogspot.com/-b_dmmWdNCNs/WQe5yrHA9TI/AAAAAAAAj6M/OmSOVPs6_P8_ya31XtlafiNR8lQr5M5vwCLcB/s1600/Jan%2BProvoost%2B-%2BVirgin%2Band%2BChild%2Bin%2Ba%2BLandscape%2B%2528National%2BGallery%2BLondon%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-b_dmmWdNCNs/WQe5yrHA9TI/AAAAAAAAj6M/OmSOVPs6_P8_ya31XtlafiNR8lQr5M5vwCLcB/s640/Jan%2BProvoost%2B-%2BVirgin%2Band%2BChild%2Bin%2Ba%2BLandscape%2B%2528National%2BGallery%2BLondon%2529.jpg" width="526" /></a></div>
Jan Provoost - Virgin and Child in a Landscape<br />
(National Gallery London)<br />
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<a href="https://3.bp.blogspot.com/-gWAToFUcxn8/WQe5rI4hlmI/AAAAAAAAj6A/fmy1Cpm0fDUZwEONpLph50AD3N1HqRvjACLcB/s1600/Jan%2BProvoost%2B-%2BCrucifixion%2B%2528attr%2529%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-gWAToFUcxn8/WQe5rI4hlmI/AAAAAAAAj6A/fmy1Cpm0fDUZwEONpLph50AD3N1HqRvjACLcB/s640/Jan%2BProvoost%2B-%2BCrucifixion%2B%2528attr%2529%2B%2528MET%2529.jpg" width="520" /></a></div>
Jan Provoost - Crucifixion (attr)<br />
(MET)<br />
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<a href="https://2.bp.blogspot.com/-Ausn-DWXTu4/WQe5xlbFWTI/AAAAAAAAj6I/HhhEkPqkhGUor-UrpCAUt9l-GLCjLC7rgCLcB/s1600/Jan%2BProvoost%2B-%2BThe%2BLast%2BJudgment%2B%2528Groeningemuseum%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="544" src="https://2.bp.blogspot.com/-Ausn-DWXTu4/WQe5xlbFWTI/AAAAAAAAj6I/HhhEkPqkhGUor-UrpCAUt9l-GLCjLC7rgCLcB/s640/Jan%2BProvoost%2B-%2BThe%2BLast%2BJudgment%2B%2528Groeningemuseum%2529_.jpg" width="640" /></a></div>
Jan Provoost - The Last Judgment<br />
(Groeningemuseum Bruges)<br />
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<a href="https://1.bp.blogspot.com/--JyCsiAGmNE/WQfB-K99kaI/AAAAAAAAj6w/IwzqDWsID1ox9XRFg-PXb6m5vT3HFhdzQCLcB/s1600/Jan%2BProvoost%2B-%2BOur%2BLady%2Bof%2BMercy%2BTriptych%2B%2528central%2Bpanel%2529%2Bc.%2B1512-1515.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/--JyCsiAGmNE/WQfB-K99kaI/AAAAAAAAj6w/IwzqDWsID1ox9XRFg-PXb6m5vT3HFhdzQCLcB/s640/Jan%2BProvoost%2B-%2BOur%2BLady%2Bof%2BMercy%2BTriptych%2B%2528central%2Bpanel%2529%2Bc.%2B1512-1515.jpg" width="586" /></a></div>
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Jan Provoost - Our Lady of Mercy Triptych (central panel) c. 1512-1515</div>
(Museu Nacional de Arte Antiga, Lisboa)<br />
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Jan Provoost - the Life of Saint Catherine of Alexandria<br />
(Groeningemuseum Bruges)<br />
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<a href="https://4.bp.blogspot.com/-MRL7fIBoaT0/WQe9eBYYU5I/AAAAAAAAj6k/NIHuRrqxPdEp8wduTJ_SxoWnnrPth1regCLcB/s1600/Jan%2BProvoost%2B-%2BRetrato%2Bfemenino%2Bde%2Bdonante.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-MRL7fIBoaT0/WQe9eBYYU5I/AAAAAAAAj6k/NIHuRrqxPdEp8wduTJ_SxoWnnrPth1regCLcB/s640/Jan%2BProvoost%2B-%2BRetrato%2Bfemenino%2Bde%2Bdonante.jpg" width="554" /></a></div>
Jan Provoost - Portrait of a Female Donor<br />
<a href="https://4.bp.blogspot.com/-2XvZJUxxZxw/WQwaiMzcqJI/AAAAAAAAkMU/d6AAIhbMnyYFapXGBo1RQRWtH2bijj_KgCEw/s1600/Hans%2BMemling%2B-%2BThe%2BSeven%2BJoys%2Bof%2B%2BVirgin%2BMary%2B%2528Alte%2BPinakothek%252C%2BMunich%2529_REC%2BMARCO.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="36" src="https://4.bp.blogspot.com/-2XvZJUxxZxw/WQwaiMzcqJI/AAAAAAAAkMU/d6AAIhbMnyYFapXGBo1RQRWtH2bijj_KgCEw/s640/Hans%2BMemling%2B-%2BThe%2BSeven%2BJoys%2Bof%2B%2BVirgin%2BMary%2B%2528Alte%2BPinakothek%252C%2BMunich%2529_REC%2BMARCO.jpg" width="640" /></a><br />
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<a href="https://3.bp.blogspot.com/-jabRUhJ5WQw/WQchB12tPKI/AAAAAAAAj3w/8l944lbFQ7Qfb2VA3v-ep0NCmYnrPV__gCLcB/s1600/Quentin%2BMassys%2B-%2BVirgin%2Band%2BChild%2B%2528Rijksmuseum%2BAmsterdam%2529_T%25C3%25ADtulo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="122" src="https://3.bp.blogspot.com/-jabRUhJ5WQw/WQchB12tPKI/AAAAAAAAj3w/8l944lbFQ7Qfb2VA3v-ep0NCmYnrPV__gCLcB/s640/Quentin%2BMassys%2B-%2BVirgin%2Band%2BChild%2B%2528Rijksmuseum%2BAmsterdam%2529_T%25C3%25ADtulo.jpg" width="640" /></a><br />
<br />
<b><span style="font-family: "georgia" , "times new roman" , serif;"><u>SELECCIÓN de OBRAS</u></span></b><br />
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<div class="separator" style="clear: both;">
<a href="https://1.bp.blogspot.com/-L9K3wza8E0I/WQhBxHTleGI/AAAAAAAAj7I/kDWUrHeQlUEj9Fbo249FKjMoIGQXkiO8wCLcB/s1600/Quentin%2BMassys%2B-%2BSaint%2BAnne%2BAltarpiece%252C%2B1507-09%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%2Bde%2BBelgique%2529_big.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="322" src="https://1.bp.blogspot.com/-L9K3wza8E0I/WQhBxHTleGI/AAAAAAAAj7I/kDWUrHeQlUEj9Fbo249FKjMoIGQXkiO8wCLcB/s640/Quentin%2BMassys%2B-%2BSaint%2BAnne%2BAltarpiece%252C%2B1507-09%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux-Arts%2Bde%2BBelgique%2529_big.jpg" width="640" /></a></div>
Quentin Massys - Saint Anne Altarpiece, 1507-09<br />
(Musées Royaux des Beaux-Arts de Belgique)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-XZCuB7_S2EQ/WQhB3hX_Y5I/AAAAAAAAj7Y/XSvkZddREUc_C4utlGil5mZn_jt6nPbNACLcB/s1600/Quentin%2BMassys%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BMagi%252C%2B1526%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-XZCuB7_S2EQ/WQhB3hX_Y5I/AAAAAAAAj7Y/XSvkZddREUc_C4utlGil5mZn_jt6nPbNACLcB/s640/Quentin%2BMassys%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BMagi%252C%2B1526%2B%2528MET%2529.jpg" width="496" /></a></div>
Quentin Massys - The Adoration of the Magi, 1526<br />
(MET)<br />
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<a href="https://2.bp.blogspot.com/-Zzx8fRLdmx8/WQhB3mRB9QI/AAAAAAAAj7U/cROY_ndgBVEo5dYX_WKAmVLeOzX1Ok_4gCLcB/s1600/Quentin%2BMassys%2B-%2BVirgin%2Band%2BChild%2Bwith%2BSaints%2BElizabeth%2Band%2BJohn%2Bthe%2BBaptist%252C%2B1520-25%2B%2528Sterling%2Band%2BFrancine%2BClark%2BArt%2BInstitute%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-Zzx8fRLdmx8/WQhB3mRB9QI/AAAAAAAAj7U/cROY_ndgBVEo5dYX_WKAmVLeOzX1Ok_4gCLcB/s640/Quentin%2BMassys%2B-%2BVirgin%2Band%2BChild%2Bwith%2BSaints%2BElizabeth%2Band%2BJohn%2Bthe%2BBaptist%252C%2B1520-25%2B%2528Sterling%2Band%2BFrancine%2BClark%2BArt%2BInstitute%2529.jpg" width="512" /></a></div>
Quentin Massys - Virgin and Child with Saints Elizabeth and John the Baptist, 1520-25<br />
(Sterling and Francine Clark Art Institute)<br />
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The Virgin and Child with Angels, 1500-09 - Virgin and Child Surrounded by Angels, 1509<br />
(The Courtauld Gallery, London) - (Musée des Beaux-Arts de Lyon)<br />
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Virgin and Child Enthroned, 1520-25 - Virgin and Child Enthroned, 1495<br />
(Gemäldegalerie, Staatliche Museen zu Berlin) - (Musées Royaux des Beaux-Arts de Belgique)<br />
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<a href="https://4.bp.blogspot.com/-WdiKoOtfegI/WQhBw5wGxjI/AAAAAAAAj7E/X7oZ3YcXmgYWgRYUH5US_5RBb3wsm3-cQCLcB/s1600/Quentin%2BMassys%2B-%2BCristo%2Bpresentado%2Bal%2Bpueblo%252C%2B1518-20%2B%2B%2528Museo%2Bdel%2BPrado%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-WdiKoOtfegI/WQhBw5wGxjI/AAAAAAAAj7E/X7oZ3YcXmgYWgRYUH5US_5RBb3wsm3-cQCLcB/s640/Quentin%2BMassys%2B-%2BCristo%2Bpresentado%2Bal%2Bpueblo%252C%2B1518-20%2B%2B%2528Museo%2Bdel%2BPrado%2529.jpg" width="478" /></a></div>
Quentin Massys - Cristo presentado al pueblo, 1518-20<br />
(Museo del Prado)<br />
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<a href="https://1.bp.blogspot.com/-ez_Vg0AzCw8/WQhB1H6GcDI/AAAAAAAAj7Q/lQ-cseU27PoVdVWBzkNK0hy8MbCReN2PgCLcB/s1600/Quentin%2BMassys%2B-%2BThe%2BCrucifixion%252C%2Bc%2B1515%2B%2528NGL%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-ez_Vg0AzCw8/WQhB1H6GcDI/AAAAAAAAj7Q/lQ-cseU27PoVdVWBzkNK0hy8MbCReN2PgCLcB/s640/Quentin%2BMassys%2B-%2BThe%2BCrucifixion%252C%2Bc%2B1515%2B%2528NGL%2529.jpg" width="412" /></a></div>
Quentin Massys - The Crucifixion, c 1515<br />
(National Gallery London)<br />
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<a href="https://4.bp.blogspot.com/-XhZLm7yjHD0/WQhByqS0AdI/AAAAAAAAj7M/IsKtqo2OuGoJUnEDmdrf-4zKMoh_yh0bgCLcB/s1600/Quentin%2BMassys%2B-%2BSt%2BJohn%2BAltarpiece%252C%2B1507-08%2B%2528Koninklijk%2BMuseum%2Bvoor%2BSchone%2BKunsten%2B-%2BAntwerp%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="314" src="https://4.bp.blogspot.com/-XhZLm7yjHD0/WQhByqS0AdI/AAAAAAAAj7M/IsKtqo2OuGoJUnEDmdrf-4zKMoh_yh0bgCLcB/s640/Quentin%2BMassys%2B-%2BSt%2BJohn%2BAltarpiece%252C%2B1507-08%2B%2528Koninklijk%2BMuseum%2Bvoor%2BSchone%2BKunsten%2B-%2BAntwerp%2529.jpg" width="640" /></a></div>
Quentin Massys - St John Altarpiece, 1507-08<br />
(Koninklijk Museum voor Schone Kunsten - Antwerp)<br />
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<a href="https://3.bp.blogspot.com/-qEW5Ns4LpOg/WQhH18cRmrI/AAAAAAAAj8k/wczJCyUgE_oC1yG_RFpRN_JHYwyVoQkKwCLcB/s1600/Quentin%2BMassys%2B-%2BThe%2BMoneylender%2Band%2Bhis%2BWife%252C%2B1514%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-qEW5Ns4LpOg/WQhH18cRmrI/AAAAAAAAj8k/wczJCyUgE_oC1yG_RFpRN_JHYwyVoQkKwCLcB/s640/Quentin%2BMassys%2B-%2BThe%2BMoneylender%2Band%2Bhis%2BWife%252C%2B1514%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529_.jpg" width="616" /></a></div>
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Quentin Massys - The Moneylender and his Wife, 1514</div>
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(Musée du Louvre)</div>
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<a href="https://3.bp.blogspot.com/-qllEtM3DhcA/WQhJUKKzo5I/AAAAAAAAj8w/NSaMODcRvx0v45LRwtut30Ewv4xeHaMAQCLcB/s1600/Quentin%2BMassys%2B-%2BThe%2BPurchase%2BContract%2B%2528Staatliche%2BMuseen%2Bzu%2BBerlin%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="444" src="https://3.bp.blogspot.com/-qllEtM3DhcA/WQhJUKKzo5I/AAAAAAAAj8w/NSaMODcRvx0v45LRwtut30Ewv4xeHaMAQCLcB/s640/Quentin%2BMassys%2B-%2BThe%2BPurchase%2BContract%2B%2528Staatliche%2BMuseen%2Bzu%2BBerlin%2529.jpg" width="640" /></a></div>
Quentin Massys - The Purchase Contract<br />
(Staatliche Museen zu Berlin)<br />
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<a href="https://4.bp.blogspot.com/-X7Yzvi2x7y4/WQhFEmScZGI/AAAAAAAAj8I/77ud_bIdDYYFnA-HjpWjllR19xdPToNOACLcB/s1600/Quentin%2BMassys%2B-%2BIll-Matched%2BLovers%252C%2B1520-25%2B%2528National%2BGallery%2Bof%2BArt%2B-%2BWashington%2BDC%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="434" src="https://4.bp.blogspot.com/-X7Yzvi2x7y4/WQhFEmScZGI/AAAAAAAAj8I/77ud_bIdDYYFnA-HjpWjllR19xdPToNOACLcB/s640/Quentin%2BMassys%2B-%2BIll-Matched%2BLovers%252C%2B1520-25%2B%2528National%2BGallery%2Bof%2BArt%2B-%2BWashington%2BDC%2529.jpg" width="640" /></a></div>
Quentin Massys - Ill-Matched Lovers, 1520-25<br />
(National Gallery of Art - Washington DC)<br />
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<a href="https://3.bp.blogspot.com/-9bCNTNMqvIw/WQhC2ZCV2kI/AAAAAAAAj7g/0q5lwWyVj00-uTIYUne4YCe2B2p0P3ASwCLcB/s1600/Quentin%2BMassys%2B-%2BAn%2BOld%2BWoman%2B%2528%2527The%2BUgly%2BDuchess%2527%2529%252C%2Babout%2B1513%2B%2528NGL%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://3.bp.blogspot.com/-9bCNTNMqvIw/WQhC2ZCV2kI/AAAAAAAAj7g/0q5lwWyVj00-uTIYUne4YCe2B2p0P3ASwCLcB/s400/Quentin%2BMassys%2B-%2BAn%2BOld%2BWoman%2B%2528%2527The%2BUgly%2BDuchess%2527%2529%252C%2Babout%2B1513%2B%2528NGL%2529.jpg" width="303" /></a><a href="https://3.bp.blogspot.com/-zmoz-Y3ncEk/WQhDY8YRofI/AAAAAAAAj7s/EJpjDtqP0Cs8yBOZor-f8ufjFpOn9RhSgCLcB/s1600/Quentin%2BMassys%2B-%2BProfile%2BPortrait%2Bof%2Ban%2BOld%2BMan%2B%2528Mus%25C3%25A9e%2BJacquemart-Andr%25C3%25A9%252C%2BParis%2529.jpg"><img src="https://3.bp.blogspot.com/-zmoz-Y3ncEk/WQhDY8YRofI/AAAAAAAAj7s/EJpjDtqP0Cs8yBOZor-f8ufjFpOn9RhSgCLcB/s400/Quentin%2BMassys%2B-%2BProfile%2BPortrait%2Bof%2Ban%2BOld%2BMan%2B%2528Mus%25C3%25A9e%2BJacquemart-Andr%25C3%25A9%252C%2BParis%2529.jpg" /></a></div>
An Old Woman ('The Ugly Duchess'), about 1513 - Profile Portrait of an Old Man<br />
(National Gallery London) - (Musée Jacquemart-André, Paris)<br />
<a href="https://4.bp.blogspot.com/-2XvZJUxxZxw/WQwaiMzcqJI/AAAAAAAAkMU/d6AAIhbMnyYFapXGBo1RQRWtH2bijj_KgCEw/s1600/Hans%2BMemling%2B-%2BThe%2BSeven%2BJoys%2Bof%2B%2BVirgin%2BMary%2B%2528Alte%2BPinakothek%252C%2BMunich%2529_REC%2BMARCO.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="36" src="https://4.bp.blogspot.com/-2XvZJUxxZxw/WQwaiMzcqJI/AAAAAAAAkMU/d6AAIhbMnyYFapXGBo1RQRWtH2bijj_KgCEw/s640/Hans%2BMemling%2B-%2BThe%2BSeven%2BJoys%2Bof%2B%2BVirgin%2BMary%2B%2528Alte%2BPinakothek%252C%2BMunich%2529_REC%2BMARCO.jpg" width="640" /></a><br />
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<b><span style="font-family: "georgia" , "times new roman" , serif;"><u>SELECCIÓN de OBRAS</u></span></b><br />
<div>
<u style="font-family: georgia, "times new roman", serif;"><b><br /></b></u></div>
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<a href="https://2.bp.blogspot.com/-MrZxsrrq3U4/WQhXamph8mI/AAAAAAAAj9I/xc4v3mZF6MAx7QyblF676fQ6-amcbyfOgCLcB/s1600/Joachim%2BPatinir%2B-%2BDescanso%2Ben%2Bla%2Bhuida%2Ba%2BEgipto.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="440" src="https://2.bp.blogspot.com/-MrZxsrrq3U4/WQhXamph8mI/AAAAAAAAj9I/xc4v3mZF6MAx7QyblF676fQ6-amcbyfOgCLcB/s640/Joachim%2BPatinir%2B-%2BDescanso%2Ben%2Bla%2Bhuida%2Ba%2BEgipto.jpg" width="640" /></a></div>
Joachim Patinir - Descanso en la huida a Egipto<br />
(Museo del Prado)<br />
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<a href="https://3.bp.blogspot.com/-TMHccHwE6Wo/WQhXevlbYzI/AAAAAAAAj9Y/ezRXnfB_Bg0bR3r-9RPPZj_nKKUx-n0IgCLcB/s1600/Joachim%2BPatinir%2B-%2BRest%2Bon%2Bthe%2Bflight%2Binto%2BEgypt%252C%2B1515-24%2B%2528Gem%25C3%25A4ldegalerie%2Bder%2BStaatlichen%2BMuseen%2Bzu%2BBerlin%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="508" src="https://3.bp.blogspot.com/-TMHccHwE6Wo/WQhXevlbYzI/AAAAAAAAj9Y/ezRXnfB_Bg0bR3r-9RPPZj_nKKUx-n0IgCLcB/s640/Joachim%2BPatinir%2B-%2BRest%2Bon%2Bthe%2Bflight%2Binto%2BEgypt%252C%2B1515-24%2B%2528Gem%25C3%25A4ldegalerie%2Bder%2BStaatlichen%2BMuseen%2Bzu%2BBerlin%2529.jpg" width="640" /></a></div>
Joachim Patinir - Rest on the flight into Egypt, 1515-24<br />
(Gemäldegalerie der Staatlichen Museen zu Berlin)<br />
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<a href="https://3.bp.blogspot.com/-utI-dxYHOIE/WQhXpfKHlGI/AAAAAAAAj90/r5GxqL0NHLooeQUrf94FOYxDEbwB_QIewCLcB/s1600/Joachim%2BPatinir%2B-%2BLandscape%2Bwith%2Bthe%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt%252C%2B1524.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="342" src="https://3.bp.blogspot.com/-utI-dxYHOIE/WQhXpfKHlGI/AAAAAAAAj90/r5GxqL0NHLooeQUrf94FOYxDEbwB_QIewCLcB/s640/Joachim%2BPatinir%2B-%2BLandscape%2Bwith%2Bthe%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt%252C%2B1524.jpg" width="640" /></a></div>
Joachim Patinir - Landscape with the Rest on the Flight into Egypt, 1524<br />
(Museo Thyssen-Bornemisza)<br />
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<a href="https://4.bp.blogspot.com/-N5XKoskRTRo/WQhXaB1zVfI/AAAAAAAAj9A/w9rNaJEygyUH-Mx2a2K1xiwGoESBqtCKQCLcB/s1600/Joachim%2BPatinir%2B-%2BEl%2BBautismo%2Bde%2BCristo%252C%2B1515%2B%2528GAP%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="496" src="https://4.bp.blogspot.com/-N5XKoskRTRo/WQhXaB1zVfI/AAAAAAAAj9A/w9rNaJEygyUH-Mx2a2K1xiwGoESBqtCKQCLcB/s640/Joachim%2BPatinir%2B-%2BEl%2BBautismo%2Bde%2BCristo%252C%2B1515%2B%2528GAP%2529.jpg" width="640" /></a></div>
Joachim Patinir - El Bautismo de Cristo, 1515<br />
(GAP)<br />
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<a href="https://4.bp.blogspot.com/-ksotmLKsi5A/WQhXpJcVioI/AAAAAAAAj9w/aedytguWQvMJkzr_Q2DAGFiMJCcO_kV3ACLcB/s1600/Joachim%2BPatinir%2B-%2BThe%2BPenitence%2Bof%2BSaint%2BJerome%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="480" src="https://4.bp.blogspot.com/-ksotmLKsi5A/WQhXpJcVioI/AAAAAAAAj9w/aedytguWQvMJkzr_Q2DAGFiMJCcO_kV3ACLcB/s640/Joachim%2BPatinir%2B-%2BThe%2BPenitence%2Bof%2BSaint%2BJerome%2B%2528MET%2529.jpg" width="640" /></a></div>
Joachim Patinir - The Penitence of Saint Jerome<br />
(MET)<br />
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<a href="https://1.bp.blogspot.com/--M-hDwr5BG0/WQhcE_rH-WI/AAAAAAAAj-A/CM7Em06zVuw188RCsJe68n2gK_NqhARWgCLcB/s1600/Joachim%2BPatinir%2B-%2BLandscape%2Bwith%2Bthe%2BDestruction%2Bof%2BSodom%2Band%2BGomorrah_detail%2B%2528The%2BAshmolean%2BMuseum%2Bof%2BArt%2Band%2BArchaeology%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="486" src="https://1.bp.blogspot.com/--M-hDwr5BG0/WQhcE_rH-WI/AAAAAAAAj-A/CM7Em06zVuw188RCsJe68n2gK_NqhARWgCLcB/s640/Joachim%2BPatinir%2B-%2BLandscape%2Bwith%2Bthe%2BDestruction%2Bof%2BSodom%2Band%2BGomorrah_detail%2B%2528The%2BAshmolean%2BMuseum%2Bof%2BArt%2Band%2BArchaeology%2529.jpg" width="640" /></a></div>
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Joachim Patinir - Landscape with the Destruction of Sodom and Gomorrah (detalle)</div>
(The Ashmolean Museum of Art and Archaeology)<br />
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<a href="https://2.bp.blogspot.com/-SAwNO9tMLkA/WQhXi7CAoXI/AAAAAAAAj9k/HtdVZrq2M3YRK6-khRAve2qr-fDkO6ahACLcB/s1600/Joachim%2BPatinir%2B-%2BLas%2Btentaciones%2Bde%2BSan%2BAntonio%2BAbad%252C%2B1520%2B-%2B1524.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="572" src="https://2.bp.blogspot.com/-SAwNO9tMLkA/WQhXi7CAoXI/AAAAAAAAj9k/HtdVZrq2M3YRK6-khRAve2qr-fDkO6ahACLcB/s640/Joachim%2BPatinir%2B-%2BLas%2Btentaciones%2Bde%2BSan%2BAntonio%2BAbad%252C%2B1520%2B-%2B1524.jpg" width="640" /></a></div>
Joachim Patinir - Las tentaciones de San Antonio Abad, 1520 - 1524<br />
(Museo del Prado)<br />
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<a href="https://3.bp.blogspot.com/-8wt_L4HrI-U/WQheKDw2CiI/AAAAAAAAj-M/zWKPvPFeNGItUq1GS7rW95NcP66mK8YzQCLcB/s1600/Joachim%2BPatinir%2B-%2BRadwunder%2Bder%2BHl.%2BKatharina%252C%2B1515%2B%2528Kunsthistorisches%2BMuseum%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="388" src="https://3.bp.blogspot.com/-8wt_L4HrI-U/WQheKDw2CiI/AAAAAAAAj-M/zWKPvPFeNGItUq1GS7rW95NcP66mK8YzQCLcB/s640/Joachim%2BPatinir%2B-%2BRadwunder%2Bder%2BHl.%2BKatharina%252C%2B1515%2B%2528Kunsthistorisches%2BMuseum%2529_.jpg" width="640" /></a></div>
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Joachim Patinir - Martyrdom of Saint Catherine, 1515</div>
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(Kunsthistorisches Museum)_</div>
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Joachim Patinir - San Cristóbal llevando al Niño a Hombros<br />
(Monasterio de San Lorenzo de El Escorial)<br />
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<a href="https://2.bp.blogspot.com/-xOwz-l2tvo8/WQhXj1KmniI/AAAAAAAAj9o/ZeeiPGM5N_ES9qGn3UGO2NefgHtYhHszwCLcB/s1600/Joachim%2BPatinir%2B-%2BSaint%2BChristopher%2Bin%2Ba%2BLandscape.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="480" src="https://2.bp.blogspot.com/-xOwz-l2tvo8/WQhXj1KmniI/AAAAAAAAj9o/ZeeiPGM5N_ES9qGn3UGO2NefgHtYhHszwCLcB/s640/Joachim%2BPatinir%2B-%2BSaint%2BChristopher%2Bin%2Ba%2BLandscape.jpg" width="640" /></a></div>
Joachim Patinir - Saint Christopher in a Landscape<br />
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<a href="https://1.bp.blogspot.com/-aRrttzZz9Pc/WQhXcEXjCuI/AAAAAAAAj9Q/OSJh_p6qt6Me1FT4sXWKsEPemxZIOe6YwCLcB/s1600/Joachim%2BPatinir%2B-%2BLandscape.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-aRrttzZz9Pc/WQhXcEXjCuI/AAAAAAAAj9Q/OSJh_p6qt6Me1FT4sXWKsEPemxZIOe6YwCLcB/s640/Joachim%2BPatinir%2B-%2BLandscape.jpg" width="572" /></a></div>
Joachim Patinir - Landscape<br />
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<a href="https://4.bp.blogspot.com/-199urlTM5nQ/WQhXnwYyVeI/AAAAAAAAj9s/xbRxlFUJb4YFd2GMVWicltBiDm5FDqEZgCLcB/s1600/Joachim%2BPatinir%2B-%2BSaint%2BJerome%2Bdans%2Ble%2Bdesert%2B%2528Louvre%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="356" src="https://4.bp.blogspot.com/-199urlTM5nQ/WQhXnwYyVeI/AAAAAAAAj9s/xbRxlFUJb4YFd2GMVWicltBiDm5FDqEZgCLcB/s640/Joachim%2BPatinir%2B-%2BSaint%2BJerome%2Bdans%2Ble%2Bdesert%2B%2528Louvre%2529.jpg" width="640" /></a></div>
Joachim Patinir - Saint Jerome dans le desert<br />
(Musée du Louvre)<br />
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<a href="https://4.bp.blogspot.com/-TNA1Njtz3JY/WQhXaXp_1lI/AAAAAAAAj9E/7At1RhuDz-0i2HKNhqbpcxvAMyid5hu1QCLcB/s1600/Joachim%2BPatinir%2B-%2BEl%2Bpaso%2Bde%2Bla%2Blaguna%2BEstigia%252C%2B1520%2B-%2B1524.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="396" src="https://4.bp.blogspot.com/-TNA1Njtz3JY/WQhXaXp_1lI/AAAAAAAAj9E/7At1RhuDz-0i2HKNhqbpcxvAMyid5hu1QCLcB/s640/Joachim%2BPatinir%2B-%2BEl%2Bpaso%2Bde%2Bla%2Blaguna%2BEstigia%252C%2B1520%2B-%2B1524.jpg" width="640" /></a></div>
Joachim Patinir - El paso de la laguna Estigia, 1520 - 1524<br />
(Museo del Prado)<br />
<a href="https://4.bp.blogspot.com/-2XvZJUxxZxw/WQwaiMzcqJI/AAAAAAAAkMU/d6AAIhbMnyYFapXGBo1RQRWtH2bijj_KgCEw/s1600/Hans%2BMemling%2B-%2BThe%2BSeven%2BJoys%2Bof%2B%2BVirgin%2BMary%2B%2528Alte%2BPinakothek%252C%2BMunich%2529_REC%2BMARCO.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="36" src="https://4.bp.blogspot.com/-2XvZJUxxZxw/WQwaiMzcqJI/AAAAAAAAkMU/d6AAIhbMnyYFapXGBo1RQRWtH2bijj_KgCEw/s640/Hans%2BMemling%2B-%2BThe%2BSeven%2BJoys%2Bof%2B%2BVirgin%2BMary%2B%2528Alte%2BPinakothek%252C%2BMunich%2529_REC%2BMARCO.jpg" width="640" /></a><br />
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<a href="https://1.bp.blogspot.com/-zW3SP-adw5M/WQwZFgRXG3I/AAAAAAAAkMI/Z7z1Ytq-insQij9sXZ4w-PXe5v2tDIawgCEw/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BNeptune%2Band%2BAmphitrite%252C%2B1516%2B%2528Gem%25C3%25A4ldegalerie%2Bder%2BStaatlichen%2BMuseen%2Bzu%2BBerlin%2529_rec%2Bm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="50" src="https://1.bp.blogspot.com/-zW3SP-adw5M/WQwZFgRXG3I/AAAAAAAAkMI/Z7z1Ytq-insQij9sXZ4w-PXe5v2tDIawgCEw/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BNeptune%2Band%2BAmphitrite%252C%2B1516%2B%2528Gem%25C3%25A4ldegalerie%2Bder%2BStaatlichen%2BMuseen%2Bzu%2BBerlin%2529_rec%2Bm.jpg" width="640" /></a></div>
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<a href="https://3.bp.blogspot.com/-51QxSx1kMm8/WQdrnUsqPpI/AAAAAAAAj4s/RNwXf4SYepgc9oq49j9nVyRzZpPrAbxjACLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BVirgin%2Band%2BChild%2Bwith%2BAngels.%2B1520%2B%2528Gem%25C3%25A4ldegalerie%252C%2BStaatliche%2BMuseen%2Bzu%2BBerlin%2529_T%25C3%25ADtulo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="110" src="https://3.bp.blogspot.com/-51QxSx1kMm8/WQdrnUsqPpI/AAAAAAAAj4s/RNwXf4SYepgc9oq49j9nVyRzZpPrAbxjACLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BVirgin%2Band%2BChild%2Bwith%2BAngels.%2B1520%2B%2528Gem%25C3%25A4ldegalerie%252C%2BStaatliche%2BMuseen%2Bzu%2BBerlin%2529_T%25C3%25ADtulo.jpg" width="640" /></a></div>
<br />
<b><span style="font-family: "georgia" , "times new roman" , serif;"><u>SELECCIÓN de OBRAS</u></span></b><br />
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<a href="https://4.bp.blogspot.com/-H7rBnNXk0eg/WQrx82piLPI/AAAAAAAAkKk/5mvE6012PogY6bMNoVADrUgXzEoBlcVowCEw/s1600/Lucas%2Bvan%2BLeyden%2B-%2BWorship%2Bof%2Bthe%2BGolden%2BCalf%252C%2Bc.%2B1530_Triptych%2B%2528Rijksmuesum%252C%2BAmsterdam%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="480" src="https://4.bp.blogspot.com/-H7rBnNXk0eg/WQrx82piLPI/AAAAAAAAkKk/5mvE6012PogY6bMNoVADrUgXzEoBlcVowCEw/s640/Lucas%2Bvan%2BLeyden%2B-%2BWorship%2Bof%2Bthe%2BGolden%2BCalf%252C%2Bc.%2B1530_Triptych%2B%2528Rijksmuesum%252C%2BAmsterdam%2529.jpg" width="640" /></a></div>
Lucas van Leyden - Worship of the Golden Calf, c. 1530_Triptych<br />
(Rijksmuesum, Amsterdam)<br />
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<a href="https://4.bp.blogspot.com/-y4Q9h0qa4vA/WQrxyLAJA2I/AAAAAAAAkKk/Zlx28t17fd4E8HDeaMhTrq2ywXI1jrerACEw/s1600/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BLast%2BJudgement%252C%2B1526-27%2B%2528Stedelijk%2BMuseum%2BDe%2BLakenhal%2B%2B%2528Netherlands%2B-%2BLeiden%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="456" src="https://4.bp.blogspot.com/-y4Q9h0qa4vA/WQrxyLAJA2I/AAAAAAAAkKk/Zlx28t17fd4E8HDeaMhTrq2ywXI1jrerACEw/s640/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BLast%2BJudgement%252C%2B1526-27%2B%2528Stedelijk%2BMuseum%2BDe%2BLakenhal%2B%2B%2528Netherlands%2B-%2BLeiden%2529.jpg" width="640" /></a></div>
Lucas van Leyden - The Last Judgement, 1526-27<br />
(Stedelijk Museum De Lakenhal (Netherlands - Leiden)<br />
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<a href="https://2.bp.blogspot.com/-ctGpgdG0tAk/WQrxxYvQKfI/AAAAAAAAkKk/_DbKEEFwA8s009QxdBsFZMYJ9JTAws5IgCEw/s1600/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BHealing%2Bof%2Bthe%2BBlind%2Bof%2BJericho%252C%2B1531%2B%2528Museo%2Bdel%2BHermitage.%2BSan%2BPetersburgo%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="338" src="https://2.bp.blogspot.com/-ctGpgdG0tAk/WQrxxYvQKfI/AAAAAAAAkKk/_DbKEEFwA8s009QxdBsFZMYJ9JTAws5IgCEw/s640/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BHealing%2Bof%2Bthe%2BBlind%2Bof%2BJericho%252C%2B1531%2B%2528Museo%2Bdel%2BHermitage.%2BSan%2BPetersburgo%2529.jpg" width="640" /></a></div>
Lucas van Leyden - The Healing of the Blind of Jericho, 1531<br />
(Museo del Hermitage. San Petersburgo)<br />
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<a href="https://3.bp.blogspot.com/-AYPyYFLql-s/WQrx7ftRZeI/AAAAAAAAkKk/nJp0j9A-oZ8MzzgCT9mHhgR44OHSNqjHgCEw/s1600/Lucas%2Bvan%2BLeyden%2B-%2BVirgin%2Band%2BChild%2Bwith%2BAngels.%2B1520%2B%2528Gem%25C3%25A4ldegalerie%252C%2BStaatliche%2BMuseen%2Bzu%2BBerlin%2529_med.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-AYPyYFLql-s/WQrx7ftRZeI/AAAAAAAAkKk/nJp0j9A-oZ8MzzgCT9mHhgR44OHSNqjHgCEw/s640/Lucas%2Bvan%2BLeyden%2B-%2BVirgin%2Band%2BChild%2Bwith%2BAngels.%2B1520%2B%2528Gem%25C3%25A4ldegalerie%252C%2BStaatliche%2BMuseen%2Bzu%2BBerlin%2529_med.jpg" width="372" /></a></div>
Lucas van Leyden - Virgin and Child with Angels, 1520<br />
(Gemäldegalerie, Staatliche Museen zu Berlin)<br />
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<a href="https://2.bp.blogspot.com/-x4qOteOQh6w/WQrx0nBi0PI/AAAAAAAAkKk/p3aepVSyyHYF1d56Ayt1SFoZVxJOrpKlQCEw/s1600/Lucas%2Bvan%2BLeyden%2B-%2BVirgin%2Band%2BChild%2Bwith%2BMary%2BMagdalene%2Band%2BDonor%252C%2B1522%2B%2528Alte%2BPinakothek%2B-%2BBayerische%2BStaatsgem%25C3%25A4ldesammlungen%252C%2BMunich%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="466" src="https://2.bp.blogspot.com/-x4qOteOQh6w/WQrx0nBi0PI/AAAAAAAAkKk/p3aepVSyyHYF1d56Ayt1SFoZVxJOrpKlQCEw/s640/Lucas%2Bvan%2BLeyden%2B-%2BVirgin%2Band%2BChild%2Bwith%2BMary%2BMagdalene%2Band%2BDonor%252C%2B1522%2B%2528Alte%2BPinakothek%2B-%2BBayerische%2BStaatsgem%25C3%25A4ldesammlungen%252C%2BMunich%2529.jpg" width="640" /></a></div>
Lucas van Leyden - Virgin and Child with Mary Magdalene and Donor, 1522<br />
(Alte Pinakothek, Bayerische Staatsgemäldesammlungen, Munich)<br />
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<a href="https://3.bp.blogspot.com/-6m5ztNTcT5A/WQrxvVvhavI/AAAAAAAAkKk/ouUDY_AJAxoe4yjmuI9XRdtI6_NeIethgCEw/s1600/Lucas%2Bvan%2BLeyden%2B-%2BLot%2Band%2Bhis%2BDaughters%252C%2B1520%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-6m5ztNTcT5A/WQrxvVvhavI/AAAAAAAAkKk/ouUDY_AJAxoe4yjmuI9XRdtI6_NeIethgCEw/s640/Lucas%2Bvan%2BLeyden%2B-%2BLot%2Band%2Bhis%2BDaughters%252C%2B1520%2B%2528Mus%25C3%25A9e%2Bdu%2BLouvre%2529.jpg" width="450" /></a><br />
Lucas van Leyden - Lot and his Daughters, 1520<br />
(Musée du Louvre)<br />
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<a href="https://3.bp.blogspot.com/-B500hVz6GOc/WQr3CbFj17I/AAAAAAAAkK8/cyKTZ7-utBEKWtKHv_49D8kGcqEB3agYgCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BCard%2BPlayers%2B%2528NGA%2BWashington%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="582" src="https://3.bp.blogspot.com/-B500hVz6GOc/WQr3CbFj17I/AAAAAAAAkK8/cyKTZ7-utBEKWtKHv_49D8kGcqEB3agYgCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BThe%2BCard%2BPlayers%2B%2528NGA%2BWashington%2529.jpg" width="640" /></a></div>
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Lucas van Leyden - The Card Players</div>
<div class="separator" style="clear: both;">
(NGA Washington)</div>
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<b><span style="font-family: "georgia" , "times new roman" , serif;">GRABADOS</span></b><br />
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<a href="https://1.bp.blogspot.com/-LS4fHAC9TyA/WQrzqibRbaI/AAAAAAAAkKs/HJcQv1nAz3cr_k8iy79KpMB4A_lSInl2QCEw/s1600/Lucas%2Bvan%2BLeyden%2B-%2BHet%2Bmelkmeisje%252C%2B1510%2B%2528Rijksmuseum%252C%2BAmsterdam%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="482" src="https://1.bp.blogspot.com/-LS4fHAC9TyA/WQrzqibRbaI/AAAAAAAAkKs/HJcQv1nAz3cr_k8iy79KpMB4A_lSInl2QCEw/s640/Lucas%2Bvan%2BLeyden%2B-%2BHet%2Bmelkmeisje%252C%2B1510%2B%2528Rijksmuseum%252C%2BAmsterdam%2529.jpg" width="640" /></a></div>
Lucas van Leyden - Het melkmeisje, 1510<br />
(Rijksmuseum, Amsterdam)<br />
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<a href="https://1.bp.blogspot.com/-_RDg6jgmI-Q/WQsKMSzeehI/AAAAAAAAkLM/G0FQPn3tiKAJY6dihsYkbj57WYdc4nfhgCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BLot%2Band%2BHis%2BDaughters%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="494" src="https://1.bp.blogspot.com/-_RDg6jgmI-Q/WQsKMSzeehI/AAAAAAAAkLM/G0FQPn3tiKAJY6dihsYkbj57WYdc4nfhgCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BLot%2Band%2BHis%2BDaughters%2B%2528MET%2529.jpg" width="640" /></a></div>
Lucas van Leyden - Lot and His Daughters<br />
(MET)<br />
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<a href="https://2.bp.blogspot.com/-5_nNldgnoRE/WQsLQ35N2EI/AAAAAAAAkLo/FvRGSzws4sQJR-yoLBzClvCdmJUf1ZLlwCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BLa%2BCa%25C3%25ADda%2Bdel%2BHombre.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="492" src="https://2.bp.blogspot.com/-5_nNldgnoRE/WQsLQ35N2EI/AAAAAAAAkLo/FvRGSzws4sQJR-yoLBzClvCdmJUf1ZLlwCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BLa%2BCa%25C3%25ADda%2Bdel%2BHombre.jpg" width="640" /></a></div>
Lucas van Leyden - La Caída del Hombre<br />
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<a href="https://3.bp.blogspot.com/-kvapLaEwCAc/WQsLDjkFTQI/AAAAAAAAkLU/sOadNS8QKJkfLA9c_QwJTmdsXsuCSH5SwCLcB/s1600/Lucas%2Bva%2BLeyden%2B-%2BThe%2BFall%2Bof%2BMan%252C%2B1529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-kvapLaEwCAc/WQsLDjkFTQI/AAAAAAAAkLU/sOadNS8QKJkfLA9c_QwJTmdsXsuCSH5SwCLcB/s640/Lucas%2Bva%2BLeyden%2B-%2BThe%2BFall%2Bof%2BMan%252C%2B1529.jpg" width="454" /></a></div>
Lucas va Leyden - The Fall of Man, 1529<br />
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<a href="https://2.bp.blogspot.com/-vk6XUPooV9c/WQsLK8KJ67I/AAAAAAAAkLg/qtr59qhGuQQhmATvEF_b0Pi1EC998rktgCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BDe%2Bopstanding%252C%2B1529-33%2B%2528Rijksmuseum%2BAmsterdam%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-vk6XUPooV9c/WQsLK8KJ67I/AAAAAAAAkLg/qtr59qhGuQQhmATvEF_b0Pi1EC998rktgCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BDe%2Bopstanding%252C%2B1529-33%2B%2528Rijksmuseum%2BAmsterdam%2529.jpg" width="500" /></a></div>
Lucas van Leyden - De opstanding, 1529-33<br />
(Rijksmuseum Amsterdam)<br />
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<a href="https://4.bp.blogspot.com/-7rysWUjZw0E/WQsLQamBzEI/AAAAAAAAkLk/yEeY-lI-xYo5aQgYIvWRmbByvTVafDLsQCLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BJa%25C3%25ABl%2Bdoodt%2BSisera%252C%2B1515-19%2B%2528Rijksmuseum%2BAmsterdam%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-7rysWUjZw0E/WQsLQamBzEI/AAAAAAAAkLk/yEeY-lI-xYo5aQgYIvWRmbByvTVafDLsQCLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BJa%25C3%25ABl%2Bdoodt%2BSisera%252C%2B1515-19%2B%2528Rijksmuseum%2BAmsterdam%2529.jpg" width="460" /></a></div>
Lucas van Leyden - Jaël doodt Sisera, 1515-19<br />
(Rijksmuseum Amsterdam)<br />
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<a href="https://3.bp.blogspot.com/-1HwELb9zMC8/WQrzqsI1HbI/AAAAAAAAkKw/QJi_BQHtnaw0YXnwC1mo6OCNXkzb8s-WACEw/s1600/Lucas%2BLeyden%2B-%2BVirgilio%2Bsuspendido%2Bde%2Bun%2Bcesto_med_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-1HwELb9zMC8/WQrzqsI1HbI/AAAAAAAAkKw/QJi_BQHtnaw0YXnwC1mo6OCNXkzb8s-WACEw/s640/Lucas%2BLeyden%2B-%2BVirgilio%2Bsuspendido%2Bde%2Bun%2Bcesto_med_.jpg" width="494" /></a></div>
Lucas Leyden - Virgilio suspendido de un cesto<br />
(Biblioteca Digital Hispánica)<br />
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<a href="https://4.bp.blogspot.com/-cr40zcbmnc8/WQsLSXziPBI/AAAAAAAAkLs/NNyhLM1tEc80SBUP8zrjR10qu22Yi5wkACLcB/s1600/Lucas%2Bvan%2BLeyden%2B-%2BMars%252C%2BVenus%2Ben%2BCupido%2B%2528Rijksmuseum%2BAmsterdam%2529_med.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="486" src="https://4.bp.blogspot.com/-cr40zcbmnc8/WQsLSXziPBI/AAAAAAAAkLs/NNyhLM1tEc80SBUP8zrjR10qu22Yi5wkACLcB/s640/Lucas%2Bvan%2BLeyden%2B-%2BMars%252C%2BVenus%2Ben%2BCupido%2B%2528Rijksmuseum%2BAmsterdam%2529_med.jpg" width="640" /></a></div>
Lucas van Leyden - Mars, Venus en Cupido<br />
(Rijksmuseum Amsterdam)<br />
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Lucas van Leyden - The Triumph of Mordecai, 1515<br />
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Lucas van Leyden - The Dentist, 1523<br />
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Lucas van Leyden - A Fool and a Woman, 1520<br />
(Rijksmuseum Amsterdam)<br />
<a href="https://4.bp.blogspot.com/-2XvZJUxxZxw/WQwaiMzcqJI/AAAAAAAAkMU/d6AAIhbMnyYFapXGBo1RQRWtH2bijj_KgCEw/s1600/Hans%2BMemling%2B-%2BThe%2BSeven%2BJoys%2Bof%2B%2BVirgin%2BMary%2B%2528Alte%2BPinakothek%252C%2BMunich%2529_REC%2BMARCO.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="36" src="https://4.bp.blogspot.com/-2XvZJUxxZxw/WQwaiMzcqJI/AAAAAAAAkMU/d6AAIhbMnyYFapXGBo1RQRWtH2bijj_KgCEw/s640/Hans%2BMemling%2B-%2BThe%2BSeven%2BJoys%2Bof%2B%2BVirgin%2BMary%2B%2528Alte%2BPinakothek%252C%2BMunich%2529_REC%2BMARCO.jpg" width="640" /></a><br />
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<b><span style="font-family: "georgia" , "times new roman" , serif;"><u>SELECCIÓN de OBRAS</u></span></b><br />
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<a href="https://4.bp.blogspot.com/-BHYyU7rilv8/WQiujs964WI/AAAAAAAAkAA/vm8WF8RgNDwgfX7nKI5TDQojnhWEYwy3gCEw/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BMalvagna%2BTriptych%252C%2Bc%2B1515%2B%2528Galleria%2BRegionale%2Bdella%2BSicilia%252C%2BPalermo%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="422" src="https://4.bp.blogspot.com/-BHYyU7rilv8/WQiujs964WI/AAAAAAAAkAA/vm8WF8RgNDwgfX7nKI5TDQojnhWEYwy3gCEw/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BMalvagna%2BTriptych%252C%2Bc%2B1515%2B%2528Galleria%2BRegionale%2Bdella%2BSicilia%252C%2BPalermo%2529.jpg" width="640" /></a></div>
Jan Gossaert 'Mabuse' - Malvagna Triptych, c 1515<br />
(Galleria Regionale della Sicilia, Palermo)<br />
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Jan Gossaert 'Mabuse' - The Adoration of the Kings, 1510-15<br />
(National Gallery London)<br />
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The Virgin and Child, 1527 - Virgin and Child, c 1530<br />
(National Gallery London) - (National Gallery of Art, Washington)<br />
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Virgin with Child (Maria Lactans) - Virgin with Child (Maria Lactans)<br />
(Museo del Prado) - (Gemäldegalerie Berlin)<br />
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The Virgin and Child - Virgin and Child in a Landscape, 1531<br />
(Zürich’s Koller Auktionen) - (Cleveland Museum)<br />
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<a href="https://1.bp.blogspot.com/-kpjZRn18rcg/WQipSWlhL4I/AAAAAAAAj_I/lBfhqhwZr9YqrF1_yu3sB-6eGJgSd926QCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BHoly%2BFamily%252C%2B1525-30%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BBilbao%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-kpjZRn18rcg/WQipSWlhL4I/AAAAAAAAj_I/lBfhqhwZr9YqrF1_yu3sB-6eGJgSd926QCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BThe%2BHoly%2BFamily%252C%2B1525-30%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BBilbao%2529.jpg" width="480" /></a></div>
Jan Gossaert 'Mabuse' - The Holy Family, 1525-30<br />
(Museo de Bellas Artes de Bilbao)<br />
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Jan Gossaert 'Mabuse' - Christ on the Cold Stone 1527<br />
(Szépmüvészeti Múzeum, Budapest )<br />
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Jan Gossaert 'Mabuse' - Maria Magdalene<br />
(Museum of Fine Arts Boston)<br />
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<a href="https://3.bp.blogspot.com/-XLMr6HXiJ0E/WQir29m0HmI/AAAAAAAAj_g/wPlstz83FocVbDiVEifOUQK72ZHCiu0xwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%2Bin%2BParadise%2B%2528Gem%25C3%25A4ldegalerie%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-XLMr6HXiJ0E/WQir29m0HmI/AAAAAAAAj_g/wPlstz83FocVbDiVEifOUQK72ZHCiu0xwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BAdam%2Band%2BEve%2Bin%2BParadise%2B%2528Gem%25C3%25A4ldegalerie%2529.jpg" width="418" /></a></div>
Jan Gossaert 'Mabuse' - Adam and Eve in Paradise<br />
(Gemäldegalerie Berlin)<br />
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Jan Gossaert 'Mabuse' - Adam and Eve, 1520<br />
(Royal Collection Trust (UK) - Buckingham Palace)<br />
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<a href="https://1.bp.blogspot.com/-v5FY1f5Lcpo/WQir3O1aWAI/AAAAAAAAj_k/nfxWjA9LiR4v-H4urQDKFj_C1sXeaPO4gCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BDanae%252C%2B1527%2B%2528Alte%2BPinakothek%252C%2BM%25C3%25BCnchen%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-v5FY1f5Lcpo/WQir3O1aWAI/AAAAAAAAj_k/nfxWjA9LiR4v-H4urQDKFj_C1sXeaPO4gCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BDanae%252C%2B1527%2B%2528Alte%2BPinakothek%252C%2BM%25C3%25BCnchen%2529.jpg" width="476" /></a></div>
Jan Gossaert 'Mabuse' - Danae, 1527<br />
(Alte Pinakothek, München)<br />
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Jan Gossaert 'Mabuse' - Hercules and Deianeira, 1517<br />
(Barber Institute Birmingham)<br />
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<a href="https://3.bp.blogspot.com/-sKXHTvJHW0c/WQiwBjvkWlI/AAAAAAAAkAI/yKRMBea7EHMUYMbq01jOYb4r09Sv39OVwCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BNeptune%2Band%2BAmphitrite%252C%2B1516%2B%2528Gem%25C3%25A4ldegalerie%2Bder%2BStaatlichen%2BMuseen%2Bzu%2BBerlin%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-sKXHTvJHW0c/WQiwBjvkWlI/AAAAAAAAkAI/yKRMBea7EHMUYMbq01jOYb4r09Sv39OVwCLcB/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BNeptune%2Band%2BAmphitrite%252C%2B1516%2B%2528Gem%25C3%25A4ldegalerie%2Bder%2BStaatlichen%2BMuseen%2Bzu%2BBerlin%2529.jpg" width="428" /></a></div>
Jan Gossaert 'Mabuse' - Neptune and Amphitrite, 1516<br />
(Gemäldegalerie der Staatlichen Museen zu Berlin)<br />
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<a href="https://4.bp.blogspot.com/-WbbnpuRvWDM/WQi5fOmbf0I/AAAAAAAAkBE/9e7bvFuBKJo7G2AmoJYIu6Ytgvw5D5hDgCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2Ba%2BGentleman%252C%2B1530%2B%2528Sterling%2Band%2BFrancine%2BClark%2BArt%2BInstitute%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://4.bp.blogspot.com/-WbbnpuRvWDM/WQi5fOmbf0I/AAAAAAAAkBE/9e7bvFuBKJo7G2AmoJYIu6Ytgvw5D5hDgCLcB/s400/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2Ba%2BGentleman%252C%2B1530%2B%2528Sterling%2Band%2BFrancine%2BClark%2BArt%2BInstitute%2529.jpg" width="321" /></a><a href="https://4.bp.blogspot.com/-HG0TzX9dW1M/WQixfot-0qI/AAAAAAAAkAk/h-0fjK2PD6IA48gU5k4rU6oOPiOvXavkQCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BA%2Bmerchant%2B%255BNGOA.Washington%2BDC%255D_0.jpg"><img src="https://4.bp.blogspot.com/-HG0TzX9dW1M/WQixfot-0qI/AAAAAAAAkAk/h-0fjK2PD6IA48gU5k4rU6oOPiOvXavkQCLcB/s400/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BA%2Bmerchant%2B%255BNGOA.Washington%2BDC%255D_0.jpg" /></a></div>
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<span style="color: white;">.....</span>Portrait of a Gentleman, 1530 - Jan Gossaert 'Mabuse' - A Merchant </div>
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(Sterling and Francine Clark Art Institute) - (National Gallery of Art Washington DC)</div>
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<a href="https://4.bp.blogspot.com/-cbmfA9wgFpE/WQi4IM59InI/AAAAAAAAkBA/Tdlw0U_Zbyw4uqEoEXpDRHeQtiQizUy9ACLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2BFrancisco%2Bde%2Blos%2BCobos%2By%2BMolina%252C%2B1530-32%2B%2528Getty%2BCenter%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://4.bp.blogspot.com/-cbmfA9wgFpE/WQi4IM59InI/AAAAAAAAkBA/Tdlw0U_Zbyw4uqEoEXpDRHeQtiQizUy9ACLcB/s400/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BPortrait%2Bof%2BFrancisco%2Bde%2Blos%2BCobos%2By%2BMolina%252C%2B1530-32%2B%2528Getty%2BCenter%2529.jpg" width="312" /></a><a href="https://2.bp.blogspot.com/-F_Ik-ysjaB0/WQixdj-aexI/AAAAAAAAkAg/T-sfa-KX40IvM9Gg5OW3NrbGF1jIaFtFgCLcB/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BSelf-portrait.jpg"><img src="https://2.bp.blogspot.com/-F_Ik-ysjaB0/WQixdj-aexI/AAAAAAAAkAg/T-sfa-KX40IvM9Gg5OW3NrbGF1jIaFtFgCLcB/s400/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BSelf-portrait.jpg" /></a></div>
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<span style="color: white;">...</span><span style="color: white;">.....</span>Portrait of Francisco de los Cobos y Molina - Self-portrait,1515-20 </div>
(Getty Center) - (Currier Museum of Art, Manchester)<br />
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<a href="https://4.bp.blogspot.com/-2XvZJUxxZxw/WQwaiMzcqJI/AAAAAAAAkMU/d6AAIhbMnyYFapXGBo1RQRWtH2bijj_KgCEw/s1600/Hans%2BMemling%2B-%2BThe%2BSeven%2BJoys%2Bof%2B%2BVirgin%2BMary%2B%2528Alte%2BPinakothek%252C%2BMunich%2529_REC%2BMARCO.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="36" src="https://4.bp.blogspot.com/-2XvZJUxxZxw/WQwaiMzcqJI/AAAAAAAAkMU/d6AAIhbMnyYFapXGBo1RQRWtH2bijj_KgCEw/s640/Hans%2BMemling%2B-%2BThe%2BSeven%2BJoys%2Bof%2B%2BVirgin%2BMary%2B%2528Alte%2BPinakothek%252C%2BMunich%2529_REC%2BMARCO.jpg" width="640" /></a></div>
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<br /></div>
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<a href="https://1.bp.blogspot.com/-zW3SP-adw5M/WQwZFgRXG3I/AAAAAAAAkMI/Z7z1Ytq-insQij9sXZ4w-PXe5v2tDIawgCEw/s1600/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BNeptune%2Band%2BAmphitrite%252C%2B1516%2B%2528Gem%25C3%25A4ldegalerie%2Bder%2BStaatlichen%2BMuseen%2Bzu%2BBerlin%2529_rec%2Bm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="50" src="https://1.bp.blogspot.com/-zW3SP-adw5M/WQwZFgRXG3I/AAAAAAAAkMI/Z7z1Ytq-insQij9sXZ4w-PXe5v2tDIawgCEw/s640/Jan%2BGossaert%2B%2527Mabuse%2527%2B-%2BNeptune%2Band%2BAmphitrite%252C%2B1516%2B%2528Gem%25C3%25A4ldegalerie%2Bder%2BStaatlichen%2BMuseen%2Bzu%2BBerlin%2529_rec%2Bm.jpg" width="640" /></a></div>
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<a href="https://3.bp.blogspot.com/-cV5sHINyvCk/WQdxnq8qzLI/AAAAAAAAj5A/E3EuK2BKRu88BVUfxPopVdyjz3lorHXNACLcB/s1600/Ambrosius%2BBenson%2B-%2BMary%2BMagdalene%252C%2B1520%2B%2528National%2BGallery%2529_T%25C3%25ADtulo%2Bestre.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="124" src="https://3.bp.blogspot.com/-cV5sHINyvCk/WQdxnq8qzLI/AAAAAAAAj5A/E3EuK2BKRu88BVUfxPopVdyjz3lorHXNACLcB/s640/Ambrosius%2BBenson%2B-%2BMary%2BMagdalene%252C%2B1520%2B%2528National%2BGallery%2529_T%25C3%25ADtulo%2Bestre.jpg" width="640" /></a></div>
<br />
<b><span style="font-family: "georgia" , "times new roman" , serif;"><u>SELECCIÓN de OBRAS</u></span></b><br />
<br />
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<a href="https://4.bp.blogspot.com/-bA8YLiuTEno/WQmQORHo48I/AAAAAAAAkBo/n9vC-xgyeMAanjP77bQzvkcUIuGL-ytkQCLcB/s1600/Ambrosius%2BBenson%2B-%2BTr%25C3%25ADptico%2Bde%2Bla%2BPiedad%2B%2528Prado%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="478" src="https://4.bp.blogspot.com/-bA8YLiuTEno/WQmQORHo48I/AAAAAAAAkBo/n9vC-xgyeMAanjP77bQzvkcUIuGL-ytkQCLcB/s640/Ambrosius%2BBenson%2B-%2BTr%25C3%25ADptico%2Bde%2Bla%2BPiedad%2B%2528Prado%2529.jpg" width="640" /></a></div>
Ambrosius Benson - Tríptico de la Piedad<br />
(Museo del Prado)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-zQS8j3iSRBE/WQmQNzAHMJI/AAAAAAAAkBk/K7vOxKDCt_U_C_bvsrv49wwVyAAEwsCeQCLcB/s1600/Ambrosius%2BBenson%2B-%2BTr%25C3%25ADptico%2Bdel%2BDescendimiento%252C%2Bh.%2B1530%2B%2528Catedral%2Bde%2BSegovia_Iglesia%2Bde%2BSan%2BMiguel%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="480" src="https://4.bp.blogspot.com/-zQS8j3iSRBE/WQmQNzAHMJI/AAAAAAAAkBk/K7vOxKDCt_U_C_bvsrv49wwVyAAEwsCeQCLcB/s640/Ambrosius%2BBenson%2B-%2BTr%25C3%25ADptico%2Bdel%2BDescendimiento%252C%2Bh.%2B1530%2B%2528Catedral%2Bde%2BSegovia_Iglesia%2Bde%2BSan%2BMiguel%2529.JPG" width="640" /></a></div>
Ambrosius Benson - Tríptico del Descendimiento, h. 1530<br />
(Catedral de Segovia_Iglesia de San Miguel)<br />
.<br />
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<a href="https://3.bp.blogspot.com/-1FEkbKxAbjs/WQmcQ1O8H-I/AAAAAAAAkDg/Ux1lAHA2bJImqQFctDyGzjgqF4MClPN5ACLcB/s1600/Ambrosius%2BBenson%2B-%2BThe%2BLamentation%252C%2B1520-25%2B%2528MET%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://3.bp.blogspot.com/-1FEkbKxAbjs/WQmcQ1O8H-I/AAAAAAAAkDg/Ux1lAHA2bJImqQFctDyGzjgqF4MClPN5ACLcB/s400/Ambrosius%2BBenson%2B-%2BThe%2BLamentation%252C%2B1520-25%2B%2528MET%2529.jpg" width="247" /></a><a href="https://2.bp.blogspot.com/-vLEsSLBRE68/WQmhkskj-aI/AAAAAAAAkD8/22MWa_7c9fQT_5fp6Y2B9w5_PBifsv8fQCLcB/s1600/Ambrosius%2BBenson%2B-%2BLa%2BPiedad.jpg"><img height="400" src="https://2.bp.blogspot.com/-vLEsSLBRE68/WQmhkskj-aI/AAAAAAAAkD8/22MWa_7c9fQT_5fp6Y2B9w5_PBifsv8fQCLcB/s400/Ambrosius%2BBenson%2B-%2BLa%2BPiedad.jpg" width="185" /></a></div>
Ambrosius Benson - The Lamentation, 1520-25 - La Piedad, h. 1528<br />
(MET) - (Museo del Prado)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-_seosUfrFeA/WQmQ4xsMkAI/AAAAAAAAkB8/9ipq_MLSlus-g6skVOPIgiuzZ7-TDmAYgCLcB/s1600/Ambrosius%2BBenson%2B-%2BPiet%25C3%25A0%2Bat%2Bthe%2BFoot%2Bof%2Bthe%2BCross%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BBilbao%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="480" src="https://1.bp.blogspot.com/-_seosUfrFeA/WQmQ4xsMkAI/AAAAAAAAkB8/9ipq_MLSlus-g6skVOPIgiuzZ7-TDmAYgCLcB/s640/Ambrosius%2BBenson%2B-%2BPiet%25C3%25A0%2Bat%2Bthe%2BFoot%2Bof%2Bthe%2BCross%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BBilbao%2529_.jpg" width="640" /></a></div>
Ambrosius Benson - Pietà at the Foot of the Cross<br />
(Museo de Bellas Artes de Bilbao)<br />
.<br />
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<a href="https://3.bp.blogspot.com/-fzKQv29kDMg/WQmfzZ6yLTI/AAAAAAAAkDw/lHRMvdEY76gi5hKc1IT3N5IT6q6PNuxKwCLcB/s1600/Ambrosius%2BBenson%2B-%2BAbrazo%2Bde%2BSan%2BJoaqu%25C3%25ADn%2By%2BSanta%2BAna%2Bante%2Bla%2BPuerta%2BDorada_.jpg"><img src="https://3.bp.blogspot.com/-fzKQv29kDMg/WQmfzZ6yLTI/AAAAAAAAkDw/lHRMvdEY76gi5hKc1IT3N5IT6q6PNuxKwCLcB/s640/Ambrosius%2BBenson%2B-%2BAbrazo%2Bde%2BSan%2BJoaqu%25C3%25ADn%2By%2BSanta%2BAna%2Bante%2Bla%2BPuerta%2BDorada_.jpg" /></a><a href="https://1.bp.blogspot.com/-MiUjmk-CPc0/WQmfzSpaNMI/AAAAAAAAkDs/x-PHov5BVbkSrFutS3eAYEZfujG0UPDaQCLcB/s1600/Ambrosius%2BBenson%2B-%2BEl%2BNacimiento%2Bde%2Bla%2BVirgen_.jpg"><img height="640" src="https://1.bp.blogspot.com/-MiUjmk-CPc0/WQmfzSpaNMI/AAAAAAAAkDs/x-PHov5BVbkSrFutS3eAYEZfujG0UPDaQCLcB/s640/Ambrosius%2BBenson%2B-%2BEl%2BNacimiento%2Bde%2Bla%2BVirgen_.jpg" width="328" /></a></div>
Abrazo de San Joaquín y Santa Ana ante la Puerta Dorada - El Nacimiento de la Virgen, 1528<br />
(Museo del Prado)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-klolUCCNJfg/WQmQ1wZsR0I/AAAAAAAAkB0/KmyF5qNrojc71GdLMJuzr_DMxzAUGuMrACLcB/s1600/Ambrosius%2BBenson%2B-%2BDeipara%2BVirgo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-klolUCCNJfg/WQmQ1wZsR0I/AAAAAAAAkB0/KmyF5qNrojc71GdLMJuzr_DMxzAUGuMrACLcB/s640/Ambrosius%2BBenson%2B-%2BDeipara%2BVirgo.jpg" width="530" /></a></div>
Ambrosius Benson - Deipara Virgo<br />
(Museum of Fine Arts , Antwerp)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-dkxXScbZxZ0/WQmQxxRRSII/AAAAAAAAkBw/BQ1RyLgr54wmrz8Nml1oweQWbrQ-ihOpwCLcB/s1600/Ambrosius%2BBenson%2B-%2BMadonna%2Band%2BChild%2Bwith%2BSaint%2BCatharine%2Band%2BSaint%2BBarbara.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-dkxXScbZxZ0/WQmQxxRRSII/AAAAAAAAkBw/BQ1RyLgr54wmrz8Nml1oweQWbrQ-ihOpwCLcB/s640/Ambrosius%2BBenson%2B-%2BMadonna%2Band%2BChild%2Bwith%2BSaint%2BCatharine%2Band%2BSaint%2BBarbara.jpg" width="518" /></a></div>
Ambrosius Benson - Madonna and Child with Saint Catharine and Saint Barbara<br />
(Musée du Louvre)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-jQeI1QbAR5I/WQmQ5nmoZPI/AAAAAAAAkCA/IgeLyHN2Mrolbkf0TBgxoOfkPIWBQlnTgCLcB/s1600/Ambrosius%2BBenson%2B-%2BSanta%2BAna%252C%2Bel%2BNi%25C3%25B1o%2BJes%25C3%25BAs%2By%2Bla%2BVirgen%252C%2B1528%2B%2528Museo%2Bdel%2BPrado%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-jQeI1QbAR5I/WQmQ5nmoZPI/AAAAAAAAkCA/IgeLyHN2Mrolbkf0TBgxoOfkPIWBQlnTgCLcB/s640/Ambrosius%2BBenson%2B-%2BSanta%2BAna%252C%2Bel%2BNi%25C3%25B1o%2BJes%25C3%25BAs%2By%2Bla%2BVirgen%252C%2B1528%2B%2528Museo%2Bdel%2BPrado%2529.jpg" width="478" /></a></div>
Ambrosius Benson - Santa Ana, el Niño Jesús y la Virgen, 1528<br />
(Museo del Prado)<br />
.<br />
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<a href="https://3.bp.blogspot.com/-bnCI7Xx7GFs/WQmRU4r5BxI/AAAAAAAAkCI/x4X2MSprV7or1t2n6OzjT0odVZgp-VazwCLcB/s1600/Ambrosius%2BBenson%2B-%2BThe%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt%2B%2528Groeninge%2BMuseum%252C%2BBrugge%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-bnCI7Xx7GFs/WQmRU4r5BxI/AAAAAAAAkCI/x4X2MSprV7or1t2n6OzjT0odVZgp-VazwCLcB/s640/Ambrosius%2BBenson%2B-%2BThe%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt%2B%2528Groeninge%2BMuseum%252C%2BBrugge%2529_.jpg" width="401" /></a></div>
Ambrosius Benson - The Rest on the Flight into Egypt<br />
(Groeninge Museum, Brugge)_<br />
.<br />
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<a href="https://2.bp.blogspot.com/-fc0cg0DieOY/WQmXja5CyzI/AAAAAAAAkDM/wf3RYL3CxDoejxoLVrCl3-hoX7YxzJpawCLcB/s1600/Ambrosius%2BBenson%2B-%2BVirgin%2Band%2BChild%2Benthroned%2B%2528Private%2BCollection%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-fc0cg0DieOY/WQmXja5CyzI/AAAAAAAAkDM/wf3RYL3CxDoejxoLVrCl3-hoX7YxzJpawCLcB/s640/Ambrosius%2BBenson%2B-%2BVirgin%2Band%2BChild%2Benthroned%2B%2528Private%2BCollection%2529.jpg" width="596" /></a></div>
Ambrosius Benson - Virgin and Child enthroned<br />
(Private Collection)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-SaWSclMHfe4/WQmSSRWiBxI/AAAAAAAAkCU/KLPbQJKqrnIWflHVM_mRD4ZSCYyyQ3j-gCLcB/s1600/Ambrosius%2BBenson%2B-%2BMary%2BMagdalene%252C%2B1520%2B%2528National%2BGallery%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-SaWSclMHfe4/WQmSSRWiBxI/AAAAAAAAkCU/KLPbQJKqrnIWflHVM_mRD4ZSCYyyQ3j-gCLcB/s640/Ambrosius%2BBenson%2B-%2BMary%2BMagdalene%252C%2B1520%2B%2528National%2BGallery%2529.jpg" width="564" /></a></div>
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Ambrosius Benson - Mary Magdalene, 1520</div>
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(National Gallery London)</div>
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<a href="https://4.bp.blogspot.com/-DP6B0TOCu-k/WQmYhh2GLQI/AAAAAAAAkDU/kbese3pQhrovlU1-Uk3F61ddKguO4EaPwCLcB/s1600/Ambrosius%2BBenson%2B-%2BLe%2Bconcert%2Bapr%25C3%25A8s%2Ble%2Brepas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="520" src="https://4.bp.blogspot.com/-DP6B0TOCu-k/WQmYhh2GLQI/AAAAAAAAkDU/kbese3pQhrovlU1-Uk3F61ddKguO4EaPwCLcB/s640/Ambrosius%2BBenson%2B-%2BLe%2Bconcert%2Bapr%25C3%25A8s%2Ble%2Brepas.jpg" width="640" /></a></div>
Ambrosius Benson - The Concert after the Meal<br />
(Musée du Louvre)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-PSGaFWh4IDw/WQmStVtKTxI/AAAAAAAAkCk/RWHMFDT4KPgsM_sPutOBUr2i9bzjXy7RACLcB/s1600/Ambrosius%2BBenson%2B-%2BPortrait%2Bof%2Ba%2BLady%2Bholding%2Ba%2BCat.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://1.bp.blogspot.com/-PSGaFWh4IDw/WQmStVtKTxI/AAAAAAAAkCk/RWHMFDT4KPgsM_sPutOBUr2i9bzjXy7RACLcB/s400/Ambrosius%2BBenson%2B-%2BPortrait%2Bof%2Ba%2BLady%2Bholding%2Ba%2BCat.jpg" width="325" /></a><a href="https://3.bp.blogspot.com/-Bqc03sfcwyE/WQmVUWb0wbI/AAAAAAAAkDA/Y6sUBCkaaPkFLjiALsIg5uGISoM7GbYqQCLcB/s1600/Ambrosius%2BBenson%2B-%2BYoung%2Bwoman%2Breading%2Ba%2BBook%2Bof%2BHours.jpg"><img height="400" src="https://3.bp.blogspot.com/-Bqc03sfcwyE/WQmVUWb0wbI/AAAAAAAAkDA/Y6sUBCkaaPkFLjiALsIg5uGISoM7GbYqQCLcB/s400/Ambrosius%2BBenson%2B-%2BYoung%2Bwoman%2Breading%2Ba%2BBook%2Bof%2BHours.jpg" width="287" /></a></div>
Portrait of a Lady holding a Cat, 1540-50 - Young Woman Reading a Book of Hours, 1520<br />
(Musée du Louvre) (Private Collection)<br />
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<a href="https://1.bp.blogspot.com/-7c2N0hIIcTw/WQmStj9wKyI/AAAAAAAAkCo/ipV2nH8yLMkQt9RoiwAaI6prAbK9WEITACLcB/s1600/Ambrosius%2BBenson%2B-%2BPortrait%2Bof%2Ba%2BMan%2Bat%2Bthe%2BWindow.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://1.bp.blogspot.com/-7c2N0hIIcTw/WQmStj9wKyI/AAAAAAAAkCo/ipV2nH8yLMkQt9RoiwAaI6prAbK9WEITACLcB/s400/Ambrosius%2BBenson%2B-%2BPortrait%2Bof%2Ba%2BMan%2Bat%2Bthe%2BWindow.jpg" width="310" /></a><a href="https://1.bp.blogspot.com/-Nh2gHtjvr5U/WQmStKfrZLI/AAAAAAAAkCg/tQiasDqUZB4mzY8hiTgNLeUrlgx9n7cuQCLcB/s1600/Ambrosius%2BBenson%2B-%2BPortrait%2Bof%2Ban%2BUnknown%2BGentleman.jpg"><img height="400" src="https://1.bp.blogspot.com/-Nh2gHtjvr5U/WQmStKfrZLI/AAAAAAAAkCg/tQiasDqUZB4mzY8hiTgNLeUrlgx9n7cuQCLcB/s400/Ambrosius%2BBenson%2B-%2BPortrait%2Bof%2Ban%2BUnknown%2BGentleman.jpg" width="308" /></a></div>
Portrait of a Man at the Window, c 1530 - Portrait of an Unknown Gentleman<br />
(Private Collection) - (Compton Verney - Warwickshire)<br />
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<a href="https://4.bp.blogspot.com/-2XvZJUxxZxw/WQwaiMzcqJI/AAAAAAAAkMU/d6AAIhbMnyYFapXGBo1RQRWtH2bijj_KgCEw/s1600/Hans%2BMemling%2B-%2BThe%2BSeven%2BJoys%2Bof%2B%2BVirgin%2BMary%2B%2528Alte%2BPinakothek%252C%2BMunich%2529_REC%2BMARCO.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="36" src="https://4.bp.blogspot.com/-2XvZJUxxZxw/WQwaiMzcqJI/AAAAAAAAkMU/d6AAIhbMnyYFapXGBo1RQRWtH2bijj_KgCEw/s640/Hans%2BMemling%2B-%2BThe%2BSeven%2BJoys%2Bof%2B%2BVirgin%2BMary%2B%2528Alte%2BPinakothek%252C%2BMunich%2529_REC%2BMARCO.jpg" width="640" /></a></div>
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<br />
<b><span style="font-family: "georgia" , "times new roman" , serif;"><u>SELECCIÓN de OBRAS</u></span></b><br />
<br />
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<a href="https://4.bp.blogspot.com/-bgMaBz5TdvY/WQmpCp31cmI/AAAAAAAAkEU/JEqGk9NDZyY7CV6iIK-RV4gwqccEOsqyQCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BLa%2BAdoraci%25C3%25B3n%2Bde%2Blos%2BMagos%2B%2528Museo%2Bdel%2BPrado%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="472" src="https://4.bp.blogspot.com/-bgMaBz5TdvY/WQmpCp31cmI/AAAAAAAAkEU/JEqGk9NDZyY7CV6iIK-RV4gwqccEOsqyQCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BLa%2BAdoraci%25C3%25B3n%2Bde%2Blos%2BMagos%2B%2528Museo%2Bdel%2BPrado%2529.jpg" width="640" /></a></div>
Pieter Coecke van Aelst - La Adoración de los Magos<br />
(Museo del Prado)<br />
.<br />
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<a href="https://3.bp.blogspot.com/-GWCSqkjoP_8/WQmpB8eOR3I/AAAAAAAAkEM/YpiO10msCHcN91xm5PTXOzzvaX1ZZLpKwCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BTriptych_The%2BAdoration%2Bof%2Bthe%2BMagi%2B%2528Private%2BCollection%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="446" src="https://3.bp.blogspot.com/-GWCSqkjoP_8/WQmpB8eOR3I/AAAAAAAAkEM/YpiO10msCHcN91xm5PTXOzzvaX1ZZLpKwCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BTriptych_The%2BAdoration%2Bof%2Bthe%2BMagi%2B%2528Private%2BCollection%2529.jpg" width="640" /></a></div>
Pieter Coecke van Aelst - Triptych_The Adoration of the Magi<br />
(Private Collection)<br />
.<br />
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<a href="https://3.bp.blogspot.com/-k41cjHfze0g/WQmpHLcZ5rI/AAAAAAAAkEc/i96D68q9E-sjytKNq0j7PX7hqJln98omwCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BTriptych_The%2BAdoration%2Bof%2Bthe%2BMagi%252C%2BThe%2BAnnunciation%2Band%2BThe%2BRest%2Bon%2BThe%2BFlight%2Binto%2BEgypt.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="558" src="https://3.bp.blogspot.com/-k41cjHfze0g/WQmpHLcZ5rI/AAAAAAAAkEc/i96D68q9E-sjytKNq0j7PX7hqJln98omwCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BTriptych_The%2BAdoration%2Bof%2Bthe%2BMagi%252C%2BThe%2BAnnunciation%2Band%2BThe%2BRest%2Bon%2BThe%2BFlight%2Binto%2BEgypt.JPG" width="640" /></a></div>
Pieter Coecke van Aelst - Triptych The Adoration of the Magi, The Annunciation and The Rest on The Flight into Egypt<br />
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<a href="https://1.bp.blogspot.com/-4Hc0r8Ii0CE/WQmrMbhWIaI/AAAAAAAAkFU/rduSqhh6joQJZ4rzQO1f267sV1rdQ4m6ACLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BThe%2BAnnunciation%252C%2B1525-28%2B%2528Museo%2Bde%2BSanta%2BCruz.%2BSpain%252C%2BToledo%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-4Hc0r8Ii0CE/WQmrMbhWIaI/AAAAAAAAkFU/rduSqhh6joQJZ4rzQO1f267sV1rdQ4m6ACLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BThe%2BAnnunciation%252C%2B1525-28%2B%2528Museo%2Bde%2BSanta%2BCruz.%2BSpain%252C%2BToledo%2529.jpg" width="558" /></a></div>
Pieter Coecke van Aelst - The Annunciation, 1525-28<br />
(Museo de Santa Cruz. Spain, Toledo)<br />
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<a href="https://2.bp.blogspot.com/-wyuyefvZll4/WQmrR2rKCqI/AAAAAAAAkFw/pPbswOOWXkYzQvuvcq32N4WGWDzb4SzzgCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BVirgin%2Band%2BChild%2B%2528Private%2BCollection%2529_2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-wyuyefvZll4/WQmrR2rKCqI/AAAAAAAAkFw/pPbswOOWXkYzQvuvcq32N4WGWDzb4SzzgCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BVirgin%2Band%2BChild%2B%2528Private%2BCollection%2529_2.jpg" width="414" /></a></div>
Pieter Coecke van Aelst - Virgin and Child<br />
(Private Collection)<br />
.<br />
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<span style="color: white;">.....</span><a href="https://1.bp.blogspot.com/-9Qeo1JtiY2w/WQmrNN__hII/AAAAAAAAkFY/aLLk2sNYchcjohfycwwY1FjUXunkT6ijQCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BThe%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt%2B%2528Private%2BCollection%2529.jpg"><img height="640" src="https://1.bp.blogspot.com/-9Qeo1JtiY2w/WQmrNN__hII/AAAAAAAAkFY/aLLk2sNYchcjohfycwwY1FjUXunkT6ijQCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BThe%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt%2B%2528Private%2BCollection%2529.jpg" width="448" /></a></div>
Pieter Coecke van Aelst - The Rest on the Flight into Egypt<br />
(Private Collection)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-UwX5n1nA8Lk/WQmrFqyGonI/AAAAAAAAkFM/WK8anV1-06Q3vejE7FivUueAU4RXFufqgCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BThe%2BLast%2BSupper%252C%2Bc%2B1545%2B%2528Private%2Bcollection%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="482" src="https://4.bp.blogspot.com/-UwX5n1nA8Lk/WQmrFqyGonI/AAAAAAAAkFM/WK8anV1-06Q3vejE7FivUueAU4RXFufqgCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BThe%2BLast%2BSupper%252C%2Bc%2B1545%2B%2528Private%2Bcollection%2529.jpg" width="640" /></a></div>
Pieter Coecke van Aelst - The Last Supper, c 1545<br />
(Private collection)<br />
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<a href="https://3.bp.blogspot.com/--lTXfAU8y7s/WQmq6dvnZAI/AAAAAAAAkE0/SXqq6eLaDIUtEqtSrQpstrGEz7-iGkcnQCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BChrist%2BCarrying%2Bthe%2BCross.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/--lTXfAU8y7s/WQmq6dvnZAI/AAAAAAAAkE0/SXqq6eLaDIUtEqtSrQpstrGEz7-iGkcnQCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BChrist%2BCarrying%2Bthe%2BCross.jpg" width="482" /></a></div>
Pieter Coecke van Aelst - Christ Carrying the Cross<br />
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<a href="https://1.bp.blogspot.com/-mEc9DqiKSTA/WQmwMKgoxGI/AAAAAAAAkGA/_nrZgz-0hWkDeyg8fX5vmlc-JkIv-6e_ACLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BTriptych_The%2BDeposition%2B%2528Museu%2BNacional%2Bde%2BArte%2BAntiga%252C%2BLisboa%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="506" src="https://1.bp.blogspot.com/-mEc9DqiKSTA/WQmwMKgoxGI/AAAAAAAAkGA/_nrZgz-0hWkDeyg8fX5vmlc-JkIv-6e_ACLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BTriptych_The%2BDeposition%2B%2528Museu%2BNacional%2Bde%2BArte%2BAntiga%252C%2BLisboa%2529.jpg" width="640" /></a></div>
Pieter Coecke van Aelst - Triptych_The Deposition<br />
(Museu Nacional de Arte Antiga, Lisboa)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-mvd2RS4E884/WQmpCYorWuI/AAAAAAAAkEQ/8e4MWuZLZogMwByF6W9D4KOJcy5dc90lQCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BTriptych_Lamentation%2Bover%2Bthe%2BDead%2BChrist%2B%2528Museo%2BNacional%2Bde%2BBellas%2BArtes%2Bde%2BBuenos%2BAires%252C%2BArgentina%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="452" src="https://2.bp.blogspot.com/-mvd2RS4E884/WQmpCYorWuI/AAAAAAAAkEQ/8e4MWuZLZogMwByF6W9D4KOJcy5dc90lQCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BTriptych_Lamentation%2Bover%2Bthe%2BDead%2BChrist%2B%2528Museo%2BNacional%2Bde%2BBellas%2BArtes%2Bde%2BBuenos%2BAires%252C%2BArgentina%2529.jpg" width="640" /></a></div>
Pieter Coecke van Aelst - Triptych_Lamentation over the Dead Christ<br />
(Museo Nacional de Bellas Artes de Buenos Aires, Argentina)<br />
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<a href="https://3.bp.blogspot.com/-hT95UkTKr5c/WQmrOfyuZyI/AAAAAAAAkFg/bODkHAop2ls2l97-yvL_-a3yyL1UdDmLwCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BThe%2BTemptation%2Bof%2BSaint%2BAnthony%252C%2B1543-50%2B%2528Museo%2BNacional%2Bdel%2BPrado.%2BSpain%252C%2BMadrid%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="480" src="https://3.bp.blogspot.com/-hT95UkTKr5c/WQmrOfyuZyI/AAAAAAAAkFg/bODkHAop2ls2l97-yvL_-a3yyL1UdDmLwCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BThe%2BTemptation%2Bof%2BSaint%2BAnthony%252C%2B1543-50%2B%2528Museo%2BNacional%2Bdel%2BPrado.%2BSpain%252C%2BMadrid%2529.jpg" width="640" /></a></div>
Pieter Coecke van Aelst - Las tentaciones de san Antonio Abad<br />
(Museo del Prado)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-sBtFXHDwvsg/WQmq9sA-hQI/AAAAAAAAkE4/kT6QU3GcC4IZtZMdXYulrWGYte4Phza8ACLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BSaint%2BJerome%2Bin%2BHis%2BWorkshop%252C%2B1530%2B%2528Walters%2BArt%2BMuseum.%2BBaltimore%252C%2BUnited%2BStates%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="448" src="https://4.bp.blogspot.com/-sBtFXHDwvsg/WQmq9sA-hQI/AAAAAAAAkE4/kT6QU3GcC4IZtZMdXYulrWGYte4Phza8ACLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BSaint%2BJerome%2Bin%2BHis%2BWorkshop%252C%2B1530%2B%2528Walters%2BArt%2BMuseum.%2BBaltimore%252C%2BUnited%2BStates%2529.jpg" width="640" /></a></div>
Pieter Coecke van Aelst - Saint Jerome in His Workshop, 1530<br />
(Walters Art Museum. Baltimore, United States)<br />
.<br />
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<a href="https://3.bp.blogspot.com/-zytBOwFXvZU/WQmrGnG_IwI/AAAAAAAAkFQ/06NPZDmR06QC99TO13jwcfq4tzvK_xeUACLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BSantiago%2Bel%2BMayor%2Bcon%2Borantes%2B%2528anverso%2529.%2BSan%2BSebasti%25C3%25A1n%2B%2528reverso%2529%2B%2528Museo%2Bdel%2BPrado%2529.jpg"><img height="640" src="https://3.bp.blogspot.com/-zytBOwFXvZU/WQmrGnG_IwI/AAAAAAAAkFQ/06NPZDmR06QC99TO13jwcfq4tzvK_xeUACLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BSantiago%2Bel%2BMayor%2Bcon%2Borantes%2B%2528anverso%2529.%2BSan%2BSebasti%25C3%25A1n%2B%2528reverso%2529%2B%2528Museo%2Bdel%2BPrado%2529.jpg" width="250" /></a><a href="https://3.bp.blogspot.com/-J8nU-SpL1YY/WQmrCCzPwAI/AAAAAAAAkFI/Zi1MQkzVkRUUb8Ivu69zH7ZSrQUraKutwCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BSan%2BJuan%2Bevangelista%2Bcon%2Bdos%2Bdamas%2By%2Bdos%2Bni%25C3%25B1as%2B%2528anverso%2529.%2BSan%2BAdri%25C3%25A1n%2B%2528reverso%2529%2B%2528Museo%2Bdel%2BPrado%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-J8nU-SpL1YY/WQmrCCzPwAI/AAAAAAAAkFI/Zi1MQkzVkRUUb8Ivu69zH7ZSrQUraKutwCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BSan%2BJuan%2Bevangelista%2Bcon%2Bdos%2Bdamas%2By%2Bdos%2Bni%25C3%25B1as%2B%2528anverso%2529.%2BSan%2BAdri%25C3%25A1n%2B%2528reverso%2529%2B%2528Museo%2Bdel%2BPrado%2529.jpg" width="250" /></a></div>
Santiago el Mayor con orantes (anverso). San Sebastián (reverso) left<br />
San Juan evangelista con dos damas y dos niñas (anverso). San Adrián (reverso) right<br />
(Museo del Prado)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-xJm5YDBGZqA/WQmrAlMcKKI/AAAAAAAAkFE/s_GOYJlDhk8yq2Q33CLnyaNVLOhDlSbPwCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BSantiago%2Bel%2BMayor%2Bcon%2Borantes%2B%2528anverso%2529.%2BSan%2BSebasti%25C3%25A1n%2B%2528reverso%2529%2B%2528Museo%2Bdel%2BPrado%2529_reverso.jpg"><img height="640" src="https://1.bp.blogspot.com/-xJm5YDBGZqA/WQmrAlMcKKI/AAAAAAAAkFE/s_GOYJlDhk8yq2Q33CLnyaNVLOhDlSbPwCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BSantiago%2Bel%2BMayor%2Bcon%2Borantes%2B%2528anverso%2529.%2BSan%2BSebasti%25C3%25A1n%2B%2528reverso%2529%2B%2528Museo%2Bdel%2BPrado%2529_reverso.jpg" width="304" /></a><a href="https://2.bp.blogspot.com/-OQgFLQ1muYo/WQmq_GzQpJI/AAAAAAAAkFA/eIQ6aP8t1QoiVd0iFjT_mdbExcj3Sb2dgCLcB/s1600/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BSan%2BJuan%2Bevangelista%2Bcon%2Bdos%2Bdamas%2By%2Bdos%2Bni%25C3%25B1as%2B%2528anverso%2529.%2BSan%2BAdri%25C3%25A1n%2B%2528reverso%2529%2B%2528Museo%2Bdel%2BPrado%2529_reverso.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-OQgFLQ1muYo/WQmq_GzQpJI/AAAAAAAAkFA/eIQ6aP8t1QoiVd0iFjT_mdbExcj3Sb2dgCLcB/s640/Pieter%2BCoecke%2Bvan%2BAelst%2B-%2BSan%2BJuan%2Bevangelista%2Bcon%2Bdos%2Bdamas%2By%2Bdos%2Bni%25C3%25B1as%2B%2528anverso%2529.%2BSan%2BAdri%25C3%25A1n%2B%2528reverso%2529%2B%2528Museo%2Bdel%2BPrado%2529_reverso.jpg" width="304" /></a></div>
Santiago el Mayor con orantes (anverso). San Sebastián (reverso) (Museo del Prado)_reverso<br />
San Juan evangelista con dos damas y dos niñas (anverso). San Adrián (reverso)<br />
(Museo del Prado)<br />
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Grisallas_Triptych of Nava y Grimón_left and right wings reverso_La Anunciación<br />
(Museo de Bellas Artes de Tenerife)<br />
<a href="https://4.bp.blogspot.com/-2XvZJUxxZxw/WQwaiMzcqJI/AAAAAAAAkMU/d6AAIhbMnyYFapXGBo1RQRWtH2bijj_KgCEw/s1600/Hans%2BMemling%2B-%2BThe%2BSeven%2BJoys%2Bof%2B%2BVirgin%2BMary%2B%2528Alte%2BPinakothek%252C%2BMunich%2529_REC%2BMARCO.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="36" src="https://4.bp.blogspot.com/-2XvZJUxxZxw/WQwaiMzcqJI/AAAAAAAAkMU/d6AAIhbMnyYFapXGBo1RQRWtH2bijj_KgCEw/s640/Hans%2BMemling%2B-%2BThe%2BSeven%2BJoys%2Bof%2B%2BVirgin%2BMary%2B%2528Alte%2BPinakothek%252C%2BMunich%2529_REC%2BMARCO.jpg" width="640" /></a><br />
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<b><span style="font-family: "georgia" , "times new roman" , serif;"><u>SELECCIÓN de OBRAS</u></span></b><br />
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<a href="https://2.bp.blogspot.com/-nZ4M6xgESKI/WQwknakcyjI/AAAAAAAAkNg/jrNdTb3d4zQxzp0kr-dmut8HNS6m7hHJgCLcB/s1600/Pieter%2BBrueghel%2B%2527El%2BViejo%2527%2B-%2BLa%2BCa%25C3%25ADda%2Bde%2Blos%2B%25C3%2581ngeles%2BRebeldes%252C%2B1562%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux%2BArts%2Bde%2BBelgique%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="462" src="https://2.bp.blogspot.com/-nZ4M6xgESKI/WQwknakcyjI/AAAAAAAAkNg/jrNdTb3d4zQxzp0kr-dmut8HNS6m7hHJgCLcB/s640/Pieter%2BBrueghel%2B%2527El%2BViejo%2527%2B-%2BLa%2BCa%25C3%25ADda%2Bde%2Blos%2B%25C3%2581ngeles%2BRebeldes%252C%2B1562%2B%2528Mus%25C3%25A9es%2BRoyaux%2Bdes%2BBeaux%2BArts%2Bde%2BBelgique%2529.jpg" width="640" /></a></div>
<span style="font-family: "georgia" , "times new roman" , serif;">Pieter Brueghel 'El Viejo' - La Caída de los Ángeles Rebeldes, 1562 </span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">(Musées Royaux des Beaux Arts de Belgique)</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"></span><br />
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<a href="https://4.bp.blogspot.com/-rjHd_E1ug2c/WQwlM12rOZI/AAAAAAAAkNs/teY2qeZtHkMBplSkD3MCGY0VOd3_g6aPgCLcB/s1600/Pieter%2BBrueghel%2B%2527El%2BViejo%2527%2B-%2BTorre%2Bde%2BBabel%252C%2B1563%2B%2528KHM%2BViena%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="468" src="https://4.bp.blogspot.com/-rjHd_E1ug2c/WQwlM12rOZI/AAAAAAAAkNs/teY2qeZtHkMBplSkD3MCGY0VOd3_g6aPgCLcB/s640/Pieter%2BBrueghel%2B%2527El%2BViejo%2527%2B-%2BTorre%2Bde%2BBabel%252C%2B1563%2B%2528KHM%2BViena%2529.jpg" width="640" /></a></div>
<span style="font-family: inherit;">Pieter Brueghel 'El Viejo' - Torre de Babel, 1563 </span><br />
<span style="font-family: inherit;">(Kunsthistorisches Museum Viena)</span><br />
<span style="font-family: inherit;">. </span><br />
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<a href="https://2.bp.blogspot.com/-8JJwj2T1PBQ/WQwjozKbGmI/AAAAAAAAkNM/NSEccLP4aMQjPpDRkS4owwinkUK7pOIXgCLcB/s1600/Pieter%2BBrueghel%2B%2527El%2BViejo%2527%2B-%2BThe%2BCensus%2Bat%2BBethlehem%252C%2B1566%2B%2528Royal%2BMus%25C3%25A9es%2Bdes%2BBeaux%2BArts%2Bde%2BBelgique%252C%2BBrussels%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" height="456" src="https://2.bp.blogspot.com/-8JJwj2T1PBQ/WQwjozKbGmI/AAAAAAAAkNM/NSEccLP4aMQjPpDRkS4owwinkUK7pOIXgCLcB/s640/Pieter%2BBrueghel%2B%2527El%2BViejo%2527%2B-%2BThe%2BCensus%2Bat%2BBethlehem%252C%2B1566%2B%2528Royal%2BMus%25C3%25A9es%2Bdes%2BBeaux%2BArts%2Bde%2BBelgique%252C%2BBrussels%2529.jpg" width="640" /></span></a></div>
<span style="font-family: inherit;">Pieter Brueghel 'El Viejo' - The Census at Bethlehem, 1566 </span><br />
<span style="font-family: inherit;">(Royal Musées des Beaux Arts de Belgique, Brussels)</span><br />
<span style="font-family: inherit;">.</span><br />
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<a href="https://1.bp.blogspot.com/-Dcbo-4ZL0sY/WQwlNoXjmhI/AAAAAAAAkNw/sC-dtEzSXIcujiYRwmt68-HdXbF1WnzxQCLcB/s1600/Pieter%2BBrueghel%2B%2527El%2BViejo%2527%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BMagi%252C%2B1564%2B%2528National%2BGallery%2BLondon%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" height="640" src="https://1.bp.blogspot.com/-Dcbo-4ZL0sY/WQwlNoXjmhI/AAAAAAAAkNw/sC-dtEzSXIcujiYRwmt68-HdXbF1WnzxQCLcB/s640/Pieter%2BBrueghel%2B%2527El%2BViejo%2527%2B-%2BThe%2BAdoration%2Bof%2Bthe%2BMagi%252C%2B1564%2B%2528National%2BGallery%2BLondon%2529.jpg" width="480" /></span></a></div>
<span style="font-family: inherit;"> </span>Pieter Brueghel 'El Viejo' - The Adoration of the Magi, 1564<br />
(National Gallery London)<br />
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<a href="https://2.bp.blogspot.com/-OMBO_rA3wf8/WQwkkMa0tSI/AAAAAAAAkNc/Txzazci52iko-KslAxFrGWFfybNRFylNgCLcB/s1600/Pieter%2BBrueghel%2B%2527El%2BViejo%2527%2B-%2BLandscape%2Bwith%2Bthe%2Bflight%2Binto%2BEgypt%252C%2B1563%2B%2528Courtauld%2BInstitute%2Bof%2BArt%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" height="418" src="https://2.bp.blogspot.com/-OMBO_rA3wf8/WQwkkMa0tSI/AAAAAAAAkNc/Txzazci52iko-KslAxFrGWFfybNRFylNgCLcB/s640/Pieter%2BBrueghel%2B%2527El%2BViejo%2527%2B-%2BLandscape%2Bwith%2Bthe%2Bflight%2Binto%2BEgypt%252C%2B1563%2B%2528Courtauld%2BInstitute%2Bof%2BArt%2529.jpg" width="640" /></span></a></div>
Pieter Brueghel 'El Viejo' - Landscape with the flight into Egypt, 1563<br />
(Courtauld Institute of Art, London)<span style="font-family: inherit;"> </span><br />
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<a href="https://2.bp.blogspot.com/-0RLoyIJs4uU/WQwkoJw2XyI/AAAAAAAAkNk/3avGT71l8w4Y71zOuM-KSJvVH4ZHNH7hwCLcB/s1600/Pieter%2BBrueghel%2B%2527El%2BViejo%2527%2B-%2BCalvario%252C%2B1564%2B%2528KHM%2BViena%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" height="462" src="https://2.bp.blogspot.com/-0RLoyIJs4uU/WQwkoJw2XyI/AAAAAAAAkNk/3avGT71l8w4Y71zOuM-KSJvVH4ZHNH7hwCLcB/s640/Pieter%2BBrueghel%2B%2527El%2BViejo%2527%2B-%2BCalvario%252C%2B1564%2B%2528KHM%2BViena%2529.jpg" width="640" /></span></a></div>
<span style="font-family: inherit;"> </span>Pieter Brueghel 'El Viejo' - Camino del Calvario, 1564<br />
(KHM Viena)<br />
<span style="font-family: inherit;">.</span><br />
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<a href="https://3.bp.blogspot.com/-awf-GWR5HJg/WQwl2U_U_sI/AAAAAAAAkOA/411SvK-FUG8lDU_5fRreqG3e-HgZ6P-8gCLcB/s1600/Pieter%2BBrueghel%2B%2527El%2BViejo%2527%2B-%2BConversi%25C3%25B3n%2Bde%2BSan%2BPablo%252C%2B1567%2B%2528KHM%2BViena%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" height="440" src="https://3.bp.blogspot.com/-awf-GWR5HJg/WQwl2U_U_sI/AAAAAAAAkOA/411SvK-FUG8lDU_5fRreqG3e-HgZ6P-8gCLcB/s640/Pieter%2BBrueghel%2B%2527El%2BViejo%2527%2B-%2BConversi%25C3%25B3n%2Bde%2BSan%2BPablo%252C%2B1567%2B%2528KHM%2BViena%2529.jpg" width="640" /></span></a></div>
Pieter Brueghel 'El Viejo' - Conversión de San Pablo, 1567<br />
(KHM Viena)<span style="font-family: inherit;"> </span><br />
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<a href="https://4.bp.blogspot.com/-Jti0mRQH9M0/WQwjbPyDLVI/AAAAAAAAkM4/_AarwaT9xJYYeNymvlvRMb33xaKaltuvwCLcB/s1600/Pieter%2BBrueghel%2B%2527El%2BViejo%2527%2B-%2BBatalla%2Bentre%2Bdon%2BCarnal%2By%2Bdo%25C3%25B1a%2BCuaresma%252C%2B1659%2B%2528KHM%2BViena%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" height="466" src="https://4.bp.blogspot.com/-Jti0mRQH9M0/WQwjbPyDLVI/AAAAAAAAkM4/_AarwaT9xJYYeNymvlvRMb33xaKaltuvwCLcB/s640/Pieter%2BBrueghel%2B%2527El%2BViejo%2527%2B-%2BBatalla%2Bentre%2Bdon%2BCarnal%2By%2Bdo%25C3%25B1a%2BCuaresma%252C%2B1659%2B%2528KHM%2BViena%2529.jpg" width="640" /></span></a></div>
Pieter Brueghel 'El Viejo' - Batalla entre don Carnal y doña Cuaresma, 1659<br />
(KHM Viena)<br />
<span style="font-family: inherit;">. </span><br />
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<a href="https://4.bp.blogspot.com/-LkbMhysqztw/WQwjmn-QdGI/AAAAAAAAkNE/Uae5u5qHSHcwwrk-KHLo68XO9t2f7lAXACLcB/s1600/Pieter%2BBrueghel%2B%2527El%2BViejo%2527%2B-%2BEl%2Btriunfo%2Bde%2Bla%2BMuerte%2B%2528Museo%2Bdel%2BPrado%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" height="450" src="https://4.bp.blogspot.com/-LkbMhysqztw/WQwjmn-QdGI/AAAAAAAAkNE/Uae5u5qHSHcwwrk-KHLo68XO9t2f7lAXACLcB/s640/Pieter%2BBrueghel%2B%2527El%2BViejo%2527%2B-%2BEl%2Btriunfo%2Bde%2Bla%2BMuerte%2B%2528Museo%2Bdel%2BPrado%2529.jpg" width="640" /></span></a></div>
Pieter Brueghel 'El Viejo' - El triunfo de la Muerte<br />
(Museo del Prado)<br />
<span style="font-family: inherit;">. </span><br />
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<a href="https://4.bp.blogspot.com/-C338utanOfE/WQwjZ7ARO6I/AAAAAAAAkM0/vq7wQ3J1FiY4K7EA9EYtmbFpb3Tg2PiagCLcB/s1600/Pieter%2BBrueghel%2B%2527El%2BViejo%2527%2B-%2BJuegos%2Binfantiles%252C%2B1560%2B%2528KHM%2BViena%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" height="464" src="https://4.bp.blogspot.com/-C338utanOfE/WQwjZ7ARO6I/AAAAAAAAkM0/vq7wQ3J1FiY4K7EA9EYtmbFpb3Tg2PiagCLcB/s640/Pieter%2BBrueghel%2B%2527El%2BViejo%2527%2B-%2BJuegos%2Binfantiles%252C%2B1560%2B%2528KHM%2BViena%2529.jpg" width="640" /></span></a></div>
Pieter Brueghel 'El Viejo' - Juegos infantiles, 1560<br />
(KHM Viena)<br />
<span style="font-family: inherit;">. </span><br />
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<a href="https://2.bp.blogspot.com/-4sGXowjekN0/WQwjgc-k_1I/AAAAAAAAkNA/vleEPIAy8iACBVb9eC5YZEsKzQml5MicACLcB/s1600/Pieter%2BBrueghel%2B%2527El%2BViejo%2527%2B-%2BLa%2BMatanza%2Bde%2Blos%2BInocentes%252C%2B4%25C2%25BA%2B%2Bcuarto%2Bdeol%2Bs%2BXVI%2B%2528Kunsthistorisches%2BMuseum%2BViena%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" height="466" src="https://2.bp.blogspot.com/-4sGXowjekN0/WQwjgc-k_1I/AAAAAAAAkNA/vleEPIAy8iACBVb9eC5YZEsKzQml5MicACLcB/s640/Pieter%2BBrueghel%2B%2527El%2BViejo%2527%2B-%2BLa%2BMatanza%2Bde%2Blos%2BInocentes%252C%2B4%25C2%25BA%2B%2Bcuarto%2Bdeol%2Bs%2BXVI%2B%2528Kunsthistorisches%2BMuseum%2BViena%2529.jpg" width="640" /></span></a></div>
Pieter Brueghel 'El Viejo' - La Matanza de los Inocentes, 1565-67<br />
(Kunsthistorisches Museum Viena<br />
<span style="font-family: inherit;">. </span><br />
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<a href="https://1.bp.blogspot.com/-V4L_ASfkaVc/WQwjgZ0P-dI/AAAAAAAAkM8/cYFDpW7ASzgOkE7wc4oJceUGmMCLaMT1gCLcB/s1600/Pieter%2BBrueghel%2B%2527El%2BViejo%2527%2B-%2BNetherlandish%2BProverbs%252C%2B1559%2B%2528Gem%25C3%25A4ldegalerie%252C%2BBerlin%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" height="488" src="https://1.bp.blogspot.com/-V4L_ASfkaVc/WQwjgZ0P-dI/AAAAAAAAkM8/cYFDpW7ASzgOkE7wc4oJceUGmMCLaMT1gCLcB/s640/Pieter%2BBrueghel%2B%2527El%2BViejo%2527%2B-%2BNetherlandish%2BProverbs%252C%2B1559%2B%2528Gem%25C3%25A4ldegalerie%252C%2BBerlin%2529_.jpg" width="640" /></span></a></div>
Pieter Brueghel 'El Viejo' - Netherlandish Proverbs, 1559<br />
(Gemäldegalerie, Berlin)<br />
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<a href="https://3.bp.blogspot.com/-bT_YJ1i7x_s/WQwjnf-TQ6I/AAAAAAAAkNI/4wIHCAqZKb0AvuTPwCmKutLGE1Pm-JkowCLcB/s1600/Pieter%2BBrueghel%2B%2527El%2BViejo%2527%2B-%2BPaisaje%2Bde%2Binvierno%2Bcon%2Bpatinadores%2By%2Btrampa%2Bde%2Baves%252C%2B1601%2528KHM%2BViena%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" height="430" src="https://3.bp.blogspot.com/-bT_YJ1i7x_s/WQwjnf-TQ6I/AAAAAAAAkNI/4wIHCAqZKb0AvuTPwCmKutLGE1Pm-JkowCLcB/s640/Pieter%2BBrueghel%2B%2527El%2BViejo%2527%2B-%2BPaisaje%2Bde%2Binvierno%2Bcon%2Bpatinadores%2By%2Btrampa%2Bde%2Baves%252C%2B1601%2528KHM%2BViena%2529.jpg" width="640" /></span></a></div>
Pieter Brueghel 'El Viejo' - Paisaje de invierno con patinadores y trampa de aves, 160<br />
(KHM Viena)<br />
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Pieter Brueghel 'El Viejo' - Piasaje con la caída de Ícaro, 1554-55<br />
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Pieter Brueghel 'El Viejo' - Boda campesina, 1568<br />
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Pieter Brueghel 'El Viejo' - Danza popular junto a un granero, 1568<br />
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<span style="font-family: "georgia" , "times new roman" , serif;">Pieter Brueghel 'El Viejo' - The Parable of the Blind Leading the Blind</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">(Museo de Capodimonte)</span><br />
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Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-5464569323978413729.post-84552052677934886512017-04-01T09:30:00.000+02:002017-04-01T12:18:16.934+02:00Caravaggio y los caravaggistas (XVI). España (2). Francisco de Zurbarán: el Caravaggio español (2) - GALERÍA: Zurbarán (2)<br />
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<b><span style="font-size: large;">Introducción al presente post</span></b><br />
<b>Incluyendo: <i>mirando un cuadro.</i></b></div>
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<span style="color: white;">.....</span>En el anterior post sobre nuestra figura peninsular más caravaggista, Francisco de Zurbarán, presenté la propuesta dedicada a su figura, también adjunté una nota biográfica de Odile Delenda escrita para el Museo del Prado y, otrosí, consigné la primera parte —<i>Sobre su estilo</i>— de lo que he llamado "<i>Calas Críticas</i>", que no son sino opiniones o citas de críticos e investigadores de la obra y el quehacer profesional del pintor de Fuente Cantos. En este segundo post adjuntaré la segunda parte de estas <i>Calas</i>, la que versa <i>Sobre s</i><i>u obra</i>. Completaré el contenido textual con la traducción de un artículo escrito por Odile Delenda para la web de cultura <i>Clio</i>. Se trata de un artículo muy jugoso e interesante titulado "<i>Zurbarán en Sevilla</i>", en cuyo subtítulo —"<i>o el alma española del Siglo de Oro</i>"— realiza una declaración de intenciones sobre la opinión de esta estudiosa e investigadora de la vida y obra de nuestro pintor barroco. Zurbarán —según ella— sería algo así como un modelo del alma de nuestro siglo más artísticamente dorado. Y nada le va mejor a Zurbarán, teniendo en cuenta las características espirituales que definen y estructuran su obra.<br />
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<span style="color: white;">.....</span>Si en el primer post dedicado al pintor <i>fuentecanteño</i> se incluyó su obra más característica (y excelsa), la que nos muestra al estamento monástico, sus <i>Inmaculadas</i>, sus <i>Crucificados </i>y sus <i>Santas Vírgenes</i>, en el presente post se incluirá el resto de su obra, entre ella sus obras menos logradas, pero también muchas obras maestras que definen aún mejor el carácter artístico y personal de este pintor original: su serie sobre Jacob y sus doce hijos, cabezas de las doce tribus de Israel; su tierna perspectiva de la infancia de Jesús y la Virgen María; su calidad como retratista; su excelencia en los bodegones; todo ello completa la figura artística y personal de Zurbarán, un autor que fue víctima de un cliché que le hizo poco honor. Hoy día, las aguas vueltas a su justo cauce, es considerado como el pintor barroco más moderno (con permiso de Velázquez y El Greco).<br />
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<b>Mirando un cuadro: <i>Casa de Nazaret</i></b></div>
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<span style="color: white;">.....</span>El cuadro en cuestión es el que ilustra la cabecera de este post: <i>Casa de Nazaret</i>. En él se nos presenta una escena intimista, de interior, en la que aparecen dos personajes principales (humanos) y otros secundarios que pertenecen tanto a lo divino (luz celestial, querubines), como a lo animal (paloma) o a lo inanimado (naturalezas muertas, utensilios, tejidos). Es precisamente la presencia de lo divino la que nos revela desde un primer momento que los personajes humanos, que figuran sentados —de frente, la mujer; en escorzo, el joven—, pertenecen a la historia sagrada. En un vistazo más detenido observamos que uno de los personajes, el que parece un muchacho (los rasgos, aunque algo ambiguos, nos confirman que se trata de un apuesto varón adolescente), tiene sobre las piernas una corona de espinas; el otro personaje, sin ninguna duda una hermosa mujer de rasgos armónicos, lo mira de soslayo con un gesto mezcla de dolor y meditación. Ahora identificamos, ya sin la menor duda, a estos dos personajes y encontramos el verdadero sentido del título. Se trata de la casa de Nazaret en la que José <i>el Carpintero</i> (que no aparece en el cuadro) y María <i>la Virgen</i> fijaron su residencia tras su vuelta de Egipto, una vez muerto Herodes y pasado el peligro. El joven adolescente es, pues, Jesús.<br />
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<span style="color: white;">.....</span>La escena es plenamente <i>caravaggesca</i>: sobre un fondo oscuro, apenas iluminado por un estrecho y apaisado tragaluz en su ángulo superior izquierda, y por un chorro descendente de dorada luz sobre la que flotan cabezas de querubines en diversos planos, se nos muestran dos figuras antropomorfas: a la izquierda, ocupando la zona media, y llegando casi hasta el centro del lienzo, se encuentra una mujer, detenido el ademán mientras cose, apoyada la mejilla en su mano izquierda, mirando meditabunda hacia su derecha, donde se haya la segunda figura, un joven de cabellos rubios y rizados, que con una mano se sujeta la otra, en cuyo índice se ha clavado una espina de la corona que descansa en su regazo. Es una escena muy original, poco repetida en la imaginería religiosa. La madre preocupada por el hijo, no porque se haya clavado una espina de zarza (suficiente motivo de interés, por otra parte, para una solícita madre), sino porque intuye lo que ello tiene de presagio de un futuro ya anunciado. </div>
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<span style="color: white;">.....</span>Completan la escena: una sencilla mesa de madera con un cajón a medio abrir, situada entre ambos personajes, sobre la que hay dos libros cerrados —uno apoyado sobre otro— y, más alejado, otro abierto; entre los libros dos peras colocadas de pie, con sus hojas. Es una preciosa naturaleza muerta característica de Zurbarán. A la Izquierda de la virgen, un ramo de flores emerge de un jarrón metálico; bajo este, en el ángulo inferior derecho del cuadro una pareja de palomas (símbolo del amor y de la paz). Delante de María, a su derecha, en el suelo, uno de los canastillos de costura—también tan característicos del pintor extremeño—. El ángulo inferior derecho, ante Jesús, en el suelo, una vasija de barro, con forma de dos vasos unidos (forma de ocho tendido, es decir, de infinito) y asa en la unión. </div>
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<span style="color: white;">.....</span>La luz la aportan sobre todo tres puntos de un blanco níveo: un lienzo sobre el que cose María, en su regazo; otro lienzo en el canastillo de ropa, a los pies de la Virgen; y las dos palomas blancas. El color está representado por los colores primarios: rojo —vestido de la Virgen—; el cojín verde sobre el que ésta cose; un lienzo azul que también emerge del canastillo; y el lila de la túnica inconsútil de Jesús como punto de encuentro entre el azul y el rojo. Completan la paleta cromática algunos toques dispersos: de rojo en el lomo de un libro, de amarillo tostado en el lomo de otro libro, de blanco y lila en las flores, de verde y ocre en las peras, culminando con los tonos pálidos y sonrosados de la piel de ambos personajes.<br />
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<span style="color: white;">.....</span>La composición no puede ser más simple, y, al mismo tiempo, más compleja, teniendo en cuenta la fuente de luz (doradamente celeste), las naturalezas muertas (a dos niveles: sobre la mesa y en el suelo) y la presencia simbólica de las palomas y los querubines en diagonal. Composición lineal la de los personajes, y doblemente triangular entre éstos y lo celeste por un lado (la luz que emana de lo alto), y lo aéreo y terrestre por otro (las palomas). El blanco inmaculado de los tejidos y las palomas y la parte inferior del cuerpo de María ocupan el cuadrante inferior izquierdo del cuadro, mientras que el superior derecho está dominado por la luminosidad dorada —arriba— y la cabeza de Jesús —abajo. En el cuadrante superior izquierdo domina, en su parte media e inferior, el cuerpo superior de María, compensando la oscuridad del resto el estrecho tragaluz que apenas deja adivinar el exterior; el cuadrante inferior derecho lo ocupa el cuerpo de Jesús, la vasija de barro y el canastillo de ropa.<br />
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<span style="color: white;">.....</span>Hay una trayectoria lineal de la luz que, desde el rostro de Jesús, recorre una trayectoria ligeramente ascendente hasta el rostro de María, apoyándose en los libros y las peras como si de las pilastras de un puente se tratase. Y, sobre todo, hay una gran diagonal que domina como un eje el cuadro: es la trazada por el foco dorado celeste, la naturaleza muerta que está sobre la mesa, la mano derecha de María, el lienzo blanco sobre el que trabaja y la pareja de palomas. Por encima de esta línea diagonal el rostro de María, un rostro reflexivo pero doliente; por debajo de la misma el rostro de Jesús, concentrado y meditabundo, sin rastro de dolor, como interesado por una nueva impresión, quizás intrigado por la aparición de la sangre...<br />
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<span style="color: white;">.....</span>Composición, en suma, anárquica, que no sigue ningún patrón convencional ni proporcional, pero que comunica un gran equilibrio entre forma y color. Composición nada caravaggesca, aunque la impresión sí lo sea, debido a una gran sensación de naturalidad, pues el pintor nos pinta una escena de interior verosímil dentro de lo hagiográfico, en la que los contenidos, ya sean sacros, ya profanos, están dotados de intenso realismo. Escena, por otra parte, plena de significado y de emotividad que es capaz de evocar, de forma aparentemente sencilla, toda una compleja historia de Pasión. Una de las obras más originales de Zurbarán.<br />
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[Existe otra versión de este cuadro —sito actualmente en el Cleveland Museum of Art—, perteneciente al Fondo Cultural Villar Mir (FCVM), que ofrece algunas diferencias (ver imagen arriba, encabezando este párrafo). En cuanto a los matices cromáticos: la túnica de Jesús en la versión del FCVM es de tonos azulados, en vez de lila; el vestido de la Virgen, más que rojo, es un rosa fuerte, tirando a anaranjado. En cuanto a la composición en sí: la dorada luz celeste es algo más estrecha y está menos poblada de querubines, es menos luminosa pero más focal, es más misterios; la vasija de barro a los pies de Jesús es simple, redonda, vitrificada, no acusa el significado simbólico que sí tiene la que figura en la versión de Cleveland (el ocho horizontal, símbolo matemático del infinito). En lo que respecta a la expresividad de los personajes, en esta segunda versión la Virgen María se nos muestra aún más llorosa que meditabunda, mientras que Jesús, en cambio, parece esbozar una ligera sonrisa]</div>
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<b>CALAS CRÍTICAS</b></div>
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<b>La opinión de los críticos e investigadores </b></div>
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<b> </b><b>Sobre su obra</b><br />
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<span style="color: white;">.....</span>Respecto al cuadro <i>La exposición del cuerpo de San Buenaventura</i> (perteneciente a una serie de varios cuadros sobre los últimos años de la vida del santo franciscano, encargada por la Orden para decorar la iglesia del Colegio de San Buenaventura de Sevilla): «Aparte del <i>Entierro del Conde Orgaz</i> [El Greco] no se encuentra en la pintura del post Renacimiento ninguna imagen comparable sobre la muerte de los justos y su grandeza, no ya como un drama individual del creyente, sino bajo su aspecto social, por su ejemplaridad». (Claudie Ressort<sup><span style="font-size: xx-small;">1</span></sup>)<br />
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<span style="color: white;">.....</span>Sobre las calidades de las cuatro telas del altar mayor de la Cartuja de la Defensión de Jerez (hoy en el Musée des Beaux Arts de Grenoble), nos dice Martín S. Soria<sup><span style="font-size: xx-small;">2</span></sup>: «Una sobria solemnidad fuerte y tierna, nacida de una fe firme y arraigada; una dignidad, una verdad, una pureza y una sencillez rústica y arcaicas; una esencial quietud y reposo en cualquier acción exterior, la elusión de los detalles innecesarios; un dibujo sensible, capaz de hacer visible la vida interior de los objetos, y estimulante y elocuente por su calidad sincera; un limitado movimiento en profunda que equilibra la tensa y vigorosa estructura del plano de la pintura, y, por último, la integración, en un esquema geométrico, de los enérgicos contornos, amplias superficies y escultóricas formas».<br />
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<span style="color: white;">.....</span>Y en cuanto a la única serie del pintor conservada in situ tal cual fue concebida, la de la Sacristía del Monasterio de Guadalupe, sentencia Juan Antonio Gaya Nuño<sup><span style="font-size: xx-small;">3</span></sup>: «El encanto y majestad infinitas de la sacristía de Guadalupe radican precisamente en esta su fidelidad al espíritu del siglo XVII. Los desmanes del tiempo y de los hombres , el trasiego de obras, la rapacidad de los museos, el horrible afán de perfeccionar lo que ya nació perfecto y sin más ambición que recrearse en su propia belleza, allá no llegaron. Los lienzos con que Zurbarán completó este ornato continúan en los grandes paneles para que fueron pintados, cinco en el lado norte, tres en el lado sur, alternando con dos ventanas, todos en sus marcos de extraordinaria, riquísima talla, todos con las cartelas en su base, comentando los prodigios efigiados según latinidades un tanto rebuscadas y retorcidas...»<br />
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<span style="color: white;">.....</span>Sobre una de las obras más emblemáticas (si no la que más) del <i>estilo</i> Zurbarán, <i>La comida de los cartujos</i>, nos dice la especialista norteamericana Jeannine Baticle<sup><span style="font-size: xx-small;">4</span></sup>: «El colorido general, principalmente blanco y gris, recuerda a Velázquez por sus azulados transparentes y por las veladuras que aparecen en la pared y el mantel, técnica poco utilizada en el primer periodo de Zurbarán. Los cacharros de la mesa han sido tratados cuidadosamente y dispuestos con ritmo, evocando los célebres versos de Lamartine, "objetos inanimados, tenéis pues alma", ya que el pintor consigue dar a esos modestos objetos un papel simbólico primordial. (...) El límpido blanco de los hábitos y los escapularios rematados a veces por capuchas triangulares, la delicada seda de la muceta del obispo, así como el ocre y el malva del traje del paje permiten a Zurbarán mostrar todas las facetas de su habilidad colorista, a pesar de las limitaciones que le han sido impuestas o quizás a causa de ellas».<br />
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<span style="color: white;">.....</span>Y, por fin, sobre la última etapa de su vida, cuando las tendencias artísticas estaban cambiando, cambio que algunos señalaron como de decadencia del arte de Zurbarán (opinión no mantenida ya hoy día), señala Miguel Zugaza<sup><span style="font-size: xx-small;">5</span></sup>: «Si el derrotero último de un artista puede considerarse un momento de especial trascendencia, de culminación de su madurez creativa, en el caso de Zurbarán estos años postreros adquieren una especial relevancia. Afectado por una serie de vicisitudes adversas, que determinaron su producción última, este momento de su historia ha sido tradicionalmente interpretado como un periodo de declive vital y creativo. Sin embargo, esta interpretación se funda en el tópico de emparentar el declive de la fama y el prestigio con la calidad e intensidad artística de un autor, asociando, a la postre, el eclipse del protagonismo público de un artista con su decadencia creativa».<br />
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<span style="color: white;">.....</span>Y Pérez Sánchez<sup><span style="font-size: xx-small;">6</span></sup>, sobre el papel de Zurbarán en aquellos últimos años del reinado de Felipe IV, con el pintor en Madrid, fue «semejante al de algunos artistas romanos que, en el escenario de los grandes triunfos apoteósicos de los grandes maestros del Barroco como Bernini o Pietro da Cortona y sus seguidores, van a encontrar, en cierto sector de la sociedad culta, una clientela para otro tipo de cuadros, recogido e íntimo, propicio a la meditación reservada y al diálogo personal del creyente, como, muy especialmente, Sassoferrato. Como el pintor romano, apenas unos años más joven que él, Zurbarán parece volver los ojos al mundo del sereno Renacimiento clásico e Leonardo y Rafael, mucho más eficaz para lograr los efectos de recogimiento y ternura —sin renunciar al tono de realidad inmediata que había venido cultivando—, que las opulencias procedentes de Flandes que inundaban el ambiente madrileño, deslumbrado por la potencia inventiva de Rubens y su círculo».<br />
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<span style="font-size: x-small;">1. Claudie Ressort: Documentalista del Departamento de Pintura del Museo del Louvre.</span></div>
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<span style="font-size: x-small;">2. Martín S. Soria (1911-1961): historiador del arte, nacionalizado estadounidense, en cuyas universidades profesó. Especialista en la pintura de Zurbarán, a quien dedicó su tesis doctoral.</span><br />
<span style="font-size: x-small;">3. Juan Antonio Gaya Nuño (1913-1976): historiador, crítico de arte y escritor. Perteneció a la Hispanic Society of New York.</span></div>
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<span style="font-size: x-small;">4. Jeannine Baticle (1921-2015): inspectora general del Departamento de Pintura del Museo del Louvre.</span><br />
<span style="font-size: x-small;">5. </span><span style="font-family: "times new roman"; font-size: x-small;">Miguel Zugaza (1964- ): historiador del arte, museógrafo. Director del Museo de Bellas Artes de Bilbao (1996-2002) y del Museo del Prado (2002-2016).</span><br />
<span style="font-family: "times new roman"; font-size: x-small;">6. </span><span style="font-family: "times new roman"; font-size: x-small;">Alfonso Emilio Pérez Sánchez (1935-2010): historiador del arte, especializado en pintura barroca. Fue director del Museo del Prado entre 1983 y 1991.</span></div>
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<span style="background-color: white; font-weight: bold;"><span style="font-family: inherit; font-size: large;">Zurbaran à Séville</span></span></div>
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<span style="background-color: white; font-weight: bold;"><span style="font-family: inherit;">ou l'âme espagnole au Siècle d'Or*</span></span><br />
(Odile Delenda)</div>
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<span style="background-color: white; font-weight: bold;"><span style="font-family: inherit; font-size: medium;">Zurbarán en Sevilla</span></span></div>
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<span style="background-color: white; font-weight: bold;"><span style="font-family: inherit; font-size: x-small;">o el alma española del Siglo de Oro</span></span></div>
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<span style="background-color: white; font-size: x-small;">(Traducción del original francés al español, por el autor del blog)</span></div>
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<span style="color: white;">.....</span><i>Sevilla, 1626, Francisco de Zurbarán, joven pintor llegado de Extremadura, firma con el prior dominico de San Pablo El Real un encargo considerable de veintiún cuadros —catorce escenas de la vida de Santo Domingo y siete Padres de la Iglesia— a ejecutar en ocho meses, por la modesta suma de 4.000 reales. Además, el artista precisa: </i><i style="background-color: white; text-align: justify;"><span style="font-family: inherit;">«</span></i><i>en el caso de que algunas no fueran de la entera satisfacción del padre prior, podrían serme devueltas, consintiendo yo aceptarlas y volviendo a comenzar de nuevo</i><i style="background-color: white; text-align: justify;"><span style="font-family: inherit;">»</span></i><br />
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<b><i>En Sevilla, la "Nueva Roma", la "Puerta de las Indias"</i></b></div>
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<span style="color: white;">.....</span>En los inicios del siglo XVII, la primera ciudad de España, con sus casi 130.000 habitantes, detenta el monopolio del tráfico con el Nuevo Mundo. La ciudad alberga un clero regular y secular opulento: treinta y ocho conventos y monasterios de hombres y veintiocho congregaciones de religiosas se suman a las parroquias y a la inmensa catedral. Instalados desde la reconquista, en 1248, las órdenes religiosas participan desde el siglo XVI en el apogeo de la Contrarreforma Católica postridentina. Los religiosos desean dotar a sus santuarios y edificios conventuales de nuevas decoraciones destinadas a su embellecimiento, por supuesto, pero también, y sobre todo, a la enseñanza de los clérigos y los fieles —conforme a las consignas del Concilio de Trento.<br />
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<span style="color: white;">.....</span>Tras un aprendizaje de tres años en Sevilla (1614-1617) donde el adolescente entabla amistad con su contemporáneo Velázquez (1599-1600), Zurbarán ejerce su oficio de <span style="background-color: white; text-align: justify;"><span style="font-family: inherit;">«</span></span>pintor de imágenes<span style="background-color: white; text-align: justify;">»</span> en Llerena, segunda ciudad de Extremadura, su provincia natal. Hoy día se conoce mucho mejor a su familia —su padre era un comerciante bastante acomodado. En esta época de su vida, se desposa sucesivamente con dos jóvenes, sensiblemente mayores que él, de la alta burguesía local, cuyas familias están relacionadas con las colonias americanas. De su primera esposa tuvo tres niños, entre ellos un hijo, Juan (1620-1649, pintor de delicadas naturalezas muertas, que llegará a ser su asistente y morirá demasiado joven por la peste en Sevilla. No queda, desgraciadamente, gran cosa de las actividades juveniles de Zurbarán: parece que practicó el dibujo, la pintura obviamente, la policromía de estatuas, y se ha sabido recientemente que también recibía encargos de esculturas. En todo caso, debía gozar de cierta reputación y dirigir un taller nada insignificante para hacer frente al encargo de los dominicos sevillanos. La evidente aplicación de Zurbarán para responder con precisión a las exigencias de sus comitentes explica claramente su éxito fulminante en la capital andaluza.<br />
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<span style="color: white;">.....</span>De esta importante serie no quedan más que cinco cuadros ya característicos del arte de Zurbarán, inteligible, monumental, con volúmenes redondeados y esculturales, de un rigor rico en materia y colorido, lleno de una profunda espiritualidad y que le coloca ya en el primer nivel de este Siglo de Oro fecundo, intensamente religioso. Colgado al fondo de una sacristía cerrada por rejas de la iglesia de San Pablo, el admirable <i>Cristo en la Cruz</i>, firmado y fechado en 1627, actualmente en el Museo de Chicago, pasaba a los ojos de sus contemporáneos por una escultura. Obra de una extraña potencia expresiva, con el cuerpo violentamente iluminado surgiendo de un fondo muy oscuro, es típica de los comienzos tenebristas del artista.<br />
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<b><i>Relaciones privilegiadas con la Corte y el clero</i></b><br />
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<span style="color: white;">.....</span>Este primer encargo obtuvo aparentemente un éxito inmediato ya que poco después todos los conventos, principalmente masculinos, de Sevilla van a dirigirse a Zurbarán para confiarle conjuntos de pinturas más o menos considerables: cuatro grandes lienzos para los franciscanos conventuales (1628-1629), veintidós escenas de la vida de San Pedro Nolasco (1628-1634), para el convento de la Merced Calzada (actual Museo de Bellas Artes), un retablo para los trinitarios calzados (1629), grandes cuadros de altar para los jesuitas (1630) y los dominicos de Santo Tomás (1631), numerosas obras para las iglesias y, más tardíamente, la extraordinaria decoración de la Cartuja de [Santa María de] las Cuevas.<br />
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<span style="color: white;">.....</span>Entre tanto, se produce un acontecimiento único en la historia del siglo XVII: en 1629 el consejo municipal ha invitado a Zurbarán a establecerse en Sevilla como «maestro pintor», a pesar de que él nunca se ha sometido a los exámenes exigidos por la corporación. Pronto su renombre se extiende más allá de la frontera de la capital andaluza: en 1634, sin duda a instancias de Velázquez, viaja a Madrid para participar de la decoración del Salon Grande del nuevo palacio real del Buen Retiro. Allí pinta dos batallas y diez escenas de los <i>Trabajos de Hércules</i>. De vuelta en Sevilla, se honra con el título de «pintor del rey», pero es solicitado sin descanso por las comunidades religiosas de Andalucía y Extremadura. De estas numerosas decoraciones religiosas, sólo permanece en su lugar el de la sacristía del monasterio jerónimo de Guadalupe (1638-1645). El artista, entonces en plena posesión de sus medios, adapta sus dones excepcionales a las exigencias de sus patrocinadores conservando su cualidades propias: extraña plasticidad de las formas, armonía de los coloridos, sabia distribución de la iluminación. Dará la plena medida de su genio en el notable retablo de la Cartuja de Jerez, uno de los más grandes del Siglo de Oro, cuyas pinturas están hoy dispersas entre New York, Grenoble y Cádiz. El reciente descubrimiento de nuevos documentos prueba que estos ciclos han sido realizados en Sevilla, en el taller del maestro, con ayuda de asistentes y alumnos. De su tienda, verdadera «fábrica» floreciente, salen igualmente series de Apóstoles, santos fundadores, Vírgenes santas, pero también pinturas profanas (Infantes de Lara, Césares), a menudo destinados al mercado americano que ofrece importantes oportunidades.<br />
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<b><i>Los avatares de final de vida</i></b></div>
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<span style="color: white;">.....</span>Los acontecimientos familiares se suceden a partir de 1638. Devenido viudo por segunda vez, desposa en terceras nupcias (1644) a una joven viuda adinerada que le dará seis hijos, muertos a corta edad menos una niña nacida en 1650 que morirá hacia 1663. Catástrofes sucesivas van a conmocionar Sevilla repercutiendo sobre al vida artística casi paralizada entre 1649 y 1660. De 1649 a 1652, una terrible epidemia de peste hace desaparecer un tercio de la población, ya atormentada por la hambruna y las inundaciones. Su hijo Juan muere a causa de la epidemia a los 29 años. En 1652, un levantamiento popular es rápidamente reprimido, pero los mendigos y los <i>pícaros</i> se multiplicaron peligrosamente. Durante estos años trágicos, los encargos se ralentizaron. Zurbarán parece entonces desarrollar su comercio con la clientela mejicana y peruana, sin duda menos exigente que los sabios priores andaluces, y que acepta de buen grado las producciones en serie.<br />
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<span style="color: white;">.....</span>Su triste situación, tanto personal como profesional, explica probablemente la marcha de Zurbarán a Madrid en 1658. Permanecerá allí hasta su muerte en 1664, creando nuevos mercados basados en cuadros de caballete, a menudo firmados, con temas de devoción más íntima (Sagrada Familia, Inmaculada). A partir de 1650 su talento no decrece, contrariamente a lo que demasiado a menudo se ha repetido, sino que evoluciona; él abandona el tenebrismo pronunciado de sus inicios por una paleta más luminosa, una manera vaporosa que debe más a la influencia del modelo boloñés y al gusto de la clientela que a la del joven Murillo, estrella ascendente de la Escuela Sevillana. En 1665, la estimación de sus bienes tras su muerte muestran una lencería y un mobiliario semejantes a los de sus contemporáneos de su misma clase social: muere [siendo] acreedor.<br />
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<span style="color: white;">.....</span>Aunque no sea un gran maestro de la composición —como la mayor parte de sus contemporáneos españoles, utiliza modelos prestados y grabados extranjeros— Zurbarán es un genio a la hora de representar la textura de las cosas. Es un pintor fabuloso para los valores táctiles, los objetos, los tejidos, las flores, los frutos o la expresión de los rostros, a condición de que no se hallen en movimiento.<br />
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<span style="color: white;">.....</span>Curiosamente, ninguna de las exposiciones monográficas importantes consagradas a este artista, cuya carrera se desarrolló esencialmente en Sevilla, tuvo lugar en la capital andaluza. Con ocasión del cuarto centenario de su nacimiento, numerosas manifestaciones han tenido lugar en España, culminando con la importante Exposición: <i>Francisco de Zurbarán. 4º Centenario de su nacimiento (1598-1664)</i>, llevada a cabo en el Museo de Bellas Artes de Sevilla, instalado en el antiguo Convento de la Merced Calzada para la cual Zurbarán tanto produjo. Restaurado con ocasión de la Exposición Universal de 1992, este conjunto excepcional, con sus claustros claros y luminosos, y donde la cal resplandeciente de los muros hace cantar los ocres rosados de los estucados, estaba particularmente indicado para evocar estos lugares de recogimiento y de oración que albergaban en el siglo XVII una población de monjes silenciosos, místicos, a menudo muy cultos, de los que Zurbarán nos ha dejado una imagen inolvidable.<br />
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* <a href="https://www.clio.fr/BIBLIOTHEQUE/zurbaran_a_seville_ou_lAme_espagnole_au_siecle_dor.asp"><span style="color: #3d85c6;">Aquí la versión original, en francés.</span></a><br />
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<b><span style="color: #cc0000; font-size: large;">GALERÍA</span></b></div>
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<b>Francisco de Zurbarán</b></div>
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<b>(1598-1664)</b></div>
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<span style="font-family: inherit;"><span style="color: #cc0000; font-weight: bold;">GALERÍA 2</span></span></div>
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<span style="font-family: inherit;">- <i>ESCENAS RELIGIOSAS EVANGÉLICAS: </i>Vida de Jesús y María, Pasión, Escenas Marianas, El Bautista, etc.</span></div>
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<span style="font-family: inherit;">- <i>SANTOS Y ARCÁNGELES.</i></span><br />
<span style="font-family: inherit;">- <i>SERIES DE LOS APÓSTOLES.</i></span></div>
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<span style="font-family: inherit;">- <i>SERIE DE JACOB Y SUS DOCE HIJOS</i>: las doce tribus de israel personificadas en sus titulares.</span></div>
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<span style="font-family: inherit;">- <i>LOS NIÑOS DE ZURBARÁN</i>: engloba tanto escenas religiosas como profanas, cuyos protagonistas se hallan aún en la infancia.</span></div>
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<span style="font-family: inherit;">- <i>SERIE DE LOS TRABAJOS DE HÉRCULES</i>.</span></div>
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<span style="font-family: inherit;">- <i>RETRATOS.</i><br />- <i>BODEGONES.</i></span></div>
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...<br />
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<span style="background-color: white; text-align: left;"><b><span style="color: blue;">ESCENAS RELIGIOSAS EVANGÉLICAS</span></b></span></div>
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Francisco de Zurbarán - El Nacimiento de la Virgen María, 1625-30<br />
(Norton Simon Museum, Pasadena)<br />
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Francisco de Zurbarán - The Family of the Virgin, 1629<br />
(Colección Abelló, España)<br />
.<br />
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Francisco de Zurbarán - Presentation of the Virgin in the Temple, 1629<br />
(Real Monasterio de El Escorial)<br />
.<br />
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Francisco de Zurbarán - La Anunciación, 1639<br />
( Grenoble. Musée des Beaux Arts)<br />
.<br />
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Francisco de Zurbarán - La Anunciación, 1639<br />
( Grenoble. Musée des Beaux Arts)<br />
.<br />
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Francisco de Zurbarán - La Anunciación, 1639<br />
( Grenoble. Musée des Beaux Arts)<br />
.<br />
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Francisco de Zurbarán - La Anunciación, 1639 (detalle)<br />
( Grenoble. Musée des Beaux Arts)<br />
.<br />
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Francisco de Zurbarán - La Anunciación, 1639 (detalle)<br />
( Grenoble. Musée des Beaux Arts)<br />
.<br />
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Francisco de Zurbarán - The Annunciation, 1650<br />
(Philadelphia, Museum of Art)<br />
.<br />
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Francisco de Zurbarán - The Annunciation, 1650<br />
(Philadelphia, Museum of Art)<br />
.<br />
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Francisco de Zurbarán - The Annunciation, 1650<br />
(Philadelphia, Museum of Art)<br />
.<br />
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Francisco de Zurbarán - The Annunciation, 1650 (detalle)<br />
(Philadelphia, Museum of Art)<br />
.<br />
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Francisco de Zurbarán - The Annunciation, 1650 (detalle)<br />
(Philadelphia, Museum of Art)<br />
.1<br />
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Francisco de Zurbarán - La Adoración de los Magos, 1638-1639<br />
(Musée des Beaux-Arts de Grenoble)<br />
.<br />
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Francisco de Zurbarán - La Adoración de los Magos, 1638-1639<br />
(Musée des Beaux-Arts de Grenoble)<br />
.<br />
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Francisco de Zurbarán - La Adoración de los Pastores, 1638-1639<br />
(Musée des Beaux-Arts de Grenoble)<br />
.<br />
<div class="separator" style="clear: both;">
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Francisco de Zurbarán - La Adoración de los Pastores, 1638-1639<br />
(Musée des Beaux-Arts de Grenoble)<br />
.<br />
<div class="separator" style="clear: both;">
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Francisco de Zurbarán - La Adoración de los Pastores, 1638-1639 (detalle)<br />
(Musée des Beaux-Arts de Grenoble)<br />
.<br />
<div class="separator" style="clear: both;">
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Francisco de Zurbarán - La Adoración de los Pastores, 1638-1639 (detalle)<br />
(Musée des Beaux-Arts de Grenoble)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
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Francisco de Zurbarán - La Circuncisión<br />
(Musée des Beaux-Arts de Grenoble)<br />
.<br />
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Francisco de Zurbarán - La Circuncisión<br />
(Musée des Beaux-Arts de Grenoble)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-KQxr8Hjk5nk/WNf8nmE2teI/AAAAAAAAjcI/QiIbhVDUVpIC-xE4OafVqNECvVRYBu_bwCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BLa%2BHuida%2Ba%2BEgipto.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="596" src="https://2.bp.blogspot.com/-KQxr8Hjk5nk/WNf8nmE2teI/AAAAAAAAjcI/QiIbhVDUVpIC-xE4OafVqNECvVRYBu_bwCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BLa%2BHuida%2Ba%2BEgipto.png" width="640" /></a></div>
Francisco de Zurbarán - The Rest on the Flight into Egypt, ca. 1630-35<br />
(Seattle Art Museum)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-67FJvbSuQBY/WNf9zP9n8hI/AAAAAAAAjdE/2Gvp1plSmrw-E0Hml7et1QsyF202ASC1QCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BThe%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt%252C%2Bca.%2B1630-35%2B%2528Seattle%2BArt%2BMuseum%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="592" src="https://2.bp.blogspot.com/-67FJvbSuQBY/WNf9zP9n8hI/AAAAAAAAjdE/2Gvp1plSmrw-E0Hml7et1QsyF202ASC1QCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BThe%2BRest%2Bon%2Bthe%2BFlight%2Binto%2BEgypt%252C%2Bca.%2B1630-35%2B%2528Seattle%2BArt%2BMuseum%2529_.jpg" width="640" /></a></div>
Francisco de Zurbarán - The Rest on the Flight into Egypt, ca. 1630-35<br />
(Seattle Art Museum)<br />
.<br />
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Francisco de Zurbarán - The Rest on the Flight into Egypt, ca. 1630-35<br />
(Seattle Art Museum)<br />
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Francisco de Zurbarán - Madonna and Child with the Infant Saint John<br />
(San Diego Museum of Arts)<br />
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<a href="https://4.bp.blogspot.com/-P6edJfXjaxU/WNf8lb3-AYI/AAAAAAAAjcE/okZ2NepjGwU37S1P2kvGZ5lP6dl_MMWKACLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BMadonna%2Band%2BChild%2Bwith%2Bthe%2BInfant%2BSaint%2BJohn%2Bthe%2BBaptist%252C%2B1658%2B%2528San%2BDiego%2BMuseum%2Bof%2BArt%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-P6edJfXjaxU/WNf8lb3-AYI/AAAAAAAAjcE/okZ2NepjGwU37S1P2kvGZ5lP6dl_MMWKACLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BMadonna%2Band%2BChild%2Bwith%2Bthe%2BInfant%2BSaint%2BJohn%2Bthe%2BBaptist%252C%2B1658%2B%2528San%2BDiego%2BMuseum%2Bof%2BArt%2529.jpg" width="484" /></a></div>
Francisco de Zurbarán - Madonna and Child with the Infant Saint John<br />
(San Diego Museum of Arts)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-oCqpdTJVzxI/WNf8rsKlHqI/AAAAAAAAjcQ/Czp2XHhXh4E3wTdnU2LAXuLdyD9QPxTmQCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BMadonna%2Band%2BChild%252C%2B1658%2B%2528Pushkin%2BMuseum%2BMoscow%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-oCqpdTJVzxI/WNf8rsKlHqI/AAAAAAAAjcQ/Czp2XHhXh4E3wTdnU2LAXuLdyD9QPxTmQCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BMadonna%2Band%2BChild%252C%2B1658%2B%2528Pushkin%2BMuseum%2BMoscow%2529.jpg" width="516" /></a></div>
Francisco de Zurbarán - Madonna and Child, 1658<br />
(Pushkin Museum Moscow)<br />
.<br />
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<a href="https://3.bp.blogspot.com/-8boCjd_vHtg/WNf9vcpALtI/AAAAAAAAjc4/4DKfiu0rjr4YbNQAjEvIelwiLbM2CdSZQCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BThe%2BHoly%2BFamily%252C%2B1659%2B%2528Budapest%252C%2BMuseum%2Bof%2BFine%2BArts%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-8boCjd_vHtg/WNf9vcpALtI/AAAAAAAAjc4/4DKfiu0rjr4YbNQAjEvIelwiLbM2CdSZQCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BThe%2BHoly%2BFamily%252C%2B1659%2B%2528Budapest%252C%2BMuseum%2Bof%2BFine%2BArts%2529_.jpg" width="504" /></a></div>
Francisco de Zurbarán - The Holy Family, 1659<br />
(Budapest, Museum of Fine Arts)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-ychpjnwU2TA/WNf9yEOk0FI/AAAAAAAAjdA/1AYKl1_Br9MSlqRKga9EHwUdNkrTGSPMQCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BThe%2BMystic%2BMarriage%2Bof%2BSaint%2BCatherine%252C%2B1660%2B-%2B1662%2B%2528Colecci%25C3%25B3n%2BPrivada%252C%2BGinebra%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-ychpjnwU2TA/WNf9yEOk0FI/AAAAAAAAjdA/1AYKl1_Br9MSlqRKga9EHwUdNkrTGSPMQCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BThe%2BMystic%2BMarriage%2Bof%2BSaint%2BCatherine%252C%2B1660%2B-%2B1662%2B%2528Colecci%25C3%25B3n%2BPrivada%252C%2BGinebra%2529.jpg" width="544" /></a></div>
Francisco de Zurbarán - The Mystic Marriage of Saint Catherine, 1660 - 1662<br />
(Colección Privada, Ginebra)<br />
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<a href="https://4.bp.blogspot.com/-dpABUsj2tx8/WNf91EbW4VI/AAAAAAAAjdY/ZCIjzkBh8f0vIi0j65FhH1rR1poapfAxQCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BThe%2BVirgin%2Band%2BChild%2Bwith%2Bthe%2BInfant%2BSt%2BJohn%2Bthe%2BBaptist%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BBilbao%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-dpABUsj2tx8/WNf91EbW4VI/AAAAAAAAjdY/ZCIjzkBh8f0vIi0j65FhH1rR1poapfAxQCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BThe%2BVirgin%2Band%2BChild%2Bwith%2Bthe%2BInfant%2BSt%2BJohn%2Bthe%2BBaptist%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BBilbao%2529.jpg" width="486" /></a></div>
Francisco de Zurbarán - The Virgin and Child with the Infant St John the Baptist<br />
(Museo de Bellas Artes de Bilbao)<br />
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Francisco de Zurbarán - The Virgin and Child with the Infant St John the Baptist<br />
.<br />
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<a href="https://3.bp.blogspot.com/-yCQ03StYZvc/WNf90FcQKMI/AAAAAAAAjdM/3lnNsajnCqch8iAhxDNpU-qY2pYEcW8GwCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BVirgen%2Bcon%2Bel%2BNi%25C3%25B1o%252C%2B1658-1664%2B%2528Museo%2BNacional%2Bde%2BCuba%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-yCQ03StYZvc/WNf90FcQKMI/AAAAAAAAjdM/3lnNsajnCqch8iAhxDNpU-qY2pYEcW8GwCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BVirgen%2Bcon%2Bel%2BNi%25C3%25B1o%252C%2B1658-1664%2B%2528Museo%2BNacional%2Bde%2BCuba%2529.jpg" width="512" /></a></div>
Francisco de Zurbarán - Virgen con el Niño, 1658-1664<br />
(Museo Nacional de Cuba)<br />
.<br />
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Francisco de Zurbarán - Virgen de la Merced<br />
(Museo Lázaro Galdeano)<br />
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Francisco de Zurbarán - Virgen del Rosario, 1650<br />
(MBASE)<br />
.<br />
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Francisco de Zurbarán - Virgin of Mercy, ca. 1630-35<br />
(Isabella Stewart Gardner Museum, Boston)<br />
.<br />
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Francisco de Zurbarán - Jesús entre los doctores, 1.629 (Convento de la Trinidad Calzada)<br />
(MBASE)<br />
.<br />
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Francisco de Zurbarán - Jesús entre los doctores, 1.629 (Convento de la Trinidad Calzada)<br />
(MBASE)<br />
.<br />
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<a href="https://3.bp.blogspot.com/-Aqv5RMnYJHE/WNf8jt8toeI/AAAAAAAAjb8/Ltr4ONaa0SQheHFaTS8rVIA0XgQOfMU-gCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BCasa%2Bde%2BNazareth%2B%2528Cleveland%2BMuseum%2Bof%2BArt%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="470" src="https://3.bp.blogspot.com/-Aqv5RMnYJHE/WNf8jt8toeI/AAAAAAAAjb8/Ltr4ONaa0SQheHFaTS8rVIA0XgQOfMU-gCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BCasa%2Bde%2BNazareth%2B%2528Cleveland%2BMuseum%2Bof%2BArt%2529.jpg" width="640" /></a></div>
Francisco de Zurbarán - Casa de Nazaret<br />
(Cleveland Museum of Art)<br />
.<br />
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Francisco de Zurbarán - Casa de Nazaret<br />
(Fondo Cultural Villar Mir)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-x-e68SNkESI/WNf_DxqRMNI/AAAAAAAAjd0/nhixUPylfYAgxDDYDm23eGMIXslKmxluACLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BAgnus%2BDei%2B%2528Museo%2Bdel%2BPrado%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="378" src="https://2.bp.blogspot.com/-x-e68SNkESI/WNf_DxqRMNI/AAAAAAAAjd0/nhixUPylfYAgxDDYDm23eGMIXslKmxluACLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BAgnus%2BDei%2B%2528Museo%2Bdel%2BPrado%2529.jpg" width="640" /></a></div>
Francisco de Zurbarán - Agnus Dei<br />
(Museo del Prado)<br />
.<br />
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Francisco de Zurbarán - Agnus Dei, 1635-1640<br />
(San Diego, Museum of Art)<br />
.<br />
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Francisco de Zurbarán - Agnus dei, 1639<br />
(Madrid, Real Academia de Bellas Artes de San Fernando)<br />
.<br />
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Francisco de Zurbarán - Agnus Dei, 1635-1640<br />
(San Diego, Museum of Art)<br />
.<br />
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Francisco de Zurbarán - Agnus Dei, 1635-1640 (detalle)<br />
(San Diego, Museum of Art)<br />
.<br />
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Francisco de Zurbarán - Agnus Dei, 1635-1640 (detalle)<br />
(San Diego, Museum of Art)<br />
.<br />
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Francisco de Zurbarán - Saint John the Baptist<br />
(Retablo, Cartuja de la Defensión, Jerez)<br />
.<br />
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Francisco de Zurbarán - San Juan Bautista en el desierto<br />
(Catedral de Sevilla)<br />
.<br />
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Francisco de Zurbarán - San Juan Bautista en un paisaje<br />
(Catedral de Sevilla)<br />
.<br />
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Francisco de Zurbarán - San Juan Bautista en un paisaje (detalle)<br />
(Catedral de Sevilla)<br />
.<br />
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Francisco de Zurbarán - Christ Crowning Saint Joseph, 1636-40<br />
(Museo Fabre, Montpellier)<br />
.<br />
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Francisco de Zurbarán - Cristo recogiendo sus vestiduras después de la flagelación, 1661<br />
(Iglesia de San Juan Bautista de Jadraque)<br />
.<br />
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Francisco de Zurbarán - Christ at the Column, 1661<br />
(Wrocław, Muzeum Narodowe)<br />
.<br />
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Francisco de Zurbarán - El Salvador bendiciendo<br />
.<br />
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Francisco de Zurbarán - Santa Faz<br />
(Christie's)<br />
.<br />
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Francisco de Zurbarán - Santa Faz<br />
(MFA, Houston)<br />
.<br />
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Francisco de Zurbarán - Santa Faz<br />
(Museo de Bellas Artes de Bilbao)<br />
.<br />
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Francisco de Zurbarán - Santa Faz<br />
(Museo Nacional de Escultura, Valladolid)<br />
.<br />
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Francisco de Zurbarán - Santa Faz , 1631-34<br />
(Capilla Sacramental de San Pedro)<br />
.<br />
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Francisco de Zurbarán - Santa Faz, ca. 1635-40<br />
(Museo de Bellas Artes de Asturias)<br />
.<br />
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Francisco de Zurbarán - Santa Faz,ca. 1635-40<br />
(Nationalmuseum Stockholm)<br />
.<br />
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Francisco de Zurbarán - The Penitent Magdalene<br />
(Real Academia de san Fernando)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
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Francisco de Zurbarán - The Supper at Emmaus, 1639<br />
(Museo de San Carlos, México City)<br />
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<b><span style="color: blue;">SANTOS Y ARCÁNGELES</span></b><br />
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Francisco de Zurbarán - Saint Gabriel the Archangel, ca. 1631-1632<br />
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Francisco de Zurbarán - Saint Gabriel the Archangel, ca. 1631-1632<br />
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Francisco de Zurbarán - Saint Gabriel the Archangel, ca. 1631-1632 (detalle)<br />
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Francisco de Zurbarán - Saint Michael the Archangel, ca. 1640-50<br />
(Fundación Banco de Santander)<br />
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Francisco de Zurbarán - San Miguel Arcángel<br />
(Fundación Banco de Santander)<br />
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<a href="https://2.bp.blogspot.com/-kSWeLvRZW1E/WNkFBu68lSI/AAAAAAAAjgk/ZSR4yxJnCHYm1Wgxiqy-YC9XXYb33M_PACLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2B%25C3%2581ngel%2Bcon%2Bincensario%2B%2528%25C3%2581ngel%2Bturiferario%2529%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BC%25C3%25A1diz%2529_%253D.JPG"><img height="400" src="https://2.bp.blogspot.com/-kSWeLvRZW1E/WNkFBu68lSI/AAAAAAAAjgk/ZSR4yxJnCHYm1Wgxiqy-YC9XXYb33M_PACLcB/s400/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2B%25C3%2581ngel%2Bcon%2Bincensario%2B%2528%25C3%2581ngel%2Bturiferario%2529%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BC%25C3%25A1diz%2529_%253D.JPG" width="207" /></a><a href="https://4.bp.blogspot.com/-aZDtkbBBX8o/WNkE-yzwLRI/AAAAAAAAjgU/z6POJlScJwE-SE7Q91e8pQBfop3o6nTmACLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2B%25C3%2581ngel%2Bcon%2Bincensario%2B%2528%25C3%2581ngel%2Bturiferario%2529%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BC%25C3%25A1diz%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://4.bp.blogspot.com/-aZDtkbBBX8o/WNkE-yzwLRI/AAAAAAAAjgU/z6POJlScJwE-SE7Q91e8pQBfop3o6nTmACLcB/s400/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2B%25C3%2581ngel%2Bcon%2Bincensario%2B%2528%25C3%2581ngel%2Bturiferario%2529%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BC%25C3%25A1diz%2529.JPG" width="205" /></a></div>
Francisco de Zurbarán - Ángeles con incensario (Ángeles turiferarios)<br />
(Museo de Bellas Artes de Cádiz)<br />
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<a href="https://4.bp.blogspot.com/-YrFxQlc0UkA/WNkFA7XxhNI/AAAAAAAAjgY/jeblSiH3bC0-5HQNz3ln2-BkOx_3dQdEgCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2B%25C3%2581ngel%2Bcon%2Bincensario%2B%2528%25C3%2581ngel%2Bturiferario%2529%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BC%25C3%25A1diz%2529_.jpg"><img height="400" src="https://4.bp.blogspot.com/-YrFxQlc0UkA/WNkFA7XxhNI/AAAAAAAAjgY/jeblSiH3bC0-5HQNz3ln2-BkOx_3dQdEgCLcB/s400/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2B%25C3%2581ngel%2Bcon%2Bincensario%2B%2528%25C3%2581ngel%2Bturiferario%2529%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BC%25C3%25A1diz%2529_.jpg" width="207" /></a><a href="https://4.bp.blogspot.com/-2qcLiR-zSCA/WNkFBvzEY7I/AAAAAAAAjgg/XbsupkVbASgOhARIUr4vHzJb9yw4iA9UwCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2B%25C3%2581ngel%2Bcon%2Bincensario%2B%2528%25C3%2581ngel%2Bturiferario%2529%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BC%25C3%25A1diz%2529_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://4.bp.blogspot.com/-2qcLiR-zSCA/WNkFBvzEY7I/AAAAAAAAjgg/XbsupkVbASgOhARIUr4vHzJb9yw4iA9UwCLcB/s400/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2B%25C3%2581ngel%2Bcon%2Bincensario%2B%2528%25C3%2581ngel%2Bturiferario%2529%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BC%25C3%25A1diz%2529_1.jpg" width="231" /></a></div>
Francisco de Zurbarán - Ángeles con incensario (Ángeles turiferarios)<br />
(Museo de Bellas Artes de Cádiz)<br />
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<a href="https://3.bp.blogspot.com/-0EfQH_dfcQo/WNkFeKHJOEI/AAAAAAAAjgw/k0PXMZ6sFfYKXewBIpLbDdgU6_5rsFsaQCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BGregory%2Bthe%2BGreat%252C%2Bc.%2B1626-27_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-0EfQH_dfcQo/WNkFeKHJOEI/AAAAAAAAjgw/k0PXMZ6sFfYKXewBIpLbDdgU6_5rsFsaQCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BGregory%2Bthe%2BGreat%252C%2Bc.%2B1626-27_.jpg" width="400" /></a></div>
Francisco de Zurbarán - Saint Gregory the Great, c. 1626-27<br />
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<a href="https://2.bp.blogspot.com/-Vgr-PDmbwPI/WNkFg5YBAjI/AAAAAAAAjg4/-wj8y3_zWmQMSo1QaJQi0_448rfbU0G4QCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BJerome%252C%2Bc%2B1640-45%2B%2528San%2BDiego%252C%2BMuseum%2Bof%2BArt%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-Vgr-PDmbwPI/WNkFg5YBAjI/AAAAAAAAjg4/-wj8y3_zWmQMSo1QaJQi0_448rfbU0G4QCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BJerome%252C%2Bc%2B1640-45%2B%2528San%2BDiego%252C%2BMuseum%2Bof%2BArt%2529.jpg" width="342" /></a></div>
Francisco de Zurbarán - Saint Jerome, c 1640-45<br />
(San Diego, Museum of Art)<br />
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<a href="https://4.bp.blogspot.com/-H7GDP4q2naM/WNkFh76myiI/AAAAAAAAjhE/Jf10wvaV6UgF8xVZDRVYDpzbvfCOw6obQCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BJerome%252C%2Bc%2B1640-45%2B%2528San%2BDiego%252C%2BMuseum%2Bof%2BArt%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-H7GDP4q2naM/WNkFh76myiI/AAAAAAAAjhE/Jf10wvaV6UgF8xVZDRVYDpzbvfCOw6obQCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BJerome%252C%2Bc%2B1640-45%2B%2528San%2BDiego%252C%2BMuseum%2Bof%2BArt%2529_.jpg" width="348" /></a></div>
Francisco de Zurbarán - Saint Jerome, c 1640-45<br />
(San Diego, Museum of Art)<br />
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Francisco de Zurbarán - San Jerónimo, 1.626<br />
(Convento de san Pablo)<br />
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Francisco de Zurbarán - San Ambrosio, 1.626<br />
(Convento de san Pablo)<br />
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Francisco de Zurbarán - San Ambrosio, 1.626<br />
(Convento de san Pablo)<br />
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Francisco de Zurbarán - San Blas<br />
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<a href="https://4.bp.blogspot.com/-rSwd1g2Wu3g/WNk5sUwIcHI/AAAAAAAAjhg/WO8bIdkysEoQzHmQ1ermoQ_QEP420b8WwCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BEvangelistas_San%2BJuan.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-rSwd1g2Wu3g/WNk5sUwIcHI/AAAAAAAAjhg/WO8bIdkysEoQzHmQ1ermoQ_QEP420b8WwCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BEvangelistas_San%2BJuan.jpg" width="622" /></a></div>
Francisco de Zurbarán - Evangelistas_San Juan<br />
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<a href="https://4.bp.blogspot.com/-Illxt8q0PSo/WNk5st7-89I/AAAAAAAAjhk/JFBkOJ4hTmUoNgFUqKc2o9hI8W4h3V0VACLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BEvangelistas_San%2BLucas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-Illxt8q0PSo/WNk5st7-89I/AAAAAAAAjhk/JFBkOJ4hTmUoNgFUqKc2o9hI8W4h3V0VACLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BEvangelistas_San%2BLucas.jpg" width="610" /></a></div>
Francisco de Zurbarán - Evangelistas_San Lucas<br />
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<a href="https://3.bp.blogspot.com/-c4vxDI9W-EY/WNk5ssFi4kI/AAAAAAAAjho/vsXDBOnyLoQmkkPPIFA5eqDzh1zPuqEoQCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BEvangelistas_San%2BMarcos.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-c4vxDI9W-EY/WNk5ssFi4kI/AAAAAAAAjho/vsXDBOnyLoQmkkPPIFA5eqDzh1zPuqEoQCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BEvangelistas_San%2BMarcos.jpg" width="616" /></a></div>
Francisco de Zurbarán - Evangelistas_San Marcos<br />
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Francisco de Zurbarán - Evangelistas_San Mateo<br />
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Francisco de Zurbarán - San Antonio Abad<br />
(Palazzo Pitti)<br />
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Francisco de Zurbarán - San Antonio Abad, 1664<br />
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Francisco de Zurbarán - San Antonio Abad<br />
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Francisco de Zurbarán - San Lorenzo, 1636<br />
(Museo del Hermitage)<br />
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Francisco de Zurbarán - Saint Lawrence<br />
(Retablo, Cartuja de la Defensión, Jerez)<br />
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Francisco de Zurbarán - Saint Romanus of Antioch and Saint Barulas, 1638<br />
(The Art Institute of Chicago)<br />
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Francisco de Zurbarán - Capilla de San Pedro_Retablo de Zurbarán (sin banco ni ático)<br />
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Francisco de Zurbarán - Capilla de San Pedro_San Pedro Papa</div>
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Francisco de Zurbarán - Capilla de San Pedro_El arrepentimiento de San Pedro<br />
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Francisco de Zurbarán - Capilla de San Pedro_La visión de San Pedro<br />
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Francisco de Zurbarán - Desposorios místicos de Santa Catalina de Siena<br />
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Francisco de Zurbarán - El Martirio de Santiago<br />
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Francisco de Zurbarán - Entierro de Santa Catalina de Alejandría en el Monte Sinaí, 1635<br />
(Alte Pinakothek, Munich)<br />
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Francisco de Zurbarán - Entierro de Santa Catalina de Alejandría en el Monte Sinaí, 1635<br />
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Francisco de Zurbarán - Entierro de Santa Catalina de Alejandría en el Monte Sinaí, 1635<br />
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Francisco de Zurbarán - La Tentación de San Jerónimo<br />
(Guadalupe, Claustro de los Jerónimos)<br />
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Francisco de Zurbarán - Penitent Saint Jerome<br />
(Musée Girodet, Montargis)<br />
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Francisco de Zurbarán - Vision of Saint Jerome, 1639<br />
(Guadalupe, Claustro de los Jerónimos)</div>
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<br />
<b><span style="color: blue;">SERIE DE LOS APÓSTOLES</span></b></div>
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Francisco de Zurbarán - Saint Peter, 1633<br />
(Museu Nacional de Arte Antiga, Lisboa)<br />
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<a href="https://3.bp.blogspot.com/-a_Qti1sTM-Y/WNk-rMWQ73I/AAAAAAAAjjM/QKLjhF1hWlUO0o5wlW25Cnc7GfWHYEgDwCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BBartholomew%2Bthe%2BApostle%252C%2B1633%2B%2528Museu%2BNacional%2Bde%2BArte%2BAntiga%252C%2BLisboa%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-a_Qti1sTM-Y/WNk-rMWQ73I/AAAAAAAAjjM/QKLjhF1hWlUO0o5wlW25Cnc7GfWHYEgDwCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BBartholomew%2Bthe%2BApostle%252C%2B1633%2B%2528Museu%2BNacional%2Bde%2BArte%2BAntiga%252C%2BLisboa%2529.JPG" width="320" /></a></div>
Francisco de Zurbarán - Bartholomew the Apostle, 1633<br />
(Museu Nacional de Arte Antiga, Lisboa)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-45l8DRpCOrM/WNk-rJdkZjI/AAAAAAAAjjI/qUXf4dPJcvUer1-aSvhby1qwnNFR_nD4wCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BAndrew%252C%2B1630-1632%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BBudapest%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-45l8DRpCOrM/WNk-rJdkZjI/AAAAAAAAjjI/qUXf4dPJcvUer1-aSvhby1qwnNFR_nD4wCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BAndrew%252C%2B1630-1632%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BBudapest%2529.jpg" width="258" /></a></div>
Francisco de Zurbarán - Saint Andrew, 1630-1632<br />
(Museo de Bellas Artes de Budapest)<br />
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Francisco de Zurbarán - Saint Andrew, 1633<br />
(Museu Nacional de Arte Antiga, Lisboa)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-LtXQQo8CE8Y/WNk-sabv3xI/AAAAAAAAjjU/Tswy-deeD186NiIZQ8AQCUyzdox5d-MtACLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BJames%2Bthe%2BGreat%252C%2B1633%2B%2528Museu%2BNacional%2Bde%2BArte%2BAntiga%252C%2BLisboa%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-LtXQQo8CE8Y/WNk-sabv3xI/AAAAAAAAjjU/Tswy-deeD186NiIZQ8AQCUyzdox5d-MtACLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BJames%2Bthe%2BGreat%252C%2B1633%2B%2528Museu%2BNacional%2Bde%2BArte%2BAntiga%252C%2BLisboa%2529.jpg" width="318" /></a></div>
Francisco de Zurbarán - Saint James the Great, 1633<br />
(Museu Nacional de Arte Antiga, Lisboa)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-sNJqMCOOXr8/WNk-tvjgomI/AAAAAAAAjjY/VE-Ye82oJj0emypZ3J6Otm7gb5xpCFtvACLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BJames%2Bthe%2BLess%252C%2B1633%2B%2528Museu%2BNacional%2Bde%2BArte%2BAntiga%252C%2BLisboa%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-sNJqMCOOXr8/WNk-tvjgomI/AAAAAAAAjjY/VE-Ye82oJj0emypZ3J6Otm7gb5xpCFtvACLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BJames%2Bthe%2BLess%252C%2B1633%2B%2528Museu%2BNacional%2Bde%2BArte%2BAntiga%252C%2BLisboa%2529_.jpg" width="320" /></a></div>
Francisco de Zurbarán - Saint James the Less, 1633<br />
(Museu Nacional de Arte Antiga, Lisboa)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-UFy_44dJe00/WNk-sal1MEI/AAAAAAAAjjQ/6oNUEjvwywIHGsq2mRvImSaYvdT1GiJKACLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BJohn%2Bthe%2BEvangelist%252C%2B1633%2B%2528Museu%2BNacional%2Bde%2BArte%2BAntiga%252C%2BLisboa%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-UFy_44dJe00/WNk-sal1MEI/AAAAAAAAjjQ/6oNUEjvwywIHGsq2mRvImSaYvdT1GiJKACLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BJohn%2Bthe%2BEvangelist%252C%2B1633%2B%2528Museu%2BNacional%2Bde%2BArte%2BAntiga%252C%2BLisboa%2529.jpg" width="319" /></a></div>
Francisco de Zurbarán - Saint John the Evangelist, 1633<br />
(Museu Nacional de Arte Antiga, Lisboa)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-fw-i45rOI4M/WNk-uk42eKI/AAAAAAAAjjc/Z7SDH5KYdt0eDpzzJytO6PzOQ08CDiqFQCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BJude%2Bthe%2BApostle%252C%2B1633%2B%2528Museu%2BNacional%2Bde%2BArte%2BAntiga%252C%2BLisboa%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-fw-i45rOI4M/WNk-uk42eKI/AAAAAAAAjjc/Z7SDH5KYdt0eDpzzJytO6PzOQ08CDiqFQCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BJude%2Bthe%2BApostle%252C%2B1633%2B%2528Museu%2BNacional%2Bde%2BArte%2BAntiga%252C%2BLisboa%2529.jpg" width="289" /></a></div>
Francisco de Zurbarán - Saint Jude the Apostle, 1633<br />
(Museu Nacional de Arte Antiga, Lisboa)<br />
.<br />
<a href="https://3.bp.blogspot.com/-OempmFCCwXQ/WNqoEkAKrOI/AAAAAAAAjo4/CkglT1-GjqANYHP8pMz-WjHwIe2I6IU7QCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSeparador%2B2.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="130" src="https://3.bp.blogspot.com/-OempmFCCwXQ/WNqoEkAKrOI/AAAAAAAAjo4/CkglT1-GjqANYHP8pMz-WjHwIe2I6IU7QCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSeparador%2B2.png" width="640" /></a><br />
<br />
<br />
<span style="background-color: white; text-align: left;"><b><span style="color: blue;">SERIE DE JACOB Y SUS DOCE HIJOS</span></b></span><br />
<br /></div>
<div style="text-align: center;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-_lV9hvJjZmE/WNk_Fh-j-6I/AAAAAAAAjjk/pr9Do_ev-KAI_68LRrcWn8AeQYTHOD2-wCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BJacob%2By%2BLas%2BDoce%2BTribus%2Bde%2BIsrael_Jacob%2B%2528Auckland-Castle%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://3.bp.blogspot.com/-_lV9hvJjZmE/WNk_Fh-j-6I/AAAAAAAAjjk/pr9Do_ev-KAI_68LRrcWn8AeQYTHOD2-wCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BJacob%2By%2BLas%2BDoce%2BTribus%2Bde%2BIsrael_Jacob%2B%2528Auckland-Castle%2529.jpg" /></a></div>
Francisco de Zurbarán - Jacob y Las Doce Tribus de Israel_Jacob<br />
(Auckland-Castle)</div>
<div style="text-align: center;">
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<a href="https://2.bp.blogspot.com/-hd9VtZWolUY/WNk_QGNNkqI/AAAAAAAAjkM/tXoWLmwFGhg_UQyG6mlowpvPJMkP0p_YgCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BJacob%2By%2BLas%2BDoce%2BTribus%2Bde%2BIsrael_Reuben%2B%2528Auckland-Castle%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://2.bp.blogspot.com/-hd9VtZWolUY/WNk_QGNNkqI/AAAAAAAAjkM/tXoWLmwFGhg_UQyG6mlowpvPJMkP0p_YgCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BJacob%2By%2BLas%2BDoce%2BTribus%2Bde%2BIsrael_Reuben%2B%2528Auckland-Castle%2529.jpg" /></a></div>
Francisco de Zurbarán - Jacob y Las Doce Tribus de Israel_Rubén<br />
(Auckland-Castle)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-VgqK9mh2Yek/WNk_QCazInI/AAAAAAAAjkQ/oLS7kav7tGYwxxHIBwzXIXtLZxWU_yLRwCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BJacob%2By%2BLas%2BDoce%2BTribus%2Bde%2BIsrael_Simeon%2B%2528Auckland-Castle%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://1.bp.blogspot.com/-VgqK9mh2Yek/WNk_QCazInI/AAAAAAAAjkQ/oLS7kav7tGYwxxHIBwzXIXtLZxWU_yLRwCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BJacob%2By%2BLas%2BDoce%2BTribus%2Bde%2BIsrael_Simeon%2B%2528Auckland-Castle%2529.jpg" /></a></div>
Francisco de Zurbarán - Jacob y Las Doce Tribus de Israel_Simeón<br />
(Auckland-Castle)<br />
.<br />
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Francisco de Zurbarán - Jacob y Las Doce Tribus de Israel_Levi<br />
(Auckland-Castle)<br />
.<br />
<div class="separator" style="clear: both;">
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Francisco de Zurbarán - Jacob y Las Doce Tribus de Israel_Judá<br />
(Auckland-Castle) <br />
.<br />
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<a href="https://2.bp.blogspot.com/-Qv6Zb0DYnhQ/WNk_OKP0PoI/AAAAAAAAjjs/obS_KVdbl8YSYwLg71j-VtA-ddpqxZq4QCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BJacob%2By%2BLas%2BDoce%2BTribus%2Bde%2BIsrael_Dan%2B%2528Auckland-Castle%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://2.bp.blogspot.com/-Qv6Zb0DYnhQ/WNk_OKP0PoI/AAAAAAAAjjs/obS_KVdbl8YSYwLg71j-VtA-ddpqxZq4QCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BJacob%2By%2BLas%2BDoce%2BTribus%2Bde%2BIsrael_Dan%2B%2528Auckland-Castle%2529.jpg" /></a></div>
Francisco de Zurbarán - Jacob y Las Doce Tribus de Israel_Dan<br />
(Auckland-Castle)<br />
.<br />
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Francisco de Zurbarán - Jacob y Las Doce Tribus de Israel_Neftalí<br />
(Auckland-Castle)<br />
.<br />
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Francisco de Zurbarán - Jacob y Las Doce Tribus de Israel_Gad<br />
(Auckland-Castle)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-wIqO9NL5pL0/WNk_N1O5GdI/AAAAAAAAjjo/iUEzrWJYD4MWMFALtyilOynz92EWMXPwgCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BJacob%2By%2BLas%2BDoce%2BTribus%2Bde%2BIsrael_Asher%2B%2528Auckland-Castle%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://4.bp.blogspot.com/-wIqO9NL5pL0/WNk_N1O5GdI/AAAAAAAAjjo/iUEzrWJYD4MWMFALtyilOynz92EWMXPwgCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BJacob%2By%2BLas%2BDoce%2BTribus%2Bde%2BIsrael_Asher%2B%2528Auckland-Castle%2529.jpg" /></a></div>
Francisco de Zurbarán - Jacob y Las Doce Tribus de Israel_Aser<br />
(Auckland-Castle)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-gEdLW7lxPFo/WNk_OgTYkAI/AAAAAAAAjj4/DnXdYkcnwJ4xBCJolkSBvVVAsTQ2XCtDQCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BJacob%2By%2BLas%2BDoce%2BTribus%2Bde%2BIsrael_Issachar%2B%2528Auckland-Castle%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://4.bp.blogspot.com/-gEdLW7lxPFo/WNk_OgTYkAI/AAAAAAAAjj4/DnXdYkcnwJ4xBCJolkSBvVVAsTQ2XCtDQCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BJacob%2By%2BLas%2BDoce%2BTribus%2Bde%2BIsrael_Issachar%2B%2528Auckland-Castle%2529.jpg" /></a></div>
Francisco de Zurbarán - Jacob y Las Doce Tribus de Israel_Isacar<br />
(Auckland-Castle)<br />
.<br />
<div class="separator" style="clear: both;">
<a href="https://1.bp.blogspot.com/-UnWUsmkSsCM/WNk_QeCaGjI/AAAAAAAAjkU/7CxLW9IbbjApBYnYkb-rmGZxGRWlUszogCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BJacob%2By%2BLas%2BDoce%2BTribus%2Bde%2BIsrael_Zebulun%2B%2528Auckland-Castle%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://1.bp.blogspot.com/-UnWUsmkSsCM/WNk_QeCaGjI/AAAAAAAAjkU/7CxLW9IbbjApBYnYkb-rmGZxGRWlUszogCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BJacob%2By%2BLas%2BDoce%2BTribus%2Bde%2BIsrael_Zebulun%2B%2528Auckland-Castle%2529.jpg" /></a></div>
Francisco de Zurbarán - Jacob y Las Doce Tribus de Israel_Zabulón<br />
(Auckland-Castle)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-GT_V8ap13Cs/WNk_PmNLA6I/AAAAAAAAjkA/6lwBlYcFaKABkPzrvJdT22nmZphIKemdwCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BJacob%2By%2BLas%2BDoce%2BTribus%2Bde%2BIsrael_Joseph%2B%2528Auckland-Castle%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://2.bp.blogspot.com/-GT_V8ap13Cs/WNk_PmNLA6I/AAAAAAAAjkA/6lwBlYcFaKABkPzrvJdT22nmZphIKemdwCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BJacob%2By%2BLas%2BDoce%2BTribus%2Bde%2BIsrael_Joseph%2B%2528Auckland-Castle%2529.jpg" /></a></div>
Francisco de Zurbarán - Jacob y Las Doce Tribus de Israel_José<br />
(Auckland-Castle)<br />
.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-TwD9npMfos8/WNk_OFWSdwI/AAAAAAAAjjw/x76oxCVevbMAuorcFOitIJnNCgd9clqHQCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BJacob%2By%2BLas%2BDoce%2BTribus%2Bde%2BIsrael_Benjamin%2B%2528Auckland-Castle%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://3.bp.blogspot.com/-TwD9npMfos8/WNk_OFWSdwI/AAAAAAAAjjw/x76oxCVevbMAuorcFOitIJnNCgd9clqHQCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BJacob%2By%2BLas%2BDoce%2BTribus%2Bde%2BIsrael_Benjamin%2B%2528Auckland-Castle%2529.jpg" /></a></div>
Francisco de Zurbarán - Jacob y Las Doce Tribus de Israel_Benjamín<br />
(Auckland-Castle)<br />
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<span style="background-color: white; text-align: left;"><b><span style="color: blue;">LOS NIÑOS DE ZURBARÁN</span></b></span></div>
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Francisco de Zurbarán - Childhood of the Virgin<br />
(The Hermitage)<br />
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Francisco de Zurbarán - Childhood of the Virgin<br />
(The Hermitage)<br />
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Francisco de Zurbarán - The Child Virgin Asleep, 1630-35<br />
(Catedral de Jerez)<br />
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Francisco de Zurbarán - The Child Virgin Asleep, 1630-35<br />
(Catedral de Jerez)<br />
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Francisco de Zurbarán - The Child Virgin Asleep, 1630-35<br />
(Fundación Banco Santander)<br />
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Francisco de Zurbarán - The Child Virgin Asleep, 1630-35 (detalle)<br />
(Fundación Banco Santander)<br />
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Francisco de Zurbarán - The Child Virgin Asleep, 1630-35<br />
(Galerie Canesso, París)<br />
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Francisco de Zurbarán - The Child Virgin Asleep, 1630-35<br />
(Galerie Canesso, París)<br />
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Francisco de Zurbarán - Virgen María Niña - 1632-1633<br />
(MET)<br />
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Francisco de Zurbarán - El niño de la espina<br />
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Francisco de Zurbarán - El niño de la espina<br />
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Francisco de Zurbarán - El niño de la espina<br />
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Francisco de Zurbarán - The Infant Christ, 1635-40<br />
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Francisco de Zurbarán - Portrait of Juan Francisco de la Cerda Enríquez de Ribera,<br />
Marquis of Cogolludo, ca. 1650<br />
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Francisco de Zurbarán - Retrato de Don Alonso Verdugo de Albornoz , 1635<br />
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<span style="background-color: white; text-align: left;"><b><span style="color: blue;">SERIE DE LOS TRABAJOS DE HÉRCULES</span></b></span><br />
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Francisco de Zurbarán - Hércules desvía el curso del río Alfeo, 1634<br />
Museo del Prado<br />
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Francisco de Zurbarán - Hércules lucha con el león de Nemea, 1634<br />
Museo del Prado<br />
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Francisco de Zurbarán - Hércules lucha con la hidra de Lerna, 1634<br />
Museo del Prado<br />
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Francisco de Zurbarán - Hércules luchando con Anteo, 1634<br />
Museo del Prado<br />
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Francisco de Zurbarán - Hércules separa los montes Calpe y Abyla, 1634<br />
Museo del Prado<br />
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Francisco de Zurbarán - Hércules vence al rey Gerión, 1634<br />
Museo del Prado<br />
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Francisco de Zurbarán - Hércules y el Cancerbero, 1634<br />
Museo del Prado<br />
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Francisco de Zurbarán - Hércules y el jabalí de Erimanto, 1634<br />
Museo del Prado<br />
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Francisco de Zurbarán - Hércules y el toro de Creta, 1634<br />
Museo del Prado<br />
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Francisco de Zurbarán - Muerte de Hércules, 1634<br />
Museo del Prado<br />
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<a href="https://3.bp.blogspot.com/-OempmFCCwXQ/WNqoEkAKrOI/AAAAAAAAjo4/CkglT1-GjqANYHP8pMz-WjHwIe2I6IU7QCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSeparador%2B2.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="130" src="https://3.bp.blogspot.com/-OempmFCCwXQ/WNqoEkAKrOI/AAAAAAAAjo4/CkglT1-GjqANYHP8pMz-WjHwIe2I6IU7QCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSeparador%2B2.png" width="640" /></a><br />
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<span style="background-color: white; text-align: left;"><b><span style="color: blue;">RETRATOS</span></b></span><br />
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Francisco de Zurbarán - Imaginary Portrait of Almanzor<br />
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<a href="https://4.bp.blogspot.com/-Q9R430BkCIM/WNlCs7JZ1jI/AAAAAAAAjnM/ptJ1YPSWqWAloU52b-YG69sljohkzIfcQCEw/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BRetrato%2Bde%2BNu%25C3%25B1o%2BSalido%2B%2528Serie%2B%2527Los%2BSiete%2BInfantes%2Bde%2BLara%2527%2529.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-Q9R430BkCIM/WNlCs7JZ1jI/AAAAAAAAjnM/ptJ1YPSWqWAloU52b-YG69sljohkzIfcQCEw/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BRetrato%2Bde%2BNu%25C3%25B1o%2BSalido%2B%2528Serie%2B%2527Los%2BSiete%2BInfantes%2Bde%2BLara%2527%2529.png" width="322" /></a></div>
Francisco de Zurbarán - Retrato de Nuño Salido<br />
(Serie 'Los Siete Infantes de Lara')<br />
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Francisco de Zurbarán - Don Gonzalo Bustos de Lara<br />
(Los Siete Infantes de Lara)<br />
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Francisco de Zurbarán - Pedro Bustos de Lara<br />
(Los Siete Infantes de Lara)<br />
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Francisco de Zurbarán - Alvar Velázquez de Lara<br />
(Los Siete Infantes de Lara)<br />
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Francisco de Zurbarán - Alvar Velázquez de Lara<br />
(Los Siete Infantes de Lara)<br />
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Francisco de Zurbarán - Bernardo del Carpio o Alfonso Bustos de Lara<br />
(Los Siete Infantes de Lara)<br />
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Francisco de Zurbarán - San Fernando, 1630–34<br />
(Hermitage State Museum)<br />
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Francisco de Zurbarán - Portrait of Don Juan Bazo de Moreda, ca. 1655<br />
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Francisco de Zurbarán - Portrait of a Doctor of Law, ca. 1635<br />
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Francisco de Zurbarán - Portrait of Doctor Juan Martínez Serrano, ca. 1631-40<br />
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Francisco de Zurbarán - Fray Diego de Deza<br />
(Foundation Simon Norton, Pasadena)<br />
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Francisco de Zurbarán - Fray Diego de Deza y Tavera, Arzobispo de Sevilla, 1631<br />
(Museo del Prado)<br />
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<b><span style="color: blue;">BODEGONES</span></b><br />
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Francisco de Zurbarán - Naturaleza muerta de cacharros, 1635-64<br />
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Francisco de Zurbarán - Naturaleza muerta de cacharros, 1635-64<br />
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Francisco de Zurbarán - Naturaleza muerta de cacharros, 1635-64<br />
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Francisco de Zurbarán - Limones, naranjas y rosa, 1633<br />
(Norton Simon Museum)<br />
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Francisco de Zurbarán - Limones, naranjas y rosa, 1633<br />
(Norton Simon Museum)<br />
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Francisco de Zurbarán - Limones, naranjas y rosa, 1633 (detalle)<br />
(Norton Simon Museum)<br />
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Francisco de Zurbarán - Vaso de agua con una rosa, hacia 1630<br />
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Francisco de Zurbarán - Bodegón con cesta de manzanas, membrillos y granadas, 1645<br />
(Museo Nacional de Arte de Catalunya)<br />
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Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-5464569323978413729.post-15105874995020969532017-03-25T12:15:00.001+01:002017-03-28T19:03:28.197+02:00Caravaggio y los caravaggistas (XV). España (1). Francisco de Zurbarán: el Caravaggio español (1) - GALERÍA: Zurbarán (1)<br />
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<b><span style="font-size: large;">Presentación</span></b></div>
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<span style="color: white;">.....</span>Caravaggio tardó en llegar a España, y cuando lo hizo —a partir del segundo tercio del siglo XVII— fue de una manera muy matizada por el estado espiritual y emocional del país: aquí la Contrarreforma católica se alió con la austeridad y severidad de una corte venida a menos y de un clero venido a más, aupado por un fundamentalismo religioso vuelto hacia sí mismo pero que no dejó de dominar la escena cultural y social. El Imperio decaía a pasos agigantadas, las veleidades humanistas (¿?) de Felipe II y Felipe III dieron paso, ya con Felipe IV, a una contención en lo artístico que en muchas ocasiones bordeó la censura. Las innovaciones estilísticas venidas de tierras italianas fueron tan discretas como escasas. Con Ribera ejerciendo su ministerio en y desde el Reino de Nápoles (menos <i>encorsetado </i>artísticamente), a los pintores españoles, salvo excelsas excepciones como Velázquez, o después Murillo, no les quedó otra que medrar al rebufo de lo que desde Italia o Flandes llegaba a cuenta gotas.<br />
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<span style="color: white;">.....</span>Antes de que Velázquez visitara a Ribera en la ciudad partenopea, un Zurbarán ya en su apogeo llevaba años ejerciendo su magisterio de pintor <i>caravaggista</i> sin haber realizado ningún viaje a Italia. Primero como pintor extremeño afincado en Llerena, después como pintor ya sevillano de hecho. Para su adscripción al caravaggismo (hay quien lo ha descrito como el <i>Caravaggio español</i>), el austero Francisco de Zurbarán y Márquez (aunque él eligió como segundo apellido el segundo de su padre, Salazar, en vez de el primero de su madre) no hizo sino obedecer a su instinto, a su ascético espíritu, a su pietismo y a su rigor estético: el claroscuro, el naturalismo, la expresión desnuda, la presentación-sin-representación del alma de las figuras (fueren humanas o cosas), la utilización sabia del color y un don especial para captar y plasmar la expresividad del diseño de ropajes, gestos y actitudes. Sin el poderoso dibujo que caracterizara tanto al maestro florentino como al setavense, pero con mayor sensibilidad en su trazo, Zurbarán lo fió todo a la luz y al color, a la sensibilidad para empatizar de forma intimista con los protagonistas de sus cuadros y, sobre todo, con el gusto de sus eclesiásticos mecenas.<br />
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<span style="color: white;">.....</span>Zurbarán es el gran pintor español del estamento monacal, sí, pero no sólo: sus Inmaculadas, sus ángeles y arcángeles, sus series sobre santas (verdadero muestrario de moda por sus atuendos: fuentes de inspiración, trescientos años después, para los gurús de la alta costura como Balenciaga), su tierno enfoque de la infancia o su imaginación a la hora de representar a sus personajes caracterizados por su puesta en escena (vestuario, complementos, simbología), nos muestran a un pintor original, más complejo que aquel que se ha creado bajo el grave estereotipo de pintor eminentemente religioso, de frailes ascéticos y devotos.<br />
<span style="color: white;">.....</span>Es cierto que no destacó por la excelencia de su dibujo, sobre todo en lo tocante a la figura desnuda humana, y sus composiciones, si en ocasiones de estructura compleja, son con frecuencia simples por mor de un esquematismo realista, careciendo muchas veces de compensación. En esto, Zurbarán muestra un naturalismo aún más acusado que el de sus maestros (se trate de Caravaggio o Ribera): él intenta captar el momento esencial del hecho que retrata sin pararse en cuestiones técnicas más allá de la armonía cromática y los efectos de la luz que transmitan esa sensación de veracidad y recogimiento tan caros a sus monacales comitentes (aunque en su soberbio <i>San Serapio</i>, el espacio dedicado al blanco manto del santo, en relación a la totalidad del espacio del cuadro, cumple exactamente la proporción áurea).<br />
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<span style="color: white;">.....</span>Gracias a que gozó del éxito desde sus inicios, y de que fue capaz de gestionar con eficacia y eficiencia un gran obrador/taller (primero en Llerena, posteriormente en Sevilla) desde el que atendió la gran demanda tanto local como colonial (abriría mercado con América), la producción zurbaranesca es bastante amplia. Se le atribuyen casi trescientos cuadros autógrafos, número que se ha ido incrementando constantemente a medida que se ha realizado una investigación profunda (ya que son escasos los cuadros firmados por el autor), y teniendo en cuenta que su producción <i>americana</i> está aún por catalogar exhaustivamente; además de otros muchos salidos de su taller y en los que el pintor de Fuente de Cantos interviniera, seguramente en su diseño, de una u otra manera. Entre tan gran producción es lógico que se produzcan altibajos, alternándose grandes obras maestras y cuadros, si no mediocres, sí de menor entidad (su serie de los <i>Trabajos de Hércules</i> pintados para el Casón del Buen Retiro de Madrid, de los que se duda salieran todos de su mano, figura entre lo menos excelso de su obra —nunca fue Zurbarán pintor de desnuda anatomía, ni de composiciones dinámicas).<br />
<span style="color: white;">.....</span>En este blog, en dos entradas consecutivas, se adjuntarán unas 300 obras, todas aquellas que se han encontrado en la red con la suficiente calidad. Algunas, por su pequeño tamaño o por su defectuosa copia, no se han añadido, y de otras me ha sido imposible encontrar una copia factible de ser expuesta (caso del <i>Cristo Crucificado </i>sito en la Sacristía de San Juan de Marchena y el que corona el altar mayor de San Esteban de Sevilla).<br />
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<span style="color: white;">.....</span>Un último apunte. El hecho de que Zurbarán se <i>especializara</i> en la temática monacal se debió a la feliz confluencia de dos circunstancias: un culto y crecientemente enriquecido clero (ante todo en Sevilla, ciudad que venía gozando de una floreciente pujanza económica, producto de su carácter de núcleo gestor del comercio con el Nuevo Mundo) y una sensibilidad artística —la del pintor—, ascética y piadosa. Sin lo uno o lo otro la pintura monacal de Zurbarán (y, con ello, gran parte de su éxito profesional) muy posiblemente no hubiera tenido lugar. Se trató de una tormenta perfecta de genio artístico y clase clerical relativamente opulenta ávida de ornamentar sus templos, conventos y monasterios con las escenas más relevantes de su historia, o con representaciones del corpus católico propugnado por una Contrarreforma combatiente.<br />
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<span style="color: white;">.....</span>Acompañarán la Galería de Zurbarán diversos textos que nos situarán al artista en su contexto temporal, social y artístico. Uno propio —esta presentación de la propuesta dedicada al pintor de Fuente de Cantos— y otros ajenos que, o bien glosarán la vida del pintor, o bien expondrán algunas reflexiones y opiniones críticas sobre su estilo y su obra, realizadas por algunos de los más eminentes investigadores del pintor <i>fuentecanteño</i>. Dedicaré especial atención —y espacio— a la que, junto a María Luisa Caturla, es, a día de hoy, la mayor especialista en Zurbarán: la francesa Odile Delenda, que fuera profesora de la Escuela del Louvre y es actual investigadora del Wildenstein Institute de París, quien ha realizado la ingente tarea de reunir la primera compilación de la obra completa del pintor extremeño, en dos volúmenes: uno con la obra autógrafa (286 obras), titulado <i>Francisco de Zurbarán, 1598-1664. Catálogo razonado y crítico. Volumen I</i> (Madrid, 2009); y otro con las obras de grandes conjuntos realizadas con la ayuda de su obrador y las realizadas por sus principales colaboradores, de título: <i>Zurbarán. Los conjuntos y el obrador. Volumen II</i> (Madrid, 2010).<br />
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<b><span style="font-size: large;">Francisco de Zurbarán</span></b></div>
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<b>(1598-1664)</b></div>
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<b>Apuntes biográficos y estilísticos</b><br />
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<span style="font-family: inherit;"><span style="background-color: white;"><span style="color: white;">.....</span>(Fuente de Cantos, Badajoz, 1598-Madrid, 1664). Pintor español, hijo de un acomodado negociante vasco establecido en Extremadura desde 1582. Entre los años 1614 y 1617 aprendió la pintura en Sevilla con el poco conocido pintor Pedro Díaz de Villanueva. En este periodo tendría ocasión de conocer a Pacheco y Herrera, maestros famosos, y de establecer contactos con sus coetáneos Velázquez y Cano, aprendices como él en la Sevilla de la época. Al cabo de unos años de aprendizaje, seguramente más fecundos en diversas enseñanzas de lo que se ha venido considerando, Zurbarán volvió a su provincia natal sin someterse al examen gremial sevillano. Este último hecho le será reprochado posteriormente. </span></span><span style="background-color: white; font-family: inherit;">Se estableció en Llerena durante once años (1617-1628), donde se casó dos veces y fue padre muy joven. Zurbarán recibía encargos de la ciudad de Llerena y de diversos conventos e iglesias de Extremadura. Desgraciadamente se han perdido casi todas las obras de su primera etapa, pero la existencia de un taller en Llerena demuestra una actividad ya considerable.</span><br />
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<span style="font-family: inherit;"><span style="background-color: white;"><span style="color: white;">.....</span>En 1626 los dominicos sevillanos de San Pablo contrataron a Zurbarán para pintar una serie importante de cuadros pero mal remunerada. Poco después, los mercedarios calzados de la Casa Grande de Sevilla le propusieron un sueldo tres veces superior para un encargo de semejante magnitud. Del conjunto de San Pablo se conservan el espléndido </span><i style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Crucificado</i><span style="background-color: white;"> (Art Institute Chicago), primera obra fechada en 1627, y tres magníficas figuras completas de los padres de la Iglesia (Museo de Bellas Artes de Sevilla). En dos escenas de la </span><i style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Vida de santo Domingo</i><span style="background-color: white;"> (iglesia de la Magdalena, Sevilla), como en varios cuadros del importante ciclo de la Merced Calzada, se advierte la participación de diversos asistentes. Sin embargo, el portentoso </span><i style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">San Serapio</i><span style="background-color: white;"> (1628, Wadsworth Atheneum, Hartford), indudablemente autógrafo, revela las cualidades propias del joven maestro: sorprendente plasticidad de las formas, armonía de las tonalidades y sabia distribución de las luces. El Museo del Prado conserva dos de las más bellas escenas de la vida de san Pedro Nolasco, mientras que el resto se halla disperso en museos y colecciones del mundo entero.</span></span><br />
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<span style="font-family: inherit;"><span style="background-color: white;"><span style="color: white;">.....</span>En 1629, por insólita proposición del Consejo Municipal, Zurbarán se instala definitivamente en Sevilla. En dicha fecha pinta cuatro lienzos importantes para el colegio franciscano de San Buenaventura (Musée du Louvre, París, y Gemäldegalerie Alte Meister, Dresde). Empieza entonces para el pintor extremeño el decenio más prestigioso de su carrera. La fuerza expresiva de su pincelada, añadida a su obediencia a la hora de satisfacer los deseos de sus comitentes, lo convierten en el mejor intérprete de la Reforma católica del siglo de oro español.</span></span><br />
<span style="font-family: inherit;"><span style="background-color: white;"><span style="color: white;">.....</span>Recibe encargos de todas las órdenes religiosas presentes en Andalucía y Extremadura. Pinta para los jesuitas (</span><i style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Visión del beato Alonso Rodríguez</i><span style="background-color: white;">, 1630, Real Academia de San Fernando, Madrid), para los dominicos (</span><i style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Apoteosis de santo Tomás de Aquino</i><span style="background-color: white;">, 1631, Museo de Bellas Artes de Sevilla) y también para los conventos sevillanos de los carmelitas, los trinitarios y los mercedarios descalzos.</span></span><br />
<span style="font-family: inherit;"><span style="background-color: white;"><span style="color: white;">.....</span>El éxito de Zurbarán culminó en 1634 con una invitación de la corte, quizá sugerida por Velázquez, para participar en la decoración del salón grande del Buen Retiro. Allí pintó Zurbarán los diez «Trabajos de Hércules» para las sobreventanas y dos grandes lienzos de batallas. Once de dichas pinturas se conservan en el Museo del Prado.</span></span><br />
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<span style="font-family: inherit;"><span style="background-color: white;"><span style="color: white;">.....</span>De retorno a Sevilla, el maestro extremeño siguió trabajando para sus comitentes monásticos. Casi todas las pinturas de dos impresionantes series, probablemente las mejores de su producción, se han conservado. El conjunto de la cartuja de Jerez de la Frontera se halla disperso entre varios museos (Metropolitan Museum of Art, Nueva York; Museo Nacional de Poznan, Polonia; Museo de Cádiz). Los cuatro grandes lienzos del retablo mayor (</span><i style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Anunciación</i><span style="background-color: white;">, </span><i style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Adoración de los</i><span style="background-color: white;"> </span><i style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">pastores</i><span style="background-color: white;">, 1638, </span><i style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Circuncisión</i><span style="background-color: white;">, 1639, y </span><i style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Adoración de los Reyes</i><span style="background-color: white;">, todos en el Musée de Peinture et de Sculpture, Grenoble) son de una solemnidad casi litúrgica. El cromatismo resplandeciente de la indumentaria y la perfección técnica de estos lienzos pertenecen a lo mejor de su obra. De la misma calidad es la serie del monasterio de Guadalupe, único encargo importante del pintor conservado in situ. Los ocho grandes cuadros de la sacristía, pintados en Sevilla en las mismas fechas (1638-1639), representan episodios poco conocidos de la vida de los monjes jerónimos,</span><i style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"> Misa del padre Cabañuelas</i><span style="background-color: white;">,</span><i style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"> Aparición del Cristo al padre Salmerón</i><span style="background-color: white;">,</span><i style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"> Fray Gonzalo de Illescas escribiendo</i><span style="background-color: white;">, etc. En la capilla adyacente, tres episodios de la vida de san Jerónimo están pintados hacia 1645, con un estilo tenebrista que revela la fuerte influencia de Ribera.</span></span><br />
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<span style="font-family: inherit;"><span style="background-color: white;"><span style="color: white;">.....</span>A partir de 1640, los grandes encargos van disminuyendo mientras que se desarrolla el mercado americano. En 1644, Zurbarán pinta, con colaboración de su obrador, un retablo para la colegiata de Zafra, y en 1655, los tres célebres lienzos apaisados de la sacristía de la cartuja sevillana de Santa María de las Cuevas (Museo de Bellas Artes de Sevilla). A mediados del siglo, Sevilla sufrió una profunda depresión económica. Una gran epidemia de peste golpeó la ciudad en 1649, reduciendo considerablemente su población. Su hijo y colaborador, Juan, muere de este «mal de contagio». Francisco de Zurbarán aumentó entonces la producción de su obrador con series</span><b style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"> </b><span style="background-color: white;">de fundadores de órdenes, de santas vírgenes o de césares para el Nuevo Mundo.</span></span><br />
<span style="font-family: inherit;"><span style="background-color: white;"><span style="color: white;">.....</span>En 1658, probablemente movido por las dificultades del mercado sevillano, se trasladó a Madrid donde pronto vinieron a instalarse su mujer y la única hija sobreviviente de este tercer matrimonio. En su última época hallamos varias obras aisladas, a menudo firmadas, que no pertenecen a ningún conjunto. Se trata de lienzos de devoción privada de pequeño tamaño y ejecución refinada. Se advierte entonces una evolución de su estilo, de modelado más suave y aterciopelado. El viejo pintor tuvo al parecer una buena clientela privada pero su salud decayó pronto (su última obra firmada es de 1662), y falleció en 1664 después de una larga enfermedad que empobreció a su familia. Sin embargo, no llegó a vivir en la miseria como se ha repetido demasiadas veces. En su testamento no se encuentra deuda alguna y deja unos muebles lujosos, aunque el resto de sus posesiones en Madrid sean más bien modestas.</span></span><br />
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<span style="font-family: inherit;"><span style="background-color: white;"><span style="color: white;">.....</span>Zurbarán es, por supuesto, el gran pintor de la vida monástica que él expresa con un realismo candoroso, y una extrema sencillez. Nadie como él ha sabido traducir con tanta precisión y exactitud los diversos hábitos conventuales. Sus retratos de monjes son de una veracidad impresionante y con escasos elementos sabe expresar los más intensos éxtasis místicos. Excluye toda grandilocuencia y toda teatralidad, incluso podemos hallar algo de torpeza en el momento de resolver los problemas técnicos de la perspectiva geométrica. Tampoco le interesan los escorzos ni la sugerencia de espacios ilusionistas a la italiana. Sus composiciones severas, rigurosamente ordenadas, alcanzan un nivel excepcional de emoción piadosa. Con respecto al tenebrismo, Zurbarán lo practicó sobre todo en su primera época sevillana, no solo en sus conocidas series monásticas sino también en obras de devoción privada.</span></span><br />
<span style="font-family: inherit;"><span style="background-color: white;"><span style="color: white;">.....</span>Nadie le supera en la manera de expresar la ternura y el candor de los niños santos: virgencitas en éxtasis, inmaculadas muy jovencitas, niños de la espina o santas adolescentes, son otros aspectos encantadores de su talento. Su técnica excepcional para representar los valores táctiles de las telas y de los objetos hace de él un bodegonista de muy alto nivel. Bajo su pincel, los objetos sencillos alcanzan una trascendencia poética sublime (</span><i style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Bodegón</i><span style="background-color: white;">, 1633, Norton Simon Foundation, Pasadena). Su sobriedad, la fuerza expresiva y la plasticidad de sus figuras, añadidas a sus evidentes dotes de colorista, lo sitúan en la cumbre de los maestros españoles del siglo de oro. Quizás es de todos ellos el que más conmueve nuestra sensibilidad moderna. </span></span><span style="background-color: white; font-family: inherit; font-size: x-small;">(Odile Delenda. Web del Museo del Prado)</span><br />
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<b>CALAS CRÍTICAS</b></div>
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<b>La opinión de los críticos e investigadores </b></div>
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<b>1</b><br />
<b> Sobre el estilo</b><br />
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<span style="color: white;">.....</span>«Representa en su obra el ideal de sincera devoción y de ascetismo que fue uno de los impulsos que actuaban en la sociedad española de la época». «Un neto extremeño; algo profundamente rural y severo.» (Lafuente Ferrari<sup><span style="font-size: xx-small;">1</span></sup>)<br />
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<span style="color: white;">.....</span>«Está cerca de los pintores modernos por su visión de la vida, por la sequedad y la precisión a través de las cuales un alma, un alma humana, parece dispuesta a irrumpir o revelarse; está próximo a nosotros por su falta de afectación o anécdota; por su busca de medios de expresión de sobria intensidad, por el uso de ampliar áreas de colores dominantes, por su constante atención a una estructura ordenada, por la audacia contenida y el ánimo inventivo y resuelto con que suele abordar sus composiciones.» (Christian Zervos<sup><span style="font-size: xx-small;">2</span></sup>, 1927)<br />
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<span style="color: white;">.....</span>«Uno de los artistas más originales de la escuela española de la primera mitad del sigo XVII.» (Miguel Zugaza<sup><span style="font-size: xx-small;">3</span></sup>)<br />
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<span style="color: white;">.....</span>«Capaz de dotar lo inanimado de una intensísima vida espiritual.» (Pérez Sánchez<sup><span style="font-size: xx-small;">4</span></sup>)<br />
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<span style="color: white;">.....</span>«Un artista cuya obra, obra de mal narrador, con desprecio de la anécdota, vinculada sólo a la forma y al espíritu de la forma, se fue haciendo, en cuanto pasaron unos pocos años por su paleta, carne de un conceptismo sereno, quizá un poco rígido, que trataba, y lo lograba, de dar con un par de figuras muy sintéticas lo que otros contemporáneos componían con mayor abundancia de miembros, gestos, ondulaciones, términos, máquinas, trucos de color». Oponiendo a todo ello Zurbarán «la lisa y recortada silueta del concepto, suprimiendo cuanto sobraba, haciéndose ceñido, apretado, anguloso, apartándose de la curva para seguir en la visión recta y precisa; era tan conceptista como pudiera serlo Baltasar Gracián, y narraba lo que le era ordenado con la precisión de nuestro más apretado prosista; o de un poeta, San Juan de la Cruz, valga por ejemplo, que hiciera la poesía sintética del alma que tiene prisa.» (Gaya Nuño<sup><span style="font-size: xx-small;">5</span></sup>)<br />
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<span style="color: white;">.....</span>«Nuestra pintura religiosa barroca se distingue por la forma realista y concreta y, por lo general, cargada de emoción, con que expresa los temas, y de ello nos ofrece el mejor ejemplo Zurbarán en sus místicos. (...) Agrégase a esta actitud naturalista la sobriedad de la mímica española comparada con la italiana, esa gravedad que suele frenar el dibujo español al desplazar los miembros de las figuras y aminorar el interés por crear composiciones nuevas y complicadas. al abandonarse en el siglo XVII el arte de componer rafaelesco, reaparece en los pintores españoles su propia sensibilidad. Las composiciones se simplifican, y los personajes se mueven en los cuadros como en la vida ordinaria; lo que pierden en ritmo lineal y movimiento de masas, lo ganan en vida real. Salvo en artistas como Ribera y Velázquez, la composiciòn de buena parte de nuestros cuadros se distingue por esa yuxtaposición de personajes característica, por ejemplo, de Zurbarán.» (Angulo Íñiguez<sup><span style="font-size: xx-small;">6</span></sup>)<br />
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<span style="color: white;">.....</span>En cuanto a las motivaciones del empleo del claroscuro en el barroco, apunta Osvaldo López Chuhurra<sup><span style="font-size: xx-small;">7</span></sup> deberse «al manifiesto deseo de explicitar una experiencia que altera la realidad (respetada en el planteamiento argumental del tema) por el empleo arbitrario de las luces y las sombras». Con ello, «el tema ha dejado de ser la "exposición" de un suceso para transformarse en la "visión" de un acontecer, en el cual se apoya el contenido expresivo de la imagen».<br />
<span style="color: white;">.....</span>Mientras «el artista del Renacimiento concibe el espacio estático y lo apresa dentro de los límites de un esquema inmutable, el pintor barroco se pierde —con plena conciencia de sentirse perdido— en un espacio dinámico que adopta formas "mutables". La luz participa de las dos actitudes: aquella en que el espacio es forma como idea preconcebida, y esta otra, en la que se concreta y se define una vez que ha conseguido poner de relieve la "indefinición". La actitud última configura con mayor claridad la idea de un tiempo que <i>va siendo</i>».<br />
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<span style="color: white;">.....</span>«Así es que el estilo preciso y linealista (sic), de arista dura, que muy pronto caracterizó la obra de Zurbarán puede que acuse aquel aprendizaje minucioso que hizo a partir del dibujo incisivo de los grabados xilográficos y calcográficos de las estampas sobre las que aprendió. Y, al mismo tiempo, el fuerte sentido y concepto escultórico que caracterizó desde un principio su peculiar lenguaje, sin duda que se debe a su interés temprano por el tenebrismo, por los efectos de volumen que provoca el claroscuro, es decir los juegos de representación de la luz y la sombra, cosa que descubrió al introducirse en el mercado, en las colecciones, en las iglesias y en los talleres de Sevilla algunos originales y copias de Caravaggio y, desde luego, de Ribera.» (José Marín-Medina<sup><span style="font-size: xx-small;">8</span></sup>)<br />
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<span style="color: white;">.....</span>Refiriéndose a las motivaciones que indujeran a Zurbarán a un (relativo) cambio de estilo en su etapa final, menos tenebrista y más colorista, más cercano a Maíno y lejano de Ribera, Odile Delenda<sup><span style="font-size: xx-small;">9 </span></sup>nos aduce la influencia del entorno madrileño, estimulado el artista por los nuevos pintores de la capital del reino, y animado «por el contacto con las pinturas italianas y flamencas de las colecciones reales que descubriría en la Corte, sabiendo Zurbarán expresar su personalidad grave y profunda, adecuando su estilo hacia una manera más suave y refinada, que nada debe al barroco del entorno y que confirma sus dotes de colorista y de creador».<br />
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<span style="font-size: x-small;">1. Enrique Lafuente Ferrari (1898-1985): historiador del arte. Especialista en pintura española.</span></div>
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<span style="font-size: x-small;">2. Christian Zervos (1898-1970): crítico de arte, coleccionista y editor francés. Fundó la revista <i>Cahiers d'Art</i> y una galería de arte en París. Editor de un catálogo razonado de la obra de Pablo Picasso.</span></div>
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<span style="font-size: x-small;">3. Miguel Zugaza (1964- ): historiador del arte, museógrafo. Director del Museo de Bellas Artes de Bilbao (1996-2002) y del Museo del Prado (2002-2016).</span></div>
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<span style="font-size: x-small;">4. Alfonso Emilio Pérez Sánchez (1935-2010): historiador del arte, especializado en pintura barroca. Fue director del Museo del Prado entre 1983 y 1991.</span></div>
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<span style="font-size: x-small;">5. Juan Antonio Gaya Nuño (1913-1976): historiador, crítico de arte y escritor. Perteneció a la Hispanic Society of New York.</span></div>
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<span style="font-size: x-small;">6. Diego Angulo Íñiguez (1901-1986): historiador del arte, especializado en pintura española del Renacimiento y el Barroco. Director del Museo del Prado entre 1968 y 1971.</span></div>
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<span style="font-size: x-small;">7. Osvaldo López Chuhurra (1921-2001): historiador y crítico de arte, músico y escritor argentino.</span><br />
<span style="font-size: x-small;">8. José Marín-Medina: escritor y crítico de arte. Miembro de la Academia de Bellas Artes de San Fernando.</span></div>
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<span style="font-size: x-small;">9.<span style="font-family: inherit;"> Odile Delenda: Graduada de l'École du Louvre, Jefa del Departamento de Pinturas del Louvre hasta 2007. Investigadora del Wildenstein Institute de París. Autora del Catálogo razonado de Zurbarán.</span></span></div>
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<b><span style="color: #cc0000; font-size: large;">GALERÍA</span></b></div>
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<a href="https://2.bp.blogspot.com/-rFiTszSHS3s/WNJgacjuqvI/AAAAAAAAjDw/5vuiAvigIaslceeuy2FxhKUd-Dladr7BgCLcB/s1600/Francisco_de_Zurbar%25C3%25A1n_autoportrait_med.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://2.bp.blogspot.com/-rFiTszSHS3s/WNJgacjuqvI/AAAAAAAAjDw/5vuiAvigIaslceeuy2FxhKUd-Dladr7BgCLcB/s320/Francisco_de_Zurbar%25C3%25A1n_autoportrait_med.jpg" width="261" /></a></div>
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<b>Francisco de Zurbarán Salazar</b></div>
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<b>1598-1664</b><br />
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<span style="color: white;">.....</span>Por mor de una clasificación figurativamente homogénea, las obras se agruparán siguiendo un criterio temático, en vez del más coherente cronológico (es decir, siguiendo una secuencia temporal en orden a los encargos realizados para cada comitente, habitualmente órdenes religiosas). El hecho de no disponer de una cronología completa y veraz de todas las obras aquí expuestas, me ha disuadido de este empeño cronológico. De todas formas, y siempre partiendo del criterio temático, se intentará reunir secuencial y cronológicamente las obras pertenecientes a cada encargo. </div>
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<span style="color: white;">.....</span>Sigo, por tanto, en cada una de las dos galerías que abarca esta doble propuesta dedicada a Zurbarán, una clasificación formal que se sustanciará en los siguientes epígrafes:</div>
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<span style="color: #cc0000; font-weight: bold;">GALERÍA 1 </span><span style="text-align: left;">(presente post)</span></div>
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-<i> EL PINTOR MONÁSTICO</i>: dedicado a las representaciones que más han caracterizado y dado fama al pintor extremeño: las de monjes, frailes, santos y escenas de la vida de las órdenes monásticas principales de España en aquel momento, así: cartujos, dominicos, benedictinos, franciscanos, mercedarios o jerónimos.</div>
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- <i>CRISTOS CRUCIFICADOS</i>: que reúne la mayoría de las crucifixiones que realizara el pintor (cuatro de ellas, por no haber podido hallar copias con la suficiente calidad, no se adjuntarán. Aunque estarán, eso sí, las más célebres y celebradas).</div>
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- <i>INMACULADAS</i>: del mismo modo, bajo este epígrafe, se podrán hallar todas las Inmaculadas autógrafas de Zurbarán.</div>
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- <i>SANTAS VÍRGENES</i>: preciosista serie que exhibe un completo catálogo de diversas santas vírgenes del santoral católico, presentadas de pie, en cuerpo entero o medio cuerpo, bien de frente, bien de escorzo o de perfil, que constituye, por su rico, vistoso y bello vestuario, todo un catálogo de tejidos de moda suntuosa.</div>
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<span style="color: #cc0000; font-weight: bold;">GALERÍA 2 </span>(siguiente post)</div>
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- <i>ESCENAS RELIGIOSAS EVANGÉLICAS: </i>Vida de Jesús y María, Pasión, Escenas Marianas, El Bautista, etc.</div>
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- <i>SERIES DE LOS APÓSTOLES.</i><br />
- <i>SANTOS Y ARCÁNGELES.</i></div>
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- <i>SERIE DE JACOB Y SUS DOCE HIJOS</i>: las doce tribus de israel personificadas en sus titulares.</div>
<div style="text-align: left;">
- <i>LOS NIÑOS DE ZURBARÁN</i>: engloba tanto escenas religiosas como profanas, cuyos protagonistas se hallan aún en la infancia.</div>
<div style="text-align: left;">
- <i>SERIE DE LOS TRABAJOS DE HÉRCULES</i>.</div>
<div style="text-align: left;">
- <i>RETRATOS.</i><br />
- <i>BODEGONES.</i></div>
<b>...</b><br />
<b><br /></b>
<b><span style="color: blue;">EL PINTOR MONÁSTICO</span></b></div>
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<span style="color: white;">.</span><br />
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<b>CARTUJOS</b></div>
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<b><br /></b></div>
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Francisco de Zurbarán - San Hugo en el refectorio, hacia 1655<br />
Museo de Bellas Artes de Sevilla<br />
.<br />
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<a href="https://3.bp.blogspot.com/-qNOdj4K8AtU/WNQICIOUmbI/AAAAAAAAjFQ/o-8Y7usr8PUwmAANZZwHLmgf-IQmKSe_QCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSan%2BHugo%2Ben%2Bel%2Brefectorio%2Bde%2Blos%2BCartujos%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BSevilla%2529%2B%2528Cartuja%2Bde%2BSanta%2BMar%25C3%25ADa%2Bde%2Blas%2BCuevas%252C%2BSevilla%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="548" src="https://3.bp.blogspot.com/-qNOdj4K8AtU/WNQICIOUmbI/AAAAAAAAjFQ/o-8Y7usr8PUwmAANZZwHLmgf-IQmKSe_QCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSan%2BHugo%2Ben%2Bel%2Brefectorio%2Bde%2Blos%2BCartujos%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BSevilla%2529%2B%2528Cartuja%2Bde%2BSanta%2BMar%25C3%25ADa%2Bde%2Blas%2BCuevas%252C%2BSevilla%2529.jpg" width="640" /></a></div>
Francisco de Zurbarán - San Hugo en el refectorio, hacia 1655<br />
Museo de Bellas Artes de Sevilla<br />
.<br />
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Francisco de Zurbarán - San Hugo en el refectorio, hacia 1655<br />
Museo de Bellas Artes de Sevilla<br />
.<br />
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Francisco de Zurbarán - La visita de San Bruno al Papa Urbano II, hacia 1630-35<br />
Museo de Bellas Artes de Sevilla<br />
.<br />
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Francisco de Zurbarán - La visita de San Bruno al Papa Urbano II, hacia 1630-35<br />
Museo de Bellas Artes de Sevilla<br />
.<br />
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Francisco de Zurbarán - La visita de San Bruno al Papa Urbano II, hacia 1630-35<br />
Museo de Bellas Artes de Sevilla<br />
.<br />
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<a href="https://1.bp.blogspot.com/-UOrdKZ7Vvj4/WNQJoPl_dPI/AAAAAAAAjF0/HDmLe5D3y_QifpQ_hcsd1Wb-BlXrT2xXQCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BVirgen%2Bde%2Blas%2BCuevas%2B%2528Cartuja%2Bde%2BSanta%2BMar%25C3%25ADa%2Bde%2Blas%2BCuevas%252C%2BSevilla%2529%2528MBASE%2529_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="550" src="https://1.bp.blogspot.com/-UOrdKZ7Vvj4/WNQJoPl_dPI/AAAAAAAAjF0/HDmLe5D3y_QifpQ_hcsd1Wb-BlXrT2xXQCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BVirgen%2Bde%2Blas%2BCuevas%2B%2528Cartuja%2Bde%2BSanta%2BMar%25C3%25ADa%2Bde%2Blas%2BCuevas%252C%2BSevilla%2529%2528MBASE%2529_1.jpg" width="640" /></a></div>
Francisco de Zurbarán - Virgen de las Cuevas<br />
(Cartuja de Santa María de las Cuevas, Sevilla)<br />
Museo de Bellas Artes de Sevilla<br />
.<br />
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<a href="https://3.bp.blogspot.com/--FbSAHaIuSE/WNQIzF6dwBI/AAAAAAAAjFo/T-gGr2NND7g4wV9PcR0KtAWRf-Bl5yYrgCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BVirgen%2Bde%2Blas%2BCuevas%2B%2528Cartuja%2Bde%2BSanta%2BMar%25C3%25ADa%2Bde%2Blas%2BCuevas%252C%2BSevilla%2529%2528MBASE%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="534" src="https://3.bp.blogspot.com/--FbSAHaIuSE/WNQIzF6dwBI/AAAAAAAAjFo/T-gGr2NND7g4wV9PcR0KtAWRf-Bl5yYrgCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BVirgen%2Bde%2Blas%2BCuevas%2B%2528Cartuja%2Bde%2BSanta%2BMar%25C3%25ADa%2Bde%2Blas%2BCuevas%252C%2BSevilla%2529%2528MBASE%2529_.jpg" width="640" /></a></div>
Francisco de Zurbarán - Virgen de las Cuevas<br />
(Cartuja de Santa María de las Cuevas, Sevilla)<br />
Museo de Bellas Artes de Sevilla<br />
.<br />
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Francisco de Zurbarán - Virgen de las Cuevas<br />
(Cartuja de Santa María de las Cuevas, Sevilla)<br />
Museo de Bellas Artes de Sevilla<br />
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Francisco de Zurbarán - Apoteosis de San Bruno, 1637-39<br />
Museo de Bellas Artes de Cádiz<br />
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Francisco de Zurbarán - San Bruno, 1637-39<br />
Museo de Bellas Artes de Cádiz<br />
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Francisco de Zurbarán - Beato John de Houghton, 1637-39<br />
Museo de Bellas Artes de Cádiz<br />
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Francisco de Zurbarán - Beato John de Houghton, 1637-39<br />
Museo de Bellas Artes de Cádiz<br />
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Francisco de Zurbarán - San Bruno de Colonia<br />
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Francisco de Zurbarán - El Beato Cardenal Nicolás Albergati </div>
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(Cartuja de la Defensión, Jerez)</div>
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Museo de Bellas Artes de Cádiz </div>
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Francisco de Zurbarán - San Hugo, Obispo de Grenoble </div>
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Museo de Bellas Artes de Cádiz</div>
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.</div>
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<a href="https://3.bp.blogspot.com/-65v4orCthX8/WNQUUtC89oI/AAAAAAAAjHE/T6S8n9fQUYwPSglzRwci4L_sb1nZUmqyQCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSan%2BAntelmo%252C%2B1638%2B%2528Museo%2Bde%2BBB%2BAA%2Bde%2BC%25C3%25A1diz%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-65v4orCthX8/WNQUUtC89oI/AAAAAAAAjHE/T6S8n9fQUYwPSglzRwci4L_sb1nZUmqyQCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSan%2BAntelmo%252C%2B1638%2B%2528Museo%2Bde%2BBB%2BAA%2Bde%2BC%25C3%25A1diz%2529.jpg" width="322" /></a></div>
Francisco de Zurbarán - San Antelmo, 1638<br />
Museo de Bellas Artes de Cádiz<br />
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<a href="https://3.bp.blogspot.com/-BK5NHXra2bs/WNQUUl25GtI/AAAAAAAAjHI/xTpsPz5jYI0R1-KGxDMjJDAeEYBjPAkuQCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSan%2BAntelmo%252C%2BObispo%2Bde%2BBelley.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-BK5NHXra2bs/WNQUUl25GtI/AAAAAAAAjHI/xTpsPz5jYI0R1-KGxDMjJDAeEYBjPAkuQCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSan%2BAntelmo%252C%2BObispo%2Bde%2BBelley.jpg" width="324" /></a></div>
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Francisco de Zurbarán - San Antelmo, Obispo de Belley</div>
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Francisco de Zurbarán - Retablo Mayor de la Cartuja de Nuestra Señora de la Defensión,</div>
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Jerez de la Frontera, Cádiz.</div>
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[Retablo destruido durante la Guerra de la Independencia, y expoliadas sus pinturas por las tropas</div>
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napoleónicas del mariscal Soult. Reconstrucción probable, realizada por Walter Liedtke)]</div>
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<b>MERCEDARIOS</b></div>
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<br /></div>
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Francisco de Zurbarán - Visión de san Pedro Nolasco</div>
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Museo del Prado</div>
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Francisco de Zurbarán - Aparición de la Virgen a San Pedro Nolasco<br />
Colección Privada, Galería Coatalem<br />
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Francisco de Zurbarán - Aparición de san Pedro a san Pedro Nolasco<br />
Museo del Prado<br />
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Francisco de Zurbarán - San Pedro Nolasco asistido por dos ángeles<br />
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Francisco de Zurbarán - Saint Peter Nolasco Recovering the Image of the Virgin, 1630<br />
Cincinnati, Art Museum<br />
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Francisco de Zurbarán - La rendición de Sevilla, 1634</div>
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Francisco de Zurbarán - Virgen de la Merced con dos mercedarios<br />
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Francisco de Zurbarán - San Serapio, 1628<br />
Wadsworth Atheneum, Hartford, Estados Unidos<br />
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Francisco de Zurbarán - San Serapio, 1628<br />
Wadsworth Atheneum, Hartford, Estados Unidos<br />
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Francisco de Zurbarán - Fray Francisco Zumel<br />
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Francisco de Zurbarán - Fray Hernando de Santiago, c. 1628-33<br />
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Francisco de Zurbarán - Fray Jerónimo Pérez, hacia 1633<br />
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Francisco de Zurbarán - Fray Pedro de Oña<br />
Real Academia de Bellas Artes de Sevilla<br />
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Francisco de Zurbarán - Fray Pedro Machado </div>
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Real Academia de Bellas Artes de Sevilla</div>
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Francisco de Zurbarán - San Carmelo, 1630<br />
(Convento de la Merced Calzada)<br />
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Francisco de Zurbarán - San Carmelo, Obispo de Teruel<br />
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Francisco de Zurbarán - San Pedro Pascual, 1630<br />
(Convento de la Merced Calzada)<br />
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<b>FRANCISCANOS</b></div>
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<b>San Francisco de Asís</b></div>
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Francisco de Zurbarán - La Porciúncula, 1630 (San francisco de Asís y el milagro de las rosas)<br />
Museo de Bellas Artes de Cádiz<br />
(Se llama <i>La Porciúncula</i> a la capilla de Santa María de los Ángeles, cerca de Asís,<br />
reconstruida por San Francisco y que se convertiría en la Casa Madre de la Orden)<br />
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Francisco de Zurbarán - San Francisco de Asís según la visión del papa Nicolás V, 1640<br />
(Museo Nacional de Arte de Catalunya)<br />
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Francisco de Zurbarán - San Francisco de Asís según la visión del papa Nicolás V, 1640<br />
(Museo Nacional de Arte de Catalunya)<br />
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Francisco de Zurbarán - Saint Francis<br />
(Musée des Beaux-Arts de Lyon)<br />
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Francisco de Zurbarán - Saint Francis<br />
(Musée des Beaux-Arts de Lyon)<br />
.<br />
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Francisco de Zurbarán - Saint Francis, 1640-45<br />
(Museum of Fine Arts, Boston)<br />
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<a href="https://3.bp.blogspot.com/-c3yF0wFrsxQ/WNQd0D0iOwI/AAAAAAAAjKk/MB_QxLvkCGMcN_3JMtDSPSKK4QxZLVZ2gCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BFrancis%2Bof%2BAssisi%2Bin%2BHis%2BTomb%252C%2B1630-1634%2B%2528Milwaukee%2BArt%2BMuseum%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-c3yF0wFrsxQ/WNQd0D0iOwI/AAAAAAAAjKk/MB_QxLvkCGMcN_3JMtDSPSKK4QxZLVZ2gCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BFrancis%2Bof%2BAssisi%2Bin%2BHis%2BTomb%252C%2B1630-1634%2B%2528Milwaukee%2BArt%2BMuseum%2529.jpg" width="382" /></a><br />
Francisco de Zurbarán - Saint Francis of Assisi in His Tomb, 1630-1634<br />
(Milwaukee Art Museum)<br />
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Francisco de Zurbarán - San Francisco de Asís en su tumba<br />
(Milwaukee Art Museum)<br />
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Francisco de Zurbarán - San Francisco de Asís en su tumba (detalle)<br />
(Milwaukee Art Museum)<br />
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Francisco de Zurbarán - Saint Francis of Assisi in His tomb<br />
(Saint Louis Museum of Arts)<br />
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Francisco de Zurbarán - Saint Francis Contemplating a Skull, 1633 - 1635<br />
(Saint Louis Art Museum)<br />
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Francisco de Zurbarán - San Francisco de Asís en su tumba<br />
(Hermitage Museum, Saint Petersburg)<br />
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Francisco de Zurbarán - Saint Francis in meditation<br />
(Museo Nacional de Bellas Artes, Buenos Aires)<br />
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Francisco de Zurbarán - Saint Francis in Meditation<br />
(Museum Kunst Palast, Düsseldorf)<br />
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Francisco de Zurbarán - Saint Francis in Meditation<br />
(Museum of art Indianapolis)<br />
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Francisco de Zurbarán - Saint Francis in Meditation<br />
(Museum of art Indianapolis)<br />
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Francisco de Zurbarán - Saint Francis in Meditation<br />
(National Gallery of London)<br />
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Francisco de Zurbarán - Saint Francis in Meditation<br />
(National Gallery of London)<br />
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Francisco de Zurbarán - Saint Francis in Meditation<br />
(Norton Simon Museum, Pasadena, CA)<br />
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<a href="https://3.bp.blogspot.com/-QGxQGxsnguo/WNQd4PHC7DI/AAAAAAAAjK8/2EsJQfJ04d4xDMGt6ftXdtjEB0mfLcKpACLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BFrancisco%2Bpraying%252C%2B1638-1639%2B%2B%2528Norton%2BSimon%2BMuseum%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-QGxQGxsnguo/WNQd4PHC7DI/AAAAAAAAjK8/2EsJQfJ04d4xDMGt6ftXdtjEB0mfLcKpACLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BFrancisco%2Bpraying%252C%2B1638-1639%2B%2B%2528Norton%2BSimon%2BMuseum%2529.jpg" width="502" /></a><br />
Francisco de Zurbarán - Saint Francis in Meditation<br />
(Norton Simon Museum, Pasadena, CA)<br />
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<a href="https://2.bp.blogspot.com/-hLweBOxO_0g/WNQdyRJ_Z6I/AAAAAAAAjKc/zqPv1PzCYYsuJ-jMyyUPFVCsk8CGlZ9TQCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BFrancis%2Bin%2BMeditation%252C%2B1635-1640%2B%2528Mexico%2BCity%252C%2BMuseo%2BSoumaya%2529_8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-hLweBOxO_0g/WNQdyRJ_Z6I/AAAAAAAAjKc/zqPv1PzCYYsuJ-jMyyUPFVCsk8CGlZ9TQCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BFrancis%2Bin%2BMeditation%252C%2B1635-1640%2B%2528Mexico%2BCity%252C%2BMuseo%2BSoumaya%2529_8.jpg" width="480" /></a></div>
Francisco de Zurbarán - Saint Francis in Meditation, 1635-1640<br />
(Mexico City, Museo Soumaya)<br />
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<a href="https://1.bp.blogspot.com/-LSiM7NHjNhI/WNQdzZJ6HII/AAAAAAAAjKg/7BmuVv-bdQ8Yx1Ci2qxzxzmTev-9av27ACLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BFrancis%2Bin%2BMeditation%252C%2Bc%2B1635%2B%2528Timken%2BMuseum%2Bof%2BArt%252C%2BSan%2BDiego%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-LSiM7NHjNhI/WNQdzZJ6HII/AAAAAAAAjKg/7BmuVv-bdQ8Yx1Ci2qxzxzmTev-9av27ACLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BFrancis%2Bin%2BMeditation%252C%2Bc%2B1635%2B%2528Timken%2BMuseum%2Bof%2BArt%252C%2BSan%2BDiego%2529.jpg" width="462" /></a></div>
Francisco de Zurbarán - Saint Francis in Meditation, c 1635<br />
(Timken Museum of Art, San Diego)<br />
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<a href="https://2.bp.blogspot.com/-KgdirbjxBQY/WNQdxQM5NOI/AAAAAAAAjKU/sO1eOI8zEBsxnqeLuh9fS6j_eDEp5h5_gCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BFrancis%2BKneeling%2B%2528Collection%2BAdolfo%2BNobili%252C%2BMilan%2529_7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-KgdirbjxBQY/WNQdxQM5NOI/AAAAAAAAjKU/sO1eOI8zEBsxnqeLuh9fS6j_eDEp5h5_gCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BFrancis%2BKneeling%2B%2528Collection%2BAdolfo%2BNobili%252C%2BMilan%2529_7.jpg" width="420" /></a></div>
Francisco de Zurbarán - Saint Francis Kneeling<br />
(Collection Adolfo Nobili, Milán)<br />
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<a href="https://2.bp.blogspot.com/-TsvIbsTdUqg/WNQdxdoR5yI/AAAAAAAAjKQ/PDgMR408znkpFoASu0dVV7mrZ2iScO8ggCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BFrancis%2Bin%2BMeditation%2B%2528National%2BGallery%2Bof%2BLondon%2529_2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-TsvIbsTdUqg/WNQdxdoR5yI/AAAAAAAAjKQ/PDgMR408znkpFoASu0dVV7mrZ2iScO8ggCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BFrancis%2Bin%2BMeditation%2B%2528National%2BGallery%2Bof%2BLondon%2529_2.jpg" width="538" /></a></div>
Francisco de Zurbarán - Saint Francis in Meditation<br />
(National Gallery of London)<br />
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<a href="https://3.bp.blogspot.com/-tmhQZhVej_4/WNQdwjQtauI/AAAAAAAAjKM/nSxpJPR5y0MPCULxqQgZyBR8yBeQSfo_gCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BFrancis%2Bin%2BMeditation%2B%2528National%2BGallery%2Bof%2BLondon%2529_2%2Bdetail.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-tmhQZhVej_4/WNQdwjQtauI/AAAAAAAAjKM/nSxpJPR5y0MPCULxqQgZyBR8yBeQSfo_gCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BFrancis%2Bin%2BMeditation%2B%2528National%2BGallery%2Bof%2BLondon%2529_2%2Bdetail.jpg" width="428" /></a></div>
Francisco de Zurbarán - Saint Francis in Meditation (detalle)<br />
(National Gallery of London)<br />
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Francisco de Zurbarán - Saint Francis of Assisi in Prayer, 1650-55<br />
(Galería Caylus, Madrid)<br />
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<a href="https://4.bp.blogspot.com/-WAPU8c87mG8/WNQd2UJ1tVI/AAAAAAAAjK0/nAEFadnYs2YxZgoQMed7XImHP2E9MqFdACLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BFrancis%2Bpraying%2Bin%2Ba%2BGrotto%252C%2B1650%2B-%2B1655%2B%2528San%2BDiego%2BMuseum%2Bof%2BArt%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-WAPU8c87mG8/WNQd2UJ1tVI/AAAAAAAAjK0/nAEFadnYs2YxZgoQMed7XImHP2E9MqFdACLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BFrancis%2Bpraying%2Bin%2Ba%2BGrotto%252C%2B1650%2B-%2B1655%2B%2528San%2BDiego%2BMuseum%2Bof%2BArt%2529.jpg" width="428" /></a></div>
Francisco de Zurbarán - Saint Francis of Assisi in Prayer, 1650-55<br />
(Galería Caylus, Madrid)<br />
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Francisco de Zurbarán - Saint Francis in oration, 1641</div>
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(Col. Plácido Arango)</div>
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Francisco de Zurbarán - Saint Francis of Assisi in Prayer<br />
(Christie's)<br />
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<a href="https://1.bp.blogspot.com/-hjzBxcF-bXc/WNQeUMalpmI/AAAAAAAAjLM/cMp9pUrqEyILxQdOs60T_KPy5H0twbhmQCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSan%2BFrancisco%2Barrodillado%2Bcon%2Buna%2Bcalavera%2Ben%2Blas%2Bmanos%252C%2B1658%2B%2528Munich%252C%2BAlte%2BPinakothek%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-hjzBxcF-bXc/WNQeUMalpmI/AAAAAAAAjLM/cMp9pUrqEyILxQdOs60T_KPy5H0twbhmQCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSan%2BFrancisco%2Barrodillado%2Bcon%2Buna%2Bcalavera%2Ben%2Blas%2Bmanos%252C%2B1658%2B%2528Munich%252C%2BAlte%2BPinakothek%2529.jpg" width="510" /></a></div>
Francisco de Zurbarán - San Francisco arrodillado con una calavera en las manos, 1658<br />
(Munich, Alte Pinakothek)<br />
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<a href="https://3.bp.blogspot.com/-luFrKLLDSLo/WNQh8ZjApsI/AAAAAAAAjL8/_DgSMJlBQK06h3X1xrf8yx3qdoA6u1fqgCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSt%2BFrancis%2Bof%2BAssisi%2BReceiving%2Bthe%2BStigmata%2B%2528Museo%2Bde%2BSoumaya%252C%2BM%25C3%25A9xico%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-luFrKLLDSLo/WNQh8ZjApsI/AAAAAAAAjL8/_DgSMJlBQK06h3X1xrf8yx3qdoA6u1fqgCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSt%2BFrancis%2Bof%2BAssisi%2BReceiving%2Bthe%2BStigmata%2B%2528Museo%2Bde%2BSoumaya%252C%2BM%25C3%25A9xico%2529.jpg" width="489" /></a></div>
Francisco de Zurbarán - St Francis of Assisi Receiving the Stigmata<br />
(Museo de Soumaya, México)<br />
.<br />
<br />
<b>SAN BUENAVENTURA</b><br />
<br />
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Francisco de Zurbarán - La Elección del Papa, San Buenaventura en el Concilio de Lyon<br />
(San Buenaventura y el ángel), 1629<br />
Staatliche Dresden<br />
.<br />
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Francisco de Zurbarán - La Elección del Papa, San Buenaventura en el Concilio de Lyon<br />
(San Buenaventura y el ángel), 1629<br />
Staatliche Dresden<br />
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Francisco de Zurbarán - La Elección del Papa, San Buenaventura en el Concilio de Lyon, 1629<br />
(Musée du Louvre)<br />
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Francisco de Zurbarán - La Elección del Papa, San Buenaventura en el Concilio de Lyon, 1629<br />
(Musée du Louvre)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-lsxC8_5xRfE/WNQZQ5mjhDI/AAAAAAAAjJE/K2ImaavB5tgwJ0YPzlSeXv_ctKUh6BB4gCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSan%2BBuenaventura.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-lsxC8_5xRfE/WNQZQ5mjhDI/AAAAAAAAjJE/K2ImaavB5tgwJ0YPzlSeXv_ctKUh6BB4gCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSan%2BBuenaventura.jpg" width="356" /></a></div>
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Francisco de Zurbarán - San Buenaventura y Santo Tomás, 1629</div>
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(Iglesia de San Francisco el Grande (Madrid)</div>
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Francisco de Zurbarán - Exposición del cuerpo de San Buenaventura, 1629<br />
(Museo del Louvre)<br />
.<br />
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Francisco de Zurbarán - Exposición del cuerpo de San Buenaventura, 1629<br />
(Museo del Louvre)<br />
.<br />
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Francisco de Zurbarán - Exposición del cuerpo de San Buenaventura, 1629<br />
(Museo del Louvre)<br />
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<a href="https://1.bp.blogspot.com/-4Ktw-gkNdSM/WNQW84ZajLI/AAAAAAAAjH0/asoD9AckPTINcOSZxv6apXYjzN_Ryw37gCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BExposici%25C3%25B3n%2Bdel%2Bcuerpo%2Bde%2BSan%2BBuenaventura%252C%2B1629%2B%2528Museo%2Bdel%2BLouvre%2529_detalle.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-4Ktw-gkNdSM/WNQW84ZajLI/AAAAAAAAjH0/asoD9AckPTINcOSZxv6apXYjzN_Ryw37gCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BExposici%25C3%25B3n%2Bdel%2Bcuerpo%2Bde%2BSan%2BBuenaventura%252C%2B1629%2B%2528Museo%2Bdel%2BLouvre%2529_detalle.jpg" width="450" /></a></div>
Francisco de Zurbarán - Exposición del cuerpo de San Buenaventura, 1629 (detalle)<br />
(Museo del Louvre)<br />
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<b>Otros franciscanos</b><br />
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<a href="https://4.bp.blogspot.com/-PJiT4Vprcx8/WNQg-4QI0yI/AAAAAAAAjLw/ZF8v4fOq7UcBtQuYl2f5XIi1EfGfAoqIwCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSan%2BAntonio%2Bde%2BPadua%2Bcon%2Bel%2BNi%25C3%25B1o%2BJes%25C3%25BAs.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-PJiT4Vprcx8/WNQg-4QI0yI/AAAAAAAAjLw/ZF8v4fOq7UcBtQuYl2f5XIi1EfGfAoqIwCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSan%2BAntonio%2Bde%2BPadua%2Bcon%2Bel%2BNi%25C3%25B1o%2BJes%25C3%25BAs.jpg" width="462" /></a></div>
Francisco de Zurbarán - San Antonio de Padua con el Niño Jesús<br />
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<a href="https://1.bp.blogspot.com/-8rB4mKg8SGE/WNQh9InSMMI/AAAAAAAAjMA/_rv81LWvux4ZJZ20VzqaFyi-okbSklqiQCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BThe%2BVision%2Bof%2BSt.%2BAnthony%2Bof%2BPadua%252C%2Bca.%2B1630%2B%2528Kresge%2BArt%2BMuseum%252C%2BMichigan%2BState%2BUniversity%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-8rB4mKg8SGE/WNQh9InSMMI/AAAAAAAAjMA/_rv81LWvux4ZJZ20VzqaFyi-okbSklqiQCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BThe%2BVision%2Bof%2BSt.%2BAnthony%2Bof%2BPadua%252C%2Bca.%2B1630%2B%2528Kresge%2BArt%2BMuseum%252C%2BMichigan%2BState%2BUniversity%2529.jpg" width="384" /></a></div>
Francisco de Zurbarán - The Vision of St. Anthony of Padua, ca. 1630<br />
(Kresge Art Museum, Michigan State University)<br />
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<a href="https://3.bp.blogspot.com/-K_q6BHexX7E/WNQdIR2Wb2I/AAAAAAAAjJk/_Fa4ryukGlwE92Kyk55vrR9qUjXM--U0ACLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BApparition%2Bof%2Bthe%2BChild%2BJesus%2Bto%2BSaint%2BAnthony%2Bof%2BPadua%252C%2Bc%2B1627-1630%2B%2528S%25C3%25A3o%2BPaulo%252C%2BMuseum%2Bof%2BArt%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-K_q6BHexX7E/WNQdIR2Wb2I/AAAAAAAAjJk/_Fa4ryukGlwE92Kyk55vrR9qUjXM--U0ACLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BApparition%2Bof%2Bthe%2BChild%2BJesus%2Bto%2BSaint%2BAnthony%2Bof%2BPadua%252C%2Bc%2B1627-1630%2B%2528S%25C3%25A3o%2BPaulo%252C%2BMuseum%2Bof%2BArt%2529.jpg" width="424" /></a><br />
Francisco de Zurbarán - Apparition of the Child Jesus to Saint Anthony of Padua, c 1627-1630<br />
(São Paulo, Museum of Art)<br />
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Francisco de Zurbarán - San Antonio de Padua<br />
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<a href="https://2.bp.blogspot.com/-jJGwoJkTSZE/WNVrnGWqVfI/AAAAAAAAjVs/pwtJHdGVp0EA8NlaY5aMSKgD4Pc39-SFQCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BDidacus%2Bof%2BAlcal%25C3%25A1%252C%2Bcirca%2B1640%2B%2528Museo%2BLazaro%2BGaldiano%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-jJGwoJkTSZE/WNVrnGWqVfI/AAAAAAAAjVs/pwtJHdGVp0EA8NlaY5aMSKgD4Pc39-SFQCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BDidacus%2Bof%2BAlcal%25C3%25A1%252C%2Bcirca%2B1640%2B%2528Museo%2BLazaro%2BGaldiano%2529_.jpg" width="466" /></a></div>
Francisco de Zurbarán - San Diego de Alcalá, h 1640<br />
(Museo Lázaro Galdiano)<br />
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<a href="https://2.bp.blogspot.com/-r_4Y4TgaiD0/WNQg-Y1b0xI/AAAAAAAAjLo/umTKUdRAqWQ8HaXqEF1oc3shupjfcmmsQCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BDidacus%2Bof%2BAlcal%25C3%25A1%252C%2Bcirca%2B1640%2B%2528Museo%2BLazaro%2BGaldiano%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-r_4Y4TgaiD0/WNQg-Y1b0xI/AAAAAAAAjLo/umTKUdRAqWQ8HaXqEF1oc3shupjfcmmsQCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BDidacus%2Bof%2BAlcal%25C3%25A1%252C%2Bcirca%2B1640%2B%2528Museo%2BLazaro%2BGaldiano%2529.jpg" width="478" /></a></div>
Francisco de Zurbarán - San Diego de Alcalá, h 1640<br />
(Museo Lázaro Galdiano)<br />
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<a href="https://4.bp.blogspot.com/-NDvwZmY-EdA/WNQg-QOjImI/AAAAAAAAjLs/yv1UYr3mNyI6ulCafUGttNsY3wdU6f1jACLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSan%2BDiego%2Bde%2BAlcal%25C3%25A1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="600" src="https://4.bp.blogspot.com/-NDvwZmY-EdA/WNQg-QOjImI/AAAAAAAAjLs/yv1UYr3mNyI6ulCafUGttNsY3wdU6f1jACLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSan%2BDiego%2Bde%2BAlcal%25C3%25A1.jpg" width="640" /></a></div>
Francisco de Zurbarán - San Diego de Alcalá<br />
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<a href="https://4.bp.blogspot.com/-dt8AaIZFg6I/WNVqQuHbMWI/AAAAAAAAjVg/MbAlXS_3PvoUJ2_NlHcbpciWIO_MTs3_gCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSan%2BJacobo%2Bde%2Bla%2BMarca.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-dt8AaIZFg6I/WNVqQuHbMWI/AAAAAAAAjVg/MbAlXS_3PvoUJ2_NlHcbpciWIO_MTs3_gCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSan%2BJacobo%2Bde%2Bla%2BMarca.jpg" width="360" /></a></div>
Francisco de Zurbarán - San Jacobo de la Marca, 1659-60<br />
(Museo del Prado)<br />
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<a href="https://2.bp.blogspot.com/-YlqDhr8W6D4/WNQh-JM9AtI/AAAAAAAAjME/Hjw3zfsQHsU7x-7Fs0CJiPPhHDc5k-UggCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BJames%2Bof%2Bthe%2BMarches%252C%2B1659-60%2B%2528Museo%2Bdel%2BPrado%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-YlqDhr8W6D4/WNQh-JM9AtI/AAAAAAAAjME/Hjw3zfsQHsU7x-7Fs0CJiPPhHDc5k-UggCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BJames%2Bof%2Bthe%2BMarches%252C%2B1659-60%2B%2528Museo%2Bdel%2BPrado%2529.jpg" width="352" /></a></div>
Francisco de Zurbarán - San Jacobo de la Marca, 1659-60<br />
(Museo del Prado)<br />
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<a href="https://4.bp.blogspot.com/-Hj_QqmcWG9w/WNZD0oqtmmI/AAAAAAAAjYE/RMEg9fAiXVwz8sk2R3I7BDlSAsyfo9xQwCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSeparador%2B7_.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="126" src="https://4.bp.blogspot.com/-Hj_QqmcWG9w/WNZD0oqtmmI/AAAAAAAAjYE/RMEg9fAiXVwz8sk2R3I7BDlSAsyfo9xQwCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSeparador%2B7_.png" width="640" /></a></div>
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<b>DOMINICOS</b></div>
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<a href="https://4.bp.blogspot.com/-DkD0DBAPjhg/WNOT0f9mYNI/AAAAAAAAjEo/jCPp0xE9kww92K5BJac5TIWz6B7HrZaowCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BMilagrosa%2BCuraci%25C3%25B3n%2Bdel%2BBeato%2BReginaldo%2Bde%2BOrl%25C3%25A9ans%252C%2B1626%2B%2528Iglesia%2Bde%2BSanta%2BMar%25C3%25ADa%2BMagdalena%2B%25E2%2580%2594San%2BPablo%2Bel%2BReal%252C%2BSevilla%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="528" src="https://4.bp.blogspot.com/-DkD0DBAPjhg/WNOT0f9mYNI/AAAAAAAAjEo/jCPp0xE9kww92K5BJac5TIWz6B7HrZaowCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BMilagrosa%2BCuraci%25C3%25B3n%2Bdel%2BBeato%2BReginaldo%2Bde%2BOrl%25C3%25A9ans%252C%2B1626%2B%2528Iglesia%2Bde%2BSanta%2BMar%25C3%25ADa%2BMagdalena%2B%25E2%2580%2594San%2BPablo%2Bel%2BReal%252C%2BSevilla%2529.jpg" width="640" /></a></div>
Francisco de Zurbarán - Milagrosa Curación del Beato Reginaldo de Orleans, 1626<br />
(Iglesia de Santa María Magdalena —San Pablo el Real, Sevilla)<br />
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<a href="https://2.bp.blogspot.com/-HsdXyRTzM7E/WNORykML1MI/AAAAAAAAjEQ/HSjf3GUx3I4X9tg1YIxWhnMxMPe9ZayLwCEw/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BMiraculous%2BHealing%2Bof%2Bthe%2BBlessed%2BReginald%2Bof%2BOrleans%252C%2B1626%2B%2528Iglesia%2Bde%2Bla%2BMagdalena%252C%2BSevilla%2529.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="520" src="https://2.bp.blogspot.com/-HsdXyRTzM7E/WNORykML1MI/AAAAAAAAjEQ/HSjf3GUx3I4X9tg1YIxWhnMxMPe9ZayLwCEw/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BMiraculous%2BHealing%2Bof%2Bthe%2BBlessed%2BReginald%2Bof%2BOrleans%252C%2B1626%2B%2528Iglesia%2Bde%2Bla%2BMagdalena%252C%2BSevilla%2529.png" width="640" /></a></div>
Francisco de Zurbarán - Milagrosa Curación del Beato Reginaldo de Orleans, 1626<br />
(Iglesia de Santa María Magdalena —San Pablo el Real, Sevilla)<br />
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<a href="https://4.bp.blogspot.com/-74jn3IMSuZI/WNOT0tRj1QI/AAAAAAAAjEs/o1v1FnsI44EjdXkhb7FcV-l_vBrumHgkwCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSanto%2BDomingo%2Ben%2BSoriano%2B%2528The%2BApparition%2Bof%2Bthe%2BVirgin%2Bto%2Ba%2BMonk%2Bof%2BSoriano%2529%252C%2B1626%2B%2528Parroquia%2Bde%2Bsanta%2BMar%25C3%25ADa%2BMagdalena%252C%2BSevilla%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="532" src="https://4.bp.blogspot.com/-74jn3IMSuZI/WNOT0tRj1QI/AAAAAAAAjEs/o1v1FnsI44EjdXkhb7FcV-l_vBrumHgkwCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSanto%2BDomingo%2Ben%2BSoriano%2B%2528The%2BApparition%2Bof%2Bthe%2BVirgin%2Bto%2Ba%2BMonk%2Bof%2BSoriano%2529%252C%2B1626%2B%2528Parroquia%2Bde%2Bsanta%2BMar%25C3%25ADa%2BMagdalena%252C%2BSevilla%2529.jpg" width="640" /></a></div>
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Francisco de Zurbarán - Santo Domingo en Soriano, 1626</div>
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(Parroquia de santa María Magdalena, Sevilla)</div>
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<a href="https://2.bp.blogspot.com/-5O0ToRcIVwI/WNOR4li0kFI/AAAAAAAAjEQ/uR1g6gNXoXYpMeGMigaGNzYvjZrGb9FlgCEw/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSanto%2BDomingo%2Ben%2BSoriano%2B%2528The%2BApparition%2Bof%2Bthe%2BVirgin%2Bto%2Ba%2BMonk%2Bof%2BSoriano%2529%252C%2B1626%2B%2528Parroquia%2Bde%2Bsanta%2BMar%25C3%25ADa%2BMagdalena%252C%2BSevilla%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="530" src="https://2.bp.blogspot.com/-5O0ToRcIVwI/WNOR4li0kFI/AAAAAAAAjEQ/uR1g6gNXoXYpMeGMigaGNzYvjZrGb9FlgCEw/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSanto%2BDomingo%2Ben%2BSoriano%2B%2528The%2BApparition%2Bof%2Bthe%2BVirgin%2Bto%2Ba%2BMonk%2Bof%2BSoriano%2529%252C%2B1626%2B%2528Parroquia%2Bde%2Bsanta%2BMar%25C3%25ADa%2BMagdalena%252C%2BSevilla%2529_.jpg" width="640" /></a></div>
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Francisco de Zurbarán - Santo Domingo en Soriano, 1626</div>
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(Parroquia de santa María Magdalena, Sevilla)</div>
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Francisco de Zurbarán - Apoteósis de Santo Tomás de Aquino, 1631<br />
(MBASE)<br />
.<br />
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<a href="https://1.bp.blogspot.com/-0-2YqP75CrQ/WNOTuUJRaMI/AAAAAAAAjEg/5Op6io7ypZw1w03NhVNE_ZrZgLturTUzwCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BApote%25C3%25B3sis%2Bde%2BSanto%2BTom%25C3%25A1s%2Bde%2BAquino%252C%2B1631%2B%2528MBASE%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-0-2YqP75CrQ/WNOTuUJRaMI/AAAAAAAAjEg/5Op6io7ypZw1w03NhVNE_ZrZgLturTUzwCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BApote%25C3%25B3sis%2Bde%2BSanto%2BTom%25C3%25A1s%2Bde%2BAquino%252C%2B1631%2B%2528MBASE%2529.jpg" width="504" /></a></div>
Francisco de Zurbarán - Apoteósis de Santo Tomás de Aquino, 1631<br />
(MBASE)<br />
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<a href="https://3.bp.blogspot.com/-TjNuiMZY18Y/WNasde4HkZI/AAAAAAAAjZM/mI_13WKerpg6c18W60Xx_Yk6V0O1r2riACLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSanto%2BDomingo%2Bde%2BGuzm%25C3%25A1n%2B%2528Liria%252C%2BFundaci%25C3%25B3n%2BCasa%2Bde%2BAlba%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-TjNuiMZY18Y/WNasde4HkZI/AAAAAAAAjZM/mI_13WKerpg6c18W60Xx_Yk6V0O1r2riACLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSanto%2BDomingo%2Bde%2BGuzm%25C3%25A1n%2B%2528Liria%252C%2BFundaci%25C3%25B3n%2BCasa%2Bde%2BAlba%2529_.jpg" width="467" /></a></div>
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Francisco de Zurbarán - Santo Domingo de Guzmán</div>
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(Liria, Fundación Casa de Alba)</div>
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Francisco de Zurbarán - El beato Enrique Susón, 1.636-38<br />
(Convento santo Domingo de Portacoeli)<br />
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Francisco de Zurbarán - El beato Enrique Susón, 1.636-38<br />
(Convento santo Domingo de Portacoeli)<br />
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Francisco de Zurbarán - El beato Tomás de Zumárraga, 1630-35<br />
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Francisco de Zurbarán - Saint Louis Bertrand, ca. 1636-38<br />
(Museo de Bellas Artes de Sevilla)<br />
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<a href="https://2.bp.blogspot.com/-6xLmsFfrTJM/WNOTyD8Ch4I/AAAAAAAAjEk/0AP6IQ8llH8GUGf6ASXrAPYDvuA1Iv_cQCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BLouis%2BBertrand%252C%2Bca.%2B1636-38%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BSevilla%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-6xLmsFfrTJM/WNOTyD8Ch4I/AAAAAAAAjEk/0AP6IQ8llH8GUGf6ASXrAPYDvuA1Iv_cQCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSaint%2BLouis%2BBertrand%252C%2Bca.%2B1636-38%2B%2528Museo%2Bde%2BBellas%2BArtes%2Bde%2BSevilla%2529.jpg" width="480" /></a><br />
Francisco de Zurbarán - Saint Louis Bertrand, ca. 1636-38<br />
(Museo de Bellas Artes de Sevilla)<br />
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Francisco de Zurbarán - San Pedro (de Verona) Mártir<br />
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<b>JERÓNIMOS</b></div>
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<b><br /></b></div>
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Francisco de Zurbarán - Ciclo de los Jerónimos_The Charity of Fray Martín de Vizcaya, 1639<br />
Real Monasterio de Guadalupe<br />
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Francisco de Zurbarán - Ciclo de los Jerónimos_Fray Diego de Orgaz vanquishing temptations, 1639<br />
Real Monasterio de Guadalupe<br />
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Francisco de Zurbarán - Ciclo de los Jerónimos_The Vision of Fray Pedro de Salamanca<br />
Real Monasterio de Guadalupe<br />
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Francisco de Zurbarán - Ciclo de los Jerónimos_Fray Juan de Carrión awaiting death in prayer<br />
Real Monasterio de Guadalupe<br />
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Francisco de Zurbarán - Ciclo de los Jerónimos_Fray Gonzalo de Illescas<br />
Real Monasterio de Guadalupe<br />
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Francisco de Zurbarán - Ciclo de los Jerónimos_Fray Gonzalo de Illescas<br />
Real Monasterio de Guadalupe<br />
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Francisco de Zurbarán - Ciclo de los Jerónimos_La Misa de Fray Pedro de Cabañuelas<br />
(Real Monasterio de Guadalupe)<br />
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Francisco de Zurbarán - Ciclo de los Jerónimos_The Vision of Fray Andrés Salmerón, 1639-1640<br />
Real Monasterio de Nuestra Señora de Guadalupe<br />
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Francisco de Zurbarán - Ciclo de los Jerónimos_The Vision of Fray Andrés Salmerón, 1639-1640</div>
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Real Monasterio de Nuestra Señora de Guadalupe</div>
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Francisco de Zurbarán - Saint Jerome with Saint Paula and Saint Eustochium, 1640-50<br />
National Gallery of Art, Washington<br />
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<b>OTRAS ÓRDENES</b></div>
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Francisco de Zurbarán - Visión de San Alonso Rodríguez, 1630<br />
(Real Academia de Bellas Artes de San Fernando, Madrid)<br />
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Francisco de Zurbarán - Visión de San Alonso Rodríguez, 1630 (detalle)<br />
(Real Academia de Bellas Artes de San Fernando, Madrid)<br />
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Francisco de Zurbarán - Saint Benedict, 1640-45<br />
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Francisco de Zurbarán - San Juan de la Cruz, 1656</div>
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Katowice, Archdiocesan Museum</div>
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<a href="https://1.bp.blogspot.com/-GYQ5xtqUeKA/WNT1ZDJhoGI/AAAAAAAAjOA/lwxEHICMN6I-9SHKKErfCdZ0QohM2P2nACLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSan%2BPedro%2BTom%25C3%25A1s%2B%2528Museum%2Bof%2BFine%2BArts%2Bof%2BBoston%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-GYQ5xtqUeKA/WNT1ZDJhoGI/AAAAAAAAjOA/lwxEHICMN6I-9SHKKErfCdZ0QohM2P2nACLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSan%2BPedro%2BTom%25C3%25A1s%2B%2528Museum%2Bof%2BFine%2BArts%2Bof%2BBoston%2529.jpg" width="222" /></a></div>
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Francisco de Zurbarán - San Pedro Tomás</div>
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Museum of Fine Arts of Boston</div>
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<b><span style="color: blue;">CRUCIFIXIONES</span></b></div>
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Francisco de Zurbarán - Cristo en la Cruz, 1627 </div>
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(Instituto de Arte de Chicago)</div>
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Francisco de Zurbarán - Cristo en la Cruz, 1627 </div>
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(Instituto de Arte de Chicago)</div>
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Francisco de Zurbarán - Cristo crucificado, 1.635<br />
(MBASE)<br />
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Francisco de Zurbarán - Cristo crucificado, 1.638-40<br />
(Colección Masaveu, Oviedo)<br />
.<a href="https://4.bp.blogspot.com/-bHLduomempM/WNUAbYHw5MI/AAAAAAAAjP0/clgEVri2680k8jH2UsU8eQIOftzZgMe7gCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BCristo%2Bcrucificado%252C%2B1.630-40%2B%2528MBASE%2529%2B%252B%2BCristo%2Bmuerto%2Ben%2Bla%2BCruz%252C%2B1638-40%2B%2528Colecci%25C3%25B3n%2BMasaveu%252C%2BOviedo%2529_.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="512" src="https://4.bp.blogspot.com/-bHLduomempM/WNUAbYHw5MI/AAAAAAAAjP0/clgEVri2680k8jH2UsU8eQIOftzZgMe7gCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BCristo%2Bcrucificado%252C%2B1.630-40%2B%2528MBASE%2529%2B%252B%2BCristo%2Bmuerto%2Ben%2Bla%2BCruz%252C%2B1638-40%2B%2528Colecci%25C3%25B3n%2BMasaveu%252C%2BOviedo%2529_.png" width="640" /></a><br />
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Francisco de Zurbarán - Cristo en la Cruz, c 1650<br />
(Museo del Hermitage. San Petersburgo. Rusia)<br />
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<a href="https://4.bp.blogspot.com/-dBod5Luofo0/WNT7uEhI0fI/AAAAAAAAjO4/O5nDiwTwS94-AeL27EiH7XGwywXU-o8uACLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BCristo%2Bmuerto%2Ben%2Bla%2BCruz%2B%2528Iglesia%2Bde%2Bla%2BGranada%252C%2BLlerena%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-dBod5Luofo0/WNT7uEhI0fI/AAAAAAAAjO4/O5nDiwTwS94-AeL27EiH7XGwywXU-o8uACLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BCristo%2Bmuerto%2Ben%2Bla%2BCruz%2B%2528Iglesia%2Bde%2Bla%2BGranada%252C%2BLlerena%2529.jpg" width="480" /></a></div>
Francisco de Zurbarán - Cristo muerto en la Cruz<br />
(Iglesia de la Granada, Llerena)<br />
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Francisco de Zurbarán - Cristo muerto en la Cruz<br />
(Iglesia de la Granada, Llerena)<br />
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Francsico de Zurbarán- Cristo crucificado con un donante</div>
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(Museo del Prado)</div>
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Francisco de Zurbarán - Christ on the Cross<br />
(Museo Thyssen-Bornemisza)<br />
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Francisco de Zurbarán - Cristo crucificado, 1.630-40<br />
(MBASE)<br />
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Francisco de Zurbarán - Cristo crucificado, 1.630-40<br />
(MBASE)<br />
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Francisco de Zurbarán - Crucifixión, c 1630<br />
(Museo de Arte de Ponce, Puerto Rico)<br />
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Francisco de Zurbarán - Jesús crucificado expirante, hacia 1630-40<br />
Museo de Bellas Artes de Sevilla<br />
.<br />
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Francisco de Zurbarán - Jesús crucificado expirante, hacia 1630-40<br />
Museo de Bellas Artes de Sevilla<br />
.<br />
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Francisco de Zurbarán - The crucified Christ with Saint John, Mary Magdalene and the Virgin, 1655</div>
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(Private Collection)</div>
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Francisco de Zurbarán - Cristo crucificado, con un pintor (San Lucas, él mismo), 1630-39<br />
(Museo del Prado)<br />
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Francisco de Zurbarán (Taller) - Cristo crucificado<br />
(MET)<br />
.<br />
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Francisco de Zurbarán (Taller) - Cristo crucificado<br />
(MET)<br />
.<br />
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<b><span style="color: blue;">INMACULADAS</span></b></div>
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<br /></div>
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Francisco de Zurbarán - Inmaculada Concepción, 1630–1635<br />
(Museo del Prado)<br />
.<br />
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Francisco de Zurbarán - Inmaculada Concepción niña, 1630 (Concepción de Jadraque)<br />
(Museo Diocesano de Arte Antiguo Sigüenza, en Guadalajara)<br />
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Francisco de Zurbarán - Inmaculada Concepción niña, 1630 (Concepción de Jadraque)<br />
(Museo Diocesano de Arte Antiguo Sigüenza, en Guadalajara)<br />
.<br />
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Francisco de Zurbarán - Inmaculada Concepción niña, 1656<br />
(Colección Plácido Arango)<br />
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Francisco de Zurbarán - Inmaculada Concepción niña, 1656<br />
(Colección Plácido Arango)<br />
.<br />
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Francisco de Zurbarán - Inmaculada Concepción, 1630<br />
(Museo Lázaro Galdiano (Madrid)<br />
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Francisco de Zurbarán - Inmaculada Concepción, 1630</div>
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(Catedral de Sevilla)</div>
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Francisco de Zurbaran - Inmaculada Concepción, 1660<br />
(National Gallery of Ireland)<br />
.<br />
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Francisco de Zurbaran - Inmaculada Concepción, 1660<br />
(National Gallery of Ireland)<br />
.<br />
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Francisco de Zurbarán - Inmaculada Concepción, 1632<br />
(Museo Nacional de Arte de Cataluña)<br />
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Francisco de Zurbarán - Inmaculada Concepción, 1632<br />
(Museo Nacional de Arte de Cataluña)<br />
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Francisco de Zurbarán - Inmaculada Concepción, 1635<br />
(Ayuntamiento de Sevilla)<br />
.<br />
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Francisco de Zurbarán - Inmaculada Concepción, 1635-37<br />
(San Juan Bautista de Marchena)<br />
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Francisco de Zurbarán - Inmaculada Concepción, 1635-37<br />
(San Juan Bautista de Marchena)<br />
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Francisco de Zurbarán - Inmaculada Concepción, 1636<br />
(Colección Particular)<br />
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Francisco de Zurbarán - Inmaculada Concepción, 1640<br />
(Museo Cerralbo)<br />
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Francisco de Zurbarán - Inmaculada Concepción, 1661<br />
(Szépmüvészeti Múzeum (Budapest))<br />
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Francisco de Zurbarán - Inmaculada Concepción, 1661<br />
(Szépmüvészeti Múzeum (Budapest))<br />
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Francisco de Zurbarán - Inmaculada Concepción, 1661<br />
(Eglise Saint Gervais et Saint Protais (Langon))<br />
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Francisco de Zurbarán - Inmaculada Concepción 1625<br />
[Colección Joaquín Rivero (Bodegas Tradición), Jerez]<br />
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Francisco de Zurbarán - La Inmaculada Concepción con San Joaquín y Santa Ana, 1638<br />
(National Gallery (Edimburgo)<br />
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Francisco de Zurbarán - La Inmaculada Concepción con San Joaquín y Santa Ana, 1638<br />
(National Gallery (Edimburgo)<br />
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Francisco de Zurbarán - La Inmaculada Concepción, 1632<br />
(Museo Nacional de Arte de Cataluña, Barcelona)<br />
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<a href="https://1.bp.blogspot.com/-G1Cq0QmFcQE/WNUGfH_9xCI/AAAAAAAAjRc/wpKJDY2j2kgPw2aNGh5kHZ7Uwn9LmFQrgCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BLa%2BInmaculada%2BConcepci%25C3%25B3n%252C%2B1632%2B%2528Museu%2BNacional%2Bd%2527Art%2Bde%2BCatalunya%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-G1Cq0QmFcQE/WNUGfH_9xCI/AAAAAAAAjRc/wpKJDY2j2kgPw2aNGh5kHZ7Uwn9LmFQrgCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BLa%2BInmaculada%2BConcepci%25C3%25B3n%252C%2B1632%2B%2528Museu%2BNacional%2Bd%2527Art%2Bde%2BCatalunya%2529.jpg" width="424" /></a></div>
Francisco de Zurbarán - La Inmaculada Concepción, 1632<br />
(Museo Nacional de Arte de Cataluña, Barcelona)<br />
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Francisco de Zurbarán - La Inmaculada Concepción, 1632<br />
(Museo Nacional de Arte de Cataluña, Barcelona)<br />
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<b><span style="color: blue;">SANTAS VÍRGENES</span></b></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
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Francisco de Zurbarán - Santa Marina de Aguas Santas<br />
(Hospital de las Cinco Llagas)<br />
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Francisco de Zurbarán - Saint Catherine of Alexandria, c. 1635-40<br />
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Francisco de Zurbarán - Saint Dorothea, c. 1648<br />
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Francisco de Zurbarán - Santa Apollonia of Antioquia<br />
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Francisco de Zurbarán - Santa Apollonia of Antioquia<br />
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Francisco de Zurbarán - Santa Apollonia of Antioquia (detalle)<br />
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<a href="https://1.bp.blogspot.com/-suaYM6OWoXs/WNUJopC9bMI/AAAAAAAAjSQ/ybgy1dpELKkExzYXzn534p_QwFXEeZTUwCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSanta%2BB%25C3%25A1rbara%252C%2Bh%2B1650%2B%2528Hospital%2Bde%2Blas%2BCinco%2BLlagas%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-suaYM6OWoXs/WNUJopC9bMI/AAAAAAAAjSQ/ybgy1dpELKkExzYXzn534p_QwFXEeZTUwCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSanta%2BB%25C3%25A1rbara%252C%2Bh%2B1650%2B%2528Hospital%2Bde%2Blas%2BCinco%2BLlagas%2529.jpg" width="368" /></a></div>
Francisco de Zurbarán - Santa Bárbara, h 1650<br />
(Hospital de las Cinco Llagas)<br />
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<a href="https://4.bp.blogspot.com/-LxDYguoL094/WNUJnB2kIII/AAAAAAAAjSM/saaFr-mEJ9oIggztd7m4g-CQ4g2aV6AlgCLcB/s1600/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSanta%2BCasilda%252C%2Bc%2B1635%2B%2528Museo%2BThyssen-Bornemisza%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-LxDYguoL094/WNUJnB2kIII/AAAAAAAAjSM/saaFr-mEJ9oIggztd7m4g-CQ4g2aV6AlgCLcB/s640/Francisco%2Bde%2BZurbar%25C3%25A1n%2B-%2BSanta%2BCasilda%252C%2Bc%2B1635%2B%2528Museo%2BThyssen-Bornemisza%2529.jpg" width="388" /></a></div>
Francisco de Zurbarán - Santa Casilda, c 1635<br />
(Museo Thyssen-Bornemisza)<br />
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Francisco de Zurbarán - Santa Catalina<br />
(Hospital de las Cinco Llagas)<br />
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Francisco de Zurbarán - Santa Águeda<br />
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Francisco de Zurbarán - Santa Águeda (detalle)</div>
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.x</div>
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Francisco de Zurbarán - Santa Catalina de Alejandría, 1635-40<br />
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Francisco de Zurbarán - Santa Catalina de Alejandría, 1635-40<br />
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Francisco de Zurbarán - Santa Dorotea, 1640<br />
(MBASE) (Hospital de las Cinco Llagas)<br />
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Francisco de Zurbarán - Santa Engracia, 1640-50<br />
(Hospital de las Cinco Llagas)<br />
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Francisco de Zurbarán - Santa Eufemia, 1637</div>
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(Palazzo Bianco (Musei di Strada Nuova, Genova)</div>
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Francisco de Zurbarán - Santa Eulalia de Mérida, 1640-50<br />
(Hospital de las Cinco Llagas)<br />
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Francisco de Zurbarán - Santa Inés, 1640-50<br />
(Hospital de las Cinco Llagas)<br />
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Francisco de Zurbarán - Santa Isabel de Hungría, 1640-50<br />
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Francisco de Zurbarán - Santa Isabel de Portugal, 1630-35<br />
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Francisco de Zurbarán - Santa Margarita de Antioquía<br />
(National Gallery of Art, London)<br />
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Francisco de Zurbarán - Santa Margarita de Antioquía<br />
(National Gallery of Art, London)<br />
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Francisco de Zurbarán - Santa Matilda, 1640-50<br />
(Hospital de las Cinco Llagas)<br />
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Francisco de Zurbarán - Santa Rufina, 1635-40<br />
(National Gallery of Ireland, Dublin)<br />
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Francisco de Zurbarán - Santa Rufina, 1638-1642<br />
(Hispanic Society of America (New York)<br />
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Francisco de Zurbarán - Santa Úrsula, 1641-58<br />
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Francisco de Zurbarán - Santa Úrsula, 1641-58<br />
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Francisco de Zurbarán - Santa Úrsula_2<br />
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Francisco de Zurbarán - Santas Justa y Rufina</div>
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(Kingston Lacy Estate, Dorset National Gallery of Ireland, Dublin)</div>
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Francisco de Zurbarán - Saint Lucy<br />
(National Gallery of Art, Washington)<br />
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Francisco de Zurbarán - Santa Catalina de Alejandría, 1635-40<br />
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Francisco de Zurbarán - Santa Eufemia<br />
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Francisco de Zurbarán - Santa Isabel de Hungría, 1635-40<br />
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Francisco de Zurbarán - Santa Marina de Aguas Santas, 1640-50<br />
(Museo Thyssen Bornemisza)<br />
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Francisco de Zurbarán - Santa Rufina, c 1640</div>
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(The Fitzwilliam Museum, University of Cambridge, UK)</div>
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Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-5464569323978413729.post-40045298534363676152017-03-10T10:00:00.000+01:002017-03-10T10:00:00.157+01:00 Caravaggio y los caravaggistas (XIV). Italia (6): Los epígonos de Caravaggio en Nápoles (4) - GALERÍA: José de Ribera "Lo Spagnoleto" (2)<br />
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<b><span style="color: blue; font-size: large;">Los epígonos de Caravaggio en Nápoles (4)</span></b></div>
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<b><span style="font-size: large;">José de Ribera</span></b></div>
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<b><span style="font-size: large;"> <i>Jusepe </i>de Ribera,<i> </i></span></b><b><i><span style="font-size: large;">Lo Spagnoleto</span></i></b></div>
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<b>(1591-1652)</b><br />
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<b><span style="font-size: large;">(II)</span></b></div>
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<b><span style="font-family: "georgia" , "times new roman" , serif;">Técnica y Estilo</span></b></div>
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<span style="color: white;">.....</span>Indudablemente, José de Ribera, además de poseer un gran talento como dibujante, puede considerarse uno de los más genuinos seguidores de Caravaggio desde el primer momento, tras su llegada a Roma. Hasta entonces, en su casi desconocida obra anterior (la que realizó como aprendiz de, posiblemente, Ribalta en Valencia, y en sus primeros años en el norte de Italia), de tintes tardo manieristas e inspiración clásica, el color imperaba sobre el claroscuro. Tras apostar por el estilo del maestro florentino, pletórico de naturalidad y potente claroscuro, con el que se identificó inmediata y completamente, llevó este estilo hasta su más extrema expresión tenebrista. Le faltó a Ribera, en ese su asimilar el estilo caravaggiesco, asumir también su <i>corpus </i>temático, como sí harían casi todos los seguidores aquí citados anteriormente, tanto italianos como del norte de Europa. Ribera, en este sentido, es más original: asimila el revolucionario modo de expresión de Caravaggio, pero reservándose para sí su impronta particular. Pagará así, con generosa personalidad, la deuda adquirida con Michelangelo Merisi. Será un transmisor de las renovadoras ideas pictóricas de éste, pero tamizadas a través de su propio genio. Si Ribera adopta decididamente el claroscuro, lo llevará hasta la exaltación; si el naturalismo, hará de él su santo y seña, presentándolo de la forma más cruda; si el minimalismo cromático, su paleta se estrechará inverosímilmente; si la composición realista, no geométrica, sus cuadros son verdaderos escenarios de la realidad menos sometida a reglas y medidas, es decir, más ordenadamente caótica. Ribera, de todos los caravaggistas aquí tratados anteriormente, es el más autónomo y auténtico. Por esto mismo será maestro de pintores. </div>
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<span style="color: white;">.....</span>Se dice de él que empastaba sobrecargadamente sus telas, hasta casi dar volumen tridimensional a la pintura. La razón de esto hay que buscarla en el soporte utilizado: los lienzos napolitanos estaban constituidos por un tejido de entramado más abierto, tipo saco, que el que se utilizaba en el norte. Era necesario, pues, empastar suficientemente las telas para ocultar la trama. También esa característica le venía bien a su estilo. Se sabe que en su etapa más tenebrista (desde 1616-18 a 1630's), preparaba los lienzos dando diversas capas de tonos ocres como fondo, extendiendo sobre ellas el color o la luminosidad de los blancos, produciendo así fuertes contrastes, facilitando las veladuras y transparencias y agudizando el claroscuro. En sus series sobre filósofos o santos, donde la oscuridad puede llegar a cubrir dos tercios del cuadro, el color se halla fuertemente asimilado al fondo, y es la luminosidad de la piel la que da profundidad a la escena. El detallismo casi hiperrealista con que plasma la textura de la piel en los rasgos del rostro, del tronco o de las extremidades, su pormenorizada iluminación, la meticulosidad en los matices, provocan esa sensación de fuerte dramatismo de los personajes. Finas e innúmeras pinceladas que consiguen dar esa textura y meticulosa policromía inigualable a la dermis de sus figuras: es una característica de su estilo.<br />
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<span style="color: white;">.....</span>Fue Ribera un pintor ágil y dotado que gustaba de pintar al natural, con el modelo presente, sin bocetos preparatorios; sólo así —decía él mismo— puede captarse el detalle, la luz, la expresión genuina de los cuerpos, el mensaje que porta su expresividad natural, y no la que quiera infundirle la memoria del pintor a partir sólo de un dibujo. Luego, a la vista del resultado que de la composición real quedaba en el marco bidimensional del cuadro, enmendaba sobre la marcha ideas no del todo satisfactorias, o insuficientemente expresivas para la intención del pintor. Así, mediante los modernos análisis con rayos X, se han desvelado estas enmiendas en varios de sus cuadros, como en el caso de <i>La Piedad</i>, de 1633, actualmente en el Museo Thyssen-Bornemisza, en el que el brazo derecho de Cristo, originalmente vertical, sostenido por la mano de San Juan, acabaría enmendado —en la obra final se nos presenta caído en el costado, con la mano derecha reposando sobre el lienzo de pureza—, de esta forma se aísla el cadáver del Salvador de los rostros de María y Juan, dando con ello una atmósfera más irreal y oscura a los vivos (que parecen flotar como ectoplasmas sobre Cristo) y patentizando la realidad incontestable y luminosa del muerto.<br />
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<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-NsJ8Ghbd3Do/WLp0_-zH0SI/AAAAAAAAi_E/yElxawR1tGM0QsgM0DvazyyANMxQQwxLACLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BThe%2BPiet%25C3%25A1%252C%2B1633%2B%2528Museo%2BThyssen%2BBornemisza%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="297" src="https://4.bp.blogspot.com/-NsJ8Ghbd3Do/WLp0_-zH0SI/AAAAAAAAi_E/yElxawR1tGM0QsgM0DvazyyANMxQQwxLACLcB/s400/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BThe%2BPiet%25C3%25A1%252C%2B1633%2B%2528Museo%2BThyssen%2BBornemisza%2529.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>La Piedad</i>, 1633. José de Ribera. Museo Thyssen-Bornemisza</td></tr>
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<span style="color: white;">.....</span>Si en algo <i>Jusepe </i>es un maestro aún más consumado es en la expresividad de sus personajes. Ribera, en esto, sigue a Caravaggio —su insobornable naturalismo—, pero haciéndolo bajo su propio guión. Tanto en las escenas más truculentas y dinámicas como en las más intimistas y psicológicas, gusta el <i>setavense </i>de profundizar en las emociones que los personajes sienten y exhiben. Y para ello no recurre al esperpento o la caricatura, no echa mano de la exageración, sino del legítimo recurso que le brinda el talento y una poderosa imaginación para plasmar mediante la presentación adecuada de las figuras, de sus gestos, de sus escorzos, de su iluminación, de la precisión de sus rasgos anatómicos, del matizado cromatismo, toda la tensión emotiva que requiere el momento representado. En esto es, también, decididamente barroco sin dejar de ser tenebrista: no hay más que observar la serie de cuatro cuadros denominada <i>Las Furias —</i>que representan el castigo dado por Zeus a cuatro de los Gigantes rebelados contra él: <i>Ixión</i>, <i>Ticio</i>, <i>Sísifo </i> y <i>Tántalo</i>, sitos en el Museo del Prado; o el <i>Sileno Ebrio</i>, del Museo de Capodimonte, en Nápoles; o los <i>San Sebastián atendido por Santa Irene</i> de Bilbao y de San Marino; y, sobre todo, en sus <i>Pietàs </i>(la del Thyssen, la de las Agustinas de Salamanca, la de San Martino y la de la Catedral de Maria Santissima Assunta)<i> </i>y en su <i>Calvario </i>(o <i>La expiración de Cristo</i>), de Osuna.<br />
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<span style="color: white;">.....</span>Esa expresividad alcanza un sumo grado de maestría en las representaciones de ancianos, obras dedicadas a los santos y filósofos, sobre todo: las series de <i>San Pedro</i>, su <i>San José</i> de 1635 (Musée des Beaux-Arts de Montréal), los <i>San Jerónimo</i>, los <i>San Bartolomés</i>, los <i>San Andrés</i>; y los filósofos <i>Protágoras, Arquímedes, Heráclito, Anaxágoras, Demócrito, Diógenes, Tales </i>o<i> Euclides.</i> Así mismo, esa misma depurada expresión aportada por los rasgos fisiognómicos puede constatarse en <i>La mujer barbuda </i>o <i>Una vieja usurera</i>; también, cómo no, en las escenas de martirios. Ni qué decir tiene, en apoyo de esa maestría expresiva, la importancia de su excelencia como dibujante, no sólo de la anatomía humana, sino de las cosas en general, algo que ya demostró sobradamente con los grabados realizados en la década de los años 20 del siglo XVII, y que fueron tan celebrados en toda Europa. Su sentido de la medida y la proporción de los diferentes elementos figurativos del cuadro, de la disposición perspectiva, de esos mismos elementos, su dominio de los planos escorzados que puede adoptar el cuerpo humano, la viveza y el realismo de las miradas, de las texturas dérmicas, todo ello en consonancia con la siempre acentuada y adecuada iluminación y la precisa graduación cromática, dan como resultado: un realismo descarnado, cuando lo que se pretende es mostrar una escena descarnada; o un naturalismo psicológico, cuando se trata de escenas intimistas.<br />
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<span style="color: white;">.....</span>Es mi costumbre apelar a la mayor o menor destreza de un artista a la hora de recrear las manos de los personajes plasmados en el lienzo para determinar la calidad del pintor en cuestión. En este sentido José de Ribera es un maestro absoluto. Si grande es su maestría a la hora de recoger los rasgos anatómicos o fisiognómicos —y aun psicológicos— de los protagonistas de sus cuadros, el protagonismo de las manos, después del de los rostros, y, en su caso, de los cuerpos desnudos (en los martirologios), es fundamental. En los retratos de santos o filósofos, la expresión del retratado nos llega desde el rostro y la cabeza (en cualquiera de sus planos), pero también desde las manos, éstas siempre subrayando y aportando fuerza a la impresión. Ya sujeten, ya agarren, ya refrenden lo que se dice o se sienta, ya se ofrezcan, ya reposen, ya languidezcan, las manos están soberbiamente dibujadas y pintadas, actúan de potenciadores de la acción. Si la humanidad del ser humano, según opinión de algunos, vino como consecuencia, o es manifestación, del desarrollo de la mano como <i>herramienta </i>y <i>utensilio</i>, véase correa de transmisión de la inteligencia, Ribera hace de ello un dogma: sus manos están cargadas de significación emocional, son el reflejo del rostro de la figura a la que pertenecen, y, por ende, del carácter y el momento sentimental de su dueño.<br />
<span style="color: white;">.....</span>Ya las observemos en situaciones de extrema dureza, como el <i>Martirio de San Andrés</i> de 1628 (Budapest), el de <i>San Bartolomé</i> de 1634 (Washington D.C.), el de <i>San Lorenzo </i>(Melbourne), o en las distintas <i>Pietàs</i>; ya en otras de mayor tranquilidad, como en el <i>San Juan Evangelista</i> (1607), o los <i>San José </i>(el de <i>la rama florida</i>, de 1630, o en el que aparece con <i>Jesús niño</i>, de 1630-35), o <i>San Gregorio el Grande </i>(1614), en todas ellas las manos secundan oportunamente la acción que se muestra ejerciendo de poderoso polo de atracción. Su bella factura no deja indiferente, y si en ellas habita un reflejo de lo humano, aquí ese reflejo aparece nítido y pleno de sentido y de emotividad. </div>
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<b>Del tenebrismo caravaggesco a la luminosidad veneciana</b><br />
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<span style="color: white;">.....</span>Como les sucedió a otros caravaggistas (Vouet, Stanzione, Van Honthorst), Ribera, en un momento determinado de su carrera (en la década de 1630's), varió su estilo tenebrista hacia uno más embebido del color y menos del <i>claroscuro</i>, denominado por algunos críticos <i>pictorista</i>. Se trataba, como en los casos antes citados, de adoptar un sincretismo con las otras tendencias artísticas de moda y sus pintores más representativos: fuera el clasicismo boloñés (Reni, Carracci), fuera la luminosidad colorista veneciana (Veronese), fuera el esclarecido cromatismo holandés (Van Dyck). La paleta de <i>Jusepe</i>, durante estos años, se aclara, sus cuadros se pueblan de colores vivos y brillantes: las <i>Sagradas Familias</i>, las <i>Inmaculadas</i>, las <i>Madonnas</i>, la <i>Asunción de maría Magdalena</i>, la <i>María Magdalena penitente </i>de 1641, el <i>Martirio de San Felipe</i>, <i>La comunión de los Apóstoles</i>, etc., adquieren un <i>tono</i> veneciano. No obstante al final de su vida volvería al tenebrismo inicial, quizás influido por problemas de diversa índole que le acuciaron (tanto personales, como profesionales), quizás porque la temática de los encargos lo demandase. Se cumplió en él, así, una evolución que no era sino el signo de los tiempos (el caravaggismo, en principio tan demandado —entre 1610 y 1630—, acabaría por ser subsumido por el barroco a partir de 1640-50). Se completaba de esta forma el ciclo vital de un estilo que Ribera vio nacer, florecer y (casi) morir. De todas formas, incluso en su etapa más colorista, el pintor no dejó de expresarse de manera <i>caravaggesca</i>: por el insobornable naturalismo de su expresión, por las composiciones ordenadamente anárquicas, por la ausencia de ornamentos innecesarios o por el volumen luminoso que muestran sus pinturas.</div>
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<b>Temática y Tipos</b></div>
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<span style="color: white;">.....</span>Dos son los grandes bloques de la temática en José de Ribera: el religioso y el profano. Dentro del primero cabría distinguir: el Antiguo Testamento, el Nuevo Testamento y la iconografía de santos; y, dentro de ésta: la dedicada a su martirologio y la que simplemente los retrata en actitudes convencionales o con sus atributos identificativos. </div>
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<span style="color: white;">.....</span>En cuanto a lo profano, cabría hacer la siguiente distinción: los cuadros de motivos mitológicos, los de motivos históricos, los dedicados a los filósofos, las escenas de género y los retratos.</div>
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<span style="color: white;">.....</span>En cuanto a los "tipos" característicos que pueblan sus obras se podrían sistematizar en:</div>
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<i>- <b>Ecce Homos y Pietàs</b>.</i><br />
<b>- los ancianos: </b><i>Apóstoles</i>, <i>Santos </i>y <i>Filósofos</i>.</div>
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<b>- las alegorías de los sentidos: </b><i>tacto</i>, <i>oído</i>, <i>gusto</i>, <i>olfato</i>, <i>vista.</i><br />
<b>- el martirologio: </b><i>San Andrés</i>, <i>San Felipe</i>, <i>San Lorenzo</i>, <i>San Bartolomé</i> (3), <i>San Sebastián</i> (8), etc.<br />
<b>-</b> <b>los castigos mitológicos</b>: <i>Apolo y Marsias</i>, <i>Las Furias (Ticio, Ixión, Sísifo, Tántalo), Prometeo, Venus y Adonis.</i></div>
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<b>- la deformidad: </b><i>Sileno ebrio</i>, <i>La mujer barbuda</i>, <i>El pie varo</i>, etc.</div>
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<b>- los jóvenes y los niños: </b><i>El Niño Jesús</i>, <i>San Juan Bautista</i>, <i>San Juan Evangelista</i>.</div>
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<b>- la mujer: </b><i>La Virgen María</i>, <i>María Magdalena</i>, <i>María Egipcíaca</i>, <i>Santa Teresa</i>; <i>Venus</i>, <i>Muchacha con pandero </i>(alegoría de <i>El oído</i>), <i>La vieja usurera</i>, <i>Media figura de mujer</i>, <i>Alegoría de la Historia</i>.</div>
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<span style="color: white;">.....</span>El tratamiento que el pintor <i>setavense </i>da a la figura de la mujer es bastante discreto y púdico, siéndole ajeno el mero exhibicionismo anatómico, ya sea en los motivos mitológicos (la única vez que toca la figura de Venus —acudiendo desolada por el aire a llorar la muerte de Adonis—, aparece vestida de tobillos a cuello, no mostrando de su cuerpo más que pies, brazos, y parte superior del torso), ya en los alegóricos (<i>Alegoría de la Historia</i>), ya en las escenas de género (<i>Mujer de perfil</i>). En la temática religiosa, por tanto, esa pudibundez se da por descontada. Incluso en el caso de <i>Susana y los viejos —</i>pintura de juventud—, la sorprendida joven se nos aparece cubierta, ya con el vestido, ya con los brazos, ya con la cabellera que cubre su seno derecho. Es el cuadro en el que más piel femenina se muestra, y porque lo exige preceptivamente el guión.<br />
<span style="color: white;">.....</span>El caso de <i>María Egipcíaca</i>, santa ermitaña de la que aquí se recogen tres distintas obras: dos convencionales de la santa, ya mayor, en la cueva —en la que pasaría 30 años de su vida—, pobremente vestida, junto a la obligada calavera y el pedazo de pan; y otra menos convencional, por más joven, vestida de retales (desprendimiento material). Y el caso de Santa Teresa de Jesús, representada aquí otras tres veces: como escritora sentada a la mesa en la que descansan libros, pliegos de papel y tintero (en dos ocasiones también la preceptiva calavera, recordatorio y símbolo de la <i>vanitas </i>y lo caduco), vestida de hábito carmelitano, con la pluma en la mano y la mirada hacia lo alto (hacia la luz divina enmarcada por querubines o hacia la paloma que representa el Espíritu Santo —fuentes de su inspiración). Ambas mujeres son representaciones canónicas de dos figuras emblemáticas del santoral católico, que representan: la penitencia y el éxtasis; la renuncia a los bienes materiales y la labor creativa desprovista de vanidad.<br />
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<span style="color: white;">.....</span><i>María Magdalena</i>, tras la <i>Virgen María</i>, es la mujer más representada en la producción <i>riberista. </i>De las siete obras aquí referenciadas, seis lo son como<i> "penitente</i>" y una, de más rara tradición, como <i>Asunción </i>(1636), en la que una joven y bella —púdicamente vestida— Magdalena asciende a los cielos sobre una nube de querubines que portan sus atributos (la calavera, el tarro de ungüentos, el cilicio). Cinco son plenamente tenebristas, de fuerte claroscuro, donde la oscuridad del fondo resalta, por contraste, el rostro y las manos de la santa, y donde la calavera y la balsamera se revelan mediante la tonalidad amarillenta de una y los brillos cerámicos o metálicos de la otra. Dos de las representaciones, en cambio, son más coloristas (ese colorismo veneciano que, junto al caravaggismo, tan presente está en su estilo), la <i>Asunción</i> antes mencionada y la <i>penitente</i> de 1641, arrodillada, que deja ver desde la boca de la cueva un paisaje a su espalda. En ambas, de cuerpo entero, parece que utilizó la misma modelo, o, al menos, que representó a la santa con idéntica fisonomía: rostro ovalado y rasgos delicados. Así mismo en ambas representaciones se nos muestra a Magdalena vistiendo un terno semejante: vestido de sobrio sayal sobre el que porta un asedado manto rojo anaranjado —en una— o granate —en la otra.<br />
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<span style="color: white;">....</span>Pero hay una de las Magdalenas que atrae poderosamente mi atención, está realizada en 1640 y forma parte de una colección privada. Es un cuadro absolutamente tenebrista, con un fuerte y dominante claroscuro, en el que destacan como únicas zonas iluminadas el rostro y las manos entrelazadas de la santa, en señal de oración. Magdalena está arrodillada, en actitud de oración, con la vista fija en los atributos simbólicos (calavera, balsamera y cilicio), que apenas se distinguen de la penumbra, que se hallan ante ella sobre una piedra que hace las veces de ara o mesa. Viste una túnica dorada y sobre ella se adivina un manto marrón. Su cabellera, que deja ver por delante el óvalo de un rostro bellísimo, le cae por los lados sobre los hombros. El color sonrosado de mejillas y manos enlazadas aportan una extraña sensualidad a la imagen. El resto del cuadro, salvo una pequeña "ventana" que deja ver el exterior de lo que parece un atardecer o un amanecer, permanece en la más absoluta oscuridad. La composición de la figura es un triángulo alargado, con el vértice arriba, en la cabeza, y la base abajo, en el vestido que cubre las piernas plegadas. En mi opinión es la escena, de cuantas aquí se han adjuntado, más sensual de Ribera.<br />
<span style="color: white;">.....</span>Por último, en cuatro de las representaciones se nos muestra una María de Magdala penitente de medio cuerpo o busto, llorosa (lás lágrimas, como la cabellera rojiza suelta, son así mismo atributos personales de la santa), con la calavera entre sus manos: es el llanto ante lo efímero de la vida mundana, el llanto de todo cuanto inexorablemente se ha de perder con el transcurrir del tiempo.<br />
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<span style="color: white;">.....</span>Si Ribera se muestra remiso con la desnudez femenina, se explaya, eso sí, en mostrar la masculina. Ya sea en las escenas mitológicas, ya en las representaciones de los distintos martirologios, prestando especial atención al cuerpo ajado por el tiempo de los varones, como, por ejemplo, en el caso de los santos ermitaños (<i>San Jerónimo</i>, <i>San Onofre</i>, <i>San Pablo de Tebas</i>). </div>
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<span style="color: white;">.....</span>Ribera es un gran pintor de la ancianidad, sabe dar la expresión justa y natural, sin ambages ni paños calientes, al paso del tiempo. Podría decirse que, más que la ancianidad, Ribera pinta los estragos del tiempo, pinta la acción del tiempo a su paso por la naturaleza orgánica, hace visible su substancia hecha de transformación, constatable su recorrido en las arrugas, su gravedad en la piel flácida y su inexorabilidad en el florecimiento de los cabellos encanecidos.</div>
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<b>Crítica de la Crítica</b><br />
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<span style="color: white;">.....</span>"Ribera pinta sus cuadros con la sangre de los santos", dijo Lord Byron. Imagen que describe con bastante exactitud una parte de su obra, pero no toda. El tenebrismo de ribera lo es más por su extremosidad en el claroscuro que por lo truculento de sus escenas. Uno mira un mosaico compuesto por las obras del pintor y los tonos dominantes son los negros, marrones oscuros y ocres. La luminosidad contrastada de la piel y el blanco macilento de los ropajes dan el contraste oportuno. Ligeros tonos de color, no siempre, aquí y allá (en matices oscuros, vecinos de los tierras), nos prueban que no estamos ante un pintor en blanco y negro. Estas son características, referidas a los primeros y últimos años, no a la década central (entre 1635 y 1645, aproximadamente), en que el color puebla sus cuadros con mayor profusión. </div>
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<span style="color: white;">.....</span>Si bien es cierto que tras el negro y las tonalidades marrones es el rojo el color más empleado, éste se remite en su mayor parte a los ropajes y vestimentas, no a la sangre (por más truculento que pueda parecer el desollamiento en el <i>Martirio de San Bartolomé</i> de Osuna, de 1618-19, no hay un recrearse en la sangre, aunque sí en la apariencia, casi de aula de anatomía, de la disecación del brazo izquierdo del santo).<br />
<span style="color: white;">.....</span>El hecho de que, por ejemplo, de las casi trescientas obras ofrecidas en las dos entradas del blog, sólo el 20 % (apenas 60 obras) no sean de tema religioso, indica por dónde van los tiros temáticos del artista. En este sentido es revelador que la pintura, en los países católicos en aquel tiempo inmersos en la Contrarreforma, estaba promocionada en gran parte por instituciones religiosas, de una manera u otra afectas al Vaticano y al poder político connivente con él; algo que en los países protestantes no ocurría en igual medida, pues en éstos eran la Aristocracia, la Nobleza y las clases pudientes y adineradas, ligadas al comercio, quienes más sustentaban y promocionaban las artes. Es por eso que en estos países (Holanda, Alemania, Inglaterra) la temática fuera más diversa, y las escenas de género, junto a las mitológicas o históricas fuesen las preferidas. De hecho, el motivo denominado así, <i>Escena de Género</i>, tiene su origen en el surgimiento de la burguesía —sobre todo la adinerada—, como consumidora de arte, gustosa de tener colgada en la pared escenas de la vida cotidiana, y no sólo retratos o escenas religiosas.<br />
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<span style="color: white;">.....</span>Así pues, si Ribera fue considerado durante mucho tiempo un pintor trágico, triste o tenebroso (más que tenebrista), es debido a esa proliferación de lo religioso en sus lienzos, y, además, en una época, la Contrarreforma, en la que había que poner en valor los valores del catolicismo y sus dogmas, incluida la temática Mariana, la de la Pasión y la del Santoral, con toda su retahíla martirológica. Y ya se sabe, además, que el espíritu español, por más que se incardine en otro país o cultura, siempre tiene un poso de pesimismo e ironía, cuando no de morbosidad, prestos a exhibirse si se dan las condiciones apropiadas para ello, como de hecho se dan en las artes. El caso es que Ribera, poseedor de un gran talento y un genuino genio, puesto a ser revolucionario —y el caravaggismo lo era en el momento que él llegó a la pintura—, lo debía ser más que nadie. Y lo fue. Su tenebrismo, su caravaggismo claroscurista se constituyó en súmmum y cénit del estilo del maestro florentino. Y por eso su influencia se dejó sentir en toda la pintura posterior, siendo reivindicada especialmente en los movimientos vanguardistas del arte contemporáneo (durante todo el siglo XIX y primer tercio del XX). Resumiendo, José de Ribera, a fuer de caravaggista, forma parte descollante de la Historia de la Pintura por derecho propio.</div>
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<b><span style="color: #cc0000; font-size: large;">GALERÍA</span></b></div>
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<b><span style="font-family: "georgia" , "times new roman" , serif; font-size: medium;"><br /></span></b><b><span style="font-family: "georgia" , "times new roman" , serif; font-size: medium;">José de Ribera</span></b></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><b><span style="font-size: medium;"> <i>Jusepe </i>de Ribera,<i> </i></span></b><b><i><span style="font-size: medium;">Lo Spagnoleto</span></i></b></span></div>
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<b>(1591-1652)</b><br />
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<b><span style="color: #990000; font-family: "georgia" , "times new roman" , serif; font-size: large;">E</span><span style="color: #990000; font-family: "georgia" , "times new roman" , serif;">SCENAS <span style="font-size: large;">M</span>ITOLÓGICAS, <span style="font-size: large;">H</span>ISTÓRICAS, <span style="font-size: large;">A</span>LEGÓRICAS y de <span style="font-size: large;">G</span>ÉNERO</span></b></div>
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<b><span style="color: blue; font-family: "georgia" , "times new roman" , serif;">ESCENAS MITOLÓGICAS</span></b></div>
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José de Ribera - Apollo and Marsyas, 1637<br />
<span style="background-color: white; text-align: left;"><span style="font-family: inherit;">(Museo Nazionale di San Martino, Naples)</span></span><br />
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José de Ribera - Apollo and Marsyas, 1637<br />
<span style="background-color: white; text-align: left;">(Museo Nazionale di San Martino, Naples)</span><br />
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José de Ribera - Apollo and Marsyas, 1637</div>
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<span style="background-color: white; text-align: left;"><span style="font-family: inherit;">(Musées Royaux des Beaux-Arts, Brussels)</span></span></div>
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José de Ribera - Apollo and Marsyas, 1637</div>
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<span style="background-color: white; text-align: left;"><span style="font-family: inherit;">(Musées Royaux des Beaux-Arts, Brussels)</span></span></div>
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José de Ribera - Apollo and Marsyas, 1637</div>
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<span style="background-color: white; text-align: left;"><span style="font-family: inherit;">(Musées Royaux des Beaux-Arts, Brussels)</span></span></div>
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José de Ribera - Apollo and Marsyas, 1637</div>
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<span style="background-color: white; text-align: left;"><span style="font-family: inherit;">(Musées Royaux des Beaux-Arts, Brussels) (detail)</span></span></div>
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José de Ribera - Drunken Silenus (Sileno ebrio), 1626<br />
(Museo de Capodimonte, Nápoles)<br />
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José de Ribera - Drunken Silenus (Sileno ebrio), 1626<br />
(Museo de Capodimonte, Nápoles)<br />
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José de Ribera - Drunken Silenus (Sileno ebrio), 1626<br />
(Museo de Capodimonte, Nápoles)<br />
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José de Ribera - Hécate, 1640 (Procession to a Witches' Sabbath)<br />
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José de Ribera - Hécate, 1640 (Procession to a Witches' Sabbath)<br />
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José de Ribera - Hercules at Rest</div>
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José de Ribera - Hercules at Rest</div>
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José de Ribera - Prometeo, 1630's</div>
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José de Ribera - Prometheus, 1630's<br />
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<b>SERIE DE <i>LAS FURIAS</i></b></div>
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José de Ribera - Ixión, 1632 (serie de las Furias)</div>
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José de Ribera - Ixión, 1632 (serie de las Furias)_detail 1</div>
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José de Ribera - Ixión, 1632 (serie de las Furias)_detail 2</div>
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José de Ribera - Ticio, 1632 (serie de las Furias)</div>
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José de Ribera - Sísifo (serie de las Furias) (copia)</div>
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José de Ribera - Sísifo (serie de las Furias) (copia)</div>
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José de Ribera - Ticio (serie de las Furias)(copia)</div>
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José de Ribera - Tántalo (serie de las Furias)(copia)</div>
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José de Ribera - Venus und Adonis, 1637</div>
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José de Ribera - Venus und Adonis, 1637</div>
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José de Ribera - Detalle de la cabeza del dios Baco, 1636</div>
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José de Ribera (after) - Venus und Adonis, 1637<br />
(Cleveland Museum of Art)</div>
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José de Ribera (after) - Venus und Adonis, 1637<br />
(Cleveland Museum of Art)</div>
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José de Ribera (after) - Venus und Adonis, 1637<br />
(Cleveland Museum of Art)</div>
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<b><span style="color: blue; font-family: "georgia" , "times new roman" , serif;">ESCENAS ALEGÓRICAS, DE GÉNERO, </span></b><b><span style="color: blue; font-family: "georgia" , "times new roman" , serif;">HISTÓRICAS.</span></b></div>
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José de Ribera - Allegory of History, 1626<br />
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José de Ribera - Allegory of Sight, 1613<br />
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José de Ribera - Allegory of Sight, 1613<br />
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José de Ribera - Boy with a Vase of Flowers (Allegory of the Sense of Smell)<br />
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José de Ribera - El olfato, 1611 (Allegory of Sense of Smell)<br />
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José de Ribera - El Gusto, 1611 (Allegory of Sense of Taste)<br />
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José de Ribera - El Gusto, 1611 (Allegory of Sense of Taste)<br />
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José de Ribera - El bebedor (Allegory of the Taste)<br />
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José de Ribera - El oído (Muchacha con pandero), 1637<br />
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José de Ribera - El Tacto (Sense of touch) [Pasadena]<br />
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José de Ribera - El Tacto, 1632<br />
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José de Ribera - El Tacto, 1632 (detalle)<br />
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José de Ribera - A music teacher, 1638<br />
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José de Ribera - A music teacher, 1638<br />
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José de Ribera - An Old Man (c.1635)<br />
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José de Ribera - Blind Old Beggar, ca 1632<br />
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José de Ribera - Media figura de mujer, 1636<br />
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José de Ribera - Portrait of an Unknown Artist<br />
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José de Ribera - Ritratto d’uomo<br />
(Gemäldegalerie Staatliche Museen, Berlin)<br />
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José de Ribera - Ritratto d’uomo<br />
(Gemäldegalerie Staatliche Museen, Berlin)<br />
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José de Ribera - Vieja usurera, 1638<br />
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José de Ribera - Vieja usurera, 1638<br />
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José de Ribera - El pie varo (<i>El patizambo</i>), 1642<br />
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José de Ribera - El pie varo (<i>El patizambo</i>), 1642<br />
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José de Ribera - El pie varo (<i>El patizambo</i>), 1642<br />
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José de Ribera - El pie varo (<i>El patizambo</i>), 1642<br />
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José de Ribera - The Bearded Woman (Magdalena Ventura with her Husband and Son), 1631<br />
(Hospital de Tavera, Toledo. Hoy en el Museo del Prado)<br />
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José de Ribera - The Bearded Woman (Magdalena Ventura with her Husband and Son), 1631<br />
(Casa de Pilatos, Fundación Casa Ducal de Medinaceli)<br />
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José de Ribera - The Bearded Woman (Magdalena Ventura with her Husband and Son), 1631<br />
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José de Ribera - The Bearded Woman (Magdalena Ventura with her Husband and Son), 1631<br />
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José de Ribera - The Bearded Woman (Magdalena Ventura with her Husband and Son), 1631<br />
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José de Ribera - The Bearded Woman (Magdalena Ventura with her Husband and Son), 1631<br />
detalle<br />
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José de Ribera - The Bearded Woman (Magdalena Ventura with her Husband and Son), 1631<br />
detalle<br />
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José de Ribera - The Bearded Woman (Magdalena Ventura with her Husband and Son), 1631<br />
detalle<br />
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José de Ribera - The Bearded Woman (Magdalena Ventura with her Husband and Son), 1631<br />
detalle<br />
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José de Ribera - The Bearded Woman (Magdalena Ventura with her Husband and Son), 1631<br />
detalle<br />
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José de Ribera - The Bearded Woman (Magdalena Ventura with her Husband and Son), 1631<br />
detalle<br />
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José de Ribera -<span style="background-color: white; font-family: inherit;"> <span style="text-align: left;">Portrait of a Knight of Santiago </span></span><br />
<span style="background-color: white; font-family: inherit;"><span style="text-align: left;">(The Meadows Museum)</span></span><br />
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José de Ribera - Combate de mujeres, 1636<br />
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José de Ribera - Retrato ecuestre de don Juan José de Austria, 1648<br />
(Real Sitio de El Pardo, Madrid)_<br />
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<b><span style="color: blue; font-family: "georgia" , "times new roman" , serif;">SERIE DE FILÓSOFOS</span></b><br />
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José de Ribera - A philosopher (Protágoras), 1637<br />
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<span style="font-family: inherit;"><span style="color: blue; font-family: inherit;">José de Ribera - Anaxágoras, 1630-36</span></span><br />
<span style="font-family: inherit;">
<span style="color: blue; font-family: "georgia" , "times new roman" , serif;">.</span></span><br />
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José de Ribera - Pitágoras, 1630<br />
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José de Ribera - A Philosopher, presumed to be Heraclitus<br />
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José de Ribera - A Philosopher, presumed to be Heraclitus<br />
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José de Ribera - Heráclito, 1630</div>
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José de Ribera - Heráclito, c 1615<br />
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José de Ribera - Crates de Tebas, 1636<br />
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José de Ribera - Demócrito<br />
(Svizzera, collezione privata)<br />
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José de Ribera - Demócrito, 1615<br />
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José de Ribera - Demócrito, 1630<br />
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José de Ribera - Demócrito, 1630<br />
(collection of the earl of Pembroke, Wilton House, Wiltshire)<br />
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José de Ribera - Diógenes (1630s) (Diogenes of Sinope)<br />
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José de Ribera - Diógenes (Diogenes of Sinope)<br />
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José de Ribera - The Philosopher Thales</div>
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José de Ribera - Plato<br />
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José de Ribera - Aristotle<br />
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José de Ribera - Aristotle<br />
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José de Ribera - Euclide, 1630-35<br />
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José de Ribera - A Philosopher presumed to be Archimedes, c. 1630<br />
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José de Ribera - A Philosopher presumed to be Archimedes, c. 1630<br />
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José de Ribera - A Philosopher presumed to be Archimedes, c. 1630 (detail)<br />
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José de Ribera - Arquímedes, 1630's<br />
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José de Ribera - Arquímedes, 1630's<br />
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José de Ribera - Philosopher with a Globe (Anaxágoras), 1630<br />
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José de Ribera - A Philosopher-Poet<br />
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José de Ribera - A Philosopher<br />
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José de Ribera - Philosopher with mirror, 1652<br />
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José de Ribera - A Philosopher (attr.)<br />
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<b><span style="color: #990000; font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">G</span>RABADOS Y <span style="font-size: large;">D</span>IBUJOS</span></b><br />
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José de Ribera - Immaculate Conception and Martyrdom of St. Andrew<br />
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José de Ribera - The Trinity<br />
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José de Ribera - Sileno Ebrio<br />
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José de Ribera - Sileno Ebrio<br />
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José de Ribera - Cupido azotando a un sátiro<br />
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José de Ribera - Cupido azotando a un sátiro<br />
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José de Ribera - Estudio de Cabeza<br />
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José de Ribera - Estudio de Cabeza<br />
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José de Ribera - Estudios de bocas y narices<br />
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José de Ribera - Estudios de ojos (Siete líneas)<br />
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José de Ribera - Estudios de orejas<br />
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José de Ribera - Lamentación sobre el cuerpo de Cristo muerto, c. 1620-21<br />
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José de Ribera - Lágrimas de San Pedro<br />
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José de Ribera - Martirio de san Bartolomé<br />
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José de Ribera - Saint Andrew (detail)<br />
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José de Ribera - Saint Jerome Reading, c. 1624<br />
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José de Ribera - San Jerónimo escucha la trompeta del juicio final, c 1621<br />
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José de Ribera - San Pedro y el ángel<br />
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José de Ribera - The Holy Trinity<br />
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José de Ribera - The Poet (Virgil)<br />
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José de Ribera - St Albert<br />
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José de Ribera - Martirio de San Sebastián (study)<br />
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José de Ribera - St. Sebastian (study), 1626-30.<br />
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José de Ribera - St. Sebastian (study), 1626-30.<br />
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José de Ribera - San Miguel Arcángel<br />
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José de Ribera - Fantasía<br />
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José de Ribera - Martyrdom of Saint Peter (ca. 1625-30)<br />
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José de Ribera - Martirio de san Bartolomé (2)<br />
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José de Ribera - Sátiro azotado por Cupido<br />
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Jusepe de Ribera - Saint Cecilia, ca. 1647<br />
(Museo del Prado)<br />
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Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-5464569323978413729.post-68475124436444991672017-03-03T10:00:00.000+01:002017-03-07T19:36:13.588+01:00 Caravaggio y los caravaggistas (XIII). Italia (5): Los epígonos de Caravaggio en Nápoles (3) - GALERÍA: José de Ribera "Lo Spagnoleto" (1)<div class="separator" style="clear: both; text-align: center;">
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<b><span style="color: blue; font-size: large;">Los epígonos de Caravaggio en Nápoles (3)</span></b></div>
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<b>PRESENTACIÓN</b></div>
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<span style="color: white;">.....</span>En los dos anteriores posts de la subserie dedicada a los <i>Epígonos de Caravaggio en Nápoles</i> se recogió la vida y la obra de <a href="http://consentidoscomunes.blogspot.com.es/2017/02/caravaggio-y-los-caravaggistas-xi.html"><span style="color: #3d85c6;">Giovanni Battista <i>Battistello</i> Caracciolo</span></a> y de <a href="http://consentidoscomunes.blogspot.com.es/2017/02/caravaggio-y-los-caravaggistas-xii.html"><span style="color: #3d85c6;">Massimo Stanzione</span></a>, dos de los tres elegidos como los más importantes herederos del florentino en el foco napolitano. En los dos siguientes posts se recogerán las del tercero: José de Ribera, <i>Jusepe de Ribera</i>,<i> Lo Spagnoleto</i>, de los tres el más eminente y reconocido. Pero, curiosamente, Ribera no fue italiano sino español asimilado a la ciudad partenopea.<br />
<span style="color: white;">.....</span>Ribera se constituiría como el más importante nuncio y anuncio del caravaggismo —y, con permiso de su maestro valenciano, Francisco Ribalta, del barroco en general— en España, si bien irradiando su singularísimo genio desde su Nápoles adoptivo. Después, ya en la península ibérica, y no sin acusar su influencia, surgirían con poderoso brillo propio artistas de la talla de Diego Velázquez (uno de los más excelsos pintores de la Historia de la Pintura), Francisco de Zurbarán o Bartolomé Esteban Murillo, por citar sólo a los tres más ilustres.<br />
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<span style="color: white;">.....</span>El artista <i>setavense </i>dejó una amplia producción entre cuadros, grabados y dibujos, y sus obras se hallan muy repartidas por toda Europa (y América), aunque la mayor concentración de ellas está en dos privilegiados países: España (demandadas por la corte de Felipe IV y diversas instituciones eclesiásticas) e Italia (más concretamente, Nápoles, ciudad en la que residió y a la que estuvo ligado toda su vida).<br />
<span style="color: white;">.....</span>Debido a esta gran cantidad de obras, y no siendo siempre posible encontrar en la red copias de suficiente calidad, aquí se ofrecerá una muy amplia y suficientemente representativa selección de las más importantes (todas aquellas que cumplen con los mínimos requisitos de calidad exigibles). Aún así, el catálogo recopilado suma más de trescientas referencias, haciendo imprescindible duplicar el espacio dedicado. Por lo tanto, y contra mi previsión inicial, a José de Ribera se le habrán de dedicar dos posts.<br />
<span style="color: white;">.....</span>En este primer post irá la parte más voluminosa de sus obras, las referidas a temas bíblicos, ya sean del Viejo o del Nuevo Testamento, incluidas las numerosas dedicadas a los santos y mártires. En el segundo post se expondrán todas las demás: la de temática mitológica, histórica, de género, retratos y una selección de grabados (son 17 las planchas atribuidas al pintor por parte de los investigadores, de las cuales aquí no se ofrecerán todas, por desgracia) y dibujos.<br />
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<span style="color: white;">.....</span>Acompañando a las imágenes se adjuntan diversos textos: una <i>Introducción </i>a la figura y la obra del pintor y <i>Dos notas biográficas</i>, en el primer post; y un <i>Breve ensayo crítico</i> sobre las características de su obra en general (estilo, técnica, temática, tratamiento, expresión, etc), con análisis específico de alguna de las más célebres y representativas realizaciones, en el segundo post.<br />
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<b><span style="font-size: large;">José de Ribera</span></b></div>
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<b><span style="font-size: large;"> <i>Jusepe </i>de Ribera,<i> </i></span></b><b><i><span style="font-size: large;">Lo Spagnoleto</span></i></b></div>
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<b>(1591-1652)</b><br />
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<b><span style="font-size: large;">(I)</span></b></div>
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<b><span style="font-family: "georgia" , "times new roman" , serif;">Introducción</span></b></div>
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<span style="color: white;">.....</span>El caso del pintor José de Ribera, nacido en Xátiva, Valencia, y afincado tempranamente en Nápoles hasta su muerte, es singular. Muchos (artistas) han sido a lo largo de la historia (desde el Renacimiento hasta finales del siglo XIX) los que han realizado un preceptivo y obligado viaje de ida y vuelta a la cuna de la pintura Occidental, Italia; pero pocos los que se quedaron allí, incardinados a su secular cultura artística, como lo haría este genial <i>setavense</i>.<br />
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<span style="color: white;">.....</span>Si la historia de Occidente en general está ligada indisolublemente tanto a sus orígenes culturales clásicos (Grecia y Roma) como a los vaivenes religiosos (todos surgidos en el seno de una cristiandad en su disputa constante con las religiones atávicas previas, o en su beligerancia con el Islam), la historia de su arte se urde íntimamente a la trama de estos dos condicionantes; es decir, la historia del arte occidental (valga decir europeo) es una mezcla de heredado clasicismo y contemporánea religiosidad. Los estilos y las modas artísticas le deben tanto a una como a otra condición su razón de ser y su evolución. No se explica el arte de Occidente sin la fuerza primordial del helenismo, de sus fundacionales cánones, como tampoco se explica sin la formidable correa transmisora que supuso Roma, que no sólo imitó con suficiencia aquel arte primordial, sino que, sobre todo en el caso de la arquitectura, la llevó a su más alta expresión. El Cristianismo supondría, en un primer momento, un frenazo en aquella expansión artística clásica, pero a medida que las jerarquía eclesiástica se nutría de la misma clase noble (poder político y social) que antes constituían la aristocracia romana, el arte retomó su singladura, aunque asumida por el nuevo credo. El Románico sería el primer gran movimiento en esta dirección, y tendría su más excelsa expresión en la arquitectura y en su ornamento, la escultura. Al Románico siguió el Gótico, la arquitectura y la escultura se hicieron aún más excelsas, más etéreas, desde lo terreno pujaron hacia lo celeste; la pintura comenzó a tomar volumen, profundidad, el plano coqueteó con la perspectiva, surgió el espacio tridimensional en las dos dimensiones de los lienzos y las paredes.<br />
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<span style="color: white;">.....</span>El Renacimiento fue el gran revulsivo de la pintura, su mayoría de edad; la escultura también, recogiendo los cánones clásicos, siguió desarrollándose. Fue el gran florecimiento del arte occidental, y se dio en Italia, en la Toscana, en Florencia y Siena; poco después llegaría a Roma, donde la curia eclesiástica (y la nobleza a ella afecta) lo promocionó. Los mecenas, grandes señores de las repúblicas italianas, de floreciente comercio naval con Oriente, gustaban de expresar su poder por medio del arte, se disputaban los mejores artistas (entonces considerados no más que artesanos). Dos siglos de Renacimiento (XV y XVI), fecundos y fecundados por multitud de artistas parieron un periodo de transición que fue el Manierismo, que daría lugar por fin al Barroco: culminación de aquel clasicismo originario, y superación, al mismo tiempo, de sus canónicos preceptos. Caravaggio fue uno de sus muñidores, la tensión clásica subyacente en el Manierismo (constituida en la Escuela Boloñesa), sería otro. Todo ello salpimentado por la Contrarreforma (católica y aristocrática; suntuosa e iconográfica) ansiosa por contrarrestar la desafección eclesial provocada por el protestantismo (de profunda raigambre burguesa y popular; austera y desnuda). Dogma e imaginería contra individualidad de conciencia y veracidad. Italia Romana versus Europa del Norte. El foco del arte, en este recorrido, fue siempre Italia, la sede del Papado, donde se dictaban normas y preceptivas <i>morales</i>.<br />
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<span style="color: white;">.....</span>A partir del Barroco, ya con el Rococó y el Neoclasicismo, el fiel de la balanza se orientó hacia Francia. El siglo XIX vio un segundo Renacimiento, pero, a diferencia del florentino, no ya forjador de un estilo uniforme, sino promotor de una eclosión de multitud de estilos que se solaparon, influyeron y contrastaron entre sí: Romanticismo, Realismo, Simbolismo, Impresionismo, Naturalismo, Modernismo (cada uno con una diversidad de orientaciones y reinterpretaciones).<br />
<span style="color: white;">.....</span>En el siglo XX esa diversificada eclosión progresó aceleradamente, bien trastocando la realidad, como en el Expresionismo, el Fauvismo o el Surrealismo; bien analizándola, como en el Suprematismo o el Constructivismo; o bien llegando a la negación del sancta sanctórum que fuera hasta entonces el alma mater de todo arte, el <i>figurativismo</i>; surgiendo así una serie de estilos de pintura cuyo fundamento era la ausencia de toda figura que fuera imitación del natural: Pintura Abstracta, Cubismo o Abstracción Geométrica, entre otros. Durante estos dos siglos, junto a estos movimientos renovadores o revolucionarios persistieron otros aún relacionados con los tradicionales: Neoclasicismo, Academicismo, Prerrafaelismo, Realismo Mágico, etc.<br />
<span style="color: white;">.....</span>Ya avanzado el siglo XX, el arte como tal se <i>democratizaría</i> primero y se <i>globalizaría</i> después, bajaría a la calle, se <i>individualizaría</i>, se haría transversal con los últimos y revolucionarios sistemas gráficos, el cine y la fotografía: Arte Conceptual, Posmodernidad, Pop art, Hiperrealismo, Deconstructivismo, Minimalismo, Fotorrealismo, Videoarte, etc.<br />
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<span style="color: white;">.....</span>Pues bien, entre los siglos XVI y XX, toda buena formación artística debía cumplir una obligada etapa en Italia. Y así los mejores artistas de Europa —ya fueran flamencos, alemanes o franceses del Norte; ya hispanos o portugueses del Oeste— tenían una cita inexcusable con Florencia, Venecia, Roma o Nápoles (por no ser exhaustivo, y remitirme sólo a los cuatro focos principales, aunque podría incluir en esta lista a Bolonia, Génova, Cremona, Siena o Parma). Casi siempre esa etapa era temporal, uno, tres, cinco o diez años, para luego regresar cada artista a su país de origen una vez completado ese su periodo <i>formativo</i>. Varios de estos <i>extranjeros </i>permanecerían en Italia por más tiempo, o encontraron allí la muerte prematuramente. Y algunos, muy pocos, escogerían este país como su residencia definitiva. Es el caso que nos ocupa.<br />
<span style="color: white;">.....</span>José de Ribera, <i>setavense</i>, nacido en 1591, llegó a Italia muy joven, probablemente antes de cumplir los dieciocho años. Pasaría unos años en diversos lugares del norte del país transalpino (Parma, Cremona, Bolonia) y del centro (Roma), en condiciones bastante precarias al principio, hasta instalarse definitivamente en Nápoles en 1616 (con veinticinco años, pues), cuando ya era un pintor descollante. Treinta y seis años de vida y profesión artística pasaría afincado en la ciudad partenopea quien gustaba llamarse a sí mismo —y firmar sus cuadros— <i>Jusepe </i>de Ribera, <i>Lo Spagnoleto</i>. Esta fue, sin duda, una parte nada despreciable de su genial carácter, rayano en la clarividencia: esa visión para saber dónde estaba el predio donde lograr su fortuna (profesional y personal). En seguida vio que en Nápoles se daban las circunstancias ideales para desarrollarse como artista y triunfar: disfrutando de la acogedora sombra de los sucesivos virreyes españoles que gobernaron en nombre de los Austrias hispanos el Reino de Nápoles durante todo el siglo XVII (hasta 1713).<br />
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<span style="color: white;">.....</span>Existen dos citas del pintor, recogidas en su epistolario, que explicarían por qué nunca regresaría a España, dos certeras reflexiones que dicen mucho de su talento y, en la segunda, nada bueno de cómo en la piel de toro se trata a los artistas (y prohombres, en general): <span style="background-color: white; color: #252525;"><span style="font-family: inherit;">«<i>En Nápoles me siento bien apreciado y pagado, por lo que sigo el adagio tan conocido: quien está bien, que no cambie</i>»; y esta otra, clarividente y desgraciadamente cierta: </span></span><span style="background-color: white; color: #252525;"><span style="font-family: inherit;">«<i>Mi gran deseo es volver a España, pero hombres sabios me han dicho que allí se pierde el respeto a los artistas cuando están presentes, pues España es madre amantísima para los forasteros y madrastra cruel para sus hijos</i>». Fue Ribera, por otra parte, un pintor <i>poco español</i>, tanto por sus inquietudes como por su formación. Ribera fue un renacentista <i>après la lettre</i>: humanista, estudioso de los clásicos, grabador eminente y, al mismo tiempo, de un pragmatismo cuasi flamenco (quizás su cercanía con las colonias flamencas y francesas de Roma le habían aportado esa singular perspectiva para las cosas prácticas —y explicarían, además, esa su excelencia como dibujante y grabador).</span></span><br />
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<span style="background-color: white;"><span style="font-family: inherit;"><span style="color: white;">.....</span><span style="color: #252525;">Su talento como publicista y promotor de su propia valía artística fue comparable a su genio creador. Sabedor que los grabados se distribuían más y mejor que los cuadros y los inamovibles frescos, dedicó los primeros diez años de su carrera (la década de 1620) a realizar grabados de sus obras, que se distribuyeron rápida y profusamente por Europa (Rembrandt poseyó alguno de ellos). Cuando el éxito y el reconocimiento le llegó, dejó de realizar grabados (menos interesantes desde el punto de vista económico y más limitados a la hora de aumentar su notoriedad) para centrarse en los encargos de cuadros, sobre todo, pero también de algunas ornamentaciones al fresco.</span></span></span><br />
<span style="background-color: white;"><span style="font-family: inherit;"><span style="color: white;">.....</span><span style="color: #252525;">Pintor oficial de los virreyes de Nápoles, nunca le faltaría trabajo y reconocimiento hasta su muerte. Desde allí, a la sombra del Vesubio, ejercería su influencia sobre el resto de pintores españoles (Velázquez lo visitó en 1630): Murillo, Espinosa, Zurbarán, en primera instancia, y de pintores franceses del siglo XIX, después. Allí fue maestro de Luca Giordano, su digno epígono e influyente artista de la Corte hispana de Carlos II (los frescos del Real Monasterio de El Escorial y el Casón del Buen Retiro, son obra suya; el Museo del Prado posee más de cuarenta cuadros suyos, y tiene otras obras repartidas por varias ciudades de la geografía española). El de Giordano y Ribera q</span></span></span><span style="background-color: white; color: #252525; font-family: inherit;">uizás se trate de uno de esos extraños casos de <i>compensación </i>histórica, en que dos artistas intercambian el país de acogida profesional (temporal en el caso de Giordano, pues a la muerte del último de los Austrias y el advenimiento del primero de los Borbones, Luca Giordano regresaría a Nápoles). </span><br />
<span style="background-color: white; font-family: inherit;"><span style="color: white;">.....</span></span><span style="background-color: white; color: #252525; font-family: inherit;">Como no podía ser de otra manera, José de Ribera está sepultado en la iglesia de Santa María del Parto, en el barrio Mergellina de su ciudad adoptiva, Nápoles. </span><br />
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<b><span style="font-family: "georgia" , "times new roman" , serif;">Notas biográficas</span></b></div>
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<span style="font-family: inherit;"><span style="background-color: white;"><span style="color: white;">.....</span>Ribera es, cronológicamente, el primero de los grandes maestros españoles que surgieron en las décadas centrales del siglo XVII. Los comienzos de su educación artística son todavía objeto de conjetura, pero hay constancia de su presencia en Parma en 1611, cuando tenía veinte años. Cuatro años más tarde se encuentra en Roma, en una colonia de pintores extranjeros y llevando quizá una vida bohemia: se cuenta que abandonó la ciudad para escapar de sus acreedores. Para 1616 estaba en Nápoles, donde se casó con la hija de Bernardino Azzolino, un importante pintor local de reconocido prestigio. El reino de Nápoles estaba entonces bajo el dominio de España, y Ribera vivió en su capital por el</span><span style="background-color: white;"> </span><span class="details" style="background-color: white; border: 0px; display: inline; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">resto de su vida. Además de tener importantes clientes de Roma y otras ciudades aparte de Nápoles, el joven pintor fue pronto descubierto por el virrey español, el duque de Osuna. Por mediación del duque y de todos los virreyes siguientes (el duque de Alcalá, el conde de Monterrey y el duque de Medina de las Torres), su obra entró a España, y en particular a la colección real.</span></span><br />
<span style="font-family: inherit;"><span class="details" style="background-color: white; border: 0px; display: inline; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="color: white;">.....</span>De hecho, Felipe IV llegó a poseer más pinturas de Ribera que de ningún otro artista español (alrededor de cien, distribuidas entre El Escorial y el Palacio Real). A pesar de la influencia que ejerció Ribera sobre los pintores españoles, los críticos e historiadores del arte estiman que su estilo, tipos y temas son marcadamente extranjeros. Ribera adoptó una forma extrema del naturalismo de Caravaggio, que se manifiesta en su uso de fuertes contrastes de luz y sombra y en su galería de personajes toscos presentados con crudo realismo, pero también absorbió rasgos de otros lenguajes artísticos de la época tales como el clasicismo boloñés y el color romano. Tal diversidad de medios expresivos fue única entre sus contemporáneos españoles. Además de los temas religiosos, Ribera cultivó otros géneros que no tenían paralelo en España, tales como sus series de mendigos y de filósofos de la Antigüedad, o escenas inspiradas en la mitología clásica, que debe haber conocido a fondo. También fue dibujante prolífico y experto grabador, ocupaciones poco comunes entre los artistas españoles de ese período. Desde el punto de vista técnico, las pinturas de Ribera se caracterizan por su grueso empaste, que les da una calidad táctil y que el artista empleó de manera muy efectiva para representar diferentes texturas y dar una impresión de tridimensionalidad monumental. </span></span><span style="font-size: x-small;"><span style="background-color: white; font-family: inherit;">(Pablo Pérez d'Ors. En: </span><i style="font-family: inherit;"><a href="https://grisomiraida.files.wordpress.com/2012/03/catalogo-del-greco-a-goya.pdf"><span style="color: #3d85c6;">Del Greco a Goya. Obras maestras del Museo del Prado</span></a></i></span><span style="background-color: white; font-family: inherit;"><span style="font-size: x-small;">, Museo de Arte de Ponce, 2012, pp. 91-92)</span>. </span><br />
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<span style="color: white;">.....</span>"En vida de Ribera, Nápoles fue un puerto comercial muy
activo y una de las ciudades más pobladas de Europa. El tráfico
frecuente de barcos venidos del Mediterráneo oriental suponía
una vía de entrada para enfermedades contagiosas, lo que unido
al hacinamiento de la población hacía que Nápoles fuera una
ciudad especialmente vulnerable a los brotes de peste. De hecho,
la epidemia de 1656 fue tan devastadora que arrasó con la mitad
de los habitantes de la ciudad y dejó un vacío en la comunidad de
artistas, pues muchos de los mejores pintores de esa generación
murieron de forma prematura, víctimas del contagio. A san
Sebastián se le consideraba intercesor contra la peste ya desde la
Edad Media, por lo cual era muy popular en la ciudad adoptiva
de Ribera y en otros lugares atacados de forma periódica por
esta enfermedad. Esto propició que la Iglesia y comitentes
particulares napolitanos dedicaran iglesias y capillas al santo,
con la consiguiente demanda de imágenes como ésta."<br />
[...]<span style="color: white;">.....</span>"Las pinturas y muchos de los dibujos de Ribera, que también
fue dibujante experto y prolífico, muestran su interés en la
representación de escenas de violencia y tortura. Esto llevó
a muchos críticos del pasado, sobre todo en el extranjero, a
imaginar al pintor como un individuo sádico y cruel, e incluso a
extender este prejuicio al arte español en general. Sin embargo,
en la mayoría de las ocasiones –como en el caso del presente
lienzo–, el artista se decantó por presentar un momento de
menor dramatismo, en vez de explotar el potencial del asunto
y mostrar una escena más brutal. <span style="font-size: x-small;"><span style="background-color: white; font-family: inherit;">(Pablo Pérez d'Ors. En: </span><i style="font-family: inherit;"><a href="https://grisomiraida.files.wordpress.com/2012/03/catalogo-del-greco-a-goya.pdf"><span style="color: #3d85c6;">Del Greco a Goya. Obras maestras del Museo del Prado</span></a></i></span><span style="background-color: white; font-family: inherit;"><span style="font-size: x-small;">, Museo de Arte de Ponce, 2012, p. 38. Comentario referente a la obra <i>San Sebastián</i> (1636), de Jusepe de Ribera, sita en el Museo Prado)</span></span><br />
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<b><span style="color: #cc0000; font-size: large;">GALERÍA</span></b></div>
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<b><span style="font-family: "georgia" , "times new roman" , serif; font-size: medium;"><br /></span></b>
<b><span style="font-family: "georgia" , "times new roman" , serif; font-size: medium;">José de Ribera</span></b></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><b><span style="font-size: medium;"> <i>Jusepe </i>de Ribera,<i> </i></span></b><b><i><span style="font-size: medium;">Lo Spagnoleto</span></i></b></span></div>
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<b>(1591-1652)</b><br />
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<b><span style="color: #990000; font-family: "georgia" , "times new roman" , serif; font-size: large;">E</span><span style="color: #990000; font-family: "georgia" , "times new roman" , serif;">SCENAS <span style="font-size: large;">B</span>ÍBLICAS Y <span style="font-size: large;">R</span>ELIGIOSAS</span></b></div>
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<b><span style="color: blue; font-family: "georgia" , "times new roman" , serif;">ANTIGUO TESTAMENTO</span></b></div>
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<a href="https://3.bp.blogspot.com/-HAODXzoleAg/WLHuU1Fy_-I/AAAAAAAAiVc/5qk2f4yY4uAflmLtePiAr-DjoLBp3hkLgCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BEl%2BPadre%2BEterno%252C%2B1632-35.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-HAODXzoleAg/WLHuU1Fy_-I/AAAAAAAAiVc/5qk2f4yY4uAflmLtePiAr-DjoLBp3hkLgCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BEl%2BPadre%2BEterno%252C%2B1632-35.JPG" width="636" /></a></div>
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José de Ribera - El Padre Eterno, 1632-35</div>
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<a href="https://1.bp.blogspot.com/-fb3X3mculO4/WLHuuJCGeFI/AAAAAAAAiWQ/mZqTY2tprLUjXgAChnleQ7AcIvZMT9RLgCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BMois%25C3%25A9s.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-fb3X3mculO4/WLHuuJCGeFI/AAAAAAAAiWQ/mZqTY2tprLUjXgAChnleQ7AcIvZMT9RLgCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BMois%25C3%25A9s.jpg" width="364" /></a></div>
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José de Ribera - Moisés, 1638</div>
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<a href="https://4.bp.blogspot.com/-GMaJlMB49ZU/WLHuWMp4OkI/AAAAAAAAiVo/mmPaursjR4A6h6bSRO71oDPTKfRYeOGNQCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BEl%25C3%25ADas%252C%2B1638.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-GMaJlMB49ZU/WLHuWMp4OkI/AAAAAAAAiVo/mmPaursjR4A6h6bSRO71oDPTKfRYeOGNQCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BEl%25C3%25ADas%252C%2B1638.JPG" width="352" /></a></div>
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José de Ribera - Elías, 1638</div>
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<a href="https://3.bp.blogspot.com/-_cIFlB1-X48/WLHuY9HdZBI/AAAAAAAAiV0/eJDHbtef83wQ1wVRZGzdbsJOcIydbyA8QCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BEl%2Bsue%25C3%25B1o%2Bde%2BJacob%252C%2B1639%2B%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="480" src="https://3.bp.blogspot.com/-_cIFlB1-X48/WLHuY9HdZBI/AAAAAAAAiV0/eJDHbtef83wQ1wVRZGzdbsJOcIydbyA8QCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BEl%2Bsue%25C3%25B1o%2Bde%2BJacob%252C%2B1639%2B%25282%2529.jpg" width="640" /></a></div>
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José de Ribera - El Sueño de Jacob, 1639 (color real)<br />
(Museo del Prado)</div>
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<a href="https://2.bp.blogspot.com/-Vx5WiRK6uj8/WLHuVZoMjnI/AAAAAAAAiVg/sFcKYo0j5ZMOZujXCLKSQn6yDOh0itUFQCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BEl%2BSue%25C3%25B1o%2Bde%2BJacob%252C%2B1639.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="484" src="https://2.bp.blogspot.com/-Vx5WiRK6uj8/WLHuVZoMjnI/AAAAAAAAiVg/sFcKYo0j5ZMOZujXCLKSQn6yDOh0itUFQCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BEl%2BSue%25C3%25B1o%2Bde%2BJacob%252C%2B1639.jpg" width="640" /></a></div>
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José de Ribera - El Sueño de Jacob, 1639<br />
(Museo del Prado)</div>
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<a href="https://4.bp.blogspot.com/-_QLV4tlhoJY/WLHupZS5nzI/AAAAAAAAiV4/preXuaxBhKcpIfpophQSMgWPTdLJmnBtwCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BIsaac%2By%2BJacob%252C%2B1637.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="236" src="https://4.bp.blogspot.com/-_QLV4tlhoJY/WLHupZS5nzI/AAAAAAAAiV4/preXuaxBhKcpIfpophQSMgWPTdLJmnBtwCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BIsaac%2By%2BJacob%252C%2B1637.jpg" width="640" /></a></div>
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José de Ribera - Isaac y Jacob, 1637</div>
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<a href="https://3.bp.blogspot.com/-bJyUnk9rU8A/WLHuYSCz0oI/AAAAAAAAiVw/tGkTVdh7L-MpMRS_0kyI4GIFBTssumu6ACLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BGiudizio%2Bdi%2BSalomone%2B%2528Roma%252C%2BGalleria%2BBorghese%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="482" src="https://3.bp.blogspot.com/-bJyUnk9rU8A/WLHuYSCz0oI/AAAAAAAAiVw/tGkTVdh7L-MpMRS_0kyI4GIFBTssumu6ACLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BGiudizio%2Bdi%2BSalomone%2B%2528Roma%252C%2BGalleria%2BBorghese%2529.jpg" width="640" /></a></div>
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José de Ribera - Giudizio di Salomone (Roma, Galleria Borghese)</div>
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<a href="https://3.bp.blogspot.com/-Nxl0udidcE0/WLHuX7cV3dI/AAAAAAAAiVs/p18InY8g0tUuk9c5mHzz_68yfd0qa-tTgCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BGiudizio%2Bdi%2BSalomone%2B%2528Roma%252C%2BGalleria%2BBorghese%2529_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="482" src="https://3.bp.blogspot.com/-Nxl0udidcE0/WLHuX7cV3dI/AAAAAAAAiVs/p18InY8g0tUuk9c5mHzz_68yfd0qa-tTgCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BGiudizio%2Bdi%2BSalomone%2B%2528Roma%252C%2BGalleria%2BBorghese%2529_.jpg" width="640" /></a></div>
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José de Ribera - Giudizio di Salomone (Roma, Galleria Borghese)</div>
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<a href="https://4.bp.blogspot.com/-FX9-hgeYWVQ/WLH1HY6jftI/AAAAAAAAiaI/Qs6960X3Wtc_9CYaGwYt2vKuTuXMdgFCgCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BDavid%2Bwith%2Bthe%2BHead%2Bof%2BGoliath%2B%2528ca.%2B1620-30%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-FX9-hgeYWVQ/WLH1HY6jftI/AAAAAAAAiaI/Qs6960X3Wtc_9CYaGwYt2vKuTuXMdgFCgCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BDavid%2Bwith%2Bthe%2BHead%2Bof%2BGoliath%2B%2528ca.%2B1620-30%2529.jpg" width="524" /></a></div>
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José de Ribera - David with the Head of Goliath (ca. 1620-30)</div>
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<a href="https://1.bp.blogspot.com/-aggBGFpPHVs/WLHupocP84I/AAAAAAAAiWA/YbTH-_GQaCYMFkaxXm3-9lb1eVsDWr1awCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BJacob%2Band%2BLaban%2527s%2BFlock%252C%2B1632%2B%2528Taller%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-aggBGFpPHVs/WLHupocP84I/AAAAAAAAiWA/YbTH-_GQaCYMFkaxXm3-9lb1eVsDWr1awCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BJacob%2Band%2BLaban%2527s%2BFlock%252C%2B1632%2B%2528Taller%2529.jpg" width="554" /></a></div>
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José de Ribera - Jacob with the Flock of Laban, 1638</div>
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<span style="font-family: "times new roman";">José de Ribera - Jacob with the Flock of Laban, 1638</span></div>
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<a href="https://3.bp.blogspot.com/-h_3OYbf0DM0/WLm3_9bV-EI/AAAAAAAAi-w/w22Wc3U-Zc0ffUxnO2v07bIknGwbLMlVwCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BJacob%2Band%2BLaban%2527s%2BFlock%252C%2B1632_.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="502" src="https://3.bp.blogspot.com/-h_3OYbf0DM0/WLm3_9bV-EI/AAAAAAAAi-w/w22Wc3U-Zc0ffUxnO2v07bIknGwbLMlVwCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BJacob%2Band%2BLaban%2527s%2BFlock%252C%2B1632_.JPG" width="640" /></a></div>
José de Ribera - Jacob y el rebaño de Labán, 1638<br />
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<a href="https://3.bp.blogspot.com/-n5KjsIPb0AE/WLHuqb6StBI/AAAAAAAAiWE/cWGAUZsJyV4HIUWjOqxlE7T5FyGJIBqawCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BJacob%2Band%2BLaban%2527s%2BFlock%252C%2B1632.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="512" src="https://3.bp.blogspot.com/-n5KjsIPb0AE/WLHuqb6StBI/AAAAAAAAiWE/cWGAUZsJyV4HIUWjOqxlE7T5FyGJIBqawCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BJacob%2Band%2BLaban%2527s%2BFlock%252C%2B1632.jpg" width="640" /></a></div>
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José de Ribera - Jacob and Laban's Flock, 1632</div>
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<a href="https://3.bp.blogspot.com/-pnMgCaZslyc/WLHupjPkcQI/AAAAAAAAiV8/-lDr49o7wmEhuWREulot6baeQ4lEXQmEwCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BJOB%2BON%2BTHE%2BASH%2BHEAP.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="468" src="https://3.bp.blogspot.com/-pnMgCaZslyc/WLHupjPkcQI/AAAAAAAAiV8/-lDr49o7wmEhuWREulot6baeQ4lEXQmEwCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BJOB%2BON%2BTHE%2BASH%2BHEAP.jpg" width="640" /></a></div>
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José de Ribera - Job on The Ash Heap</div>
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José de Ribera - Susanna e i vecchioni (Madrid, courtesy Caylus Gallery)</div>
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<a href="https://1.bp.blogspot.com/-iyP7sUsw6fQ/WLPnH5McHdI/AAAAAAAAisA/CPyxzgFqhvIk-OAQp7ffX8tcGOIZgz7HQCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2Bseparador%2B1.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="162" src="https://1.bp.blogspot.com/-iyP7sUsw6fQ/WLPnH5McHdI/AAAAAAAAisA/CPyxzgFqhvIk-OAQp7ffX8tcGOIZgz7HQCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2Bseparador%2B1.png" width="640" /></a></div>
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<b><span style="color: blue; font-family: "georgia" , "times new roman" , serif;">NUEVO TESTAMENTO</span></b></div>
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<b><span style="color: #990000;"><br /></span></b></div>
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<a href="https://1.bp.blogspot.com/-mMThmKIfwqw/WLHvu15YfjI/AAAAAAAAiWo/yaCLBNaoHTkLNM9w1KddK4PBmOv-MqJewCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BAdoration%2Bof%2Bthe%2BShepherds%2B%25281640%2529%2B%2528Private%2BCollection%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="498" src="https://1.bp.blogspot.com/-mMThmKIfwqw/WLHvu15YfjI/AAAAAAAAiWo/yaCLBNaoHTkLNM9w1KddK4PBmOv-MqJewCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BAdoration%2Bof%2Bthe%2BShepherds%2B%25281640%2529%2B%2528Private%2BCollection%2529.jpg" width="640" /></a></div>
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José de Ribera - Adoration of the Shepherds (1640) (Private Collection)</div>
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José de Ribera - Adoration of the Shepherds (1640)</div>
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José de Ribera - Adoration of the Shepherds (1640)</div>
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José de Ribera - Adoration of the Shepherds (ca. 1640)</div>
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José de Ribera - Adoration of the Shepherds, 1644</div>
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<a href="https://2.bp.blogspot.com/-ZI9HZcZ75AU/WLHvxrDvP0I/AAAAAAAAiWw/JR0twyrRHLMRpoEZxuzn65LM3xQ5eQORACLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BHoly%2BFamily%2Bwith%2BSaints%2BAnne%2Band%2BCatherine%2Bof%2BAlexandria%252C%2B1648_med%2Brec.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-ZI9HZcZ75AU/WLHvxrDvP0I/AAAAAAAAiWw/JR0twyrRHLMRpoEZxuzn65LM3xQ5eQORACLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BHoly%2BFamily%2Bwith%2BSaints%2BAnne%2Band%2BCatherine%2Bof%2BAlexandria%252C%2B1648_med%2Brec.jpg" width="472" /></a></div>
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José de Ribera - Holy Family with Saints Anne and Catherine of Alexandria, 1648</div>
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<a href="https://1.bp.blogspot.com/-udtAj5h05Io/WLHwwXjJFHI/AAAAAAAAiXA/OUAzwWMmaqsmFbXy6B2Bwcxc6BeX6chrgCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSagrada%2BFamilia%2Bdel%2BCarpintero%252C%2B%25281639%2529_c%2Bm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-udtAj5h05Io/WLHwwXjJFHI/AAAAAAAAiXA/OUAzwWMmaqsmFbXy6B2Bwcxc6BeX6chrgCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSagrada%2BFamilia%2Bdel%2BCarpintero%252C%2B%25281639%2529_c%2Bm.jpg" width="512" /></a></div>
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José de Ribera - Sagrada Familia del Carpintero, (1639)</div>
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<a href="https://4.bp.blogspot.com/-yoMEn78LwjY/WLHwr4n8k_I/AAAAAAAAiW4/fUi311Tgn189Z14pDZ549hT98EeJuI4ogCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSagrada%2BFamilia%2Bcon%2BSan%2BJos%25C3%25A9%2BCarpintero.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-yoMEn78LwjY/WLHwr4n8k_I/AAAAAAAAiW4/fUi311Tgn189Z14pDZ549hT98EeJuI4ogCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSagrada%2BFamilia%2Bcon%2BSan%2BJos%25C3%25A9%2BCarpintero.jpg" width="492" /></a></div>
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José de Ribera - Sagrada Familia del Carpintero, (1639)</div>
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<a href="https://3.bp.blogspot.com/-KFBFLPL6eog/WLHwwsEL45I/AAAAAAAAiXE/NeYEApd9nEwVxWtXMM79pDUwgo_UIZaFgCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSagrada%2BFamilia%2Bdel%2BCarpintero%252C%2B%25281639%2529__.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-KFBFLPL6eog/WLHwwsEL45I/AAAAAAAAiXE/NeYEApd9nEwVxWtXMM79pDUwgo_UIZaFgCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSagrada%2BFamilia%2Bdel%2BCarpintero%252C%2B%25281639%2529__.jpg" width="492" /></a></div>
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José de Ribera - Sagrada Familia del Carpintero, (1639)</div>
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José de Ribera - Trinidad de la tierra con San Bruno, San Benito y San Buenaventura</div>
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José de Ribera - Immaculate Conception, 1637 (Harrach Collection)</div>
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José de Ribera - Immaculate Conception (Museo del Prado)</div>
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<a href="https://3.bp.blogspot.com/-IqQpvReIY0o/WLHxFm_yTOI/AAAAAAAAiXU/QDtyJJO7jmswKzGqnxsHNxxI_vO0cLh7QCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BImmaculate%2BConception%252C%2B1637%2B%2528Cleveland%2BMuseum%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-IqQpvReIY0o/WLHxFm_yTOI/AAAAAAAAiXU/QDtyJJO7jmswKzGqnxsHNxxI_vO0cLh7QCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BImmaculate%2BConception%252C%2B1637%2B%2528Cleveland%2BMuseum%2529.jpg" width="438" /></a></div>
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José de Ribera - Immaculate Conception, 1637 (Cleveland Museum)</div>
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<a href="https://2.bp.blogspot.com/-rh0riS5s2_E/WLHxJAxVC-I/AAAAAAAAiXc/WyjvIAy3FFQCmNuEFWN9e75wmVxdK7FEACLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BLa%2BInmaculada%2BConcepci%25C3%25B3n%2B%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-rh0riS5s2_E/WLHxJAxVC-I/AAAAAAAAiXc/WyjvIAy3FFQCmNuEFWN9e75wmVxdK7FEACLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BLa%2BInmaculada%2BConcepci%25C3%25B3n%2B%25282%2529.jpg" width="444" /></a></div>
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José de Ribera - La Inmaculada Concepción (Museo del Prado)</div>
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<a href="https://3.bp.blogspot.com/-51bU7aHBdAw/WLHxhlbDkaI/AAAAAAAAiXo/91rf8zIC-_0L7ErCEtMDavek7Fvgl2H-QCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BLa%2BInmaculada%2BConcepci%25C3%25B3n%252C%2B1635%2B%2528Convento%2Bde%2Blas%2BAgustinas%2Be%2BIglesia%2Bde%2Bla%2BPur%25C3%25ADsima%2B%2528Salamanca%2529_%25C3%2581bside%2Bcon%2BAltar.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-51bU7aHBdAw/WLHxhlbDkaI/AAAAAAAAiXo/91rf8zIC-_0L7ErCEtMDavek7Fvgl2H-QCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BLa%2BInmaculada%2BConcepci%25C3%25B3n%252C%2B1635%2B%2528Convento%2Bde%2Blas%2BAgustinas%2Be%2BIglesia%2Bde%2Bla%2BPur%25C3%25ADsima%2B%2528Salamanca%2529_%25C3%2581bside%2Bcon%2BAltar.jpg" width="480" /></a></div>
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José de Ribera - La Inmaculada Concepción, 1635<br />
(Convento de las Agustinas e Iglesia de la Purísima (Salamanca)_Ábside con Altar</div>
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José de Ribera - La Inmaculada Concepción, 1635<br />
(Convento de las Agustinas e Iglesia de la Purísima (Salamanca)_Altar</div>
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José de Ribera - La Inmaculada Concepción, 1635 </div>
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(Convento de las Agustinas e Iglesia de la Purísima (Salamanca)</div>
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<a href="https://3.bp.blogspot.com/-cOdvDWzJ554/WLHxeS60Q-I/AAAAAAAAiXg/_P3IKt1DAgIYJsKKwB1QltmeNUMCq2J3gCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BMadonna%2Band%2BChild%2B%25281643%2529%2BRingling%2BMuseum%2Bof%2BArt.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-cOdvDWzJ554/WLHxeS60Q-I/AAAAAAAAiXg/_P3IKt1DAgIYJsKKwB1QltmeNUMCq2J3gCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BMadonna%2Band%2BChild%2B%25281643%2529%2BRingling%2BMuseum%2Bof%2BArt.jpg" width="576" /></a></div>
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José de Ribera - Madonna and Child, 1643 (Ringling Museum of Art)</div>
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<a href="https://4.bp.blogspot.com/-nz9aYAjoiak/WLHxf2cCKlI/AAAAAAAAiXk/9fB2xpEn7fk3-5rtVhXOn4V-nULkc842gCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BMadonna%2Bmit%2Bheiligen%2BBruno.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-nz9aYAjoiak/WLHxf2cCKlI/AAAAAAAAiXk/9fB2xpEn7fk3-5rtVhXOn4V-nULkc842gCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BMadonna%2Bmit%2Bheiligen%2BBruno.jpg" width="474" /></a></div>
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José de Ribera - Madonna mit heiligen Bruno</div>
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José de Ribera - Mater Dolorosa, 1938</div>
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José de Ribera - Virgin and Child, 1646 (Philadelphia Museum of Art)<br />
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<a href="https://4.bp.blogspot.com/-m0FSASGW3cg/WLHxiajvb6I/AAAAAAAAiX0/Vkp12zkMGfA8BqnstQNWlARxqjnzU6GswCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BVirgin%2Band%2BChild.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-m0FSASGW3cg/WLHxiajvb6I/AAAAAAAAiX0/Vkp12zkMGfA8BqnstQNWlARxqjnzU6GswCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BVirgin%2Band%2BChild.jpg" width="550" /></a></div>
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José de Ribera - Virgin and Child, 1646 (Philadelphia Museum of Art)</div>
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José de Ribera - Virgin and Child, 1646 (Philadelphia Museum of Art)<br />
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<a href="https://3.bp.blogspot.com/-F1GjWu9cees/WLHyOPEqmZI/AAAAAAAAiYE/VN7414_Kz1A5u7A0DIOekqSJ_3JkGndzgCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSaint%2BJohn%2Bthe%2BBaptist%2Bwith%2Bthe%2BLamb%2BMuseo%2BNacional%2Bde%2BLa%2BHabana.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-F1GjWu9cees/WLHyOPEqmZI/AAAAAAAAiYE/VN7414_Kz1A5u7A0DIOekqSJ_3JkGndzgCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSaint%2BJohn%2Bthe%2BBaptist%2Bwith%2Bthe%2BLamb%2BMuseo%2BNacional%2Bde%2BLa%2BHabana.jpg" width="464" /></a></div>
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José de Ribera - Saint John the Baptist with the Lamb<br />
(Museo Nacional de La Habana)</div>
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<a href="https://4.bp.blogspot.com/-ZhDGeagEGBc/WLHySWLEzAI/AAAAAAAAiYU/NCsbeUWCiewvxyBdV-2uweABcOQvjWEMQCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSan%2BJuan%2BBautista%2Ben%2Bel%2Bdesierto%252C%2B1641.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-ZhDGeagEGBc/WLHySWLEzAI/AAAAAAAAiYU/NCsbeUWCiewvxyBdV-2uweABcOQvjWEMQCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSan%2BJuan%2BBautista%2Ben%2Bel%2Bdesierto%252C%2B1641.jpg" width="524" /></a></div>
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José de Ribera - San Juan Bautista en el desierto, 1641<br />
(Museo del Prado)</div>
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José de Ribera - St. John the Baptist<br />
(Raleigh, North Carolina Museum of Art)</div>
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José de Ribera - Cabeza de San Juan Bautista, 1644</div>
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José de Ribera - Cabeza de San Juan Bautista, 1645<br />
(Museo Civico Gaetano Filangieri (Nápoles))</div>
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José de Ribera - Christ Among the Doctors</div>
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José de Ribera - Christ Among the Doctors, 1612-13<br />
<span style="background-color: #f8f9fa; text-align: start;"><span style="font-family: inherit;">(Collection Ville de Langres)</span></span><br />
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José de Ribera - Christ Among the Doctors<br />
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José de Ribera - Christ Disputing with the Doctors</div>
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José de Ribera - Bautismo de Cristo, 1643 (Musée des Beaux Arts de Nancy)</div>
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José de Ribera - La Comunión de los Apóstoles, 1635-51</div>
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José de Ribera - La Resurrección de Lázaro, ca 1616</div>
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José de Ribera - El Salvador, 1630-35</div>
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José de Ribera - The Crowning with Thorns (ca. 1620)<br />
Fundación Casa de Alba<br />
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José de Ribera - Cristo flagelado, 1616-18</div>
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José de Ribera - Cristo flagellato, 1616-20</div>
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José de Ribera - Ecce homo (Cádiz)</div>
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José de Ribera - Ecce homo (Private Collection)</div>
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José de Ribera - Ecce Homo, 1644<br />
(Sinebrychoff Art Museum/National Gallery, Finland)</div>
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José de Ribera - Ecce Homo, 1644<br />
(Sinebrychoff Art Museum/National Gallery, Finland)</div>
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José de Ribera - Ecce Homo, between 1632-34 (Hermitage)</div>
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José de Ribera - Ecce homo, c 1620<br />
(Real Academia de Bellas Artes de San Fernando)</div>
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José de Ribera - Carrying of the Cross (copy from the lost original)</div>
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José de Ribera - Preparation for the Crucifixion</div>
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José de Ribera - El Calvario, 1618-25 (Iglesia Colegiata de Osuna, Sevilla) </div>
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José de Ribera - El Calvario, 1618-25 (Iglesia Colegiata de Osuna, Sevilla)</div>
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José de Ribera - El Calvario, 1618-25<br />
(Iglesia Colegiata de Osuna, Sevilla) detalle</div>
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José de Ribera - La Piedad, 1630's<br />
<span style="font-family: inherit;">(<span style="background-color: white; color: #211922;">Église de Saint-Pierre-de-Montmartre, Paris)</span></span><br />
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José de Ribera - La Piedad, 1632<br />
(Convento de Agustinas Recoletas, Salamanca)</div>
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José de Ribera - The Deposition of Christ (Deposizione)<br />
(Cattedrale di Maria Santissima Assunta a Castellamma di Stabia)</div>
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José de Ribera - The Lamentation over the Dead Christ<br />
(National Gallery, London)</div>
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José de Ribera - The Pietá, 1633 (Museo de San Martino, Nápoles)</div>
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José de Ribera - The Pietà, 1633 (Museo Thyssen-Bornemisza)</div>
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José de Ribera - The Deposition of Christ (Musée du Louvre)</div>
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José de Ribera - Santo Entierro<br />
(Real Academia de Bellas Artes de San Fernando)<br />
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José de Ribera - Santo Entierro </div>
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(Museo de Bellas Artes de Asturias)</div>
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José de Ribera - Christ Embracing Saint Bernard of Clairvaux, c. 1624</div>
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José de Ribera - La Trinidad, 1630-35</div>
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<b><span style="color: blue; font-family: "georgia" , "times new roman" , serif;">APÓSTOLES Y SANTOS</span></b><br />
<br />
<b>SAN JOSÉ</b><br />
<br /></div>
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José de Ribera - Saint Joseph with the Flowering Rod, early 1630s<br />
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José de Ribera - San Giuseppe con la mazza fiorita, 1630-35<br />
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<a href="https://3.bp.blogspot.com/-bPKOvyG_Bl4/WLKZozBqNzI/AAAAAAAAibM/O42iLj947LcCtgOzLLfdhw9NOQr21R5hwCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSan%2BGiuseppe%2Bcon%2Bla%2Bmazza%2Bfiorita%252C%2B1630-35_detail.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="478" src="https://3.bp.blogspot.com/-bPKOvyG_Bl4/WLKZozBqNzI/AAAAAAAAibM/O42iLj947LcCtgOzLLfdhw9NOQr21R5hwCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSan%2BGiuseppe%2Bcon%2Bla%2Bmazza%2Bfiorita%252C%2B1630-35_detail.JPG" width="640" /></a><br />
José de Ribera - San Giuseppe con la mazza fiorita, 1630-35 (particolare)<br />
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José de Ribera - San Giuseppe con la mazza fiorita, 1630-35 (particolare)<br />
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José de Ribera - San Giuseppe con la mazza fiorita, 1630-35 (particolare)<br />
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José de Ribera - San José y el Niño Jesús, 1630-35<br />
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José de Ribera - Saint Joseph (ca. 1635)<br />
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José de Ribera - Saint Joseph (ca. 1635) detail<br />
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<b>MARÍA MAGDALENA</b><br />
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José de Ribera - Magdalena penitente, 1641<br />
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José de Ribera - Madeleine méditant dans le désert, ca 1640<br />
(Private Collection)<br />
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José de Ribera - Magdalena en Meditación<br />
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José de Ribera - Magdalena en Meditación<br />
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José de Ribera - Magdalena en Meditación<br />
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José de Ribera - Magdalena Penitente, 1635-40<br />
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José de Ribera - Magdalena Penitente<br />
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José de Ribera - Asunción de la Magdalena, 1636<br />
(Museo de la Real Academia de Bellas Artes de San Fernando)<br />
<span style="color: white;">.</span><br />
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<b>SAN PEDRO</b></div>
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José de Ribera - Negazione di Pietro, 1615-16 (Roma, Palazzo Barberini)<br />
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José de Ribera - Negazione di Pietro, 1615-16 (Roma, Palazzo Barberini)<br />
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José de Ribera - San Pedro libertado por un ángel, 1639<br />
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José de Ribera - Liberazione di San Pietro, 1613-14<br />
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José de Ribera - Liberation of Saint Peter, 1613-14<br />
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José de Ribera - San Pedro (Museo de Bellas Artes de Álava)<br />
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José de Ribera - San Pedro, 1634 (Museo de Bellas Artes de Asturias)<br />
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José de Ribera - San Pedro, c 1630 (Museo del Prado)<br />
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José de Ribera - San Pedro, c 1631 (Museo del Prado)<br />
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José de Ribera - San Pedro<br />
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José de Ribera - Les larmes de Saint Pierre<br />
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José de Ribera - Penitent St Peter, 1620's<br />
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José de Ribera - Repentance of St Peter<br />
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José de Ribera - Saint Peter (Colegiata de Osuna)<br />
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José de Ribera - Saint Peter in Penitence (Musée des Beaux-Arts, Lyon)<br />
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José de Ribera - San Pedro Penitente, 1626-32<br />
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José de Ribera - San Pedro Penitente, 1626-32<br />
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José de Ribera - San Pedro Penitente, 1626-32 (detalle)<br />
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José de Ribera - San Pedro Penitente<br />
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José de Ribera - San Pietro in lacrime (courtesy Caylus Gallery)<br />
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José de Ribera - The Penitent San Peter<br />
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José de Ribera - The Tears of Saint Peter<br />
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José de Ribera - The Tears of Saint Peter<br />
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<b>SAN PABLO</b><br />
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José de Ribera - Saint Pierre et Saint Paul, vers 1616</div>
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José de Ribera - Saint Peter and Saint Paul, 1616<br />
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José de Ribera - Saint Peter and Saint Paul<br />
(Museo Diocesano de Arte Sacro, Vitoria, Álava)<br />
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José de Ribera - Saint Paul (Sotheby's)<br />
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José de Ribera - San Paolo, 1616-1617<br />
(Quadreria dei Girolamini, Napoli)<br />
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José de Ribera - Saint Paul<br />
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José de Ribera - San Pablo, 1630-35 (Museo del Prado)<br />
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José de Ribera - San Pablo<br />
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José de Ribera - San Pablo, el Apóstol de los Gentiles, 1637<br />
(Diputación Foral de Álava)<br />
<span style="color: white;">.</span><br />
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<b>SANTIAGO E<i>L MAYOR</i> Y <i>EL MENOR</i></b><br />
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José de Ribera - Saint James the Greater (Private collection)<br />
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José de Ribera - Saint James the Great<br />
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José de Ribera - Saint James the Great, 1630-35 (Museo del Prado)<br />
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José de Ribera - Saint James the Great, 1630-35 (Museo del Prado)<br />
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José de Ribera - Santiago el Mayor, 1631 (Museo del Prado)<br />
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José de Ribera - Santiago el Mayor, 1634<br />
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José de Ribera - Santiago el Mayor<br />
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José de Ribera - Santiago el Menor, 1630-35 (Museo del Prado)<br />
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<b>SAN ANDRÉS</b><br />
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José de Ribera - Saint Andrew<br />
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José de Ribera - San Andrés, 1641 (Museo del Prado)<br />
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José de Ribera - San Andrés, (Colección Privada, Madrid)<br />
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José de Ribera - San Andrés, (Colección Privada, Madrid)<br />
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José de Ribera - San Andrés<br />
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José de Ribera - Saint Andrew Praying, ca. 1615-16 (Quadreria dei Girolamini)<br />
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José de Ribera - Saint Andrés, Patrono de los pescadores, 1634<br />
(Juan B. Castagnino Fine Arts Museum)<br />
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José de Ribera - San Andrés, c 1631 (Museo del Prado)<br />
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José de Ribera - San Andrés, c 1631 (Museo del Prado)<br />
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José de Ribera - San Andrés, c 1631 (Museo del Prado) (detalle)<br />
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José de Ribera - Martirio de San Andrés, 1628</div>
( Museo de Bellas Artes de Budapest)<br />
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<b>SAN BARTOLOMÉ</b><br />
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José de Ribera - Saint Bartholomew, 1630<br />
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José de Ribera - Saint Bartholomew, 1651<br />
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José de Ribera - San Bartolomé Apóstol<br />
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José de Ribera - San Bartolomé, 1630-35 (Museo del Prado)<br />
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José de Ribera - San Bartolomé, 1630-35 (Museo del Prado)<br />
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José de Ribera - San Bartolomé, 1641 (Museo del Prado)<br />
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José de Ribera - The Martyrdom of Saint Bartholomew, 1634<br />
(National Gallery of Art, Washington D.C.)<br />
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José de Ribera - The Martyrdom of Saint Bartholomew, 1634 (detalle)<br />
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José de Ribera - Martyrdom of Saint Bartholomew,1618-19)<br />
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José de Ribera - The Martyrdom of Saint Bartholomew, 1628-30<br />
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José de Ribera - The Martyrdom of Saint Bartholomew, 1620-26<br />
(Real Academia de Bellas Artes de San Fernando)<br />
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José de Ribera - The Martyrdom of Saint Bartholomew<br />
(Painting in the Museu Nacional de Arte Antiga, Lisboa, Portugal)<br />
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José de Ribera - The Martyrdom of Saint Bartholomew<br />
(Museu d'Art de Catalunya)<br />
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José de Ribera - The Martyrdom of Saint Bartholomew (detail)<br />
(Museu d'Art de Catalunya)<br />
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<br />
<b>SANTO TOMÁS</b><br />
<span style="color: white;">.</span><br />
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José de Ribera - Saint Thomas<br />
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José de Ribera - Santo Tomás, 1630-35<br />
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José de Ribera - Santo Tomás<br />
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José de Ribera - Santo Tomás, ca. 1612<br />
(Fondazione Roberto Longhi, Florence)<br />
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José de Ribera - Santo Tomás, ca. 1612<br />
(Fondazione Roberto Longhi, Florence)<br />
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José de Ribera - Santo Tomás, ca. 1612<br />
(Fondazione Roberto Longhi, Florence)<br />
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<br />
<br />
<b>SAN FELIPE</b><br />
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José de Ribera - San Felipe, 1610<br />
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José de Ribera - San Felipe, 1630-35 (Museo del Prado)<br />
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José de Ribera - San Felipe<br />
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José de Ribera - Martirio de san Felipe, 1639 (Museo del Prado)<br />
<span style="color: white;">.</span><br />
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<br />
<br />
<b>SAN MATEO</b><br />
<br />
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José de Ribera - Saint Matthew and the angel, 1613<br />
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<a href="https://4.bp.blogspot.com/-kmOO7GhwU2o/WLKoVo60BZI/AAAAAAAAilA/VfF--zs9V7sdA_gRFz2HgIZMuQcHdW88QCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSaint%2BMatthew%252C%2B1632%2B%2528Kimbell%2BMuseum%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-kmOO7GhwU2o/WLKoVo60BZI/AAAAAAAAilA/VfF--zs9V7sdA_gRFz2HgIZMuQcHdW88QCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSaint%2BMatthew%252C%2B1632%2B%2528Kimbell%2BMuseum%2529.jpg" width="490" /></a></div>
José de Ribera - Saint Matthew, 1632 (Kimbell Museum)<br />
<span style="color: white;">.</span><br />
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<br />
<br />
<b>SAN JUDAS TADEO</b><br />
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José de Ribera - San Judas Tadeo, 1610<br />
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José de Ribera - San Judas Tadeo, 1630-35 (Museo del Prado)<br />
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José de Ribera - San Judas Tadeo<br />
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<b>SAN SIMÓN</b><br />
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José de Ribera - San Simón, 1630-35 (Museo del Prado)<br />
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José de Ribera - San Simón, c 1630 (Museo del Prado)<br />
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<b>SAN JUAN EVANGELISTA</b><br />
<span style="color: white;">.</span><br />
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José de Ribera . Saint John the Baptist<br />
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José de Ribera - Saint Jean l'évangéliste, 1607<br />
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José de Ribera - Saint Jean l'évangéliste, 1607<br />
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José de Ribera - San Juan Evangelista, en Patmos (Museo del Prado)<br />
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José de Ribera - An Apostle<br />
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José de Ribera - An Apostle<br />
<span style="color: white;">.</span><br />
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<b>SAN SEBASTIÁN</b><br />
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José de Ribera - Saint Sebastian Tended by the Holy Women, 1617<br />
(Museo de Bellas Artes de Bilbao)<br />
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José de Ribera - Saint Sebastian Tended by the Holy Women, 1617 (detalle)<br />
(Museo de Bellas Artes de Bilbao)<br />
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José de Ribera - Saint Sebastian Tended by the Holy Women, 1617 (detalle)<br />
(Museo de Bellas Artes de Bilbao)<br />
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José de Ribera - Saint Sebastian Tended by the Holy Women, 1628<br />
(Museum of the Hermitage)<br />
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José de Ribera - Saint Sebastian, 1642 (Colección Particular)<br />
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José de Ribera - Saint Sebastian, 1652 (Le Havre)<br />
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José de Ribera - Saint Sebastian, 16412 (Colegiata de Osuna)<br />
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José de Ribera - Saint Sebastian, 16412 (Colegiata de Osuna)<br />
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José de Ribera - San Sebastián Atendido por Irene y su Criada<br />
(Musée d'Etat San Marino)<br />
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José de Ribera - San Sebastián Atendido por Irene y su Criada<br />
(Musée d'Etat San Marino)<br />
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José de Ribera - San Sebastián Atendido por Irene y su Criada<br />
(Musée d'Etat San Marino)<br />
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José de Ribera - San Sebastián, 1630 (Museo de Bellas Artes, Sevilla)<br />
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José de Ribera - San Sebastián, 1636 (Museo del Prado)<br />
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José de Ribera - San Sebastián, 1651<br />
(Cartuja de San Martín, Nápoles / Certosa di San Martino, Nàpoli)<br />
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José de Ribera - San Sebastián, 1651<br />
(Cartuja de San Martín, Nápoles / Certosa di San Martino, Nàpoli)<br />
<span style="color: white;">.</span><br />
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<b>SAN JERÓNIMO</b><br />
<span style="color: white;">.</span><br />
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José de Ribera - Saint Jerome writing<br />
(Galería de Arte de Ontario, Canadá), 1613<br />
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José de Ribera - Saint Jerome writing<br />
(Galería de Arte de Ontario, Canadá), 1613<br />
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José de Ribera - Saint Jerome and the Angel of Judgment<br />
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José de Ribera - Saint Jerome, 1651<br />
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José de Ribera - San Jerónimo escribiendo, c 1615 (Museo del Prado)<br />
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José de Ribera - San Girolamo (Galleria Spada)<br />
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José de Ribera - Saint Jerome<br />
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José de Ribera - Saint Jerome at his study, c 1646 (National Gallery Prague)<br />
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José de Ribera - San Jerónimo (attr) (Museo del Prado)<br />
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José de Ribera - San Jerónimo penitente, 1652 (Museo del Prado)<br />
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José de Ribera - Saint Jerome, 1640<br />
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José de Ribera - Saint Jerome, c 1638-40<br />
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José de Ribera - Saint Jerome in Meditation, 1640-1650<br />
(Pinacoteca di Brera)<br />
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José de Ribera - Saint Jerome in meditation, 1647<br />
(Real Monasterio de San Lorenzo de El Escorial)<br />
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José de Ribera - Saint Jerome in penitence, 1634 (Museo del Prado)<br />
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José de Ribera - Saint Jerome, 1648<br />
(San Diego, Museum of Art)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-SoIycMddcAk/WLKfIQxG7cI/AAAAAAAAies/QiLSv5gK_aMuihRVkmYh1cAj9HsEl3g3gCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSaint%2BJerome.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-SoIycMddcAk/WLKfIQxG7cI/AAAAAAAAies/QiLSv5gK_aMuihRVkmYh1cAj9HsEl3g3gCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSaint%2BJerome.jpg" width="540" /></a></div>
José de Ribera - Saint Jerome<br />
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<a href="https://3.bp.blogspot.com/-s3mM7vaAWuY/WLKfIiTlMGI/AAAAAAAAiew/AQoM7fWZY0kuStl4-I8tWKx3JNPFKLGzgCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSan%2BGirolamo%2B%2528Firenze%252C%2BGalleria%2Bdegli%2BUffizi%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-s3mM7vaAWuY/WLKfIiTlMGI/AAAAAAAAiew/AQoM7fWZY0kuStl4-I8tWKx3JNPFKLGzgCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSan%2BGirolamo%2B%2528Firenze%252C%2BGalleria%2Bdegli%2BUffizi%2529.jpg" width="508" /></a></div>
José de Ribera - San Girolamo (Firenze, Galleria degli Uffizi)<br />
.<br />
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<a href="https://3.bp.blogspot.com/-imLdVox2M3U/WLKfRqU8ZqI/AAAAAAAAifI/6YFUJ4y8h58pbPKYBnTMYgMr6lkhslHiQCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSan%2BJer%25C3%25B3nimo%252C%2B1644.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-imLdVox2M3U/WLKfRqU8ZqI/AAAAAAAAifI/6YFUJ4y8h58pbPKYBnTMYgMr6lkhslHiQCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSan%2BJer%25C3%25B3nimo%252C%2B1644.jpg" width="530" /></a></div>
José de Ribera - San Jerónimo, 1644 (Museo del Prado)<br />
<span style="color: white;">.</span><br />
<a href="https://1.bp.blogspot.com/-yr3_6WTpRyY/WLPvNwiLeVI/AAAAAAAAitQ/JMN42JjA2y0P5lhdgtmamLaM0FrsiHaQQCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2Bseparador%2B3.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="138" src="https://1.bp.blogspot.com/-yr3_6WTpRyY/WLPvNwiLeVI/AAAAAAAAitQ/JMN42JjA2y0P5lhdgtmamLaM0FrsiHaQQCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2Bseparador%2B3.png" width="640" /></a><br />
<br />
<br />
<b>SAN ONOFRE</b><br />
<span style="color: white;">.</span><br />
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José de Ribera - Saint Onuphrius (Dublin)<br />
.<br />
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<a href="https://2.bp.blogspot.com/-ic-e0jQMwHA/WLKlDmZhRGI/AAAAAAAAijc/X6fD31FO90MRlbhDfeYAcWcD02z0rPKIACLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSaint%2BOnuphrius%2B%2528Hermitage%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-ic-e0jQMwHA/WLKlDmZhRGI/AAAAAAAAijc/X6fD31FO90MRlbhDfeYAcWcD02z0rPKIACLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSaint%2BOnuphrius%2B%2528Hermitage%2529.jpg" width="508" /></a></div>
José de Ribera - Saint Onuphrius (Hermitage)<br />
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José de Ribera - Saint Onuphrius, ca.1642 (MFA)<br />
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José de Ribera - Sant Onofrio<br />
<span style="color: white;">.</span><br />
<a href="https://1.bp.blogspot.com/-yr3_6WTpRyY/WLPvNwiLeVI/AAAAAAAAitQ/JMN42JjA2y0P5lhdgtmamLaM0FrsiHaQQCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2Bseparador%2B3.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="138" src="https://1.bp.blogspot.com/-yr3_6WTpRyY/WLPvNwiLeVI/AAAAAAAAitQ/JMN42JjA2y0P5lhdgtmamLaM0FrsiHaQQCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2Bseparador%2B3.png" width="640" /></a><br />
<br />
<br />
<b>SAN PABLO EL ERMITAÑO (PABLO DE TEBAS)</b><br />
<br />
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José de Ribera - Saint Paul the Hermit, 1640<br />
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José de Ribera - San Pablo <i>El Ermitaño</i>, 1640<br />
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José de Ribera - Saint Paul the Hermit, 1640<br />
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José de Ribera - Saint Paul the Hermit, 1647<br />
.<br />
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<a href="https://1.bp.blogspot.com/-zRXd7LVIEqM/WLKlcrkWodI/AAAAAAAAijw/RYBc2B1MyM8o_01E9Xv-eIBDJsgXRS37gCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSaint%2BPaul%2Bthe%2BHermit%252C.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-zRXd7LVIEqM/WLKlcrkWodI/AAAAAAAAijw/RYBc2B1MyM8o_01E9Xv-eIBDJsgXRS37gCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSaint%2BPaul%2Bthe%2BHermit%252C.jpg" width="508" /></a></div>
José de Ribera - San Pablo de Tebas, o <i>El Ermitaño</i><br />
.<br />
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<a href="https://4.bp.blogspot.com/-CQyDrDSopqI/WLKlaTF_TGI/AAAAAAAAijs/a2N9q-q-wb42oqeOXq5AsRPk9WNJKkzhwCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSaint%2BPaul%2Bthe%2BHermit%252C%2B%2528detail%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="388" src="https://4.bp.blogspot.com/-CQyDrDSopqI/WLKlaTF_TGI/AAAAAAAAijs/a2N9q-q-wb42oqeOXq5AsRPk9WNJKkzhwCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSaint%2BPaul%2Bthe%2BHermit%252C%2B%2528detail%2529.jpg" width="640" /></a></div>
José de Ribera - San Pablo de Tebas, o <i>El Ermitaño</i> (detalle)<br />
.<br />
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José de Ribera - San Pablo <i>El Ermitaño</i>, 1635-40 (Museo del Prado)<br />
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José de Ribera - San Pablo <i>El Ermitaño</i>, 1635-40<br />
<span style="color: white;">.</span><br />
<a href="https://1.bp.blogspot.com/-yr3_6WTpRyY/WLPvNwiLeVI/AAAAAAAAitQ/JMN42JjA2y0P5lhdgtmamLaM0FrsiHaQQCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2Bseparador%2B3.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="138" src="https://1.bp.blogspot.com/-yr3_6WTpRyY/WLPvNwiLeVI/AAAAAAAAitQ/JMN42JjA2y0P5lhdgtmamLaM0FrsiHaQQCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2Bseparador%2B3.png" width="640" /></a><br />
<br />
<br />
<b>SAN FRANCISCO DE ASÍS</b><br />
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José de Ribera - Saint Francis of Assisi<br />
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<a href="https://1.bp.blogspot.com/--cdQKTXWvDQ/WLKra9QjbLI/AAAAAAAAimA/H18YG04fIJ0WLmd9zApJ9XKZWXVVmfPuQCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSan%2BFrancisco%2Brecibe%2Blos%2Bestigmas%252C%2B1644.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/--cdQKTXWvDQ/WLKra9QjbLI/AAAAAAAAimA/H18YG04fIJ0WLmd9zApJ9XKZWXVVmfPuQCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSan%2BFrancisco%2Brecibe%2Blos%2Bestigmas%252C%2B1644.jpg" width="480" /></a></div>
José de Ribera - San Francisco recibe los estigmas, 1644<br />
(Museo del Prado)<br />
.<br />
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<a href="https://4.bp.blogspot.com/-USxWh4ICfiA/WLXR2PMy9JI/AAAAAAAAiwo/CHSqMz5AU6wVamV1Ue4HVJ6bxVJmLKqpQCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSan%2BFrancisco%2Brecibiendo%2Blos%2BSiete%2BPrivilegios.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-USxWh4ICfiA/WLXR2PMy9JI/AAAAAAAAiwo/CHSqMz5AU6wVamV1Ue4HVJ6bxVJmLKqpQCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BSan%2BFrancisco%2Brecibiendo%2Blos%2BSiete%2BPrivilegios.jpg" width="480" /></a></div>
José de Ribera - San Francisco recibiendo los Siete Privilegios<br />
<span style="font-family: inherit;"><span style="background-color: #f8f9fa; text-align: start;">( </span>Convento de la Concepción Franciscana<span style="background-color: #f8f9fa; text-align: start;">, hoy en </span>Museo Provincial de Guadalajara)</span><br />
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José de Ribera - St. Francis of Assisi, 1643<br />
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<a href="https://4.bp.blogspot.com/-pIlaVQ6F0BA/WLKrcxCTXrI/AAAAAAAAimM/vy_6sZ_5FkYouGxmUn_CKV87RaHLM5XUACLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BVisi%25C3%25B3n%2Bde%2Bsan%2BFrancisco%2Bde%2BAs%25C3%25ADs%252C%2B1636-38.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-pIlaVQ6F0BA/WLKrcxCTXrI/AAAAAAAAimM/vy_6sZ_5FkYouGxmUn_CKV87RaHLM5XUACLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BVisi%25C3%25B3n%2Bde%2Bsan%2BFrancisco%2Bde%2BAs%25C3%25ADs%252C%2B1636-38.jpg" width="520" /></a></div>
José de Ribera - Visión de san Francisco de Asís, 1636-38 (Museo del Prado)<br />
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<a href="https://2.bp.blogspot.com/-aIyiOUTDFaU/WLKrcSIqLJI/AAAAAAAAimI/MU7CX52fI8QhgDvavM7Sr3E_Bke6lRELQCLcB/s1600/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BVisi%25C3%25B3n%2Bde%2Bsan%2BFrancisco%2Bde%2BAs%25C3%25ADs%252C%2Bh.%2B1636-1638.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-aIyiOUTDFaU/WLKrcSIqLJI/AAAAAAAAimI/MU7CX52fI8QhgDvavM7Sr3E_Bke6lRELQCLcB/s640/Jos%25C3%25A9%2Bde%2BRibera%2B-%2BVisi%25C3%25B3n%2Bde%2Bsan%2BFrancisco%2Bde%2BAs%25C3%25ADs%252C%2Bh.%2B1636-1638.jpg" width="520" /></a></div>
José de Ribera - Visión de san Francisco de Asís, 1636-38 (Museo del Prado)<br />
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José de Ribera - Visión de san Francisco de Asís, 1636-38 (Museo del Prado)<br />
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José de Ribera - Saint Francis of Assisi and the Angel, 1624-30<br />
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<br />
<b>SAN AGUSTÍN</b><br />
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José de Ribera - San Agustín (con la mitra), 1636<br />
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José de Ribera - San Agustín en oración<br />
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José de Ribera - San Agustín (detalle)<br />
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José de Ribera - San Agustín, 1636<br />
<span style="color: white;">.</span><br />
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<br />
<br />
<b>OTROS SANTOS</b><br />
<span style="color: white;">.</span><br />
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José de Ribera - Martyrdom Of Saint Lawrence, ca 1615<br />
(Basílica de Nuestra Señora del Pilar, Zaragoza)<br />
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José de Ribera - Martyrdom Of Saint Lawrence<br />
(Gemäldegalerie Alte Meister, Dresde)<br />
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José de Ribera - Martyrdom of Saint Lawrence<br />
(Private Collection)<br />
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José de Ribera - Martyrdom of Saint Lawrence<br />
(Banco Sanpaolo, Napoli)<br />
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José de Ribera - Apotheosis of Saint Januarius, 1636<br />
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José de Ribera - San Genaro sale ileso del horno, 1647<br />
(Catedral de Nápoles)<br />
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José de Ribera - Milagro de San Donato de Arezzo, 1652<br />
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José de Ribera - Saint Gregory the Great, 1614<br />
(Galleria Nazionale d'Arte Antica)<br />
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José de Ribera - Saint Francis of Paola<br />
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José de Ribera - Aparición del Niño Jesús a San Antonio de Padua, ca 1629<br />
(Real Academia de Bellas Artes de San Fernando)<br />
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José de Ribera - Saint holding a Cross<br />
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José de Ribera - Sant Antonio Abad, ca 1650<br />
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José de Ribera - San Antonio Abad, 1625 (Barcelona, El Coventet)<br />
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José de Ribera - San Antonio Abad. 1638<br />
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José de Ribera - San Bruno recibe la Regla, 1643<br />
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José de Ribera - San Cristóbal, 1637<br />
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José de Ribera - Un Ermitaño, ca 1610-20<br />
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José de Ribera - San Pantaleón, 1638<br />
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José de Ribera - San Roque, 1631<br />
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José de Ribera - San Roque<br />
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José de Ribera - San Simeón con el Niño Jesús, 1647<br />
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José de Ribera - San Simeón con el Niño Jesús, 1647<br />
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José de Ribera - St. Mary of Egypt, 1651<br />
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José de Ribera - Santa Maria Egiziaca, 1641<br />
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José de Ribera - Santa María Egipciaca, 1641<br />
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José de Ribera - Santa Teresa de Ávila<br />
(Colección Privada. Sotheby's)<br />
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José de Ribera - Santa Teresa de Ávila<br />
(Museo de Bellas Artes de Valencia)<br />
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José de Ribera - Santa Teresa de Ávila<br />
(Museo de Bellas Artes de Sevilla)<br />
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José de Ribera - Un anacoreta</div>
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Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-5464569323978413729.post-31818192373726952222017-02-25T10:00:00.000+01:002017-02-25T10:00:02.721+01:00Caravaggio y los caravaggistas (XII). Italia (4): Los epígonos de Caravaggio en Nápoles (2) - GALERÍA: Massimo Stanzione.<br />
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<b><span style="color: blue; font-size: large;">Los epígonos de Caravaggio en Nápoles (2)</span></b></div>
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<b><span style="font-size: large;">Massimo Stanzione</span></b></div>
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<b>1585-1656</b></div>
<span style="color: white;"><br /></span><span style="font-family: inherit;"><span style="background-color: white;"><span style="color: white;">.....</span>(Orta de Antella, h. 1585-Nápoles, h. 1656). Pintor italiano. Se convirtió en el maestro más reconocido del Nápoles de los años centrales del siglo XVII, a la vez que su pintura nutrió a numerosos discípulos y seguidores. Sus primeros biógrafos señalan su formación en literatura y música antes de decidirse por la pintura a los dieciocho años, entrando en el estudio de Fabrizio Santafede en Nápoles. Antes de 1630, fecha en la que se establecerá definitivamente en la capital partenopea, su trabajo debió de desarrollarse a caballo entre Roma y Nápoles. En 1617 está documentada su presencia en Roma, donde trabajaba en la iglesia de Santa María della Scala. Su prestigio crecerá rápidamente, y obtendrá sucesivas ordenaciones nobiliarias: en 1621 fue nombrado caballero de la Espuela de Oro por Gregorio XV, caballero de San Juan hacia 1624 y caballero de la orden de Cristo por la gracia de Urbano VIII en 1627. A partir de aquí gustará de firmar sus obras como «EQUES MAXIMUS». A estos honores hay que sumar sus contactos con varios famosos escritores, que le dedicaron encendidos elogios. Sus obras comprendidas entre los años 1635 y 1645 han sido consideradas como las más representativas de su estilo, cuando llevó a la maestría un naturalismo que se aleja del estilo recio de Ribera para aliarse con un clasicismo elegante y refinado.</span></span><br />
<span style="font-family: inherit;"><span style="background-color: white;"><br /></span></span><span style="font-family: inherit;"><span style="background-color: white;"><span style="color: white;">.....</span>Buen conocedor del caravaggismo que se practicaba en Roma, especialmente el de los franceses como Vouet, supo aliarlo con acierto al mundo boloñés y emiliano. Su estudio de la Antigüedad se completó con la admiración hacia Annibale Carracci y, sobre todo, Guido Reni. Su pintura, además, se enriqueció con la llegada a Nápoles de Artemisa Gentileschi, con la que permanecería muy vinculado. Su sentido especial para los valores cromáticos sutiles y las líneas melodiosas, la gracia y el lirismo de sus figuras, le llevaron a que se le considerase el «Guido Reni napolitano». A partir de 1630 trabajó en diferentes encargos de diversas órdenes religiosas, especialmente para la cartuja de San Martino. En definitiva, supo establecer en su arte una fecunda relación entre el naturalismo anterior y la retórica clasicista, que se reforzaría con la llegada y el trabajo de Domenichino a Nápoles. Son seis los lienzos relacionados con Stanzione que posee el Museo del Prado. Cuatro de ellos formaban parte de la importante serie de la vida de san Juan Bautista —que se completó con otra tela de Artemisa Gentileschi— para el palacio del Buen Retiro. En el inventario de 1701 se encontraban en la capilla de dicho palacio. A ellos se suma el </span><i style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Sacrificio a Baco</i><span style="background-color: white;">,</span><i style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"> </i><span style="background-color: white;">que quizá formó parte del encargo de doce escenas sobre la vida de los antiguos romanos realizado hacia 1630 por Felipe IV a través del conde de Monterrey. En todo caso, en vez de ubicarse en el palacio del Buen Retiro, para cuya decoración se había producido dicho encargo, se encontraba en el Alcázar de Madrid en 1666. </span></span><span style="background-color: white; font-size: x-small;">(Nota biográfica de la página web Museo del Prado)</span><br />
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<b>Apuntes críticos y estilísticos</b></div>
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<span style="color: white;">.....</span>En un primer vistazo sobre el conjunto de la obra de Massimo Stanzione sobresale, sobre toda otra, una impresión: la del color; después puede apreciarse un gusto por lo clásico; y, por último, uno puede encontrar aquí y allá pinceladas de estilo caravaggista. Tal como haría un hilo bordado, ya a la trama, ya a la urdimbre, del tejido pictórico, el caravaggismo de Stanzione recorre toda su obra recamado sobre el clasicismo boloñés y la <i>coloratura</i> veneciana. De Caravaggio: el naturalismo —aquí levemente idealizado—; la temática —aquí revisitada—; el claroscuro —aquí más polícromo y colorista—; el dibujo renacentista —aquí plenamente <i>barroquizado—</i>. En su paleta sobresale, así mismo, una tríada de colores: dorado, azul y rojo, con preeminencia de los dos primeros, utilizando el tercero como contrapunto y resalte. Azul (singularmente lapislázuli y cobalto), dorado (en todos sus matices) y rojo (del encendido al granate), aparecen con profusión en mantos y ropajes; de vez en vez un verde y siempre, como de bajo continuo, los ocres sirviendo de escenario neutro.<br />
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<span style="color: white;">.....</span>El claroscuro en Stanzione, salvo en algunas escasas obras (entre ellas las <i>Natividades</i>, <i>El martirio de San Lorenzo</i>, <i>San Francisco</i> y<i> </i><i>Lot y sus hijas —</i>en la versión calabresa—), está desprovisto, no ya del tenebrismo de Ribera, sino del luminismo presente en los caravaggistas del Norte (holandeses, franceses). Sólo en la <i>Pietà</i>, realizada en 1621-25, podemos encontrar un tratamiento netamente claroscurista de la escena (comparable a las de Caracciolo o Ribera). De todas formas, Stanzione lo que hace es aplicar las reglas del claroscuro caravaggista pero en referencia al color, y no sólo al blanco y negro, no sólo a la luz y a las sombras, no sólo a los ocres claros y los oscuros. Su paleta es patentemente más colorista, y el claroscuro se formaliza y expresa en gamas de color (véanse sus <i>Magdalenas</i>, sus <i>Lucrecias</i>, <i>La degollación de Juan Bautista</i>, <i>El Descendimiento </i>o ambas versiones de <i>Susana y los viejos</i>).<br />
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<span style="color: white;">.....</span>Realiza grandes cuadros corales, unos de orientación vertical (siguiendo el orden jerarquizado, de arriba —lo celeste—, abajo —lo terrestre: <i>La Anunciación</i>, <i>La Asunción</i>, <i>La Madonna de las almas del Purgatorio</i>,<i> La Madonna del Rosario</i>, <i>La muerte de San José</i>), otros horizontal (<i>Sacrificio a Baco</i>, <i>San Juan Bautista despidiéndose de sus padres</i>, <i>El nacimiento del Bautista anunciado</i>, <i>Predicación de San Juan Bautista en el desierto</i>), y otros de formato más cuadrangular (<i>Adoración de los Magos</i>, <i>Adoración de los pastores</i>, <i>El Martirio de San Lorenzo</i>). En todos ellos el relato es preciso y profuso; la iluminación, <i>caravaggesca</i>; la paleta y el dibujo, boloñeses; la composición, plenamente barroca.<br />
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<span style="color: white;">.....</span><b>Análisis de un cuadro. </b>Quiero colocar ahora el foco sobre una de sus más turbadoras obras: <i>La matanza de los inocentes</i>, escena en la que la crueldad es extrema. Sigue una composición triangular con base en el lado-ángulo derecho y vértice en el lado-ángulo izquierdo, y en ella la sensación de dinamismo y emotividad es tal que no sólo puede calificarse de realismo naturalista, sino que bien podría calificarse de hiperrealismo trágico. La violencia despiadada de los soldados-verdugos, la consternación y la resistencia de dos de las madres intentando proteger a sus hijos, la desolación de la tercera, en el ángulo inferior izquierdo, sujetando la cabeza cortada de su bebé; pero, sobre todo, el impacto de esa manita cortada que aparece en el centro: punto de luz hacia el que se dirige la mirada a pesar de la tensión del resto de la escena; es como si en esa manita estuviese resumido todo el cuadro. La maestría de Stanzione al resolver una obra de tal enjundia emocional es soberbia. Es su obra más tenebrosa, que no tenebrista, pues debe este su calificativo por la impresión que causa y no por el claroscuro con que se expresa. En este cuadro hay luces y sombras, por supuesto (la más poderosa, la del soldado situado en el centro, de pie, a punto de descargar el golpe fatal), pero están <i>llevadas en andas</i> por el color: otra vez el dorado y el azul, aunque no intensos, nada luminosos, de los ropajes de las mujere; el rojo, de modo apropiado y oportuno lo reclama en exclusiva la sangre; los ocres y grises los aportan los soldados). El suelo geométrico, el fondo rocoso, el cielo deslavazado enmarcan la acción, la dirigen hacia el centro de la escena, donde tiene lugar la tragedia.<br />
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<span style="color: white;">.....</span>La luz recorre la piel de los protagonistas, posándose en los diversos grupos que describen la escena: desde la mano que empuña la espada del soldado situado en el centro de la acción, en el ángulo superior izquierdo, siguiendo por su bíceps contraído; después, la mano de la madre en el brazo del verdugo que aferra a su hijo —brazo cubierto por una camisola de color blanco sucio, casi gris—, la parte superior del antebrazo desnudo de este soldado que agarra; el cuello y la espalda derecha de la madre, las manos de ésta que intentan proteger la cabeza al hijo, el propio niño apareciendo aquí y allá entre las manos y bajo el brazo de la madre—que deja ver una manga azul con puntilla blanca en su extremo—.<span style="color: white;"> </span><br />
<span style="color: white;">.....</span>Entre las piernas de este soldado central, la mano que empuña el puñal del segundo soldado-asesino; siguiendo la línea oscura de la espalda de aquél, hacia el ángulo inferior izquierdo, la cara de éste emergiendo bajo el casco, el rostro de la segunda madre, con la boca abierta, gritando de horror, el niño llorando que intenta aferrarse al cuello de la madre, y al que aferra por el brazo este segundo verdugo; la ropita blanca que cubre al niño, la mano de su madre ciñéndolo.<br />
<span style="color: white;">.....</span>Y ya, en el ángulo inferior izquierdo, en semisombra, el rostro de la tercer madre que mira desolada hacia abajo, hacia la cabeza cortada —ya lívida— de su hijo, la cual sujeta con ternura con su mano izquierda.<br />
<span style="color: white;">.....</span>Fuera del conglomerado de cuerpos interrelacionados que he descrito en los párrafos anteriores, se encuentra otro punto de luz, un foco que resulta magnético, un <i>agujero blanco</i> de atracción fatal: la manita cortada de un niño (quizás perteneciente al mismo niño cuya cabeza sujeta tiernamente entre sus manos la madre). Un foco de luz que revela, sin señalar, un horror aún mayor...<br />
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<span style="color: white;">.....</span>Permaneciendo en la sombra que el primer soldado proyecta en el suelo (como queriendo velar una imagen tan violenta y despiadada) se encuentra el tronco desmembrado al que pertenece esa solitaria manita y la cabeza que sí se muestran. Allí puede adivinarse otro medio bracito cortado y el tronco desprovisto de ese medio bracito y de la cabeza. Así podemos asistir a la secuencia completa que supuso esta masacre ordenada por Herodes, temeroso de aquel que decían las escrituras habría de venir para ser <i>rey de los judíos</i>.<br />
<span style="color: white;">.....</span>Es un cuadro desconsolador para el género humano: ¡Cuánta gratuita crueldad puede generar, cuánta portar, cuánta expresar, el cenit inteligente de la evolución natural! ¡Cuánta, con más contradictoria razón, este llamado por los creacionistas rey de la creación! Y allí está Massimo Stanzione para representar gráficamente, de modo sintético y soberbio, en una escena legendaria del imaginario cristiano, la crueldad que habita en el seno de la humanidad.<br />
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<span style="color: white;">.....</span>Por contra, haciendo gala de un optimismo compensador, ¡Cuánta ternura y delicadeza hay en las <i>Madonnas </i>de Stanzione! ¡Cuántas en su <i>Coloquio de Jesús con cuatro ángeles</i>! Cromáticamente, junto a los tonos luminosos —más o menos pálidos o sonrosados— de la piel, en estas obras predominan el azul y el rojo —el dorado se reserva para el cabello del niño/ángeles, y poco más—. La figuración alcanza en estas obras su más alta idealización, dentro del realismo. El Niño Jesús pocas se ha representado hasta ese momento más naturalmente bello (después, sí, con Murillo; incluso con el Ribera menos tenebrista y más boloñés).<br />
<span style="color: white;">.....</span>La suaves líneas del napolitano son su santo y seña, suavidad que amortigua las escenas más violentas (excepción hecha de la descrita más arriba, en <i>La Matanza de los Inocentes</i>). Así su <i>Judith con la cabeza de Holofernes </i>(quizás su obra más conocida y reconocida) está casi enteramente desprovista de la crudeza del maestro Caravaggio y, no digamos, de la violencia de las versiones de Artemisia Gentileschi —con quien le uniría una estrecha amistad y complicidad profesional.<br />
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<span style="color: white;">.....</span>Lo primero que nos impresiona en la Judith de Stanzione no es la crudeza de la escena —el de un horroroso crimen por degollación, por más que esté perpetrado por una heroína judía—, sino la composición en la que destaca sobre todo el color: amarillo-dorado, rojo-granate, azul intenso, de las tres capas del vestido que envuelve a la autora de tan cruel y alevoso ajusticiamiento. Después, uno ya repara en el equívoco semblante de la heroína (la parte más iluminada de la obra). El degollamiento ya ha tenido lugar: su mano derecha está apoyada en el borde de la empuñadura de la espada justiciera; la izquierda, sujeta por el cabello la cabeza decapitada del infausto Holofernes, la cual presenta, como si de un mantel se tratase, sobre el dorado vestido que la criada (Abra) sujeta por un extremo desde atrás. Es decir, lo que primero nos llama la atención son los colores primarios que dominan la escena; después, reparamos en el personaje central que no atrae por su luz; de aquí nuestra atención abre su objetivo para fijarse en la composición de los personajes; y sólo en último lugar discriminamos la escena que se representa. Algo que, obviamente, no sucede en las versiones de Caravaggio o Artemisia Gentileschi, en las que la violencia de la escena es lo que llama nuestra atención en primer y último lugar (algo lógico, por otra parte, al tratarse de <i>momentos del relato</i> tan diferentes por su carga emotiva: el <i>mientras</i>, y el <i>después</i>).</div>
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La <i>Judith </i> de Massimo Stanzione y la <i>Judith </i>de Cristofano Allori</div>
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<span style="color: white;">.....</span><b>Un análisis comparativo.</b> Como curiosidad he de apuntar que Cristofano Allori (Florencia, 1577-1621) realizó una versión del tema (en realidad son dos las versiones realizadas con un intervalo de siete años, 1613 y 1620, de casi idéntica composición) que tiene una gran semejanza con la de Stanzione, aunque, por ser anterior, cabría decir que es la del pintor napolitano la que se parece a la del florentino.</div>
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<span style="color: white;">.....</span>El parecido lo es más por la impresión general y el color que por la composición concreta y la expresividad, más severa en Allori. En la versión de Allori, Judith está, como en la versión de Stanzione, de pie, pero en un plano de medio cuerpo, en una posición más escorzada (casi totalmente de lado); antepone, exhibiéndola, la cabeza de Holofernes entre ella y el espectador (en Stanzione, la cabeza del decapitado reposa a un lado); viste un terno similar en lo cromático al de la versión de Stanzione (dorado, azul, rojo) aunque la factura y el patrón sean disímiles (en Allori, se trata de un vestido dorado adamascado ceñido a la cintura por un ceñidor judío; bajo el vestido asoman las mangas de una camisola blanca y sobre él lleva una capa azul/encarnada —según la versión); la criada, Abra, en ambos, aparece detrás de su ama (aunque su actitud haya también una ligera diferencia: más preocupada en Stanzione, más regocijada en Allori); la mano derecha de Judith, en la versión del florentino, empuña la espada, la izquierda porta la cabeza degollada. El hecho de que Judith, en la versión de Allori empuñe resuelta la espada —en vez de dejar reposar la mano sobre el pomo de la empuñadura, apenas queriendo rozarla— y de que sostenga en el aire la cabeza de Holofernes ante ella, mostrándola orgullosamente —en vez de dejarla reposar sobre el extremo del vestido tendido sobre un poyato, como queriendo apartarla de sí—, unido a que en la versión de Allori la heroína mira directamente al espectador, en un gesto de orgullo y afirmación, todo ello, digo, da una impresión de mayor crudeza y violencia a la escena.</div>
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<span style="color: white;">.....</span>En Stanzione, en cambio, Judith mira ligeramente hacia arriba, hacia un punto indeterminado fuera del ángulo superior izquierdo del cuadro, como buscando exculpación —e intentando derivar la culpabilidad hacia quien verdaderamente justifica el acto— en la orden justiciera de su sumo Juez y Dios, Jehová. En este rostro no hay firmeza y determinación; se podría decir que hasta es posible detectar algo parecido al dolor o la tristeza. En Stanzione, Judith aparece como la elegida para llevar a cabo una misión, es decir, como el obediente brazo ejecutor de la justicia, la venganza o la ira divina. El gesto compungido de la criada —en Stanzione—, así mismo, subraya esta hipótesis (quizás también sea un gesto de inquietud vigilante ante el hecho de ser descubiertas, pues Abra también podría mirar hacia el exterior de la estancia donde se ha consumado el degollamiento). La figura de Judith en Stanzione es la de una víctima que se siente obligada (condicionada, inducida) a representar el papel de verdugo.</div>
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<span style="color: white;">.....</span>En mi opinión, es fácil que, conocidas ambas obras, al contemplar una de las dos versiones —la de Stanzione o la de Allori—, por asociación la otra se nos venga a las mientes.</div>
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<span style="color: white;">.....</span>Pese a estar catalogado como manierista Allori muestra en este cuadro una cierta similitud con la visión naturalista y el claroscuro de Caravaggio, al que posiblemente conoció. Es una pintura caravaggesca, si no fuera por lo forzado de la composición: esa exhibición de poder y autoridad, esa presentación forzada del deber cumplido. El claroscuro es más poderoso, más marcado, en Stanzione; el detalle, la suntuosidad de los ropajes y el <i>attrezzo</i> están mas desarrollados en Allori. Es mi conclusión, por finalizar, que la pintura de Allori en un primer vistazo parece más <i>moderna </i>que la de Stanzione; quiero decir que Allori da la impresión de ser más barroco, y Stanzione más clasicista; pero una mirada más atenta, y no sólo por el tratamiento de la luz, nos da claves para determinar que Stanzione camina un paso por delante de Allori hacia la modernidad academicista. La equívoca impresión puede deberse, en cierto modo, a esa impresión de quietud de la escena, a ese mayor hieratismo en la actitud de los personajes en Stanzione. </div>
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<span style="color: white;">.....</span>Por último he de apuntar que la temática de la producción de Stanzione es mayoritariamente religiosa. Apenas dedica alguna obra a las escenas de género, a lo mitológico o al retrato (un soberbio <i>Retrato de mujer con vestido tradicional napolitano</i>, un magnífico <i>Sacrificio a Baco</i> o un austero y realista <i>Retrato de Anciana</i>). El resto de su obra lo componen las escenas bíblicas recurrentes (<i>Lot y sus hijas</i>, <i>Judith</i>, <i>Susana y los viejos</i>), las escenas marianas y cristológicas (<i>La Anunciación, Adoración de los pastores, Adoración de los Magos, La Natividad</i>,<i> Madonnas con Niño, La Asunción de la Virgen</i>), la escenas de la Pasión (<i>El descendimiento</i>, <i>La Pietà</i>), las concernientes a Juan el Bautista, las de santos (la <i>Magdalena</i>, <i>El martirio de San Lorenzo</i>, <i>San Francisco</i>, <i>Santa Agnes, Santa Inés</i>), etc.</div>
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<span style="color: white;">.....</span>Son de destacar, por lo original de su temática, dos cuadros dedicados a dos momentos del Bautista que habitualmente no suelen recogerse en la pintura: <i>La despedida de Juan Bautista de sus padres</i>, y <i>La predicación de Juan Bautista en el desierto</i>; así como una <i>Muerte de San José</i>, tampoco muy frecuentado. En una ocasión (de las consultadas y aquí recogidas) ensaya el desnudo integral femenino, en una sedente <i>Cleopatra</i>;<i> </i>y dedica un par de versiones a <i>Lucrecia</i>.</div>
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<b><span style="color: #cc0000; font-size: large;">GALERÍA</span></b></div>
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<b><span style="font-family: "georgia" , "times new roman" , serif; font-size: medium;">Massimo Stanzione</span></b></div>
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<b>1585-1656</b><br />
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<b><span style="color: blue;">ESCENAS BÍBLICAS</span></b></div>
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Massimo Stanzione - Judith with the Head of Holofernes (MFA)</div>
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Massimo Stanzione - Judith with the Head of Holofernes, ca 1640 (MET)</div>
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Massimo Stanzione - Judith with the Head of Holofernes, ca 1640 (MET)</div>
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Massimo Stanzione - Judith with the Head of Holofernes, ca 1640 (MET)</div>
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Massimo Stanzione - Los siete arcángeles, h 1629</div>
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Massimo Stanzione - Los siete arcángeles, h 1629_detalle 1 (zona dcha.)</div>
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Massimo Stanzione - Los siete arcángeles, h 1629_detalle 2 (zona central)</div>
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Massimo Stanzione - Los siete arcángeles, h 1629_detalle 3 (zona izqda.)</div>
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Massimo Stanzione - Lot and his daughters</div>
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Massimo Stanzione - Lot and his daughters (2ª versión)</div>
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Massimo Stanzione - Susanna and the Elders, 1643</div>
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Massimo Stanzione - Susanna and the Elders, 1643</div>
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Massimo Stanzione - Susanna and the Elders (2ª versión)</div>
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Massimo Stanzione - Bathsheba at her Bath<br />
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Massimo Stanzione - Bethlehemitischer Kindermord (Massacre of the Innocents)</div>
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Massimo Stanzione - Bethlehemitischer Kindermord (Massacre of the Innocents)</div>
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<b><span style="color: blue;">CRISTOLOGÍA</span></b></div>
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Massimo Stanzione - Annunciation</div>
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Massimo Stanzione - Annunciation (detail)</div>
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Massimo Stanzione - Annunciazione (2ª versión)</div>
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Massimo Stanzione - Immaculate Conception</div>
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Massimo Stanzione - Colloquio tra Gesù Bambino e quattro angioletti</div>
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Massimo Stanzione - Adoration Of The Shepherds</div>
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Massimo Stanzione - Adoration Of The Shepherds</div>
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Massimo Stanzione - Adoration Of The Shepherds</div>
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Massimo Stanzione - Adoration Of The Magi</div>
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Massimo Stanzione - Adoration Of The Shepherds</div>
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Massimo Stanzione - Rest on the Flight into Egypt</div>
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Massimo Stanzione - Rest on the Flight into Egypt</div>
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Massimo Stanzione - Madonna and Child in a landscape</div>
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Massimo Stanzione - Madonna and Child</div>
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Massimo Stanzione - Madonna and Child</div>
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Massimo Stanzione - Madonna and Child<br />
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Massimo Stanzione - Madonna and Child</div>
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Massimo Stanzione - Virgin and Child, 1643-45</div>
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Massimo Stanzione - Virgin and Child, 1643-45</div>
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Massimo Stanzione - Virgin and Child</div>
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Massimo Stanzione - Virgin and Child</div>
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Massimo Stanzione - Virgin and Child, 1643-45</div>
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Massimo Stanzione - Madonna in preghiera</div>
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Massimo Stanzione - Assumption of the Virgin</div>
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Massimo Stanzione - La Madonna delle anime Purganti</div>
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Massimo Stanzione - Rosary Madonna (Pala d'altare de La capella Cacace<br />
nella Basilica di San Lorenzo Maggiore a Napoli)</div>
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Massimo Stanzione - Ceiling decoration (fresco), 1644<br />
Passetto del Tesoro, Certosa di San Martino, Naples<br />
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<b><span style="color: blue;">ESCENAS DE SAN JUAN BAUTISTA</span></b></div>
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Massimo Stanzione - El nacimiento del Bautista anunciado a Zacarías, ca 1635 (Museo del Prado)</div>
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Massimo Stanzione - San Juan Bautista se despide de sus padres, ca 1635 (Museo del Prado)</div>
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Massimo Stanzione - Predicación del Bautista en el desierto, ca 1635 (Museo del Prado)</div>
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Massimo Stanzione - Beheading of St John the Baptist, ca 1635 (Museo del Prado)</div>
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Massimo Stanzione - Beheading of St John the Baptist, ca 1635 (The Bowes Museum)</div>
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Massimo Stanzione - Beheading of St John the Baptist, ca 1635<br />
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Massimo Stanzione - Salome with the Head of John the Baptist</div>
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<b><span style="color: blue;">ESCENAS DE LA PASIÓN</span></b></div>
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Massimo Stanzione - Deposizione</div>
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Massimo Stanzione - Pietà, ca 1621-1625</div>
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Massimo Stanzione - Monks and Holy Women mourning over the Dead Christ.</div>
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Massimo Stanzione - Incredulità Di San Tommaso</div>
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Massimo Stanzione - The Supper at Emmaus<br />
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Massimo Stanzione - The Supper at Emmaus</div>
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<b><span style="color: blue;">ESCENAS DE SANTOS</span></b></div>
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Massimo Stanzione - The Death of Saint Joseph, 17th century</div>
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Massimo Stanzione - La Maddalena Nel Deserto</div>
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Massimo Stanzione - La Maddalena Nel Deserto</div>
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Massimo Stanzione - Mary Magdalene in meditation (attr)</div>
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Massimo Stanzione - Mary Magdalene in meditation (attr)</div>
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Massimo Stanzione - Mary Magdalene in meditation (attr)</div>
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Massimo Stanzione - San Francesco</div>
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Massimo Stanzione - Santa Inés (Saint Agnes), ca. 1635-40</div>
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Massimo Stanzione - Santa Inés, ca. 1635-40</div>
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Massimo Stanzione - Santa Inés</div>
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Massimo Stanzione -Santa Ágata</div>
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Massimo Stanzione - Martirio di Santa Caterina d’Alessandria<br />
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Massimo Stanzione - St. Agatha in Prison<br />
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Massimo Stanzione - The Martyrdom of Saint Lawrence</div>
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Massimo Stanzione - Martirio de Santa Ágata (Águeda)</div>
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<b><span style="color: blue;">ESCENAS HISTÓRICAS, MITOLÓGICAS, </span></b><b><span style="color: blue;">DE GÉNERO Y </span></b><b><span style="color: blue;">RETRATOS</span></b></div>
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Massimo Stanzione - Cleopatra</div>
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Massimo Stanzione - Cleopatra</div>
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Massimo Stanzione - Lucrezia</div>
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Massimo Stanzione - Lucrezia (Napoli, Collezione D'Antonio Doria)</div>
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Massimo Stanzione - Cupid Asleep</div>
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Massimo Stanzione - Sacrifice to Bacchus</div>
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Massimo Stanzione - Sacrifice to Bacchus</div>
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Massimo Stanzione - Portrait of a lady in traditional Neapolitan costume, 1635</div>
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Massimo Stanzione - Portrait of a lady in traditional Neapolitan costume, 1635<br />
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Massimo Stanzione - Portrait of a lady in traditional Neapolitan costume, 1635<br />
detalle 1<br />
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Massimo Stanzione - Portrait of a lady in traditional Neapolitan costume, 1635<br />
detalle 2<br />
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Massimo Stanzione - Portrait of a lady in traditional Neapolitan costume, 1635<br />
detalle 3<br />
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Massimo Stanzione - Portrait of a lady in traditional Neapolitan costume, 1635<br />
detalle 4<br />
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Massimo Stanzione - Portrait of a lady in traditional Neapolitan costume, 1635<br />
detalle 5<br />
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Massimo Stanzione - Anciana (mujer mayor con un libro en las manos) attr.</div>
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Massimo Stanzione - Self-portrait</div>
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Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-5464569323978413729.post-64241738084698746502017-02-17T12:00:00.000+01:002017-02-19T11:58:52.589+01:00 Caravaggio y los caravaggistas (XI). Italia (3): Los epígonos de Caravaggio en Nápoles (1) - GALERÍA: Battistello Caracciolo<br />
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<iframe allowfullscreen="" frameborder="0" height="197" src="https://www.youtube.com/embed/videoseries?list=PL0dYx2N3BTuSy_fiEmCu4z9VwtGt6nOpv" width="350"></iframe></div>
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<b><span style="font-size: large;">Introducción</span></b></div>
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<span style="color: white;">.....</span>Caravaggio llegó a Nápoles en 1606, tras haberse tenido que exiliar de Roma por un turbio asunto en el que fue acusado de asesinato en una reyerta. Caravaggio, hombre de fuerte carácter y afición a los ambientes de "dudosa moralidad", artista vitalista, genuino representante del <i>carpe diem </i>horaciano, fiel a sí mismo, tiró por la borda una exitosa carrera artística, reconocida por los poderosos, por un allá quítame esas pajas de polémica tabernaria. En Nápoles se acogió —por los Colonna— con los brazos abiertos (era el pintor de moda en la sede vaticana). Y en Nápoles Caravaggio afrontó una necesaria e ineludible metamorfosis hacia una síntesis minimalista en su estilo. se volvió más <i>claroscurista</i>, más monocromático, más genial, más original: más con menos, podría sintetizarse esta época, quizás la más determinante e influyente de su carrera. Podría decirse que a medida que más se internaba en sí mismo, que más independiente era de su entorno, que más se adueñaba de él su verdadero ser, más se proyectaba hacia el futuro, más traspasaba su época para consagrarse en el pintor bisagra que fue. Si Caravaggio nos causa admiración, en su primera época, por la audacia de su dibujo, de su temática, de su composición, de la utilización tan libérrima del color, de la importancia al detalle de lo aparentemente accesorio, de su revalorización de la<i> naturaleza muerta</i>, de un naturalismo cuya autenticidad resulta casi irreverente, esa admiración se trueca en turbación ante esta última etapa de su vida.<br />
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<span style="color: white;">.....</span>Todo exilio es un viaje sin retorno hacia lo más auténtico del ser. Y Caravaggio realizó este viaje como un conquistador, como un descubridor de territorios ignotos que no depende de más ayuda que la que le puede prestar la propia desnudez de su genio. Él ante el mundo. El resultado no podía ser otro que el que fue: se ganó, primero, la confianza y la admiración de los nobles y mecenas de la ciudad más rica del Mediterráneo, para perderla, después, cuando su irreprimible ser continuó su labor de desarrollo. "Todo un hombre de carácter", se diría hoy en día; y, efectivamente, los hombres que demuestran un "verdadero" carácter, auténtico, genuino, tienen un mal encaje en la sociedad bienpensante y, convencionalmente, mejor actuante. De Nápoles pasaría a Malta, de ahí a Sicilia, y cuando ya se le agotó el limitado crédito que los hombres convencionales suelen conceder a los genios irrepetibles, intentó volver a la ciudad que más le quiso —Roma. Era tarde. Siempre suele ser tarde, nunca se puede volver a recuperar el crédito una vez dilapidado: sólo queda, a lo más, la memoria de las deudas. Pero su paso por Nápoles, con ser limitado en el tiempo, dejaría una huella indeleble en el tejido estilístico de la ciudad. La mancha de aceite del <i>caravaggismo</i> se extendía imparable desde Roma por toda Italia y más allá, hacia el Norte (Flandes, Holanda, Alemania, Francia) y hacia el Oeste (España, y, desde ésta, hacia América).<br />
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<span style="color: white;">.....</span>En Nápoles prendió pronto la mecha. José de Ribera, español nacido en Xátiva, que por entonces se encontraba en la capital del virreinato hispano, adoptó rápidamente las innovaciones del maestro lombardo, y lo hizo tan ávidamente que las llevó a su más extrema expresión, en lo referente al tenebrismo claroscurista y el crudo naturalismo. Giovanni Battista Caracciolo <i>Battistello</i>, que muy probablemente conoció a Caravaggio, hizo lo propio. Poco después Massimo Stanzione, alumno de <i>Battistello</i>, seguiría la misma trayectoria caravaggista; disputaría a <i>Lo Spagnoleto</i> la preeminencia artística napolitana, cosa que no lograría, pese a su expresividad más amable que la <i>tenebrosa </i>tradicionalmente adjudicada al pintor setabense.<br />
<span style="color: white;">.....</span><i>Battistello</i> Caracciolo, José de Ribera, Massimo Stanzione, son el triunvirato napolitano del caravaggismo en su primera hornada (después vendría, en segunda generación, un alumno aventajado que sería Mattia Preti). A estos tres está dedicada esta última ramificación de la serie <i>caravaggista </i>(el caravaggismo en España, desde un primer momento, vía Nápoles precisamente, tuvo una gran influencia sobre los pintores peninsulares: Velázquez, Luis Tristán, Maíno, Espinosa, entre otros, acusan en mayor o menor grado la mano revolucionaria del lombardo).<br />
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<span style="color: white;">.....</span>Caracciolo será el protagonista de esta primera entrega, Stanzione lo será de la segunda y Ribera, de la tercera, de esta serie de <i>epígonos napolitanos de Caravaggio</i>. Ni qué decir tiene que el pintor español (que nunca regresaría a España tras trasladarse a Italia con diecinueve años) es, de los tres, el más cotizado y reconocido, tanto por la excelencia de su arte como por su versatilidad (pues destacó tanto en la pintura como en el dibujo y el grabado).<br />
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<tr><td class="tr-caption" style="text-align: center;"><i>Cristo en el Monte de los Olivos</i>, Caracciolo - <i>Judith</i>, Stanzione - <i>Sagrada Familia</i>, Ribera</td></tr>
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<b><span style="color: blue; font-size: large;"> Los epígonos de Caravaggio en Nápoles (1)</span></b></div>
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<b><span style="font-size: large;">Battistelo Caracciolo</span></b></div>
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<b>1578-1637</b></div>
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<span style="color: white; font-family: inherit;"><br /></span><span style="font-family: inherit;"><span style="background-color: white;"><span style="color: white;">.....</span>(Nápoles, 1578-1637). Pintor italiano. Se formó en la escuela del <i>tardomanierista </i>Belisario Corenzio, pero el influjo del caravaggismo le afectó profundamente, haciendo que su pintura se convirtiera en una de las reflexiones más interesantes sobre las formas y los motivos del maestro lombardo. Esta tendencia de fuertes contrastes lumínicos, con personajes de marcados rasgos populares, fue, sin duda, la que más interesó a Caracciolo a la hora de representar asuntos religiosos. Pero no se conformó con las novedades llegadas hasta Nápoles, sino que viajó por importantes centros italianos, como Roma, Florencia o Génova, donde fue reclamado por Marcantonio Doria. Estos viajes influyeron en su pintura, sensibilizada por la obra de Lanfranco o de los Carracci que estudió en Roma, y que suavizó su caravaggismo dando lugar a una producción más luminosa, de menores contrastes, de formas más suaves y torneadas. Su única obra en el Museo del Prado pertenece a su fase de investigación caravaggesca. Se trata de la interesante composición </span><i style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Los santos médicos </i></span><i style="background-color: white; border: 0px; font-family: inherit; font-stretch: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Cosme y Damián</i><span style="background-color: white; font-family: inherit;">, que llegó a la institución formando parte del legado Fernández Durán, y de la que existen otras dos versiones, en Berlín y Londres. Los dos mártires sanadores aparecen representados de medio cuerpo, discutiendo algún asunto intelectual en un entorno de fuertes contrastes lumínicos. <span style="font-size: x-small;">(Nota biográfica de la página web Museo del Prado)</span></span><br />
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<b>Apuntes críticos y estilísticos</b></div>
<span style="color: white;">.....</span>Su producción es de temática eminentemente religiosa y bíblica, con ocasionales incursiones en la mitología; apenas pintó escenas de género. Hay en su expresión una buena dosis de la sensualidad caravaggesca, sobre todo en el tratamiento de las figuras desnudas masculinas: sus versiones del <i>Cupido durmiente</i>, sus jóvenes <i>San Juan Bautista</i> (magnífico el muy caravaggesco <i>San Juan Bautista en el desierto</i>,<i> </i>pintado entre 1610 y 1620, en el que se ve a un niño-adolescente Bautista sentado y medio reclinado, de gran sensualidad, donde el juego de luces y sombras dotan de un especial dinamismo al volumen de la postura sedente, siendo el resultado un maravilloso mapa expresivo de la voluptuosidad del cuerpo humano púber) o sus <i>San Sebastián</i> así lo certifican. Su trazo, en ocasiones, lo acercan a Vouet; el ambiente claroscurista, a Ribera; el naturalismo con que plasma las actitudes de los personajes, sean bíblicos o mitológicos, a Caravaggio.<br />
<span style="color: white;">.....</span>En su trayectoria puede observarse una deriva similar a la de otros pintores caravaggistas (como los mismos Vouet o Ribera), en la que la más dura expresividad tenebrista en época temprana da paso a un mayor cromatismo y luminosidad a medida que avanzan los años. La mezcla del más tenebrista claroscuro y, al mismo tiempo, del luminoso cromatismo de corte boloñés puede apreciarse en obras tan exquisitas como <i>La Virgen y el Niño con Santa Ana </i>(1633), en la que la gestualidad de los tres personajes está marcada de modo tan diferencial (y no sólo en los rostros, sino, ante todo, en el juego de manos ubicado en la zona central del cuadro) que es todo un estudio psicológico y un compendio de las dos tendencias pictóricas dominantes en ese momento. Lo mismo cabría decir de su <i>Venus y Adonis </i>(1630), clasicista y caravaggista a un tiempo.<br />
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<span style="color: white;">.....</span>Como ya he apuntado repetidamente en ocasiones anteriores, la importancia dada a la expresión de las manos de los personajes que llevan a cabo la acción dice mucho de la solvencia artística del pintor; y en esto, <i>Battistello</i> es un maestro consumado: siempre que puede, utiliza las manos de sus personajes para subrayar la acción. Sucede en <i>Camino del Calvario </i>(1620-22), en los <i>Cupidos durmientes</i>, en <i>Cristo en el Monte de los Olivos </i>(1615-16), en las dos versiones del <i>Lamento sobre el cadáver de Abel</i>, en <i>El Pecado Original </i>(1620-25), en <i>La liberación de San Pedro </i>(1615), en <i>Los santos Cosme y Damián </i>(1620-25). En esta característica, el cuadro aludido más arriba, en el párrafo anterior, <i>La Virgen y el Niño con Santa Ana</i>, es paradigmático (por cierto, este cuadro bien podría ser un estudio sobre un tema muy recurrente desde el Renacimiento: las tres edades, en los que aparece la niñez, representada por Jesús, la madurez, por María, y la vejez, por Ana); es tal el juego de manos que en la escena Caracciolo realiza, que no sólo subraya la actitud o el gesto, sino que describen mejor aún que los rostros la acción que se desarrolla ante nuestros ojos.<br />
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<span style="color: white;">.....</span>Otra característica en su obra (copia a su vez, en esto también, del maestro lombardo) son los grandes cuadros corales, telas verticales de grandes dimensiones, en los que son varios los personajes (normalmente más de seis) que se sitúan en la normativa y jerárquica cascada de niveles, desde las instancias celestes —arriba— a las terrestres —abajo. Es el caso de la temprana <i>Inmaculada Concepción con los santos Domingo y Francisco de Paula</i> (1607), de la <i>Madonna delle anime purganti tra i Santi Francesco e Chiara</i> (1620), de la <i>Trinitas Terrestris </i>(1617) y del <i>Descanso en el viaje a Egipto </i>(1618).<br />
<span style="color: white;">.....</span>De fuerte efecto claroscurista son los cuadros dedicados a la Pasión, <i>El Bautismo de Cristo</i>,<i> La Samaritana en el Pozo</i> (1620-22), <i>Cristo en el Monte de los olivos </i>(1615-16), <i>Qui vult venire post me</i> (ca 1615), <i>Cristo atado a la Columna </i>(1625-30), <i>La Crocefissione </i>(1610), <i>La Pietà </i>(ca 1620), <i>Cristo morto trasportato al sepolcro</i> o<i> Noli me Tangere</i>; así mismo los de temática bíblica, <i>Tobías y el Ángel </i>(1620-22), <i>El sacrifico de Isaac</i>, las dos versiones de <i>José y la mujer de Putifar</i>, las otras dos de <i>Lamento de Adán y Eva ante el cadáver de Abel </i>o <i>El Juicio de Salomón</i>; en las <i>Sagradas familias</i>, en <i>La huida a Egipto</i> de 1615-17 y en las diversas <i>Madonnas</i> alterna el fuerte claroscuro y un colorismo cuasi manierista, más cercano al clasicismo boloñés.<br />
<span style="color: white;">.....</span>En suma, Caracciolo es uno de los alumnos más aventajados y fieles al espíritu de Caravaggio, a medio camino entre el tenebrismo <i>riberiano</i> y el clasicismo colorista de <i>Vouet</i>. Condensa en sí la doble corriente que del lombardo floreció en Nápoles.<br />
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<span style="color: white;">.....</span>Dos características contrapuestas, o, más bien, complementarias en la pintura de Caracciolo son la sensualidad <i>amable </i>de sus figuras <i>trágicas </i>y la seriedad que emplea, por ejemplo, en la expresión del Cristo Niño (habitualmente representado sonriente) o la Virgen. Allí, la expresión de lo más humano, de lo voluptuoso y <i>pecaminoso</i>; aquí, la ausencia de concesiones optimistas ante la deidad: espera la Pasión, y, por tanto, no hay nada que celebrar. Las <i>Madonnas con Niño</i> y las <i>Sagradas familias</i> de Caracciolo están presididas por la más absoluta circunspección; la solemnidad, cuando no la severidad, predomina; como si la gravedad de lo <i>santo</i> no admitiese bromas ni alegrías (dramatismo de la Contrarreforma llevada al extremo. Recuérdese a Jorge de Burgos, el vetusto monje de <i>El Nombre de la Rosa</i>, enemigo acérrimo de la risa. Más allá de la coincidencia o no de épocas; siempre ha existido en el seno de la Iglesia esa corriente que dudaba de la felicidad en esta vida, tildándolas de <i>debilidades </i>vulgares, pues para el género humano —aseguraban— el paso por el mundo no sería sino un deambular por un valle de lágrimas).<br />
<span style="color: white;">.....</span>En cambio, la sensualidad siempre presente en los cuerpos desnudos, sean cuales sean sus protagonistas; en inocentes <i>Adán y Eva</i> antes del pecado, en <i>Un joven</i>, en <i>Dos jóvenes con racimos de uvas</i>, en los <i>Cupidos durmientes </i>(especialmente en el que representa al <i>Ángel del deseo</i>), en los cuerpos de <i>San Sebastián</i>, en los Cristos desnudos de la Pasión (el martirizado del <i>Atado a la Columna</i>, el exánime del <i>Transportado al Sepulcro</i>, el exangüe de la <i>Pietà</i>) y en las dos versiones de el <i>Lamento de Adán y Eva ante el cadáver de Abel</i>. Caracciolo es un magnífico dibujante de la anatomía humana, y su dibujo refleja toda la voluptuosidad de las formas corporales, de la carnalidad de los cuerpos jóvenes o soberbiamente maduros (un resto de esa sensualidad aún puede detectarse incluso en su provecto <i>San Onofre</i>).<br />
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<span style="color: white;">.</span><span style="color: white; text-align: left;">.....</span><b style="text-align: left;">Análisis de un cuadro</b><span style="text-align: left;">. Mirada más detenida merece una de sus obras más exquisitas e impresionantes. Para que así se nos revele, no obstante, habremos de concentrarnos en su contemplación, captar sus detalles, su intención, su significación y cómo el artista ha dispuesto su talento y sus recursos para lograr su objetivo. El cuadro en cuestión es </span><i style="text-align: left;">Cristo en el Monte de los Olivos</i><span style="text-align: left;">, la escena nos resulta conocida, pues es la Primera Estación de las catorce que contiene el Viacrucis Católico (representación de la Pasión de Cristo). Describe la angustia del Salvador ante la inminente Pasión que lo espera.</span></div>
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<span style="color: white;">.....</span>A pesar de ser también Dios, Cristo teme por lo que de hombre hay en él, es decir, lo que en él ha de estar sometido al sufrimiento (este es uno de los muchos misterios que contiene el Gran Misterio que supone el dogma de la Cristiandad). Nada que ver con un super héroe moderno, capaz de acabar —temporalmente, eso sí— con el mal a golpes de superpoderes. Cristo, el superhéroe del Cristianismo, habrá de conseguir sus fines a base, precisamente, de la <i>inacción</i>, de<i> </i>sufrir pacientemente lo que ningún hombre sería capaz de sufrir. Su fuerza, su superpoder, está, precisamente, en esa capacidad para soportar lo insoportable, y, aún así, pese al indecible sufrimiento, aceptar su destino. Mas Cristo, el superhéroe, es también hombre, y consciente de lo que supone esa su humanidad, tiene dudas (más misterio a la supuesta, si imprescindible, omnisciencia de Dios)... y tiene su momento de flaqueza la noche anterior a su prendimiento: pide al Padre (su padre, él mismo) que <i>aparte de él ese cáliz</i> que ha de apurar hasta la última gota. El Cristo hombre sufre, pues, unas horas angustiosas, en lucha consigo mismo (pidiendo al Padre le permita hacer uso de esos poderes que ya <i>el maligno </i>le suponía cuando lo retó en el desierto). Pese a ese sufrimiento, esa flaqueza, ese momento de debilidad, conserva la entereza suficiente para aceptar su destino (<i>sea tu voluntad, Padre, y no la mía</i>).</div>
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<span style="color: white;">.....</span>Y toda esa zozobra, toda esa angustia, toda esa consternación (se dice que sudó sangre esa noche) está en ese Cristo arrodillado que Caracciolo nos ofrece: el rostro de Cristo es sumamente expresivo, es el rostro del dolor, del sufrimiento, no ya el de la resistencia, sino el de la entrega a la voluntad del Padre. Esa inclinación hacia la presencia del ángel que el Padre envía para que lo consuele (más misterio para el Misterio: si es Dios, si es omnipotente, ¿por qué ha de necesitar consuelo? ¿No habíamos quedado que Cristo es el superhéroe del Cristianismo?), esa inclinación, digo, es la del que busca consuelo. Y lo encuentra en un ángel de alas desplegadas que desprende sensualidad por todos su poros (¿Cabe mayor contraste entre uno y otro personaje?), y que se inclina ligeramente hacia el angustiado Salvador, que en esos duros momentos precisa ser salvado de su íntimas dudas. El rostro del ángel es el rostro de un bello efebo (caravaggesco a más no poder: nos recuerda al <i>Cupido vencedor</i>), pleno de sensual lozanía, que las partes desnudas de su cuerpo refrendan. La sensualidad divina echando una mano al dolor humano: bonita alegoría.</div>
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<span style="color: white;">.....</span>Las manos, aquí también, son fundamentalmente expresivas: las de Cristo, delicadas y longilíneas, subrayando su actitud de inerme entrega; las del ángel mostrando confianza y justificación, tranquilizadoras, en suma.</div>
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<span style="color: white;">.....</span>En cuanto a la composición del cuadro, a su iluminación, sigue un esquema doblemente triangular: un triángulo de luz, superior, con base en el ángel —desde el rostro al extremo de su mano derecha— y vértice en el brazo izquierdo de Cristo; otro triángulo, más amplio y general, cuya base la forman la línea que une los hombros del ángel y Cristo, y cuyo vértice está abajo, en el pié del ángel. En ambos triángulos la base se encuentra en la parte superior y el vértice en la inferior, esquema que sigue los cánones formales que dan preeminencia a la <i>parte celeste</i> del cuadro —arriba—, sobre la <i>terrestre </i>—abajo.</div>
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<span style="color: white;">.....</span>El cromatismo, así mismo, contribuye a dar significación a la escena: verde y dorado, para el ángel; rojo y negro, para Cristo. Esperanza y majestad celestes versus sangre y luto terrestres. Las alas, aunque estén en semipenumbra revelan los trazos luminosos de los cañamones como si se tratase de rayos divinos; rayos <i>jupiterinos</i> llegados desde un punto invisible situado por encima de la acción, y fuera del cuadro: la presencia del mismo Padre que se deja sentir, y se sugiere, por tan sutil manera. </div>
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<span style="color: white;">.....</span>Cuadro, en suma, soberbio en el que podemos comprobar cómo una serie de factores contribuyen al éxito de la significación que se pretende. Cuadro de nítido aroma caravaggista que puede reclamarse como digno heredero del maestro lombardo.</div>
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<b><span style="color: #cc0000; font-size: large;">GALERÍA</span></b></div>
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<b><span style="font-family: "georgia" , "times new roman" , serif; font-size: medium;">Giovanni <i>Battistelo </i>Caracciolo</span></b></div>
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<b>1578-1637</b></div>
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<b><span style="color: blue;">ESCENAS BÍBLICAS</span></b></div>
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Battistello Caracciolo - <i>Il peccato originale</i>, 1620-1625<br />
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Battistello Caracciolo - <i>Compianto su corpo morto di Abele</i><br />
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Battistello Caracciolo - <i>Compianto su corpo morto di Abele</i><br />
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Battistello Caracciolo - <i>Compianto su corpo morto di Abele</i> (2ª versión)<br />
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Battistello Caracciolo - <i>The Sacrifice of Isaac</i><br />
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Battistello Caracciolo - <i>Il giudizio di Salomone</i>, 1620-1625<br />
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Battistello Caracciolo - <i>Joseph and the Wife of Potiphar</i>, 1618<br />
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Battistello Caracciolo - <i>Joseph and the wife of Potiphar</i> (2ª versión)<br />
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Battistello Caracciolo - <i>Joseph and the wife of Potiphar</i> (2ª versión)<br />
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Battistello Caracciolo - <i>Lot e le figlie</i><br />
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Battistello Caracciolo - <i>Tobiolo e l'Angelo</i>, 1620-1622<br />
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<b><span style="color: blue;">MADONNAS, SAGRADA FAMILIA, LA PASIÓN</span></b></div>
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Battistello Caracciolo - <i>Annunciazione</i>, 1º tercio s. XVII d.C.<br />
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Battistello Caracciolo - <i>Fuga in Egitto</i>, 1615 - 1617<br />
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Battistello Caracciolo - <i>Madonna and Child with St Anne</i>, 1633<br />
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Battistello Caracciolo - <i>Madonna and Child with St Anne</i>, 1633<br />
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Battistello Caracciolo - <i>Madonna and Child with Young St John the Baptist</i><br />
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Battistello Caracciolo - <i>Sacra Famiglia con San Giovannino</i>, 1630-1635<br />
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Battistello Caracciolo - <i>The Virgin and Child</i><br />
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Battistello Caracciolo - <i>Trinità terrestre</i>, 1617<br />
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Battistello Caracciolo - <i>The Rest on the Flight to Egypt</i><br />
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Battistello Caracciolo - <i>Madonna delle anime purganti</i><br />
<i>con i Santi Francesco e Chiara</i>, 1620<br />
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Battistello Caracciolo - <i>Immaculate Conception with Saints</i><br />
<i>Dominic and Francis of Paola</i>, ca 1607<br />
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Battistello Caracciolo - <i>Battesimo di Cristo</i> (Quadreria dei Girolamini di Napoli)<br />
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Battistello Caracciolo - <i>Battesimo di Cristo</i> (Quadreria dei Girolamini di Napoli)<br />
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Battistello Caracciolo - <i>The Samaritan at the Well</i>, 1620-22<br />
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Battistello Caracciolo - <i>Jesus Christ washing the feet</i> (of the apostles), 1622<br />
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Battistello Caracciolo - <i>Qui vult venire post me</i>, ca 1615<br />
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Battistello Caracciolo - <i>Christ on the Mount of Olives</i>, 1615-16<br />
(La Agonía de Cristo-Cristo confortato dall'angelo)<br />
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Battistello Caracciolo - <i>Christ and Caiaphas</i>, 1611-20<br />
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Battistello Caracciolo - <i>Cristo alla colonna</i><br />
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Battistello Caracciolo - <i>Ecce Homo</i> (Circle of)<br />
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Battistello Caracciolo - <i>Ecce Homo</i> (Paola)<br />
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Battistello Caracciolo - <i>Ecce Homo</i>, 1610<br />
(Galleria Napoletana, Museo di Capodimonte)<br />
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Battistello Caracciolo - <i>Ecce Homo</i><br />
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Battistello Caracciolo - <i>Way to Calvary</i>, 1620-22<br />
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Battistello Caracciolo - <i>Way to Calvary</i>, 1620-22<br />
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Battistello Caracciolo - <i>The Crucifixion</i> (<i>Crocefissione</i>, 1610)<br />
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Battistello Caracciolo - <i>The Crucifixion</i> (<i>Crocefissione</i>, 1610)<br />
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Battistello Caracciolo - <i>The Crucifixion</i> (<i>Crocefissione</i>, 1610)<br />
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Battistello Caracciolo - <i>Pietà</i>, ca 1620<br />
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Battistello Caracciolo - <i>Cristo morto trasportato al sepolcro</i><br />
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Battistello Caracciolo - <i>Cristo morto trasportato al sepolcro</i><br />
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Battistello Caracciolo - <i>Noli me tangere</i>, 1620<br />
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Battistello Caracciolo - <i>Noli me tangere</i>, 1620<br />
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Battistello Caracciolo - <i>Noli me tangere</i>, 1620<br />
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<b><span style="color: blue;">SAN JUAN BAUTISTA</span></b><br />
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Battistello Caracciolo - <i>Saint John the Baptist</i> (attr)<br />
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Battistello Caracciolo - <i>Saint John the Baptist</i>, 1610-35<br />
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Battistello Caracciolo - <i>Saint John the Baptist</i>, 1610-35<br />
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Battistello Caracciolo - <i>Saint John the Baptist in the Wilderness</i><br />
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Battistello Caracciolo - <i>Saint John the Baptist</i><br />
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Battistello Caracciolo - <i>Salomè con la testa di Giovanni Battista</i>, 1615-20</div>
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Battistello Caracciolo - <i>Salomè con la testa di Giovanni Battista</i><br />
(El degollamiento del Bautista. Sevilla) (2ª versión)<br />
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Battistello Caracciolo - <i>Salomè con la testa di Giovanni Battista </i>(3ª versión)<br />
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Battistello Caracciolo - <i>Salomè con la testa di Giovanni Battista</i><i> </i>(4ª versión)<br />
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<b><span style="color: blue;">OTROS SANTOS</span></b></div>
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Battistello Caracciolo - <i>Liberazione di San Pietro</i>, 1615<br />
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Battistello Caracciolo - <i>Liberazione di San Pietro</i>, 1615<br />
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Battistello Caracciolo - <i>Vocazione di San Matteo</i>, c. 1620-1630<br />
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Battistello Caracciolo - <i>St. John the Evangelist</i><br />
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Battistello Caracciolo - <i>A hermit saint in the wilderness</i>, probably Saint Jerome, 1616-18<br />
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Battistello Caracciolo - <i>Martirio di San Bartolomeo </i><br />
(Quadreria dei Girolamini di Napoli)<br />
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Battistello Caracciolo - <i>The Martyrdom of Saint Sebastian</i>, 1625<br />
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Battistello Caracciolo - <i>Saint Sebastian is Healed by Saint Irene</i>, 1600-35<br />
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Battistello Caracciolo - <i>Saint Sebastian is Healed by Saint Irene</i>, 1600-35<br />
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Battistello Caracciolo -<i> Los santos médicos Cosme y Damián</i>, 1620's (Prado)<br />
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Battistello Caracciolo - <i>Los santos médicos Cosme y Damián</i>, 1620-1625<br />
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Battistello Caracciolo - <i>Saint Anthony of Padua</i><br />
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Battistello Caracciolo - <i>Santa Barbara</i><br />
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<b><span style="color: blue;">ESCENAS MITOLÓGICAS Y DE GÉNERO</span></b></div>
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Battistello Caracciolo - <i>Amore dormiente</i> (Palermo, Museo Nazionale)<br />
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Battistello Caracciolo - <i>Sleeping Cupid</i>, 1618<br />
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Battistello Caracciolo - <i>Sleeping Cupid</i>, 1618<br />
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Battistello Caracciolo - <i>Sleeping Cupid</i> (<i>El ángel del deseo</i>), 1618-22<br />
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Battistello Caracciolo - <i>Venus and Adonis</i>, 1630<br />
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Battistello Caracciolo - <i>Two youths with grapes</i>, 1605-10<br />
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Battistello Caracciolo - <i>A Young Man</i>, 1605-10<br />
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Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-5464569323978413729.post-70227558349118228552017-02-10T10:00:00.000+01:002017-03-14T09:24:44.496+01:00 Caravaggio y los caravaggistas (X). Italia (2): los epígonos de Caravaggio en Roma (2) - GALERÍA: Artemisia Gentileschi<br />
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<b><span style="color: blue; font-size: large;">Los epígonos de Caravaggio en Roma (2)</span></b></div>
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<span style="color: white;">.....</span>Bartolomeo Manfredi, Orazio Gentileschi y la hija de éste, Artemisia Gentileschi, son los tres epígonos más notables de todos cuantos en Roma siguieron, con mayor o menor fidelidad, con mayor o menor acierto, la senda artística abierta por Caravaggio. A los dos primeros se ha dedicado el anterior post, en este se tratará la controvertible figura del tercero, probablemente el epígono más vitalmente caravaggista y menos tenebrista de los tres. También el de carácter más definido (contradiciendo a aquellos que opinan que Artemisia no poseía un estilo propio).<br />
<span style="color: white;">.....</span>De los tres puede que sea Artemisia, por su singularidad, la más celebrada y conocida en la actualidad (a ello ha contribuido la difusión multimedia de su figura a lo largo del siglo XX, en forma de libros, películas y composiciones musicales). Para ello se alían dos circunstancias: el hecho esencial de ser mujer y pintora en un tiempo eminentemente masculinizado en lo artístico (en realidad, en todas las facetas sociales), y el hecho incidental de haber padecido un proceso judicial por una violación sufrida en su juventud, al inicio de su carrera artística. Estas dos circunstancias marcarían, qué duda cabe, el desarrollo de su labor artística, y lo harían, además, de una forma tan objetiva y objetivable, allá en el primer tercio del siglo XVII, que ha viajado por el tiempo hasta nuestros días no sólo sin perder un ápice de interés, sino revelándose aún más cargada de sentido.<br />
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<span style="color: white;">.....</span>La figura de Artemisia Gentileschi, olvidada durante tres siglos, reverdeció en los albores del siglo XX, posiblemente al hilo de una lucha feminista por la igualdad, que trajo, no sin esfuerzo y feroz resistencia, entre otras muchas conquistas, el derecho al voto para la mujer y la progresiva emancipación social y política de la, hasta entonces, obligada tutela masculina. Las mujeres —y junto a ellas los (escasos) hombres que apoyaban ese derecho a la igualdad— necesitaron banderas de enganche, lábaros que enarbolar para reivindicar sus derechos igualitarios. Estos estandartes eran buscados y retomados de la historia, una historia escrita por hombres, sí, pero que, en rigor a la verdad, no dejaban de contar, si quiera fuera anecdótica o trivialmente, los hechos en que las mujeres habían tenido algún papel capital.<br />
<span style="color: white;">.....</span>Y es en base a esa reseña histórica que aquellas luchadoras mujeres de los albores del siglo XX —y los escasos hombres que las apoyaron— comenzaron a reescribir <i>su</i> historia. En los casos en que las mujeres en cuestión hubiesen dejado una obra que contemplar de un modo objetivo, no habría duda: los hechos las avalarían. No ocurriría lo mismo con aquellas otras mujeres en que la importancia de su labor no hubiera dejado huella material (sólo una huella en la memoria, en forma de leyenda).<br />
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<span style="color: white;">.....</span>El caso que nos ocupa entra dentro del primer supuesto: Artemisia Gentileschi, como pintora, dejó una obra detrás, una obra analizable y valorable, sujeto de comparación con la de sus contemporáneos; pero, además, hay documentos históricos: textos procesales y cartas que arrojan luz sobre la mujer, la hija, la madre o la profesional del arte. En efecto, hasta nosotros han llegado tanto las actas del proceso inquisitorial —mal llamado juicio— en que se juzgó la violación sufrida por Artemisia a los 16 o 19 años (según tomemos una u otra fecha de nacimiento de la víctima) por parte de Agostino Tassi —un pintor colaborador de su padre y al que éste encargaría la labor de mentor—, como las cartas, emitidas o remitidas, entre la pintora y sus mecenas o sus amistades. Su pintura nos habla de la calidad de su trabajo, pero también de ciertas características psicológicas que en ellos, inevitablemente, un autor siempre imprime; los documentos, por otra parte, nos acercan a la mujer que realizó, mientras, una tal obra: la mujer que es hija, amante, madre y artista. De la confluencia de estas dos fuentes de conocimiento podemos establecer un retrato bastante adecuado a la realidad de una figura como la de Artemisia Gentileschi. Mas, ante todo, de lo que aquí se trata es de glosar la entidad de la pintora, sólo en la medida en que esta entidad fuera determinada por su biografía (¿y en qué artista no sucede esto?, se me objetará; y sí, en todo artista influye su biografía, porque ésta es inseparable de su obra, pero hay casos, como el de Artemisia Gentileschi, en que la obra se construye <i>contra</i> la biografía, o a pesar de ella).<br />
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<b style="text-align: start;"><span style="font-size: large;">Artemisia Gentileschi</span></b></div>
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<b>Nota Biográfica</b><br />
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<span style="color: white;">.....</span> En julio de 1593 nace en Roma la única hija de Orazio Gentileschi —tuvo otros tres hijos varones que no dispondrían del talento de su hermana para la pintura. Desde muy joven aprende los rudimentos del arte pictórico con su padre. Con doce años pierde a su madre; a partir de ese momento quedará al cuidado paterno. Consciente del talento de su hija, y de la firmeza de su carácter, Orazio está decidido a apoyarla más allá de lo que la convención demanda. No pudiendo estudiar en las academias de Bellas Artes, ni ser admitida en los talleres de los más afamados artistas, el padre pone en manos de su hija todo el conocimiento que posee, incluido el referente a Caravaggio. En 1612, en una carta que Orazio dirige
a la gran duquesa Christine de Lorraine afirma que:<br />
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[…] <i>habiéndola instruido en la
profesión de pintor, en tres años ha trabajado tanto que puedo
atreverme a decir que hoy nadie la iguala, a la vista de las obras
que ella ha realizado de por sí, y que quizá ni siquiera los
principales maestros de esta profesión saben tanto como ella</i> […]</div>
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<span style="color: white;">.....</span>Hay dudas sobre cuál fuera su primera pintura, si <i>La virgen con el Niño</i>, de 1609-10 (es decir, cuando la aprendiz de pintora contaba dieciséis o diecisiete años), o <i>Susana y los viejos</i>, de 1612 (cuando contaba con diecinueve, por tanto). De todas formas las dataciones no son incontrovertibles pues los cuadros no están fechados, aunque siempre se dudó de que Artemisia pudiera haber pintado un cuadro tan complejo como <i>Susana y los viejos</i> a tan temprana edad (quizás por prejuicios machistas), atribuyéndoselo a las manos de su padre, quien se la adjudicaría a su hija para promocionar su talento. Lo que sí es cierto es que en esta obra están algunas de las características que se repetirán en toda su trabajo posterior (la presentación naturalista de la figura femenina, el escorzo manierista, la luminosidad y paleta cromática del primer Caravaggio, la monumentalidad clasicista de Miguel Ángel), formando parte de su <i>acomodaticio</i> estilo (ya que la pintora romana no dispuso de un estilo claramente propio, sino que lo fue amoldando a los gustos de los mecenas para los que trabajó en cada ciudad —Roma, Florencia, Venecia, Nápoles, Londres).<br />
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<span style="color: white;">.....</span>Orazio Gentileschi, por dotar a su talentosa hija de una más completa formación, le encarga a su colaborador, Agostino Tassi, que ejerza de mentor y le muestre los secretos de la perspectiva y el paisaje, labores de las que éste se encargaba en los frescos que pintaba junto a Orazio. Pero en 1612, en circunstancias nada claras, Tassi la fuerza, prometiéndole casarse con ella; pero él ya está casado, por lo que dado el impedimento para cumplir su promesa, Orazio lo acusa de violación ante la más alta magistratura de los Estados Pontificios. Se celebra juicio por la causa. En él salen las más bajas pasiones y se despliegan las más vergonzosas artimañas (las actas del juicio se han conservado, con las declaraciones de cada compareciente: Artemisia, Tassi, Orazio, y los testigos de ambos: la mentira es recurrente y sólo tras una minuciosa labor de contraste, y humillantes <i>pruebas de verdad</i>, logra a duras penas abrirse paso algo semejante a la verdad). A Artemisia se la somete, además de a un afrentoso examen ginecológico, a tortura en los dedos de las manos (con lo que esto podía suponer en en alguien que se sirve de las manos para desarrollar su arte), con ello se pretende comprobar, sin ningún género de dudas, la veracidad de sus declaraciones. Al final, el juez declara culpable a Tassi y lo destierra de los Estados Pontificios. Gracias a las influencias del pintor entre la aristocracia y la jerarquía eclesiástica al año y medio será indultado. Tras el destierro volverá Tassi a trabajar junto a Orazio, a pesar de todo (lo que, por cierto, nos arroja aún más sombras sobre lo realmente ocurrido en el caso de violación juzgado). Artemisia, para minimizar su deshonra y recuperar la honorabilidad mancillada, se casa con un pintor de segunda fila del taller de su padre: Piero Antonio Stiattesi. Con él Artemisia deja Roma y se desplaza a Florencia en 1614. Tendrá cuatro hijos, de los que sólo llegará a la edad adulta una hija, Prudenzia.<br />
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<span style="color: white;">.....</span>En Florencia es muy bien recibida, tanto por la corte ducal de Cosme II de Médicis, como en los ambientes artísticos. En 1616 es la primer mujer admitida en la Academia de Disegno fundada en 1563 por Giorgio Vasari. Su pertenencia a la academia no sólo le aporta gloria y reconocimiento, sino libertad para crear y capacidad para firmar contratos. Allí conoce a Galileo Galilei, entablando amistad con él (amistad que se mantendría mediante contacto epistolar durante largo tiempo). No sólo disfruta del mecenazgo de la familia Médicis, sino que Miguel Angel Buonarrotti <i>el Joven</i>, sobrino del insigne escultor y pintor florentino, ejerce de padrino artístico. Durante su estancia en Florencia, lo caravaggesco se matizó de refinamiento y delicadeza florentina (<i>Alegoría de la Inclinación</i>, <i>Magdalena penitente</i>).<br />
<span style="color: white;">.....</span>En 1621 vuelve a Roma y se separa de su marido. Su padre Orazio, cuando ella llega, se traslada a Génova. Artemisia alternará residencia entre Roma y Venecia durante estos años, hasta 1629 (es posible que visitara a su padre en este tiempo). En 1626 entra a formar parte Della Accademia dei Desiosi (por otro nombre, la Escuela Boloñesa de los Carracci, Reni o Guercino, y la primera academia barroca de pintura de Italia).<br />
<span style="color: white;">.....</span>Se traslada a Nápoles en 1630, por entonces segundo núcleo urbano de Europa, tras París. La ciudad del Vesubio es un centro floreciente en su doble vertiente: económica y artística (poseía el puerto más importante de todo el Mediterráneo). Allí estaba asentada la corte virreynal española (durante todo el siglo XVII el Reino de Nápoles formaría parte del Imperio Español), activa patrocinadora de cuanta manifestación artística llegara a su territorio. Por Nápoles habían pasado antes que Artemisia el mismo Caravaggio, Annibale Carracci o Simon Vouet. Allí coincidiría en el tiempo con José de Ribera, <i>Lo Spagnoletto </i>(<i>El Españolito</i>, apodo debido a su procedencia y su escasa estatura), Massimo Stanzione y Domenichino. Y allí la pintora trabaja por primera vez para una catedral, realizando diversos cuadros dedicados a <i>San Gennaro nell'Anfiteatro di Pozzuoli</i>.<br />
<span style="color: white;">.....</span>Corre el año 1638 cuando se reúne con su padre en Londres, donde ya es pintor cortesano. Trabaja con él en los frescos de uno de los techos de la <i>Casa delle Delizie</i>, en Greenwich, casa de campo de la reina Enriqueta María de Francia. Su visita a Inglaterra se debe a un llamado del mismo Carlos I, gran coleccionista de arte, intrigado por la fama de que ya empezaba a gozar la hija de su pintor de corte. Tras la muerte repentina de su padre un año después, en 1639, aún permanecerá tres años en Londres —quizás culminando los trabajos comprometidos por su padre. En 1642 regresará a Nápoles, ciudad de donde ya nunca saldrá y en la que encontrará la muerte, muy probablemente en la epidemia de peste que asoló la urbe en 1656 y que se llevaría por delante a casi una generación de artistas.<br />
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<b>Estilo y </b><b>Relato </b><b>en el arte de Artemisia Gentileschi</b></div>
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<span style="color: white;">....</span>Artísticamente, Artemisia está considerada una de las más auténticas caravaggistas, mas, como le ocurre a su padre, no deja de traslucir en sus obras el gusto por lo clásico (pasado por el tamiz del tardomanierismo). Como caravaggista, imbuida de un naturalismo sin ambages, en ocasiones supera a su maestro por la crudeza de sus propuestas. Así, en sus dos versiones de <i>Judith decapitando a Holofernes </i>(la de 1612-13, hoy en la Galleria degli Uffizi, en Florencia; y la de 1614-20, ubicada en el Museo de Capodimonte, en Nápoles), Artemisia muestra una mayor rudeza expresiva, sobre todo en la segunda, en la que los gestos acentúan lo terrorífico del momento. Se dice, y creo que con probable razón, que este tema, aunque recurrente en la pintura —y recurrente en el caravaggismo—, le sirvió a la pintora para proyectar la terrible situación sufrida durante todo el proceso por su violación (la primera versión de la obra se realiza inmediatamente después de este turbio suceso). No es descabellado aducir motivaciones psicológicas en la composición y el tratamiento final dado al cuadro. Incluso se cree ver en los rasgos de la heroína hebrea los de la misma Artemisia (algo que podría decirse igualmente de muchas de sus heroínas femeninas). El hecho de que la sirvienta, Abra, además de ser de la misma edad que la protagonista Judit (cuando en Caravaggio era una anciana), colabore más activamente —contra el relato bíblico; y a diferencia de Caravaggio, que la hace ser espectadora expectante— en la decapitación del general asirio (del tirano, para los israelitas) no deja de ser un refuerzo de contenido manifiestamente feminista (aunque, al fin y al cabo, en este caso, Judit no fue violada, sino que fue ella misma quien <i>motu proprio </i>se entregó a Holofernes con el objetivo de emborracharlo —de amor, de sexo, de vino— para acabar con su mando; es decir que Judit fue una patriota, una <i>mártir </i>que luchó con su sexo para conseguir la aniquilación del enemigo).<br />
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<span style="color: white;">.....</span>Pero si algo destaca en el relato temático de la artista es su apuesta por el protagonismo de la figura femenina. Al igual que su admirado Miguel Ángel hizo de la figura masculina su vehículo narrativo artístico, ella lo haría con la de la mujer. No es de extrañar que se haya convertido en un icono del feminismo. Su obra está plagada de heroínas, aunque de diversas categorías; y así nos encontramos:<br />
- dominadoras de su destino (aunque sea adverso): Lucrecia, Cleopatra, las hijas de Lot.<br />
- víctimas del destino (aunque sea glorioso): Susana, Bethsabé.<br />
- mártires (mezcla de víctimas y dominadoras): María Magdalena, santa Catalina de Alejandría, Santa Cecilia, Santa Lucía.<br />
- vengadoras: Judith, Ester, Yael, Salomé, Dalila.<br />
- elegidas: Dánae (profana), la Virgen María (sacra).<br />
- neutras: Venus, Minerva, la Aurora, Clío.<br />
- ella misma: en múltiples autorretratos, varios como alegoría de la pintura (dos enteramente opuestos: en uno, desnuda, tendida, dormida; en el otro vestida, en el frenesí de su actividad pictórica), y en otras tantas representaciones bajo el aspecto de una de sus heroínas (Santa Catalina, María Magdalena, tañedora de laúd).<br />
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<span style="color: white;">.....</span>De entre todas estas categorías destacan, por su fuerza expresiva y por su carácter, las <i>dominadoras</i>, <i>las víctimas</i> y, sobre todo, las <i>vengadoras</i>. <i>María Magdalena</i>, a la que dedicó seis versiones diferentes, <i>Bethsabé</i>, con otras seis versiones (una de ellas conjuntamente con Viviano Codazzi) y la <i>Virgen María</i>, con cuatro versiones con <i>el Niño</i>, más una Anunciación y una Adoración de los Magos, son las representadas más veces. Pero es Judit —con cinco representaciones diferentes— quien atrae todas las miradas. A parte de las dos citadas <i>Judith decapitando a Holofernes</i>, realizó otras tres representaciones de aquel hecho bíblico, ambas posteriores en el tiempo del relato a la decapitación, en la que se ve a Judith y a su sirvienta, con la ya cortada cabeza de Holofernes, en el trance de salir de la tienda del general asesinado sin ser vistas. En la primera de ellas, realizada en 1613-14, hoy en el Palazzo Pitti, se nos muestra un plano medio de Judith, de frente, y la sirvienta (Abra), de espaldas, quien porta la cabeza de Holofernes en un cesto de mimbre; es una composición muy original —y <i>caravaggesca</i>— en la que las protagonistas dirigen su mirada hacia afuera del cuadro, a la izquierda, como pendientes de que nadie los vea salir de la tienda del general donde se ha cometido el atroz asesinato; se trata de un cuadro, si muy caravaggesco, aún manierista por su presentación (los forzados escorzos y la minuciosidad de los vestidos se contrastan con el claroscuro conformado por la luz, el color y el fondo negro). Las otras dos representaciones describen una semejante composición, siendo dos versiones del mismo tema. Una está realizada en el año 1625 (ubicada actualmente en el Detroit Institute of Art); la otra es posterior, de 1645-50 (en la actualidad en el Museo de Capodimonte, en Nápoles); en ambas el objetivo se abre, respecto de la primera versión de 1613-14, y nos presenta la acción en un plano general, con Judith, de pie, escrutando hacia el exterior; Abra se encuentra agachada, envolviendo la cabeza de Holofernes en un lienzo; y todo sucede en la tienda que aquí sí puede adivinarse entre las sombras del fondo; ante Judith, sobre un mueble, hay una vela que ilumina la escena, la heroína coloca una mano delante de la llama para no ser deslumbrada mientras otea el exterior. Es una escena muy <i>claroscurista</i>, muy <i>tenebrista</i>, que bien podría haber firmado un Van Honthorst o un Georges de La Tour. La versión de Nápoles es algo más abierta y sombría; la de Detroit, más enfocada y colorista.<br />
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<span style="color: white;">.....</span>Que una mujer se atreviese a encarar temas heroicos reservados a los hombres, habla bien de su talento, de su capacidad y de su determinación. Si bien Sofonisba Anguissola y Lavinia Fontana ya habían destacado como mujeres pintoras (ambas con obras centradas en el retrato, con alguna ocasional incursión en la representación mitológica), no fue sino Artemisia Gentileschi quien pudo considerarse una pintora equivalente a sus colegas masculinos. Independiente económicamente, pudo subvenir, mal que bien, a sus necesidades personales, familiares y profesionales con su trabajo, que fue reconocido y valorado. Roberto Longhi (1890-1970), crítico de arte del siglo XX y gran valedor de los Gentileschi, escribió sobre Artemisia en los siguientes términos: <span style="font-family: inherit;"><span style="background-color: white; color: #252525;">«<i>la única mujer en </i></span><a href="https://es.wikipedia.org/wiki/Italia" style="background: none rgb(255, 255, 255); color: #0b0080; text-decoration: none;" title="Italia"><i>Italia</i></a><span style="background-color: white; color: #252525;"><i> que alguna vez supo algo sobre pintura, colorido, empaste y otros fundamentos</i>»; para, en otro momento, realizar la siguiente reflexión, mientras contempla la segunda versión de <i>Judith cortando la cabeza a Holofernes</i>: </span></span><span style="background-color: white; color: #252525;">«</span><span style="background-color: white; color: #252525; font-family: inherit;"><i>¿Quién pensaría de hecho que sobre un lienzo estudiado de candor y sombras valiosas, dignas de un Vermeer —una generosidad natural—, pudiera acontecer una matanza tan brutal y sangrienta? [...] pero —es lógico decirlo— ¡esta es una mujer terrible! ¿Una mujer pintó todo esto?</i></span><span style="background-color: white; color: #252525;">». Un juicio, ciertamente, de ligeras connotaciones machistas, pues parece adjudicar a la mujer una esencial e irremediable delicadeza (¿rayana en la gazmoñería?) que le impediría plasmar un tal feroz realismo.</span><br />
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<span style="background-color: white;"><span style="color: white;">.....</span></span><span style="background-color: white; color: #252525;">En cuanto a cómo la pintora representa la figura femenina en sí, Artemisia nos ofrece casi siempre el reflejo de (muy posiblemente) su misma figura, ya que, según opinión común de su tiempo, era una mujer singularmente bella, de esa hermosura romana donde las generosas curvas del cuerpo se alían con un atractivo rostro ovalado conformado por suaves ángulos, turgentes labios y grandes ojos expresivos. En sus dos versiones de <i>Susana y los viejos</i>, en su <i>Venus dormida</i>, en sus <i>Cleopatras</i>, en sus <i>Bethsabés</i>, en su <i>Danäe</i> y en una de sus <i>Lucrecias </i>(aunque en ésta menos) se puede observar el cuerpo desnudo femenino según la pintora: un cuerpo nada idealizado, muy natural (salvo, quizás, el de Venus), tan real como el que se podría encontrar por la calle en cualquier mujer hermosa de su tiempo. Son cuerpos antes bien generosos que delicados, rotundos e incluso maternales (<i>Lucrecia</i>). En esto es también muy caravaggista. Lleva el naturalismo anatómico femenino a sus últimas consecuencias: sublimación del cuerpo realmente hermoso de la mujer, sin idealización más allá de las ordenadas proporciones de las más armoniosas leyes de la pintura clásica en consonancia con la realidad costumbrista. Uno, en sus cuadros, no hallará nunca el perfecto cuerpo superlativo de una <i>top model</i>, pero sí encontrará, en cambio, el de una Sofía (Loren), el de una Claudia (Cardinale), o el de una Silvana (Mangano), pletóricas de madurez.</span><br />
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<span style="background-color: white; color: white;">.....</span><span style="background-color: white; color: #252525;">En cuanto a su técnica, ya se ha apuntado que es una original mezcla de caravaggismo y clasicismo boloñés, matizado en cada momento por la atmósfera del lugar donde se hallase (su estilo se teñía de delicadeza florentina en Florencia, de sofisticación colorista en Venecia, de cálido tenebrismo en Nápoles, de clasicismo alambicado en Londres, de barroco boloñés en Roma. Pero, a pesar de esta acomodación, imprescindible para la viabilidad económica de su trabajo artístico en un mundo altamente competitivo, no dejó de poseer un estilo reconocible, sobre todo, en la paleta, en la composición, en el diseño y en la figuración, tanto del cuerpo y los rasgos anatómicos de los personajes (mayoritariamente femeninos), como en las texturas, el diseño y el color de sus sus ropajes. Es célebre ante todo su amarillo dorado, en todos sus matices, pero también sus azules de lapislázuli y sus carmesíes y granates tornasolados; como son características sus sedas aterciopeladas y los gradientes de brillos casi de moaré.</span><br />
<span style="background-color: white; color: white;">.....</span><span style="background-color: white; color: #252525;">Coquetea en ocasiones con el tenebrismo (<i>Judit decapitando a Holofernes</i>, <i>Judit y su sirvienta</i>, <i>Bethsabé en el baño</i>, <i>María Magdalena en éxtasis</i>), pero es el insobornable naturalismo y un colorista claroscuro (menos monocromático que el de la última etapa de Caravaggio) lo que más prodiga y le acerca al pintor lombardo.</span><br />
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<span style="background-color: white; color: white;">.....</span><span style="background-color: white; color: #252525;">Estamos, en conclusión, ante una obra singular, la de una mujer pintora <i>avant la lettre</i>, que lo fue a pesar de todo y de todos, con una calidad semejante a sus mejores contemporáneos masculinos. Una rareza que paseó su talento y determinación por la Europa de la primera mitad del siglo XVII. Una artista convencida y determinada a serlo, que tuvo la grandeza y la tenacidad para desarrollar su itinerante carrera profesional cuidando al mismo tiempo de su familia (más o menos como sigue ocurriendo hoy en día, en tantas ocasiones). Meritorio epígono de Caravaggio en la Roma de la Contrarreforma.</span><br />
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<b><span style="color: #cc0000; font-size: large;">GALERÍA</span></b></div>
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<tr><td class="tr-caption" style="text-align: center;">Simon Vouet - Portrait of Artemisia Gentileschi</td></tr>
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<b><span style="font-family: "georgia" , "times new roman" , serif;">Artemisia Gentileschi</span></b></div>
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<b>1593-1654</b></div>
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Como en otras ocasiones, aquí se ofrecerá la más completa compilación de las obras de la artista, acercándome a lo que bien pudiera definirse como un catálogo integral de su producción en sus copias más fieles y de mejor definición encontradas en la red. Siendo Artemisia Gentileschi una artista en constante revisión, cuya atribución a veces es dudosa, con cuadros que equivocadamente han sido atribuidos tradicionalmente a otros pintores, y lo que es más difícil de determinar, a su padre (sobre todo las obras iniciales), el <i>catálogo </i>resultante que aquí se ofrece no es definitivo, pero sí muy aproximado. Como suele ser una constante en mis propuestas, de algunas obras se ofrecen diferentes copias en atención a su definición, matiz luminoso o diferente coloración (saturación), todo ello con el fin de ofrecer en un mismo espacio las copias más relevantes. Por supuesto también se incluyen y señalan, diferenciándolas, las diversas versiones que sobre un mismo tema realizara la pintora (no siendo, pues, copias diferentes, sino obras diferentes sobre el mismo tema).</div>
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<b><span style="color: blue;">ESCENAS BÍBLICAS</span></b></div>
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<b><span style="color: #cc0000;">JUDIT</span></b><br />
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Artemisia Gentileschi - Judith and Her Maidservant with the Head of Holofernes, c. 1625-27<br />
(Detroit Institute of Art)<br />
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Artemisia Gentileschi - Judith and Her Maidservant with the Head of Holofernes, c. 1625-27<br />
(Detroit Institute of Art)<br />
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Artemisia Gentileschi - Judith and Her Maidservant with the Head of Holofernes, c. 1645-50<br />
(Museo di Capodimonte)<br />
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Artemisia Gentileschi - Judith and her Maidservant, 1613-14<br />
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Artemisia Gentileschi - Judith and her Maidservant, 1613-14<br />
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Artemisia Gentileschi - Judith and her Maidservant, 1613-14<br />
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Artemisia Gentileschi - Judith beheading Holofernes<br />
(Gallerie Nazionali di Capodimonte, Napoli)<br />
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Artemisia Gentileschi - Judith beheading Holofernes<br />
(Gallerie Nazionali di Capodimonte, Napoli)<br />
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Artemisia Gentileschi - Judith beheading Holofernes<br />
(Gallerie Nazionali di Capodimonte, Napoli)<br />
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Artemisia Gentileschi - Judith beheading Holofernes<br />
(Gallerie Nazionali di Capodimonte, Napoli) detail<br />
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Artemisia Gentileschi - Judith Beheading Holofernes, 1620<br />
(Galleria degli Uffizi)<br />
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Artemisia Gentileschi - Judith Beheading Holofernes, 1620<br />
(Galleria degli Uffizi)<br />
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Artemisia Gentileschi - Judith Beheading Holofernes, 1620<br />
(Galleria degli Uffizi)<br />
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Artemisia Gentileschi - Judith Beheading Holofernes, 1620<br />
(Galleria degli Uffizi) (en contexto)<br />
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<a href="https://4.bp.blogspot.com/-1tbNDmwyfoI/WJhj2jpWHXI/AAAAAAAAh1o/GktwMLycHOgI9apQ-AhMxGIpMS4gM282wCEw/s1600/Artemisia%2BGentileschi%2B-%2BCinta%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="72" src="https://4.bp.blogspot.com/-1tbNDmwyfoI/WJhj2jpWHXI/AAAAAAAAh1o/GktwMLycHOgI9apQ-AhMxGIpMS4gM282wCEw/s640/Artemisia%2BGentileschi%2B-%2BCinta%2B1.jpg" width="640" /></a><br />
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<b><span style="color: #cc0000;">BETHSABÉ</span></b><br />
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Artemisia Gentileschi - Bathsheba at Her Bath, 1636-39<br />
(Londres, Matthiesen Gallery)<br />
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Artemisia Gentileschi - Bathsheba at Her Bath, 1640's<br />
(Private collection)<br />
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Artemisia Gentileschi - Bathsheba at Her Bath, 1640-45<br />
(con Viviano Codazzi Codazzi) (Col. private)<br />
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Artemisia Gentileschi - Bathsheba at Her Bath, 1640-45<br />
(con Viviano Codazzi Codazzi) (Col. private)<br />
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Artemisia Gentileschi - Bathsheba at Her Bath, 1640-45<br />
(Viena Colección Privada)<br />
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Artemisia Gentileschi - Bathsheba at Her Bath, ca 1636<br />
(Columbus Museum of Art)<br />
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Artemisia Gentileschi - Bathsheba at Her Bath, ca 1650<br />
(<span style="background-color: white; text-align: left;"><span style="font-family: inherit;">Neues Palais, Potsdam, Germany</span></span>)<br />
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<a href="https://4.bp.blogspot.com/-1tbNDmwyfoI/WJhj2jpWHXI/AAAAAAAAh1o/GktwMLycHOgI9apQ-AhMxGIpMS4gM282wCEw/s1600/Artemisia%2BGentileschi%2B-%2BCinta%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="72" src="https://4.bp.blogspot.com/-1tbNDmwyfoI/WJhj2jpWHXI/AAAAAAAAh1o/GktwMLycHOgI9apQ-AhMxGIpMS4gM282wCEw/s640/Artemisia%2BGentileschi%2B-%2BCinta%2B1.jpg" width="640" /></a><br />
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<b><span style="color: #cc0000;">SUSANA</span></b><br />
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<a href="https://4.bp.blogspot.com/-23wdDVn7Dng/WJd2orDXM-I/AAAAAAAAhr0/fYeKM-LgvQ8BnvH-qzfNQNoez4dsRIufACLcB/s1600/Artemisia%2BGentileschi%2B-%2BSusanna%2Band%2Bthe%2BElders%252C%2B1610%2B%2528Pommersfelden%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://4.bp.blogspot.com/-23wdDVn7Dng/WJd2orDXM-I/AAAAAAAAhr0/fYeKM-LgvQ8BnvH-qzfNQNoez4dsRIufACLcB/s640/Artemisia%2BGentileschi%2B-%2BSusanna%2Band%2Bthe%2BElders%252C%2B1610%2B%2528Pommersfelden%2529.jpg" width="444" /></a></div>
Artemisia Gentileschi - Susanna and the Elders, 1610<br />
(Pommersfelden)<br />
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<a href="https://2.bp.blogspot.com/-9tPvY6PS-V4/WJd2q2wyR0I/AAAAAAAAhsA/u9hjFsx9X8IVv2Mu2gqmotjtDgP9M9p5ACLcB/s1600/Artemisia%2BGentileschi%2B-%2BSusanna%2Band%2Bthe%2BElders%252C%2B1622%2B%2528Stamford%252C%2BLincolnshire%252C%2BInglaterra%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-9tPvY6PS-V4/WJd2q2wyR0I/AAAAAAAAhsA/u9hjFsx9X8IVv2Mu2gqmotjtDgP9M9p5ACLcB/s640/Artemisia%2BGentileschi%2B-%2BSusanna%2Band%2Bthe%2BElders%252C%2B1622%2B%2528Stamford%252C%2BLincolnshire%252C%2BInglaterra%2529.jpg" width="488" /></a></div>
Artemisia Gentileschi - Susanna and the Elders, 1622<br />
(Stamford, Lincolnshire, Inglaterra)<br />
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Artemisia Gentileschi - Susanna and the Elders, 1622<br />
(Stamford, Lincolnshire, Inglaterra)<br />
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Artemisia Gentileschi - Susanna and the Elders, 1649 (Brno)<br />
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Artemisia Gentileschi - Susanna and the Elders, 1649<br />
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<b><span style="color: #cc0000;">ESTHER</span></b><br />
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Artemisia Gentileschi - Esther before Ahasuerus, 1628-35<br />
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Artemisia Gentileschi - Esther before Ahasuerus, 1628-35_detail<br />
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Artemisia Gentileschi - Esther before Ahasuerus, 1628-35_detail<br />
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Artemisia Gentileschi - Esther before Ahasuerus, 1628-35_detail<br />
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<a href="https://4.bp.blogspot.com/-1tbNDmwyfoI/WJhj2jpWHXI/AAAAAAAAh1o/GktwMLycHOgI9apQ-AhMxGIpMS4gM282wCEw/s1600/Artemisia%2BGentileschi%2B-%2BCinta%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="72" src="https://4.bp.blogspot.com/-1tbNDmwyfoI/WJhj2jpWHXI/AAAAAAAAh1o/GktwMLycHOgI9apQ-AhMxGIpMS4gM282wCEw/s640/Artemisia%2BGentileschi%2B-%2BCinta%2B1.jpg" width="640" /></a><br />
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<b><span style="color: #cc0000;">LAS HIJAS DE LOT</span></b><br />
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Artemisia Gentileschi - Lot and His Daughters, 1640-50<br />
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Artemisia Gentileschi - Lot and His Daughters, 1640-50<br />
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<a href="https://4.bp.blogspot.com/-1tbNDmwyfoI/WJhj2jpWHXI/AAAAAAAAh1o/GktwMLycHOgI9apQ-AhMxGIpMS4gM282wCEw/s1600/Artemisia%2BGentileschi%2B-%2BCinta%2B1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="72" src="https://4.bp.blogspot.com/-1tbNDmwyfoI/WJhj2jpWHXI/AAAAAAAAh1o/GktwMLycHOgI9apQ-AhMxGIpMS4gM282wCEw/s640/Artemisia%2BGentileschi%2B-%2BCinta%2B1.jpg" width="640" /></a><br />
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<b><span style="color: #cc0000;">DALILA</span></b><br />
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Artemisia Gentileschi - Samson and Delilah<br />
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Artemisia Gentileschi - Samson and Delilah<br />
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<b><span style="color: #cc0000;">YAEL</span></b><br />
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Artemisia Gentileschi - Jael and Sisera, 1620<br />
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Artemisia Gentileschi - Jael and Sisera, 1620<br />
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Artemisia Gentileschi - Jael and Sisera, 1620<br />
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Artemisia Gentileschi - Jael and Sisera, 1620<br />
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Artemisia Gentileschi - Giuseppe e la moglie di Putifarre - 1622-23<br />
(Harvard, Fogg Art Museum)<br />
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Artemisia Gentileschi - Giuseppe e la moglie di Putifarre - 1622-23<br />
(Harvard, Fogg Art Museum)<br />
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Artemisia Gentileschi - The Birth of St. John the Baptist, 1635</div>
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Artemisia Gentileschi - The Birth of St. John the Baptist, 1635<br />
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<b><span style="color: #cc0000;">LA VIRGEN MARÍA</span></b><br />
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Artemisia Gentileschi - Annunciation<br />
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Artemisia Gentileschi - Annunciation<br />
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Artemisia Gentileschi - Adorazione of the Magi, 1636-37<br />
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Artemisia Gentileschi - Madonna nursing the Child, 1610 </div>
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(Galleria Spada)</div>
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Artemisia Gentileschi - La Vergine allatta il Bambino 1616-18<br />
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Artemisia Gentileschi - La Vergine allatta il Bambino 1616-18<br />
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Artemisia Gentileschi - La Vergine allatta il Bambino 1616-18<br />
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Artemisia Gentileschi - La Vergine allatta il Bambino 1616-18<br />
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Artemisia Gentileschi - Madonna and Child, 1650-51<br />
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Artemisia Gentileschi - Christ and the Woman of Samaria, ca 1637<br />
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Artemisia Gentileschi - Christ and the Woman of Samaria, ca 1637<br />
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Artemisia Gentileschi - Salome with the Head of Saint John the Baptist, 1610-15</div>
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<b><span style="color: #cc0000;">MARÍA MAGDALENA</span></b><br />
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Artemisia Gentileschi - Conversione della Maddalena (Alegoría de la Melancolía), 1622-23<br />
(Sumaya, Mexico)<br />
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Artemisia Gentileschi - Conversione della Maddalena (Alegoría de la Melancolía), 1622-23<br />
(Sumaya, Mexico)<br />
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Artemisia Gentileschi - Conversione della Maddalena (Alegoría de la Melancolía), 1622-23<br />
(Sumaya, Mexico)<br />
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Artemisia Gentileschi - Conversione della Maddalena, 1622-23<br />
(Museo Arzobispal. Sevilla)<br />
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Artemisia Gentileschi - Conversione della Maddalena, 1622-23<br />
(Museo Arzobispal. Sevilla)<br />
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Artemisia Gentileschi - Conversione della Maddalena, 1622-23<br />
(Museo Arzobispal. Sevilla)<br />
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Artemisia Gentileschi - Mary Magdalen, 1613-20<br />
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Artemisia Gentileschi - Mary Magdalen, 1613-20<br />
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Artemisia Gentileschi - Mary Magdalen, 1613-20<br />
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Artemisia Gentileschi - Mary Magdalene in Ecstasy, 1613<br />
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Artemisia Gentileschi - Mary Magdalene<br />
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Artemisia Gentileschi - Penitent Magdalene, 1631<br />
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<b><span style="color: #cc0000;">SANTA CATALINA de ALEJANDRÍA</span></b><br />
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Artemisia Gentileschi - Self Portrait as a Martyr (attr.)<br />
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Artemisia Gentileschi - Self Portrait as a Martyr, 1615<br />
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Artemisia Gentileschi - St Catherine of Alexandria, 1615<br />
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Artemisia Gentileschi - St Catherine of Alexandria, 1615<br />
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Artemisia Gentileschi - St Catherine of Alexandria<br />
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Artemisia Gentileschi - St. Catherine of Alexandria, 1620<br />
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Artemisia Gentileschi - St. Catherine of Alexandria, 1620<br />
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Artemisia Gentileschi - Self-portrait as St Catherine of Alexandria<br />
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Artemisia Gentileschi - Saint Catherine of Alexandria (att.)<br />
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Artemisia Gentileschi - Saint Catherine of Alexandria, 1614-20<br />
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<b><span style="color: #cc0000;">OTRAS SANTAS: CECILIA y LUCÍA</span></b><br />
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Artemisia Gentileschi - Saint Cecilia, 1620<br />
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Artemisia Gentileschi - Santa Cecilia, 1620 (¿?)<br />
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Artemisia Gentileschi - Santa Lucía, 1642-44<br />
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Artemisia Gentileschi - Santa Lucía, 1642-44<br />
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Artemisia Gentileschi - San Gennaro nell'anfiteatro di Pozzuoli<br />
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<b><span style="color: blue;">ESCENAS MITOLÓGICAS, ALEGÓRICAS, HISTÓRICAS y DE GÉNERO</span></b><br />
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Artemisia Gentileschi - A Sibyl<br />
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Artemisia Gentileschi - Aurora, 1625-27<br />
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Artemisia Gentileschi - Clio, the Muse of History, 1631-32<br />
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Artemisia Gentileschi - Corisca e il satiro<br />
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Artemisia Gentileschi - Sleeping Venus (Venere e Cupido), between 1625-30<br />
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Artemisia Gentileschi - Sleeping Venus (Venere e Cupido), between 1625-30<br />
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Artemisia Gentileschi - Sleeping Venus (Venere e Cupido), between 1625-30_detail<br />
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Artemisia Gentileschi - Ulysses finding Achilles at the Court of King Lycomedes, 1641<br />
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<b><span style="color: #cc0000;">DÁNAE</span></b><br />
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Artemisia Gentileschi - Danaë, 1612<br />
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Artemisia Gentileschi - Danaë, 1612<br />
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Artemisia Gentileschi - Allegoria de la Inclinación, 1615-16<br />
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Artemisia Gentileschi - Allegoria de la Inclinación, 1615-16 (detail)<br />
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Artemisia Gentileschi - Allegoria de la Inclinación, 1615-16<br />
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Artemisia Gentileschi - Allegoria de la Inclinación, 1615-16<br />
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Artemisia Gentileschi - Allegoria de la Inclinación, 1615-16 (detail)<br />
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Artemisia Gentileschi - Allegoria della Pittura (self-portrait)<br />
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Artemisia Gentileschi - Allegory of Painting, c 1620-30<br />
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Artemisia Gentileschi - Allegory of Painting, c 1620-30<br />
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Artemisia Gentileschi - Self-portrait as Allegory of the Painting<br />
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Artemisia Gentileschi - Self-Portrait as the Allegory of Painting, 1638-39<br />
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Artemisia Gentileschi - Allegoria della Retorica (attributed)<br />
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Artemisia Gentileschi - Allegory of Astronomy, 1640's<br />
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Artemisia Gentileschi - Allegory of Fame, ca 1630<br />
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<b><span style="color: #cc0000;">LUCRECIA</span></b><br />
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Artemisia Gentileschi - Lucretia, 1620-21<br />
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Artemisia Gentileschi - Lucretia, 1620-21<br />
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Artemisia Gentileschi - Lucretia, 1620-21 (detail)<br />
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Artemisia Gentileschi - The Rape of Lucrezia<br />
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<b><span style="color: #cc0000;">CLEOPATRA</span></b><br />
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Artemisia Gentileschi - Cleopatra. Circa 1640<br />
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Artemisia Gentileschi - Cleopatra, 1630<br />
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Artemisia Gentileschi - Cleopatra, 1630<br />
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Artemisia Gentileschi - Cleopatra, 1621-22<br />
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Artemisia Gentileschi - Cleopatra<br />
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Artemisia Gentileschi - Cleopatra<br />
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Artemisia Gentileschi - Death of Cleopatra, ca. 1629<br />
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Artemisia Gentileschi - Self-Portrait as a Lute Player, 1615-17<br />
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Artemisia Gentileschi - Joueuse de luth<br />
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Artemisia Gentileschi - Lady Seated<br />
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Artemisia Gentileschi - Head of Saint<br />
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Artemisia Gentileschi - Portrait of a Lady with a Fan, 1620-25<br />
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Artemisia Gentileschi - Portrait of a nun, ca. 1613-1618<br />
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Artemisia Gentileschi - Portrait of a Gonfaloniere, 1622<br />
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Artemisia Gentileschi - Ritratto di Antoine de Ville, 1627 (attr)<br />
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Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-5464569323978413729.post-75515409481443056932017-02-04T10:00:00.000+01:002017-02-04T14:08:21.681+01:00 Caravaggio y los caravaggistas (IX). Italia (1): Los epígonos de Caravaggio en Roma (1) - GALERÍA: Bartolomeo Manfredi y Orazio Gentileschi<br />
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<b><span style="font-size: large;">Introducción</span></b></div>
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<span style="color: white;">.....</span>La incontestable y decisiva influencia de Caravaggio en la pintura se hizo sentir, sobre todo, allí donde él ejerciera su magisterio, aquellos que fueron, además, dos de los focos más radiantes de la cultura pictórica del momento: Roma y Nápoles. Dos ciudades que jalonarían la biografía y el estilo del lombardo. En la primera: el esplendor, la madurez, el reconocimiento y el éxito. En la segunda: el exilio, la plenitud del estilo, la originalidad, la etiqueta de artista maldito. La leyenda se forjaría en ambas, y también en Malta y Sicilia, en la etapa final. Pero es en esos dos focos artísticos donde se creó escuela, donde el caravaggismo permeó a las generaciones siguientes. No hay que olvidar que en aquel tiempo Roma era el Estado Vaticano, la corte papal, el mecenazgo cardenalicio; y que el Reino de Nápoles era parte, como virreynato, de la Corona española, con toda su cohorte de nobles e instituciones religiosas dispuestos a promocionar el arte. Así, con la fuente financiera diversificada (no olvidar que, además de estas dos fuentes económicas, existían en Italia: Venecia, Génova, Florencia y, en menor medida, Las Marcas, con sus propias fuentes de financiación), los artistas podían moverse de un territorio a otro buscando dónde fueran más favorablemente acogidos —y, por ende, mejor pagados.<br />
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<span style="color: white;">.....</span>Roma, qué duda cabe, era, en aquel tiempo de Contrarreforma, el centro artístico de Occidente por antonomasia —no era ajeno a ello la determinante circunstancia de que en Roma estuviera la sede Papal, con su labor de mecenazgo y su valor como foco de irradiación de la moda estilística marcada por el rigor eclesiástico dimanado de las altas jerarquías —cultas jerarquías, proclives a la promoción y el coleccionismo de arte. En la Ciudad Eterna se marcaba el paso del tiempo pictórico ya desde el Renacimiento y allí surgiría también el Barroco. Un Barroco del que Caravaggio fue uno de sus protagonistas principales, por su originalidad, su carácter y su genio, pero también por su sentido dramático, esa innovadora teatralidad que inspira a sus cuadros y sus composiciones, una teatralidad que no es más que puro naturalismo, en reacción al idealismo con que hasta entonces se habían tratado los grandes temas de la pintura: los mitológicos, los bíblicos, los históricos, los alegóricos y las escenas de género (con su corto recorrido, pues éste género recién llegó a la pintura en el Renacimiento tardío).<br />
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<span style="color: white;">.....</span>Caravaggio fue un revolucionario del color y de la luz. Capaz de crear un ambiente lleno de tensión y significado con una exigua gama de ocres, leves y sabios toques de color y una luminosidad casi fantástica. Fundador de lo que se conocería como tenebrismo, supo transmitir al lienzo toda la turbadora tensión de las atmósferas sumidas en la penumbra y la oscuridad (atmósferas escénicas donde la acción comporta una gran carga psicológica); pero también supo comunicar, en su primera época romana, todo el optimismo vitalista y la sensualidad propios de una paleta cromática vigorosa. Los fondos le son prescindibles. No llena el cuadro de motivos, se centra en lo esencial. El mensaje es directo, la impresión nítida. Ya sea por medio del color, ya por medio de la luz, Caravaggio logra insuflar en la pintura una nueva perspectiva que, superando un clasicismo alambicado, abrirá el camino a las tendencias más modernistas (sí, el también será heraldo del realismo, el romanticismo y, en cierto modo —como Goya, después— de un incipiente impresionismo).<br />
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<span style="color: white;">.....</span>Roma dará lugar a los epígonos más coloristas de Caravaggio, los deudores de su primera época; Nápoles será más bien el reflejo de su etapa más <i>claroscurista</i>. Orazio y Artemisia Gentileschi, y en menor medida Bartolomeo Manfredi, serán los abanderados de esa <i>coloratura</i> <i>caravaggesca</i>, de esa fuerza expresiva del dibujo miguelangelesco o rafaelesco —concesión o guiño estilístico a la Escuela Boloñesa de los Carracci— que son propias del primer Caravaggio. José de Ribera (<i>Giuseppe</i> Ribera <i>lo Spagnoletto</i>), Battistello Caracciolo, Massimo Stanzione y Mattia Preti son los valedores tenebristas napolitanos del postrero caravaggismo.<br />
<span style="color: white;">.....</span>Son dos momentos, dos tendencias estilísticas, y aunque Bartolomeo Manfredi sea el encargado de transmitir directamente el estilo más tenebrista de Caravaggio a través de su taller a los muchos artistas llegados a Roma desde toda Europa (incluidos los componentes de la Escuela de Utrech y los franceses —Vouet, Boulogne, Tournier), serán padre e hija Gentileschi, más independientes, quienes reflejarán en su obra, y pasearán por Europa, el estilo más vitalista y colorista del maestro lombardo (principalmente Francia —París— e Inglaterra —Londres). Aquí, en este post dedicado a Bartolomeo Manfredi y Orazio Gentileschi, y en el siguiente, dedicado a Artemisia Gentileschi, se tiene una ocasión inmejorable para poder comparar a estos tres pintores <i>romanos</i> y su diversa opción por las características caravaggistas más afines a su talento. En los dos posts siguientes podrá apreciarse semejante comparativa entre los epígonos napolitanos del Caravaggio del exilio.<br />
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<b><span style="color: blue; font-size: large;">Los epígonos de Caravaggio en Roma (1)</span></b></div>
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<span style="color: white;">.....</span>Los seguidores romanos de Caravaggio fueron más que los tres que serán objeto de mi atención en esta serie, pero este trío está considerado como el más importante de todos ellos: Bartolomeo Manfredi, del que existen pocas dudas sobre su identidad como ayudante de Caravaggio en el taller que éste tuvo en Roma hasta 1606, en que tuvo que salir precipitadamente hacia el exilio acusado de homicidio; Orazio Gentileschi, pintor toscano contemporáneo de Caravaggio, y de inicial formación manierista; y la hija de éste, Artemisia, cuya leyenda supera sus propios —y muchos— méritos como artista para nutrirse de un aspecto, si no feminista, sí de mujer fuerte, paradigma de carácter y talento artístico —circunstancias a la que habrá que añadir, además, un oscuro asunto biográfico, a través del cual, quiérase o no, se tenderá a ver toda su obra: la violación sufrida en su juventud por parte de Agostino Tassi, colaborador de su padre, y el posterior juicio —proceso inquisitorial—, cuyas actas han llegado hasta nosotros.<br />
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<span style="font-size: large;"><b style="text-align: start;">Bartolomeo Manfredi</b><span style="text-align: start;"> </span></span></div>
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<span style="color: white;">.....</span>(Ostiano, 1588-Roma, 1622), como ya he apuntado, sería el principal encargado de transmitir las características del estilo de su maestro, Caravaggio, desde su taller en Roma: el claroscuro, el naturalismo, el dramatismo, la composición esquemática no exenta de virtuosismo en el dibujo de las figuras (incluso se ha llegado a atribuir obras suyas al maestro lombardo). Nacido cerca de Cremona, se le ubica en el taller de su mentor artístico hacia 1603, cuando, a resultas del juicio por libelo sufrido por Caravaggio, éste nombra a un tal Bartolomeo como criado de su taller, y encargado de repartir las soflamas injuriosas contra Baglione (un acerbo competidor artístico del lombardo). Fue Manfredi pintor de cierto éxito, más de cuadros de caballete para coleccionistas privados que de grandes obras para instituciones, seglares o religiosas.<br />
<span style="color: white;">.....</span>Poco sociable, aunque refinado, sería el elegido por los numerosos artistas del Norte llegados a Roma para aprender las innovaciones estilísticas del polémico Caravaggio; lo que no habla mal de su capacidad artística. Aún hoy en día es difícil dictaminar la atribución de diversas obras que tan pronto se adjudican a Boulogne, como a Tournier o a Manfredi, y no es descabezado pensar que la mano de más de uno de ellos pueda estar presente en esos cuadros de dudosa atribución (realizados, pues, en el taller del cremonense por uno u otro). Se le tiene —demasiado aventuradamente en mi opinión— como el transmisor más determinante de la temática de <i>bajos fondos</i>, del ambiente tabernario y jugador (no olvidemos que estos temas ya estaban en el primer Caravaggio), y, aunque esto pueda ser discutido, sí cabe conceder que fuera él quien insuflara a esta temática de género (que en el lombardo estaba plasmada con una estética colorista y desenfadada) su estética claroscurista, vecina del tenebrismo.<br />
<span style="color: white;">.....</span>Entre la cuarentena de obras que se le atribuyen, posee varias de enorme calidad y originalidad, como es el caso de la soberbia y caravaggesca <i>Cupido castigado </i>(por Marte), o las sobresalientes <i>Apolo y Marsyas</i>, <i>Alegoría de las cuatro estaciones</i>, <i>Cristo arrojando a los mercaderes del templo</i>, <i>El tributo del César</i>, <i>Cristo coronado de espìnas </i>o <i>Reunión de bebedores.</i><br />
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<b style="text-align: start;"><span style="font-size: large;">Orazio Gentileschi</span></b></div>
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<span style="color: white;">.....</span><span style="background-color: white; font-family: inherit;">(Pisa, 1563-Londres, 1639). Pintor italiano. Más conocido por su apellido materno, Gentileschi había nacido en Pisa y era hijo de un orfebre florentino. En 1576 o 1578 se trasladó a Roma, y allí encontró trabajo en los grandes talleres que ejecutaban ciclos decorativos en el Vaticano y las basílicas. Sus obras identificables de la década de 1590, frescos en su mayoría, se encuadran en el tardomanierismo convencional, pero su estilo dio un giro radical a partir de 1600 gracias al conocimiento de Caravaggio, con quien parece haber tenido amistad. El caravaggismo de Gentileschi tiene un tono lírico muy refinado, como se aprecia en su </span><i style="background-color: white; border: 0px; font-family: inherit; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">San Francisco sostenido por un ángel</i><span style="background-color: white; font-family: inherit;"> (Prado), datable en los primeros años del nuevo siglo.</span><br />
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<span style="color: white;">.....</span>Hay cuatro "momentos" en la carrera profesional de Orazio Gentileschi, que no denotan, por otra parte, otras tantas derivas estilísticas, sino que son meras etapas profesionales:<br />
1. Una primera etapa, que transcurriría en Roma, entre los años 1599 y 1621.<br />
2. Una segunda etapa, incardinada en la anterior y desarrollada a caballo entre Roma y Las Marcas (Ancona, Fabriano), trabajando para clientes romanos, entre 1613 y 1619.<br />
3. Una tercera etapa, en Génova, durante tres años, donde trabajó para el aristócrata <span style="background-color: white;">Giovanni Antonio Sauli y el p</span>ríncipe Marcantonio Doria, entre 1621 y 1624.<br />
4. Una cuarta etapa de dos años, en París, trabajando para María de Médicis.<br />
5. Y una quinta y última etapa, en Londres, entre 1626 y el año de su muerte, 1639. Acudió allí reclamado por George Villiers, I duque de Buckingham, a la sazón primer ministro del Rey Carlos I de Inglaterra. Allí trabajó, así mismo, para la reina María Enriqueta, esposa de Carlos I.<br />
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<span style="font-family: inherit;"><span style="background-color: white;"><span style="color: white;">.....</span>La década de 1600 fue un periodo brillante de su carrera, en el que diseñó mosaicos para la bóveda de San Pedro y pintó varios cuadros de altar, entre ellos el </span><i style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Bautismo de Cristo</i><span style="background-color: white;"> para la iglesia romana de Santa María de la Paz (1607). En 1611-1612 decoró al fresco el Casino de los Museos para el cardenal Scipione Borghese, sobrino del papa Pablo V, con figuras dispuestas a lo largo de un balcón dentro de una compleja arquitectura fingida del florentino Agostino Tassi. Hizo también exquisitas pinturas de gabinete sobre alabastro y cobre. En la primavera de 1611 su hija Artemisa, también destinada a ser pintora eminente, fue forzada por Tassi. El violador fue juzgado y encarcelado por poco tiempo, pero parece ser que el papel de acusador de Orazio y la intervención de amigos poderosos de Tassi dañaron gravemente sus perspectivas de trabajo en Roma, por lo que en la década de 1610 aceptó encargos de las opulentas iglesias y monasterios de Las Marcas.</span></span><br />
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<span style="font-family: inherit;"><span style="background-color: white;"><span style="color: white;">.....</span>En 1621 Gentileschi fue a Génova llamado por el aristócrata Giovanni Antonio Sauli e inició allí una etapa muy afortunada de su actividad. En Génova su estilo adquirió un carácter más solemne y teatral (</span><i style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Lot y sus hijas</i><span style="background-color: white;">, h. 1622, J. Paul Getty Museum, Los Ángeles). Desde allí envió obras al duque Carlos Manuel I de Saboya en Turín, y en 1624 entró al servicio de la reina María de Médicis en París. En la capital de Francia pintó una figura alegórica de </span><i style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">La Felicidad pública</i><span style="background-color: white;"> (1625, Musée du Louvre, París), y también un </span><i style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Descanso en la Huida a Egipto</i><span style="background-color: white;"> y una </span><i style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Magdalena penitente</i><span style="background-color: white;"> (1625-1626, Kunsthistorisches Museum, Viena), que fueron adquiridas para la colección del I duque de Buckingham, favorito y ministro principal de Carlos I de Inglaterra.</span></span><br />
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<span style="font-family: inherit;"><span style="background-color: white;"><span style="color: white;">.....</span>A instancias de Buckingham se trasladó a Londres a finales de septiembre de 1626. Carlos I le asignó una pensión de cien libras, pero Gentileschi trabajó sobre todo para Buckingham (que murió en 1628) y después para la reina Enriqueta María. Al periodo londinense pertenecen </span><i style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Lot y sus hijas</i><span style="background-color: white;"> (1628, Museo de Bellas Artes de Bilbao), </span><i style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Moisés salvado de las aguas</i><span style="background-color: white;"> (comienzos de la década de 1630, colección particular, Inglaterra) y </span><i style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">José y la mujer de Putifar</i><span style="background-color: white;"> (comienzos de la década de 1630, Royal Collection, Hampton Court, Herefordshire). Lo más importante de su producción inglesa fueron las telas que pintó para el techo del gran salón de la Queen's House con una </span><i style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Alegoría de la Paz y las Artes</i><span style="background-color: white;"> (1635-1638), que se conservan mutiladas en la Marlborough House de Londres. En la corte de los Estuardo, Gentileschi se vio eclipsado por Rubens, que estuvo en Londres en 1629-1630, y después por Van Dyck, que llegó en 1632. Una carta de 1633 revela su deseo de regresar a la Toscana. Pintó una segunda versión del </span><i style="background-color: white; border: 0px; font-stretch: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Moisés </i><span style="background-color: white;">y se la envió al rey Felipe IV de España (1632-1633, Prado) con la esperanza de granjearse su apoyo para una repatriación honrosa. Pero, finalmente, permaneció en Londres, donde murió el 7 de febrero de 1639. </span></span><br />
<span style="font-family: inherit; font-size: x-small;"><span style="background-color: white;">(Datos biográficos completados con la web del Museo del Prado)</span></span><br />
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<b><span style="color: #cc0000; font-size: large;">GALERÍAS</span></b></div>
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<b><span style="font-family: "georgia" , "times new roman" , serif;">Bartolomeo Manfredi</span></b></div>
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<b><span style="font-family: inherit;">1588-1622</span></b></div>
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<b><span style="color: blue;">ESCENAS DE GÉNERO</span></b></div>
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Bartolomeo Manfredi - Bacchus and a Drinker, ca 1621-22<br />
(Galleria Nazionale d'Arte Antica)<br />
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Bartolomeo Manfredi - Bacchus and a Drinker, ca 1621-22<br />
(Galleria Nazionale d'Arte Antica)<br />
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Bartolomeo Manfredi - Faune avec un grappe de raisin et une flûte, vers 1610-1620<br />
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Bartolomeo Manfredi - Faune avec un grappe de raisin et une flûte, vers 1610-1620<br />
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Bartolomeo Manfredi - The fortune teller, 1616<br />
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Bartolomeo Manfredi - Fortune Teller, 1616<br />
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Bartolomeo Manfredi - Fortune Teller, 1616<br />
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Bartolomeo Manfredi - Il Concerto musicale (1610-1620 ca.)<br />
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Bartolomeo Manfredi - Il Concerto musicale (1610-1620 ca.)<br />
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Bartolomeo Manfredi - Lute player<br />
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Bartolomeo Manfredi - Mann beim Frühstück<br />
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Bartolomeo Manfredi (Henri Laurent, après de) - Assemblée de Buveurs (Assembly of drinkers)<br />
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Bartolomeo Manfredi (Henri Laurent, après de) - Assemblée de Buveurs (Assembly of drinkers)<br />
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Bartolomeo Manfredi - Soldats jouant aux cartes<br />
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Bartolomeo Manfredi - Soldiers Playing Cards, 1613-18<br />
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Bartolomeo Manfredi - The Guard Room (attr. to Valentin de Boulogne)<br />
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<b><span style="color: blue;">ESCENAS ALEGÓRICAS, MITOLÓGICAS Y </span></b><b><span style="color: blue;">BÍBLICAS</span></b><br />
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Bartolomeo Manfredi - Allegory of the Four Seasons (c. 1610)<br />
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Bartolomeo Manfredi - Allegory of the Four Seasons (c. 1610)<br />
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Bartolomeo Manfredi - Carità Romana<br />
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Bartolomeo Manfredi - Apollo and Marsyas<br />
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Bartolomeo Manfredi - Apollo and Marsyas (detail)<br />
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Bartolomeo Manfredi - Cupid chastised, 1613 (AIC)<br />
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Bartolomeo Manfredi - Cupid chastised, 1613 (AIC)<br />
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Bartolomeo Manfredi - Cupid chastised, 1613 (AIC) (detail)<br />
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Bartolomeo Manfredi - Cupid chastised, 1613 (AIC) (detail)<br />
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Bartolomeo Manfredi - Dedalo e Icaro<br />
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Bartolomeo Manfredi - Midas Washing at the Source of the Pactolus, ca. 1617-19<br />
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Bartolomeo Manfredi - Midas Washing at the Source of the Pactolus, ca. 1617-19<br />
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Bartolomeo Manfredi - Cain killing his Brother (c 1610)<br />
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Bartolomeo Manfredi - Cain killing his Brother (c 1610)<br />
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Bartolomeo Manfredi - Bartolomeo Manfredi, Cain and Abel, c.1615<br />
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Bartolomeo Manfredi - David and Goliath (The Triumph of David), 1615 (Musée du Louvre)<br />
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Bartolomeo Manfredi - David and Goliath (The Triumph of David), 1615 (Musée du Louvre)<br />
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Bartolomeo Manfredi - Sacrificio di Isacco, c. 1620-1625<br />
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Bartolomeo Manfredi - St John the Baptist, ca. 1610<br />
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Bartolomeo Manfredi - Saint John the Baptist<br />
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Bartolomeo Manfredi - Soldado portador de la cabeza del Bautista<br />
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Bartolomeo Manfredi - Head of St John the Baptist<br />
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Bartolomeo Manfredi - Christ Driving the Merchants from the Temple, 1616-17<br />
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Bartolomeo Manfredi - Christ Driving the Merchants from the Temple, 1616-17<br />
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Bartolomeo Manfredi - Tributed to Cesar (Galleria degli Uffizi)<br />
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Bartolomeo Manfredi - Tributed to Cesar (Galleria degli Uffizi)<br />
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Bartolomeo Manfredi - The Capture of Christ<br />
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Bartolomeo Manfredi - The Flagellation<br />
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Bartolomeo Manfredi - Crowning with Thorns<br />
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Bartolomeo Manfredi - Christ crowning with torns<br />
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Bartolomeo Manfredi - Christ crowning with torns<br />
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Bartolomeo Manfredi - Christ crowning with torns<br />
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Bartolomeo Manfredi - The Mocking of Christ<br />
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Bartolomeo Manfredi - The Mocking of Christ<br />
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Bartolomeo Manfredi - The denial of Saint Peter<br />
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Bartolomeo Manfredi - Saint Jerome<br />
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Bartolomeo Manfredi - Santi Pietro e Paolo, 1610 ca<br />
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Bartolomeo Manfredi - Saint Sebastian<br />
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Bartolomeo Manfredi - The Martyrdom of Saint Bartholomew, c. 1610<br />
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<b><span style="font-family: "georgia" , "times new roman" , serif;">Orazio Gentileschi</span></b></div>
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<b>1563-1639</b></div>
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<b><span style="color: blue;">ESCENAS MITOLÓGICAS, ALEGÓRICAS, HISTÓRICAS Y DE GÉNERO</span></b><br />
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Orazio Gentileschi - A Sibyl, 1635-38<br />
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Orazio Gentileschi - An Allegory of Peace and the Arts<br />
(Ceiling painted for the Queen's House, Greenwich), 1635-38<br />
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Orazio Gentileschi - Ceiling painted for the Queen's House, Greenwich, 1635-38<br />
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Orazio Gentileschi - Cupid and Psyche, 1628-30<br />
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Orazio Gentileschi - Danae, 1621 (Cleveland Museum)<br />
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Orazio Gentileschi - 1621 (Cleveland Museum)<br />
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Orazio Gentileschi - Danae, 1621-23 (J. Paul Getty Museum, LA)<br />
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Orazio Gentileschi - Danae, 1621-23 (J. Paul Getty Museum, LA)<br />
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Orazio Gentileschi - Diana the Huntress, n d<br />
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Orazio Gentileschi - La Félicité publique triomphant des Dangers, vers 1623 - 1625<br />
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Orazio Gentileschi - La Félicité publique triomphant des Dangers, vers 1623 - 1625<br />
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Orazio Gentileschi - Cleopatra<br />
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Orazio Gentileschi - Head of a Woman, 1627<br />
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Orazio Gentileschi - Portrait of a Young Woman as a Sibyl, 1620-26<br />
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Orazio Gentileschi - Portrait of a Young Woman as a Sibyl, 1620-26<br />
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Orazio Gentileschi - The Lute Player, 1615<br />
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Orazio Gentileschi - Woman with a Violin (Saint Cecilia), 1612<br />
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Orazio Gentileschi - Woman with a Violin (Saint Cecilia), 1612, detail<br />
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Orazio Gentileschi - Woman with a Violin (Saint Cecilia), 1612, detail<br />
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<b><span style="color: blue;">ESCENAS BÍBLICAS</span></b><br />
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Orazio Gentileschi - Finding of Moses, 1630-33 (Museo del Prado)<br />
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Orazio Gentileschi - Finding of Moses, 1630-33 (National Gallery)<br />
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Orazio Gentileschi - Finding of Moses, 1630-33 (National Gallery)<br />
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Orazio Gentileschi - Finding of Moses, 1630-33 (National Gallery) (detail)<br />
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Orazio Gentileschi - David and Goliath, 1605-07<br />
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Orazio Gentileschi - David Contemplating the Head of Goliath, 1612_Galleria Spada, Roma<br />
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Orazio Gentileschi - David Contemplating the Head of Goliath, 1612_Staatliche Museum, Berlin<br />
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Orazio Gentileschi - Joseph and Potiphar's Wife, 1630-32<br />
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Orazio Gentileschi - Joseph and Potiphar's Wife, 1630-32<br />
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Orazio Gentileschi - Joseph and Potiphar's Wife, 1630-32 (detail)<br />
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Orazio Gentileschi - Judith and Her Maidservant with the Head of Holofernes, 1624<br />
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Orazio Gentileschi - Judith and her Maidservant, 1608<br />
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Orazio Gentileschi - Lot and His Daughters, 1621_Museo Thyssen-Bornemisza<br />
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Orazio Gentileschi - Lot and His Daughters, 1621_Museo Thyssen-Bornemisza<br />
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Orazio Gentileschi - Lot and His Daughters, 1622-23_Staatliche Museen, Berlin<br />
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Orazio Gentileschi - Lot and His Daughters, 1622_Paul Getty Museum<br />
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Orazio Gentileschi - Lot and His Daughters, 1628<br />
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Orazio Gentileschi - The Annunciation<br />
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Orazio Gentileschi - Madonna and Child (sukling)<br />
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Orazio Gentileschi - Madonna and Child in a Landscape, 1621-22<br />
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Orazio Gentileschi - Madonna and Child in The Vision of St Francesca Romana, 1615-19<br />
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Orazio Gentileschi - Madonna and Child, 1609<br />
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Orazio Gentileschi - Madonna and Child<br />
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Orazio Gentileschi - Madonna and Child, 1610<br />
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Orazio Gentileschi - Madonna and Child, before 1610<br />
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Orazio Gentileschi - Madonna with Child (¡!)<br />
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Orazio Gentileschi - Rest on the Flight into Egypt, 1615-20<br />
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Orazio Gentileschi - Rest on the Flight to Egypt, 1624 (Kunsthistorisches Museum, Wien)<br />
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Orazio Gentileschi - Rest on the flight into Egypt, 1628 (detail)<br />
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Orazio Gentileschi - Rest on the Flight to Egypt, 1626-1628 (Kunsthistorisches Museum, Wien)<br />
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Orazio Gentileschi - Rest on the Flight to Egypt, 1628<br />
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Orazio Gentileschi - Holy Family with the Infant Saint John the Baptist, 1608<br />
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Orazio Gentileschi - El Niño Jesús dormido sobre la Cruz<br />
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Orazio Gentileschi -Verdugo con la cabeza de San Juan Bautista<br />
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Orazio Gentileschi - The Mocking of Christ, 1628-35<br />
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Orazio Gentileschi - The Mocking of Christ, 1628-35<br />
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Orazio Gentileschi - Christ Carrying the Cross, 1605-07<br />
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Orazio Gentileschi - Two Women with a Mirror (Martha and Mary Magdalen), 1620<br />
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Orazio Gentileschi - Mary Magdalene, 1626-28<br />
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Orazio Gentileschi - Mary Magdalene, 1626-28_detail<br />
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Orazio Gentileschi - Mary Magdalene</div>
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Orazio Gentileschi - Saint Mary Magdalen in Penitence, 1615<br />
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Orazio Gentileschi - Saints Cecilia, Valerianus and Tiburtius, 1620<br />
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Orazio Gentileschi - Saint Cecilia with an Angel, 1621<br />
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Orazio Gentileschi - Saint Cecilia with an Angel, 1621<br />
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Orazio Gentileschi - Saint Cecilia with an Angel, 1621<br />
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Orazio Gentileschi - Saint Christopher, 1620<br />
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Orazio Gentileschi - San Francisco sostenido por un ángel<br />
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Orazio Gentileschi - St Francis and the Angel_Galleria Nazionale d'Arte Antica<br />
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Orazio Gentileschi - The Stigmatization of Saint Francis, 1600-01<br />
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